F 46.103

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FROM THE LIBRARY OF

REV. LOUIS FITZGERALD BENSON, D. D.

BEQUEATHED BY HIM TO

THE LIBRARY OF

PRINCETON THEOLOGICAL SEMINARY

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THE EASY INSTRUCTOR;O Tv,

A NEW METHOD OF TEACHING /^

•acrrb f^armonj)*CONTJIXIJ^'G,

I. THE RUDIMENTS OF MUSIC on an improved Plan, whercia the Naming and Timing of the Notes arc fumiliari/.cd to U

the weakest Capacity. LI

II. A choice Collection of PSALM TUNES and ANTHEMS, from the most celebrated Anthors, uiih a nuivil)cr composed in »

Europe and America, entirely new ; suited to all the Metres sune in the different Churches in the United States. 1,^

r[Publiihed for the Use of SINGING SOCIETIES in {jcucj-;iil, but more particularly for tliose wlio liavc not Uie :itlv;uitaj,-c ot an instructob. |^

By WILLIAM LITTLE and WILLIAM SMITH.

PRlNfED, TrPOCSAPHICALLT, Af JlBJSr,

Bt WEBSTERS 6c SKINNER and DANIEL STEELE, (Proprietors of the C»py-Right,)

And sold at their respective Book- Stores, at th" corner of State and Peaj-1-Slreets, and a few doors souih of the Old City-Hall, in Coin-t-Street ; by T. & J lu

Swords, Evebet Duyckin'ck and Willi,\m Falconer, Nevi-Tork ; VVm. J. M'Cartee, Schenectady ; A. Seward, L'tiai ; Tracy k Bi.jb:,

JLansingburgh ; Parker & Bliss, Troy; Increase Cook, Nem- Haven, ii-wl M. Cary, PhiiaJelpliia.

>

Jj VAN BENTHUYSEN Cf NEWTON, typographers.

I N E X.

TUJ^ES,

Alesbury,

America,Angels' Hymn,Bath,

Balloon,

Bridgewater,

Brookfield,

Bray,

Bristol,

BuUstown,Bern,

Babel,

Brentwood^Bangor,Castle-Street,

Calv.'.ry,

Coronation,

Complaint,Christian Song,

Crucifixion,

China,

Delight,

Denmark,Lntield,

Authors. Page.

Unkno7vny 1

9

Wetmore, 28Uni-nown, 48jDo. 13

Sjuan, S3Edson, 36W. Billings.) 47G. Williams, 4:&

Swan, 49Shumivay, 57Uri K.Hill, 68Unknoivn, 70

JDo. 71

Do. 71

Madiin, 1

9

Rerd, 24Holden, 43Parmeter, 72Unknown, 98Can tie, 100Swan, 99Coan, 45Mudun, 58Chandler, 23

TUKES.

Exhortation,

Exhortation,

Florida,

Funeral,

Friendship,

Greenwich,Greenfield,

Grafton,

Hudson,Habakkuk,Invitation,

Jordan, "

Judgment,Lebanon,Little MarlboroughI-enox,

Lena,

Mortality,

Mear,Montgomery,Montague,Middletown,Majesty,

Mount-Sion,

Authors. Page.

JDoolittle, 102

Hibbert, 9 6

Wetmore, 1

4

Ward, 18

UnknoTim, 73itfeftf/, 26£dson, 28Stojie, 42Chandler, 1

5

Madun, 66Bronson, 20JF. Billings, 25Unknoivn, 65

Billings, 28

, Unknown, 3

1

Edson, 32

Belknaft, 62

Griswold, 2

1

Brown, 24Morgan, 27Swan, 44^h//, 52Billinga, 80UnknowJi) 34

TUJVES.

Martin's Lane,Milton,

New-Durham,Newport,Norwich,New-Jerusalem,Newmark,Newburgh,Old Hundred,Ocean,Psalm 25,

34,

148,

— 136,'-- 23

J— 29,

Providence,

Plymouth,Piermont,

Rocliester,

Russia,

Repentance,Rome,Sutton,

Authors, Pa^-i?. TUJVES. Authors. Page,Unknown, 104 St. Martin's, Sansun, 32Olmatcd, 97 Sherburne, Reed, 38Austin, 20 Sardinia, Castle, 37Reed, 29 Sharon, Unknown, 39Unkiwwn, 30 Schenectady, Shumway, 41Do. 46 Stratfield, Goff, 53

Bull, 101 Symphony, Morgan, 55JVIimson, 94 Salisbury, Bronson, 61M. Luther, 18 Smyrna, Holden, 63Unknown, 22 Solon, Olmsled, 103Gillet, 13 Virginia, Brunson, 30Ste-venson, 31 Whitestown, Ward, 16Handel, 50 Wells, Holdrad, 21Dcolfih, 56 Williamstown, Brown, 35Bull, 93 Warren, A. Lane, 47Bull, 93 Walpole, Wood, 54Unknown, 69 Westminster, Shumway, 95

Do. 70 \\ indham. Reed, 14Bull, 92 AJVTHRMS.Unknown, 17 Heavenly Vision, French, rtReed, 36 Judgment Anthem, Morgan, 81Unknown, 40 Easter Anthem, Billinga, 89Swan, 64 Funeral Anthem, Do. 7SSioiifiy 17

ADVERTISEMENT.

x\S the Authors are ^\•cll aware, that whatever has the appearance of novelty is, from this very circumstance, in danger of meeting with an un-

favorable reception ; they request, nothing more than a critical observation of the certificate annexed, and an impartial examination of the methodproposed, being willing •.o submit it to the merit of the performance to the determination of the candid and judicious. As the introduction of

the four singing syllables, by characters, shewing at sight, the name of the notes, may perhaps be considered as subjecting those who are lought

in this maimer 10 difficulty in understanding other booiis, without this assistance—the autliorb would just observe, that if pupils are made ac-

quainted wiih the principle here laid down, the objection will be found, by experience, more specious than solid. To this it might be added,

that in the old way, ihere are not less than seven dift'erent ways of applying the lour singing syllables to the lines and spaces, which is attended

wi:h great difliciilty : But tliis diiTic'illy is entirely removed upon the present plan ; and we know of know objection to this plan, unless that it.

is not in use ; wliich objection is no oi)jcciion at all, or at least, cannot be decisive, as this would give currency to the entire rejection and ex-

clusion of all improvenu'uls whate\er. And as the novelty of a singing book rendered so easy, from its improvements, that any person of a tol-

erable voice might aclu:iily learn the art of psalmody v.iihout an inslniclor, if they could but obtain the sounds of the eight notes, which has lead

its advocates to I ecj^UBsl a publication of the same. We have, tliercfore, the pleasure to inform the public, that since, subsG4Jptions have beenin circulation for ihw.book, we have been honored with upwards of three thousand subscribers : In consequence of which we flatter ourselves,

that this book will meet with a kind reception.

WILLIAM LITTLE,Philadrljihia, Jtii-ust l5Ji, 1798. WILLIAM SMITH.

The Commitlce appointed by the UUANIAN SOCIET'Y of Philadelphia, to examine a Singing Book, entitled,

"THE EASY INSTRUCTOR/' by William Little,Report....That having carefully examined the same, they find it contains a well digested system of principles and rules, and a judic ous col-

lection of tunes: And from the improvement of having only iour significant characters, indicating, at sight, the names of the notes, and a slid-

ing rule lor timing the same, this book is considered ea>icr to be learned than any we have seen.

Were it possible to acquire the sound of the eight notes but by imitation, they verily believe they might be obtained by the help of this bookeven without an instructor.

The conuuilic arc of opinion, the Author merits the patiouaye and encouragement of all friends to Church Music :

Which is tubmiitedy

EDWARD STAMMERS,UlCUAKU T. LLi.CH.

PREFACE.T'

'HE son^ of praise is an act of devotion so becoming, delightful and excellent, that vre find it coeval with the sense of Deity authorized

by the example of all nations, and universally received into the solemnities of public worship. Under the Jewish Dis/iensation, the Ho-ly Spirit of God directed this expression of homage, as peculiarly becoming the filace where hin honor dwelleth. The book q{ Psalms, as the nameitself imports, was adapted to the voice of song ; and the author of those invaluable odes well knew the sweetness, dignity, and animation that

v-erc hereby added to the sacred service of the temple. With what rapture do they describe its effects—with what fervor do they call upon their

fellow worshippers to join in this delightful duty.

—

It is a good thing to give thanks unto the Lord, and to si?ig /i raises unto thij name, O thmi MostNigh. Praise ye the Lordfor it is good to sing praises unto our God ;for it is pleasant, and praise is comely. O sing unto the Lord a new song—iing

unto the Lord all the earth—sing itnto the Lord—bless his name—shen'forth his salvationfrom day to day. Nor hath Christianity dispensed with

religious song as an unmeaning ceremony, or an unprofitable sacrifice. It commands us to address the Father /« sjiirit and in truth ; but it nev-

ertheless enjoins those outward acknowledgments that fitly express and cherish the pious temper. Our blessed Lord was pler.sed to consecrate

this act of worship by his own example, under circumstances the most effecting. He concluded the celebration of that supper, which was the

memorial of his dying love, by an hymn of praise. And his apostles frequently exhorted to the observation of this duty ;

—

Let the word of Goddvjell in you richly in all rjisdom ; teaching and admonishing one another in psalms, and hymns, and spiritual songs ; singing with grace in your hearts

unto the Lord.

Divine song is undoubtedly the language of nature : It originates from our frame and constitution : Do lofty contemplations, elevated joy and

fervor of alfection, give beauty and dignity to language, and associate with the charms of poetry, by a kindred law which the Creator hath estab-

lished—They pleasingly unite with strains of sweet and solemn harmony. And there are two principal views, in which music will appear to ren-

der eminent service to the sacrifice of praise :—In the first place, it suitably expresses the sentiments of devotion, and the sublime delight which

religion is fitted to inspire. Joy is the natural effect of praise, and song the proper accompaniment of joy. Is any merry or glad let him sing

pi^aims ; and singing is not only a general indication of delight, but expressive, also, of the prevailing sentiments and pasbions of the mind— it can

accommodate itself to the various modifications of love and joy, the essence of a devotional temper—it hath lofty strains for the sublimity of admi-

ration—pl-iintive accents, which become the tear of penitence and sorrow—it can adopt the humble plea of supplication, or sweil the bolder notes

of thanksgiving and triumph : Yet it hatli been properly remarked, thu*^ the influence of song reaches only to the amiable and pleasing affections,

and that it hath no expression for malignant and tormenting passions ; the sorrow, therefore, to which it is attuned, should be )iiingled with hope

—t!ie penitence wliich it expresses, cheered with the sense of pardon, and the mournful scenes on which it sometimes dwells, irradiated with

the glorious views and consolations of the gof,pcl.

In the second place, music not only decently expresses, but powerfully excites and improves the devout affections ; it is the prerogative of

this noble art to cheer and invigorate the mind—to still the tumultuous passions—to calm the troubled thoughts, and to fix the wandeiing atten-

tion : And hereby it happily composes and prepares the heart for the exercise of public worship. But it further koJStB a wondrous efficacy in

leading to tluit peculiar temper wliich becomes the subject of praise, and is favorable to religious impression. It can strike the mind v;ith solem-

nity and ttwe, or melt witli tenderness wid love—'Uan aninuilt with hope and gladness, or call forth the sensations ot d«vout and allAictionate sor-

THE EASY INSTRUCTOR. 5

i:o«-s ; even separate and unconnected, it can influence the various passions and movements of the soul ; but it naturally seeks an alliance, an(t

must be joined witii becoming sentiments andlan'^iiage, in order to prochice its full and proper efTcct ; and never is its energy so conspicuous anddclightiul, as when consecrated to the service of religion, and employed in the courts of the living God—Here it displays its noblest use, and its

brightest glory ; here alone it meets with thcams th;it fill the capacity of an immortal mind, and claims its noblest powers and alTections. Whatvoice of song so honorable, so elevating and delightful ? To whom shall the breath ascend in melodious accents, if not to him v.'ho first inspired it ?

Where shidl admiration take her loftiest flight, but to the throne of the everlasting Jehovah ? Or what shall awake our glory, and kindle our warm-est gratitude, if not the remcr.ibrance of his daily mercies, and the praise of redeeming love ? When the union of the heart and voice are thushappily arranged—when sublime subjects of praise are accompanied with expressive harmony, and the pleasure of genuine devotion heightenedby the charms of singing, we participate of the most pure, rational, noble and exquisite enjoyments that human nature is capable of receiving :

—

The soul forgets the confinement with the body, is elevated beyond the cares and tumults of this mortal state, and seems for a while transportedto the blissful regions of perfect love and joy : And it is worthy of remark, that the sacred writings delight to represent the heavenly felicity un-der this image : .\nd though such language be allowed to be figurative—though eye hath riot aecn, nor car lieardy neither hath ic entered into ththeart ofman to conceive the things God hath /ire/iured for them that love him ; yet our most natural— our most just conceptions of the happiness ofthe heavenly world, is that which we have been describing, viz. sublime devotion accompanied with raptui ous deliglit.

The human mind is not only capable of extensive knowledge, but is incapable of lx;ing entirely in a state of supineness : This thirst for happi-ness implanted in the human breast, must have some object for its ptirsuit ; therefore the Almighty has made us capable of ciijoying pvire and in-

tellectual pleasures ; and we find if improvements are neglected among young people, their manners at once, verge towards heathenism. Andsince it is impracticable, for any, eniireiy to separate their cliildren Irom meeting among young people, those wlio wish to promote civilization,

will see the importance of bending the young mind to something that will ornament and refine society, even if they have a sepanac design iii it.

The funds of knowledge in the minds of most young people, are not sufficient to car 17 on a discourse to any considerable lengtli ; thLM'cfore,

we find that their evenings are often spent in a very simple manner, nothing more will be heard than insignificant jokes, and vulgarismseems to be the highest entertainment; but when they have tasted the more pure pleasures, such as flow from music, the young circle seems to

look with contempt on the former manner in which they spent their time, which then seemed to hover them over the summit of bliss. But be-sides the more immediate propriety and use of divine song in the ordinances of religion, its indirect advuntuges have a claim to o\ir regard. It is

not only In itself delightful and profitable, but it gives animation to other parts of public worship—it revives the attention—recruits the exhaustedspirits, und begets a happy composure and iranquilily. It is peculiarly agreeable as a social act, and that in which every person may be imployed.Nor is it the least of its benefits, that it associates pleasing ideas with divine worship, and makes us glad rjhni vje go into the h'jttue rf the Lord,It is also a bond of union in religious societies, promotes the regvdar attendance of their members, and seldom fails of adding to tlieir numbers :

IJut there seems to lie something more in music to unite with our own experience and the wisdom of past ages. The early ('hribtiuns foimd their

accoimt in a remarkable attaciiment to psalmody, and almost every rising sect have availed themselves of itb important delights and advantages.It must be confessed that where plea-ure is the sole attention the motive is of an inferior nature. But is it not a i ommend;'.ble policy to promoteregular attendance upon places of worship, by any means that are not reprehensible ? Will not the most tcneficial consequericcs probably ensue ?

