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8/29/13 1 THE FLIPPED CHORAL REHEARSAL WHAT IS IT? WHY DO WE NEED IT? HOW DOES IT WORK? Mary-Hannah Klontz, Arlington VA Public Schools DMA Candidate, George Mason University [email protected] WHAT IS IT? http:// ileighanne.wordpress.com /2013/01/24/ isnt - the-flipped-classroom-just-blended-learning/ IN THE BEGINNING….KHAN ACADEMY “A free world-class education for anyone anywhere.” Video tutoring sessions for Khan’s cousins became YouTube Sensation, 2008 Over one million students per month Over 2000 teaching videos & screencasts Khan Academy: https://www.khanacademy.org/about Sal Khan on TED Talk: https://www.khanacademy.org/talks-and-interviews/key- media-pieces/v/salman-khan-talk-at-ted-2011--from- ted-com

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THE FLIPPED CHORAL

REHEARSAL

WH A T I S I T ? W

H Y DO W

E NE E D

I T ? H O W D

O E S I T WO R K ?

Mary-Hannah Klontz, Arlington VA Public Schools DMA Candidate, George Mason University [email protected]

WHAT IS IT?

http://ileighanne.wordpress.com/2013/01/24/isnt-the-flipped-classroom-just-blended-learning/

IN THE BEGINNING….KHAN ACADEMY

•  “A free world-class education for anyone anywhere.” •  Video tutoring sessions for Khan’s cousins became

YouTube Sensation, 2008 •  Over one million students per month •  Over 2000 teaching videos & screencasts Khan Academy: https://www.khanacademy.org/about Sal Khan on TED Talk: https://www.khanacademy.org/talks-and-interviews/key-

media-pieces/v/salman-khan-talk-at-ted-2011--from-ted-com

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FOUR PILLARS OF FLIPPED LEARNING

Flexible Intentional

Learning Culture

Professional Educators

http://www.flippedlearning.org/cms/lib07/VA01923112/Centricity/Domain/41/ExecSummary_FlippedLearnig.pdf

Flexible: Variety of learning modes, students choose when &

where

Intentional: Teacher plans

what they need to teach & what

students can learn on their own

Learning Culture: Teacher becomes

“guide on the side” instead of

“sage on the stage”

Professional Educators:

Teacher observation of

students at work fuels richer

learning

http://www.flippedlearning.org/cms/lib07/VA01923112/Centricity/Domain/41/ExecSummary_FlippedLearnig.pdf

BLENDED LEARNING

Staker & Horn, Innosight Institute, ClassifyingK-12 Blended Learning, May 2012

http://www.innosightinstitute.org/innosight/wp-content/uploads/2012/05/Classifying-K-12-blended-learning2.pdf

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BLENDED LEARNING TYPES

Staker & Horn, May 2012

1. STATION ROTATION

•  Discretionary assignment to station •  1 or more online stations •  Traditional stations (full group, small group, tutoring,

paper/pencil) Traditional Rehearsal: Sectional for weak singers at piano with director, other students do written assignment. Flipped Rehearsal: Students practice and/or study theory & ear training online. Rehearsal focuses on elements beyond note learning.

2. LAB ROTATION •  Assigned station rotation for all •  At least 1 on-line station in a different room in the

school. (i.e.computer lab) Traditional Rehearsal: Singing tests at piano with director alternating with written work at seats. Flipped Rehearsal: Singing test based on online score, those who took it online rehearse with director while others take their singing test in a practice room with recording device (with or without assessment software.) Students can share recordings & documents with teacher using Google Drive or cloud based software.

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3. FLIPPED CLASSROOM

•  Students rotate on a fixed schedule between face-to-face teacher-guided practice in school

•  Online delivery of content and instruction outside of class time

•  The student controls time, place, path, pace of online delivery of instruction

Flipped Rehearsal: School web page is set up with links to online resources and/or software sends out assignments to be completed. Knowledge and skills gained enable students to work collaboratively and actively in class. Students take leadership roles and ownership in flexible groups based on their preparation.

