The Cleveland Orchestra May 29, 30, 31 Concerts

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May 29, 30, 31VLADIMIR JUROWSKI CONDUCTSPROKOFIEV’S CINDERELLA

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T A B L E O F C O N T E N T S

THIS WEEK T H E C L E V E L A N D O R C H E S T R A

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7 In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

8 About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Young Audiences . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Education and Community . . . . . . . . . . . . . . . . . . 57 Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

35 Week 22 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: May 29, 30, 31 . . . . . . . . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37 STRAVINSKY Scherzo fantastique . . . . . . . . . . . . . . . . . . . . . . . 40 BRITTEN Violin Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 PROKOFIEV Suite from Cinderella . . . . . . . . . . . . . . . . . . . . . . 51

Conductor: Vladimir Jurowski . . . . . . . . . . . . . . . . 39 Solist: Simone Lamsma . . . . . . . . . . . . . . . . . . . . . . 47

48 Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . 48 Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Corporate Annual Support . . . . . . . . . . . . . . . . . . . 73 Foundation / Government Annual Support . . . 75 Individual Annual Support . . . . . . . . . . . . . . . . . . 76

90 Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

WEEK 22

This program book isprinted on paper thatincludes 50% recycled post-consumer content.

All unused books are recycled as part of theOrchestra’s regular busi-ness recycling program.

These books are printed with EcoSmart certifi ed inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

50%

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

Copyright © 2014 by The Cleveland Orchestra and the Musical Arts Association

Eric Sellen, Program Book Editor E-MAIL: [email protected]

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

Program book advertising is sold through Live Publishing Company at 216-721-1800

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

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4 The Cleveland OrchestraTable of Contents

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Perspectives from the Executive Director

7Severance Hall 2013-14 7Gary Hanson

May 2014

The past several weeks this spring have been an especially exhilarating time as we approach the end of the season with this week’s concerts. Between May 17 and 24, the Orchestra premiered a brand-new, made-for-Cleveland production of Leoš Janáček’s opera The Cunning Little Vixen, and, at the same time, presented an intensive week of musicmak-ing and celebration in Lakewood during our second “At Home” neigh-

borhood residency. These two projects clearly showcased our commitment to serving the Northeast Ohio community with diverse performances and collaborative partnerships.

Our achievements with young audiences are just one measure of the season’s success. The Orchestra’s eff orts to build the youngest orchestra audience in the country have attracted na-tional attention, including a feature article in the New York Times this month. In the past year alone, more than 40,000 young people have attended Cleveland Orch estra concerts at Blos-som and Severance Hall, clearly demonstrating youthful interest in our core concerts as we help peel away the barriers to attending performances — and making great strides toward our goal to cultivate the youngest audience of any orchestra.

“Mr. Welser-Möst and his wondrous orchestra” gave “a musical performance of impeccable qual-ity and wide textural range” said the New York Times of The Cleveland Orchestra’s innovative animated production of The Cunning Little Vixen, presented earlier this month. Working with director Yuval Sharon and the creative team at Robot Studios in Los Angeles, the Orchestra created our own brand-new operatic production, compellingly combining live action with projected video animation.

This month also brought to a close the Orchestra’s special semester-long involvement with Lakewood’s music education programs as prelude to this year’s “At Home” neighborhood residency. Of the week-long residency, the Plain Dealer said that “The Cleveland Orchestra leaves the sold-out Lakewood crowd wanting more.” The action-packed week of ensemble performances, community activities, and public musical get-togethers drew enthusiastic crowds. The grand fi nale, a sold-out community concert at Lakewood Civic Auditorium, was broadcast live and is being telecast on Friday, May 30, at 9:00 p.m. by our media partner WVIZ ideastream.

A season of so many successes is the result of concentrated eff ort, many hands, and dedicat-ed focus. Not just from the Orchestra musicians, staff , trustees and other volunteers, but from the community surrounding us, supporting us, and collaborating with us. That young people now make up 20% of Orchestra audiences is the result of extraordinary support from leading donors who care deeply about the future of this institution. We owe a debt of gratitude to everyone who supports The Cleveland Orchestra. And, as the fi scal year comes to a close on June 30, we invite you to consider your own investment in sustaining these bold initiatives for the future. Please be counted among the thousands of supporters who enable this Orchestra to serve the people of Northeast Ohio with quality musical experiences, education programs, and community engagement activities.

I N P E R F O R M A N C E S A T H O M E and around the globe, Th e Cleveland Orch-estra remains Northeast Ohio’s most visible international ambassador and one of the most sought-aft er performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, Th e Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelft h year leading the ensemble, with a commitment extending to the Or-chestra’s centennial in 2018. Th is artistic partnership continues to move the en-semble forward through a series of new and ongoing initiatives, including: expansion of education and community programs in Northeast Ohio to fea-

ture music as an integral and regular part of everyday life for more people, in-cluding the launch in 2013 of an “At Home” neighborhood residency program that brings Th e Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

About the Orchestra8 The Cleveland Orchestra

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DRIVING THROUGH SEVERANCE HALL. When Severance Hall opened on February 5, 1931, the building featured a drivethrough for passenger drop-off and pick-up in operation in the 1930s. Later closed and used as restaurant space, the area became the Smith Lobby, with new restrooms and ticket offi ce space, during the building renovations in 1999-2000.

Photo of the Week follow the Orchestra on Facebook for more archival photos

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning;

the establishment of residencies around the world, fostering creative artistic growth and an expanded fi nancial base — including ongoing residencies at the

Vienna Musik verein (the fi rst of its kind by an American orchestra) and in Florida under the name Cleveland Orch estra Miami (featuring an annual series of con-certs and community activities, coupled with educational presentations and col-laborations based on programs pioneered at home in Cleveland);

creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful eff ort to develop future generations of audiences

for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrat-ed results at Severance Hall and Blossom;

a variety of new concert off erings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people;

continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond;

ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst.

Th e Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony or-chestras. Over the ensuing decades, the Orchestra quickly grew from a fi ne regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Soko loff , 1918-33; Artur Rodzinski, 1933-43; Erich Leins dorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. Th e opening in 1931 of Severance Hall as the Orches-tra’s permanent home, with later acoustic refi nements and remodeling of the hall un-der Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refi ne the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confi rmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acous-tically admired outdoor concert facilities in the United States.

The Orchestra Today 9Severance Hall 2013-14

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NON-RESIDENT TRUSTEES Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

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TRUSTEES EX-OFFICIO Faye A. Heston, President, Volunteer Council of Th e Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of Th e Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

PAST PRESIDENTS D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95Richard J. Bogomolny 1995-2002, 2008-09James D. Ireland III 2002-08

HONORARY TRUSTEES FOR LIFE Gay Cull Addicott Oliver F. Emerson Allen H. Ford

Robert W. GillespieDorothy Humel HovorkaRobert F. Meyerson

TRUSTEES EMERITI Clifford J. Isroff Samuel H. Miller David L. Simon

RESIDENT TRUSTEES George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. RankinAudrey Gilbert Ratner Charles A. RatnerJames S. Reid, Jr.Barbara S. Robinson Paul RoseSteven M. RossRaymond T. SawyerLuci ScheyHewitt B. Shaw, Jr. Richard K. SmuckerR. Thomas StantonDaniel P. WalshThomas A. WaltermireGeraldine B. WarnerJeffrey M. WeissNorman E. WellsPaul E. Westlake Jr.David A. Wolfort

OFFICERS AND EXECUTIVE COMMITTEE Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry PollockAlfred M. Rankin, Jr.Audrey Gilbert RatnerBarbara S. RobinsonRaymond T. Sawyer

THE MUSICAL ARTS ASSOCIATION as of March 2014

operating Th e Cleveland Orchestra, Severance Hall, and Blossom Music Festival

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director Gary Hanson, Executive Director

Musical Arts Association 11Severance Hall 2013-14 11

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SEVERANCE HALL

May 17 . 20 . 22 . 24

A NEW PRODUCTION CREATED FOR CLEVELAND WITH

DIGITAL ANIMATION ON THREE GIANT 25-FOOT SCREENS

TOGETHER WITH LIVE ACTION AND SINGING

BY AN INTERNATIONALLY-ACCLAIMED CAST!

SUNG IN CZECH WITH ENGLISH SUPERTITLES

THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst

Don’t miss this unique, made-for-Cleveland opera presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the

depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale of love, peril, freedom, and family. The opera’s title character, portrayed by Czech

soprano Martina Janková, wends her way through life’s cycles of learning and danger, love and happiness. Janáček’s score mixes lyrical symphonic writing

with the songful serenity and energetic pulse of Moravian folk music.

This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation

and by the National Endowment for the Arts

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SEVE

May 17.

A NEW PRODUCTION CREAT

DIGITAL ANIMATION ON THREE DIGITAL ANIMATION ON THREE

TOGETHER WITH L

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

T H E 2 01 3 -1 4 S E A S O N marks Franz Welser-Möst’s twelft h year as music director of Th e Cleveland Or-chestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his di-rection, the Orchestra is acclaimed for its continu-ing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its his-toric championship of new composers through com-missions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken Th e Cleveland Orchestra back into public schools with per-formances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservato-ries, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, Th e Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included fi ve sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orch estra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, Th e Cleveland Orchestra has performed fourteen world and fi ft een United States premieres under Franz Welser-Möst’s direction. Th rough the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festi-val and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-An-dré Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure

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Music Director

in Cleveland, re-establishing the Orchestra as an important oper-atic ensemble. Following six seasons of opera-in-concert presen-tations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. He led concert performances of Strauss’s Sa-lome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s Th e Cunning Little Vixen at Severance Hall. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the com-pany has included acclaimed performances of Tristan and Isol-de, a new production of Wagner’s Ring cycle with stage director

Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2013-14 season, his Vienna schedule includes a new production of Puccini’s Th e Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Phil-harmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music di-rector (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With Th e Cleveland Orchestra, he has created DVD re-cordings of live performances of fi ve of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musik-verein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Wels-er-Möst leading Zurich Opera productions of Th e Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honor-ary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner So-ciety of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

16 The Cleveland Orchestra

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Franz Welser-Möst and The Cleveland Orchestra, performing Bruckner’s Fourth Symphony in concert at Severance Hall in April 2012.

FIRST VIOLINSWilliam PreucilCONCERTMASTER

Blossom-Lee ChairYoko MooreASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter OttoFIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy LeeASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra PreucilASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair

Takako MasamePaul and Lucille Jones Chair

Wei-Fang GuDrs. Paul M. and Renate H. Duchesneau Chair

Kim GomezElizabeth and Leslie Kondorossy Chair

Chul-In ParkHarriet T. and David L.Simon Chair

Miho HashizumeTh eodore Rautenberg Chair

Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair

Alicia KoelzOswald and Phyllis Lerner Gilroy Chair

Yu YuanPatty and John Collinson Chair

Isabel TrautweinTrevor and Jennie Jones Chair

Mark DummGladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINSStephen Rose*

Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2

James and Donna Reid ChairEli Matthews 1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna DuitmanIoana MissitsCarolyn Gadiel WarnerStephen WarnerSae ShiragamiVladimir DeninzonSonja Braaten MolloyScott WeberKathleen CollinsBeth WoodsideEmma ShookJeffrey Zehngut

Yun-Ting Lee

VIOLASRobert Vernon*

Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey1

Charles M. and Janet G. Kimball Chair

Stanley Konopka 2

Mark JackobsJean Wall Bennett Chair

Arthur KlimaRichard WaughLisa BoykoLembi VeskimetsEliesha NelsonJoanna Patterson ZakanyPatrick Connolly

CELLOSMark Kosower*

Louis D. Beaumont ChairRichard Weiss1

Th e GAR Foundation ChairCharles Bernard2

Helen Weil Ross ChairBryan Dumm

Muriel and Noah Butkin ChairTanya EllRalph CurryBrian ThorntonDavid Alan HarrellPaul KushiousMartha BaldwinThomas Mansbacher

BASSESMaximilian Dimoff *

Clarence T. Reinberger ChairKevin Switalski 2

Scott Haigh1

Mary E. and F. Joseph Callahan Chair

Mark AthertonThomas SperlHenry Peyrebrune S

Charles Barr Memorial ChairCharles CarletonScott DixonDerek Zadinsky

HARPTrina Struble*

Alice Chalifoux Chair

F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R Kelvin Smith Family Chair

The Orchestra

T H E C L E V E L A N D


FLUTESJoshua Smith*

Elizabeth M. andWilliam C. Treuhaft Chair

Saeran St. ChristopherMarisela Sager 2

Austin B. and Ellen W. Chinn ChairMary Kay Fink

PICCOLOMary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOESFrank Rosenwein*

Edith S. Taplin ChairMary LynchJeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters

ENGLISH HORNRobert Walters

Samuel C. and Bernette K. Jaff e Chair

CLARINETSFranklin Cohen*

Robert Marcellus ChairRobert WoolfreyDaniel McKelway 2

Robert R. and Vilma L. Kohn Chair

Linnea Nereim

E-FLAT CLARINETDaniel McKelway

Stanley L. and Eloise M. Morgan Chair

BASS CLARINETLinnea Nereim

BASSOONSJohn Clouser *

Louise Harkness Ingalls ChairBarrick Stees2

Sandra L. Haslinger ChairJonathan Sherwin

CONTRABASSOONJonathan Sherwin

HORNSRichard King *

George Szell Memorial ChairMichael Mayhew §

Knight Foundation ChairJesse McCormickHans ClebschAlan DeMattia

TRUMPETSMichael Sachs*

Robert and Eunice Podis Weiskopf Chair

Jack SutteLyle Steelman2

James P. and Dolores D. Storer Chair

Michael Miller

CORNETSMichael Sachs*

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

TROMBONESMassimo La Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard StoutAlexander andMarianna C. McAfee Chair

Shachar Israel2

BASS TROMBONEThomas Klaber

EUPHONIUM AND BASS TRUMPETRichard Stout

TUBAYasuhito Sugiyama*

Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANIPaul Yancich*

Otto G. and Corinne T. Voss ChairTom Freer 2

PERCUSSIONMarc Damoulakis°

Margaret Allen Ireland ChairDonald MillerTom Freer

KEYBOARD INSTRUMENTSJoela Jones*

Rudolf Serkin ChairCarolyn Gadiel Warner

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANSRobert O’Brien

Joe and Marlene Toot ChairDonald Miller

ORCHESTRA PERSONNELKaryn GarvinDIRECTOR

Christine HonolkeMANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIEDSidney and Doris Dworkin ChairSunshine Chair

* Principal ° Acting Principal § Associate Principal 1 First Assistant Princi pal 2 Assistant Principal S On sabbatical

CONDUCTORSChristoph von DohnányiMUSIC DIRECTOR LAUREATE

Giancarlo GuerreroPRINCIPAL GUEST CONDUCTOR,CLEVELAND ORCHESTRA MIAMI

Brett MitchellASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert PorcoDIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

The Orchestra

O R C H E S T R A


The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear

“the sound the world is talking about.”

We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most influential consumers and business

decision-makers.

