The Lexington School for Recording Arts Catalog / Tuition Fees · AE2.0 Hours Audio Engineering II (Mastering/Waves) 40 Introduction to the Waves environment 20 Introduction to the

The Lexington School for Recording Arts

Catalog / Tuition FeesCourse Outline

Effective 12/1/11

Student Expectation

To receive the most benefit from the course(s), we expect students to attend the scheduled days for the scheduled hours. The course(s) are structured to present the student with the tools necessary and the knowledge required to successfully complete all the courses offered.

Attendance Policy

It is the goal of LSRA to have every student adhere to his or her pre-arranged schedule. Regular attendance is critical to the success of the student. When absences are necessary students are asked to call (859-335-6075) as soon as possible. When no communication is made about absences, this will be considered un-excused absence. Excused absences are absences scheduled in advance, absences supported by Doctor statement, etc. Students that accumulate five (5) consecutive un-excused absences for part-time student, three (3) consecutive un-excused absences for full-time student, will be considered voluntarily withdrawn from the course. Three (3) times tardy will equal one (1) unexcused absence. Any student requiring a Leave of Absence must submit a written request indicating reason for absence, length of absence and expected date of return.

Make-up Work Policy

Make-up work is allowed at the discretion of the instructors.

Incoming students, for all courses, will be required to attend School Orientation that will be scheduled a week or two

before classes start.

Orientation

LSRA

School Year 2011-2012

Volume Seven, revised December 2011

Board of Directors, Officials & FacultyWil Freebody, President

James Cooley, Board Member/AdvisorKeith Caudill, Board Member

Terrance Young, Board MemberDoc Messina, Board Member/InstructorAmber Sloan, VP of School OperationsCarolyn Austin, VP of Administration

Michael Thomas, InstructorSteve Nall, Instructor

Erin Cheeks, InstructorPatrick Hairston, Instructor

Eric Rolph, InstructorByron Turner, Instructor

“Our attention has been and will remain focused on the individual student’s needs”

Lexington School for Recording Arts Catalog Page 10

Student Records

Student Records such as project grading, regular attendance, Spe-cial Event participation, registration, etc. will be maintained at the school and be available upon request.

Unsatisfactory Grades

When a student is displaying unsatisfactory progress in the course, not related to absences, the student will be placed on an academic probation (2 weeks for full time student, 4 weeks for part time stu-dent). Every effort will be made to assist the student ensuring the graduation and certification of a qualified audio engineer. If the grades are not brought up to satisfactory progress (70%), student will be terminated.

Re-entry

If a student fails to communicate with LSRA about un-excused absences (see Attendance Policy), the student will be considered voluntarily withdrawn. Students terminated for failing to meet satisfactory grades (see Unsatisfactory Grades page 4), must com-plete a 30-day suspension period before applying for re-entry into the course. If after this time the student wishes to continue in the course, the Board of Directors will consider the request.

LSRA Catalog

Table of Contents

Page One Board of Directors, Officials, and Instructors

Page Two Message from President Page Three Course Description AE-1- Audio Engineering

Page Four Course Description EP-1 Elements of Production DM-1 Digital Media

Page Five Course Description AE-1I- Audio Engineering MT - Music Theory Page Six Admission Requirements Tuition Refund Policy Page Seven Course Outline

Page Eight Registration fees

Page Nine Important dates Class Start Dates

Page Ten Student Expectations Attendance Policy Make-up Policy

Page Eleven Unsatisfactory Grades Re-Entry Requirements Student Records

Page 11 Catalog Lexington School for Recording Arts

2012 Holidays

The facility will be closed to observe the following holidays.

January 1-8 - New Years (Winter Break)May 26-28 - Memorial DayJuly 4 - Independence DaySeptember 1-3 - Labor DayNovember 21-25 - ThanksgivingDecember 17 - December 31st - Christmas/NewYears

2012 In-Service Dates

The facility will be closed to students. Teacher in-service day.