6 THE EASY INSTRUCTOR.

Is there not every reason to expect that persons who frequent the house of God with this view alone, will not be uninterested in the other services

of relis2;ion ?—Tliat they who come to sing may learn to pray—that they whose only wish it was to be entertained, may find themselves instructed

and improved? Such is the happy tendency of well regulated song in the house of God; but alas I how seldom is this part of the service accom-panied with its proper effect. It was the remark of an eminent writer, too applicable to the present time, that "The worship in which we should

most resemble the hihabitants of heaven, is the worst performed upon earth." His pious labors have greatly enriched the matter of song, and here-

by contributed to remove one cause of this complaint ; but in the manner there still remains a miserable defect.—Too often does a disgraceful si-

lence prevail to the utter neglect of this duty—t(jo often are dissonance and discord substituted for the charms of melody and harmony, and the

singing performed in a way so carelessly and indecently, that as the same writer observes, "instead of elevating our devotions to the most divine

and delightful sensations, it awakens our regret, and touches all the strings of uneasiness within us." But is this owing to causes which cannot

he removed, or doth it not imply rep-oach and blame ? W ill not truth oblige us to confess, that tlie fault rests not in a Avant of natural taste and

abililieSi nor of sufficient leisure, but in a great careles^sness and neglect ? Moderate attention and application would surmount every difficulty, and

lead to a suitable proficiency ia this happy art. An exercise so pleasing and attractive, seems only to want regulation and method.

'HE two first modes in Common Time have four beats in a bar, and may be performed in the following manner, viz. The first beat strike the

end of the fingers on what you beat upon ; the second beat, bring down the heel of the hand ; the third beat, raise the hand halfway up ; the

fourth beat, raise the hand clear up. The third and fourth modes of Common, and the first and second of Compound Time, have but two beats in

a bar, and the best method we know of measuring lime in these four modes, is by beating whh the hand, saying one with it down, and two with up.

To arrive at an exactness in this mode of culculf.ting, the learner may beat by the motion of a pendulum vibrating in a second, without payingany regard to the notes. For by this method he will become habituated to regularity and exact proportion.

Beating of time should be attended to before any attempt to sounding the notes is made. Counting and beating frequently while learning the

rules, will be ofgreat service. A large morion of the hand is best at first, but as soon as the learner can beat with accuracy, a small motion is sufficient.

To attain to exactness, it will be necessary that the learner should name and beat the lime of notes in each bar, both of the eight notes and anumber of the plain tunes in the difi'crcnt modes of time set to the eight notes in this performance, without sounding, until a perfect knowledgeof their variety ii obtained ; After v/hich, he may proceed to those that are more complex and difficult.

Having complied with these directions, the learner will acquire the time of the notes with much greater ease and exactness, than if his atten-

tion v/as directed to three things at once—the name, the time c.nd the sound of the notes.

As much depends on a prober knov/lcdgc of time, I would recommend to teachers to make use of a slidinp; rule, or something that will cover

the notes, so as to admit to the view of the pupil only such note or notes, as shall determine the iirst half oi'u bar ut a lime ; by which means thejr

Avili acquire exactness in beating, and ijive to each its due proportion.

THE EASY INSTRUCTOR. T

This may be considered by some as a useless novelty, but we can assure them, from long experience, that the effect vrill convince them of its

being worthy of attention, and much the quickest and easiest method to ascertain the exact lime of the notes.

(©f ^Danaging iXyt ©oice.IF directions, t^iven by ancient and modern critics (for the modulating of the voice) to those who are desirous of excelling in public speaking

arc necessary, directions are particularly recjuisite to enable the student in music, to sing with grace and energy ; therefore,

1st. Above all tilings affectation should be guarded against—for whilst it is contrary to that humility which ever ought to characterise the de-

vout worshiper, it must be an enemy to the natural ease which always distinguishes the judicious performance.

2d. Care should be taken to begin with a proper pitch of the voice, otherwise it is impossible to preserve the melodious connexion of the

notes, or the harmony of the parts ; for if at the commencement of a tune the voice is too low, langor must prevail ; if too high, an unnatural en-deavor to maintain a proportioned elevation throughout the whole performance.

3d. The articulation must be as distinct as the sound will possibly admit ; for in this, vocal music has the preference of instrumental—that

while the ear is delighted, the mind is informed.

4th. Tholgh it is the opinion of most writers, that the learners should take the parts best adapted to their respective voices ; let ihcm occi-

sionally try the differnt parts ; not only because it makes them better acquainted with the nature and degrees of sounds, but because it has a ten-

dency to improve the voice, to file oif what is too rough, and what is too efi'eminale to render more energetic ; whereas monotony, is.otherwibc,

apt to take place. By attending to this direction the evil will be greatly guarded against.

5th. Those who have but indifferent voices, will find great benefit, if after faithfully trying an easy tune themselves, they can get a good sing-

er to sing wuh them ; and by attending to his performance they will instantly perceive a difTerence— -the ear will soon experience a pleasing su-

periority, and the learner, at evciy succeeding effort, will find that his mechuiucal sensibility, if we may be allowed the expicbsion, is greatly im-proved.

©cncraK ©bi^crbationo*THE learner must endeavor to know the characters, with their time in the eight notes. Learning twenty or thirty of the plain tunes well by

note, before he attempts to sing by word, after which he may sing them over by word.In kce\)ing lime on the rests, or silent beats, I would recommend not to count the whole, and thus commit them to memory ; but to beat one

bar at a lime, and thus continue throughout the tune. This we find, is the most easy and accurate method of keeping time on the rests, paiticu-

laily fuged tunes.

'lEACHERs commit an imperceptible error in singing loo much with their pupils, and in allowing them to unilFin concert, before tlicy canrea.lily name and lime the notes themselves, without assistance. If voices are ^ver so good there can be no music, were ignon.ncc in these par-

ticular occasions frequent iulerruption. This ntortifying c'u-cunislance has induced us to try this experiment of gaining fluency in naiiiing tb»

? THE EASY INSTRUCTOR.

notes, and an accviracy in keeping of time, Lefore Ave suffcrc! our pupils to attempt to unite in the parts ; and the effect convinced us t-hat it is thamost effectuiil method to coned the error ; which we flatter ourselves all who make trial of, will find it to exceed their most sanguine expec-tations.

The hig-h notcR in all parts should be sung soft and clear, but not faint : The low notes full and bold, but not harsh. The best general rule

of singing in concert is, for each individual to sing so soft as to hear distinctly the other parts. The practice of singing soft will be greatly to theadvantage of the learner, not only from the opportunity it will give him of hearing and imitating his teacher, but it is the best, and most ready-

way of cultivating his own, and making it melodious.

When music'is repeated, the sound should increase together with the emphasis : In tunes that repeat, the strength of voice should increase

in the parts engaged, while the others are falling in with spirit ; in which case, the pronunciation should be as distinct and emphatical as possible.

When singing in concert, no one, except the teacher or leader, should attempt a solo which does not belong to the part which he is singing;

it destroys the very intent of the composition, and intimates to the audience, that the person or persons, to whom the solo particularly belongs,

was inadeqxiatc to the performance.

All solos should be" sung softer than the parts when moving together.

Notes tied with each otlier, should be sung softer than when one note answers to a syllable, and should be swelled in the throat, with the teeth

and lips a little assunder, and sung if possible to one breath, which should be taken previously, at the beginning of each slur v/hich is continued to

any considerable length.

To obtain the true sounds of the intervals, the learner will find great advantage by repeating the sound over and over from the last notes he is

attcmpiing to sound, until he can obtain the sounds he would wish to rctf.in : Proceeding in this manner, an indifferent voice may be greatly

cultivated, when a hasty performance would not only be to no advantage, but discouraging indeed.

€ljt Mont^ of iCime cjrj|3te00C& ftp jpiaurc^.

THE under fi^^ure shews into how may parts the semibreve is divided, and the upper figure sliews how many of the same parts fill a bar. In

the first mode of treble time, ^rthe upper figure shew.s that there are three notes contained in a bar ; the lower figure determines that they are

inMiims because two of them malce a semibreve. Also, in the second mode, J, the upper figure shews you there are three notes contianod in a

bar- the lower one that they are crotchets, because four of them will make one semibreve. And so all other modes, which are expressed by

figures accordh.g to their marks.

Phoi'Rie.ty in accenting is rather to be acquired by example than precept ; therefore, teachers ought to be exceedingly attentive to this par-

ticular : I'or much of the beauty and energy of music depends upon proper emphasis. To accent sucii notes as fall on accented syllables, or em-

nhatical words, iet them fall on wliich.part of the bar they muy, is ti^jc best and most natural rule, and the highest perfection of accent. There

are several other eraces, which have a pleasing cflect when executed in an accurate manner ; but as they are entirely impracticabl* for leatners,

J.pass thoir explanation.

Treble ^ Tenor.

r

Counter.G— ^sol

F faw

E —law

D

AG

IF.

sol—faw

Mi—law

sol— ivLvr

This char-

^actcr, called

the C> cliff, is u-

sed in Treble St

Tenor, and usu-

ally stands on the

second line.

H. This char-

ifllacter, called

the counter cliff,

is used in Coun-ter, 8c stands onthe middle line.

Base.A —law

E zz: l^w

D sol

C fawB MiA law

i^G ^sol

The first col imn shews tlie namas ofthe lilies aiul jJiiccs—the second theluiQcs and ore ;r of the uotos.

iJs This char-

acter, called

ihe Bass cliff, is

used in Bass, andstands onthe4tliline.

SolQ

Law ISIi FawSemibreve

Mininn

Crotchet

Quaver

Semiquaver

Notes.

QRests.

^ -Demisemiquaver m. _

Round Square Diamond Triangle

A half note, represents the seniitoues bclweceami and faw and law and fuw.

2 Bars. 4 Rars. 8 Bars.

Accent is a certaip force of soundwhich, >vhcn a ,

bar consists of " **'

two or threeequal parts, is

on the first. 1^^^When offour

it is on the first

and third.

1st

ZC

When of six

it is on

first &. fourtl

1st 4th

riM^m

A scTnibrcve rest fills

a bar in all moods of

time, the other rests arc

marks of silence, equal

in time to the notes alter

wliich they are called.

The natural place for Mi is in B,

But if B be flat Mi is in • . E i If F be sharp Mi is in . Fif B & E A i If F k C Cif B E Sc A . . . . I) i If F C & G . . . . GifBEAScD . . . G^lfFCGStD . . . D

10iSemibrevejjyiinjm, 4 Crotchets, 8 Quavers,IS equal to ' »s^ '

-r-©-

J SCALE OF J^'OTES ^AT? THEIR PROPORTIOJV.

16 Semiquavers, 33 Demib-einrqiiftvers

Brace orShews how many parts are

sung together.

S'^ave—

•

Five lines, with their spaces,

whereon music is written.

Ledger Is added when notes ascend or

Line descend beyond the stave.

I'iat b Set before a note sinks it half a tone.

Sharp * Set before a note raises it half a tone.

Placed on each letter before madeNatural ti flat or sharp reduces the music to

the natural scale.

Drawn over or under any numberSlur ^--~v of notes shows they are all sung to

one syllable.

Dot or At th^ right hand of a note adds to

poii)t * it half its length.

<

mi

m=-=^-3e:—»k-—H—F'

Over or under any three notes

Figure 5 shows that they arc sung in the timeof two.

Single

Bui-

Divides the time according to the

measure note.

Doublesrg Shews when to repeats

Shews that the note thus markedStaccato i must be sung in a very distinct man-

ner.

At the end of a stave sIkjws the

Direct v^ place of the first note on the follov/-

iiig stave.

Notes thus marked are held be-Hold ^

yond their usual time.

Repeat :S: _, , ,_ Shews that the tune is repeated^f from it to the next double bar or

-f close.or

.„. Denotes a repetition of- pi"cced-''' ing Avords.

#

I I

szh:~3

Peace Miv

At the end of a sti-ain that is repeated, the

1 2 nolo or notes under 1 is sun}^ before the re- -r

—

peat, and those untler 2 aTler; l)ut ii lied IlkI_;jZI'CZrr_Jwith a slur, both are sung after the repeat. ipiZSljZIll—

I

1 2

mr^—^ Close +|1: Shows the end of a tune.

11

First

~~ Has a semibrevc or its qiiaTiiity in a mcusxirc, sung in the time of four seconds : four beats ^J-

oo

^ Second

in a bar, two down and two up.

Has the same measure note, and beat in tJie same manner, only half as quick

again.

r~F~^hd li u u d d u u

\. ^, • , TS^ Has the same measure note, and sung as quick again as the first : two beats in a bar, one YY~° r^~BT»~I~I

Third ^ down and one up. H^3tl=t=3z

LFourtli -^ Has a minim in a measure, and beat as the third mood, only a third quicker.

d u d

^^mic Firsto

*-^

u1 S Second

u

Contains three minims, or their quaniily, in ameasure, sung in the time of three seconds:

2; two beats down and one up.

^ Contains thr^e crot<;hets in a measure, and beat in the same manner, only half as quick

— again. '

% TJiird 1^- Contains three quavera in a measure, and beat as the second nwod, only a third

r* ;H quicker.

! -^ . ^ Contains six crotchets in a measure, sung in the time of two seconds : two Ixiits, one

5 J2"^^ -^ down and one up.

I5 IS Second g Contains six quavers in a measure, and beat as the first, only half as quick again.

L J3 ,V. Zf. Th' hand fulU at the bcginninif of rvsry bar in all mctodi of time.

d n u u (1 II

illd d u d il u d d u

l||fi|l|4^-Fy^ri rrrrF

d II d ti

12 The Eight Notes.

iiSieiiiiiiiiiimiIntervals Proved.

EIS^- 1. _j—

^'--M sS^iltlie?^

Syncopation.

Syncopation is when notes are so placed that the hand must rise and fall not always at the beginning of each note, but often in the middle.

-'"-'iliiil=liil^iSi^iilFP=iTo=

(2-9.

SliS-d--

-^.-(Ba- r- T M-lk-

Sung iiiiililSThese are called driving notes, and are something difficult, but the above example shews both how sung and printed.

Scale of Flats and Sharps.

The following Scale shews the number of Flats and Sharps belonging to all the Flat and Sharp Keys commonly used.

Sharp Key.^

_Flat Key.

^ ^^^3iESi^ES3S^^E5gS£-zEB7Ee^Ez3±~3te3^^

IS

^^±5 ^-:'p

BATH. L. M. Sharp Key on A.

^S~~^~z~T®~ff^~P"F°—

p

--fQ-pTo PTQ-pT°-pTQ-pT°yET^-=f°-f^®-pT^-p-T~^rFfrPzgI=iJ-

Nature with open volume stands, To spread her Maker's praise abroad ; And cv'ry labor of his hands, Shews something vorthy of a God.

izz-^zzz^zi-zqr-zzli—^^ F-t-z

az: iszlzzt+zz^iazt=i:szSzz-P

^—f2-3Ts=3;?£=±§i^izEBzEg=£EiElE£E^ziL^3iI

T W E N T Y . F I F T H. S. M. Flat Kcv on A.

rr-^5

—

5^iiiiiSiigiiiillil^iililiiSilgll^=l—f^ na-

I lift my soul to God, My trust is in his name;

Let not my foes lliat seek ray blood, Still inun)ph in my shame.