Call 216-721-4300 or email [email protected]

WHY ISN’T YOUR AD HERE?ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS

PLACE YOUR AD:HERE,HERE,HERE,HERE,HERE,HERE,HERE,HERE,HERE,& HERE

photo: Roger Mastroianni

“The trouble with music appreciation in general is that

people are taught to have too much respect for music.

They should be taught to love it instead.”

—Igor Stravinsky

“The trouble with music appreciation in general is that

people are taught to have too much respect for music.

They should be taught to love it instead.”

—Igor Stravinsky


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Orchestra’s education director honored by Judson Manor Congratulations to Joan Katz, who is the recipient of the Judson Smart Living Award for her contributions to education in Northeast Ohio. Now in its ninth consecutive year, the Jud-son Smart Living Awards honor people of all ages who are dedicated to the dynamic atmosphere of University Circle, the neighborhood surrounding Severance Hall. Award recipients must be affi liated with a Uni-versity Circle institution. Joan is one of nine award-winners and was recognized at a spe-cial luncheon at Judson Manor on May 21. Please join in recognizing Joan for her ongoing commitment to education and com-munity engagement for The Cleveland Or-chestra and all of Northeast Ohio.

Marc Damoulakis promoted to principal percussion

Marc Damoulakis, who joined The Cleveland Orchestra in 2006, has been promoted to the position of principal percussion. He has been serving as acting principal percussion

since June 2013. Before coming to Cleveland, Damoulakis played with the New York Philhar-monic and served as principal timpanist of the Long Island Philharmonic as well as assistant principal percussion of the Harrisburg Sym-phony Orchestra. He was also co-principal percussionist of the New World Symphony. Damoulakis is a graduate of the Manhattan School of Music.

Orchestra NewsNews

Cleveland Orchestra News

The Musical Arts Association gratefully acknow ledges the artistry and dedication of all the musicians of The Cleveland Or-chestra. In addition to rehearsals and con-certs throughout the year, many musicians donate performance time in support of community engagement, fundraising, edu-cation, and audience development activi-ties. We are pleased to recognize these mu-sicians, listed below, who have volunteered for such events and presentations during the 2012-13 and 2013-14 seasons.

Mark AthertonMartha BaldwinCharles BernardKatherine BormannLisa BoykoCharles CarletonHans ClebschJohn ClouserKathleen CollinsPatrick ConnollyRalph CurryMaximilian Dimoff Elayna DuitmanBryan DummTanya EllKim GomezDavid Alan HarrellMiho HashizumeShachar IsraelJoela JonesRichard KingAlicia KoelzStanley KonopkaMark KosowerPaul KushiousMassimo La RosaJung-Min Amy LeeMary LynchThomas MansbacherTakako MasameEli MatthewsJesse McCormickDaniel McKelway

Sonja Braaten MolloyEliesha NelsonChul-In ParkJoanna Patterson ZakanyAlexandra PreucilWilliam PreucilLynne RamseyJeff rey RathbunJeanne Preucil RoseStephen RoseFrank RosenweinMichael SachsJonathan SherwinSae ShiragamiEmma ShookJoshua SmithSaeran St. ChristopherBarrick SteesRichard StoutJack SutteBrian ThorntonIsabel TrautweinLembi VeskimetsRobert WaltersCarolyn Gadiel WarnerStephen WarnerRichard WeissBeth WoodsideRobert WoolfreyPaul YancichDerek ZadinskyJeff rey Zehngut

M.U.S . I .C . I .A .N S .A .L .U .T .E

27Severance Hall 2013-14 27Cleveland Orchestra News

Cleveland Orchestra violinist Sonja Braat-en Molloy has been given a unique opportuni-ty to perform on a special violin that was given to the Music Settlement by acclaimed violinist Melvin Ritter. He and his wife, pianist Jane Allen, were known as “America’s most popular violin-piano duo” in the 1950s and ’60s. Mol-loy, who has been a member of The Cleveland Orchestra since 2000, is also a member of the Music Settlement’s teaching faculty. Melvin Ritter — a national Music League Award winner — served as concertmaster for both the Tampa Symphony and the Saint Louis Symphony. Born in 1923 in Cleveland, he received his initial music instruction at what was then known as the Cleveland Music School Settlement. When Ritter died in Oc-tober 2012, his legacy resulted in a heartfelt gift to the Settlement of his 1665 Amati “ex-

Mahler, in a photograph taken in 1909 in New York

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Hepton” violin and his Kittel bow. “We felt that such a valued and valuable gift should not live in a vault,” says Charles Law-rence, president of the Music Settlement. “Un-played violins go mute. It would be wrong to silence the legacy of Mr. Ritter and the ex-Hep-ton.” After great deliberation, the Settlement’s board of directors chose to loan the violin to a member of its teaching faculty who also plays for The Cleveland Orchestra, and Sonja Molloy was given the honor of using the instrument. “I fi nd it thrilling to imagine all the diff er-ent personalities who have had the pleasure of playing the ex-Hepton,” says Molloy. “I’m grateful to have been given the honor of rous-ing this incredible instrument from its recent sleep, and proud to help Melvin Ritter’s legacy resound at the Music Settlement and at Sever-ance Hall.”

Cleveland Orchestra violinist receives opportunity with special instrument from Music Settlement donor

Indoors and Out,PlayhouseSquare

Tri-C JazzFest ClevelandJune 26-28, 2014

SPONSORS:

Alcoa | the Cleveland Foundation | Cuyahoga Arts & Culture | Dominion Resources

Great Lakes Brewing Co. | Mitchell’s Ice Cream | National Endowment for the Arts

Ohio Arts Council | RTA | Strassman Insurance Services, Inc. | Wyndham


Orchestra NewsNews

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A.R.O.U.N.D T .O .W.N Recitals and presentations Upcoming local performances by members of The Cleveland Orchestra include:

Over twenty members of The Cleveland Orchestra will be playing chamber music at a special “Prelude to the Cure” event on Friday night, May 30, to benefi t the Michael J. Fox Foundation for Parkinson’s Research. The evening at St. Paul’s Episcopal Church (2747 Fairmount Blvd, Cleveland Heights) is presented by “Shaking With Laughter” and is being organized by Robert Walters, the Orchestra’s solo english horn player. Among those involved, every principal wind player of the Orchestra and the principal timpani will be performing. In addition, every member of the oboe section and four of Cleveland’s best known chamber groups made up of Orches-tra musians will be represented — the Amici Quartet, Cleveland Duo, Ensemble HD, and the Omni Quartet. Also included in the eve-ning’s program is the world premiere of a new work by Jeff rey Rathbun. For more details or to order tickets (including VIP tickets that in-clude a light pre-concert dinner by Doug Katz, desserts from Luna, beer from Bottle House Brewery, and wine), call 216-932-0290 or visit www.shakingwithlaughter.org.

THE CLEVELAND ORCHES TRA

F .A .M. I .L .Y N .E .W.S Please join in extending congratula-tions and warm wishes to: Henry Peyrebrune (double bass) and Tracy Rowell, whose baby son, Nicholas David Peyrebrune, was born on May 21.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the fi rst break in the musical program.

Hail and Farewell

Thomas Mansbacher Cello The Cleveland Orchestra

Thomas Mansbacher is retiring from his posi-tion as a cellist in The Cleveland Orchestra with the close of the Blossom Music Festival season at the end of August. Mr. Mansbacher has been a member of The Cleveland Or-chestra since 1977. Prior to coming to Cleve-land, he served as principal cello of the New Haven Symphony and the New Hampshire Sinfonietta. He received a bachelor’s degree from Washington University and a master of music degree from the Yale School of Music. He studied with Elizabeth Fischer, Aldo Pari-sot, and George Neikrug. He has taught at Cleveland State University during his years in Cleveland. In retirement, Tom plans to spend more time with his family. He has two daughters, Sarah and Jessica, and a granddaughter, Elea-nor. In his free time, he enjoys reading mys-teries, watching Korean fi lms, going to the gym, bicycle touring, and doing yoga, and is a crossword puzzle addict. “It has been such a privilege and plea-sure to be part of this orchestra,” he says. “Live music is needed in today’s society more than ever. It is a good and most uplifting infl uence in people’s lives, bringing people together and giving focus and inspiration.”

Cellist Thomas Mansbacher will step into retire -ment at the end of August, after serving as a mem-ber of The Cleveland Orchestra for thirty-seven seasons. Please join in extending heartfelt thanks and congratulations to Tom.


The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Member-ships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement op-portunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates. The Circle was launched at a Cleveland

Mahler, in a photograph taken in 1909 in New York

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Orchestra News

Orchestra concert in January, and is continu-ing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Sever-ance Hall, and more. Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months. For additional information, visit clevelandorchestra.com or send an email to [email protected].

Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals


A trusted resourcefor older adults and their caregivers

216.791.8000 www.benrose.org

The Benjamin Rose Institute on Aging is a nationally recognized leader addressing the most important issues of aging through service, research and advocacy. How may we help you?

5th Annual Cooper International Competition – Piano 2014July 17-24 at Oberlin Conservatory of Music

Tickets at Severance Hall Box Office: 216-231-111 or 800-686-1141 More at oberlin.edu/cooper

Concerto Finals with The Cleveland OrchestraSeverance Hall | Friday, July 25, 8 PM

WCLV…now also heard on 90.3 WCPN HD2WCLV.org

Committed to classicalaround the clock.


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RABuilding Audiences for the Future . . . Today!

Th e Cleveland Orchestra is committed to developing interest in classical music among young people. In fact, we are building the youngest audience of any orchestra in the country. With the help of generous contributors, the Orch estra has expanded discounted ticket off erings through several new programs. In the opening months of the current Sev-erance Hall season, student attendance doubled from a year ago, with 20% of audiences now made up of students enthusiastic for experiencing the best orchestra anywhere.

“UNDE R 18s FRE E ” FOR FAMILIE S Introduced for Blossom Music Festival concerts in 2011, our “Under 18s Free” for families program now includes select Cleveland Orchestra concerts at Severance Hall each season. Th is program off ers free tickets (one per regular-priced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Aft ernoon at 3 Classical Concerts.

STUDE NT TICKE T PROGRAMS

During Th e Cleveland Orchestra’s 2013-14 season, the Student Advantage and Frequent Fan Card programs, Student Ambassadors, and off ers for student groups attending together have been responsible for bringing more high school and college age students to Severance Hall than ever before. Th e Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discount-ed ticket off ers. Membership is free and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. Th e Student Frequent Fan Card was introduced a year ago with great success, and continues to grow. Priced at $50, the Fan Card off ers students single tickets (one per Fan Card holder per week) to weekly Classical Concerts all season long. All of these programs are supported by Th e Cleveland Orchestra’s Center for Future Audiences, including support from the Center’s Alexander and Sarah Cut-ler Fund for Student Audiences. Th e Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Student Ticket Programs

For more info: 216-785-9977 www.chamberfestcleveland.com

DON’T MISS CHAMBERFEST CLEVELAND 2014!“ Something close to artistic paradise.” —The Plain Dealer

FRANKLIN & DIANA COHEN, ARTISTIC DIRECTORS

JUNE 19-29


Concert Previews Cleveland Orchestra Concert Previews are presented before every regular subscription con-cert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a vari-ety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka.

May 1, 3, 4“Meet the Composer” with Gabriela Lena Frank in conversation with Jason Harris, followed by a talk about the entire concert:

“Mozart’s Requiem” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

May 8, 10“Magical Sounds from Norway and Finland” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

May 17, 20, 22, 24Opera: The Cunning Little Vixen Please note that no live preview will be presented; visit clevelandorchestra.com to view the production diaries about “The Making of The Cunning Litle Vixen.”

May 29, 30, 31“Fairytale Endings” with Rose Breckenridge

LEARNING MORE ABOUT THE MUSIC

The Cleveland Orchestra off ers a vari-ety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermis-sion, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of explor-ing the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the sto-ries behind the composers’ lives. Free Concert Previews are pre-sented one hour before most subscrip-tion concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the op-portunity for audience members to ask questions.

Concert Previews

Masterful

We are proud to sponsor

The Cleveland Orchestrain helping to build audiences for the future through an annual series of BakerHostetler Guest Artists.

Vladimir Jurowski

© 2014

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35Severance Hall 2013-14

T H E C L E V E L A N D O R C H E S T R A F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R

Concert Program — Week 22

Severance HallThursday evening, May 29, 2014, at 7:30 p.m.Friday morning, May 30, 2014, at 11:00 a.m. *Saturday evening, May 31, 2014, at 8:00 p.m.

Vladimir Jurowski, conductor

igor stravinsky Scherzo fantastique, Opus 3(1882-1971)

benjamin britten Violin Concerto, Opus 15(1913-1976) 1. Moderato con moto — Agitato — Tempo primo — 2. Vivace — Animando — Largamente — Cadenza — 3. Passacaglia: Andnanate lento (Un poco meno mosso)

SIMONE LAMSMA, violin

INTERMISSION * sergei prokofiev Suite from Cinderella, Opus 87(1891-1953) Act I — Act II — Act III

This weekend’s concerts are supported through the generosity of the BakerHostetler Guest Artists series sponsorship.

Simone Lamsma’s appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from The Eleanore T. and Joseph E. Adams Fund.

The concert will end on Thursday evening at about 9:50 p.m.and on Saturday evening at approximately 10:20 p.m.

The Cleveland Orchestra’s Friday Morning Concert Series is endowed by the Mary E. and F. Joseph Callahan Foundation.

* The Friday morning concert is performed without intermission and features the works by Stravinsky and Prokofi ev. The concert will end at about 12:15 p.m.

Upon advice from her physician to extend her recovery for a further week, violinist Janine Jansen very much regrets that she has had to withdraw from appearing with The Cleveland Orchestra this week. We are thankful to Simone Lamsma, who has agreed to step in to perform the program as originally announced.


T H I S W E E K E N D ’ S P R O G R A M S feature three works from the 20th century. Two are Russian — one a concert piece, the other a suite excerpted from a grand ballet on a familiar childhood subject. For the week’s evening concerts, these are joined by a too-rarely-heard violin concerto by one of England’s greatest writers for voice. Stravinsky’s Scherzo fantastique from 1908 is an early-ish

work by this Russian, displaying his showmanship and early mastery of orchestration — with some telltale signs of the experimentation of ideas that would soon cause his name to be known worldwide. Benjamin Britten’s Violin Concerto was written while the composer was in Canada in 1939, just as the

start of World War II engulfed Europe. It is at once beautiful and powerful, but in ways unlike some better-known concertos. Violinist Simone Lamsma makes her debut here, playing Th e Cleveland Orch-estra’s fi rst performances of this work. To close, guest conductor Vladimir Jurowski has chosen his own extended concert suite from Prokofi ev’s ballet Cinderella. At times sounding

like a musical cousin of Prokofi ev’s more famous Romeo and Juliet, this ballet score nonetheless has its own unique fl avors, sounds, and special delights. And Jurow-ski has provided projected supertitles to help us connect the music directly with the action. —Eric Sellen

Introducing the Concerts

I N T R O D U C I N G T H E C O N C E R T S

Scherzo,Violin &Ballet!

