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The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

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Page 1: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME
Page 2: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

UNIVERSITY OF

ILLINOIS LIBRARY

At URBANA-CHAMPAIGNMUSIC

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The person charging this material is re-sponsible for its return to the library fromwhich it was withdrawn on or before theLatest Date stamped below.Theff, mutilation, and underlining of books are reasonsfor disciplinary action and may result in dismissal fromthe University.

To renew call Telephone Center, 333-8400

UNIVERSITY OF IlllNOIS LIBRARY AT URBANA-CHAMPAIGN

DUfe^i ii.7

L161— O-I0<)6

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Page 5: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

y^

FROM c,:r.miJ, M^MIprRfTZ:! OCh

OPERA CO M PAN ^JiiiiwjjTx oir^u^liDis

^y THE AUTHOR. AND C0hAPO3t«i OP

SMI

Page 6: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME
Page 7: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

Rights of Pei-foi-mance and for Mechanical Instruments Reserved.

Chas. Dillingham's Production

FRITZI 8CHEFFOPERA COMPANY

«9«

The PrimADonna•®nj®>

BOOK AND LYRICS BY

HENRY BLOSSOM

MUSIC BV

VICTOR HERBERT.VOCAL SC0RE,Pr.|2PP net. "l^-

KWiTMARK (S) Sons,N£WYORK, CHICAGO. LONDON,

PARIS.Mclbotime.Australia, ALLAN aC9

Coparijiif HCHVlll ii/ MWilTriirkiSoiis.- Entered at Stationer's Hall, Umtonjnj.International Copyright

Page 8: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

V»^t*

Page 9: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

;^t>uFKOlVi "1. ROBT. R. M^CURMiCI'

CHARLES DILLINGHAMPresents

Fritz i Scheff

IN A MUSICAL PLAY IN TWO ACTS

Entitled

The Prima Donna

Book and Lyrics by HENRY BLOSSOM- Music by VICTOR HERBERT.

CAST OF CHARACTERS.

Colonel Dutoir Nace Bonville

Captain Bordenave William K. Harcourt

Lieut. Armand, Count de Fonteine William Raymoftd

Lieut. Fernand Drouillard Donald Hall

Lieut. Gaston de Rendal Martin Haydon

Lieut. Prosper Roussea Geo.W. Macnamara

Lieut. Eug-ene de Beaumont Robert E.Clarke

Mons. Beaurivag-e, Athenee's Father W. J. Ferg-uson

Herr Max Gundelfing-er, Known as "Pop" Jas. E. Sullivan

Sig-nor Giuseppi Spag-lionni Phil Branson

Baron de Pombal Herbert Ayling-^

Dr. Papin St. Clair Bayfield

First Waiter Armand Cortez

Second Waiter Peter Canova

Mother Justine, Proprietress of the Cafe Josephine Bartlett

MUe. Athenee, Prima Donna of the Opera Comique Fritzi Scheff

Marg-ot, her Maid Gwendolyn Valentine

Mile. Mathilde,

,

Grace Spencer

Mile. Desiree \

^"-^^ Chanteuses|

Renee Dyris

The Dutchess Ellen Carr

Countess Helene Blanche Morrison

Marquise du Perriponds Lizzie Conway

Celeste \ (Marg-aret Ross

Mie-non . . • f JGertrude Doremus

^^^S^"^"" \ Cafe Concert Girls < v;^„;^i.. -RaiHClairette

( )Virg-inia Reid

Rebe ) \ Marg-uerite May

TIME: The Present.

SYNOPSIS OF SCENES.

Act I — The Pomme d'Or.

Act II — Club House at lie de Puteaux, Paris.

(Entertainment by the Estudiantina Octette)

Musical Director. John Lund

Stag-e Manag-er Frank Beresford

Page 10: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

Contents.

ACT I.

OVERTURE 5

1. OPENING CHORUS 14

2. SOMETHING ALWAYS HAPPENS WHEN IT SHOULDN'T 28

3. TWENTY YEARS AGO 32

4. HERE'S TO MY COMRADES AND ME 37

5. DREAM LOVE **

6. ENSEMBLE- A SOLDIER'S LIFE 50

7. OH, OH, OH! 63

8. A SOLDIER'S LOVE IS NEVER LONG 67

9. BAND BEHIND THE SCENES (in G) 71

10. FINALE -73

ACT II.

11. OPENING CHORUS 83

12. EVERYBODY ELSE'S GIRL LOOKS BETTER TO ME THAN MINE 97

13. DUET- IF YOU WERE I AND I WERE YOU 102

14. BAND BEHIND THE SCENES (in E|>) 106

a WHAT IS LOVE? 108

IS.OCTETTEJ^,^jjg ^jy^ ^j^jj rpjjj, j^jjj 114

16. I'LL BE MARRIED TO THE MUSIC OF A MILITARY BAND 118

17. FINALE 124

Page 11: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

Overture.

Tempo di Marda.

Piano S

4m i-# ^ H^ V ^

fff Ticttaforza.

mr=r

-ffff

fil-f-^^ * ftfe

Alt ^^

P»je^

g^UTl^ a—

y

W

*jfi^^

^ aj3r?

^^

•:> ^'le ^

i=r

CL^

ra ^ ^T'

a^

^. g j- .-gpi-ie

M.W.&SONS 8462 u

Copyright MCMVIII by M.Witmark & Sons. ' Tous droits dEditipn et

Rights For Mechanical Instruments Reserved, d Execution reserves pour

Internauuiial Copyright Secured. tous pays'.'

Page 12: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

H "ft t

m^^' ^'^

--[ »

m-

srrz

^flnFir riLJT

I* J <<* ' ^

P*i=i« AmMM^I g»> ttr

13 ft ptf 1"^

S [la^ a ^ fe^ s^^^f ? r=t^^ ^*rT'

itiAndante.

l/Ol_ * -^i^

p^ p

*/z mp

W^^rs

^ -

«

^^=^^n ^ i-#. -m-

ff-ff if f iff^ •- .-»- /T\^i i h n\3^

M.W.&SONS 846? 2^

Page 13: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

EST

-t-i—^

PfWT^ ^

^EEEi

T=f^ ^

T^^

^i^=iPf

^ # ^

fei

tf~^ T

=^si

rtt.

P -r ?

=ih^

a tempo. '

m ^

&j=i^^^—i^ .

'

r^h z f^

^ ^

M.W.&SONS 8462 U

Page 14: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

Valse Lento. /:nO

rf

f

I\^ g Jz

I dolce. r=LA3^

m. m^

^^i

JL*

iz:

pnco accel.

mM.W.&SONS 8462 U

Page 15: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

^^

(

jg- V i-fi.

S5¥

H-^4^

f=

*^

s^ IM

^*m

i^

m

$ i I

^ Allegro.

i ^2=

r

^^ f##?iJ2

b 1

r

9 J-» ^"^3i-if? #-J'?Tr

i>#t

^setnpre cresc.^ to

^ i5f

i»—(» i»—1»

0-

r^-i

li ^ 7 ^^/T3^

Page 16: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

10

Moderate. 3 . r"^ I 3 . ' 3 3 ' rs

p ^^ 1r^iT^ ^i^r?2 Ti^-rn.

T^. r-T^.

HajB /i^^ .JTiJii

pa ^Ifrb^ Vil

:ffi^^ ^^i ff Wfz

S ^(g I ^^ j::^

M.W.&SONS 84fi2 ?/

Page 17: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

11

if=ti > -F

I 1^ »fc

s//^/

»— «=iU fS,^re V J-'

t-f^ LS^ W 8=1=

*:;5^=

-y "^1 P f:axi

i J »^ I t^F^

? ^ ^ ^^ J#^^^ -*-<-

s ^^*^=

^nM.W.&SONS 8462 U

Page 18: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

12

tiAf f^ ft

sw

accel. e cresc.

%

Allegro

M.W.&SONS 8462 U

Page 19: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

13

A"US i -

iZZ ;^ fF—if

^ ipesatite.

s•^ •*

Presto.

f^ff if-

j55^

^^ :

^ £-^?

ii^ > f^ #f^ f

Pstrepitoso.^

1

^^ i

/T\^^*^^

/C\

h7 M^

M.W.&SONS 8462 //

Page 20: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

14

N9 1.

Opening Act I

Moderate.

Piano.

Copyright MCMVIII by M.Witmark & Sons. "Tous droits d'Edition et-

Rights For Mechanical Instruments Reserved. d'Execution reserves pour

M.W.&SONS 8462 a International Copyright Secured. tous pays.

Page 21: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

15

Pop playing the Piano.

'^f^^J j J ^ J j J

i ^11 ff^ j_} J ^

bi'illante.

JJ r ri

^^^ t #i^

|^~tU^? 1^ ^^ * *E ^s

jr ' 5- # ' -5- f

^cresc

zJ lIm

^ ^7 SsT ^^^ -4-^^

Pop gets up to tune

the Piano.

^f-rrfffi«^r^rr^^^ 'ffffffff

pttt cresc.

M.W.&SONS 8462 a

Page 22: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

16

8-

i

i nir r r r r r^ ^frTTtrf- ^frfrrrr^

*3EEEEJE

i

«af libitrim.

/Ov

_^^ ^*:

j:^ ^/" a tempo.

i

i^^^

^:^E S

^^ ! 7 ^

M.W.&SONS 8462 a

Page 23: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

17

'>•* V 7.

i ^ / sempj'e cresc.

y^ itMrf^

(

s " S ' d

col svcf

^FT-^-tri

JUTTS ritrr^s^accel.

^p ftt

p cifej^itf

i -ii^it^ ^ i**^

M.W.&SONS 8463 «

Page 24: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

18

<9-

Pm *f*

w^i

= ^ff

tirtr r^r^

r\ ^

/?N

s

r\ ^^

Tempo di Valse.

jy^M i i ^m

Tempo di Vialse*: *:

4j- j-g^ J,^

,.

"^ *r.is *« 1/^

2gntii:

r

^r ji?«c«9 pesante.

^=^^

E^^^ r

tt ff

g

^

^s^

?^

^

^gwmm

^^ ;^

^ »=» ^^

M.W.&SONS «ifi2 a

Page 25: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

19

8-

^ I'Jt , JL

ad lib.

gEE

-rrfr^'i T^rf^^ ^^.

(fe

_5

i^ 7 J: ^

^i ^^/*^ j« *.

w.-[' V -^ J' VI

^r r r "n F''

i 1^=1

;i

^ rtflf /id.