.k^il^ffrifeilieiSiiilllliiiiliii^^^

»i4 F L O R I D A. S. M. Flat Key on D.

iiim^iiiiiii^eiiiiSPSiisSr^^-^Thtth.^- ^CTffgPgFffiTjl

E&:iV _ffi k-a1^* =-^ (t

Let sinners take their course, And choose the road to death ; But in the worship of my God, I'll spend my daily breath. -But in, See.

» r—-1-,-nT-

^iSp^e|i^^^i^33ES™5

Ezfairzpztzldz-IE~naa:T~"H .

W I N D H A M. L. M.

hzztzj

Flat Kev on F.

mmMm^^i^^WMm^^S^^B^^^m^SmSi"sW^-WWW^Ml—^^^^^^^^^^W^^^^^^^^^^^

Broad' is theroad that leads to death. And thousands walk together there ; But wisdom shews a narrow path. With here and there a traveller.

-s-T T--: ziiiz±i::

liiiEi|iiiil=i^iiillii|^te:i

i

IT U'D S O N. C. M. Flat Key on F. 15'

:siEEliiiMiii=^lSi^^l?^^iili^iS^sE=3z: -o

—

& -^—Time what an empty vapour 'lis, And days how swift they are,- Swift as the archer's arrow fiies.

^gj—^

—

t '^^^^mmf^Bm -;_ J^tz^""*"

I,^"

1J ±Z==^

lEl^^l^iiilll^-lcox-pziS—EzBt:

-*•-e—6tiiil^^iSEr-:--1—1- —,1.^

—^—:—.X 1 ..— »—jt—c)

—

Swift as the archer's arrow flics, Or like a shooting star. Or like a bhuolinji; star.

1=

iil^^li^^H§i^^iE^=E E^£S=^3fEf^z2rre=^:^li^iii|g|^^gi=illlp^l

16

rr-

W H I T E S T O W N. L. M. Flat Key on E./ -N

izzzizz:r:ziq:zz:©Ti:zzza:zp:izz__npTZTZzizix^ZKi: K^nizzziz—q-i-r-r-; 11

'

Where notliingdwVlt but bc:»sts ofprey. Or men as fierce and wild as lliey ; He bids th' opprest and poor repair. And builds Uiem towns and cities there. They

S2 I_B_ issriSifgiairssirJi^^sg^3;"

P'l"'

jijj"

~

p pt^ I".. Hp j"r~I

M—4JX "tr' cr Tpp^ r ri "T rTi'i"- i r I fr, ^ m "

|B|i.-ll«

^^iSii^SiiliEEEg^Ee^^r'iz5:

:z::-z^t iliiiiis^^^^iiifMiisow tlie fields, and trees tliey plant, Whose yer.rly fruit supplies their want; Their race grows up from fruitfid stocks. Their wealth increases with their flocks.

felSligili^l^ElEi-T'

nz^jffffZi^TzczHz:

1 2

--~\"T"pzf"n~i|ir

If:

Sr5 p^-p+-H-F*3-

^::\mSUTTON. C. ^i. Flat Kev on E.

_ ^ 17

lgp|^|:^p||Pp^^S^||P7P^|||pPiggBehold the man three score and ten, Upon a dying bed, Has run his race and got no grace, An awfnl sight indeed. Poor man he lies in^ '"^ '^

iizz-zzdi"

•ore surprize. And tiius he doth complain,

rr

Contintied.

MmMmWirk- -

No grace I've got, and 1 cannot,

^gSifeiSRecall my time aga.n.

ISSiiii^l

mi

*

—

s:

K O C H E S T E R. C. M. Sharp Key on A,

llifiG-jG-

Come lat us jo.n our cheerful songs, With Angels round the throne ; Ten thoutand thousand

*--

1

are I

.SSiiiiiiilliiare their tongues, But all their joys are one.les, But all their joys are one.

F U N E R A L. C. M. Flat Key on E

_jj^!J-!j4-F^-t-p^-g I if

iir«,€ffTkszKKTks=ft^:

illWhy do we mourn departed friends, Or shake at death's alarms, 'Tis but the voice that Jesus sends, 'Tis but, Ecc. 'Tis but, &c. To call

^^Siaiimii^i^iiii!iiiiii:#iiiiIK

Continued.

i^SiilliigSliSSiliiOLD HUNDRED. L. M. Sharp Key on A.

FF-^=v@-

IZ~T-P—ZZ3

us to his arms.

«^

-mP-/3- -:

gig;3pfe

zi:

5pTP-^3T©T-P ^a?4 SiYe nations round the earth rejoice, Before the Lord your sov'reign King, Serve him with cheerful heart and voice,

~f^f^ I

g^i3:3:||g:J|p^|'f|-F-F^g3|zp|g: ::^i gP: :pi:^:i^i:^tiEtz±i

=->iBall

-b:-b-T-;=mmm J3JS=^;i=tEip@jg^

with all your tongues his glory sing.

C A S T L E - S T R E E T. CM. Snarp Key on G 19

-^zS:^?Sweet is the work my God my King, To pruisc l!iy name give thanks and sing ; To shew thy love by morning light, And talk of

-* r iai3}^feilfeEESS^emgl^ia_5—ESztz: p:^: :z^: zirI^*lrzEHzf: ::3z5=§5f~— -"

:i=Htiffp =^-SElf

Conlinucd.

iiiliiiiliz!^:

2i:2z

all thy truths at night. And tidk, kc.

z;^:-iz|zz-i 1 L-;;,L^J'l-4__[-:_i'!li

ALESBURY. S. M. Flat Key on A

IZJZZlttlZ

|il=ililig| iiiifliiil!!=^-E^S-

iiireiil^iii-liigliiiThe God we worship now, Will p-uide us till we die ; Will be our God while here below,

And ours above the skj',

lliilii^SpiiiS^iiiSilSiiiiiSi ;CZJ

20 N E W . D U R H A M. CM. Flat Key on D.

:|||?fflE ^^.Hark from the tombs, a doleful sound, Mine ears attend the cry ! Ye living men come view the ground, Where you must shortly lie.

K

m^i^^^M^^W^^Ml^S=^M^^^MM^n.,

- * PB—

-

:k:~.ttf

IZ--1:=e:S::z==::»izElliziJEI

i-»j^i«,.B-p'Pj*.^

-J.p. —

B

P^»CL.B..

Continued. INVITATION. P. M. Flat Kev on A.

fFSEQiiie:[- . 1

'-L '

^W J ~^,—nTs

!

fig^iBi^gii^fippi^i^^igaii^ii^Ppi-'*-«K

Ye living, Sec.

ItjTy L^

Come ye sinners poor and needy, Weak and wounded sick and sore ; Jesus ready to receive you, FuU of pity

m^M i^ii^iiiiraiilSlgife?

III » [I m I

'"I

'

—

love and power, He is able, he is willing, doubt no more.

MORTALITY. CM. Flat Key on E. 21

f »—^=3iW

H—I- liiiSlgiSl^i^liili^i^^SgS; l«ffi^S4=:

:«:

m^^

Sloop clown my thoughts that used to rise, Converse awhile with death : Think how a gaspint^ mortal lies, And j/anis away his breath.

WELLS. L. M. Sharp Key on G.

um\Continued.

fSMifsSiilll

Think how a gasping, 5cc.

W- —4-=-© e+pfS-4-:

tBizz

IHi^liiESS-lifSiliilSiliilil!Life is the time to serve the Lord, The time t' ensure the great reward ; iVnd while the lamp holds out

to burn, The vilest sinner majr reiHin.

iliiiliillSi!

gSiSigfiiSliiSSi-^^n^*^-^--^

.^iiffi:Is:is:r

29

:z==i=_=z:pz

O C E A N. __'C. M. Sharp Key on F.

r—

'

'-T-k-W kr» 1

iiiiiiiiilpigiiiilii'»-Tr-0—z T-zzT=sr--=-

tt.fi.

Thy works of glory mighty Lord, That rule the boist'roiis sea, The sons of courage shall record, Whotempt the dangerous way,

m^—^ At thy command the winds arise, And

_ J!-Pi

1^rf~F~L~i^f~^^^~i~^~F~~"~^'*i^L:t:3did=EL±:fztIL-B. C—^-m—

swell the tov/cring wave-., The men astonished mount the skies. And s'nk in gap'.ng graves.1 2

^—.—. , ^ ,

ENFIELD. CM. Sharp Key on D. 2:i

e $iii=i:*S;

S=±"^illl^li:

iiSiiriiLiiS^iiiigiSgiiE^SigiliiiiiSSiiiSlSiliiiiiliii^iiilSiliiBefore ihc rosy dawn of tKiy, To thee my God I'll sing ; Awake my soft and tuneful lyre, Av/ake each chunnini; string. Awake and Id thy

k: ^Wmmflowing strains, Glide thro' the midnight air, While high

31 I

;^E3^igp=I^^P3EEiEEE=E?2E;^ :3 FEE*^S ^]

Continued..—N 1 2

LEBANON. C. M. Flut Kcv on A.

-F*:»-N1 2

amidst her silent orb,

^liilili

TZ-'m-xi

•^r!r±t=t±r:c

iiiiiiiii

iili^iiii!liiiil»gi^fSi=l^

Oh glorious type of heavenly grace 1 Thus Christ the Lord appears ; While sinners curse the

The silver moon rolls clear.

-f3-H+-fr-

-i*Vpr---rqr-'^-r-ir—1~3~ ' IS*—f3*~Tzl"-T»«~zi

—

St^ltq-It-t -| p-p

Saviour prays, And pities them with tears.

"^^m3JJ-

24 CALVARY. CM. Flat Key on A.

•mr r;=;---="r;=-=^Ti*^?—(»-T-F^-F"Tf»l»E-=3-TS—r—r t =rT^I»l»(*T=-FFTl»l»l»l*-TFi»K-T|S-ri»T=.-rT=;:'

My thoughts that often mount the skies, Go search the world beneath, Where nature all in ruin lies, Where, 8cc. And owns :||: And

-- ^ a^^ -^

.

iiSiiSlMsiSSS^f!:-^^.

<j . / \ —jF—F-y :-rrrTWWK^J ~~ z:z z: :«^zm: z: zzmi tutntztit z: :r"Eit zzz zziBiKKiEizitizuluLfciCK

Continued. M E A R. C. M. Sharp Key on G.

If:^liilSS<<-

m -fcr-fB>^Ft-(-u

ownsowns her Sovereign's death.1 2

--*

^£- [siiii—-ft—-p-

5:

©—-^t^-

^::z:i3^.-s:;sra::©—

-

=iiz:P;-PT-:Ei3JE^i5rh icip::

TF©T^=^E--

3i^ijB:nfE^fei^:^:F^ft?^-N^-?i^BB-^S^izzizipigz^i^pi^-x—-T^: ^g:ri^:gi^"Ji^:

Will God forever cast us off. His wrath forever smoke.

m1=

3^^^wm-^^&^i~Amw:ss?B^}^— Z"^3" IgSSrlD: ehe;Ee;e

e-cnziD:

z5i^:szTz?z-Trzz-Tzzizi- zr:^z:z:s:TE::zTE::-x-:z|i:z;zT^£iE: eiz:R:=:zis::-iz:qiz:riz:s:iz|zb^gi:[^z^]^gg-|-:|?{:!±g

Against the people of his love, His little chosen flock.

Pt—frr rK 1 ^^T i

—

^tj"

—

V'JZZ

mi

L-s^i-

J O R D A N. C. M. Sliarp Key on A. 25

^^

^sr"^^ijz^i=^P^jii^^^i^F^^^i=-E^^-^^-h-z.

Tlitrc is a land of pure cicliylit, Where saints immortal reign ;Infinite clay excludes the nis;lit, And pleasure banish pain.

g?i^E^

z:itbztziz:±z|zzzr±s_z^zi^z:?:?iipzt=ziz:3z]-dz[zlrz3i!zztr^fz^

:±zz: zztztiE=E-Jf^Eit:ii--f:i^Etc=iS^fci---«J-

Sweet fields beyond the swelling flood, Stands drcss'd in living green ; So to the Jews old Canaan stood. While Joidan roU'd between.

ii|iE||g|§|^|E||||;|g|ii|^|g|g|||gf^E|^^

L=s;

&-r &r r^-Sigsn t^-I. ^Tp=-i

-SSEdE£i==lt-E!=3=3Ez5tt:tElE:-»~—

' t~Vi

26 GREENWICH. L. M. Flat Kev on E.

r;Miii^illllSgglSlii5iig|liiP|i^!iipl\

w•^—r=:~=x~K —T-P-rs-T—^-T~\^^^^^^^^E^S^MV—ar—T^

—

:3H

^^1

rT^^ffl^'EfSlLord what a thoughtless wretch was I, To mourn Sc murmur & repine ; To sec the v/irked plac'd on high, In ])ride & robes of honor shine.

^mT~~ZT -g

ll^ilil^llLliiilS. l.=!_fc B-«J4-Bi —

-

UiEa:s'=5:

f:>s£g°i^T-lG*-

-P: F-TtpgTZ—ZZTZZZT-l:^tii:pt±zz_±z{=ztizpi[=4=t=:ti=a

r-s4=i-: »HBij=di-»»-H-U f=:^r^zH9^ii-i^*^L:m-[==^^p?±^IR: iplzp: MiiSiiiF=liPi^&ES-]--« « ^-T- --"-^~F~Tr~r~r-'

—

iiiSiiiSiiiiiiiBut, Oh their end, their dreadful end ! Thy sanctuary taught nic so, On slipp'ry rocks I sec them stand. And fi'ciy billows roll below.

-S- il^^§gill*lllglg±ig|gl-^g=g^l^lill B-EEtt

liliil^l^l^^iiilisliilgliilflllilEag^-r»—f»-»-rT—rr~-:r—r—

~:r-5:

—

i»"t-~'—

It"

rr•©--

M O X T Cx O M K R*Y. C. SL Sharp Key on C_ ^£~^ _ ^ ~

_^_^•-•^i SUlgil^^^lxi

-a-lr•,•1Si—

-

J I

£zpi:|5|±pf:^:=i:p:'*"::p: r-jz.fPr'-^PR ©V-ET—

^

,^_, ,__^,t

. ., , ..., ^....^^j ^,—

.

, J, ,, .v.jout thy cheering price,Earlv my God without delay, I huste to seek, thv face, Mv thirsty spirit faints away, Without thy cheering pncc.

-St-tk-k-,

(gg;^g|g^gf§;^lg3:ii^gpsSa^ip^g^|iiiiP|g^PI"5

1 •

I

So nilgrims 00 the scorching sand, Beneath tlic burnintj sky ; Long for a cooling stream at hand, And they must drink, or did.

m :ziz:izz= z=l—iL=CLir.;Zit::ti;ltr*ii• ttSiitrtzi^z-i*^

i=| d|zzzEgzt:z|=3=!^%i:=zz|zr==zzfLx:i::;:grt;zs^^^ r^zIzB^zJ.^

28 GREENFIELD. P. M. Flat Key on A.

i:EzPTp^iPi=-5ii=s:=:&:i8*-X=ziz:Ti=:ziz:Tz:=:sq

{|p|gg|g^|||g|g|||||||g|§^|||P||||gGod is ovir refuge in distress, A present help when dangers press, In him undaunted we'll confide, Tho' earth were from her centre tost.