CLEVELAND ORCHESTRA RADIO BROADCASTS Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

Prokofi ev, Stravinsky, and Britten

Caring for those in need never goes out of style. Whether helping people in crisis, ensuring dignity for the elderly, or working to alleviate poverty – our Jewish values have always inspired us to act. Those same values teach us to care for the next generation. By making a legacy gift, you leave your children and grandchildren a precious inheritance, and a lasting testimony to your values.

To learn about making a legacy gift, contact Carol Wolf at 216.593.2805 or [email protected].

OF CLEVELANDJewish Federation

Mandel Building | 25701 Science Park Drive | Cleveland, Ohio 44122 www.jewishcleveland.org

A Rich Inheritance

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Vladimir JurowskiRussian conductor Vladimir Jurowski is acclaimed for his work as an operatic and orchestral conductor. He currently serves as principal conductor of the London Philharmonic Or-chestra, principal artist of the Orchestra of the Age of Enlight-enment, and artistic director of the Russian State Academic Symphony Orchestra. He is making his Cleveland Orchestra debut with this weekend’s concerts. Born in Moscow, Vladimir Jurowski began his musical studies at Moscow University’s Music College. In 1990, he re-located with his family to Germany and continued his edu-cation in Dresden and Berlin, studying conducting with Rolf Reuter and vocal coaching with Semyon Skigin. Mr. Jurowski made his international debut at the Wexford Festival in 1995, also appearing that same year at London’s Royal Opera House. Mr. Jurowski was appointed principal guest conductor of the London Phil-harmonic Orchestra in 2003, and became principal conductor in 2007. He has also served as music director of Glyndebourne Festival Opera (2001-13), principal guest conductor of the Russian National Orchestra (2005-09), principal guest conductor of the Teatro Comunale di Bologna (2000-03), and fi rst kapellmeister of the Berlin Comic Opera (1997-2001). Vladimir Jurowski has appeared on the podium with many of the world’s leading orchestras in both Europe and North America, including the Berlin Phil-harmonic, Amsterdam’s Royal Concertgebouw Orchestra, Philadelphia Orchestra, Leipzig Gewandhaus Orchestra, Boston Symphony, Chicago Symphony, Zurich Ton-halle Orchestra, Staatskapelle Dresden, and the Vienna Philharmonic. Recent and upcoming engagements include appearances with the New York Philharmonic, San Francisco Symphony, and the Mahler Chamber Orchestra. Mr. Jurowski’s operatic work has also ranged on both sides of the Atlantic. He made his debut with New York’s Metropolitan Opera in 1999 with Verdi’s Rigolet-to, and has since returned for Janáček’s Jenůfa, Tchaikovsky’s Queen of Spades, and Humperdinck’s Hansel and Gretel. He has also conducted Wagner’s Parsifal and Berg’s Wozzeck at the Welsh National Opera, Prokofi ev’s War and Peace at the Op-era National de Paris, and Tchaikovsky’s Eugene Onegin at Teatro alla Scala Milan, as well as many productions of a wide range of repertoire during his tenure with Glynde bourne. Mr. Jurowski’s extensive discography features albums on BMG, ECM, and Naxos-Marco Polo, as well as the London Philharmonic Orchestra’s and Glynde-bourne Opera’s own labels. He has also recorded for PentaTone with the Russian National Orchestra, and can be seen leading works on DVDs released by Glynde-bourne, the London Philharmonic Orchestra, and the Metropolitan Opera.

Conductor


Scherzo fantastique, Opus 3composed 1907-08

N O T A L L O F the music that Stravinsky composed before 1910, when the ballet Th e Firebird broke upon an astonished audience at the Paris Opéra, has survived. But what we have reveals a young composer imitating his seniors and simultaneously fore-shadowing great things to come. Until he was twenty, Stravinsky’s chief mentor was his father, a prominent opera singer in St. Petersburg — although Stravinsky père discouraged his son from a career in music. Aft er his father’s death in 1902, he found a sympathetic guide in Rimsky-Korsakov, whose sons were Stravinsky’s friends also. Rimsky-Korsakov was director of the St. Petersburg Con-servatory and as dedicated a teacher as Stravinsky was pupil. Th is was where Stravinsky learned how to apply colorful or-chestration and to manipulate brilliant chromatic harmony. For fi ve years, a period of tense political unrest in Russia, Stravinsky kept steadily on with his work, attending Rimsky’s class twice a week and helping his master in turn with orchestration duties when needed. He also got married to his fi rst cousin and had two children. Quite soon he had completed a symphony. It was dedicated to Rimsky-Korsakov, who arranged a private performance. Th is was followed by two highly-colored orchestral works, Scherzo fantastique and Fireworks. But before either of these were fi n-ished, Rimsky-Korsakov died. Both pieces were performed in the same concert, on February 6, 1909, in his memory. Th e orchestra for the Scherzo fantastique is rich in the higher woodwinds, but without lower brass and timpani. Th is accounts for the piece’s brittle sonority. Even so, the profusion of angular, chromatic decoration in the winds is already a rec-ognizable Stravinskian trademark. At the same time, the com-poser is still thinking in regular four-bar phrases, and moving the music on swift ly just as in a standard symphonic scherzo. Th e equivalent of the Trio portion of a symphony movement is represented by a slow section with echoes of the musical writing from Richard Wagner’s opera Parsifal, followed by a return of the scherzo material itself. Stravinsky later said the piece owed more to Mendelssohn than to Rimsky. A snatch of Rimsky-Korsakov’s bumble-bee music accounts for a ballet titled Th e Bees, which was staged with Stravinsky’s music at the

About the Music

by IGORSTRAVINSKYborn June 17, 1882Oranienbaum,near St. Petersburg

diedApril 6, 1971New York


Paris Opéra in 1917, without the composer’s permission. By that time, Stravinsky was world famous, thanks largely to an individual who was present at the concert in 1909 when the Scherzo fantastique was fi rst played — the stage impresario Sergei Diaghilev. Th e plan for creating and writing Th e Firebird was worked out almost immediately aft er this premiere.

—Hugh Macdonald © 2014

Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French

music. He has written books on Beethoven, Berlioz, and Scriabin.

Stravinsky composed his Scherzo fantastique between June 1907 and March 1908. The dedicatee, Alexander Si-loti, led the fi rst performance on February 6, 1909, in one of his own concerts in St. Petersburg. This work runs 10

minutes in performance. Stravinsky scored it for 3 fl utes (second doubling on alto fl ute and third doubling piccolo) and piccolo, 2 oboes and english horn, 3 clarinets (third doubling E-fl at clarinet) and bass clarinet, 2 bassoons and contrabassoon, 4 horns,

3 trumpets, percussion (cym-bals), celesta, 3 harps, and strings. The Cleveland Orchestra has presented this work on only one previous occasion, as part of a weekend of concerts in November 1994 under the direction of Pierre Boulez.

At a Glance

About the Music

2014 CREATIVEVOICES SUMMIT &ARTS EDUCATION DAY LUNCHEON

CELEBRATE CREATIVITY IN CLEVELAND!

Join us Tuesday, June 17

HONORARY CHAIRS:Milton and Tamar Maltz

9:30 - 11:15A.M.

PART ONE 2014 CREATIVE VOICES SUMMIT

JOHN FROHNMAYER, Chairman of the National Endowment for the Arts, 1989-1992

COMPLIMENTARY ADMISSION WESTFIELD INSURANCE STUDIO THEATRE AT THE IDEA CENTER“VISIONARIES”

NOON - 2 P.M.

PART TWO ARTS EDUCATION DAY LUNCHEON

Plus performances by musicians from the Cleveland Orchestra Youth Orchestraand the Cleveland Heights High School Barbershoppers

KEYNOTE SPEAKER:

COST: $30 STATE THEATRE STAGE, PLAYHOUSESQUARE

MARIN ALSOPMUSIC DIRECTOR, BALTIMORE SYMPHONY ORCHESTRA and SÃO PAULO SYMPHONY (BRAZIL)

THE 2013 ARTS SUMMIT SOLD OUT QUICKLY, SO EARLY RESERVATIONS ARE HIGHLY RECOMMENDED! REMEMBER, EACH EVENT NEEDS A RESERVATION!

PLEASE RSVP FOR ONE OR BOTH EVENTS BY WED. JUNE 11 AT WWW.CSUOHIO.EDU/CAI. FOR MORE INFORMATION, CALL 216-687-5018.

MODERATOR:

PANELISTS:MILTON MALTZ, Founder, Chairman and CEO, Malrite Communications Group, Inc.; involved with the founding and development of the Rock and Roll Hall of Fame and Museum; creator, Maltz Family Foundation; founder, Maltz Museum of Jewish Heritage (Cleveland) and Maltz

Jupiter Theatre (Florida); conceptualized and created, International Spy Museum (Washington, D.C.)JOHN WOOD, Founder and Board Co-Chair, Room to Read; author, Leaving Microsoft to Change the WorldJOSHUA NESBIT, CEO and Co-Founder, Medic MobileProduced in Partnership with ideastream®

A MODERATED CONVERSATION BETWEEN EXTRAORDINARY INDIVIDUALS WHO HAVE TURNED INSPIRED IDEAS INTO TRANSFORMATIVE PROGRAMS

PRESENTED BY CLEVELAND STATE’S CENTER FOR ARTS AND INNOVATION

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BENJAMIN

Bri en AT 1OO

This is one of several works that The Cleve-land Orchestra is per-forming this season in commemora on of the 100th anniversary of Bri en’s birth.

Violin Concerto, Opus 15composed 1938-39

B E N J A M I N B R I T T E N ’ S concertos have never fared as well as his vocal music. Nor have the two orchestral works that serve a particular purpose — the Sinfonia da Requiem (written to com-memorate the 2600th anniversary of the Japanese Empire) and the Young Person’s Guide to the Orchestra (which really should be liberated from confi nement to children’s concerts and, in addition, be played much more oft en for grown-ups, who can more fully appreciate its high craft and artistic brilliance). Britten wrote a Double Concerto for violin and viola in 1932, a Piano Concerto in 1938, a Violin Concerto in 1939, and the Cello Symphony in 1963, but none of these have a secure foothold with soloists. Any chance to hear them in live per-formance should be prized. His own instincts may lie behind this, for during the period in which the Violin Concerto was being written — the early part of 1939 — Britten was also much taken with some poems by Rim-baud and was frequently diverted from the concerto to set “just one more” French poem. Th e vocal work became Les Illumina-tions, and the Violin Concerto was duly completed, and while the Illuminations is a secure favorite with singers, the concerto is nonetheless a work of high imagination and superlative craft . Th e Violin Concerto was fi rst heard in New York in 1940. Britten and his partner, Peter Pears, had left England in May 1939 thinking they might go only to Canada for a short visit. Th eir journey turned out to be a stay of over three years spent almost entirely in the United States — before Britten felt the inexorable pull of his homeland. Th e Violin Concerto was completed in September 1939 at St.-Jovite in the mountains of Quebec. Soon thereaft er, Britten and Pears were living in Amityville, Long Island, as the guests of Dr. and Mrs. William Mayer, German refugees who actively supported the arts. Th e concerto was fi rst played by the Spanish violinist Antonio Brosa, who was normally resident in London and with whom Britten had toured a few years earlier. Th e con-ductor was John Barbirolli, then, though only briefl y, music direc-tor of the New York Philharmonic. Th is was his introduction to Britten’s music, and he followed this successful fi rst performance with another a year later, that of the Sinfonia da Requiem. As in other violin concertos from the same era — by Walton,

About the Music

by BenjaminBRITTENborn November 22, 1913Lowestoft Suff olk, England

died December 4, 1976AldeburghSuff olk, England


Korngold, Barber, Shostakovich, and others — Britten’s soloist is not let off lightly. Technically-diffi cult features — including multiple stopping, harmonics, playing at the extreme top end of the instrument’s range, and complex bowing patterns — all are required by Britten in abundance. At the same time, the music has a lovely lyrical quality, best illustrated by the soloist’s opening melody, heard throughout the fi rst movement, along with a striking fi gure heard fi rst on the timpani alone, perhaps a tacit tribute to the opening of Beethoven’s Violin Concerto. A contrasting theme is more spiky, but the overall mood is relaxed, especially when, towards the end of the movement, the strings play the opening lyrical theme in the manner of a swooning serenade. Th e middle-movement scherzo has a swift , grotesque character not unlike that of many familiar movements by Shostakovich. Th e contrasting middle section is a nonchalant phrase heard over and over again until the soloist’s wiggling in the stratosphere is taken over by two piccolos while the tuba rises cautiously from the depths — an extraordinary passage. Th e scherzo material returns and abruptly gives way to a solo cadenza, which introduces material from both scherzo and fi rst movement amid the usual violinistic muscle exercises. At the end of the cadenza the soloist steps deliberately up a high scale, and at the point where the last-movement fi nale begins, recalls the lyrical theme from the fi rst movement. Th is should not distract us from the entry of three trombones in unison, who pick up the rising scale and answer it with a scale leading downwards. Th is simple up-and-down contour is the mortar that binds the last movement together. Britten called it a Passacaglia, although it is not a strict example of this form (which would present an unending and repeated baseline, over which other materials are developed). Th e scales up and down are easily followed, while the music moves through a variety of keys and textures. At one point, the music has a martial char-acter, but soon aft erward the mood becomes very solemn and slow, led by the trombones. Th ere is no brilliant and noisy peroration to this work. Alone among violin concertos, Britten’s concerto concludes in a quiet, very moving hymn, and the question of whether it is to end in the major or the minor is left unresolved until the very last moment.


Britten began work on his VIolin Concerto in Novem-ber 1938 in England. He completed the score in September 1939 in St.-Jovite, Quebec, Canada, having crossed the Atlantic in May. The concerto was fi rst per-formed on March 27, 1940, at Carnegie Hall, with the New York Philharmonic under the direction of John Barbirolli and with Antonio Brosa as soloist. Britten made some minor revisions to the score in 1950. This concerto runs about 30 minutes in performance. Britten scored it for 3 fl utes (second and third doubling piccolo), 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trom-bones, tuba, timpani, per-cussion (snare drum, tenor drum, bass drum, cymbals, triangle, bells, whip, glocken-spiel), harp, and strings, plus the solo violin. The Cleveland Orchestra is presenting Britten’s Violin Concerto for the fi rst time with this weekend’s concerts.