^?/«! bassa.Wt

rs

r\

=f*

(i

^ :|:^i

/:^

/?\

Page 26: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

20

Animato. ^^ # ^^ u&

*-

Animato.

:^^ ;£^^ i ^^ ^ fe

ff^ 6: :4l

sempre animandn.

Jik: S:2i &#*

*-

ffi

^ i =^=^

b<: i^f^^*:1»^ ^ *-

V^_yF=r

^^ ji t ^ f

r=s

^ s^ */^ /7\

^^ ^^

^^ f=^#f t

M.W.&SONS 8462 a

Page 27: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

21

i33O

Vcilse lento. ist Girl.

i

Se -» J ; ^^You're chax-man - te! Sav oui! Let us

icS ^

Smolto grazioso e

^&

rnbafo

.

m Valse lento.

^^^5^

?^^ P

it

^^^^

e

^^iEEEjE

SEE*

1«-=-

s p^^ feibe bons a -

fe

^E

mis!_

/7\ Oi

^Dont de

/^

_^C\.

^^^lay! Name the

^

^#

?^m. j^

accel.

/:^ /?N

P

^ /^_Ol

^:

^« tempo.

^t

M.W.&SONS 8462 rt!

Page 28: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

22

SI' ^ ?

prove that I

^E^ p3^f

fe^day, And I'U that I

3love on - ly you. For je t'a

P f=^r=P=

will prove that I love on - ly

^^^ t ^ you. For je ta

z4g-^^=Paccel.

4SE ^ ^ ' ilf f^ p

s ^ :^ ;^accel.

t

i fcit*^

^^ "^accel.

yiTTTs or: ^^ ^^Molto animato.

All Whistle.

M.W.&SONS 8462 a

Page 29: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

23

i 1 S^ ^

r=r=i T^r=r^ r-r-r

^ sr

^

i

<ig^'' r 71 ^ tt-rij- 1 ?^

^^ i if

^uj>> n^TTi rr? r r I T r gi*^

^m\

^ sir-f-y S- f f

*S=Fs 3

i^- f f

^^" n^ry. t^=f=^

^m ^ ^M ^^ ^-H^

M.W.&SONS 8462 a

Page 30: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

24

O Off,'' '^i i

Dont Tou that to

±:2z

^Ma Cher

/—that toMa Cher Doat vou

^ ^ -i-

! l ? 'J

Ma Cher le! to

' ><^' » --i»-» *^•^ 7

I!13• A^ ^ * > - 9=

1^:3::

_C l

If

^^ • •«J

S

:±:^

Tutta forza.

^!: ^ }

M.W.&SONS »46-2 ff

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25

f ; .

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day!i^ And I'll

-^ ^

26

^I'll ^

^ ^prove, That I

^That I

Plove on - ly

day! And I'll

¥^tF^

prove,

(2

iQve on - ly^ =^=^prove,

Allegro molto.

s-AUegTO molto.

1-1-r ^

=^^5=?= •

5-r-

rs

^^=^mrii^jJ ^

^

T^

^^;^^-L_-.l-:_^:

/^Vi/:^

^^^

*Allegrro molto.

ff ^:^

^^ -«^

f=

M.W.&SONS 8462 a

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27

r^ fl . 1,

-^m 7~^Tje ta dore ma cher

1ie!-

ft;

^ dore ma cher

£ ^* ? i ^-i--^

^=^F=^ ^ ^^£

i^^ =^=r

i J at afe t^^l^t9i\i C •

: ^

M.W.&SONS 8463 a

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28

Something Always Happens \Mien It Shouldn't!A 5 1 2 NO 2.

Piano.

iit>l/ i^ f

r\^^ ^^^^^^^S

i^

I've had as much ex- per - i-ence as

I g-ot some fun-ny friendswiiat like to

One nig-ht I called up- on an-oth-er

^^=^ ^:2z: ^

S 3E

-i

1

m ^s:±2: ¥ ^¥= -V-

doz en men.an - ymake a lee - tie jokp,

sweet -heart called Ma - rie!

A dodg"-ing" in and out from Cu - pids

Be - fore I called to see my g-irl one

The fam - 'ly dey were all a - round the

j) ^ J^ N N ^ ^^:±2i ^dart,

nig-ht.

place

!

i ^

But some -thing- al-ways hap -pens when I'm

They hand - ed me a nice ci - g-ar, they

We start - ed in to play a g-ame, dat

-^S ^ ;^i ;:^ ^^ ' 1 >:u ,![

sjjjj giocosotnente.

t f±£

?

M.W.&SONS 8462 &

Copyright MCMVIII by M. Witmark & Sons.

Rights For Mechanical Instruments Reserved.International Copyright Secured.

"Tous droits d'Edition et

d Execution reserves pour

tous pays."

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29

^i-'it ji ^ ji i- J. J' I J . 1 i| .'^ ^

.' r r li'i ^^g-et - ting- g-ood,and then, I g-ot to find me out a new sweet - heart! Theres

thoug-ht that I would smoke, But first they filled it full of dy - na - mite ! Those

ev - 'ry one should see. Which one of us could make the ug--liest face! . Just

4^''^' : : J ;' } }

^j- } ^ ^ ^ =^

fif - ty bil - lion peo - pie in the world and I am told, Two

fool - ish kind of tricks, dey al - ways g-et you in a fix! And

then my Ma - rie's moth - er stuck her face in throug-h the door! I

^'i^ } i j' ji ;o ; iSE

^^=^

thirds of them are wo - men, why - it's sil

dat's de nig-ht dat end - ed all my g-lo

said: "Your moth - er wins with - out de - lay

ry!

ing-I"

The

I

But

M.W.&SONS 846-J k

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30

feJ' J' J F F ? I

mar - ket's full! Its o - ver - done! But when I want a stin - g-y one. Whythoug-ht it was a g-ood ci - g-ar, And so I gave it to her pa, I

I had made an aw - ful break, Too late I found out my mis - take, When

\) 1' 7 JS %

^

«

^

^_SP F F ^' J ^J' L^'^'

I J > ^^ '^ J

"

some -thing" al - ways makes me out a "g-il - ly!"

hate to tell the fin - ish of the sto - ry!

Ma - rie said: "Why moth - er wasn't— play - ing-!"

For

But

Achl

REFRAIN.Poco meno.

'P^=W'- ; J' J' i J iF F

I F ^^some -thing" al - ways hap - pens when it should - n't

!

some -thing" al - ways hap -pens when it should -n't!

some -thing" al - ways hap -pens when it should - n't!

^\f K\ \ S

colla voce.

ytn^^

*,

* f] t?'>'/Ti

^1 =1

M.W.&SONS 846^ /

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31

5fe*^'•"'

J' ^ F F"''

F F F IJ^can't ex - plain just why it

can't ex - plain just why it

can't ex - plain just why it

^

IS,

is,

is.

or

or

or

=?=^how!

how!

how!

7 h1 -

But

Dere

It

^ 5"

»=r t ^?

^ i ^

i^'i'

F F F r t^ F F r I

F P M ^ P F F

dere iss com- pli - ca-tions. When a g-irl has g-ot re - la-tions. If it

came a noise like thun-derj Vere is fa- der now I won-der? If it

could- n't be some oth - er. It must be the face of moth-er. If it

i ^ "* > > ^iv\r h 7W t^

^ M ^m!l.^ i ^ J ^ ^ ji J J' IIm ^ ^ P

had - n't been for them I mig-ht fce

had - n't been for him I migrht be

had - n't been for her I mig-ht be

mar

mar

mar

ried now!,

ried now!,

ried now!

.

M.W.&SONS 8462 k

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32

4 5 8 N9 3.Twenty Years Ago!

Trio.

k^

Moderato grazioso.

5 ^ ^ rs

Piano

^acceJ. n't . p

F^ r t'

/CN

i'''''J' ^J' > i' J' ^: M r O *

^te? ^F r YI was not yet quite

I re - mem-ber when we both were g-ay young* sparks!

a^^^ t ^ f ^'"f f^ t.^ i^

i#twen - ty!

t ^ i J i' J' iiJ' r F=^

Go - ing- ev - 'ry eve - ning* on the

-v^'i.^ \ ff M P ^ ^" E^

I re -call it ver - y well!

i"^

^^

^ ^^i ti>

^^ ^ i i

M.W.&SONS 8462 (^

Copyright MCMVin by M.Witmark & Sons.Rights For Mechanical Instruments Reserved.

International Copyright Secured.

"Tous droits d'Edition et

d'Execution reserves pour

tous pays."

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33

fes;eS ^ ^Lov - ers I had a - plen - ty!

k^ ^wild- est larks.^ ^^^

f^;fc

i^J^^ ^

ad - mired you, truth to^^^

'>j'i> J i t# ^

i fe^S>ai - ly a new fliDai - iy a new flir -

kfe ^ J J ^^ ^, h hP F F' r

Op-e - ra and then a sup -per set for two!

'>'i)> ^ m

tell!

t*:fi rU^IT> J 1 i i

iIJ^j\ i^^ i ^'••Sli >

t^^«=t

^f i f ^ ^

^^ E

ta - tion! No one told!

m ^Tete a tete!

'>'i\> > > ^'

^F F F P

With a bal - let danc - er!

M.W.&SONS 8462 d

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34

$kfem ^

Life was but one long* sweet day - dream! For in those

J' r ^g ff r r VI

i"l J' 1^^

F'H' ^T rp

v i,'i.i. F ^) r ^pLife was but one long* sweet day - dream!^

Bird was hot, bot- tie cold! Life was but one long- sweet day- dream!

l^ j'^^^ri"W*fe^

_y^

imf i ^v- 1 m? ' ^ :

W/. nV.

TTiFpj:p ^ ^ I J J J J J^v J7 1^^ ^

Un poco meno.

I^'''

:? g r ''

F F FI

•^'

r ^'

^' ^' ig-ood old days, They had such diff - 'rent ways. In mod - ern

^ ?2I ^^In those days.

'f- ^'* ^ V F ^ ^^^For in those days.

Un poco meno.

tea

^'At J f m i

They'd diff- 'rent ways;

^M.W.&SONS 8462 «?

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35

^m ¥ ¥ J' J r J)P^times, Of course they'd be con-sid- ered slow!.

^^m^

F F F FNo chor - us

^^Such diff - 'rent ways!-

^ M F ^ F^

These times

.

we'd think them slow!

^^^ i^i? M I ^ F ^=¥==*

g-irl was known, A mo - tor - car to own! Oh yesJ 'twas

feM TC ^^They were slow.