January 4-6, April 6, July 5, September 11, December 5

2012 Important Dates

Class Start Dates


Message from President

Welcome to The Lexington School

for Recording Arts

You have made an important decision to further your knowledge about Au-dio Engineering and Music Video Production. Our goal is to present the ba-sic understanding of the science and manipulation of sound and image. We strive to provide a professional, comfortable and relaxed atmosphere con-ducive to the learning process. Our two-year program constitutes the basis for the blending of science, art and business. Graduates leave us prepared, confident and ready to enter the exciting world of show business.

This manual covers important information about the facility, the course and expectations we have of you, the student. After reading this manual thor-oughly we encourage you to question anything you don’t completely under-stand.

Nobody gets to live life backwards, look ahead, that is where your future lies. Our entire team is anxiously waiting to get you started on this fantastic journey.

“Live as if your were to die tomorrow. Learn as if you were to live forever”. -- Gandhiji


Each student enrolled in all courses, will be provided with a tentative schedule of classes for the course, which will include any additional breaks scheduled, besides the holiday breaks scheduled above. Each student will typically start with the core program, Audio Engineering. Other classes will be scheduled either concurrently or consecutive. Classes start in the Spring, Summer, Fall and Winter.

Registration

Upon meeting admission requirements and receipt of fees (see below), a schedule will be planned based on the students’ schedule and the availability of the instructor(s). Some courses will run concurrent and some consecutive.

ProgramNo.

Program Length*

Tuition Cost MaterialFee

AE-1.1 32 Weeks $8,900.00 $175.00

AE-1.2 8 Weeks $10,000.00 $175.00

AE-2.1 10 Weeks $4,900.00 $400.00

EP-2.1 24 Weeks $8,900.00 $125.00

DM-2.1 24 Weeks $8,500.00 $125.00

MT-2.1 12 weeks $850.00 $75.00

MT-2.2 12 weeks $850.00 $75.00

MT-2.3 12 weeks $850.00 $75.00

*Program Length is approximate. It is the minimum amount of time needed for student to complete the course and earn a certificate.

Material Fee

The material fee covers the cost of the Course Manual(s), a Student Identification Badge (required when student is in the facility), one (1) LSRA tee shirt, one (1) headphones and other materials required throughout the course.

Replacement cost of the materials: Course Manual $35.00 Student Badge $35.00 T-Shirt $25.00 Headphones $50.00


Course Descriptions

AE-1.1 Audio Engineering Course

(See admission requirements)

This is our core program. This course must be successfully completed before the student can continue in other offerings.

This course is a comprehensive learning experience designed to give the student a complete understanding of the art of recording and mixing in both digital and analog formats.

The course includes the following topics:

The functions of the CPU, memory, hard disk storage technology, and input and output peripherals. Guided tutorials take students through basic computer operations, setup of interfaces with peripherals, and the formatting of storage media. In addition to working with industry-standard digital editing software, students also learn basic word processing and graphics applications.

The proper use of both out board and plug-in equipment; effects, parametric and graphic EQ, digital delays, gates, limiters, compressors, line levels, bussing, microphone magnetic fields and placement, and both digital and analog mixing console operation.

In addition to the science of sound, instruction will be given on the expected attitude and behavior of a professional audio engineer. Included in this section; dealing with clients, musicians/singer, preparing for an audition (potential job hunting), selection of the proper internships to further the students individual goals.


Course OutlineAE1.0 Hours Audio Engineering

100 Analog TheatreIncluding use of Dynamic Compression and gating

40 Digital Board Time – Studio A & BIncluding use of Dynamic Compression and gating

100 Pro-Tools Digital Audio Workstation

20Microphone Placement/Proper signal levels for Recording

60 Session Recording

AE2.0 Hours Audio Engineering II (Mastering/Waves)

40 Introduction to the Waves environment20 Introduction to the Mastering Environment20 Individual Project Mixing Sessions