At a Glance

About the Music

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47Severance Hall 2013-14 Soloist

Simone LamsmaDutch violinist Simone Lamsma is acclaimed for her technical artistry and heartfelt musicianship. She is making her Cleve-land Orchestra debut with this weekend’s concerts. Ms. Lamsma performs with leading orchestras around the world. Her recent and upcoming engagements include debuts with the Chicago Symphony Orchestra, San Francisco Sympho-ny, Finnish Radio Symphony, Orchestre National de Belgique, Warsaw Philharmonic, and City of Birmingham Symphony, as well as appearances with the Saint Louis Symphony Orchestra and New Zealand Symphony. Her season also features a con-cert tour of China with the Hong Kong Philharmonic under Jaap van Zweden’s direction. As one of Holland’s most active soloists, Simone enjoys frequent collaborations with all major orchestras in the Neth-erlands, including the Rotterdam Philharmonic, Netherlands Radio Philharmonic, Amsterdam Sinfonietta, and the Royal Concertgebouw Orchestra. Simone Lamsma was awarded the national Dutch VSCD Classical Music Prize among a “New Generation of Musicians” in 2010, awarded by the Association of Dutch Th eatres and Concert Halls to artists that have made remarkable and valuable contributions to the Dutch classical music scene. In 2011, she was invited to perform during the Queen’s Day Concert, in the presence of Queen Beatrix of Th e Nether-lands, a concert that was broadcast nationally on Dutch television. Also an active recitalist and chamber musician, Ms. Lamsma has played in re-cital throughout Europe, including performances during the Dvořák Prague Festi-val, and in the Sala Cecilia Series in Rio de Janeiro, with Robert Kulek and Valentina Lisitsa as recital partners. Other chamber music projects have included perform-ances in the Verbier Festival at Schloss Elmau, where she performed with musicians Martin Fröst, Lawrence Power, Denis Kozhukin, and Jakob Koranyi. She has also performed in Amsterdam’s IJ-salon with Emanuel Ax and members of the Royal Concertgebouw Orchestra. Simone Lamsma began studying the violin at the age of fi ve and moved to the United Kingdom at age eleven to study at the Yehudi Menuhin School with Hu Kun and at the Royal Academy of Music (RAM) in London with Maurice Hasson. In 2011, she was made an associate of the RAM, an honor given to those students who have made distinguished contributions within their fi eld. Simone’s debut recital recording, featuring works by Elgar, was released on Naxos. Her second release features violin concertos by Louis Spohr with Sinfonia Finlandia. Ms. Lamsma plays the “ex Braga” Stradivarius, on generous loan to her by an anonymous benefactor.

Sound for the Centennial THE CAMPAIGN FOR THE CLEVELAND ORCHESTRA

T H E C L E V E L A N D O R C H E S T R A


Gay Cull AddicottDarby and Jack AshelmanClaudia BjerreJeanette Grasselli Brown and Glenn R. BrownRobert and Jean* ConradRichard and Ann GridleyThe Louise H. and David S. Ingalls FoundationMr. and Mrs. Douglas A. KernJames and Gay* KitsonVirginia M. and Jon A. Lindseth

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Art of Beauty Company, Inc.BakerHostetlerMr. William P. Blair IIIMr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMrs. M. Roger ClappEatonFirstEnergy FoundationForest City Enterprises, Inc.The George Gund FoundationHyster-Yale Materials HandlingNACCO Industries, Inc.Mr. and Mrs. Michael J. HorvitzThe Walter and Jean Kalberer FoundationMr. and Mrs. Joseph P. KeithleyKeyBankKulas FoundationMr. and Mrs. Dennis W. LaBarreMrs. Norma LernerThe Lubrizol CorporationThe Andrew W. Mellon Foundation

Ms. Beth E. MooneySally S. and John C. MorleyJohn P. Murphy FoundationDavid and Inez Myers FoundationThe Eric & Jane Nord Family FundThe Payne FundPNC BankJulia and Larry PollockMrs. Alfred M. Rankin, Sr.Mr. and Mrs. Alfred M. Rankin, Jr.Mr. and Mrs. Albert B. RatnerJames and Donna ReidBarbara S. RobinsonThe Leighton A. Rosenthal Family FoundationThe Sage Cleveland FoundationThe Ralph and Luci Schey FoundationThe Kelvin and Eleanor Smith FoundationThe J. M. Smucker CompanyJoe and Marlene TootAnonymous (4)

GIFTS OF $5 MILLION AND MORE

The Cleveland FoundationMr. and Mrs. Alexander M. Cutler

Maltz Family FoundationAnonymous

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Sound for the Centennial Campaign

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through cash gifts and legacy commitments, while also securing broad-based and increas-ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made

long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of May 1, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial diff erence in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Offi cer, at 216-231-7520.


Mr. and Mrs. George N. AronoffJack L. BarnhartFred G. and Mary W. BehmBen and Ingrid BowmanDr. Christopher P. Brandt and Dr. Beth SersigGeorge* and Becky Dunn Mr. Allen H. FordDr. and Mrs. Hiroyuki FujitaAlbert I. and Norma C. GellerDr. Saul GenuthGAR FoundationHahn Loeser + Parks LLPIris and Tom HarvieJeff and Julia HealyMr. Daniel R. High Mr. and Mrs.* S. Lee KohrmanLinda and Saul LudwigKenneth M. Lapine and Rose E. MillsMrs. Emma S. LincolnDr. and Mrs. Sanford E. MarovitzMr. Thomas F. McKee

The Nord Family FoundationMr. Gary A. OateyHelen Rankin Butler and Clara Rankin WilliamsAudra and George RoseRPM International Inc.Mrs. David SeidenfeldAndrea E. SenichNaomi G. and Edwin Z. SingerMs. Lorraine S. SzaboVirginia and Bruce TaylorDorothy Ann TurickMs. Ginger WarnerThe Denise G. and Norman E. Wells, Jr. Family FoundationMr. Max W. WendelPaul and Suzanne WestlakeMarilyn J. WhiteKatie and Donald WoodcockWilliam Wendling and Lynne WoodmanAnonymous

GIFTS OF $100,000 TO $250,000

Randall and Virginia BarbatoJohn P. Bergren* and Sarah S. EvansThe William Bingham FoundationMr. and Mrs.* Harvey BuchananCliffs Natural ResourcesMr. and Mrs. Matthew V. CrawfordWilliam and Anna Jean CushwaNancy and Richard DotsonSidney E. Frank FoundationMary Jane HartwellDavid and Nancy HookerMrs. Marguerite B. HumphreyJames D. Ireland IIITrevor and Jennie JonesMr. Clarence E. Klaus, Jr.

Giuliana C. and John D. KochDr. Vilma L. KohnMr. and Mrs. Alex MachaskeeRobert M. Maloney and Laura GoyanesElizabeth Ring Mather and William Gwinn Mather FundMr. Donald W. MorrisonMargaret Fulton-MuellerWilliam J. and Katherine T. O’NeillParker Hannifi n Corporation Mr. and Mrs. James A. SaksHewitt and Paula ShawThe Skirball FoundationMr. and Mrs. Jules Vinney*David A. and Barbara Wolfort

GIFTS OF $250,000 TO $500,000

* deceased

Sound for the Centennial Campaign

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GROUPS OF 10 OR MORE SAVE UP TO 40% BY CALLING 216.400.7027

2013-14 SEASONMAURICE HINES IS

TAPPIN’ THRU LIFE May 30 – June 29, 2014Written by and starring MAURICE HINES Directed by JEFF CALHOUN Co-produced with ALLIANCE THEATRE and ARENA STAGE

Broadway legend and song-and-dance man extraordinaire Maurice Hines teams up with the amazing Manzari Brothers to put on an unforgettable show of music and memories. To add even more sizzle, Hines fires up The Diva Orchestra, an all-female nine-piece big band. Get ready to laugh, smile, and clap & tap to the infectious song and dance of Maurice Hines!


Suite from Cinderella, Opus 87composed 1941-44

I N T H E M I D - 1 9 3 0 S , aft er fi ft een years away from Russia, spent mostly in France and the United States, Prokofi ev felt a complicated urge to return to his homeland. Just how much he really understood the Soviet system then in place is a vexed question, for even if he knew that the liberal attitude to the arts that characterized the early years of the Revolution was no lon-ger apparent, he could not be blamed for failing to foresee the full extent of Stalin’s repressive rule. By 1936, when Prokofi ev’s family fi nally settled in Moscow, the signs of harsh times ahead were clear, but he kept busy, oft en with music that took him away in spirit and imagination to more tranquil times. Aft er the ballet Romeo and Juliet, which was completed in 1936, he wrote the fi lm score for Eisenstein’s Alexander Nevsky and also a heroic Soviet opera, Semyon Kotko, which failed to please the Soviet authorities. During World War II, he found a balance between three piano sonatas (Nos. 6-8), which were free of explicit relevance or message, and the huge opera War and Peace, which was clearly designed to raise the patriotic spirit of the people at a time of great suff ering. Meanwhile, at the back of his mind was another ballet, like Romeo and Juliet based on an old familiar story. Th is was to be Cinderella, fi rst suggested to him in 1940 by the ballerina Galina Ulanova, who had danced the role of Juliet. A scenario by Nikolai Volkhov introduced a number of picturesque details into Perrault’s original fairytale, not all of which pleased Pro-kofi ev. Th e music was written by 1943, the orchestration done in 1944, and the fi rst performance took place aft er the war in November 1945, at the Bolshoi in Moscow. Meddling hands had infl ated the orchestration, so a process of restoration was required when a new version was presented in Leningrad in April 1946. Prokofi ev saw Cinderella as a simple Russian girl, but he faced the problem that Soviet aesthetics would not allow the scenes at court to be too enviable. It had to appear that she might be better off all the time in her original home, especially since the ugly sisters (named Skinny and Fatty) are buff oonish rather than cruel. Th e Prince is not very princely, but an hon-est child of nature who fi nds his beloved in the fi nal scene. Th e suite being performed at this weekend’s Cleveland

About the Music

by SergeiPROKOFIEVborn April 23, 1891Sontsovka, Russia(now Krasnoyein Ukraine)

diedMarch 5, 1953Moscow


Prokofi ev saw

Cinderella

as a simple

Russian girl,

but he faced

the problem

that Soviet

esthetics would

not allow

the scenes at

court to be

too enviable.

It had to

appear that

she might be

better off all

the time in her

original home,

especially

since the ugly

sisters are buf-

foonish rather

than cruel.

Orchestra concerts, chosen by guest conductor Vladimir Ju-rowski from the score, follows the main action of the story:

Act INo. 1, Introduction — Cinderella’s two main themes are heard,

neither of them very girlish, the fi rst one marked by mel-ancholy.

No. 2, Th e Shawl Dance (Pas de châle)— Th e ugly sisters (one high, one low) quarrel over a shawl. Th eir mother cuts it in two, and they each dance with their own half. Th ey and their parents plod off stage.

No. 3, Cinderella — She is melancholy at fi rst, but her skittish side also shows.

No. 6, Th e Sisters’ New Clothes — A comic scene, as the sisters are mussed and fussed by dressers preparing them for the ball.

No. 7, Th e Dancing Lesson — Next they are taught to dance (Fatty is the bassoon, Skinny the oboe). A pair of violins provide the music. Th e dancing master gets angry when they dance badly.

No. 9, Cinderella Dreams of the Ball — Left alone, Cinderella wishes she was going too, and she imagines a dreamy waltz to dance to.

No. 11, Fairy Godmother Returns — She had earlier appeared in the guise of a beggar woman. Now she appears, ac-companied by Cinderella’s broad theme, and gives back a slipper, which Cinderella had given her earlier.

Act II No. 20, Dance of the Courtiers — Th e dancing at court is for-

mal and rather stiff .No. 26, Mazurka and Entrance of the Prince — A noisy mazur-

ka (not by Chopin!) is being danced when the approach of the Prince is announced by a chorale in the brass. He eventually enters with a heavy step and collapses lump-ishly onto his throne.

No. 29, Cinderella’s Arrival at the Ball — At fi rst she tinkles like a music box, but then her real presence is warmly set before us.

No. 30, Grand Waltz — A longer movement while the whole company dances.

No. 31, Promenade — Th e guests watch Cinderella. Th e horn

About the Music

In my view, the composer,

just as the poet, the sculptor, or the

painter, is duty bound to serve hu-

manity. He must beautify life and

defend it. He must be a citizen fi rst

and foremost, so that his art can

consciously extol human life.

—Sergei Prokofi ev

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introduces a new theme.No. 36, Duet of the Prince and Cinderella — A classic “Adagio”

for the two principal dancers, with the full orchestra in support. Th e key is a pure, strong C major.

No. 37, Waltz-Coda — Th e cabaletta to the slower dance is a lilt-ing waltz, speeding up for the close, until cut short by . . .

No. 38, Midnight — Th e clockface lights up, showing two min-utes to midnight, and the pendulum swings back and forth. Twelve dwarves leap out as midnight strikes. Everything goes dark. Th e Prince is left holding a slipper.

Act III No. 40, First Galop — Th e Prince sets off in quest of the slipper’s

owner. He meets a beautiful girl (four horns), and unsuc-cessfully tries the slipper on her foot. He is disappointed.

No. 41, Temptation — He comes upon two Spanish beauties (castanets). Th e slipper fi ts neither of them. He fi nds two more (muted violins), still not a fi t. A third pair brings back the castanets.

No. 42, Second Galop — Th e Prince continues on his quest.No. 47, Th e Prince’s Visit — At the home of Cinderella, there is

general excitement at the approach of the prince. Trum-pets announce him and he jumps in through the window. Skinny tries on the slipper, then Fatty, then the stepmother. All in vain! Ethereal chords are heard, caused by the ap-pearance of the matching slipper, dropped from Cinder-ella’s bosom as she bows to the Prince.

No. 48, Th e Prince Finds Cinderella — An “Adagio passionato.” Th e fairy godmother appears (harp).

No. 50, Amoroso — Cinderella’s theme is heard again in a glo-rious peroration for the happy ending.


Prokofi ev composed his ballet score for Cinderella between 1942 and 1945. The original suggestion came from dancer Galina Ulanova; the scenario of scenes was devised by Nikolai Volkhov. The ballet was premiered in November 1945 at the Bolshoi Theater in Moscow. Prokofi ev revised the score (including restoring some of his original orchestrations that had been altered by the Bolshoi’s music staff ) prior to publication in 1946. This suite of music from Cinderella runs about 60 minutes in performance (the entire score runs just over two hours). Prokofi ev scored the ballet for 2 fl utes, pic-colo, 2 oboes, english horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trom-bones, tuba, timpani, percus-sion (side drum, castanets, maracas, wood block), harp, piano, and strings. The Cleveland Orchestra has presented music from Cinderella on a variety of education concerts, and also on two previous weekends of subscription concerts at Severance Hall, in 1977 with guest conductor Andrew Davis and again in 1983 with Vladimir Ashkenazy.

At a Glance

About the Music

[email protected]

866-BW-MUSICwww.bw.edu/conservatory

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

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CREDIT: CAMERON DUNBAR


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Education & Community

Education and Music Serving the Community Th e Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

THE CLE VE L AND ORCHE STRA has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photo graphs from a sampling of these many programs. For additional in-formation about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Offi ce by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.




Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Each season’s Family Concert series at Severance Hall off ers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels..


O R C H E S T R A

Cleveland Orchestra fl utist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.


More than 1,250 talented youth musicians have performed as members of the Cleve- land Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

T H A N K Y O UThe Cleveland Orchestra’s Education & Community programs are made

possible by many generous individuals and organizations, including:

PROGRAM FUNDERSThe Abington Foundation

The Eva L. and Joseph M. Bruening FoundationCleveland Clinic

The Cleveland FoundationConn-Selmer, Inc.