^ V [7 ^^ F 1 Xt=J=ENo g-irl was known. A car to own!

M.W.&SONS 8463 d

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36

^ rs

^JQTZ^ZJ I"" II' ''^

$ \>ir 7 ^ h > ff^

^,",1. 7 ;'

f^^

diff-'rent twen - ty years a - g-o..

/7\ ^

'Twas diff - 'rent years a - g-o.

fm /^ 1^

^^

^^'Twas diff-'rent years a - g-o.

DANCE.

£M iia .iii

M.W.&SONS 8462 fi

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37

N9 4.Here's To My Comrades And Me!

Piano.

Valse lento. ^ P ^Po - ets may

$ft ^ ^ ^sing- of the beau - ties of spring-, Or the stars shin - mg-

S

§ i> l, J IB m ^

s-^

Mw^^

\i^^ r ^-f F

J.IJ^^

I J i iisoft - ly a - bove. 0th - ers may swear that they're

S

V- A fri' -^w=^

g_' »

9 I » »— r-

P ^ W:

^m^^

"Tous droits d Edition et

M.W.&SONS 8462^

Copyright MCMVIH by M.Witmark & Sons.Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured. tous pays."

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38

cresc-

accel.^ ^F M r r

' ^moon quick - ly wane, And the Girl may not love you for

i:9\, - • m

J^^J

;^±

accel.

\ _jt

Sftf= St

^^2_

M.W.&SONS 846«g"

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39

•7 'I

m ^ ?=^^^boys, of to - bac - co, g-ood wine and a song-!- For all -

^ ^ S^=1 " ©F.V= b"i. t' f H

j^T"-'- »-*- i

^ Poco piu mosso e molto rubato.^ ^9*'" r F F ^tho' for a while, All the world seems to smile. And we

^m min

S ^ ^ T=1= i=^=^&

riffe

F FI r M

know not a grief or a care. There are times when we

^:g:- -g:

^^ ^^^:?

^ :stici

i^ i3E¥ ^3 ¥^

i.m ^ P ^ ^find that our friends are un - kind, And we feel that the

4^^ m 3^3

^^^^ ^ ^ i ^ ^^^M.W.&SONS 8iH2g-

Page 46: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

40

world is un - fair..

i ^^ r^But of friends I've a few who are

n. \ fk

'.> <i\ J ? >

i I F=T^ E^E j^l^^

^m imfir. F ^ ^ ^e

stead - fast and true, Good or ill thoug-h my for - tune may

^'•i. t j J

m ^^^^ 5^ ^^^

SS^ M r

I ^ ^What is mine they may share, What Ibe.

^^m ^^ =^^

^ ^ P^ff

Jr

J M.

r' I r r r ''r

Ov

te fneed they will spare, So here's to my Com-rades and me.

^C\ ^im

r^^^^ *#1^^ f^ 1^

^^^^/C\

S9-:2L.

/ ^ mnl.to accel.

1-* •*. *

M.W.&SONS 8462^

Page 47: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

4:1

^^'v •> i

Molto piu mosso quasi Alleg^ro.

TENORS.

Then

BASSES. /"^ i\ i i

i

here's.

i

good

i

cheer!.

$ ^

Not

m

^^ # ^ #^ ^ ^fff

v^'i. r r^ 3Et9^* 9^

^^ ^ \ im ^

^

sigh! Al though.

^ ¥^ s

^^;^

(s i fef ^ :^=l=f

M.W.&SONS 8462jg-

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42

ii'' ^ MJii

=i M

fe

rit.

^ /. M :: :^

^^^

^^^^

^j>?^

^^

^

j^s_

r-t

Page 49: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

43

\i' .

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44

N9 5.4 5 11

Dream Love.

Piano.

^m

Is m=mtei

^^i.'i.V'ii }'ry

ti=g=*^^^

rJ>j)

iJ J J^

Dream- ing", I have in seem- ing" lived in a

>v r •/ ^y^e

J'''!;^ji^

^TT'ji '

\i ^^i' j^' ; r r F^'^-^'

i

f r^'^^' ^'

> fair - y - land!

.

Cas - ties had I, and vas - sals had I, to

\ y-'i\K^-j'l

^.

lyi J-'FMi ^^ ^^f^te?i^

l^'-iV' ^^ ji ^^^

fe=

kiss my hand! My lands stretch-ing" from sea to seal

^ -^-^

y^'i.y J' M'^ M r ? K?E^^

^*^^^ 5t

r

izij

M.W.&SONS 8462/

Copyright MCMVm by M.Witmark <fe Sons. "Tous droits d'Edition at

Rights For Mechanical Instruments Reserved. d'Exeeution reserves pour

International Copyright Secured. tous pays."

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45

ten.

J'''''-' I I

1 Ti ^

1

"^ r J'>

J

w n

Is - lands send- ing- their g-old to me! Plea- sur% there, with-out mea- sure!

^^ 1^=^ ^^ Wr f T« T=^

^ zzz ^

te ^^^^I." t' u ^' ? ?^^

Morn -ing* or nig-ht, all was de - lig-ht! To me, came then to

^^^ J^ ^^ J

^Vj' J J J J ^ i j^J J>

w'oo me, Lov - ers, a score or more!.

i

'li^ ; ^I?

-^

J J' ^ r J)"J' M ^ i

M.W.&SONS 8462/

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46

^r r ^

i^Jipr

^'^^ J'l^^ fj •

Laug-hed I, g-ai-ly, and chaffed I, When they de - vo-tion swore!

tem ri

^ii'ii'

j-^ r^i

^rr

^^^

arrj^ '^ r/

^h 7 ff 7 K^^^

Yet one diff-'rent from all the rest, Filled my heart with a

^3

^ I I

r |T r^ I III

He a - lone! Thy love! Thine own!. Ah, but a -

M.W.&SONS 8462/

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accel.

p^i'^^ F r^' ^

47

rit. pa tempo. accel.7-it.

F F^li' U ^^

las! I found 'twas on - ly dream -ing-! What came to pass I foiuidwas naug-ht but

V^accel. ' ——-__accel. P a tempo.

vH'i,^,u-, rr ^ r ' r ^

i fes^ « tempo. rit.

KT ^^^^ E^ J' ji r r I r f:

seem - ing-! And yet the one that in my dream I love Will some -day

ir •—•

w i- ^«i^ i^^§p

lit.

^ 5 ^ ij

^m ^ ZSL

feappassioato

.

^n F F F F-

-fi ^ Oi ^g^E^JEEES ^come to me, I know, and his de - vo - tion prove! Ah me! How

accel.

te ^ nt. p a tempo. accel. inf.

i IIT ff r J'^t^E^ ^ F F ' I '' P F

sad - ly do I long- to meet him! He'U see how g"lad - ly with a song- I'll

(i^ k Hi i|->- j i^^=t=j i=« ^accel.

* 1^rit-.^^

-3- -S- -3-

p a tempo. lit-^ ^ ^ f^^^^^^ ^M.W.&SONS 846-2/

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48

p^i'i'M

I

'

, > Hi

^

1I r r If r r r r

i

(^

greet him! So to my dream love I will con- stant be,.

fi .. J ^

TiU thro' the

^il H if"•—*"

p

^^•^^I'V'' r

' ^

•/I i 7 g 3"• r

^^

^

^^ F 'rF ^' ^p M r^'

ii>

Piu mosso.

^Pworld he search-es ajid at last, at last comes back to me! Come! Come! When-e'er thy

t^^^r\ r\

^n i

.1' , 1

.1 ^ f I

)^^ ^ /TN

I i ii.b >

5 ^

i tes i r r F

f * p '1^'I g

search is o'er come back to me! Come! Oh, Come, For

i fe^^^^ ^ ^1;^ I

(^^ ^

.1 J J ^^s^

=^ ^ bl>i

I ''I'V' 1^

FF

F•

'

'^'P ^' U i» •

^ ^

te#

I wait and watch my love for thee! Come! Come! The fond - ness

=«=!=.1 I U' i

fp

^Mm ^^

^^

SSEES=1J J J-l

^^ ^

M.W.&SONS 8462/

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49

E^fi'iV' [i^ Q :'^ r Jm ^

r iof my__ dream - ing- help me prove! Come! Oh Come! For_

te ^m^? p F P ^I wait a watch for thee, my love!.

W^

M.W.&SONS 8462/

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50

N9 6. A Soldier's Life Is Never Long.

Moderate.PPP

Piano.

ih ^m ^s j hmw^wr- T rf

rziL .

h 7 \>Hi ii i ^^ m ^^^*t£rrr w^

cresc. .

M.W.&SCNS 84(« A

Copyright MCMVIII by M.Witmark & Sons. "Tous droits d'Edition et

Rights For Mechanical Instruments Reserved. d'Execution reserves pourInternational Copyright Secured. tous pays."

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51

i-^"^

I^ ^

^^ ^

W^SS

^ ^^'f^

fe=^s ^ 5^ J::w-jj- 5Siffii^

f^ f ffiTT-r

ffi

TWO GIRLS.

"^.rt.&SONS 8462 /l

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52

i ffi

4 ^'v J^ »^ i' J' »^' »J^ J

^pf^ 3^^Some Cig-ar-ettes

la la la la la la la

^^^^^ ^^0song and dance in an - y old keyl

TWO PEASANTS.

'''A v H m

Leggiero.

^V' ^ JtJiJi^Pf

S^# :^=^ ta

Tra la la la la la

TWO OLD WOMEN. ,..

v\> V ^^ w^=rFor

if

w #1i>Vi^ ^

Ab - sinthe.

y-\ J^ ^ ^^FOUR SOLDIERS. ' '^ ^'jA ]_

m 7 7 ^p

down!-

m. ^d^^^t£/ LJ- r

.-//'

E^ s

il«

1*"

M.W.&SONS 8462 A

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53

^*la!.

*

f

\ J aJ Ji

Wine.

^me

Ksomebring cof - fee tea!.

t

'r h g ^ F Miii' ^ ^-' I 5 1

P M' g ff P *r p Msol - diers life is a

I H Is

i*" 1^1 n^

bus - y one, mer - ry one, hap- py one!