4. INDIVIDUAL ROTATION

•  Students rotate on an independent schedule between face-to-face teacher-guided practice in school

•  Online delivery of content and instruction outside of class time based on astute observations and assessment data.

•  The student controls time, place, path, pace of online delivery of instruction

Flipped Rehearsal: Gifted student prepares for college entrance audition with teacher guidance and on-line resources at home and/or during class time. Student sings for the class in a mock audition. The mock audition is recorded and posted to a private YouTube channel for further review by the student.

WHY DO WE NEED IT

?

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http://manelsonportfolio.blogspot.com/2011/07/using-blooms-taxonomy-for-reading.html

AND VICE VERSA….

FLIPPED LEARNING RESEARCH FINDINGS

“In general, teachers who are flipping their classrooms report

•  higher student achievement,

•  increased student engagement,

•  better attitudes toward learning and school.

Many flipped teachers report that their job satisfaction has

improved and are feeling re-energized by their heightened

interaction with students.

This initial research suggests that the Flipped Learning model is promising and warrants further inquiry.”

http://www.flippedlearning.org/research

STUDENT’S VIEW

11th grader, Sophia Pink, spent 10th grade online: “I began my sabbatical (from school) by taking three online courses

through a Johns Hopkins University distance-learning program for high school students….Instead of sitting in a specific seat at a specific time, listening to the same long lecture as everyone else, I could tailor the classes to my strengths and weaknesses….Not only did online courses free up time to shoot a movie, they helped me learn as well as I would have in a classroom. In four months, I covered a year of math.

However, as I realized studying chemistry, online courses weren’t perfect substitutes. I missed one of the biggest benefits of the classroom: working with a small group of students.”

http://www.washingtonpost.com/opinions/why-i-spent-10th-grade-online/2013/08/22/f2001640-ed8a-11e2-bed3-b9b6fe264871_story.html

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ADVANTAGES OF BLENDED LEARNING

Differentiated

Multiple Modalities

Student Ownership Data Driven

21st Century Skills

PRACTICAL MOTIVATION

Less access to students

BYOD Bring your own device

Students are digital natives

Teacher accountability

BLOOM’S TAXONOMY GUIDE ON THE SIDE VS. SAGE ON THE STAGE

http://ileighanne.files.wordpress.com/2013/01/flipped-classroom-blooms.jpg

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NOUNS (BLOOM) TO VERBS (ANDERSON & KRATHWAHL

http://www4.uwsp.edu/education/lwilson/curric/newtaxonomy.htm

“WHAT THE WORLD CARES ABOUT IS NOT WHAT YOU KNOW, BUT WHAT YOU CAN DO”

•  KNOWLEDGE IS A COMMODITY •  CONSTANTLY CHANGING •  AT THE CLICK OF THE MOUSE TONY WAGNER: PLAY, PASSION, PURPOSE

http://www.youtube.com/watch?v=hvDjh4l-VHo

“FLIPPED” TAXONOMY “BLOOMS”

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NASA’S 5E INSTRUCTIONAL MODEL

Engage Explore Explain

Extend Evaluate

http://www.nasa.gov/audience/foreducators/nasaeclips/5eteachingmodels/

NEW MODEL FOR MUSIC REHEARSAL

Independent Musician

Collaborative Learning

Teacher

Interactive Technology

A BRAND NEW BLEND

Choral Ensemble

Independent Musician

Independent Musician

Independent Musician

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Flexible environments offer individualization

Culture shift follows trends in college & business

Teachers has much greater understanding of student competencies

Interactive, self-paced instruction for student using web resources

Active learning strategies, problem-based learning can be chaotic

Less access to technology in k-12 education than college or business

Takes time & training Difficulty retaining full

group’s attention?