Cuyahoga Arts & CultureDominion Foundation

The Harry K. Fox and Emma R. Fox Charitable FoundationThe Giant Eagle Foundation

Muna & Basem Hishmeh FoundationMartha Holden Jennings Foundation

KeyBankThe Laub Foundation

The Lubrizol CorporationMacy’s

The Music and Drama ClubThe Nord Family Foundation

NordsonOhio Arts Council

Ohio Savings Bank, A Division of New York Community BankPNC

The Reinberger FoundationAlbert G. & Olive H. Schlink Foundation

Harold C. Schott FoundationThe Sherwin-Williams Foundation

Surdna FoundationTarget

Thomas H. White Foundation, a KeyBank TrustThe Edward & Ruth Wilkof Foundation

Women’s Committee of The Cleveland Orchestra

ENDOWMENT FUNDS AND FUNDERSHope and Stanley I. Adelstein

Kathleen L. BarberMr. Roger G. Berk

In memory of Anna B. BodyIsabelle and Ronald Brown

Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRoberta R. Calderwood

Alice H. Cull Memorial FundMr. and Mrs. Charles R. Emrick, Jr.

Charles and Marguerite C. GalanieMr. David J. Golden

The George Gund FoundationDorothy Humel Hovorka

Mr. James J. HummerFrank and Margaret Hyncik

Walter and Jean Kalberer FoundationAlfred Lerner In-School Performance Fund

Machaskee Fund for Community ProgrammingMr. and Mrs. Stanley A. Meisel

Christine Gitlin MilesMr. and Mrs. David T. Morganthaler

Morley Fund for Pre-School EducationThe Eric & Jane Nord Family Fund

Pysht FundThe Ratner, Miller, and Shafran Families

and Forest City Enterprises, Inc.In memory of Georg Solti

The William N. Skirball EndowmentJules and Ruth Vinney Youth Orchestra Touring Fund

Anonymous


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61Severance Hall 2013-14 61Endowed Funds

Th e generous donors listed here have made endowment gift s to support specifi c artistic initiatives, education and community programming and performances, facilities main-tenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gift s of $250,000 or more. For information about making your own endowment gift to Th e Clevelamd Orchestra, please call 216-231-7438.

Endowed Funds funds established as of August 2013

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic ExcellenceGeorge Gund III Fund

Artistic CollaborationJoseph P. and Nancy F. Keithley

Artist-in-ResidenceMalcolm E. Kenney

Young ComposersJan R. and Daniel R. Lewis

Friday Morning ConcertsMary E. and F. Joseph Callahan Foundation

Radio BroadcastsRobert and Jean ConradDr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley GroverMeacham Hitchcock and Family

American Conductors FundDouglas Peace HandysideHolsey Gates Handyside

Severance Hall Guest ConductorsRoger and Anne ClappJames and Donna Reid

Cleveland Orchestra SoloistsJulia and Larry Pollock Family

Guest Artists FundThe Eleanore T. and Joseph E. Adams FundMrs. Warren H. CorningThe Gerhard Foundation, Inc.Margaret R. Griffi ths TrustThe Virginia M. and Newman T. Halvorson FundThe Hershey FoundationThe Humel Hovorka FundKulas FoundationThe Payne FundElizabeth Dorothy RobsonDr. and Mrs. Sam I. SatoThe Julia Severance Millikin FundThe Sherwick FundMr. and Mrs. Michael SherwinSterling A. and Verdabelle SpauldingMr. and Mrs. James P. StorerMrs. Paul D. Wurzburger

Concert PreviewsDorothy Humel Hovorka

International TouringFrances Elizabeth Wilkinson

UnrestrictedArt of Beauty Company, Inc.William P. Blair III Fund for Orchestral ExcellenceJohn P. Bergren and Sarah S. EvansNancy McCannMargaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES — Th e Cleveland Orchestra’s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for Th e Cleveland Orchestra.

Center for Future AudiencesMaltz Family Foundation

Student AudiencesAlexander and Sarah Cutler

Endowed Funds listing continues


62 The Cleveland OrchestraEndowed Funds

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestra’s concert home, Severance Hall.

Keyboard MaintenanceWilliam R. DewThe Frederick W. and Janet P. Dorn FoundationMr. and Mrs. Richard A. ManuelVincent K. and Edith H. Smith Memorial Trust

OrganD. Robert and Kathleen L. BarberArlene and Arthur HoldenKulas FoundationDescendants of D.Z. NortonOglebay Norton Foundation

Severance Hall PreservationSeverance family and friends

EDUCATION AND COMMUNITY endowed funds help support programs that deepen con-nections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education ProgramsAnonymous, in memory of Georg SoltiHope and Stanley I. AdelsteinKathleen L. BarberIsabelle and Ronald BrownDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownAlice H. Cull MemorialFrank and Margaret HyncikJunior Committee of The Cleveland OrchestraMr. and Mrs. David T. MorgenthalerJohn and Sally MorleyThe Eric & Jane Nord Family FundThe William N. Skirball Endowment

Education Concerts WeekThe Max Ratner Education Fund, given by the Ratner, Miller, and Shafran

families and by Forest City Enterprises, Inc.

In-School PerformancesAlfred M. Lerner Fund

Classroom ResourcesCharles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund FoundationChristine Gitlin Miles, in honor of Jahja LingJules and Ruth Vinney Touring Fund

Musical RainbowsPysht Fund

Community ProgrammingAlex and Carol Machaskee

Endowed Funds continued from previous page

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestra’s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest ArtistDr. and Mrs. Murray M. BettThe Hershey FoundationThe Payne FundMr. and Mrs. William C. Zekan

Blossom Festival Family ConcertsDavid E. and Jane J. Griffi ths

Landscaping and MaintenanceThe Bingham FoundationEmily Blossom family members and friendsThe GAR FoundationJohn S. and James L. Knight Foundation



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The Oberlin Conservatory of Music440-775-8413


The Cleveland OrchestraCenter for Future AudiencesTHE CLE VE L AND ORCHE STRA’s Center for Future Audiences was estab-lished to fund programs to develop new generations of audiences for Cleveland Orch estra concerts in Northeast Ohio. Th e Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Center-funded programs focus on addressing economic and geographic barriers to attending Cleveland Orch estra concerts at Severance Hall and Blossom Music

Center. Programs include research, introductory off ers, targeted dis-counts, student ticket programs, and integrated use of new technologies. Th e goal is to create one of the young-est audiences of any symphony or-chestra in the country. For additional information about these plans and pro-grams, call us at 216-231-7464.

Center for Future Audiences

E N DOWE D FU N DS

Maltz Family FoundationMr. and Mrs. Alexander M. Cutler

THANK YOU�for helping develop ��tomorrow’s audiences today.

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Offi cer, at 216-231-7520.

The Cleveland Orchestrasalutes Northeast Ohiofor hosting the 2014 Gay GamesAugust 9-16

Join us for a special Games kick-off concert at Blossom on July 27 “Broadway Standing Ovations!”

See complete details about the 2014 Gay Games and related cultural performances and activities online.

OPEN TO ALL

BAND, CHORUS & 35+ sports

Register, volunteer, donate @ www.GG9CLE.com

The Cleveland Orchestra is proud to be aCommunity Patron Partner of the 2014 Gay Games.

66 The Cleveland OrchestraLegacy Giving

Lois A. AaronLeonard AbramsShuree Abrams*Gay Cull AddicottStanley and Hope AdelsteinSylvia K. Adler*Gerald O. Allen*Norman and Marjorie* AllisonGeorge N. Aronoff Herbert Ascherman, Jr.Jack and Darby AshelmanMr. and Mrs. William W. BakerRuth Balombin*Mrs. Louis W. Barany*D. Robert* and Kathleen L. BarberJack L. BarnhartMargaret B. and Henry T.* BarrattNorma E. Battes*Rev. Thomas T. Baumgardner and Dr. Joan BaumgardnerFred G. and Mary W. BehmBertram H. Behrens*Dr. Ronald and Diane BellBob BellamyJoseph P. BennettIla M. BerryHoward R. and Barbara Kaye BesserDr.* and Mrs. Murray M. BettDr. Marie BielefeldRaymond J. Billy (Biello)Dr. and Mrs. Harold B. Bilsky*Robert E. and Jean Bingham*Claudia BjerreMr. William P. Blair IIIMrs. Flora BlumenthalMr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Charles P. BoltonKathryn Bondy*Loretta and Jerome* BorsteinMr. and Mrs.* Otis H. Bowden IIRuth Turvy Bowman*Drs. Christopher P. Brandt and Beth Brandt SersigMr. D. McGregor Brandt, Jr.David and Denise BrewsterRichard F. Brezic*Robert W. BriggsDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRonald and Isabelle Brown*Mr. and Mrs. Clark E. Bruner*Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan*Joan and Gene* BuehlerGretchen L. BurmeisterStanley and Honnie* BuschMilan and Jeanne* BustaMrs. Noah L. Butkin*Mr. and Mrs. William C. ButlerMinna S. Buxbaum*Gregory and Karen CadaRoberta R. Calderwood*Jean S. Calhoun*Harry and Marjorie M. CarlsonJanice L. CarlsonDr. and Mrs. Roland D. CarlsonMr. and Mrs. George P. Carmer*Barbara A. Chambers, D. Ed.Arthur L. Charni*Ellen Wade Chinn*NancyBell CoeKenneth S. and Deborah G. CohenRalph M. and Mardy R. CohenVictor J. and Ellen E. CohnRobert and Jean* ConradMr. and Mrs. Gerald A. ConwayJames P. and Catherine E. Conway*Rudolph R. Cook*The Honorable Colleen Conway CooneyJohn D. and Mary D.* CorryDr. and Mrs. Frederick S. Cross*Martha Wood CubberleyDr. William S. Cumming*In Memory of Walter C. and Marion J. CurtisWilliam and Anna Jean CushwaHoward CutsonMr.* and Mrs. Don C. DanglerMr. and Mrs. Howard J. DanzingerBarbara Ann DavisCarol J. DavisCharles and Mary Ann DavisWilliam E. and Gloria P. Dean, Jr.Mary Kay DeGrandis and Edward J. DonnellyNeeltje-Anne DeKosterCarolyn L. DessinWilliam R. Dew*Mrs. Armand J. DiLellioJames A. Dingus, Jr.Dr. and Mrs. Richard C. DistadMaureen A. Doerner and Geoff rey T. WhiteHenry and Mary DollGerald and Ruth DombcikMr.* and Mrs. Roland W. DonnemNancy E. and Richard M. Dotson

Mrs. John DrollingerDrs. Paul M.* and Renate H. DuchesneauGeorge* and Becky DunnWarren and Zoann Dusenbury*Mr. and Mrs. Robert DuvinPaul and Peggy EdenburnRobert and Anne Eiben*Mr. and Mrs. Alfred M. Eich, Jr.Mr. and Mrs. Ramon Elias*Roger B. EllsworthOliver and Mary EmersonLois Marsh EppPatricia EspositoMargaret S. Estill*Dr. Wilma McVey Evans*C. Gordon and Kathleen A.* EwersPatricia J. FactorSusan L. Faulder*Dr. and Mrs. Frederick Fennell*Mrs. Mildred FieningGloria and Irving B. FineJules and Lena Flock*Joan Alice FordDr. and Mrs. William E. Forsythe*Mr.* and Mrs. Ralph E. FountainGil and Elle FreyArthur and Deanna FriedmanMr.* and Mrs. Edward H. FrostDawn FullHenry S. FusnerDr. Stephen and Nancy GageCharles and Marguerite C. Galanie*Barbara and Peter GalvinMr. and Mrs. Steven B. GarfunkelDonald* and Lois GaynorBarbara P. Geismer*Albert I. and Norma C. GellerCarl E. Gennett*Dr. Saul GenuthJohn H.* and Ellen P. GerberFrank and Louise GerlakDr. James E. GibbsIn Memory of Roger N. Giff ordDr. Anita P. Gilger*S. Bradley GillaughMr.* and Mrs. Robert M. GinnFred and Holly GlockRonald* and Carol GodesWilliam H. Goff Mr. and Mrs. Henry J. GoodmanJohn and Ann GoskyMrs. Joseph B. Govan*Elaine Harris Green

Th e Heritage Society honors those individuals who are helping to ensure the future of Th e Cleveland Orchestra with a Legacy gift . Legacy gift s come in many forms, including bequests, charitable gift annuities, and insurance policies. Th e following listing of members is current as of March 2014. For more information, please call Bridget Mundy, Legacy Giving Offi cer, at 216-231-8006.


H E R I T A G E S O C I E T Y

Legacy & Planned GivingLegacy & Planned Giving

67Severance Hall 2013-14 67Legacy Giving

Tom and Gretchen GreenRichard and Ann GridleyNancy Hancock Griffi thDavid E.* and Jane J. Griffi thsDavid G. Griffi ths*Ms. Hetty Griffi thsMargaret R. Griffi ths*Bev and Bob GrimmJudd and Zetta Gross*Candy and Brent GroverMrs. Jerome E. Grover*Thomas J.* and Judith Fay GruberMr. and Mrs. David H. GunningMr. and Mrs. William E. GuntonJoseph E. Guttman*Mrs. John A Hadden Jr.Richard* and Mary Louise HahnJames J. HamiltonKathleen E. HancockDouglas Peace Handyside*Holsey Gates HandysideNorman C. and Donna L. HarbertMary Jane HartwellWilliam L.* and Lucille L. HasslerPeter and Gloria Hastings*Mrs. Henry Hatch (Robin Hitchcock)Virginia and George HavensGary D. HelgesenClyde J. Henry, Jr.Ms. M. Diane HenryWayne and Prudence HeritageRice Hershey*T. K. and Faye A. HestonGretchen L. HickokMr. and Mrs.* Daniel R. HighEdwin R. and Mary C. Hill*Ruth Hirshman-von Baeyer*Mr. and Mrs. D. Craig Hitchcock*Bruce F. HodgsonGoldie Grace Hoff man*Mary V. Hoff manFeite F. Hofman MD*Mrs. Barthold M. HoldsteinLeonard* and Lee Ann HolsteinDavid and Nancy HookerGertrude S. Hornung*Patience Cameron HoskinsElizabeth HosmerDorothy Humel HovorkaDr. Christine A. Hudak, Mr. Marc F. CymesDr. Randal N. Huff Mrs. Marguerite B. HumphreyAdria D. Humphreys*Ann E. Humphreys and Jayne E. SissonKaren S. HuntMr. and Mrs. G. Richard HunterRuth F. IhdeMr. and Mrs. Jonathan E. IngersollPamela and Scott IsquickMr. and Mrs.* Cliff ord J. Isroff Mr. and Mrs. Donald M. Jack, Jr.Carol S. JacobsMilton* and Jodith Janes