T . I .9

^»j H J j ^ ms

staccato.

y h i iJ j -i^^ ^ i "M i

M.W.&SONS 846i h

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54

f.

a-^ ^ i ^ p'^= V Mi^i^

Wine!-^ tra la la la

^n;';i; J^^

^I

51

FOUR SAILORS.tra la la la

i^nnw £s* m ^mhap-py one. hoi la he. Bring- wine, gar - con and

'-MilF

J) g ^

zill>fl g

'^ ii^^^see howr neat! Bring a jug of wine,. gar - con

^ / sf P:^

^M P M^ ^lala la la

^ 5^

tra la la tra la la- la

X-•I ' J i W *l ' J ' •i

^

sf pla

b> J) j) ^

and bring it hur - ry up, hur- ry

I.W.&SONS 846'J h

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55

^ ff'

la la la la

^1 J' > } >

Tra la la la la la

ff\ ;?—'

'—5—

'

fr h h ji ^^^#; ^la la la la la la la

mTra la

ff\—

i:

la la la la

'

3.'

>3Z=

i g g'ig

(i pt

T't'lt "p ^ ^up!

^ ' ;?—

'

^^^^^^^S

'

73 'I 3 '^ ~3 '

' Y Jf^ E

r^ =^ ^^ ff^ -I r n r

F ''[> P ''P"

(T

m n ^?^la la la la

^. T.

h 1.^ J J^ iiJ

Tra la la la la la la la la la

1.3 3 .1' i|l J ^ =HF M V

la la la la

I ^ 1

«s=^It T; p

Tra la la la la la

-ffy—

'3.—

' , \

—3—

:

^F g F *F

la la la la

\ % ? ,i=-

P P ^:^?la la la la

sTra la la la la la la la la la

|:*n|jir3 jTlu»r^ HlK' ^^ g^«vM( 35 I 1^^^—

I

ff."1 r^ B 3^f 1^

M.W.&SONS 846^ h

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56

4i/ ^m^^^Bring us wine, gar - con come

m/^^ ^m ^^^4t

Sol - diers, we love song and dance and w^ine and wo"- men fine.

^m ^ -1.

'^^

^riitilr^ rTi kiin rrt^^¥^^^^

=it ^^ ^^ ^^a~~-^_

T

f-. M r^^Tra la. la la la

Vw JU' i'^ :£ES S=^^fbring us wine and cogn - ac fine Tra la la la.

P ^^ ^?^^s^ ^ ^JL4^Sol - diers we love song and dance and wine. and wo - men

S ^^ \ 1 J 1Tra la Tra

jT^ j-g-Q j-^Til j^:^^

ft ^i f¥iJ—2 3 ^ ^m"GlxJ t_:r ^

M.W.&SONS 8463 A

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57

la la

#tra la la.

m ^

tra la la la la

^ ^itra la la.

tra la la

^^ P T P P

tra la la

-

tra la la.

S ^Mfe^J^ ^^ ir_k^^^\

la. tra la la la la tra la la

-^. ^ ^-^

j-j} setnp?'e piu cresc.

n ;E ^%tra la la la la Tra

i ^tra la la la la tra

Heh, bring wine, bring wine, Heh,

la la la la

fr~T~7la la la la

bring wine bring wine

M.W.&SONS 8462 /*

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58

ti^h n ^^^Tra la^Tra la

^Tra la

Tra la_

^

^

^tra

tra

Tra la Tra la _

P^tra

P ^tra la- tra la. tra

fe^ ^ m T=^la.

P P aSEEEfc^

pla.

P ? i

la.

^ : ^ V »

la.

mn?' '"^'i f~y~' I A- I

JSilS ^

:r^If^

JEPPE

:;i^*jfi^2S •^r"" ""^y-

i"^T"" ^~~r

1—;y-n I

-^—

I

> d d dd d d:M

M.W.&SONS 84fia h

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59

fff S/S

^^ M-^M F p [;»

'

P F M'

#

Tra la la la la A sol - diers life is nev - er long! So

iF !? F " F F F P

Tra la la la la Asfz

sol - diers life nev - er long! So

1 IM P F F F F« F F M

fff^So

^^^ F ff g r F 7 f^

^Wfff Tuttafnrza.

n fe=*«*

CJ ^ 1

drink from

drink from

W^

plea - sures cup!

^^ms^^plea- sures cup!

^^=^

Tri - quons!

fe

Tri - quons!

iB ^

Bot - toms up!

f-p-^

^^Bat - toms up!

^=S

Tra la

Tra la

Tra la

^^

Pstrz^

^»*H fli

M.W.&SONS 8462 h

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60

la la la! A

P 1^ ^ Ml

^ ^ F^

health to Vo - men -wine and song! To

mi

mgrief we

F F P » ^la la la! A health to wo - men wine and song! To grief w^e

# ^^EF F M^^^ F P F

"

la la la! A health to wo - men wine and song! To

^^\

M ». 4 f g f ff

grief w^e

P=i

> i. ll

r^i-^ ^ tt^-f

i ^E ^ isay "a bas!" So vive la joie!^ Tra la

^^^^

(i*«F F F

Tra la

^say "a bas!" So vive la

Fli=l=s ^ ^

joie!

^

(

^^ ^1 ^^

Tra la

Eg

I r

hhj j J j

n-Ci

M.W.&SONS 846'2 A

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61

i ^H" F P F^ M P P

la la la! A sol - diers life is nev - er long! So drink from

^ 'M P M ^ ^t' F F ^ P M

la la la! A sol - diers life is nev - er long! So drink from

jh t> S (. ^ M P PF F pla la la! A

^Msol - diers life is

M «.

nev - er long! So

V 7 [' ^ f t 7 t

drink from

^

mfe=*^ " p F r ^^ P^ ^'

[! P ji

plea-sures cup! Trin quons Bot - toms up! Tra

^m F F ^

la la la! A

F F F F^Tra

ii

la la la! A

^ P F F FP F"

plea-sures cup! Trin - quons! Bot- toms up! Tra

S ^^ # ^^ M^^la la la! A

^\

%^ £^W i=r# * -^ *

^ w'^^^-^—*-

M.W.&SONS 8462 h

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62

k i^^ MM i^ M^health to wo - men •wine and song! To grief we say "a has!" So vive la

m ^PPMM ^ ^?^^

^ F p M'^' M M^r r ff ff

^ p p p-

health to wo - men. w^ine and song! To grief we say a bas! So vive la

wm f g f f £^ mm\

(

j-i irTTirrr 5 iJ: # I f I

^ rie H^ ^ ^1 r-i^ s-^

^i ^ f •/ •/ ^'

/CN:^^joie!

mSo drink! So drink!

^ /r^

63^;^;^=?=^ f 1

w

^m eSe m m /?N

¥ 7 7 P^=rjoie! So

ggj^

drink! So

t^ -/ '^

P

drink!-

1 ^^^^2

M.W.&SONS 8462 /l

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63

N9 7.4-510 Oh! Oh! Oh!

Alleg^ro.

Piano.

^ mJ. j J'IJEfc i-y-^ ^ f

i

Let meNow up"Ah! said

tell to you, mon cher!

on ze same steam- aire

1, o«,»vi he, "the wa - ter's fine,

In my room I g-o be - low,

Of a hor - ri - We af -

Was a Yan - kee mil - lion -

But I much pre - fer someTill the wind no long* - er

f!F

t i =»=* r=r

^m ^—

^F

I F 1^ ^ r W ^fair._

aire._

wine!'

blow!.

Zat hap-pened en route from g*ay

With no - bod - y with him but

"Just fol - low me to the up -

Zen quick - ly I start to feel

Pa - ree! While

his wife! Oh,

per deck. Whereso fine, I

>-^r>^

m•"H ] Ti ^m

M.W.&SONS 8462 /

Copyright MCMVIII by M. Witmark & Sons.Rights For Mechanical Instruments Reserved.

International Copyright Secured.

"Tous droits d'Edition et

d'Execution reserves pour

tous pays."

Page 70: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

64

^ ^ ^ ^^nJT^ Mtsail - ing- up - on ze

it was ze chance of

no - bod - y else can

zink I would like to

roll - ing- sea, up - on ze roll - ing-

all my life, ze chance of all my'rub - baire-neck,' no - bod - y rub - baire

drink some wine, a bot-tle or two of

1''^J J i j

^m

^m f^ • P F F ^^t ^—*t

sea!—life!—neck!!!-

wine!

^How I suf - fered on

For so ter - ri - bly

'I've a suite there

When I drink it I

zat steam - aire!

plain was she

all my own!"

am so g"ay!

^ i5# t^ -A

-0^- ^$m^

m ^^

m p f ^g' '^F g P

'' z=

Oh! oh oh oh! Ohl

Oh! oh oh oh! Oh!

Oh! oh oh oh! Oh!

Oh! oh oh oh! Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

d J^

I'm

He'We

so

wascan

just

m

sick with

g"lad to

wine and

love to

U fT]

^fz

^^^ \ft f tff :

M.W.&SONS 8462/

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b5

* ^?=^ mrit.

aF P P

^/r\ ^

mal de mer! Oh,

flirt with me! Oh,

dine a - lone!" Oh,feel zat way! Oh,

oh oh oh! Oh! Oh!_

oh oh oh! Oh! Oh!,

oh oh oh! Oh! Oh!,

oh oh oh! Oh! Oh!.

Meno mosso.m ^F F n I F ^ M U

I F F F^did not know whatdid not know what

did not know whatdid not know what

I should do! I

I should do! I

I should do! I

I should do! I

did not know whatdid not know what

did not know whatdid not know what

m ^m '•r F F ^^ *ESF*^ ^P^m f

m

I should say! My face was pale! MyI should say! When he said: "Take aI should say! My face turned green. WhenI should say! I g-o to seek Mon

lips were blue, Al

walk with me." For

he said "Dine!" I

- sieur

i^^r f f

bove. And

S ¥ ^

M.W.&SONS 8462 /

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66

k } i\U^ ^p IF i j'.-i p^ E ^ h ii:yi

though my cheeks were red, I knew! I said: "Oh, cap - tain, stop ze ship! I'd

we were on ze roll- ijDg- sea! I wished to make a hit with him, I

could not bear to f/iink of wine! And so I made my - self to smile, And

in his suite a' - mak - ing- love! I find him with his home-ly wife! It

[

^'^ M'FM

r' ^1 ^' ^'r M l" F '^

like' to walk you know!'

could not an swer "No!"say: "Mon-sieur, No, No!"

was a dread- ful blow!

No more for me ze roll - ing- sea!

And so we start to prom -en- ade, (But)

"A suite for us is dan - ger - ous

!

Zat he should be un - true to me!

m Tempo I.

L

^^ £

1-4 Oh! oh oh oh, oh! Oh! Oh!

*

^ENSEMBLE.