PROS AND CONS

RECOMMENDED READING SHORT WEB ARTICLES

The Journal (Transforming Education Through Technology.) “Report: The 4 Pillars of the Flipped Classroom"http://thejournal.com/articles/2013/06/18/report-the-4-pillars-of-the-flipped-classroom.aspx

Flipped Learning Network, Resources http://flippedlearning.org/domain/9

Classifying K-12 Blended Learning, Innosight Institute, http://www.innosightinstitute.org/innosight/wp-content/uploads/2012/05/Classifying-K-12-blended-learning2.pdf (http://www.christenseninstitute.org/)

RECOMMENDENDED READING

MORE IN DEPTH READING

Paula L. Jimison, Liberty University, “Effective Blended Learning Environments”

http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CEYQFjAA&url=http%3A%2F%2Fjimisonportfolio.files.wordpress.com%2F2012%2F11%2Feffective-blended-learning.docx&ei=s1YdUvT3Dsa9sATM04GgDw&usg=AFQjCNHtZkTEn2DEtj0Bas8NaDwfuuqo0Q&sig2=yumuK0GGu62dtTHwrVZNGA&bvm=bv.51156542,d.cWc

Jose Antonio Bowen, Teaching Naked, How Moving Technology Out of Your College Classroom Will Improve Student Learning (San Francisco: Jossey-Bass, 2012 and available on Kindle)

Tony Wagner, Creating Innovators: The Making of Young People Who Will Change the World (New York: Simon & Schuster, 2012) http://creatinginnovators.com/

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HOW DOES IT W

ORK?

C R E A T I V E P L A N N I N G , S O F T WA R E , W

E B S I T E S , P R I C I N G

TECH JARGON-LET’S FLIP IT! Look up the terms at: http://www.netlingo.com/category/technical.php File formats: Mp3, Pdf, Tiff, wav, mov Mobile devices with internet: iPod Touch, iPads & other tablets, Smartphones

App, Applet MIDI url Cloud

Blog Wiki Screencast

Podcast

ONLINE MUSIC RESOURCES

PROFESSIONAL ORGANIZATIONS

NAfME: https://musiced.nafme.org/index.php

NAfME webinars: http://institute.soundtree.com/NAfMEenroll.aspx

ChoralNet: http://www.choralnet.org/list/resource#

ACDA: http://acda.org/

TI:ME: http://www.ti-me.org/

SoundTree: http://institute.soundtree.com/Default.aspx?ReturnUrl=%2f

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ONLINE MUSIC RESOURCES

PUBLIC DOMAIN SHEET MUSIC

CPDL: http://www.cpdl.org/

IMSLP: http://imslp.org/

LOC:http://memory.loc.gov/ammem/browse/ListSome.php?category=Performing%20Arts,%20Music

DIGITAL PURCHASES

SheetMusic.com http://www.sheetmusicplus.com

J.W. Pepper, http://www.jwpepper.com/sheet-music/welcome.jsp

SCORE READER

forScore, https://itunes.apple.com/us/app/forscore/id363738376?mt=8

Songbook (Finale), http://www.finalemusic.com/products/finale-songbook/

PRACTICE RESOURCES RECORDED PERFORMANCES

YouTube (performances & practice tracks) http://www.youtube.com/

TeacherTube http://www.teachertube.com/

Publisher web sites (such as)

Hal Leonard: http://www.halleonard.com/index.jsp?subsiteid=5http://www.halleonard.com/index.jsp?subsiteid=5

Alfred: http://www.alfred.com/Browse/Ensembles/Choir-Secular.aspx

PRACTICE TRACKS

Choralia: http://www.choralia.net/

CyberBass: http://www.cyberbass.com/

Video Downloader for Social Media Sites: http://deturl.com/bookmarklet-to-directly-download-videos-from-youtube.asp

PRACTICE RESOURCES & MUSIC THEORY

Metronome: http://www.metronomeonline.com/

Interactive Solfege: http://www.music.vt.edu/musicdictionary/appendix/scales/solmization/syllables.html