Alyce M. Jarr*Jerry and Martha* JarrettMerritt JohnquestAllan V. JohnsonE. Anne JohnsonNancy Kurfess Johnson, M.D.Paul and Lucille Jones*Mrs. R. Stanley Jones*William R. Joseph*David and Gloria KahanJulian and Etole KahanDrs. Julian* and Aileen KassenMilton and Donna* KatzPatricia and Walter* KelleyBruce and Eleanor KendrickMalcolm E. KenneyNancy H. Kiefer*Charles M. and Janet G. Kimball*James and Gay* KitsonMr. Clarence E. Klaus, Jr.Mary Elizabeth and G. Robert Klein*Julian H. and Emily W. Klein*Thea Klestadt*Paul and Cynthia KlugMartha D. KnightMr. and Mrs. Robert KochDr. Vilma L. KohnElizabeth Davis Kondorossy*Mr. Clayton KoppesMr.* and Mrs. James G. Kotapish, Sr.LaVeda Kovar*Margery A. KowalskiBruce G. Kriete*Mr. and Mrs. Gregory G. KruszkaThomas and Barbara KubyEleanor and Stephen KushnickMr. and Mrs. Dennis W. LaBarreJames I. LaderMr. and Mrs. David A. LambrosDr. Joan P. Lambros*Mrs. Carolyn LamplMarjorie M. LamportLouis LaneKenneth M. Lapine and Rose E. MillsCharles K. László and Maureen O’Neill-LászlóAnthony T. and Patricia LauriaCharles and Josephine Robson Leamy FundTeela C. LelyveldMr. and Mrs. Roger J. LerchJudy D. LevendulaGerda LevineDr. and Mrs. Howard LevineBracy E. LewisMr. and Mrs.* Thomas A. LiederbachRollin and Leda LindermanRuth S. LinkDr. and Mrs. William K. LittmanJeff and Maggie LoveDr. Alan and Mrs. Min Cha LubinAnn B. and Robert R. Lucas*Linda and Saul LudwigKate LunsfordMr. and Mrs. Thomas E. Lynch*

Patricia MacDonaldAlex and Carol MachaskeeJerry MaddoxMrs. H. Stephen MadsenAlice D. MaloneMr. and Mrs. Donald Malpass, Jr.Lucille Harris MannMr. and Mrs. Richard A. ManuelClement P. MarionMr. Wilbur J. Markstrom*Dr. and Mrs. Sanford E. MarovitzDavid C.* and Elizabeth F. MarshDuane and Joan* MarshFlorence Marsh, Ph.D.*Mr. and Mrs. Anthony M. MartincicKathryn A. MatesDr. Lee Maxwell and Michael M. PruntyAlexander and Marianna* McAfeeNancy B. McCormackMr. William C. McCoyMarguerite H. McGrath*Dorothy R. McLeanJim and Alice Mecredy*James and Virginia MeilMr. and Mrs.* Robert F. MeyersonBrenda Clark MikotaChristine Gitlin MilesChuck and Chris MillerEdith and Ted* MillerLeo Minter, Jr.Mr. and Mrs. William A. MitchellRobert L. MoncriefMs. Beth E. MooneyBeryl and Irv MooreAnn Jones MorganMr. and Mrs. Stanley L. Morgan*George and Carole MorrisMr. and Mrs. Thomas W. MorrisMr. and Mrs.* Donald W. MorrisonJoan R. Mortimer, PhDFlorence B. MossSusan B. MurphyDr. and Mrs. Clyde L. Nash, JrDeborah L. NealeMrs. Ruth NeidesDavid and Judith NewellDr.* and Mrs. S. Thomas NiccollsRussell H. Nyland*Katherine T. O’NeillThe Hon. and Mrs. John Doyle OngAurel Fowler-Ostendorf*Mr. J. William and Dr. Suzanne PalmerR. Neil Fisher and Ronald J. ParksNancy* and W. Stuver ParryMrs. John G. Pegg*Dr. and Mrs. Donald PensieroMary Charlotte PetersMr. and Mrs. Peter Pfouts*Janet K. Phillips*Florence KZ PollackJulia and Larry PollockVictor and Louise PreslanMrs. Robert E. Price*




LISTING CONTINUES


Lois S.* and Stanley M. ProctorMr. David C. PrughLeonard and Heddy RabeM. Neal RainsMr. George B. RamsayerJoe L. and Alice Randles*Mrs. Alfred M. Rankin, Sr.Mrs. Theodore H. Rautenberg*James and Donna ReidMrs. Hyatt Reitman*Mrs. Louise Nash Robbins*Dr. Larry J.B.* and Barbara S. RobinsonDwight W. RobinsonMargaret B. Babyak* and Phillip J. RoscoeAudra and George RoseDr. Eugene and Mrs. Jacqueline RossHelen Weil Ross*Robert and Margo RothMarjorie A. RottHoward and Laurel RowenProfessor Alan Miles Ruben and Judge Betty Willis RubenFlorence Brewster RutterMr. James L. Ryhal, Jr.Renee SabreenMarjorie Bell SachsDr. Vernon E. Sackman and Ms. Marguerite PattonSue SahliMr. and Mrs. James A. SaksMr. and Mrs. Sam J. SanFilipo*Larry J. SantonStanford and Jean B. SarlsonSanford Saul FamilyJames Dalton SaundersPatricia J. SawvelRay and Kit SawyerRichard Saxton*Alice R. SayreIn Memory of Hyman and Becky SchandlerRobert ScherrerSandra J. SchlubMs. Marian SchluembachRobert and Betty SchmiermundMr.* and Mrs. Richard M. SchneiderLynn A. Schreiber*Jeanette L. SchroederFrank SchultzCarol* and Albert SchuppRoslyn S. and Ralph M. SeedNancy F. SeeleyEdward SeelyOliver E. and Meredith M. SeikelRussell Seitz*Reverend Sandra SelbyEric SellenAndrea E. SenichThomas and Ann SepúlvedaElsa Shackleton*B. Kathleen ShampJill Semko Shane

David ShankDr. and Mrs. Daniel J. ShapiroNorine W. SharpNorma Gudin ShawElizabeth Carroll ShearerDr. and Mrs. William C. SheldonFrank* and Mary Ann SherankoKim SherwinMr. and Mrs. Michael SherwinReverend and Mrs. Malcolm K. ShieldsRosalyn and George SievilaMr. and Mrs. David L. SimonDr.* and Mrs. John A. SimsNaomi G. and Edwin Z. SingerLauretta SinkoskyH. Scott Sippel and Clark T. KurtzEllen J. SkinnerRalph* and Phyllis SkufcaJanet Hickok SladeAlden D. and Ellen D. Smith*Mr.* and Mrs. Ward SmithM. Isabel Smith*Nathan Snader*Sterling A. and Verdabelle Spaulding*Barbara J. Stanford and Vincent T. LombardoSue Starrett and Jerry SmithLois and Tom Stauff erWillard D. Steck*Merle SternDr. Myron Bud and Helene* SternMr. and Mrs. John M. StickneyNora and Harrison Stine*Mr. and Mrs. Stanley M. StoneMr.* and Mrs. James P. StorerRalph E. and Barbara N. StringThe Irving Sunshine FamilyVernette M. Super*Mr. and Mrs. Herbert J. Swanson*In Memory of Marjory SwartzbaughLewis Swingley*Lorraine S. SzaboNorman V. TagliaferriSusan and Andrew Talton*Frank E. Taplin, Jr.*Charles H. Teare* and Cliff ord K. Kern*Mr. Ronald E. TearePauline Thesmacher*Dr. and Mrs. Friedrich ThielMrs. William D. Tibbetts*Mr. and Mrs. William M. Toneff Marlene and Joe TootAlleyne C. ToppinJanice and Leonard TowerDorothy Ann TurickMr. and Mrs. Robert A. UrbanRobert and Marti VagiRobert A. ValenteJ. Paxton Van SweringenMary Louise and Don VanDykeElliot Veinerman*Nicholas J. Velloney*Steven Vivarronda

Hon. William F.B. VodreyPat and Walt* WahlenMrs. Clare R. WalkerJohn and Deborah WarnerMr. and Mrs. Russell WarrenJoseph F. and Dorothy L. WasserbauerCharles D. Waters*Reverend Thomas L. WeberEtta Ruth WeiglLucile WeingartnerEunice Podis Weiskopf*Max W. WendelWilliam Wendling and Lynne WoodmanMarilyn J. WhiteRobert and Marjorie Widmer*Yoash and Sharon WienerAlan H. and Marilyn M. WildeElizabeth L. Wilkinson*Helen Sue* and Meredith WilliamsCarter and Genevieve* WilmotMiriam L. and Tyrus W.* WilsonMr. Milton Wolfson* and Mrs. Miriam Shuler-WolfsonNancy L. WolpeMrs. Alfred C. WoodcockKatie and Donald WoodcockDr.* and Mrs. Henry F. Woodruff Marilyn L. WozniakNancy R. WurzelMichael and Diane WyattMary YeeEmma Jane Yoho, M.D.Libby M. YungerDr. Norman Zaworski*William L. and Joan H. Ziegler*Carmela Catalano Zoltoski*Roy J. Zook*Anonymous (103)




LISTING CONTINUED

Th e lotus blossom is the symbol of the Heritage Society.

It represents eternal life and recognizes the permanent

benefi ts of legacy gift s to Th e Cleveland Orchestra’s

endowment. Said to be Elisabeth Severance’s favorite fl ower, the lotus is found as a

decorative motif in nearly every public area of Severance Hall.

*deceased

Legacy Giving


Collecting for clients is music to our ears.

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The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach

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Act one begins

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE

Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

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Th e Partners in Excellence program salutes companies with annual contri-butions of $100,000 and more, exem-plifying leadership and commitment to artistic excellence at the highest level.

PARTNERS IN EXCELLENCE$300,000 AND MORE

Hyster-Yale Materials HandlingNACCO Industries, Inc.KeyBankThe Lubrizol CorporationRaiff eisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

PARTNERS IN EXCELLENCE$200,000 TO $299,999BakerHostetlerEatonFirstEnergy FoundationForest City Enterprises, Inc.PNC BankThompson Hine LLP

PARTNERS IN EXCELLENCE$100,000 TO $199,999The Cliff s FoundationGoogle, Inc.Medical Mutual of OhioNordson Corporation and Foundation Parker Hannifi n Corporation

$50,000 TO $99,999

Jones DayQuality Electrodynamics (QED)voestalpine AG (Europe)Anonymous

$25,000 TO $49,999Charter OneDix & EatonThe Giant Eagle FoundationGreenberg Traurig (Miami)Litigation Management, Inc.Northern Trust Bank of Florida (Miami)Park-Ohio Holdings Corp.The Plain DealerRPM International Inc.Squire Sanders (US) LLP

$2,500 TO $24,999AdCom CommunicationsAkron Tool & Die CompanyAkronLife MagazineAmerican Fireworks, Inc.American Greetings CorporationBank of AmericaBDIBrothers Printing Co., Inc.Brouse McDowellEileen M. Burkhart & Co LLCBuyers Products CompanyCalfee, Halter & Griswold LLPCleveland ClinicThe Cleveland Wire Cloth & Mfg. Co.Cohen & Company, CPAsCommunity Behavioral Health CenterConn-Selmer, Inc.Consolidated SolutionsDollar BankDominion FoundationErnst & Young LLPEvarts TremaineFeldman Gale, P.A. (Miami)Ferro CorporationFirstMerit BankFrantz Ward LLPVictor Kendall, Friends of WLRNGallagher Benefi t ServicesGreat Lakes Brewing CompanyGross BuildersHahn Loeser + Parks LLPHyland SoftwareThe Lincoln Electric FoundationLittler Mendelson, P.C.C. A. Litzler Co., Inc.Live Publishing CompanyMacy’sMaterion CorporationMiba AG (Europe)MTD Products, Inc.North Coast Container Corp.Northern HaserotOatey Co.Ohio CATOhio Savings Bank, A Division of New York Community BankOlympic Steel, Inc.Oswald CompaniesPolyOne CorporationPricewaterhouse Coopers LLPThe Prince & Izant CompanyThe Sherwin-Williams CompanyStern Advertising AgencySwagelok CompanyTucker EllisUlmer & Berne LLPUniversity HospitalsVer Ploeg & Lumpkin, P.A. (Miami)WCLV Foundation Westlake Reed LeskoskyAnonymous (2)

Annual Supportgifts of $2,500 or more during the past year, as of March 20, 2014

Cumulative GivingJOHN L. SEVERANCE SOCIETY$5 MILLION AND MORE

KeyBankPNC Bank

$1 MILLION TO $5 MILLION

BakerHostetlerBank of AmericaEatonFirstEnergy FoundationForest City Enterprises, Inc.The Goodyear Tire & Rubber CompanyHyster-Yale Materials HandlingNACCO Industries, Inc.The Lubrizol Corporation / The Lubrizol FoundationMerrill LynchParker Hannifi n CorporationThe Plain DealerPolyOne CorporationRaiff eisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

Th e Severance Society recognizes generous contributors of $1 million or more in cumulative giving to Th e Cleveland Orchestra. Listing as of March 2014.

Corporate Annual Support

Th e Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefi t events, tours and residencies, and special projects.

Corporate Support



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Foundation/Government Annual Support

$1 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through

Cuyahoga Arts & CultureThe Andrew W. Mellon FoundationThe Kelvin and Eleanor Smith Foundation

$500,000 TO $999,000The George Gund Foundation

$250,000 TO $499,000Kulas FoundationJohn P. Murphy FoundationThe Eric & Jane Nord Family FundOhio Arts Council

$100,000 TO $249,999The George W. Codrington Charitable FoundationSidney E. Frank FoundationGAR FoundationElizabeth Ring Mather and William Gwinn Mather FundDavid and Inez Myers Foundation

$50,000 TO $99,999Ann and Gordon Getty FoundationThe Hearst FoundationsMartha Holden Jennings FoundationMyra Tuteur Kahn Memorial Fund of The Cleveland FoundationMarlboro 2465 FoundationMiami-Dade County Department of Cultural Aff airs (Miami)Donald and Alice Noble Foundation, Inc. The Nord Family FoundationThe Payne FundThe Sage Cleveland FoundationSurdna Foundation

$20,000 TO $49,999The Helen C. Cole Charitable TrustThe Mary S. and David C. Corbin FoundationThe Gerhard Foundation, Inc.The Helen Wade Greene Charitable TrustJohn S. and James L. Knight FoundationThe Margaret Clark Morgan FoundationNational Endowment for the ArtsThe Frederick and Julia Nonneman FoundationWilliam J. and Dorothy K. O’Neill FoundationPeacock Foundation, Inc. (Miami)Polsky Fund of Akron Community FoundationThe Reinberger FoundationThe Sisler McFawn Foundation

Annual Support gifts of $2,000 or more during the past year, as of March 20, 2014

Th e Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefi t events, tours and residencies, and special projects.

