11
The making of architectur e I+S+bd+kc+kp+ft=arch Where I = Ideas S = situation Bd = basic design principles Kc = knowing construction Kp = knowing partners Ft = follow through Arch = a real chance

The making of architecture

  • Upload
    fergus

  • View
    35

  • Download
    0

Embed Size (px)

DESCRIPTION

The making of architecture. I+S+bd+kc+kp+ft =arch Where I = I deas S = s ituation Bd = b asic d esign principles Kc = k nowing c onstruction Kp = k nowing p artners Ft = f ollow t hrough Arch = a r eal ch ance. Architecture is: - PowerPoint PPT Presentation

Citation preview

Page 1: The making of architecture

The making of architectureI+S+bd+kc+kp+ft=arch

WhereI = Ideas S = situationBd = basic design principlesKc = knowing constructionKp = knowing partnersFt = follow throughArch = a real chance

Page 2: The making of architecture

Architecture is:A state of the

achievement of an ideal where the ideal becomes present and can direct the development of space, light, materials and systems to meet the professional duties entrusted to the architect by the public.

Page 3: The making of architecture

Fundamentally, the university is a placewhere knowledge is madefrom discovery

The faculty are engaged in the discovery and ordering

of facts and intuitionsto support and provokethe construction of knowledge

The students are engaged in personal discovery,

ordering, and reflecting on facts and intuitionsto construct a mapthat allows them a confidenceto publicly assert “I am here”the integrity to privately

acknowledge“I need to be there”and the knowledge, discipline and

commitmentto chart a course to their

destination

Page 4: The making of architecture

Wright

Mies

Le Corbusier

Behrens

Aquinas

Picasso

KahnVan Eyck

Hertzberger

FehnGiacometti

RossiDeChirico

Holl

Utzon

Venturi

Heidegger

MondrianMeier

Gehry

SullivanEmerson

WagnerThoreau

Furness

HusserlAristotle

Plato

SerraAalto

BouleeLedoux

Moore

TerragniEisenmann

Greeenough

Palladio

AndoLevy-Strauss

GropiusBreuer

Piano

Foster

Gaudi

E.F. JonesH. Greene

B. Goff

MorandiKoolhaas

Gwathmey

Loos

Blossfeldt

Rietveltd

P&E

Root

Callatrava

HedjukEllwood

SchindlerDow

Salmella

Saussure

Ames

Calder

Graves

A. Gray

No poet, no artist of any kind, has their complete meaning alone. Their significance, their appreciation is the appreciation of their relation to the poets and artists that prepared the ground for them.To proceed to a more intelligible exposition of the relation of the poet to the past: one can neither take the past as a lump, an indiscriminate bolus, nor can one form themselves wholly on one or two private admirations, nor can one form themselves wholly on one preferred period. (after Eliot, Tradition and the Individual Talent)

Goethe

Page 5: The making of architecture

Economy

Collective

Idea

Craft

Construction

Form

Place

Manufacture

Functi

onSystems

Space

Color

Multi-national

Regional

Individual

Materi

alThe City

The En

vironm

ent

InnovationTradition

Page 6: The making of architecture

• From the body of your work:

• Build a map

• Find out where you’ve been on the map

• Find out which direction you’ve been moving

• Set a course towards a destination

• Update the map

• Update your location

• Update your course

• Adjust your course

• Repeat regularly

Page 7: The making of architecture

Tactical resources:

Stacking Latticing LoftingTrussing Corrugating

Page 8: The making of architecture

Beyond quantity and function lies the qualitative realm of architecture.

Principles of design:make difference, differentiatealignrotaterepeatcompose proximatelymake wholetransformtranslate

Page 9: The making of architecture

make difference

Page 10: The making of architecture

align

Page 11: The making of architecture

repeat