V~)>T- r

iii^'^fffe^^i[fitipliitr

—f*»- ST "2—^~'rTrc-7:T—ST —zppp: ±3SzH:bp§id :pz: :a:

H— 3

L_?;'^•^:|g.-5:E^^^f^P^^fe^^'^^^

.ZZ^ZzizZP;

And mountains in the occixn lost, Torn piecemeal by tlic roaring tide

xj T—1~^ *rg' ir~T-^pT^ f-jT—

~"1~T~-~TP*^i^r^.'^F"~rT

—

iIt-q-^B'xz—i;

Continued. A M E R I C A. S. M. Flat Kev on A.rf<

i

Ziihztz^ri^zizz:

1_ 2 _1-T

>^&t!£EEEifc?; dr^:- si^giiiiiiii

Torn piccemeid, &c

czzlrzaiiZTzzziil'

Eziifoz;E^itz^|d1 2

rST*?-'*'*

IP?^EEilSfetisEEEl^Eli:-'^1ilfS; IfL

My so\il repeat his praise. Whose mercies are so great ; Whose anger is so slow to rise, So ready to abate.

T-i-|-ar»T TZl-T~"Jo! ^5*—Sir-"~P»-";ff*T—z]ri~l iz1~dT

—

zzjt»*«-~tI*!»—FrTt*f*»-j t"!—

i

1—i""

N E W P O R T. L. M. FUvt Ke;- on 29

if-Q *

ey

s|^^=i|^^^fE|^E^iEg^^^^

im—^z:TZ3=iC3CTrt:K^-5;:?irtt:p3!L-ff^T:'z^z!^KT=nz |riT=[^-f^T=P=[^~F=FT=g=T-^=P^]

("od is tlu- refuge of his saints, Wlicn storms of sharp distress invade ; Ere we can offer our comphdiits, Behold him prc^^cnt with his aid.

-fr T— J—;^:3^^ :*!;*:

Pt?:ti —:i"r~r~Lr '

1 ~~'~'~n~"'P^Lr'—-luzLriz—nzlzzzizzzdz

^z=^zizi:^rS±a_|r£Ei^t:EESJEEtESEzii

riiteliii§|£g§gll^^.9. -fS_^«_»_*«), -^-r-P-^—Wr-fc (»_«_•,

Loud may (he troubled ocean roar, In sacred peace our souls abide, While cv'ry nation, ev'ry shore Trembles and dreads the swellinj; tide.

•--4—i—i—LlPi-P^^^—=_p.i«::_p_pp2p^yz_p3pz:—jzi-p_pzpzzpz:i_p::^izz3p_,;XK--— i-i p—i_^_xb«

30 NORWICH. S. M. Flat Key on A.

j[S^I^=f^il^E§^-E[•^Tt——W+- [Zizr:

:l^:?±EEE3EEEti=}ii; feigiiia^^m.

Ar sorrows like a fiood, Impatient of restraint Into thy bosom O—Into thy

|^zi:lfz:tzi!zztifpzEi=izti::tzzp±fz|zJt-^=Ei^=E-

1 t

1 2

Into thy bosom O—Into thy bosom O my God, Pour out a long complaint.

iiiiira^S?>~—iFP*«*T i—r—r

—

t:

V I R G I N I A.

zzz3-Ezz^tfzFE+Fzdzif?--^ G[zFE±^zE-iH-'t3l

C. M. Flat Kev on A.

^-g|iii||E^|Egg^a|i^^^^

iillSli^gll^SSSIiSilfciSSIEZE:]

jlling billows sleep. The Scic.

_ _ ' _ 1_ •£_

|pe^|'|i|i^^zg|igi|z|zzzjj{

Thy words the rag'ni^ winds control. And rule the boistrous deep, Thou mak'bt the sleeping billows roll, The rolling billows sleep. The &c.

~rzriii»rTzziZ4:zzzzT.zi-zzrzz;^;TnTzjpT^zzzJipqq:^3zzfiazS^^a^:2±zl*kPEz4=-t^4!^3pf=f^^

EjL,^,_x_fZI,_P!ZtZTp_Zpa4..!Zt: X|—i_i_l_.ijzippz:j_i_li?i J

_,IL*_^ -

T H I R T Y - F O U R T H. CM. Sharp Key on E. 51

if-

mm^^^- —0-

'mmT—-jj»»a[»-r»Tr~T^jp-j>FT-p-P-Tp—

I

J J ii"TrrrrT""~~rTrrrFTri—r~P~PT~P~ r T^ruJ?!?

Through all the changing scenes of life, In trouble and in jov ; The praises'of niv God shall sUll, The praises, SiC. Mv heart k tonroic cmplor.

[iiiil^^i^jigl^'g::^i^liiigl=liliHifJ!iContir.iied. L I T T L E - M A R L B O R O U G H. S. M.

'-G^P-1

My heart and tongiie employ.

Flat Key on A.

Welcome sweet ihty of rest, That saw llic I-ord arise ; Welcome to tliis pcviving hi-eriM, Anil tiiesc pcj^iiclnjf eyei.

^iifiiliaMiiiiiPiilgiggisiliiiiliiiiii

32 St. M A R T I N S. C. M. Sharp Key on A.

>^*^- liii§iiili=ii|li?iiigi^S

HT^-^ZpJ^~-^SYo^^ -L^

-©-p- -e-^

To God I crj''d wuh nimirnful voice, I sought his gracious ear, In the sad hour when trouble rose, And fill'd my heart with fear.

ri~d —I"^.-»'

z^Vs^t. _-Cttt:itrd±§-Fftztrd:-^^^n c-Tsi&zsr:-

—[z;ipi,fir:_jzf:|^z^'E|i;iz||::sz^£

v=i;ztlz=zpziz3=.J-i=--3z±=:Ef=z=£zf^|zk_EiE^^

rfTLENOX. P. M. Sharp Key on C

:P35Tg^3fp=ffipEgE^|egI—,-ja—,—[—Q., H-j—h--]-——--fh {-[-[--{-^—Vj—~~-i

—

\-\—rr hi '—i"! |~r~!—r~i~~i—r~^— |

—

It~~t i[~z""

irzzRizi 1 -t2-

I Yc tribes of Adam join ^^'illl licavcn and earth and seas, And ofl'cr notes divine T» your creator's pr: isc.

I ^^z^EJEE33fiz3jE^?^]^EIii'EJfFFETi5JRp^?Sf^'"i-'=iJSf3Hi3^i^f^^F^f^^ii^^fr^T^^fm^-T!M^zitt^f±iz?iK±i=;1 =:UeS

Ve holy throng Of angels brij^Iit, In worlds of lii-ht llcq-in tlie sontr.

iiiiigglii^ii^giiiigisi^

-p— O p;

:

B A L L O O N. L. M. I'lat Key on E. 33

ir^-b—^jQ-P i—^—P-t^'Pt F^i*^^T—^^

iii±fi|zPT^|T?-^F3:—

. '^zrs"tit'CF*s~ic:~L LIZ i=z:ii ~iz

—fit a—i=~t ^

Behold I fall before thy face My only refuge is thy grace, Xo outward form can make me clean, The leprosy lies deep within. No bleeding

iSSSSiiSiiiii!i§iiiiBlK^Eilla=^I

jiiltpl^lpliiiifei^iaiiliaiagpg^ibird, nor bleeding bcast> Nor hysop branch, nor sprinkling priest ; Nor running brook, nor flood nor sea, Can wash the dismal stain away.

ciH^_zl4:z5zjp.ppi^Tt iSBigilS

34 M O U N T - S I O N. S. M. Sharp Key on A.

-^

fc ^jp^gg;gp§-|g^^i^^liai^ii||^5The hill ofSion yields,A thousand sacred sweets ; Before we reach the heav'nly fields, Or walk in golden streets. Then let your songs abound,

=?Z:5TZ

ztiez:

—Lsai In

—

e:^

^ ^-^ft— ^tf!^I

^ftjft_a r-4r^ '^ '^

»-*-

iliiiiiiiiliiiiSSilliiifc>._|k. ^—

^

^—s. To

Let ev'ry tear be diy, We're marching thro' Emanual's ground, To fairer worlds on high. We're marching thro', :||: :|): We're

"~T~ip£z uiEfcEEzzii^zEzE^bi^zEztzzz rzizz^^zz^zipz^EzEiEz--«-«i\^^-i

P^=

gEigg^i|^^pSiii^ippi^JE^Spgg;ip^|

Mount- Sion continued.

nuirch-

i^ig^^Hiilgsi-miiiiii pp^eiijjiir lliro'

4- iiilii:g:iitiiiie^iiLiiiiiSlii..ii w ( ildk on hig'lii \V> 're nuuclilng', &.c.t':iii'jr worlds, I'd t':.ii\i wui idh, 'I

"^ui;iicl..ng', inhichiiijj lliro' Einiiiusal's jjicuiul,

W I L L I A M S T O W N. L. M. Flat Key on G.

ili;Et-;Sililiiiiillipii^ii^iiii;:=:tS»r

::?dtl=t::lKf.-^:Rzp-:

She\T pity, Lord, O Lord, forgive, Let a rtpeniiny; sinner live : Arc not tliy mercies large and free ? May not a sinner trust in thee ?

_„_w_

iiiliglliliSiiililSliiiiliilS"^^^^UPPi EHlfi

36

rf: S^ii t=

B R I D G E W A T >: R. L. M. Sharp Key on C.

m -m-f

5 |ilglig||iEii|^ppE||llii|E||p|gllSweet is the work, my God, my king. To praise thy name, give thanks & sing, To shew thy love by morning light

fflKHEgfeF^EtSEd-

—

-^^ ".-4-iF^ J^(=Pr-ii—^-R

Q—4

^SiilSSiiiiliiiii

(•^—•- -i©

:srszffZffip"

And talk of all thy truths at night.

_tv^

RUSSIA. L. M.

f-

Flat Key on A.

zzzi=zzzj==zziTFPzg^zPz:pz^^-v=

I?

False iire the men of high degree, The baser sort are vanity ; Laid in a balance both appear Light as a puff of empty air.12

«>Sg^iiip^lfP:|lg|glSlgpSfil=^iip

ISiSiiigSiiisffils^^iiii^iiliiS

SARDINIA. CM. Flat kcv on D.

li^ii^iEii^^ii^EEiE^i^==liii^Etfl^pt-»

SellElilSiiiiiliiiliiilgiiilli:How did his flowing tears condole, As for a brother dead, And fasting, mortify'd his soul, While for their lives he pray'd.

i|ipi3|^iiiiiigiii|ii^iai^i|SEiiii^

rrtrnr;

IMlim§giliii|gl :^:zdi czmm::L^srp-= az.z^*T-czi

They groan'd and ours'd him on their beds. Yet still he pleads and movirns; And double blessinpis on his head, The rit;litcous Lord returns.

E^liiilli^iiilill§ii=M§Pilli^|?^!Eillffifeii

38

I

"

I

SHERBURNE. CM. Sharp Key on D.

w-qrxz:jqzzzzzr5zi:r^z^z=zzz=pqzi==^zzzzzzT=i=zr=zi:

iipiilEli=gllESlS3ir:l^ :f: iiiiiiiiWhile shcphcnds watch their flocks by night,

czi^z^zzzizz—-—z-^-T r-T-r^-

AU seiited on the ground, The angel of the

^^5zzzi=z=:zzizcz^=:czzziz^zz=]^Z3:z^z-zzzjz:

=^5z^±z|zEzpE±ztzE=F=ti:i^fe=^i=E^E=E^E=E

:m

EaJEE^3EizEeZ3EEEr^E+F5Ezr^3r3E3Eg^5E^ES±rF=:

iEiiilpEiiii^i^ii^^Eiiliiii!Eill^

1

itzz[zz[ix_f1

liilililiiliilililllilii^illg^lpilll^ ^

Lord came down and glory shone around. The ungel, &c.

szdJ;;czlJi:"I—^zriz'1rrzzzzlzT~zizzi~q~T

—•~zrlT: rT~1—

I

—l~i"r—

i

i~T"1—I—I—T~i i I •~l~"lT~"i~Tr1

3Ei^E^t?EEiElEiE|^iiE£ir-^EiiEii^-fE|=±IIM=#^i^^^^1 2

IliiiiiillSiiiiillilliillil^Eliiliilliiiifii*

SHARON. P. M.

§illiiiliilii=giil

Shaq) Key on D. 39

mhznzTICKZKZ^lI 3^How pleasant 'lis to see Kindred and friends agree, Each in his proper station move ;

jggsgpp^^iilpp^^gg^-l^^^gg^llj

k— -h

ZSilZT^r^=i3i==z=ip»tt-»*ti— I—*-+

:p=:=i±t±zt±

sii»—»!,-

;ili^lSliEEiiiii^@fel^3^^

^=iig§iEE^ii:

^131EE^ iiliiiSggtyiisiS=iii

iSii^iiiiiiiiia

zaziil

I

miAnd each fulfil his part, With syinputhiziiiij heart, In all the cares of life and love-

/—

s

^ V . ©J- ^—

V

tZQZmi _iz«: iiiiililiiilsiilsiEi^gll

«. i^^^fe^^Efe^illiil^^PriiEfeEE — £k

R P: P E N T A N C E. t. M. Flat Key on f.

iliPJISiliiiilii^^iiSiiiElllllillO, if my soul was form'd for woe, How should I vent my sighs; .Repentance should like rivers flow, From both my streaming eyes. 'Twas

WW

iEii[§:i^i!iil

ZZiZlS-j iSiSiS ift EitzPH~h-M'-^fi

iz^fzf±ztizztz±t

r-Fzzpz:

^^gifeEgH]^i5iiliiiiiiili=^i^£ii^l

E35fEE-EEiz£t±E-i=-izitt±E=5izz:zzi=±z^:|zi±Et=Eti^

r^nzzizzzz:

for my sins my dearest Lord, Hung on the cursed tree. And groun'd away his dying life, For thee, my soul, for thee, for, &c.

Ep|PzzP:p^ri

• ll«i~rT pI

^~~'"g'Tg^"|*"_:"irB" "1 rr ~rr:r1|

a~r" '—

zlzzizzzzzzlT--in:^!1rzz|zzez^i?:zZ^ii:^:«~

EEEizEEEEt^EEiE!'^

SCHENECTADY. L. M. Sharp Hey on E. 41

fPiil^gJiiSiriiiiiiiiigiiiiil^ E^z^zezJ^

ffig:

Trom all that dwell belowthe skies, Let the Creator's praise arise ; Let tlie Redeemer's name be suntj, Thro' ev'ry kmd by cv'rv tongue. F.ter-

:=i:is:iz:t|i

^iiliSgill-ft-i^ „

=tt:

nal are thy mercies Lord, Eternal truth attends thy word ; Thy praise shall sound from shore to shore, Till sun shall rise lo set no more.

finiiliiiiii «««aizicz5:zs:izzzsz=I=zzs:zz=izrfrJ^ziizI^qdsni: fciillt^ittz3=zizzizz:zz=zzizfct3E~::iB?3 tt^

42 GRAFTON. CM. ShaTT> Key on Q.

r- ^^^^^M^^^^^^I^W^M^M T————

-

::!^=]

:-=-p- ggliiiiiii ^iiiiiiiiSillB -L-l-:£z^

Jesus the vision of thy face, H.ith over pow'rlng charms, Scarce shall I feel death's cold embrace, If Christ be in my arms. Scarce, &c.

aEEi' -©^^:iiSg

^'-TT-——?i5S::pzESz3i3zjijr^=^~^-~ --^'^tm^—i— -V-\-\-V

^^=^ig^iiiiSiiii^^ii^gSil=^i^^ii^fi^r»»-»i

P^ii&iriiliiiliiilgiS—©-1

Then while you hear my heart strings break, How sweet the minutes roll ;

k;_

_E W r -\\I

!

