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The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

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Page 1: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

The Historical and Cultural Context of

Adventures of Huckleberry

Finnby Mark Twain

Page 2: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Historical Context of

Huckleberry Finn

Set in pre-Civil War years 40-50 years before 1885 publication

Slavery ended, but racism still rampant (Jim Crow Laws)

Page 3: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Mark Twain underwent moral transformation…

He believed slavery was wrong and white Americans owed black Americans reparations

Page 4: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Backlash to Romanticism

• Realism– Twain tried to avoid romanticizing the story,

though it does still have a few romantic ideas. He wanted to capture life as it happened to Huck.

– Because of this idea of Realism, Twain’s characters came from backgrounds that were almost disdainful (poor, super-urban, super-industrial). He chose characters who would never have been romantic heroes.

Page 5: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

19th CENTURY

The Civil WarIndustrial Revolution Extreme contrasts between rich and poor

Page 6: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

HUCKLEBERRY FINN is a…COMING-OF-AGE NOVEL: moral growth of a comic character in a physically beautiful yet morally repugnant setting

Page 7: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

and a…PICARESQUE NOVEL: follows

the adventures of a roguish hero• episodic: Mississippi River • flight to freedom vs. river•flowing toward Deep South (slave territory)

A Picaresque story depicts the adventures of a roguish hero of low social class who lives by his wits

in a corrupt society.

Page 8: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

19th century Firsts…

First mappings of the West

First transcontinental railroad

First Photography

Page 9: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

“Something new happened in Huck Finn that had never happened in American literature before. It was a book…that served as a Declaration of Independence from the genteel English novel…

Page 10: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Vernacular (noun)1. The standard native language of a country or locality.2. a. The everyday language spoken by a people as distinguished from the literary language. b. A variety of such everyday language specific to a social group or region: the vernaculars of New York City.

Page 11: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

A Satirical work

• Definition of satire (n)– sat·ire– use of wit to criticize behavior: the use of wit,

especially irony, sarcasm, and ridicule, to criticize faults

– literary work using satire: a literary work that uses satire, or the branch of literature made up of such works

Page 12: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Irony

• Verbal irony occurs when a narrator says one thing but means the opposite.

• Situational irony occurs when a situation turns out differently from what one would normally expect (usually an oddly appropriate twist).

Page 13: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Irony cont.

• Dramatic irony occurs when the reader or audience knows something a character does not.

Page 14: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Themes in Huck Finn

• Racism and slavery

• Hypocrisy of a “civilized” society

• Morality: Right vs. Wrong

• Rules and order

• Friendship

Page 15: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Ideas to consider

1. What does it really mean to be free?

2. Is “right” always acceptable?

3. Are laws always good?

Page 16: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

"Slave Boy Brought to Waterbury from Bucks Hill by Aunt

Ella Johnson's Second

Husband (Whelan)"Ninth-plate ambrotype, circa 1855

http://www.photographymuseum.com/slave

boylg.htmlThe American Photography

Museum, Inc.

#1

Page 17: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

W. Queen (Philadelphia), Publisher or Retailer:

"The Darkey's Vanity"Tinted Albumen

Stereograph circa 1860

http://www.photographymuseu

m.com/vanitylg.htmlThe American Photography

Museum, Inc.

#3

Page 18: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Cumberland Landing, Virginia,Group of "contrabands" at Foller's house, May 14, 1862http://memory.loc.gov/learn/lessons/psources/slavpho2.htmlThe American Photography Museum, Inc.

#4

Page 19: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Unidentified Photographer:Civil War Soldiers with a "Contraband"Albumen carte de visite, circa 1863

http://www.photographymuseum.com/contrabl.htmlThe American Photography Museum, Inc.

#5

Page 20: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Unidentified Photographer: Ten ChildrenCyanotype, circa 1898http://www.photographymuseum.com/cyanokidslg.htmlThe American Photography Museum, Inc.

#7

Page 21: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Palmer (Tuskegee, Alabama)

Instructor & Three Graduates with Diplomas and Geraniums

Gelatine-Silver Print, circa 1905

 http://www.photographymuseum.com/tuskeglg.htmlThe American Photography Museum, Inc.

#8

Page 22: The Historical and Cultural Context of Adventures of Huckleberry Finn by Mark Twain

Works CitedThe American Photography Museum, Inc.   Virtual Exhibit: “The Face of Slavery and Other Early

Images of African Americans.” (2004). http://www.photography-museum.com/faceof.html

Cross, J.M. . “Nineteenth-Century Photography: A Timeline.” The Victorian Web. (2001). http://www.victorianweb.org/photos/chron.html

Reuben, Paul P. “Chapter 5: Late Nineteenth Century: American Realism - A Brief Introduction.” PAL: Perspectives in American Literature: A Research and Reference Guide - An

Ongoing Project.(2003). http://www.csustan.edu/english/reuben/pal/chap5/5intro.html

Rubio, Juan Carlos. (Curator). “Portraits and Landscapes in Nineteenth Century Photography. Private Collections of Madrid.” Fundacion Telefonico. (2001).

http://www.fundacion.telefonica.com/at/photoes/efotoxix.html