$2,000 TO $19,999The Abington FoundationAyco Charitable Foundation The Ruth and Elmer Babin FoundationThe Batchelor Foundation, Inc. (Miami)Dr. NE & JZ Berman FoundationThe Bernheimer Family Fund of the Cleveland FoundationBicknell FundEva L. and Joseph M. Bruening FoundationThe Conway Family FoundationMary and Dr. George L. Demetros Charitable TrustThe Fogelson FoundationThe Harry K. Fox and Emma R. Fox Charitable FoundationThe William O. and Gertrude Lewis Frohring FoundationFunding Arts Network (Miami)The Hankins FoundationThe Muna & Basem Hishmeh FoundationRichard H. Holzer Memorial FoundationThe Jean Thomas Lambert FoundationThe Laub FoundationVictor C. Laughlin, M.D. Memorial Foundation TrustThe G. R. Lincoln Family FoundationThe Mandel Foundation The McGregor FoundationBessie Benner Metzenbaum FoundationM.G. O’Neil FoundationPaintstone FoundationThe Charles E. & Mabel M. Ritchie Memorial FoundationThe Leighton A. Rosenthal Family FoundationSCH FoundationAlbert G. & Olive H. Schlink FoundationHarold C. Schott FoundationJean C. Schroeder FoundationKenneth W. Scott FoundationThe Sherwick FundLloyd L. and Louise K. Smith Memorial FoundationThe South Waite FoundationThe Veale FoundationThe George Garretson Wade Charitable TrustThe S. K. Wellman FoundationThe Welty Family FoundationThomas H. White Foundation, a KeyBank TrustThe Edward and Ruth Wilkof FoundationThe Wuliger FoundationAnonymous (2)

Cumulative GivingJOHN L. SEVERANCE SOCIETY$10 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through Cuyahoga Arts & CultureKulas FoundationMaltz Family FoundationState of OhioOhio Arts CouncilThe Kelvin and Eleanor Smith Foundation


The George Gund FoundationKnight Foundation (Cleveland, Miami)The Andrew W. Mellon FoundationJohn P. Murphy Foundation


The William Bingham FoundationThe George W. Codrington Charitable Foundation GAR FoundationAnn and Gordon Getty FoundationThe Louise H. and David S. Ingalls FoundationMartha Holden Jennings FoundationElizabeth Ring Mather and William Gwinn Mather FundDavid and Inez Myers FoundationNational Endowment for the ArtsThe Eric & Jane Nord Family FundThe Payne FundThe Reinberger FoundationThe Sage Cleveland Foundation

Th e Severance Society recognizes generous contributors of $1 million or more in cumulative giving to Th e Cleveland Orchestra. Listing as of March 2014.


Foundation & Government Support


INDIVIDUAL GIFTS OF $500,000 AND MORE

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner

INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami)


James D. Ireland III Mr. and Mrs. Joseph P. KeithleyDr. and Mrs. Herbert Kloiber (Europe)Mrs. Elizabeth R. Koch Mrs. Emma S. LincolnElizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Möst Janet* and Richard Yulman (Miami)


Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami)


Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. FordHector D. Fortun (Miami) Mr. and Mrs. Michael J. HorvitzElizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Support

Th e Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gift s of cash or pledges of $2,500 or more to the Annual Fund, benefi t events, tours and residencies, and special annual donations.


Lifetime Giving JOHN L. SEVERANCE SOCIETY

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)


Mr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Alexander M. CutlerMrs. Norma Lerner and The Lerner FoundationMrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner


Irma and Norman Braman (Miami) Mr. Francis J. Callahan*Mrs. M. Roger ClappMr. George Gund III*Francie and David Horvitz (Miami)Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. NortonThe Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr.Charles and Ilana Horowitz RatnerJames and Donna Reid Barbara S. Robinson The Ralph and Luci Schey FoundationMr.* and Mrs. Ward SmithAnonymous (2)

Th e Severance Society recognizes generous contributors of $1 million or more in lifetime giving to Th e Cleveland Orchestra. As of March 2014.

Annual Supportgifts during the past year, as of March 20, 2014

Individual Annual Support76 The Cleveland Orchestra

Individual Annual Support

Mr. and Mrs. Edward A. LozickRobert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami)Mrs. Alfred M. Rankin, Sr.Charles and Ilana Horowitz Ratner James and Donna ReidBarbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous


Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s CommitteeMr. and Mrs. Charles P. Bolton The Brown and Kunze FoundationJeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoff rey Gund George Gund*Trevor and Jennie Jones Giuliana C. and John D. KochDr. Vilma L. KohnCharlotte R. KramerVirginia M. and Jon A. LindsethMs. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. NordLuci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton


Martha and Bruce Clinton (Miami)Robert and Jean* Conrad Mr. and Mrs. Gerald A. ConwayDo Unto Others Trust (Miami)George* and Becky DunnDr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeff rey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland OrchestraDr. David and Janice LeshnerMilton and Tamar MaltzMargaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

Mr. and Mrs. James A. RatnerMr. and Mrs. James A. Saks Paul and Suzanne Westlake


Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia BarbatoMr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeff rey and Susan Feldman (Miami)Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack HoeschlerRichard and Erica Horvitz (Cleveland, Miami)Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami)Marc and Rennie SaltzbergRaymond T. and Katherine S. SawyerMr. and Mrs. Donald Stelling (Europe)Mr. Joseph F. TetlakTom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland OrchestraAnonymous gift from Switzerland (Europe)


Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami)Mr. and Mrs. Peter O. DahlenColleen and Richard Fain (Miami) Joyce and Ab* GlickmanRichard and Ann Gridley Mrs. John A Hadden Jr.Jack Harley and Judy ErnestMary and Jon Heider (Cleveland, Miami)David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

listings continue

Leadership Council Th e Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:




Andrew and Katherine KartalisTati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartneyMr. Thomas F. McKee Mr. and Mrs. Stanley A. MeiselLucia S. NashMr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami)Steven and Ellen Ross Mr. and Mrs. David A. RuckmanMrs. David Seidenfeld Dr. and Mrs. Neil SethiDavid and Harriet SimonRick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeff rey M. Weiss Anonymous


Mr. and Mrs. William E. Conway Ms. Dawn M. FullRobert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. ManuelMr. Larry J. Santon Mr. and Mrs. Oliver E. SeikelKim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

listings continue


INDIVIDUAL GIFTS OF $10,000 TO $12,499 Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. BowenMr. D. McGregor Brandt, Jr.Paul and Marilyn* BrentlingerAugustine* and Grace CaliguireRichard J. and Joanne ClarkMrs. Barbara CookMrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr.Mr. Neil FlanzraichMr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami)Mr. and Mrs. Richard T. GarrettAlbert I. and Norma C. Geller Mr. and Mrs. Robert W. GillespieMr. David J. GoldenElaine Harris GreenSondra and Steve HardisMichael L. HardyMr. and Mrs. James A. Haslam IIMr. and Mrs. James A. Haslam IIIT. K. and Faye A. Heston Joan and Leonard HorvitzPamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff LitwillerMr. and Mrs. Thomas B. McGowanEdith and Ted* MillerMr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe)Brian and Cindy MurphyMr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc.Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia RatnerAudra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel RutherfordCarol* and Albert SchuppDr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer FoundationMrs. Gretchen D. SmithJim and Myrna SpiraLois and Tom Stauff er Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. TaberDr. Russell A. TrussoSandy and Ted Wiese Anonymous (4)*

INDIVIDUAL GIFTS OF $7,500 TO $9,999 Mr. and Mrs. Dean Barry Mr. William BergerLaurel Blossom Mr. Robert W. BriggsDr. and Mrs. Jerald S. BrodkeyDr. Ben H. and Julia Brouhard

listings continued

Gay Cull AddicottWilliam W. BakerRonald H. BellHenry C. DollJudy ErnestNicki Gudbranson

Jack Harley Iris HarvieBrinton L. HydeRandall N. Huff David C. LambRaymond T. Sawyer

Barbara Robinson, chairRobert Gudbranson, vice chair

Ongoing annual support gift s are a critical compo-nent toward sustaining Th e Cleveland Orchestra’s eco nomic health. Ticket revenues pro vide only a small portion of the funding needed to support the Orchestra’s outstanding perform ances, education ac-tivities, and community projects.

Th e Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefi ts of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Leadership Annual Campaign Patrons

Gifts to University Hospitals

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And with your support, we’ll continue to proovvideee the

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Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard DotsonHarry and Joyce Graham Mr. Paul Greig Kathleen E. HancockMary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. HaslingerAmy and Stephen Hoff man Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen PowersPaul A. and Anastacia L. Rose Rosskamm Family TrustPatricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. StaubMr. and Mrs. Donald W. Strang, Jr.Mrs. Marie S. Strawbridge*Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2)

INDIVIDUAL GIFTS OF $5,000 TO $7,499 Norman and Helen Allison Susan S. AngellMr.* and Mrs. Albert A. AugustusMr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. BehmDr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. BlackstoneFrank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen ColliganMarjorie Dickard ComellaCorinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph DaugstrupMr. and Mrs. Edward B. DavisMr. and Mrs. Thomas S. DavisPete and Margaret Dobbins Mr. and Mrs. Terry C. Z. EggerDr. and Mrs. Robert ElstonMary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami)Dr. D. Roy and Diane A. FergusonChristopher Findlater (Miami)Barbara and Peter GalvinJoy E. GarapicBrenda and David GoldbergMr. and Mrs. Henry J. GoodmanMr. and Mrs. Randall J. GordonRobert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly SelvaggiHenry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David GoodmanJanet D. Heil*Anita and William HellerThomas and Mary Holmes Mr. and Mrs. John Hudak (Miami)Bob and Edith Hudson (Miami)Ms. Charlotte L. HughesMr. James J. Hummer Mr. and Mrs. Brinton L. HydeMr. and Mrs. Christopher Hyland Donna L. and Robert H. JacksonMr. and Mrs. Richard A. JanusRudolf D. and Joan T. KamperMilton and Donna* Katz Dr. Richard and Roberta KatzmanDr. and Mrs. William S. KiserMr. and Mrs.* S. Lee KohrmanMrs. Justin Krent Mr. Donald N. KrosinMr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr.Mr. Brian J. LambDavid C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. LeveyMr. and Mrs. Adam LewisMr. Dylan Hale Lewis (Miami)Ms. Marley Blue Lewis (Miami)Mr. Jon E. Limbacher and Patricia J. LimbacherElsie and Byron LutmanMr. and Mrs. Alex Machaskee Ms. Jennifer R. MalkinMr. and Mrs. Morton L. MandelAlan Markowitz M.D. and Cathy PollardAlexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami)James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami)Drs. Terry E. and Sara S. MillerDavid and Leslee MiraldiMr. and Mrs. William A. MitchellAnn Jones MorganRichard and Kathleen NordMr. Henry Ott-HansenNan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen PreucilLois S.* and Stanley M. ProctorMr. and Mrs. Thomas A. QuintrellDrs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. RankinMs. Deborah ReadMr. William J. RossMr. and Mrs. Robert C. RuhlMrs. Florence Brewster Rutter Mr. and Mrs. David R. SawyierBob and Ellie Scheuer David M. and Betty SchneiderLinda B. SchneiderDr. and Mrs. James L. SechlerLee G. and Jane SeidmanCharles Seitz (Miami) listings continue


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Ms. Nancy A. Adams Dr. and Mrs. D. P. AgamanolisMrs. Joanne M. Bearss Mr. and Mrs. Jules BelkinHoward R. and Barbara Kaye BesserSuzanne and Jim BlaserMs. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. CarlsonMr. and Mrs. Frank H. CarpenterMr.* and Mrs. Robert A. ClarkDrs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne CoscarelliMs. Maureen A. Doerner and Mr.

Geoff rey T. WhitePeter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenryDavid and Margaret EwartMr. and Mrs. John R. FraylickPeggy and David* FullmerDr. and Mrs. Ronald L. Gould Nancy and James GrunzweigMr. Robert D. HartHazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. InkleyHelen and Erik JensenBarbara and Michael J. KaplanMr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina KlopmanMr. Thomas and Mrs. Deborah KniesnerCynthia Knight (Miami)Mr. and Ms. James KoenigMarion KonstantynovichJudy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. LoveRobert and LaVerne* LugibihlJoel and Mary Ann MakeeMartin and Lois MarcusWilliam and Eleanor* McCoyDr. Susan M. MerzweilerBert and Marjorie MoyarRichard B. and Jane E. Nash Mr. and Mrs. Peter R. OsenarDr. Lewis and Janice B. PattersonMr. Robert S. PerryMr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. ReynoldsMrs. Charles RitchieAmy and Ken Rogat Carol Rolf and Steven AdlerFred Rzepka and Anne Rzepka Family FoundationDr. and Mrs. Martin I. Saltzman Mr. Paul H. ScarbroughGinger and Larry ShaneMs. Frances L. SharpMr. Richard Shirey Howard and Beth SimonMr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr.Mr. Karl and Mrs. Carol TheilMr. and Mrs. Lyman H. TreadwayDrs. Anna* and Gilbert TrueMiss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann WilliamsTony and Diane Wynshaw-BorisAnonymous

Mr. Eric Sellen and Mr. Ron SeidmanMrs. Frances G. ShoolroyMarjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami)Stroud Family TrustDr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami)Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne WestbrookTom and Betsy WheelerSandy Wile and Susan NamenFred* and Marcia Zakrajsek Anonymous (4)



Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. AdelsteinMr. and Mrs. Monte AhujaMr. and Mrs. Robert J. AmsdellMr. and Mrs. Jeff rey R. AppelbaumDr. Mayda AriasMr. and Mrs. James B. Aronoff Agnes ArmstrongGeraldine and Joseph BabinMs. Delphine BarrettEllen and Howard BenderMr. Roger G. BerkKerrin and Peter Bermont (Miami)Barbara and Sheldon BernsMargo and Tom BertinJulia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami)Bill* and Zeda Blau

Doug and Barbara BletcherDennis and Madeline BlockMr. and Mrs. Richard H. BoleJohn and Anne BourassaLisa and Ron BoykoMr. and Mrs. David BriggsMrs. Ezra BryanJ. C. and Helen Rankin ButlerLeigh CarterMr. and Mrs. James B. ChaneyDr. and Mrs. Ronald ChapnickMs. Mary E. ChilcoteMr. and Mrs. Homer D. W. ChisholmDaniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami)Dr. Dale and Susan Cowan Mr. and Mrs. Manohar DagaMrs. Frederick F. DannemillerCharles and Fanny Dascal (Miami)Jeff rey and Eileen Davis

Mrs. Lois Joan DavisDr. and Mrs. Richard C. DistadDr. M. Meredith Dobyns Mr. George and Mrs. Beth DownesHarry and Ann FarmerDr. Aaron Feldman and Mrs. Margo HarwoodMs. Karen FethCarl and Amy FischerMr. Isaac FisherScott Foerster, Foerster and BohnertJoan Alice FordMrs. Amasa B. FordMr. Randall and Mrs. Patrice FortinMarvin Ross Friedman and Adrienne bon Haes (Miami)Arthur L. FullmerJeanne GallagherMarilee L. Gallagher


listings continue


listings continued

INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED



Mrs. Georgia T. GarnerLoren and Michael GarrutoMr. Wilbert C. Geiss, Sr.Anne and Walter GinnMr. and Mrs. David A. Goldfi nger Mr. and Mrs. Robert T. GrafThe Thomas J. and Judith Fay Gruber