>•

ggpEiig^gf^piSigg^fPppipgp

Grafton Conti:

I z^=F^-P-4--p|==f=~=fF-t3=--^T=^=^-p=-

afton Continued. 43

llz-gplillilillililiSI

A mortal paleness on my check, And Rlory in my soul

"r 1 niZjEirZ-TK"~

-p^^-Tt-r-

And Rlory in my soul. A mortal, kc

-|»l»lTi:

.ii^iiliilS^llSiiliSi^lJiiiliilil!CORONATION. CM. Sharp Kev on A.

All hail the pou'r of Jesus' name, Let angels prostrate fall ; Bring forth the royal diadem, And crown him Lord of all.

44 MONTAGUE. L. M. Flat Key on D.

n, with joj

ISYe sons of men, with joy record, The various wonders of the Lord ; And let his power .ind goodness sound, Thro' all your tribes the earth around.

/-- N

il;

i^^iEiiiSii]

i§l^^i^S§=ill8

m [siPlfEliliiiiilLet the hi^li heavens your songs invite, Those spacious fields of brilliant light ; Where sun, and moon, and planets roll. And stars that glow from pole to pole.

iiEiS:~ i_±i_pp±±[it-Pt= ilill|S3[illl|ggg§ iinZjEZ!

|.^«^:iliEii-JSSigES,t^z||^5gg^^fJ^|^|E^rg| ^K-

DELIGHT. P. M. Flat Key on E. 45

rf:

a^illi^iiri^lsTtiiiSiii^SlliElPl^^^^. -:r^^ 1—-—arr^-i——

—

\w- igf^-r'^T'^~r r"T~W~n'~w—r~r— '—t n"*'^!" ?

—

No burning heats by day, Nor blasts of evening air, Shall take mjr health aM'ay, If God be with me there.

giiiiillii^sgigi^ig^iigiiipiii^ililEife^E^iiliSiiigiiiligiiiil

[t^ptiit]

§I^ES^I^^^^SiEiiiiE=iEp|iiSyiiEi^iliiiEl^^

E=3Eii|ESfe=Ei^i|iiiEife|^liiEi|Ee^tEE|E^feE^EThon art my sun, And thou my shade, To guard my head, By night or noon. Thou, &c.

^EiSigEE *re=tz^ V,

lESlSgEgili|=[yfsl^SpiiE*i»|sE^E|l|^Si

IP : :zc'rtzx

46

;—T-a-

N E W- J E R U S A L E M. C M. Sharp Key on G.

:s~i -F-^-*---H-HH--c-4-,©^-~-=-—z^g^EpEipEg|p=aE|£g^pEizf|E=-E=zz|-^zp^-F^-.»

Eg^:

-^+-F—hH

L+-

-^EiEi

From the third Heav'n where God resides, That holy happy place, The New-Jerusalem comes down, Adorn'd with shining grace.

liiilii^^llSI

*—

::^=B::~—^-5^-F iiil^lgSilili=lliii

^-MB

'-»—r—zz-EzczcrK:

lEEElE^Ep^EEElg^^E§EtE^ElEg~fe^l^^

rzp:*^i:z*:^ZiZiZ3z5=&=^=t=-;F=I^S=J-Jf=3^=^fc-~'-1 EFiE==E£fcE=EEfc:SrEzEzEzfcztyrft-!^^

p

^EFzFE^ilzizz ^ "" ^^'^^

"^

-I—!— I—I—

'

-gT~f^~

'^^

T~^~r^ - I k—l>r-»^-g:-j--pr--^-r—»r ^-Z

2

The New-Jerusalem comes down,

'

~"~~TZm~<^~I^ '

Lz?._j_

_j L-i|

Adorn'd with shining grace.

~$ZIZI iZ*

1

^m^^^

B R O O K F I E L D. L. M. Flat Key on D.

ZLi I

47

)ity, Lord, and see, The mighty woes that burtlien mc, Down to the dust my life is brought, Like one, lon(^

-B-3-T-]-li T-3-' -r-Tr--E-r--r-- tS-S-t ^^—

Continued.

rfC s^ai

l>uricd and Ibrjjot.

li ZI3_T_,_QZa-I XB_Tj-a

W A R R E N. S. M. Sliarp Key on A.

— -I

:*zfczi -h-p-rr^-rrr-^- S:i=b:iTP=oT:©--:f?:b:^rF^|EB^SpEgFQ=fPtTzB^^^Let all our tongues be one, To praise our God on Iiijjb ; Who from liis bosom sent liis Son, To fetch us strangers nicfh.

^__-

-fj-':sz iiiiili -Zgjzs:

?:vi'jrszfc^zzT-z-Tzzz3~:$L:sT^zt:3:z—^"-^Tp^^J^T-^^jJ-o^QjJj-^^nJ^lT

48 BRAY. C. M. Sharp Key on C.

^S^ifi=^ EE^E -E^^r. giiiiiiigiiiiaiiiiiiAwake my heart, arise my tongue, Prepare a tuneful voice, In God the life of all my joys, Aloud will I rejoice. Aloud, &c.

ilglliiliiSsiliigl&^iliill

liiElEiiliiiilii-EiE^'E-r-^-l-

—lT iJ

'——rtUiL

A N G E L S' HYMN. L. M. Sharp Key on G.

-—••-S+ *-H~l \—i 1 ^—^ —— - -liiiHlliiiiliig^iiEiQ—e-P^°- i©^s-;=--F-H-©-4^

i^: ssir^iiiiiilSiilz^—T~^~^^S?=^T^^Tg^q izEtdz;mi

The God of our salviition hears The groans of Sion iiiixt with tears. Yet when he comes with kind designs, Thro' all the way his terror shines.

-STsniHZir:!i .jk:^jt—^4-1^ \—A'

—1~^

BRISTOL. L. M. Sharp Key on F. 4!)

[fS^^eiEPi

—ir--[sn[Spzippzppgzzg:Tpg^^

The lofty pillars of the sky, And spacious concave rais'd on high ; Spangled with stars, a shining frame. Their greut origin:<.l proclaim.

iiiifegigiSiSffiiffli m

i^^mmm giSlllli;iiilliiiii|3foif-

^^^^mi^^^mwMM^mmMimm-=^t=:

PTJd:

i The imwearied sun from day to day. Pours knowledge on his golden ray ! And publishes to ev'ry land, The works of an Ahnightv^hand

"""I

K mmn mmmmmMmum^iMmmm

^ HUNDRED&FORTY-EI GH T^H. _C. M. Sharp Key on G

^^E^EiHrS ^lli|]

cr ^—_ ^ ^^ ^ ^ ^-- y V

—

^ tMwl ^md IhoJ '•^.,-^

Loud hallelujahs to the Lord, From distant worlds where creatures dwell ; Let heav'n begin the

I

*^ ^^_ \miml^'^ ^ InnJ I..I \mmk baaiil l«U!

iiiii1=*—

t

E3==^=^^^Sli^

solemn word, And sound ii

j—Hj-I

—

1 -\—r W-

solemn word, And sound it dreadful down to hell. Let heav'n, Sec

iiiia^ii^il^iiiiiite

fSfi-fsiiz

if^f^l

Hundred & Fctr-Eighth Continued. 51

iili^glm=r=?;;:5f-

bend the knee ; Sinj of liis

ISiiiiill^=iilii^lThe Lord how absolute he reigns, Let ev'17 anojeJ bend the knee ; Sinj of his love in heav'niy strains, And speak how fierce his terrors be. Ilij^h

r—Xzi^zl

fe?|^l^i^iiilizSlfel^

:S^z-pif£.S=^ ^

^v^ ^ e!!:ss-v-

\—I—I—U—' '— I—'J— -^1

—

'—LU "-—J «-iJ_J— I g— --i,.*j>i>^^l— i^i-i— h--'- ••—^—*'—

on a throne his glories dwell. An awful throne of shining bliss ; Fly thro' tlie world, O svin, and tell, How dirk thy beims compar'd to his.

A—^^

lizf^tl :^=i: li^iiSsIM^}- -»^_^_

£2

gj-

M I D D L E T O W N. P. M. Sharp Key on A.

-^-

Mim^mm^m^^^^m^^-Ha'l the day that saw him rise, Ravish'd from our wishful eyes ; Christ awhile to mortals giv'n, Reascends bis native heav'n,

piliiiiil^SiiliBiiSPi^iSliSiiilliiiliiPilliSliir'^^'^

mm

There tlie pompous triumph waits, Lift your heads eternal gates, Wide unfold the radiant scene, Take the King of glory in.

E^ l^^ [^z^|g^^"gp|^^^|g^|[!^^^|=^zz|^=^

S T R A T F I E L D. L. M. Flat Kev on F. 53

f^Mlt^MM^^^^^^^^^^^^^^'^MWM

k:

Thro' ev'ry age eternal God, Thou ai-t our rest our safe abode ; High was thy throne ere heaven was made, High was, &c.

IPiliSlliiililigiSiSiiliiiliii^ii

I—I—!— I—I-

i__^—C_i_I

—

iiliil^iiiiiliii^lS^liiiEliiilLh, &c.

HiOr earth thy humble footstool laid. Or earth, &c. Or earth, &c.

illliiliife P- mmmfEzgEEHiEEEgrifPEMttt^U^hztd I—1

—

54 W A L P O L E. C. :M. Flat Key on B.

If:

iiiESSiE^liS^i^S=^Sii^;^;=^|pg|EPfE^g^|gg^E^pzg^^^Oh if mv soul wa« form'd for woe, How would I vent my sighs.; Repentance should like rivers flow, From both my streaming eyes.

:^-

-!'-<':-j-m->^-P-

f^Jzpi^;^|Eii^^f^piyjg"^^fp:^^|Si^^4p^^;p^^pE;fgiii¥ai

:=ET=3t?6T—r!Ta-^-iLirj^a~T:r3Zu-Jii-«:r^=atiZtzj^z^TzpzpTzpzzTZi:zz=izzii:T^

'Twas for my sins, my dearest Lord, Hung on the cursed tiee, And groan'd away a dy'ng life, For thee my soul for thee.

gggiiliiiii&Jgi

SYMPHONY. P. M. Sharp Kcv on E. 55

^lOt—rbzzrzzzrrzr

Behold the judge descends, his guards are nigh, Hcav'n earth and hell, draw near, lot all things come, To hear his justice

iii^^iiiiS.M'_tt-Q IIlSliiiiiiiigi=&iii

^iiSISi^l=S^lS=^=L=s^&^S^=l|fTempests siad fire attend hixn down the sky ;

if iSHii^iiiS^i -+- ;SliiiEfL^-iii33i

^m l=liii^iiiillHland the sinners' doom : But gather first my saints, the judge commands, Bring them ye angels from their distant lands.

ill^mii^ir-^l^^lill-^^iriiikE^ ^fJlll^lllii^ig^PiSiiil&ilEl

56

t7~+-iEl&gz-iP

H U N D R E D & T H I R T Y - S I X T H. P. M. Sharp Key on C.

Q)'- ^

-5:_Hf

Hast thou not giv'u thy word, To save my soul from death ; And I can trust my Lord, And 1 can, &c. To keep my mortal

[HiiiiiiiPliiii^iilii^l^^iii^gSiii F4]

(i=\

IE5^iS

-,0^ ;r+—

-Bis

breath : I'll go and come, ror fear to die, I'll g'o, Sec

'-^- i^l^z: =P=33^z:

'Till from on high thou call me home.

—-F -V^r--^-

zszz:

Kz^zl

liiiil^lilliigilSi^liiill^ii

15 A L L S T O W N. L. M. Shurp Key on F. 57

^5^Si^3:— zr:E3z€zs=Srpl3Ezj3^z3zSgijg~z3r3lrn—^"^f ^rzz£iiiz^dzI-zdzqzizffiT^

Great God attend while Sion sings, The joy that from thy presence springs : To spend one day with tlice on earth, Exceeds a thou-

[Siiiiilig^EiililglMgliiliiiiiii

sand days cf mirth. To spend. Sec.sand day

1=

5=^:nt ii^ii

To spend. Sec.

gi|i|pii:ililil^igiiiil:i

58Air. Moderato.

iSliSiliiiISiDENMARK. L. M. Sharp Key on D

:b^ azs HiiiiiiSSiSBefore Jehovah's awful throne, Ye nations bow with sacred joy ; Know that the Lord is God alone, He can create, and he destroy.

.SisiiSi=iil=ii^&=

j-gazsz^+z^zzzzjpzn^; litiazpa: :^¥*zt±fiz zli: z:

-.—Jt-^^^^^mmm^^mmwi. I'U

i(-. czil:

iE?z3S=M'i-:^iSBS3^f»"i-« p.

il=533 .-^'Jzi zaxi:3;ip:-,a.3h_H__J.ts.

.^^

He can, See. His sov'reign pow'r without our aid, Made us of clay and form'd us men. And when like wand'ring sheep we

3?3-S^5S§fl-^=iiP3^=P^=^S^^

E.-rziiTzziifzzixztzsS r:-SZ=izcTzCrTp-zJ]z:zT^^zz:T^zzTZc~ztic^^

Denmark Continued. 59Loud. Soft

liilSlii^iiSiiSipiiiiiil^liiimf^i.stray'd, He brought us to his fold again. lie brought, Sec. \\'e"Il crowd thy gates with thankful songs, High as the hcav'ns our

|||EEz^HzgEp=?|^pEr^•-_ ^^

1

1

^-lI

1 l^-l

f'£t^l:it:

Loud, Soft. Loud. Soft. Loud.

r-n-

ii^voices raise, And earth, & earth, with her ten thousand, thousand tongues, Shall fill thy courts with sounding praise, Shall fill, Site. Shall fill

T^f^^Tf^lHl

iiiiteiiilii^iiiiiiiiiiiisiiii

60 Denmark Continued.1 ^^2

^<"—l"~iT—1—h

—

1t~.t—n—^^TTiT 1——^—"^-r—

—

u—!

—

It—T~t~^—*^t"1—'^—T—"^tT—^ —1—n—I—^—n-1—!—^—""It—n (•tH-

shall fill, kc. Widcj Wide as the world is thy command, Vast as eternity, eternity thy love, Firm as a rock thy truth must stand, When

gipc, iiiiiiiiiil^lg^liE£g^^Piiflii

_i zc

I-—^2

E5?ii=Sa3EJEiipgpeXUJ .i|—:_.

Soft.

dzzzTrsz—TCZ

Loud.

