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Rococo An l8th century style, principally associated with the decorative arts, deriving its name from the French, rocaille, meaning 'rock work'. The name was first used in the early 19th century as a pejorative term, denoting the frivolous over-elaboration which contemporary critics considered the salient feature of the style. Rococo evolved in France from, and as a reaction against, the formal and somewhat ponderous style centred on the court of Louis XIV at Versailles. Following Louis XIV's death in 1715 the court moved to Paris and Rococo reflected the new taste for lighter, more delicate decoration suitable for the smaller, more comfortable and intimate interiors of town houses. Interiors and furnishings alike were decorated with abstract 's' curves and 'c' scrolls combined with naturalistic motifs derived from shells and plants, often in a playfully asymmetrical arrangement. The paintings of Watteau, Boucher and Fragonard, with their playful eroticism, soft colours and elegant forms, provided a perfectly attuned accompaniment to the interiors for which they were intended.
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The Enlightenment
The Age of Reason18th century
Probably the most famous and certainly the most severe of a series of works which extolled the antique virtues of stoicism, masculinity and patriotism.
David, Jacques-LouisThe Oath of the Horatii 1784
Neo-Classical Painting• Art was now supposed to move a person's
deepest feelings and teach virtue - not cater to wasteful living. Artists and critics believed that it should once again serve the nation and be good for the people, just as it had for the ancient Greeks and Romans. Classical art had depicted serious subjects in a serious way, and so late eighteenth century artists and architects deliberately began imitating Roman and Greek art. Their work became known as Neoclassicism, a new imitation of classicism that was nevertheless conscious for the first time that Roman art was one style among many different styles in history.
RococoAn l8th century style, principally associated with the decorative arts, deriving its name from the French, rocaille, meaning 'rock work'. The name was first used in the early 19th century as a pejorative term, denoting the frivolous over-elaboration which contemporary critics considered the salient feature of the style. Rococo evolved in France from, and as a reaction against, the formal and somewhat ponderous style centred on the court of Louis XIV at Versailles. Following Louis XIV's death in 1715 the court moved to Paris and Rococo reflected the new taste for lighter, more delicate decoration suitable for the smaller, more comfortable and intimate interiors of town houses. Interiors and furnishings alike were decorated with abstract 's' curves and 'c' scrolls combined with naturalistic motifs derived from shells and plants, often in a playfully asymmetrical arrangement. The paintings of Watteau, Boucher and Fragonard, with their playful eroticism, soft colours and elegant forms, provided a perfectly attuned accompaniment to the interiors for which they were intended.
John Locke 1632-1704 Essay Concerning
Human Understanding 1690
Second Treatise on Government 1690
Essay Concerning Human Understanding Tabula Rasa
At birth every human beings mind is a blank page, and that all knowledge comes from experience
Locke repudiated the view that human beings were born with a tendency to submit to authority
Second Treatise on Government Social-Contract theory Government was created to protect mans
natural rights of life liberty and property When the government fails to protect
these rights the people have a right to rebel
The thinkers of the enlightenment accepted Locke’s doctrine of the natural rights of human beings.
What’s going on? Bach composes St. Matthew
Passion 1729 Handel’s Messiah has its first
performance 1742 Mozart’s Opera the Marriage of
Figaro is first performed
Philosophes Many of the leaders of the enlightenment were
French Philosophes were critics of the old regime who
developed new ideas about government, economics, religion and advanced proposals for the improvement of the human condition and the reform of society.
Philosophes shared the enlightenments faith in the supremacy of human reason.
Reason could be used to reveal the natural laws that regulated human affairs.
Philosophes believed in the progress of human beings and society toward a more perfect condition.
Voltaire 1694-1778 Critic of the Old
Regime Reformer not a
revolutionary Age of Louis XIV
written in 1743 Candide 1759
Satirical tale, attacked superstition, religious persecution, and war.
Letters on the English 1733 While in England Voltaire was attracted to the
philosophy of John Locke and ideas of Sir Isaac Newton. He studied England's constitutional monarchy, its religious tolerance, its philosophical rationalism and most importantly the natural sciences. Voltaire also greatly admired English religious tolerance and freedom of speech, and saw these as necessary prerequisites for social and political progress. He saw England as a useful model for what he considered to be a backward France,
Voltaire “I may not agree with what you say, but
I will fight to the death for your right to say it”
Ecrasez L’infame “crush the infamous thing”
The best one could hope for in government was a good monarch because “human beings are rarely capable of ruling themselves”
Deism Voltaire believed in a distant God A great clock maker who built an orderly
universe and then stepped aside to let it run
Seen by the philosophes as a more natural and rational approach to religion
God was the first cause, he was not involved in the daily lives of humans and did not respond to prayer
Jean Jacques Rousseau 1712-1778
Emile 1762 Social Contract
1762
Rousseau Believed that people living in a
state of nature had once been virtuous, free, equal and happy.
People had been corrupted by civilization.
What they needed therefore was a natural education, free of the corruption and artificiality of society
Emile 1762 Rousseau set forth his ideas on
education in Emile. The story has two heroes; Rousseau
the teacher and Emile the pupil. Emile learned by direct experience
rather than from books, he was not forced to read at a young age nor was he subjected to severe discipline.
Social Contract “All men are born free, but
everywhere they are in chains”. Although government restricted
individual freedom, it was a necessary evil
The General Will- reflects the common interests of all the people and is sovereign
Baron de Montesquieu1689-1755
The Persian Letters 1721
The Spirit of the Laws 1748
The Persian Letters Social satire, criticized existing
practices and beliefs in France. Done through the view of travelers
from Persia.
The Spirit of the Laws As a member of the French nobility
Montesquieu was dismayed that royal absolutism had triumphed in France
He argued that Despotism could be avoided if political power was divided and shared by a variety of classes and legal orders
He admired greatly the English model of balance of power with its King, Parliament and independent courts
He believed that the high courts in France, the Parlements, would aid against the development of absolutism
Denis Diderot 1713-1784 Encyclopedia Edited by Diderot
and Jean d’Alembert
Wanted the Encyclopedia to change the genral way of thinking
Francois Quesnay 1694-1774
Physiocrat Laissez-Faire Rejected
Mercantilism Land is value, not
gold Trade should not
be limited
Adam Smith 1723-1790 Scottish Economist Wrote “Wealth of
Nations” 1776 Attacked
Mercantilism People should pursue
own economic self-interest without government interference
Baron d’Holbach System of Nature 1770 Human beings are machines
completely determined by outside forces
Free will, God and immortality of the Soul were foolish myths
Aggressive atheism turned off Deists such as Voltaire
David Hume The human mind is really nothing but
a bundle of impressions Since our ideas reflect our sense
experiences, our reason cannot tell us anything about questions that cannot be verified by sense experience
Existence of God, origin of the Universe
Marquis de Condorcet Progress of the Human Mind 1793