Charitable Foundation Mr. Davin and Mrs. Jo Ann GustafsonDr. Phillip M. and Mrs. Mary HallNorman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver HenkelMr. and Mrs. Jerry HerschmanMr. Robert T. HexterDr. and Mrs. Robert L. HinnesDr. Feite F. Hofman*Dr.* and Mrs. George H. HokePeter A. and Judith HolmesDr. Keith A. and Mrs. Kathleen M. HooverDr. Randal N. Huff and Ms. Paulette Beech Ms. Carole HughesMs. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne JacobsonDr. Michael and Mrs. Deborah JoyceRev. William C. Keene Angela Kelsey and Michael Zealy (Miami)The Kendis Family Trust: Hilary & Robert Kendis and Susan & James KendisBruce and Eleanor KendrickFred and Judith KlotzmanMr. Ronald and Mrs. Kimberly KolzJacqueline and Irwin Kott (Miami)Ellen Brad and Bart KovacDr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest KulpMrs. Carolyn LamplMr. and Mrs. John J. LaneAnthony T. and Patricia A. Lauria Mr. Jin-Woo LeeIvonete Leite (Miami)Michael and Lois A. LemrDr. Edith LernerDr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva LinnebachMartha Klein LottmanMs. Mary Beth LoudHerbert L. and Rhonda MarcusDr. and Mrs. Sanford E. Marovitz David* and Elizabeth MarshDr. Ernest and Mrs. Marian MarsolaisMr. Julien L. McCallMs. Nancy L. MeachamMr. James E. Menger

Stephen and Barbara Messner Ms. Betteann MeyersonMr. and Mrs. Roger Michelson (Miami)Curt and Sara MollSusan B. MurphyJoan Katz Napoli and August NapoliMr. David and Mrs. Judith NewellMarshall I. Nurenberg and Joanne KleinRichard and Jolene O’Callaghan Harvey and Robin OppmannNedra and Mark Oren (Miami)Mr. and Mrs. Robert D. PaddockMr. and Mrs. Christopher I. Page Deborah and Zachary ParisMr. Thomas and Mrs. Tommie PattonMrs. Ingrid PetrusDrs. John Petrus and Sharon DiLauroDr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan PhillipMs. Maribel Piza (Miami)Dr. Marc and Mrs. Carol PohlMs. Carolyn PriemerMr. Richard and Mrs. Jenny Proeschel Kathleen PudelskiMs. Rosella PuskasDr. James and Lynne Rambasek Ms. C. A. ReaganAlfonso Conrado Rey (Miami)David and Gloria RichardsMichael Forde RipichMs. Linda M. RocchiRobert and Margo RothMiss Marjorie A. RottMichael and Roberta RusekDr. Lori RusterholtzDr. Harry S. and Rita K. Rzepka Ms. Patricia E. SayMr. James Schutte Ms. Adrian L. ScottDr. John Sedor and Ms. Geralyn PrestiHarry and Ilene ShapiroMs. Marlene SharakNorine W. SharpDr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. SiegalRobert and Barbara SlaninaMs. Donna-Rae SmithMr. and Mrs. Richey SmithMr. and Mrs.* Jeff rey H. SmytheMrs. Virginia SnappMs. Barbara SnyderLucy and Dan SondlesMr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. SpechtMr.* and Mrs.* Lawrence E. StewartMr. Joseph StroudKen and Martha Taylor

Greg and Suzanne ThaxtonDr. and Mrs. Thomas A. TimkoSteve and Christa TurnbullMrs. H. Lansing Vail, Jr.Robert A. ValenteBrenton Ver Ploeg (Miami)Mr. and Mrs. Joaquin Vinas (Miami)Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith RosmanMs. Laure A. WasserbauerPhilip and Peggy WasserstromEric* and Margaret WayneMr. and Mrs. Jerome A. WeinbergerDr. Paul R. and Catherine WilliamsRichard and Mary Lynn WillsMichael H. Wolf and Antonia Rivas-WolfMr. Robert Wolff and Dr. Paula SilvermanKatie and Donald WoodcockKay and Rod WoolseyElizabeth B. Wright Rad and Patty YatesDr. William ZeleiMr. Kal Zucker and Dr. Mary Frances HaerrAnonymous (7) *

INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED


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member of the Leadership Council (see page 77)

* deceased

Th e Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA.COM

For information about how you can play a supporting role with Th e Cleveland Orch estra, please contact our Philanthropy & Advancement Offi ce by calling 216-231-7545.


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We believe in working for the greater good of all and

we are proud to support any organization that shares this value.

We thank The Cleveland Orchestra for its commitment to excellence!

Ken Lanci, Chairman & CEOConsolidated Solutions

For a complete list of CIM concerts and events, visit cim.edu/calendar.

11021 East Boulevard | Cleveland, OH 44106

SPRING AT CIMPianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm. Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIMAlumni will present their Lunch & Listen concert series this July in Mixon Hall. Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

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Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated im-portant events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Cam-paign. By making a dona on, you can make a crucial diff erence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on pro-grams, and community ac vi es and partnerships. To make a gi to The Cleveland Orches-tra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

H A I L E D A S O N E O F the world’s most beautiful concert halls, Severance Hall has been home to Th e Cleveland Or-chestra since its opening on February 5, 1931. Aft er that fi rst concert, a Cleve-land newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Associa-tion, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnifi cent building. De-signed by Walker & Weeks, its elegant

Georgian exterior was constructed to harmonize with the classical architec-ture of other prominent buildings in the University Circle area. Th e interior of the building refl ects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Mod-ernism. An extensive renovation, resto-ration, and expansion of the facility was completed in January 2000. In addition to serving as the home of Th e Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citi-zens for performances, meetings, and gala events each year.

11001 Euclid AvenueCleveland, Ohio 44106C L E V E L A N D O R C H E S T R A . C O M

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Severance Hall88 The Cleveland Orchestra

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“Ask Our Experts” Panel Discussion & DinnerThursday, June 5, 5:00 PM-8:00 PM

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C O N C E R T C A L E N D A R


90 The Cleveland OrchestraConcert Calendar

A Taste of SpainSaturday July 19 at 8:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Bramwell Tovey, conductorKaren Gomyo, violinEmily Fons, mezzo-soprano

BIZET Suite from Carmen SAINT-SAËNS Violin Concerto No. 1 FALLA The Three-Cornered Hat Sponsor: The J.M. Smucker Company

Mozart & ShostakovichSunday July 20 at 7:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Stanislaw Skrowaczewski, conductorFrancesco Piemontesi, piano

WAGNER Overture to Der Freischütz MOZART Piano Concerto No. 27 SHOSTAKOVICH Symphony No. 5 Sponsor: Steinway Piano Gallery Cleveland

Beethoven & LisztSaturday July 26 at 7:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA John Storgårds, conductorStephen Hough, pianowith the Kent-Blossom Chamber OrchestraBrett Mitchell, conductor

WAGNER Siegfried Idyll RAVEL Le Tombeau de Couperin BEETHOVEN Overture to Fidelio LISZT Piano Concerto No. 1 SIBELIUS Symphony No. 2 Sponsor: The Goodyear Tire & Rubber Company

Broadway Standing OvationsSunday July 27 at 7:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Jack Everly, conductorChristina Bianco, vocalistTed Keegan, vocalistBen Crawford, vocalistMen of the Blossom Festival Chorus

A "wicked" good evening. Come to Blossom for a concert of Broadway showstoppers, including selections from Phantom of the Opera, Rent, Les Misérables, and more. Sponsor: PNC Bank

S U M M E R S E A S O NSalute to AmericaThursday July 3 at 8:00 p.m. <18s

Friday July 4 at 8:00 p.m. <18s

Blossom Music CenterBLOSSOM FESTIVAL BANDLoras John Schissel, conductor

A Fourth-of-July tradition, with reworks and patriotic hits, Sousa marches, and Tchaikovsky’s “1812” Overture.

July 3 Sponsor: The J. M. Smucker Company July 4 Sponsor: KeyBank

Blossom Festival Opening Night:Dvo ák’s New WorldSaturday July 5 at 8:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Jaap van Zweden, conductorRenaurd Capuçon, violin

TCHAIKOVSKY Capriccio Italien SIBELIUS Violin Concerto DVO ÁK Symphony No. 9 (“From the New World”) Sponsor: Blossom Women’s Committee

Beethoven’s SeventhSaturday July 12 at 8:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Asher Fisch, conductorIsabelle Faust, violin

WAGNER Overture to The Flying Dutchman MENDELSSOHN Violin Concerto BEETHOVEN Symphony No. 7 Sponsor: Hyster-Yale Materials Handling, Inc.

Sci-Fi SpectacularSunday July 13 at 7:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRAJack Everly, conductorGeorge Takei, narratorKristen Plumley, sopranoMen of the Blossom Festival Chorus

Music from a galaxy far, far away. Join The Cleveland Orch-estra on a musical journey through space and time . . . to the nal frontier! Explore strange, new worlds with tunes and tones from the biggest and best science ction TV shows and movies, including selections from Star Trek, Star Wars, E.T., and 2001: A Space Odyssey. An out-of-this-world musical adventure. Live long and prosper!

CLEVELAND ORCHESTRA TICKETS PHONE 216-231-1111 800-686-1141 clevelandorchestra.com

O R C H E S T R A

I N T H E S P O T L I G H T

91Severance Hall 2013-14 91Concert Calendar

BLOSSOM MUSIC FESTIVALSalute to AmericaThursday July 3 at 8:00 p.m. <18s

Friday July 4 at 8:00 p.m. <18s

Blossom Festival BandLoras John Schissel, conductor

Northeast Ohio’s favorite Fourth-of-July concerts feature American classics and pa-triotic selections by some of the country’s best-loved composers, including Gershwin and Sousa, topped off with Tchaikovsky’s “1812” Overture and a spectacular fi re-works display.

July 3 Sponsor: The J.M. Smucker FoundationJuly 4 Sponsor: KeyBank

Romantic RachmaninoffSaturday August 2 at 8:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Johannes Debus, conductorBenjamin Grosvenor, piano

RAMEAU Music from Les Indes Galantes RAVEL Piano Concerto in G major RAVEL Pavane for a Dead Princess RACHMANINOFF Symphonic Dances

Hollywood Under the StarsSunday August 3 at 7:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Richard Kaufman, conductorMichael Sachs, trumpet

Great lm scores of our time. Hollywood maestro Richard Kaufman leads a blockbuster tribute to some of Hollywood's most memorable lm music, with selec-tions from Lawrence of Arabia, Lincoln, Gone with the Wind, The Godfather, The Magni cent Seven, The Right Stuff, and more.

Sponsor: BakerHostetler

The Magic of MozartSaturday August 9 at 8:00 p.m. <18s

Blossom Music CenterTHE CLEVELAND ORCHESTRA Mathew Halls, conductor

MOZART Overture to Idomeneo TCHAIKOVSKY Suite No. 4 (“Mozartiana”) MOZART A Little Night Music MOZART Symphony No. 36 (“Linz”) Sponsor: Medical Mutual of Ohio

<18sUnder 18s Free FOR FAMILIES

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program off ers free tickets for young people attending with their families (two per paid adult Lawn admission for Blossom Music Festival concerts).

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

92 The Cleveland Orchestra92 The Cleveland Orchestra

11001 Euclid Avenue, Cleveland, Ohio 44106 C L E V E L A N D O R C H E S T R A . C O M

AT SEVERANCE HALLCONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visit-ing clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reserva-tion for these tours, please call the Severance Hall Ticket Offi ce at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleve-land Orchestra — including logo apparel, compact disc recordings, and gifts — are available for pur-chase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

ATM — Automated Teller Machine For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground fl oor.

QUESTIONS If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to [email protected]

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and confer-ences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Offi ce at 216-231-7420 or email to [email protected]

BEFORE THE CONCERTGARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Ga-rage can be purchased in advance through the Tick-et Offi ce for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order pre-paid parking, call the Severance Hall Ticket Offi ce at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Cen-ter Garage permits. However, the garage often fi lls up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overfl ow parking is available in CWRU Lot 1 off Euclid Avenue, across from Sever-ance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING Due to limited parking availability for Friday Matinee performances, patrons are strongly en-couraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

CONCERT PREVIEWS Concert Previews at Severance Hall are present-ed in Reinberger Chamber Hall on the ground fl oor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

9393Severance Hall 2013-14 93Guest Information

AT THE CONCERTCOAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground fl oor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videogra-phy are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the fi rst break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consulta-tion with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES

Severance Hall provides special seating op-tions for mobility-impaired persons and their com-panions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheel-chairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Offi ce. Infrared As-sistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Offi ce when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you re-quire medical assistance.

SECURITY For security reasons, backpacks, musical instru-ment cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a fi rearms-free facility. No person may possess a fi rearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat through-out the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

TICKET SERVICESTICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a dif-ferent performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to fi ve days prior to a performance. There will be no service charge for the fi ve-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Offi ce so that those tickets can be resold. Because of the demand for tickets to Cleve land Orchestra perfor-mances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each cal-endar year.

U P C O M I N G C O N C E R T S


See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts.

TICKETS 216-231-1111 clevelandorchestra.com

94 The Cleveland OrchestraUpcoming Concerts

THIS SUMMER . . .

BLOSSOM OPENING NIGHT:DVOŘÁK’S NEW WORLDSaturday July 5 at 8:00 p.m. <18s

THE CLEVELAND ORCHESTRAJaap van Zweden, conductorRenaud Capuçon, violin

The 2014 Blossom Music Festival kicks off with an evening of great classics, beginning with Tchaikovsky’s sparkling Capricio Italien. Guest soloist Renaud Capuçon makes his de-but with the masterful rhythms and harmonies of Sibelius’s Violin Concerto — which one critic famously wrote included the light and lumber-ing footsteps of dancing polar bears. Guest conductor Jaap van Zweden concludes the evening with one of the most beloved sym-phonies, Dvořák’s great postcard home “From the New World,” fi lled with the newfound won-der and energy of America in the Golden Age.

Sponsor: Blossom Women’s Committee

Renaud Capuçon

STAR-SPANGLEDSPECTACULARBrought to You by Cuyahoga Arts & CultureWednesday July 2 at 9:00 p.m.Public Square, ClevelandTHE CLEVELAND ORCHESTRALoras John Schissel, conductor

Join thousands of your neighbors, family, and friends for a very special evening celebrat-ing Independence Day. Each summer since 1990, The Cleveland Orchestra has presented a free concert in downtown Cleveland. This year, the Orchestra celebrates our nation’s founding with a spectacular concert, ending with Tchaikovsky’s “1812” Overture and fi re-works. Brought to you by Cuyahoga Arts & Culture.

Pre-concert activities begin at 5:00 p.m. The concert begins at 9:00 p.m. Admission is free, no tickets are required.

Documents

The Cleveland Orchestra May 29, 30, 31 Concerts