'^iSliSlliiiiifSiSii^iii^liilirolling years shall cease to move, shall cease to move. When rolling years shall cease lo move. When rolling, &c,

iglilliiglg[ri^zrrT^ziz&sf

rQzdti^zlziB^EE"t~^-lz«--tzzzi-E-rz±-F-

- -'^f^—

M

L-£cz[;;fSztt±zfcl£FEzEtE3iKfc^

SALISBURY. P. M. Flat Kev on A. 01

God of my salvation hear, And help nic to believe : Simply do I now draw near, Fhy blessing to receive. Full of guilt, alas, I am, But

liHiliiiilliiiEiiEii—

r=z=:=1=jztzzsr. iiif^PlEyE^I§S!iilll§g;1liilll=?^=z^M

I I [^ I*'P" *

' .^t '^j I *i ; p_ff i- -

I [ I

r| iT p ^ lT—& ?L r~ ——

j

to thy wounds for refuge flee : I'r'.cnd of sinners, spollos lamb, Thy blood was shed for me.

igiiUli^lsliiiiil i^^siii^E

62 LENA. P. Tvl. Flat Key on F.

See the Lord of glory dying I See him gasping ! hear h.m crying! See his burthen'd bosom heave !

CF^rtt=:t=~=7=

»l:_±±szz:|(Z_«_z Xj-^p- p_]*ZBZ7:±_tzj5zr h~7^-\ MMmi

laizz-zrrxzszszzzszzz

=jzz.»i=tf:zbz-z^-gqSgizi»zi!rzzMzzT-y--^-

^ilEz^ :4:=?rp^pp5a:zi:

Ki?^E|||i|il|p:|:kzze::

ipiif^^=i^ -P—*l®

&e;Look ye sinners, ye that hung him ; Look how deep your sins have stung him, Dying sinners look and live.

zEEE=Sz=E3=E^EIE^E£E±E^z?E±Ef:f^ztziiz^-S^^z:J—i,—^-

' ~

—

~ EiZ —IZk^ZZZ—1—ZZj—Z^ZiX P.k

^EtE?EE^EE±EEE£z^gEiEi=z^z-ffi

r~D:-jp-- mJ

—

tzZZErZZZ4'BT

SMYRNA. CM. Skirp Key on A. f)3

f-*-

-I

2:illi^iliiiiiillSillilgilEiiiJili^l^iGo mourning all their days ? Thou art the earnest of his love, Tl.e

SZlZZ__-ie W^^^M^^^M^MlMt0MMli

Why should the children of a King Great comforter descend and bring Some tokens of thy grace

53i=|Eig^E^:-«—'—' \- ^lg§E t±:z± --^H ip.t_._It_

I

pi !Z—p—

L

1^^ EzI1=S-

pledge of joys to come, Will safe convey me home.

And thy soft wings, celestial dove. And hy soft wings, &c.

64 HOME. P. M. 8 8c 7. Flat Key on E.

Wand'ring pilgrims, mourning christians, Weak Sc tempted lambs of Christ, WhoencKire great tribulalion, And with sins are much distress'd.

ilEiiSiSiiilEliiiSiElii^^zpzn:

=±=zE

^&:±iir:Ers|3zSrH::aFz^?SrapifcE-i

I

-,—'--I -i—-t^l +""-— I—I

!

^t tl—{--j T^-^-[;;!-Tr—[^t-l r^^ -|—{ -i—pi ^

—

[-J i~--±-—J t

Cinlst has sent me to invite you, To a rich and costly feast ; Let not shame nor pride prevent you, Come the sv/cet provis on taste.

-f-t:td,zDzh^-zl3zz\izh±zi^zil^^^^^

JUDGMENT. P. M. Flat Key on A.

i

65

iiiiliiSllillllligli:

No more shall atheists mock his long delay, His vengeance sleeps no more, behold the day ; Behold the judge descends, his guards are nigh,

iiizi^iiiiifelE^ILillgiifettii^igiiS^^1 2

1 .

I^lggiiliiiffliiiiiiiiillliiiiiil1 empest and hre attend him down the sky. When God appears, all luuure shall adore him, While sinners tremble, saints rejoice before him.

\ZT-Tzzzz-TM^tKTcr--ra-zzz:

liiliiill^lssiHIiiiii^iiililsSi^

lL=iE£z{z=±z"*?::l:S:i Jijrzc^z.?

— — -_g_^^ Tzzi:

66 H A B A K K U K. P. M. Sharp Key on C.

rf: iiiigiliililiiiplfliiilglii^ii^lsf^^Away, my unbelieving fear I Fear shall in me no more take place ; My Saviour doth not yet appear, He hides the brightness of his face ;

T-,—1 e-T kw H-T 1 -^k-

But shall I therefore let him go, And basely to the tempter yield ? No, in the strength of Jesus, no 1 I never will give up my shield.

IZ.

11

!zH

tgEE^t^itr^ _^_f^a:zi:zzzzzz!^TZ-z^;:z~r-rsrT-i

-l—

r hr-i

Habakkuk Conlinucd.

Altho' the vine its fruit deny, AUho' the olive yield no oil ; The withering fig tree droop and die, The field illiidc the tiller's lo:l ;

|ilillgi;§;i^l|EiE|g||i||||E||g||Eg|g|§

07

iMMd=iEMiMMBddd=M^fiSE^lM^^^^^]tr *»•

iiil^liiSigliiliEiliiliiiillllir^The epnity stall no herd afford. And perish all the bleating race, Yet \Yill I triumph in the Lord, The God of my salvation praise.

68

—"*«*«

BERNE. CM. Fiat Key on A.

pE^E|EpEF^^||^|||Ep^^g|^^Hear me O Lord, nor hide thy face, But answer least I die ; Hast thou not built a throne of grace, To hear when sinners cry. My

la^i^isiigigi^isia^llliigiiiyiI.: —r" r~* " ""^ "~" " "I P"~~ 1

'" '

t..- '

I

I -I

- — — -. -1 I ^ I

-^1 — -^ ., ..J 1

" ""I

'

I, ;:;=;a=:

^iillliilgEE^:^^^ ~^-v-#-m -F~n-]-——-—~-»-y''^TT ~^| 1IEEtEEEE±EE5EE±SaE^i

p—zazzizrkzziza—

JZ.h-

-^=S=^ZE

dayd are wasted like the smoke, Dissolving; in the air ; ]VIy strength is dry'd, my heart is broke, And sinking in dispair.

li^HHiiliill^ H:

H.n' :fc-P-TFSEF3 Sz^SEf-!^PEl-SFS[Ei—^5l

f-r-»-W-,~,

PROVIDENCE. P. M. Flat Kcv on A. 69

iSzszEz: -!^zb=F:izpz^z+ztzzzH+zHr^r: izpfzidz^z^zizf:^fczzt:zfct:EBgzE^zfeb-HSE£zIzEzE=3=J^fz£t?

rzztffziz^ztzp: :|»r^zf^: :ci:?zzt:

:

^^Ha= p—r-»-Fzi» r~j»§-~^~T ~^T~P—*~T~^~F"~ri'^~P~!^T^-l^^-]

rho' troubles assail, and clangers afTright, Tho' friends should all fail and foes all \ir.ite ; Yet one thing secures \i5, whatever bc-

zzzgiiTzgz^FTZ^zzfzjzP:

"^~D.zizd=;~s::±zzz!z£ztizfc=y li^lgii^^fe^i

Epzpzp^zpp^»z^|zFrgrgIzgzzgz»zEi|z^z£zp^^

tide, The scriptures assare us the Lord will proyidc. Yet one thing, Sec.

iilliiiiiilliiilii^^liiililliliiii^^

.^^iS^iE^iliSiii^^Eliliiiiiiiiiiis^*

m70 BABE L. P. M;. Flat Key on A

Along; the banks where Babel's cunenl flows, Ovircr;ptive b;;ndB in deep despou'lerice £lr;i_v'd, While Zion's full in sad remembrance rose, Her friends her children.

t--ti I-

—T~i—n-|T-^~:—'T~n~oT

,ryiZZ^:»r^iS-*»T-:-.zCzzPTz=:;=iz.T-z»T?^

ti^zzzzz-lzzHi _z[ztipqz:«^z~~±:zzzzzzl(Zzb:i!zzr:tz: [^tx_:r t;^t~titzz:ilzz|zzdigzszziizpz|zijzztr±:!zzt^

PLYMOUTH. C. M. Fiat KcT en A.

_:—a_i"_r_Taz jf:^^ZET:-zzTzzzizzzzz^ic:cxDznz:-zzizzzi:c^

tp^ZLE*zs:i?ifTI

—

{—]—ag—I—a)— -I &-a *-

mingled with the dead.

rzp-:

|gi

O God of mercy, hear my call, My load of guilt remove ; Break down this separating wall, That bars mcfromtliy love.

Eilizliiliiiil|l=il"ffr r—PT~^—^~T 7^~Ft^'ffrT~"ZT ^I

—

Ej ^"I X^'EOI §Z""IZZZZ3DZ:z^:Dzz±zzTjZznzp;,zzz±z:p^±c:p::cizJezEiEzq

zdz^zdzzjE-llf:

^^3F:szg?-zgIzs:zdzjz~5J:s:z3faz

BRENTWOOD. S. M. Sharp Kcr on E. 71

mmwMmmmmmlt-^ktzt

,.,,_..,.^.^,_,-.___,.,,^-^^gLZffir^zrzb?

s; r*~ ^

Etr£zE3Fz5Etzfe^z±:5±E^tzfettt:bSit=rt±±:=:tSOr wash away

:zzs:

Not all the blood of beasts, On Jewish altars slain ; Could give a gulltv conscience peace, Or wash away the sti.in. Or r-ash, Sec.

I

^zFjHEzSPFziziSz^EJfi^pl^BZ-B:^

»-B-|B-B'

?sg^p:EEEEFEFpgE^fe±i;EpE:±Ji?^|i;t^,

pX_4I_|—p_pip_4ZI'_!Z_t_!ZTtZ_i.t_l!Z '—J-^Z|—ZI 1^—l_t_Ij ^—IZt—ZZ' J_|—1 3.3_

BANGOR. C. M. Flat Kcv on E.

:;:z±zzzzizzzr3—j-zzzTz-zzjzizzpirzaz^pz^pi^pzapzzz^

Z0TZ=zfeTZi^Z5?TZ^ .-P,

hzE^zEziiizzzpfzEzp; lzzIj-rZZSTZZ-—^1|

Let me to some wild desert go, And find a peaceful home ; Where storms of malice never blow, Tempialions never conic.

^E^=sz=|E3z±H5EpEEzg|5ziHizPpzz3"i^zilPzi^^——zzpizzz5ra^-t=b=J-p:"E:LZzziiizzrfizzf_IzpzpiL_zz£i{zzzzizEzprz^zzirEzlzl^zC'zi zzE=z:.i3_

S!SEFifEp;£|il|pgEpiiE|pSFEifpi-l-P-gx I,, rrrt—i_Izf:_fz±zfizp±- lz_q:tzezpi_[i_5J tizi-+_i___pi_p_pl_pzpi_p-=J: 3J_

72 COMPLAINT. L. M. Flat Kej on E.

^l=iE!E§S|ii^^^^||i^|^||EEi|^li=SiE=^l^fe!i

i^^^li^l tEg;£f:;^E^Eg|:zsz5Z^zrz _^fv^ «_^_tvJi.-m

i

Save us O Lord aloud we pray, Nor let our sun go down at noon ; Thy years are one eternal day, And

^^ii^^sirtr l^zezzzzfz: -WB—Xi.—r -#

^5=^szez^

llg^gErElEj

zP:rEz:fcSiEst^-}p^?^=^4=P=#^^H?ffi^ :zb-zzbEKtz^zlziz^zzlzSzl I-p_i—.^__j_lzlzrt:f!z—±jzzl_-E^fi—iit=P-Q=—t±p4==t:cii|z4:zLtz_ziz±_^__t:_izzljz±_E_L._j._i

—

1-zz3lS_

=-£i^^=~PpEE^El3I^F=i3EEEFHE=aE^EF^iEpz^^^^:zz3=^zzbz±zE::^c=[ii-tt^===:=te=Ezt=EES

must ihy children die so soon

Ziiz^^zzazJiZaz^zz.z:i:zs3

-h-

Thy years are one eternal day, And must thy children die so soon.1

-,<>K—:^-

?^:tE|=Fi§E§^Egg§k^^=^=|e iSi^EEESl

"^,

* — ^.^_^_

FRIENDSHIP. P. M. Flat Kcv on D.

f±:-z

Thy wnvlh lies hc;»vv on my soul, Ami waves of sorrow o'er me roll, While dust imd silence spreads the gloom ; My friends belov'd in hi>\i-

i4

,g5ii^gp3;^^2^gSzztdzizctrJzdzi^rEizSEiEBtatS^

—

t

n

g-iEi^lESiji-sff3It:*3ffi?iE£ES:i£aHEf^!Et

«^L^-_J-

fflj^ZI-'dZZZ—

r

[ir--e=^3fc

jFrr-^.=P:P^iEEiiiii^gli^lEiiiil^?

pier days, The clear companions of my ways, Descend ai jund mc to the tomb. My friends, &c.

i^liiiiilii^liieiliggiliilSll^liiiiiiii?

74

ii=^igiilii§iilw

HEAVENLY VISION. Sharp Key on G.

3—»;j^- -Pz^lES^ferr

lO-— •-

jUTTry T^fJEzpaEikzyT^-p^i^sz^i^z^gi^ k k-

;I beheld, and lo a great muititude which no man could number, Thousands of thousands &: ten times thousands. Thousands, &c.

2!

;i;3^tE;l=|g^li:Ji3|J£E|gggp=^iigi3|iiEgi£i=igiigi|^

g^SfeiiliE^liiE£E£iiEii^ilE£i-:|§iiE||g;£

rSE''—^ mW ^^^mmnus^ zpzgij

zEztJ

;_t-'i^zzts^i-_! jz—I

—

:zzizzpziztzpzzzzzpziaEZsz:pjzpz ?zr:^gitzj-i

—

Thousands of thousands and ten times thousands; Thousands, &c. Stood before the lamb, and they had palms in their

-a EplE|EEkiiiliii^EM=^^iiiEsS|iSBi§-§5§_P --!})-

-^ffl-^^-

iLz-H-FJli!|ii^=giii=i^isiiiiE!iliiBi^=li3§

Ilcavcnlv Vision continued. 75

'E^^ppiEs^|3z^^||EpIp5li|igi|S

=^- _P-=-E^?rPfz;

hands, & they cease not (!..y nor nig;lit saying Holy,

5EE:|5EiEi=j

:|!: ;|[: :|I: Lord God Almighty, Which was and is and

:JoTQZT=z=iz^pi3zpz|z-TpZs:rzzz—jgzzizqzrgzzjz:

^-K=_.

is to come. Wliich was, kc. And I heard a mighty angel flying tliro' the midst of heav'n,

zr_zztdr_^,3_-pzi^_zjpzi^ iz^zrizz:zi-i—z^z^z»z]?ZTrzi^i-^:^-Tzp:z:zz_z_tizz[—i-Zj-trz^-^t;—*-^-.-+^-r--V-a-|-^^-i—j— !—I—ti

—

^r"u';^,«,;.ri— ;*'— "-—t-lt—Izib-.^-i'zz+Tizd

Ii_ i_^Z7^ _^ ^^ '^ -^. k-p- jir-P

! Ei=^35pb:3-:3fezgfeip:^l^^:^':f

Heavenly Vision continued.

ii?iiiilii^iiiiiiiSfeSili^^liiii

liiiHIPHyil t: =F=C::^gi=ili^iE2^3^^iE^: =«rii

:i=crying with a loud voice wo, wo wo wo

^IflZl

be unto the earth by reason of the trumpet which is

^ ». |_^ o ,_ , ail

»^zi:i:^zi5iE*3rflz^z5zzjrzziKzl—r^-t^z-zizr^zT—ri

:sz::jLjg_i

1

». lEiliS^iEiliifei

r; ilSZ^gEZ^fe__i__.