Music theory.net (free): http://www.musictheory.net/

Music Interval Tutor (free): http://www.musicalintervalstutor.com/

Theta Music Trainer ($39 annual): http://trainer.thetamusic.com/en

Music First: Musition ($199 each for 99 students) http://www.musicfirst.com/

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NOTATION

MakeMusic: Finale Notepad (free, limited number of staves, instruments, imports xml)http://www.finalemusic.com/products/finale-notepad/resources/

MakeMusic: Finale (upgrade from competitor, $139, Finale required to create new SmartMusic files, imports xml, opens .tiff) http://www.smartmusic.com/

Avid: Sibelius First (Student version,

Avid: Sibelius (exports to xml) & PhotoScore (Deluxe is extra purchase, but necessary if scanning/opening large scores, opens .pdf )

http://www.sibelius.com/home/index_flash.html

Noteflight ($199 each for 99 students) http://www.musicfirst.com/

INTERACTIVE SOFTWARE/APPS THAT LISTEN

SmartMusic (Performance Training & Assessment, annual subscription ($40 student, $44 practice room, $140 teacher, Computer-cloud-iPad) http://www.smartmusic.com/

Music First: Auralia (Ear Training, Dictation, annual subscription $199 for 99 students. Computer-cloud.) http://www.musicfirst.com/

Mynotegames (*mobile only, voice is in BETA stage) https://itunes.apple.com/us/app/my-note-games/id470503027?mt=8

Joytunes (piano, recorder free trial) http://www.joytunes.com/

CREATIVITY & COMPOSITION Notation Software (mentioned previously) Incredibox; beatboxing (free):

http://www.music.vt.edu/musicdictionary/appendix/scales/solmization/syllables.html

Garage Band: Create music with loops and/or record live. Add photos to create a podcast. (mac software & iPad app, $14.99): https://itunes.apple.com/us/app/garageband/id408980954?mt=12

TrackAx : audio mixing & recording similar to Garage Band loops. (pc computer, free) http://trakaxpc.en.softonic.com/

Wordle (word art): http://www.wordle.net/ Arts Apps for interpreting music, creating art for programs:

http://www.creativebloq.com/digital-art/art-on-the-ipad-1232669 Avatars for creating video announcements, tutorials: http://www.hongkiat.com/blog/websites-to-create-unique-avatar/

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OTHER APPS

SmartMusic Inbox

Tenuto, Theory Lessons (MusicTheory.net)

Maestro

Tempo

Pitch Pipe

iS (IPA)

Italian Arias (sing along)

TapTap Revenge, BeatGather

Blob Chorus

Smithsonian Wiki for Educational Apps

https://docs.google.com/spreadsheet/ccc?key=0Ak6M5qR8zM4_dEZHamVaTVlIdzBWdVQ4UjRtdHdRTHc#gid=2

FILE & CONVERSATION SHARING

Blackboard (or similar school intranet)

Google Drive (& Google Chat)

Box.net

DropBox

EverNote

SOCIAL MEDIA

Skype

Face Time

Google Chat

Facebook

Edmodo

Twitter

Pinterest

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CLASSROOM CLARITY

ClassDojo (cloud & iPad app) http://www.classdojo.com/

(Students must register an account in order to change their avatar)

LinoNote (sticky & photo sharing) http://en.linoit.com/

Password Managers: http://www.informationweek.com/security/client/10-top-password-managers/240153906

GETTING STARTED Flipped Learning Day is 9.6.13

Visit the Blended Learning Toolkit website for daily motivation and free materials: http://blended.online.ucf.edu/

Choose one element of your teaching that day to “flip” by focusing on a pillar of the flipped classroom

(Flexible environment, Learning culture, Intentional or Professional Educators)

Share! Post to a blog. Email me or a colleague! [email protected]