EP2.0 Hours Elements of Production

24 History of Modern Production24 Music Business

Including outlining, time lining, basic styles24 Psychology behind the music

Staging a performance, prepare for studio24 Advanced Theory - Charting24 Introduction of studio and live production

Covering media, equipment and environment

DM2.0 Hours Digital Media

DM-1 8 Digital Equipment Basics General overview of hardware/software

DM-2 24 Photoshop Basics General overview of Photoshop/digital editing software

DM-3 88 Digital creation of Music Video Preproduction through final output of Music Video

DM-4 12 Stage and Video Lighting

DM-5 12 Live Sound

MT Hours Music Theory

MT-1 24 Notes on a piano, Building Chords, Modes, Major/Minor Scales

MT-2 24 Time Signatures, Rhythm, Tempo, Parts of Songs, Composer research

MT-3 24 Skills learned in 1 & 2 are applied, form basic song structure, write chords by listening, music history.


EP-2.0 Elements of Production

Prerequisite AE-IMust have access to a computer and internet.

The Elements of Production course is a succinct curriculum consisting of music law, copyrights and contracts, music psychology, time and motion studies, history of production, charting, functional business, concert promotion/production and of course “in the studio” music producing.

This course will offer comprehensive knowledge of equipment, choosing the right equipment for the project, in depth coverage of digital media for both live field production and studio production.

The course will offer knowledge in administration techniques, such as outlining, styles, formats. Creating effective time lines and budgets. The course will explore the psychological aspect of performer/producer relationship.

DM-2.0 Digital Media

Must have digital still camera, digital HD video camera, access to a computer with required software (Photoshop/Photoshop Elements/ Final Cut Express)

The Digital Media course includes six modules of interest. Digital Equipment Basics will cover digital equipment, hardware and software used in the process of editing. Photoshop Basics will cover basic knowledge of the software and general editing techniques. Digital creation of Music Video portion students are taught recording, manipulating digital video footage. Stage lighting, live sound properties and stage hand techniques are areas covered as well.


Admission Requirements

High School Diploma or equivalency is required. If the student has not achieved a high school diploma or equivalency, a LSRA entrance exam is available upon request. A passing grade on the entrance exam will allow the student entry into the course. Students will receive credit for previous education and training that directly corresponds with the student’s Audio Engineering program as determined by a school’s official. Credit will be granted on an hour-to-hour basis. Thus, the training program will be shortened accordingly. Veterans are required to submit all transcripts from other institutions they have attended so that a complete evaluation of credit for previous education and training can be assessed.

Tuition Refund Policy

We make every effort to ensure that the enrolling student is the right fit for our School. Students enroll in our school because of a desire to further their knowledge surrounding their love of music. Due to our limited facilities, students will not be entitled to a refund if they voluntarily withdraw. If the student does not attend school for a period of four weeks without communication, it shall be deemed that the student has voluntarily withdrawn.


AE-2.0 Advanced Audio Engineering CoursePrerequisite AE-IMust have access to a computer and internet.

MT-2.0 Music Theory Modules

Musicians need to know the basics of Music Theory. We offer this course in three modules. Each one advancing further into the world of Music Theory. Learn about all the elements, rhythm, timbre, melody, textures, etc. Explore different classifications of music such as Western, Classical, Jazz, etc. Learn practical application with various instruments. A successful completion of all three modules will result in the student being presented a certificate of completion in Music Theory.

A nine-week course, divided into two modules. First culminating with a Waves Certification in the following plug ins: Renaissance EQ, Renaissance Compressor, C1 Parametric Compander, Renais-sance Reverb and Super Tap Delay. (Waves is the world’s foremost developer and supplier of software-based audio signal processing tools). The last module focuses on the final step in the recording process…… the act of creating the matrix (master) from which all copies will be made. Historically, the mastering procedure was a conversion process from tape to vinyl. Today the entire process can be achieved entirely within the digital format. The Master Engi-neer is revered as the ultimate authority in audio engineering. This course will educate you using sophisticated techniques in all aspects of audio signal processing: including advanced equalization, com-pression, limiting, normalization as well as, widening the stereo im-age, editing fades, and many other necessary tools of the trade.