/^^Oh! Oh oh oh! Oh!

N^Tempo I.

J'l l

.P '-^

I

rs

-F^ *^r^Oh!-

m

m r\

M.W.&SONS 8462/

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67

4509 N9 8.A Soldier's Love!

Andante.

Piano.

^ /z\pneo rit.

^Once a lit - tie

H^=43

Vjf^•F •!*-

^&^^&I

u pnco rit

.

a tempo.

AF F -^ F

^'F F > I

i :t

sol - dier,

lit - tie wood -en sol - dier, In a lit - tie

%aba*^^%

p a tempo.

«i it*

i^(?M.

3i ^^ ^ * »

Punch and Ju - dy

o

show! Loved a lit - tie danc - er

i^-Mi-l m^m ^^i t- t.

§ ^ ^^"Tous droits d'Edition et

M.W.&SONS 8462 C

Copyright MCMVin by M.Witmark & Sons.Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured. tous pays!'

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68

§'' ^ ^ -7^ \ r r 1^ ^

dain - iy lit - tie danc - er in a lit - tie bal - let^ ti Jxn ffl^^=^

?E^fi^.

a tempo.

^SEES P=Pf=^^ ^

g*own you know. But he could not teU her

^1^ i^

^f=^7if.

-1 ^rt tempo

1 ^3^ P V t1^

#^r r ^-F F I^ ^ ^ pp^Nev - er could he tell her. That to her he'd lost his

^^ #*^^ -^

-^- jrr^ 1 rr-:^^ ^^ :s: ^ P2s;

^ ^^ P=S;[i t' t'

sol - dier's heart. For by means of string's and oth - er cru - el

rtW m ^^ ^:¥=^^=^ ^=^

^^^ ^m J '-nr^p p ^^^^ p!^

M.W.&SONS 84fi2 C

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69

E^ rit.

E ithing's, They seemed • to be for - ev - er kept a

Tempo di Valse lento. a tempo.

^^ ^^ P ^part._ Yet he loved her so mad - ly, He'd die for her

r7\r\

^m * ~ \^^5

-in \^a tempo.

i i m^^poco accel

.

ir\TIZ

9J

g-lad - ly, And soft - ly, sad - ly he would sig-h. 'If

U2- hiz:

::!z:

SI ?=poco accel.

S ^ ^ ^ ^i*

^ ^ ^^M- 1 r r;e

¥she on - ly knew that to

f^= i

her I am true, I am sure that to my

i^^ S6E P^S ** <y ^ ^ ^ iM.W.&SONS 8462 C

Page 76: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

70

rit.

^m -^-^?'°s =- T^r?^ " "'"i"-

W^^^ ^H' I r r;e

love her heart would fond- ly re - ply. But a -• las! It was fa - ted, They

($

r ^ # ^& Sns \^ * ^ * *i=^s

S

?'?7.- dnlce'^

PP >>-^ a tempo.

J^ f

pncn acce'

.

^ne'er should be ma - ted His soul was filled with vain re

^^ m -s-

b^pncn accel.^^ ^ i g ^^ ^^

i^ a tempo.^^ ^ ^^F M r r

:^

grets! But sel - dom e'en mor - tals may en - ter the por - tals, Of

f±2i?r:e ll>:

f«= ^t«=

i^^

a tevipn.

t iF ^ ^S *=c;

i £E^3 ^ h \ \ II^^^ ^zlove and so it is with

M.W.&SONS 8462 C

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71

Band Behind Scene,N9 9.

Tempo di Valse.

Piano.

gS^^^ iUi g^ ^tz

^ r r ^e f :j r-

V

^ t ^ ^ mt=iw w

^ m r—

4

itr*>rr' rj <t^<t^-

ff ^ ?=

^•'I r r ^ ^ 1^ ^j

j^^Snr^r

^^ y ^ ti«^ ^ ^ ^ ^

I^ feg^ ^ r'rrP T I t t ^ V » ^

^ ^^ fss i W i ^^ g

i" =f

"Tous droits d'Edition et

M.W.&SONS 8462 b

Copyright MCMVIII by M.Witmark & Sons.Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured. tous pays.

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72

^ m-9-

-^m t^^=f=fr

^^ ^^ ^^ f£f£f if iEEt?

?Et^ l=» Ie^^ ^^

^

M.W.&SONS 8462 b

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73

N9 10.Finale Act I.

Piano.

^m ^

Cello.^ r\

^

pppp

^

W^

^ fe^

^^iEE^

PPPP

^^poco accel.

S fesi fessg

U' U"

/?N.

s

^^^/y?;?

S^^

• T/~Ji

rj.r]|.^o^ J * Jgi Pf^?S"J. 'J'J

i ^-^^ ^^ ^=M^

^I

» hJ*

I his'Ur\

'^^^=^^ppp

i i'7 ^ \ J

M.W.&SONS 8464 r

Cop3-right MCMVIII by M.Witmark & Sons. ",Tous droits d'Edition et

Rights For Mechanical Instruments Reserved. dExecution reserves pourInternational Copyright Secured. tous paj's.

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'!» *;l..--STf jHtBm

^^^^^=^

f-'-.'^r ,

r

f .> _* -*—^= ^ ' r-

•; « ^ _$^ 1^^

-$ ^ 5- jg ^ ;t^ ^V

:^^ ?:

Page 81: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

T5,

SofflQES^ gin: sstcsra.

J^jL^JXy '~i *J "J '•

:-r -r

8 8 *

rr • =5t:

^. ^^~T»~

^ - I • : I I :

i

i

i^a:

\,T 4^« W '-.«

.'-..ir^l I "i i •

"^ CT^ZT3WtW

=ta= =?^ =t«=

imiSiJiiLS *»R» -

Page 82: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

76

Molto agitatoten.

ten.

?~J ^Z'^~Ti

ten.

tI^ i-i

, Jten.

> gt|jt<

^i

j^ ^^^ r i

> moltn cresc.

^^ fl: ^ ^ ^ ^1 i:

faJ^==^ ^ m h i i ^P ^"TMf

^

cresc. possibile.

^-« H- ^S ^ ^=j>^^:b^. if5 ij^

4"

i *" »

! p J.

^ ^ i

^^^^ ^5 ^#* ^ R

M.W.&SONS 8462 r

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77

ATHENEE pushes Bordenave throughdoorway, locking the door

i h=^.iEEir^^ ^ /C^ r> ^^

/7N

Si^j_ >,

^

S*jQ^^

V ^ ^

^ /C\

T * ^ ^^5=»5F

i; 3 I.

She crosses to table (centre of stage)

Trembling, pours out glass of water,while about to drink, Chorus is heard approaching.

^ :^^^ :i

^^'^ *=

'>''h ^r 7 ^ #^ ^t

pppp

I /r\ /?N

7 ^ ^TE

•t/jMi* *^;^

Tempo di Marcia.

j it g J J

Coming nearer.

^¥= ;e P^ i' P P« F P F P

Tra la la la la la Sol - diers life is

ii

»6«-

nev - er long! So

i^P ^^^ F F F P

S ^Li

Tra la

^^^

la la la la

''^ffK

Sol - diers life is nev - er long! So

feEEES f g f f-

molto cresc

'>'h'\ ,^ i^ n n ^mM.W.&SONS 8462 r

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78

rf^Mr^$^m ^ ±Chorus enters. ^m i

^ ^^m drink from pleas - ure's cup Trinq - uons bot - torn up!

mm m ^ ATra la

drink from

W^^ f

pleas- ure's cup

f J r

Trinq - uons bot - torn up!

^ ^EEg

Tra la

Tra la

m4=e 4fe^^1S

^^ sempre C7-esc_m ffcXd

Mother Justine Stop your noise!

M.W.&SONS 8462 7'

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79

m^i^tt

^Sol - dier's life is

m, ,

Justine explains to the crowdnev - er long!that Athenee is ill.

r\^^^^Sol - diers life is nev - er long!

^ ^JT^

^ f ^P P i\

Tra la la la la""* A sol - dier's life —

J

BORDENAVE (from within)"Let me out, you little ^ fempo.devil _lntmi» o>///" ,»i

-^

^^^m_Z?N_

pjfp a tempo.

^iiJ ." iThree knocks are

heard from wthin.

\J

/r\

What is that!

r\

What is that!

PPP^^ ^^=^^^ f^

S /CN

What is that!

Pi /?\

What is that!

PPP^ ^^ &

f PPPP^

« tempo.

1T r r y

Vi/ v:^

M.W.&SONS 8462 r

Page 86: The prima donna : vocal score - Internet Archive...Contents. ACTI. OVERTURE 5 1.OPENINGCHORUS 14 2.SOMETHINGALWAYSHAPPENSWHENITSHOULDN'T 28 3.TWENTYYEARSAGO 32 4.HERE'STOMYCOMRADESANDME

80

^~~3 '

dh T^yj ^

Athenee starts for door saying I will show youwhat it is!" (she opens door)

Chorus tacet al Fine.

Meno mosso.

ir

Ir ^

I

r ^^gt~it.

^1 ^rit.

ns^^ ^^ ^^

«^ ^./z

T,^Tn^T-»TATrT:- * J ^ *i J . • 1.* <• J ATHENEE "l am not afraid of you now!BORDENAVE enters, and startled at sight of crowd.

alon^i" .

Un poco maestoso.

x^ -^ N-iJ^y <' 1,1.

J-/nvT^v^l^p F^f^j'v^f

^

p

we are not alone!'

- fif f f ^

sffz sffz 'ff'

=F

•^j^2 v^^- •^:^^

^^ =^^^=^

7'addnlcendo.rit.

£

Turns to Armond, explaining situation

Allegro rubato.

^^accel.

toi-w^jooco r?'^.

7 7^ ^

accel.

^m.prjco rii.

1 1 1 «F

^ "

l L^ '^U^ ARMAND angrily starts for Bordenave

Agitato e poco a poco accel.

(

dim. e- snspirando

WV=t=^

rit. pp

^ if

i^7^7s;^ « tempo.

1.'^1-r^

7^7

^^^^ *:^

3"

M,W.&SONS 8462 r

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81

ATHENEE exclaims: "Remember he is your superior

and seems about to strike him with his glove. officer _ but/am not in the army!"

/TN •T

-^1.'' jJ-> { 't

s ffi sffz '<ffz 'Jf^'fff^ ffzP-

ATHENEE strikes Bordenave Bordenaveacross the face with the gloves reels backshe has taken from Armand. into chair. Athenee runs up stage to center door.