:^

-zz^Szgig^z^z^IzpiszfezgzjfzHI_.__-L_tZIi Z-4-1 -tZ—j 11—1- 1

:zzTzkzz£:i?5z

•E—Szi3z±Es-^zKz-

a—f-n—p—rF—f-i

yet to sound. And when the last trumpet sounded, the great men and nobles, rich men and poor, bond and free, gathered themselves to-

^ii;=l-1—

-'-=1'-

13^iiE=|^SEgiEi§^^&^S^^^^^§^^EiSEtl

-SiStS:

Heavenly Vision co.itinued. I /

=iri:friE3^p||||E|^g||^^g|||||^^|E^|,-^^5^2^p=3?;,-^^

z^ErEz: Ep^z±ztiz^z*zttE[zzplE±zEz

gcther and cried to the rocks and mountains

Eg^E^gSE|gz^zg^=^pgz^z^

tz?r:3^»,^_ft_w _:feZZfeZEZ^^ZpZZZXZZ^iSZ^Tl ^ItzpzxziK;

gcther and cried to the rocks and mountains to fall upon them, and hide them from the face of him that sitcth on ihe throne.

5=

H.Z^II^3i_±Zi_

z±z^_i,_i_lzr=L4-t-l-zfEzz--z-t-t:zzL:zEzizlzz:

:--T^-»-*-^ »-r— -r—-zrz^zTZsrszii^i^isz^Tz^z:

fz«zjiz±z^z^3izii7^:^z-iz^^»•—

•'T^"^:

1 2

:^=^

-^-F

=^-»--I

—

gl^ipiiF5^^tli^^=te^cli

-&-

IP l^^feliigEgl^ii?. ^S-*

iM^Hfii^iiiilil2

iilliiigiSilil"or the great day of bis wrath is come, and who shall be able to stand

:zfe=f'zltZii^z:zzzz::zzTzzz5z5zz-—ztrzzzt

For tlie great day, S;c.

illi^iili^3i^ill^il^llSP^iil5ikzizi^z

78 FUNERAL ANTHEM. Flat Key on F.

:ziznz —^ —'^

—r-^--o-g^»z:|:=^=^rg==a=pTre==zizp^rp=:^zc___^^

.S-X.

I heard a great voice from Heav'n, saying uiUo me, wnte, from henceforth, -write, from henceforth,

—~^ I—II

t— I t— I I I— I I I—

I mEhKz-z^zi-^'zz^—^-i Ehu.huz~'='~xz^zz'^iiz^zxiizzzi:z^z----ferq^TZgZ^-^rx__g=^zpz=

iziz-zziziztzzzriztrzz—{-—s—s—s— -j—

s

-Q- ^"c-cf-d"-'

;EFEE^fe-=P^^|3E^r|z|z|z^^zE^|^^

_j C—; 4 P-F—4—(•—•Hiil^S^

C3ZZi^izzl3Ez:izzszzizEZ5JzztizJffzfi^rp -^~ _z«iZ:

:

,C—I L_— i_ 1 1_ 1—_-l1

, if .

write from henceforth, blcised are the dead that die in the Lord

^E^=zzz:fzEz^EtizE=±ztz±:Igzzzzz]Yea saith the spirit for they rest.

zgz" -B-j-s—»—T~^~r

—

zp-^-K-. -4:zf:_qIt: E^3z;

-J I BB.

lizzazziizia—

:

^ 1—t=ti:^-~i3z:zi":zzpzzlzprtzB:zi:z::z:3-gz:ii_z:_ac_ -

II J^zgz^zT~^~z:*~f~T~^~f~^r^~T--)—3—~1~T—

^

-^-1—k-l— i

zrxzztizlir^Tr^rrrTZFzzzz:

-a'

*) Z1

—

m p- ZZjZt-jZ-J x^--C~

Funeral Anthem continued. 79

^z5zz:?zz==ziSB-7-\ ^> >^

^=p:i% ^i iP~-§^°--'"zf3^P^°^^- -8 ^—"~f^-F~^^~l'~^~F~Fr^^"^^

H: |i|: a==:fci=:

s;t:

3for they rest for they rest, for they

^- ^iii^i^iiirest, fmin their labors, from their hibors,

f^=- ^:S-P—B-

3^=3^^!^-1^-

n;±=t:

5=:ii::x.>—

c

fc=^ S

pz^pzz3zi=zg=:zzT7rzgzg:zgr=rTi:r^^z^^"zrT

r^iigiri^lir^iilPlEgiSi.

•

• n 'p~T~~ T—:zit±z_ i?^

iiiE^^Sliilfei^il^^_

^^g$zizpzu^z=:=XT. mfrom therr labors and their worka, which do follow, follow, follow, which do follow them

zlEEprE^^fit h-;-rfezEEE-^iiHizar mx^._)-_t_x_a_J: z__

XE

which do, Sec.

ti-

1.=^=

z"F7P-y-rf—r~r~f~f^'*~j~^~r~f*~"F*~^~r"3'r~f~f—

'

^^ m

80

ff:

MAJESTY. CM. Sharp Key on F

'^b-' f^3rEzPi=pzp|zPi:F|zpzm =Zi^ :Ez3fezpr^i:E: ±|&^fc:PiSFa;-:SB ^iUffigEiriiiii

- F-&r-°-T T- T r—Ptstttvi^tF-*^

The Lord descended from above, And bowed the Heavens most high ; And underneath his feet he cast, The darkness of the sky.

ilSEiiEss=giEipi5sg^3^i=iiEpTEf:^^E|

( —

V

:^ig.-g|;Silisl§iifel||g§Eiiiefi^=S

i

_i ^z\zz^-J^^d\t4^W^^^On cherubs and on cherubims, Full royally he rode ; And on the wings of mighty winds, Came flying all abroad. And on, &c.

r~p~p]:pi_T.^,^: :.

jJEzii'Zjzzpsj ^&z|?:stP4_ztti:zpzzezJ:p»z&^

-*-r-

iHz..-3_-_.

JUDGMENT ANTHEM. Fbt Kcv on E 81

inzzz:±z^zd=&z

Hark jc mortals hear die trumpet.

i 1ffi£

-r-^:^z^t:=

»_ j^_. _»z?-

I;^—^T-

Jk—fer-i-

fzztzzcjiizz:

Hark, l.:irk, Hciik the arcliangcl's voice piocluimiiipf, Tliou o'li lime slia!l l>e no more.

3^ £=Et:

Er-z:|-z»zgz^|zppz£zgf^^zg|pzgL-^^:"|==g=3|

^^x_t_-

zj::

~£ :izi;zHZ±ffEt'z.{nz|tzpizHzd:HrHzt£ffE^I«ziiz3

rSounding loud tlie mlglilv roar,

:^^sp|EEEEEtiSEtEEi!B^P»

zfzzztirt:i=-i;==PPriE:=-i=:^—==i=i^=*=^^See the purple banner flying-,

iiiij^^izppii

- _L__ r:.*_:=3EitE^zhfPi

His loud trumpet, Iiis loud trumpet Hi-ar thi' judijnicnt c h; ii(>t rcll,

:5& iSB l^;illllg||lii-|}eiiLaiii=ii

'^I g^Siiiiill —F:Pi-.-SE=s='

rends tUe tombs, vc dead aw;ikc.ifelii=iEE^El3E=^Ei

Jadgmeut Anthem continued.

:?

roll.:P"

2-— E3

^^t ^_i. ::.<•._ ———T ,^:x=^~?»

yoiidcr clo'.iil,

-K-H—B-H-a-I

dj^.,- —k I r 1

:ii:iiiinill. Hfur tlie sound cf Cliiist ^ictol•io^ls, Lo he breaks lino'

ii=S^S?!iP^iiil^^lkl=kl=^liEl^E=lE^Ei

iE-E^Eami inzizn: 1§r

EE^E^ZpZTg^|zEz|^EF=,S2z^;-IfZSZi=^I^Is that lie who died oi» culvVy, Tliat w;is pierced with the

Tftzf:izzi-ife ^!^T^—K—f-l-i-KK4P F i»

-l«k-,r-=-T=-

Midst ten thousand, :^: -.If: :^: s;iint3 and angcU see the cnicifyed shine,

^tz3-^^E±E^z=l=^=i===iI

Judgrncnt Anthem continued.

s|;c;u-, tell ii* sciuplis, \ku '.h;it woiivJtr'il, Sec lie uses ihro' llic air, Hail liiiii , Oil." "

' y Uic air, Hail hiiii , Oil.

^z£ a ® - ^-fT -

hail him, Oli }es 'tis Jesus ; H

83

^feqhail him, Oli }es 'tis Jesus ; Hullelujaii, hallelujah, liallclujah, Oh,

rP-^-»-Zn^El^\tj^z^z^z^¥-tB:tti\zPtz^z*^^

_e_h-c-J«~K:-

-I—I

—

lliiilifgii^ipililillSliiiii^lleJiiii^iie»-f» -(•-(*

Jt-;iis, (J!i, O loiiic (Uiicklv, O co.i-.- I'ji-kK'. Oli, Come nuxkU, H:iili-liiiah, Cdh.c I.iiid t "H'" •ComenuxkU, H:illeliiiah, Con.e I.iiid t oii.i ,

1

;==»=-|"f=«—I-#-"r-4===--—V-^-^—

I

=^j|—-=Jp~pp-^^^-f^=^^-1^j-j^=|ij

=-=-=J|[_BZ~KzE^z -^ii'^^zctfi.L:::i

•_-^-i.c_.

84 Judgment Anthem continued.

rfi

ZEZI

:

— ii^gi^SiiipSi^pp^iiii^ii==p^I

Happy, happy mourners, happy mouruers, happy mourners, Lo in clouds he comes, he comes. Now determin'd every evil to destroy,

-)- rHI-

iifSiiii B^

iHview him smiling.

^r—z^sr*fr^zH=zgc:^I=l=q=zq:Iz:ff^iqtraTte=zcrz===I^:p^=s:z^=pTp^|=5-?:rtrzfeKE==giz3zifsfE=S±=i^bzEi^^I _t i—^iizzpzu——1--1S—t_l[Z-u4=—I—tz—I—p_fz_pi;5=zr:z!z_Li|—r_i—pxE pi|—p:_|zZ[_x_[::z|.__iL_!Z-,

—a—»-»-&- B-

zpr^zzprt—F-s- rhi—=—

%-—

'

zt=E=bT^±f_

IjAll ye nations now shall sing- him. Songs of everlasting joy : Now redemption long expected. See the solemn pomp appear ; All his people once rejected,

ing^ig^:i=zzE:it:zK:is:zcizrr=rzz::

L__*-i-l*_,

Judgment Anthem continued. 85

»- -»-!«:^T»-«-?:?.a,:^^zigz^Tgzg^z»zgzTzgzrz{!^

now shall meet him in ihc air ; Hallelujah, halleluj.di, welcome, welcome, bleeding Iamb. Now his merit hy the harpers, Thro' ihc denial deep resounds.

rEiis^^iiEiligliii^i^^gillii^Eigiiif^^^—B.—. ^_W_^_-»-n-m

itzr

__(i-,.FZpZmpzgjzrz^zgzg[ "-^]==^p^-pT-=PFrEtrzF-p^f :—zzzzziizrzzzz

Now resplendunt shine his nail prints, Ev'n- eye shall see the wound. They who picrc'd him shall at his appearance wail.

—Ck,-U.-

i^E^HEmi^iiiEE^Em;-i:

86 Judgment Anthem continued.

(^^^^m T

:jz:zrz>-»-

-^itBm^=^

' »— 1-—^-- [pi||ii^|i§§E|||i|||iiph^p-^|g||§i||||Ev'ry ishiiid, soa & mountain, Heav'n &. earth sliiill flee away ; All wbo hate him must asliamed, Hour the ti-ump proclaim ilie d:iy, Come to iuilgmcnt,

iiliilSiiiliiiiilllE^^

i li_[ziz_[i_.zi:'—:^^i—til—t<.-r~-^P-.—^j^-^_x 1 J-— j._!i:_t-r—£xfz_!zzr;3|—fi-p_i_i

—

O-

t z^ztzEf~z§z^P^zEz^: :zLt~-^tz!Et£z^z^: :zzz±'zEi=|z:'^it-it~:^-~xE:^—=fe»E:^:zzz^E:zi;.^:S

come to judg-mcnt, come to jutl,;fmciU, Stan.l l>efbrc tl>e son 'if in-m, H.irk, hurk, the .ii'chuiig-el swells i'k" .solemn siimir.on.'; loutl.

Izzzaz^iizzzzZTz—zwzj.Tbi;uzl!:zuTKz^zc|zazq:zzz!Sziz=z=TE-zzz|-q

j=E:eti£^i3s:£^.ttt=5:lEElE4EElEEEE"£i^ZifeislZ5^

Judgment Anthem continued.

rr33SriI^£:E±r.-5t==: lisH^iim Xl'Z P-L-I|—-]

-HP

zz:=z=z:irifcczLTiFztzTffzsztrikz^Tc:^=biEip-^ rz-zQzEirziEzhzEElpEStizzrEfc —,—|-»-j 'r^^^: -:

Tares ihe stroiif pill:.rs of the vatilt oflicaven, Breaks up old nmible the repose of princes : See tlie gTa\es ([icn and llic bones arisinjf, Hames ull around tliein.

Hark tlie shrill outcries of the icuilly wretches, livc-1) briijlil horror and amazing- anguish stare thro' their eyelids, while tlie living' worm, lies g-nawinp within ihcni.

zzzaz|tJitiiz:f=iz?zpzTiZizi?:z^ihz^i$ztz^ifz^xt=1^

-^—-.p-zi:zp3ZMz»T|zEE-|zLipipzJ*z:(!rd4iIz±zEt^tiiPzEzEEEzElt=t:*3El

^E^3EtE^izz^--Tf=-

zEfo-Bl«:;.-SE*£tFl±zt=Ei^zSt

if- ::iZi|itrzzziizii|z!jzzjKJzzz!2izzzzziz:z:i?:j$z:;KT=—

Sec the judge's hand arising', Fill'il with vengeance on his foes

tiVp^gp|j||&Ifr5-JiE?=:: 'W^m~-px::zzizz . i j:zzzz3:ir:zz:xLZzzzar~-k4--i-R ^—FJEfHz-tF-'H

i^l^iz^l^ilS efijhbf:_.4.^^—^-,-X-^ p.

t££±jt^t5jr £

BEtBiiblbztiEtEpizzz

^H.

Down to hell there's nn redemption, Ev'rv christlcss soul must go, Down to hell, depart, depart, depart, )c cursed into ever-

88

^

EEE

Judgment Anthem continued.

?z=zpi^q:zzzzq:pp:z^p[j^ir:j

-i K-^-h-w-l-ari--

z=ztiJizzzzTffn:z^H[jiir:|?^it!5TZ|ir^szi!tcznr3±z:x-crzzr-T

( your journey. To the palace of your God.

|?j*zf^:p ._._

zI^^BEIzzzi?liz=zz~±EEB

Hear the Saviour's words of mercy, Come you ransom'd sinners home ; Swift and joyful in your journey. To the palace of your God.