Admission Requirements

High School Diploma or equivalency is required. If the student has not achieved a high school diploma or equivalency, a LSRA entrance exam is available upon request. A passing grade on the entrance exam will allow the student entry into the course. Students will receive credit for previous education and training that directly corresponds with the student’s Audio Engineering program as determined by a school’s official. Credit will be granted on an hour-to-hour basis. Thus, the training program will be shortened accordingly. Veterans are required to submit all transcripts from other institutions they have attended so that a complete evaluation of credit for previous education and training can be assessed.

Tuition Refund Policy

We make every effort to ensure that the enrolling student is the right fit for our School. Students enroll in our school because of a desire to further their knowledge surrounding their love of music. Due to our limited facilities, students will not be entitled to a refund if they voluntarily withdraw. If the student does not attend school for a period of four weeks without communication, it shall be deemed that the student has voluntarily withdrawn.


AE-2.0 Advanced Audio Engineering CoursePrerequisite AE-IMust have access to a computer and internet.

MT-2.0 Music Theory Modules

Musicians need to know the basics of Music Theory. We offer this course in three modules. Each one advancing further into the world of Music Theory. Learn about all the elements, rhythm, timbre, melody, textures, etc. Explore different classifications of music such as Western, Classical, Jazz, etc. Learn practical application with various instruments. A successful completion of all three modules will result in the student being presented a certificate of completion in Music Theory.

A nine-week course, divided into two modules. First culminating with a Waves Certification in the following plug ins: Renaissance EQ, Renaissance Compressor, C1 Parametric Compander, Renais-sance Reverb and Super Tap Delay. (Waves is the world’s foremost developer and supplier of software-based audio signal processing tools). The last module focuses on the final step in the recording process…… the act of creating the matrix (master) from which all copies will be made. Historically, the mastering procedure was a conversion process from tape to vinyl. Today the entire process can be achieved entirely within the digital format. The Master Engi-neer is revered as the ultimate authority in audio engineering. This course will educate you using sophisticated techniques in all aspects of audio signal processing: including advanced equalization, com-pression, limiting, normalization as well as, widening the stereo im-age, editing fades, and many other necessary tools of the trade.


Course OutlineAE1.0 Hours Audio Engineering

100 Analog TheatreIncluding use of Dynamic Compression and gating

40 Digital Board Time – Studio A & BIncluding use of Dynamic Compression and gating

100 Pro-Tools Digital Audio Workstation

20Microphone Placement/Proper signal levels for Recording

60 Session Recording

AE2.0 Hours Audio Engineering II (Mastering/Waves)

40 Introduction to the Waves environment20 Introduction to the Mastering Environment20 Individual Project Mixing Sessions

EP2.0 Hours Elements of Production

24 History of Modern Production24 Music Business

Including outlining, time lining, basic styles24 Psychology behind the music

Staging a performance, prepare for studio24 Advanced Theory - Charting24 Introduction of studio and live production

Covering media, equipment and environment

DM2.0 Hours Digital Media

DM-1 8 Digital Equipment Basics General overview of hardware/software

DM-2 24 Photoshop Basics General overview of Photoshop/digital editing software

DM-3 88 Digital creation of Music Video Preproduction through final output of Music Video

DM-4 12 Stage and Video Lighting

DM-5 12 Live Sound

MT Hours Music Theory

MT-1 24 Notes on a piano, Building Chords, Modes, Major/Minor Scales

MT-2 24 Time Signatures, Rhythm, Tempo, Parts of Songs, Composer research

MT-3 24 Skills learned in 1 & 2 are applied, form basic song structure, write chords by listening, music history.


EP-2.0 Elements of Production

Prerequisite AE-IMust have access to a computer and internet.

The Elements of Production course is a succinct curriculum consisting of music law, copyrights and contracts, music psychology, time and motion studies, history of production, charting, functional business, concert promotion/production and of course “in the studio” music producing.