Allegro. \,^a iempo.

k

\^^ j^; :«i_:c (Z\_sfff pnssibile.

dna ^^'^^ ^>^

\iy\ m ii±

f cresc. ed accel.

fe^t^j^\' fi i '

;

t^^i!- jEE*

ARMAND detained by some ATHENEE turning, exclaims:brother .officers— calls: "If you're interested?

"Where are you going?" follow meP'' AllegfO mOdcratO

VnU^^ Al K'-l t i i

ff a tempo.

M.W.&SONS 8462 r

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82

i ^¥=^

''^==r^

s^^^

2 ^

^ti f ^ 1;w^^^

:^» I =1

;, J-Jzap:

.?§ ^--i^

fi^^*^

^

pesante

.

i

Presto.

ij&y

i

p si

ffff £=aii

^sti'epitoso

.

^-J^'^ r 1^

M<y-

P

i=a=l

:£P

rt\

^^cy -

^^rsW^d±

End of l,sJ Act

M.W.&SONS 8462 r

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83

N9 11.Opening Act 11.

Molto appassioato e rubato.

Piano.

i» r r i•Fr^

s ^li ^i- i-

accel.

1

^^^^^^^^5 JL

r "Lr 't;il M

mrit.

iUJ-U .iU ^P^ llklPC:=^ ^^

M.W.&SONS 8462 t

Copyright MCMVIH by M.Witmark & Sons. "Tous droits d'Edit ion et

Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Cop5rrig:ht Secured. tous pays.

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84

Tempo di Marcia (animato.)

d* mgj m fe

sfz sfz

^^^ f=t=r }}^}}\^^^/z

V^=^.s &

sfz sfz

^m ^ #

M.W.&SONS 8464 ^

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85

Trumpets on stage.

\^ \> V ^JTO^*^ » i I454 -ySfir

^^5'/A -ff'

tBand on stage.

t ^^ i^t-^" 3 ; ] F & ^^

:/zsjz sfz sfz sfz sfz sfz

sm

i SEiife s^^ f f^ w •/•? k

Orchestra.J^^ =^ ^^^ g^=^=r 7 7(

fe ^^t^*^

*>5! JS/i! *^

^ ^m&

<$•—-!

M.W.&SONS 8462 i

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86

1^^'v fTPi- i

M.W.&SONS 8462 #

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87

Listesso Tempo.

iyj ill i ^s^ £

>y>

Afi ; ;. .^^^L^ ^ h i i ^ -^-r-^ i i ^< i^ ^^=^

Is - n't it beau - ti - ful weath- er to - day? Yes, aft - er the

*/ 1 f)

F F F p F P F F g ^' ^^ ^ ^^sg»

Is - nt it beau - ti - ful weath - er to - day? Yes, aft - er the

F [> ;> ^ ' ' V 1 V ^M^Listesso Tempo.

& '< K ^ r ^

^m s^

^3E^ ^ 7 71^

^ ^^ ^^

^ ^!>

1; If

i i4^ >r1> 1; J* 7 7=^ J' J' J' J' J ^

-^ W ^J' J' J' « V

-*i 9^ •^-

ceed - ing - ly gay!f""•

—rstorm! Par - is I think is

jJL^ •> -i-^ I"

: 1 1•F F F p F F F ?

storm! Par - is I think is ceed - ing - ly gay!

^^•it'l. V ^ 1 } 7P P P P^ ;: F F

^' ^-^^

*.-":

^ ^^

l^^l- fV ^ ^ i

f

M.W.&SONS 8462 #

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a love af - fair,

r r ^r II |.

^

M.».ftSONS 8462 t

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89

Wheth-er the end will be

W^ J ^-f-f-

hap - py or sad, you see

h h h h h ^love is a lot - ter^^ ^» m

Wheth - er the end will be hap - py or sad, you see love is a lot - ter - y

^Jl- ^^, J' Ji jt Ji jW' M M P J' M? F ^P

i ^ ^ i=^F=T ^=ft=^ ^ gS3^

ifc ^^

y j'l,F V t

^

^^1 ^P

-^*^

tiJ* d %i

-•p-

i^j ^ r

f 1

iquiteite!

fe ^^?=?=1^

quite!-

^H\ r p T=?=

^^'1> ^ ^

^^VP^ I '^-1 "j V ^

h V ^ ^^

i i=^±

r

M.W.&SONS 8462 ^

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90

s^ l % t r^ p.^m r f r ^Pstage Band.

W%=^ mm

$y!F=f w ^^^ J^ t i :t=t=^Orchestre-

-mr i t' V } V » ;F^=r f==¥^

^^ s ^ ^ * #^ ^ iiJ> ^ <t ji :^*/^ sfz sfz

Hc-^r-t-rijE ^f=c

^^^ ^m ~Ttll^~^^ =r

^l j ^ ^ } r I > 1 i

nM. t rj^.

1* P^=^^ ^^f=jC^

S * ^eeeA p p IP p #^fe

SB iA h ^ ^ ^^^ tE^^=t

f^=.1=^

P-H'i, fv ^ i V P 7 ^r "P

r

M.W.&SONS 8462 t

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91

=dr^Stage Band

^JS

^^ » 9 tif= fi^

fe

'JU^,^ ' '

^ 'f

"

pi

# i

yi; ^ 7 ^ ^=?=^

r=fOh! by the^ way! Here's some- thing new! I have just

H. » V f^^ f ^ ^F F P ^

=?=?= 1=^?^Oh! by the way! Heres some - thing new! I have just

W i\. \ -I } ^ f^ f) h h .^ i»g 7 7 J ^P

'y '^ J

5EOrchestre P^^j'^ J 7 ^

^ ^^ ^^?^^=r

^^ b'lr f p ^ y •p

^^

heard it this morn- ing, Have 3'ou? Ar- mand will wed this Ath - en

BEI- M' P Mg =y^

heard it this morn - ing, Have7 P P ^ ='F=F

you? Ar- mand will

f^^w^ed this Ath - en -

\^^^ h h i ' 7 7 Jf^^^' # • g 7 7 ^ J^ ^

'J'"' '

f ^ ^^Pyw^ ^^ . V i

M.W.&SONS 8464 ^

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92

^ P ^ L r ^-

*./^ */5i *;%

^&^r^

Sfe £

rlA ^^ J' J' ^ 7 7^ ^^r ?=

ee, 'Twill be quite soon. That is - n't

feP

•* WP M F M' ^f^ee, 'Twill be quite soon.

W^\F

^ [T J ^ J

That is - n't

P 7 V j

^^ j^ » i T=»:=^= PS ^^ ^^&

^ ^i ^J* i M ^

^^y=iI

^h. Jl V . i ^^cresc.

i' ; J' J' J' J'i^ ^ J^^^-* #L-

true,' He is en - gaged to Hel-ena, but in vain has this art - ful young

[i [i

I? [i

t' I'*

F ^^M F P P F F P Fgaged to Hel- ena, but intrue, He is en - vain has this art - ful young

M9'-

(."i, f ^ V f ^^P^ J J' i r rF [? F F F ^

^^^^^ 3EE*

M.W.&SONS 8462 f

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93

Ath - en - ee tried to pe

fv^v P F

suade him, to make her his

= 1

m m.

^Ath - en - ee tried to per

^v I . fJ'n n n n- p ^-

F F P F=^

iSr

suade him, to make her his

f^K

Se

fe

bride j YesF F ^

in vain has she

fc ^^bride; Yes

P F Pin vain has she

W\ [T ff m^

p 7 7

tried!

^^ ^

tried!

^ V •>

M.W.&SONS 8462 t

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94

^''. r ^ t ^

ms^i

'mm m^^ *fef

al m

$JL

Oh!-

^ ^what a scan - dal

T ir f 'Ji J^

m - deed!P

V "i^4^^^

ffOh!-

S fe

what a scan - dal in

f f f

deed!

P^wm *i V

tV—t i s^i ^^P h I 3s T V

- er sue - cee

J^If-

^mshe should

f f f F ; J' V 7

SffIf-

ishe should ev - er sue - ceed!

'l^ f ? ^ g F Ti^^ 7 7

^

M.W.&SONS 8462 #

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95

\^\ •/

i -0-0-i^

mp molio C7'esc

'Twill be some -thing to

i.'l. 1 J^ Jgos - sip a - bout, there's no

E

doubt!-

f F ^' p P^'Twill be some- thing to gos - sip a - bout, there's no doubt!.

g P F ^ y f ff ff f F ^fc

i^ ^=^

±l f9'- ^^ ^^ >3mnlto cresc.

^kz^S ^JJ J JJJ ^ 1 *

S&

i v-^>s ^5=

! >--j'l.^ 1

M.W.&SONS 8462 t

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96

SS U-U-

fff m^4^4(bus.)

\J~^—

5

i 3—

dl L-££J

-•I

<—m—*

* -

-0- -d- -J- -0-

i?=tS 7 7 r^ "^ "^

s i

^

'1^^I

^7 7? 7

*/z

*/O

7 7^ ^7 7 3 7 7

M.W.&SONS 8462 f

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97

Everybody Else's Girl Looks Better To Me Than Mine.45 13 N912.

Andante, ma Scherzando.

Piano.

M J' > JM } Ji } J^ J! ^^^cer - tain traits of char - ac - ter that man - y men dis - play, Which in my •

wo - men have no sym -pa- thy with such a state of mind, Which is to

^msroPP^ f^^^W ^ ^^^w ^

m h J'. > mfself

them

i

Ive curbed as much as

an in - fa - mous con

could

di

be!

tionl

But

But

^i ^ r r:S=z ^

S^ f ^ ?^==f^

M.W.&SONS 8462 jO

Copyright MCMVIII by M.Witmark & Sons. "Tous droits d'Edition etRights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured. tous pays"

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98

tf^ j i j; J > J^ > JH j! }lJ- «J' J' J' J'^take a vote of an - y wo - man's club, and they will say That ev - en

learn the truth re - g-ard - ing- an - y man, and you will find That they are

M^-i J'. ^ I V tl^am scarce - ly all I

in quite the same po

I

aU

should be!

si - tion!

I

We

#-' J' F J' F J' F .i' 7I y^J^ ^' ^ ^^

drink and g-am - ble now and then and

seem to have a g-en - e - ral ca

stay out late at nig-ht, Al -

pac - i - ty for love, Which

M.W.&SONS 8462 p

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99

(

ji J! } }-—r^m

i¥W

tho' my vi - ces as a rule are few!

seems to g-row, when it has once be - gnui!