L sting flames. S( e the sotds that earth des-

Joy celestiul hymns harnio-

-'A—I-T~

t^rJ^E^t- 1 iizzzitiziz:feirirEzztizIjIZ^ZItZiiZET'

B.-pi

=ilpEggp^ I EIE^^E^fezzh^jz±zzz±ti5Zi;fz|zzl=:t:l \iz\.

2

.r<-i»^Tc-T-^-r——rzlz5

—

Tc—TPgx^gTrz~^zir~T'1~'n

—

i^~^w rr—rA~FfTr~r~FfT bit

pistd, In cclesti.il t,Horics move ; Halleluiaii big with wonder, Praising Ciirist's eternal love ; HuUelujah, hallelujah echo thro' the icalins of light.

! nious in soft .symphony resound, Angels, serajihs, har])s and trumpets. Swell the sweet angelic sound ; Hail Almighty, hail Almighty, Great eternal Lord, Amen.

sf-©-

f-»-^-»

feEi£fcEiiEifi^|t|=i|Ez^5Eg|=|g£SEife

»-»'^^.n'

-C EEfeSi

!

:~iLZuz^s:^izzzzs:xs:s:|IIZIlZZL-Zg^t^IZZZZSilKZS:: p.- Ill _]Vi^^ f^i;::rTzzzzR:Ezz^zziqpczz-zzzzxi]-3zzET&:^s::i»x^^

•EtSiz£"FEiEz~'~E^x*z5'zpiE.E&:~EEipiEz_zzzSi ~zEEifr.

EASTER ANTHEM. Sharjj Key oti A.

ikEZ

89

ptZTZltTriir]

fi—

»

m^:The Lord is risen indeed ! Hallelujah 1

?s=zini: ^UliiSEteriie Lord is risen indeed ! Hiillclujah 1

Si.:sr: z~iT~ r

i^igi^iyjtliii^^il

Now is Clvrist risen from the dead, And become the first fruits of them that slept, Noiv is Christ, 8cc.

i^^ enii^ifi^SS^^m^ie^i^tt iHiSbSE

90

Ifqm =^i=p^"-

Easter Anthem continued.

P3

-—

©

m^ tS^-.»^.

Hallelujah, Hallelujah, Hallelujah, And did he me ? And did he rise ? did he rise ? Hear it ye

-r-

ll:ggSiiii^l^gl^iilil:t=^^

—

fel

1^ mm-J y^-L

illE^i=l=^ilEiE-|iglEI";£iliigiiii

nations, hear it O ye dead i He rose, he rose, he rose, he rose, He burst the bars of death ! He,, &c. He &c. And triumph'd^o'er the grave !

mil:

:(Eqz±p£zz3::rpz::rf±ffqdEztpS—z—

H

Kaster Anthem continncd. 91

*r—

T

flj.

T^^idt5^^ga^"^~T^~-~rT~^;5|=F=^=^^

Then, then, then I rose, then 1 rose, tlicn I rose, then I rose, then first humKnity triumphant past the crystial ports of lighi, And seiz'tl eternal

il

(iiaiii^iooiii^ii?iii^;iiiiiiiiiii^iffi

youth. M.m all immortal hidl, hail. Heaven all la\is:i, of siraii^^e gifts to man. Thine all the c^ovy, man's the boundless bliss. Thine, S;c,

92 P I E R M O N T. L. M.

liiSS^giiiSharp Key on D.

'mM^mm^^Rejoice ye shining worlds on high, Behold the king of glory nigh ; Who can this king of glory be,

lii-3:=£ii'g^liiSilir^i^ll^^ll£i^

|l§Ell=^il^lPi5ili|l3igi^|:^Eg|lig^ip|j|izSsi^ZzizzJz: __^_-,_._4qq3

giEiiiEEEii^iigiii:^^The mighty Lord, the Siiviour he. The mighty, Sec. The mighty, &c.

Ei; z^zzlgzizz-~s±zfEzszzd:£z±^\i^.

'^^^Mm^^Mw^M^M^limW^l^^^M^t^.mmmw

If:

T W E N T Y - T H I R D P S A L M. L. M. Sharp Key on C.

teiggfiiSi^ligiii-SiTi3t^

h-^- iiigi|i§iigiiMy shepherd is the living Lord, Now shall my wants be well supplv'd ; His providence and holv word, Become my safety and mv p;uidc.

^SiiiiiiliPiiililiailgglisilil^^

T W E N T Y - N I N T H P S A L M. L. M. Sharp Kev on C,.

nors to his name, Ant! his eternal might adore.

iiiissiiSiii

rr

ii3±i3±=:il=5zi:iiizd Q'o <^- m .... -^

Give to the Lord, ye sons of fame, Give to the Lord renown and pow'r ; Ascribe due honors to his name, Ant! his eternal might ad

— — — f-'^^-r-""

i^^iiiii-^-L'^i-^-Ls^ iSiliiiifl

94

iil^l"K E W BURG H. S. M. Sharp Key on C.

millliiililslli^BliiiiiiliiliiilllligieiliiiiiiiiSi

Let ev'iy creature join, To praise th' eternal God : Ye heavenly hosts the songs begin, And sound his name abroad.

-y ^.hr

^1*:

1i-»= _ St-

-U-i-i^

M— H. p—

P

T c—

ligiiiiii^Thou sun with golden beams, And moon with paler rays ; Ye starry lights, ye twinkling flames, Shine to your Maker's praise. Ye, he.

^j|,gEiEh^&zEz|iggzzpzpz^^|zz^ MitF^E-- -z --E-F-.tt-F-Elz3zffl

WESTMINSTER. C. M. Sharp Key on F. ?S

11

1 ^^ST-— 1—'-11 1 -"-M-i ^:^^-'-—F 1

—-» ^^—

^

Thou great andsov'rcign Lord of all, Whom heav'nly hosts obey ; Around whose throne dread thunders roll, And livid ligiitnings piiiy. Around,

S^^liiliE HEES:? ^^l^lE^iii-^liiiiegl^l!liiligiSilgl^i^^ilii^^if^^ll'^ai

Sic. Around, &c. Around, 3cc.

lii^^^l^^giigjSfiifeEiligilEiil^stsfz:

"

i^^^^^iigESiiiiigjgiilsgiiii

96 EXHORTATION. CM. Sharp Key on F.

r _^_-

'ty~- l=^gil^il^iHliSES?£i^=s^i^iaiiii^iilii

=~-^^. -w

iP!—-»~^-=:

~^:

Lord, in the morning (hou shall hetir, My voice ascending high ;

PH^I^^^llgl^E^H^: jsi:

t— zsr:

To thee w ill I di-

:f:^-

J.~?ii: liiiiigiil^iilSiiiipi^JO r Q-ii^ilE

:=±

4- 1 *—i L—1—bJ—

&r-—

iiiil^^:?:il^iiiii^iaife^ zizl^-^-K—

y

-i—

^

=^^Ircct my pray'r, To ihcc lift up mine eye.

-ff=S=XZ^T

~zz:qI—

To thee, &c

-v=^-E§^|E|EFE^E^f^^^l^=^^

4ii£=£EtESEiEtEE^E?EIEE:=E^F=JE3r=l:

b~IE?EfEE^EEEEESEi£E=iE?H3EEE^

IVt I L T O N. C. M. iFlat Kev on ft. 97

With earnest longint? of the mine!, MyGod, to tbcc I look; So pants the hunted heart to find, And taste the cooling hrooli, Whru shall I see thy

--»—

^±u_z^z^i ^^^ZEt^^z- ilg!^ll^^!iiilligiiliil^iliiii^

11—ip^ dfl-ii=p-p|p- h-^-p h-p-h-pt-g^P-lF-F-h-PfF-piFzFT-: E::Ezs"i=:i.~l zzr-p-zlL-'p: ^u±

^ztzpS^?::^^ztlpzHS^iS3zH

Ezrz?zcrPzPzp=*VTg±zrTzziizffT^^ir^x:rz!!zfzt^^

courts of grace, And meet my God again ; So long an absccncc from thy face. My heart endures with pain. So long, S;c.

Siiiiiiiigiiiiiiiiie^iiiEiilii^

98

ff: '

-b'^-.

CHRISTIAN SONG. L. M. Sharp Key on D.

^3=J^3:33--d=!J^SSierSrszffii:i3-pT33Sj=S ~i3i-~:

Mine eyes are now closing to rest, My body must soon be remov'd, And mould'ring, lie buried in dust, No more to be envi'd or lov'd. No, &c.

« 1—T =• =-S~V—^k

wSEiESSiE*---=-

ii§^giiiiliiilii;gil&|iiilifeill%^ LErSJ

Ah ! what is this drawing ray breath, And stealing my senses away ? Oh 1 tell me, my soul, is it dealh, Releasing me kindly from clay.

I—

~1 T~!""r1~1 T~!""l -"]TJ~^?T^'i^yT^SB^tO~:~t iii^si-i^ziziiizi^arz^^-^-^^^T^^^-^^H-BBi-Tsrs^-B-TS- S

Oh ! tell me.

T T T «tS-H-«t: "tB^ r tP t --y.^--- - -—4—[-i-^-j-h-j--t 9*a~^-^

"

-idvnij--Me

Christian Song continued. 99

^f^^^^s^mi^^mm^^SMMWM^iNow, mounting, my soul shuU descry, The regions of pleasure and love, My spirit triumphant shall fly. And dwell with my Saviour above.

CHINA. C. M. Sharp Key on D.

if:

Why should we uiouru departed friends, Or shake at death's alarms, 'Tis but the voice that Jesus sends. To c .11 them to his arms.

3

=iEF^---"

—-jj- i-^Q_-jp_. — —- —^j-G—p-^-a_p—

—

j-a o-e--, i-s~ P-2"~r"

100 CRUCIFIXION. L. M. Flat Key on A.

r^2E^ESiz|^fe3zP|^^l^^^

?-"«T^^""=T:ra~!?i:^l:i:ri:r~TP

—

~^~T~n~Jn~EJP~^

Hark ? liark ! from Calv'ry sig-l.s are heard, Behold, behold, tli' eternal bleed ! High on the cross he pra\ s and cries, Then bows his head & groans & dies.

Ii|s=ai||FEi:3lf4:f|^±dS^z^J|Fzf!:fE=iz|zpzfe^k^ -^ip^

—

-^~—i-tT-^J-— i[z_cz_rzi li—iqpzjzl:

—

^— i:_:}:_iz:ifz:i|z;i^iq:3_.^.$zz^r:;$zEiJZC^

_,

—

^^^-i—:iJiiEr:zi:r;z t_( A_ni.cli^HEE^p-^i^fS^gPzfl^^E^z^fe^iii'E^^

-B^T

—

;t:ziztz|z_^_^:B-

,__ ^_-aa_ «._, , ,

—

:=Ct

I' Thv; 5un is clolhM wit!) u-.vlul night, The moon no longer sheds her light ; 1 he phmcts mourn, earth treniWing shake,

:li=i!liiiillgiillliiiliiigiliiiiiiliii'—v-°-Fz--zS-

TZzrpzTz: H -W-

Crucifixion continued. Kn

^giig^^:3l^ig^|Epii;g^p|ggggf^ggg^p5|pg^-I—^-1-71--'— I—H-

^j

—

t~;T

—

'.TT-j '

—'~Ti~{~~|—I—[~Z)— Tr[~~r-j T-'— !—>-- 1—-f ^- -j— ,—

1

—- -j-j -'-;

Uor,k.s fall, aslonish'd nature quakes. The pl.mcts, Sec.

M E W M A R K. C. M. Sharp Key on G.

|z:-^^E°iEEppgEgpgEgE^E^|EJ|EE±|Ep:^^Come holy Spirit hcav'nly Dove, \V'it)i all thy (juick.'ning pow'rs, Kindle a fl;ime of sacred love, In these cold ho;irts of ouPb.

\

—

s. pr>^_^-t_ihfiz—p_a._^-,—1—Li-i:iz-J i^_-_k,i—pr—^r—^j. ezzi i.j^

102 EXHORTATION. L. M. Flat Key on A.

i^i33f=g=Eg^=JE§=£^-I^^|:^^^t:^^EF-I-

Now in the hcu,t of yoiUhful biood, Remember your Ci eater God ; Behold the months

>--Jh-F^=3- -ii-dT—>-^-F3- n

P=?iii£|5f=iE|;i:=Jtg33i3.zzg:^=|E^^EEliE^Ei'gEEiEiEisgrEE;

up—-s-y—

^

-

—

a-—J--- "-TT~~!~~~~" T—

I

j—yrpT-y—r-ng

—

~T~'^r-—zjF^'.^.i:m~T .

p3

—A--.^_.

kcl '=^—«-rt-rtz:^^4=aigz+,H:M

-a—«~»-»r-r F-r-l^-T-s-"™—.i;r-^~T-r \ t t""—r-—f» r t-k -r ".-r—~

I I rrt'' F l~r — —t~r~l LJ't 1

—

^ fr'l^Tirg-izg.'zg'-i'iFzgzirigi-^'ilj:

come hast'ning on, When you shall say my joys are gone. When you, &c.

-1—1— I—u-i-P

—

-u ijz_v:^-fil_3_j; 2.—o_zi

—

BZ-i-P-P-P—y_i_|Z- [Z-i^p,y—i_pz:4._l—iU^

~--r-h~f^ i|zHz^zjz^z|=iiz:iY=F izEzz!zE5^zEz-z , f^ p _

izzL.zzi~E~i"zE~E-iiP-ji"i-

SOLON. S. M. Shaqi Key orv C. 103

i:T=:z:ari]:=^pTr=irTiqrqzz!jJz:zp^pT«^

^-J-l J ^^ 11

3_X,-Ol

L| ^*f L| ^^,^1 1

1

^J.| ^! L a—L.^, U-'-Ui) U ' -

Firm and uiiinov'cl arc they, That rest their sovils on God ; I'ix'd as the mount where David stood, Or where the ark abode.

ra=

d;ti^z^f^£fzz-?±_tl^iizz«izlLE;i_z«s3t£zi?i.t^

As mountains stood to guard, The city's sacred g'ound ; So God and las Almighty love, Embrace his Si.ints around.

'S^-

f3iliiii^igiliiiiiill=ill^ll-liE^ii^sIii^

104 MARTIN'S LANE. L. M. Sharp Key on F.

€/"'' " "

Jehovah rci^jas, lii:, ihrone is higli, His robes ai'c light and majesty ; His robfes, iko.

grtrr

|E^I4i=iS1ilii|£il3iE^|Eliiliiil|iiiiii^K,-, glory shines with beams so bright, No mortd can sustain the sight. No mortal, &c.

[zj^|s^E|i:?E^p^3=3itr3E5z3zi=?=^--

?®zSEiE?EiE?:

]i E^z.fc3E==[EEiE?iE3=3=iEpESES^UtzizEzzpEltE^Et; :.z,E&:z.zp:

\-iir ^ ^' J-Zp^--Jg—~kT-^-fer-j3;zizzzz-l:d' j_4.

E]tE'EE0EEEEE±z3zeEi:Ez°ziE '^—

^

.f**"^