This course will offer comprehensive knowledge of equipment, choosing the right equipment for the project, in depth coverage of digital media for both live field production and studio production.

The course will offer knowledge in administration techniques, such as outlining, styles, formats. Creating effective time lines and budgets. The course will explore the psychological aspect of performer/producer relationship.

DM-2.0 Digital Media

Must have digital still camera, digital HD video camera, access to a computer with required software (Photoshop/Photoshop Elements/ Final Cut Express)

The Digital Media course includes six modules of interest. Digital Equipment Basics will cover digital equipment, hardware and software used in the process of editing. Photoshop Basics will cover basic knowledge of the software and general editing techniques. Digital creation of Music Video portion students are taught recording, manipulating digital video footage. Stage lighting, live sound properties and stage hand techniques are areas covered as well.


Registration

Upon meeting admission requirements and receipt of fees (see below), a schedule will be planned based on the students’ schedule and the availability of the instructor(s). Some courses will run concurrent and some consecutive.

ProgramNo.

Program Length*

Tuition Cost MaterialFee

AE-1.1 32 Weeks $8,900.00 $175.00

AE-1.2 8 Weeks $10,000.00 $175.00

AE-2.1 10 Weeks $4,900.00 $400.00

EP-2.1 24 Weeks $8,900.00 $125.00

DM-2.1 24 Weeks $8,500.00 $125.00

MT-2.1 12 weeks $850.00 $75.00

MT-2.2 12 weeks $850.00 $75.00

MT-2.3 12 weeks $850.00 $75.00

*Program Length is approximate. It is the minimum amount of time needed for student to complete the course and earn a certificate.

Material Fee

The material fee covers the cost of the Course Manual(s), a Student Identification Badge (required when student is in the facility), one (1) LSRA tee shirt, one (1) headphones and other materials required throughout the course.

Replacement cost of the materials: Course Manual $35.00 Student Badge $35.00 T-Shirt $25.00 Headphones $50.00


Course Descriptions

AE-1.1 Audio Engineering Course

(See admission requirements)

This is our core program. This course must be successfully completed before the student can continue in other offerings.

This course is a comprehensive learning experience designed to give the student a complete understanding of the art of recording and mixing in both digital and analog formats.

The course includes the following topics:

The functions of the CPU, memory, hard disk storage technology, and input and output peripherals. Guided tutorials take students through basic computer operations, setup of interfaces with peripherals, and the formatting of storage media. In addition to working with industry-standard digital editing software, students also learn basic word processing and graphics applications.

The proper use of both out board and plug-in equipment; effects, parametric and graphic EQ, digital delays, gates, limiters, compressors, line levels, bussing, microphone magnetic fields and placement, and both digital and analog mixing console operation.

In addition to the science of sound, instruction will be given on the expected attitude and behavior of a professional audio engineer. Included in this section; dealing with clients, musicians/singer, preparing for an audition (potential job hunting), selection of the proper internships to further the students individual goals.


2012 Holidays

The facility will be closed to observe the following holidays.

January 1-8 - New Years (Winter Break)May 26-28 - Memorial DayJuly 4 - Independence DaySeptember 1-3 - Labor DayNovember 21-25 - ThanksgivingDecember 17 - December 31st - Christmas/NewYears

2012 In-Service Dates

The facility will be closed to students. Teacher in-service day.

January 4-6, April 6, July 5, September 11, December 5

2012 Important Dates

Class Start Dates


Message from President

Welcome to The Lexington School

for Recording Arts

You have made an important decision to further your knowledge about Au-dio Engineering and Music Video Production. Our goal is to present the ba-sic understanding of the science and manipulation of sound and image. We strive to provide a professional, comfortable and relaxed atmosphere con-ducive to the learning process. Our two-year program constitutes the basis for the blending of science, art and business. Graduates leave us prepared, confident and ready to enter the exciting world of show business.