But

Al

^ m

^* > ^'F "F F F F

'' U, ^JpJMLJf^^Mlike the men of ev - 'ry clime 1 must con - fess, that all my time is

tho' I fear, po - lyg- - a - my would nev - er maie a hit with me! It's

k^' iI) r 1

^ ^^f :e 1 7 'Z K-

tak - en up in try- ing- to be true.,

hard e - noug-h to g-et a - long- with one!^

For

StiU

M.W.&SONS 8462jO

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100

REFRAIN.

zrzc 1^ J' J< ^p- i > JMF ff »J' p- J^ ^fe

ev - e - ry bod • y els - e's g-irl looks bet - ter to me than mine! Each

ev-e - ry bod - y els - e's g-irl looks bet- ter to me than mine! Per -

f f

new one has for me a fas - ci - na - tion!

haps it is a weak- ness I in - her - it.

I

In

V J ^»ij v^jj^^it^S^ ^ I ^ ^

[) s ——#^—•

& f^^r^

J \ I

I'I'

tI

' MI

II

'' 1^ 1

'

I

hdon't kno-w where the fault can be, and such a thing-, it seems to me, De -

bi - ble days of plen - ty all the men had ten or twen- ty, But to

T' p n ff

^ ^J^j J'- J'I' i I' J' I

,j ^J ' J''

mands a psy - cho - log- - ic ex - plan - a - tion.

Hay^ what they would spend I couldn't spare it.

WhyIt's

-dpL_JiJ :/

^]J ? j^. ^ j^ ^

S i^

:^r=3=

^3V N ^ «•^^ i

P^M.W.&SONS 8462 jO

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101

^ } J. Ilj ^' ^'^r "t?

I ^'' ^ s=fc

is it that when we're a - lone, myon - ly hu - man na - ture to de

sweet - heart seems a queen? Butsire what is not ours. We

»J!

jl }. j> i. i Jl ii S^^dine,-

fine,_

when I take her out with me to

nev - er think the fruit we have is

Tho'As

T^ • i

top > ^

yr^ i -Jq t^m^^

'i\ J^ > J'^J' J^ I' IF' »!' r^^ /r\

she may be su -perb - ly g-owned, when I sit down and look a - round, Whyis the lus - cious look - ing- peach that^ hang" - ing- just be - yond our reach, So

(

^ ^ *i fe * m T

S iff:

r^ fr r T 7

i h J- ^.''F- »

J^

'

j^- -^I

^i' i' . JTj/7s . /T\

feEev - 'ry bod - y els - e's g-irl looks bet-ter to me than mine!

ev - 'ry bod - y els - e's g-irl looks bet - ter to me than minet

I 1 ^ ' < •-

I-

M.W.&SONS 846a J9

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102

N913If You Were I And I Were You.

DUET.Helena and Fernand.

Moderate.

Piano.

W(^ -r\ FERNAND.

"^^^T..!^If you were

v \ro. r1p accel.

S

^S\4 ^ -\ :a«=«

JL-f-^

/z

tirr''r g ^

^n\p a tempn.

^

!*:HELENA.

^S i ^ ^3^^AVhat would you do?

i* ^S i ^i^ii

I and I were you:.

feE: ^ > iJl-'!4

If I were

af*^

§ f ^ f^ yp^ feiii^

P^=^

^^^ liii

i^You think of

a ^m^^^you. of me I be so fond and true..

^V ^ J'r^^p ^i^f # f^ p V M i: EEEEE^

M.W.&SONS 8462 lO

Copyright MCMVIII by M. Witmark & Sons. "Tous droits d'Edition et

Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured. tous pays."

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103

Then just sup - pose that you were

iJLx44^=T

^ ^^jfdTiJ"^'^ ^

\>^''

2= 3EEEJ:

i_f Ji f^i

!^s ^^A string" of

k^=^^ =5^ ^r 'F'

"^'F'^^

pearls

.

for me I'd

p i

buyj.

^m*But, don't you

TTFT^^ I:(*-)

Ifea ^V [j f i 7 ^ff 7 ^y=r

^ ^•^ '

J'^'i r p^> nj^J'.^ri

Ah yes! but that could prove how great my love you

^1,^ [TiFv :n^ t-t4^i mknow that pearls come hig-h dear?—

"^ - - - s »-*

»94

tY-i\} hh }f^^m

^rmTT- 1

i[ r-F^ i

M.W.&SONS 846% iv

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104

Tempo di Valse Lento.

pr^^ ^^EI

^ Wsee. If you were I and I were

^m :^^ ^ ^^ ^

^5&ES^poco rit

.

rt-n-T"^4 4-44iJ*

a tempo.

hM U^i^TT I » » I » ^r- -r

^ ^ i ^IE

you, then some one else we'd

At ^bej And real - ly

b? .J J in

Sfm * * Tf^ 3" +^

^ iii t* ^^^eSi ? ' ^ f

!*:S ^ ^ ^ ^« 0-

there's no tell - ing" who mig"ht fall in love with me.

m ^ ^ mAt m » ^ti^=i

= ^3=»=5 ^^ tr T r

^^1 ^m J^;^.^ i^^f ^ f=

M.W.&SONS 8462-4

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105

k^ zc

^ ^But far or near, there's no one

k^

dear, could love you

® ^ ^ IBt

teft

^ i i4^ 4^ iii UP * • ^T ^ffT^TT^TiWTT^r

fe

pnrtato.

rit. ^

#s ^ ^as I doL So truth to tell its

it*: ^ ^

just as,

po?iato.rit. /CV-

s ? ^/^

E^^\r i ^. W irs* * T+

y*?'^.

^^/?\^ ^^^: ^ ^ I * =^F=f^^ 4

m^^ ^^well that I am

te ^pnco rit. f^

I and

myou are

_i rs

you!

/C\

E*P P P

#-M Jff ^ /C\ ^fs :fc

^^pnco rit.

I'

r u Y/?\^ i?^ ^^.^^^ ^^

M.W.&SONS 8462-4

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106

Band Behind Scene.

N9 14.

Tempo di Valse.

Piano(mm

/^^~^ ^ \ \

g^g

(

^ V h •/ ^ £^' :^ [> 7 h 7^

> t: ,1^S«^ «<jt>

m=< —

i

1e^^

#^ffllir- -J^

CJr' ^- f ex/ t^--p-

f f

pJ=t^^

M.W.&SONS 8462 n

Copyright MCMVIII by M.Witmark & Sons. "Tous droits d'Edition et

Rights For Mechanical Instruments Reserved. d'Execution reserves pour

Liternational Copyright Secured. tous pays!'

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107

m \, !f^..r

i a ^7 h 7 h 7

"fA

bi-A jr

"U

% %

1.

* *

t*J? nTij

^^fcE^E"C^J^

i^^

2.

##^ n i-

»»^v^^^^^^»^ww»»^^v»-v%^^^»

^^

s ^ i ff i

- 7 -^^^^t^^ p' 7

J^7 jV-^ M ^ ^^&T ^ sjCTz *:^=

SES iii iE V ^:r\

g 7 ^ -r

M.W.&SONS 846^ n

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108

N9 15a What Is Love?OCTETTE.

Allegretto grazioso.

Piano,

^ I' ji . J' Jii i' *

o - cean I know such a pret - ty

fr

^^ 1i i *r

i

J '"'

i^

p^

'

'

^g^=f^ ^^^Far from the bil - lows mo - tion It lies on a cor - al

>)t|) t t t §;^ ^^^ i fciMM

M.W.&SONS 8462 S

Copyright MCMVIII by M .Witmark & Sons. "Tous droits d'Edition et

Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured . tous pays"

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109

There all the \valls are

/ "«i: P g P P

gold - en, the street are of ' jew- els

I nil^m^^

i j 1 H J J J J J S*=«

S^^ ;^ ^ ^^

bove.

SSoft IS

^^^ ^bft

^ithe light that glim - mers from a

Jf}, J> Jt

bove,.

P\ glim

M.W.&SONS 8464 S

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110

m^m

from a

\>:^ It

l^

bove. All un

f Up

known there,

**live

^

P^ t>t.^r \ ^ '^

* ^^ 3f

Scare. mer - maids, All un^ ^ ^=# ^

known there. live a -

S^ E *P t

^ te: ^^ i^S ^E^5=^* * :

f

!^- »J Y g3^ ^^

J ^^ ^ ilone

=^there!

hi Jgir^t:£r^

Harps they're string - ing.

Se=^p I «h r^

ev - er

)^ ^

smg - ing:

^^5^ i i

^p w

sing

1* 1^lone there! Ev

P^ l l ^UJ^^ i ^ ¥

nig:

A^^ % ^ ,^ j J'

I

H -^

KJ

"I^poco a poco rit.

^i iiQ_£^n\

*r M *r F^^M.W.&SONS 846* S

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Ill

iPoco piu mosso

i f! ii J^ J)i ^ J' J ir=r" r

on - ly last a

«^ ¥

day? For tho' we're"What is love we pray, and does it

S m ^^m mIznd fiff^g pp

Poco piu mosso.2>Ld timepp i

• g

S ^ ' » ^i(^<M^m i> ji jt ji rtmr^^^^ - s

hap - py quite, w^e think we might be hap - pi - er, if love would

I^P^Tl^i .N4^p^ ?

r=^

M.W.&SONS 8462 $

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112

On - ly come our way, So

jT--^}! -^I r I'

h ^ ^ c ^'. ^ Ji \\ ^mf -d—

*

knew? And they willmen w^e nev - er nev - er know^ how

tHrf g r p I1* 1*^m ^

p^ms i

M.W.&SONS 846a s

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113

M.W.&SONS 8462 S

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114

N? 15^The Man And The Maid.

OCTETTE.

SOPRANO I.

ALTO I.

TENOR I.

BASS I.

SOPRANO n.ALTO n.

TENOR n.BASS n.

Pianoad

Libitum.

^Tempo Giusto.

^^

fc ):1

1> aSTempo Giusto

r\

c\

r^

urns.M ^ ^gSaid the man un

unis

.

g t t^ .fi

urns.

g F MpSaid the man un -

unis

g > ^ .^

^to the maid;

f Sto the maid:

^

^ 'i' J' '^'

g MW .MWfS.

S'Won't you let me steal a lit - tie

'Let

^^

me

"won't vou let me

h4=H

kiss dear?'

i^Esteal a kiss.''

steal a kiss."

To the man the

unis-^ 5:g P ^' ?P

unis

.