This manual covers important information about the facility, the course and expectations we have of you, the student. After reading this manual thor-oughly we encourage you to question anything you don’t completely under-stand.

Nobody gets to live life backwards, look ahead, that is where your future lies. Our entire team is anxiously waiting to get you started on this fantastic journey.

“Live as if your were to die tomorrow. Learn as if you were to live forever”. -- Gandhiji


Each student enrolled in all courses, will be provided with a tentative schedule of classes for the course, which will include any additional breaks scheduled, besides the holiday breaks scheduled above. Each student will typically start with the core program, Audio Engineering. Other classes will be scheduled either concurrently or consecutive. Classes start in the Spring, Summer, Fall and Winter.

Student Expectation

To receive the most benefit from the course(s), we expect students to attend the scheduled days for the scheduled hours. The course(s) are structured to present the student with the tools necessary and the knowledge required to successfully complete all the courses offered.

Attendance Policy

It is the goal of LSRA to have every student adhere to his or her pre-arranged schedule. Regular attendance is critical to the success of the student. When absences are necessary students are asked to call (859-335-6075) as soon as possible. When no communication is made about absences, this will be considered un-excused absence. Excused absences are absences scheduled in advance, absences supported by Doctor statement, etc. Students that accumulate five (5) consecutive un-excused absences for part-time student, three (3) consecutive un-excused absences for full-time student, will be considered voluntarily withdrawn from the course. Three (3) times tardy will equal one (1) unexcused absence. Any student requiring a Leave of Absence must submit a written request indicating reason for absence, length of absence and expected date of return.

Make-up Work Policy

Make-up work is allowed at the discretion of the instructors.

Incoming students, for all courses, will be required to attend School Orientation that will be scheduled a week or two

before classes start.

Orientation

LSRA

School Year 2011-2012

Volume Seven, revised December 2011

Board of Directors, Officials & FacultyWil Freebody, President

James Cooley, Board Member/AdvisorKeith Caudill, Board Member

Terrance Young, Board MemberDoc Messina, Board Member/InstructorAmber Sloan, VP of School OperationsCarolyn Austin, VP of Administration

Michael Thomas, InstructorSteve Nall, Instructor

Erin Cheeks, InstructorPatrick Hairston, Instructor

Eric Rolph, InstructorByron Turner, Instructor

“Our attention has been and will remain focused on the individual student’s needs”


Student Records

Student Records such as project grading, regular attendance, Spe-cial Event participation, registration, etc. will be maintained at the school and be available upon request.

Unsatisfactory Grades

When a student is displaying unsatisfactory progress in the course, not related to absences, the student will be placed on an academic probation (2 weeks for full time student, 4 weeks for part time stu-dent). Every effort will be made to assist the student ensuring the graduation and certification of a qualified audio engineer. If the grades are not brought up to satisfactory progress (70%), student will be terminated.

Re-entry

If a student fails to communicate with LSRA about un-excused absences (see Attendance Policy), the student will be considered voluntarily withdrawn. Students terminated for failing to meet satisfactory grades (see Unsatisfactory Grades page 4), must com-plete a 30-day suspension period before applying for re-entry into the course. If after this time the student wishes to continue in the course, the Board of Directors will consider the request.

LSRA Catalog

Table of Contents

Page One Board of Directors, Officials, and Instructors

Page Two Message from President Page Three Course Description AE-1- Audio Engineering

Page Four Course Description EP-1 Elements of Production DM-1 Digital Media

Page Five Course Description AE-1I- Audio Engineering MT - Music Theory Page Six Admission Requirements Tuition Refund Policy Page Seven Course Outline

Page Eight Registration fees

Page Nine Important dates Class Start Dates

Page Ten Student Expectations Attendance Policy Make-up Policy

Page Eleven Unsatisfactory Grades Re-Entry Requirements Student Records


Documents

The Lexington School for Recording Arts Catalog / Tuition Fees · AE2.0 Hours Audio Engineering II (Mastering/Waves) 40 Introduction to the Waves environment 20 Introduction to the