To the man the

^"7 t^^^^

M.W.aSONS 8462 fl

Copyright MCMVIII by M. Witmarki- Sons. "Tous droits d Edition et

Rights For Mechanicallnstruments Reserved. d'Execution reserves pour

Ijiternational Copyright Secured. tous pays'.'

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115

#=^ ^maid then said:

;>'-j' g f' C a

«ot till aft - er I be - come your

r-'

p

"Not

Notr=r=r=p

ibride.'

)j

^^I'm your bride."

till I be - come your bride."

^O J ^

jfe=i .t

He wed her

^" F F F-^

;> ^ i> >

ver - V- soon and

^ j°^ J i

^ ^ j) ^f^ t^ r„ (^

start - ed off

i Aup

^iVii^ 1

='?s i iSo he wed

^^1^

u H: r-1^^m

^ r—

3

=f

/"^^[^

^"^ r-if= f=

r-n j^mM.W.&SONS 8W2 o

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tg.i) i ^ i ^^

116

Ah!

*^P P g P ^

=^on the hon - ey - moon

^i ^ i i jI

PPAh!.

rrs r-7 mr^

pp

Ah!

i^mr^

rit.

Iil-

^ n^^ I^ ^ «ms.

iP F Mp iSsa:;fr

t ): ,1 . ys i^

Had you kissed me

\inis.

dear said he

,

?=^=^S F i' p V^^ unts.

f ^P P P ^P f^

t >i,1. pS .^^^

Had you kissed meunis.

dear" said he,

p r f 4 [! t'

P 1^Ah!.

M.W.&SONS 8463 o

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117

P^J' J' '''

P ^ P-f4jt7<5co rtV e ditn.

^"l am sure I nev- er should have

Pwed you.

1)

1^ B [i <

P M"? pI knew that old^^

boy said she,

pT^p^would not have wed.

'

^ ^F=fF=;gf P F P^g/TN

? ^"Nev- er should I

/have wed you. I knew that old boy said she.

W^ 'MM ^ £ ff' f ^4 /^mm

accell

m-\ M p "n 4^ .p.' nt. >

^^^m

"I had that ex - per - i - ence be

"I had that ex - per - i - ence be

a.,1' WW |i#^

fore.

=^

fore,

/:3\

:^

be -

h

^

fore.'L

1=^

/CN

/CN^/^^

M.W.&SONS 8462 o

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118

fU Be Married To The Music Of A Military Band.NO 16.

Tempo di Marcia (animato.)

Piano.

i

v-'i Cr V F

I' j JI

jl i j> VI J)

Ji i J ^^i) J J

Dere are man - yMoo - sic is a

kinds of art!

fun - ny thing-,

Each one plays a

Ven you're hap - py

use - ful part,

you vill sing".

i 1 1 1^ ^1 ttl * ^^ m ^ ^

i ^it <

S ^ 5

J' ifJ iji' i'

/^^ ^

Moo - sic is

Dat makes de

great - est of dem

peo - pie rotmd you

all!.

sad!-^^ f J 7 ^ =

8- H ^It can

De me

3b= 7 J

g/

^y tnarcato.

d 7 J=T ?^ ^"Tous droits d'Edition et

M.W.&SONS 8463 m

Copyright MCMVUI by M. Witmark & Sons.Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured. tous paj-s."

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119

$ li I h I

jiJi ^ ^3

-9 9- ^^ i' iiJ J' i'^help us to be g-lad or cheer de soul, ven ve are sad in search of

chan - i - cal pi - a - no wid de moo - sic from a can Ohl dat would

'

^4^^=tfp

m

s-==i fp——

ii ' j

3

'

-i »; i jI

i

plea - sure Or off on du - t/s

quick - ly drive an - y - bod - y

call!-

mad.

^ j, ; ; JI

}=^ s J' J'I

j^ ji Jj

Rag- -time or de slow Pa - vane, Dream - y Waltz or g-ay Can - can!

Ven de He - ro - ine must g-o Out in - to de driv - ing- snow,

t'} i'^ ^M j^nn o i ?fe

Moo - sic's de joy of ev - 'ry land! _Moo - sic will shiv - er at her shame!.

But ven

Dey play

marc.

M.W.&SONS 8462 m

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120

^^ ^ I' J. J) i' I

^ ^ S ^J' J J

IJ' * ^S^=^all is done and said, And you are g-o - ing" to be wed, Dare iss no

march -es van you're wed, And day play march- es van you're dead, I von- der

m^mfp

m

m

3

-» *r

fP

^ ^^^C^ c^

^ w^^moo - sic dat's

if day con

FI

I' P [i

a - qual to a

sid - er it's da

band!-

same!Ill be

^^W%REFRAIN.

i^J F F1

^'F.F ^'

I

ji J J^J^.^i ^i

I

mar-riad to de moo- sic of a mil- i - ta - ry bandL And ven I

^m. ^^ ^ ^m ;sfTT^

^m*A */2 ^ p

3^ -?

^3

J J> ipJ_Li' ^^

= ff ^^^^take her by de hand,. Ill feel so grand and fan - cy! I wiU

i \ 1 \ \ k 1 W i i f s# * * * * * * *^ jC^

^ ^^ ^ ^ ^^M.W.&SONS 8462 m

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121

rt—ri~^^' F PJ^ J J J' J J

bet you ve vill be de hap - piest coup - le in de land,-

sfz ^m

^s/b s/h

i ii i i/y

^^=^

i ^5 ^F M P ^'M ^ ^ ^

Ven ve are mar- ried to de moo- sic of a band!.

^^y^ b7'illante.

^=^m ^wr I

2^TENORS. XL•j-^XA ^^ I p ^ ^ [i p F~F

^' MI'll be

BASS I. ^mar- ried to de

lEEi^

moo - sic of a

M

mil- i - ta - ry band, ta ta

m ^^^m £m EI 11 be

BASS U. ffmar- ried to de moo - sic of a mil - i - ta - ry bajid_

-;> \ ^ fl i i i i i l J'5tQ^I'll be mar - ried de mu-sic of a band, zing

s

^At i $

ffsfz sfz L

nm

k^fc=a^*yz sfz-

V-1-

M.W.&SONS 8462 m

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122

^ P P T~^ra ta ta ta

And ven I

ta ta ta ta

take her by de hand.

g' ^ }i ^P P P P F ''

ta, I'll leel so

I'll feel so

^boom! zing boom! Moo - sic of a band, zing boom! zing boom!

^n

grand And

^ f ff

grand A:id

>

^^ *^

it=4 ^^urns.

PPMfan - cy! I vill

^^i^fan - cy! I vill

# ?SEg

F ^' Mbet you ve vill

P f t^ g

bet you ve viU

^^ F ^

be de hap - piest

^ ^ P g

be the hap - piest

zing boom! And fan - cy! I vill be de hap - piest

ii;

//

m =^

t=r r f i^*A srz

sfi.

iv/s^

M.W.&SONS 8463 7)1

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123

p M M M mmmcoup - le in de land, ta ta ta Ven ve are mar - ried to

m 4=^=^

de

fet^M g P / V V

coup - le in de land

.

Ven ve are

»)• i J) il :^=^i^ f -^ i 1^f! p r^

coup - le in de land zing boom! Ven ve are mar - ried to de

if r w 1''

ff

f/TN %

moo - sic of a band!-

g^f ^ f t mB.S.

n\

M.W.&SONS 8464 tn

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124

N9 17.Finale Act 11.

Tempo di Marcia.

Piano.

^ ^F

F V ^ \

•'V ^

1 11 be mar-ried to de moo -sic of a

^^m^^

«^%-^T^T" »^

^

5^ */^

rin^~^ ^ J' . J'I

jrj) i'B

J, „ Jrmil - i - ta - ry band! And ven I take her by de hand,.

iUU^ f m ¥ It

fp ^^^ ^=^ m '—

r

^ //JtEEJ^^ g-^^-f M' ^ [^

I'U feel so grand and fan - cyl I will bet you, ve vill

^m^^^^^=* I i f

^^

^ sfz

Tous droits d Edition et

M.W.&SONS 8462 x

Copyright MCMVIII by M.Witmark &. Sons.

Rights For Mechanical Instruments Reserved. d'Execution reserves pour

International Copyright Secured . tous pays.

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125

be de hap-piest coup-le in de land,.

fei m

^^•S/2 ^

Sir-^

^^^Ma ' •? ^n

Ven ve are mar - ried to de^ >fB "^ 4^brillante.

-V

jiF V F n- 1 \ ^ M' ^ IT

moo sic of a band!. I'll be mar - ried to de

^^^im ^ s

1 1

*^

i^

^ ip p il j71 i' \> 1.^1' I'

I-

I'L iiAJL^

^// ^^^ M F I? F ^' ^ F

I'll feel so grand And fan - cy! I vill bet you, ve vill

4 i^t

m rsfz -^ ^fz

«FS

M.W.&SONS 8462 X

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126

^ ^ m } i J' i' J- I i' ^'F F

be de hap - piest coup - le in de land,. Ven ve are

a tempn. poco accel.

\

^ iloved her so mad - ly, He'd die for her g-lad-ly, And soft - ly, sad - ly

# i: £ f: :p:

f a tempo.

f-f-^ mm

m m^poco accel.

iz?z

m.

p nr r^1 ^ s ^

she on-ly knew that to her I am true, I am

\^ It?

i i^i •=^

mi ^ m ^M.W.&SONS 8462 X

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127

Ht.

J. j^^F^M J- JLjLj I r rTT^r\ r\ a tempo.

Psure that to my love her heart would fond - ly re - ply.' But a las! It was

^iv ^r—

F

H=

I %rit. dolce.^ »yt=dE m a tempo.

joflc^ accel.

t^^^ri * d c d

fa - ted, They ne'er should be ma - ted . His soul was filled with vain re

p m—T.-P m—:u— o'^ ^^J , J Jg: m—,—p-

5Er

1=^

pncn accel.

J^ J^ m ^ ^^ ^ ^g*="

/T\a tempo.^ F

M r r ^ I ^ ^'^'

grrets! But sel - dom e'en mor - tals may en - ter the por - tals Of

U f^ 1'^S '^

-s -_ 9 1 »_._ u__ —

m % • m

m^

/7N « tempo.

JitE jg^ ^ ^ M=^l>5

i ^^ Ml ? II^E=^^r^^love, and so it is with Mar -

M.W.&SONS 8463 x

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Ey^TTiJi^u^^^^iSiSi^xSiiiTn^nEHxrzz^s^^^

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