Welcome from Conference Host David Judson & Judson Studios

of Los Angeles,CA.

Sta i n e d Gl a S S aS S o c i at i o n o f am e r i c a

Long Beach 2018 109th annuaL Summer conference

June 18–20, 2018

The Legendary Queen Mary, Long Beach, CA

Saturday, June 16, 20189:00am - 4:00pm SGS Pre-Conference ClassesJudson Studios, South Pasadena Westin Hotel, Long Beach

Image Making with Narcissus & Tim Lamination with Rich Lamothe (Vancouver)Painting with Indre McCraw Restoration 101 with Ralph Mills (Tokyo)

Sunday, June 17, 20189:00am - 4:00pm SGS Pre-Conference Classes continue at Judson Studios

Westin Hotel, Long Beach9:00am - 12:00 pm

1:00pm - 4:00pm

9:00am -11:00am9:00am - 6:00pm

4:00pm - 8:00pm6:00pm - 10:00pm

7:00am7:30pm8:00am8:15am

9:45am

10:45am

11:45am12:15pm

1:30pm

2:30pm

3:00pm3:30pm

3:45pm - 6:15pm5:00pm6:15pm

5:15pm - 9:00pm

9:15pm - 10:00pm

Lamination with Rich Lamothe VancouverAngel Gilding & Mirroring Demonstration Tokyo

SGS Board of Trustees Meeting ShanghaiSGAA Committee Meetings ShanghaiEarly Conference Registration Open Salon C & D LobbySGAA Board Meeting & Dinner Shanghai

Registration & Sponsor Showcase OpensCoffee with Sponsors & VendorsWelcomeRound Table & Restoration ForumSponsored by DHD Metals

Judith Schaechter - “Nothing Personal”Sponsored by Cascade Metals

Ted Sawyer - “How did They do That? Methods in Kiln-Glass”Sponsored by Bullseye Glass Company

Buffet Lunch General Assembly & First Business Meeting

Sponsor Showcase & Silent Auction OpenSpecial Presentation by Andrew Moor - “Architectural Glass Art”Sponsored by the Stained Glass School

Freshen Up - Prepare for Bus Trips - Gather in Lobby for Departure

Welcome Tour, Reception & DinnerFirst Bus Departs for Gamble House from the Westin Lobby* (see note above)

Second Bus Loads & Departs for Gamble House from the Westin LobbyGamble House Self-Guided Tours and Welcome ReceptionFirst Bus Departs for Judson StudiosSecond Bus Departs for Judson StudiosTours & Welcome Dinner at Judson Studios & Bullseye Resource Center LA**Sponsored by Bullseye Glass Company

Buses Return to Westin, Long Beach**At 8pm - one bus will provide transportation to and from the

Judson Studios Garvanza building for an optional tour of that Studio.

Long Beach Summer conference ScheduLe

Monday, June 18, 2018 Westin 3rd Floor | Salon C & D

Judson Studio Classes, Please Note:

You must be on the FIRST bus on Monday afternoon for the Welcome Tour & Reception!

7:00am7:30am

8:30am

9:30am10:30am11:30am12:00pm

1:00pm1:15pm

2:15pm

3:15pm4:30pm

6:00pm

7:00pm

7:45pm

8:30pm8:45pm

8:00am-4:00pm8:00am9:00am

10:00am11:00am - 12:45pm

1:00pm3:00pm4:00pm

Registration & Sponsor Showcase OpensCoffee with Sponsors & VendorsSilent Auction Open

Elizabeth Devereaux - From “New Glass” to Now - a 50 year Journey in Glass”Sponsored by St. Just Art Glass

Gordon Huether “Stained Glass & Beyond: 30 Years of Art Practice”Lesley Elwood - “Contemporary Glass in Public Art”Buffet LunchGeneral Assembly & 2nd General Business MeetingSilent Auction ClosesAriana Makau - “Taking the Lead in Lead Exposure Prevention: Mitigating

Hazards in Stained Glass Conservation”Sponsored by DHD Metals

Matthew Day Perez “At and Through: Considering Transparency and Reflection”Sponsored by Angel Gilding

David Ruth “Internal Light, Melting Glass as a Tool of Artistic Expression”SGAA Board Meeting - Shanghai RoomFreshen UpAwards Reception & Banquet - Ocean BallroomAwards Reception - Ocean Terrace WestSponsored by Paul Wissmach Glass Co.

Awards Banquet - Ocean BallroomSponsored by S.A. Bendheim

Keynote Speaker: Lindsy Parrott “The Artistry & Innovation of Tiffany’s Stained Glass Mosaics”

Sponsored by Franklin Art GlassPresentation of Awards Presentation of SGAA Officers for 2018-2019

Gather for Departure in the Westin 1st Floor LobbySGAA Conference Tour Tour Buses Leave the Westin Hotel

USC Caruso Catholic CenterCathedral of Our Lady of the AngelsGrand Central Downtown Los Angeles

Lunch on your own at the Station Frank Lloyd Wright’s Hollyhock HouseDowntown Long Beach

Tour Buses Return to Westin Long Beach

Wednesday, June 20 LA Experience Glass Tour

Tuesday, June 19, 2018 Westin 3rd Floor | Salon C & D

“experience gLaSS” 2018

All conference events at the Hotel take place on the 3rd Floor of the Westin - a map can be found near the end of the program.

Bullseye Glass Co.3722 SE 21st Ave, Portland, OR 97202

503-232-8887www.bullseyeglass.com

S. A. Bendheim 82 Totowa Road, Wayne, NJ

800-221-7379www.bendheimartglass.com

Franklin Art Glass Studios Inc. 222 E. Sycamore St, Columbus, OH 43206

614-221-2972/614-221-5223 fax www.franklinartglass.com

Paul Wissmach Glass Company P O Box 228, Paden City, WV 26159

304-337-2253 www.wissmachglass.com

Angel Gilding 1945 Gardner Rd., Broadview, IL 60155

1-866-341-3340 www.AngelGilding.com

DHD Metals, Inc. P O Box 165, Conyers, GA 30012

800-428-6693 www.dhdmetalslead.com

JMW Metal Consult, Inc. / Amerway 3701 Beale Ave., Altoona, PA 16601

800-829-6337www.amerway.com

J. Sussman, Inc. 109-10 180th St., Jamaica, NY 11433

718-297-0228/718-297-3090 fax www.jsussmaninc.com

Kokomo Opalescent Glass Co. P O Box 2265, Kokomo, IN 46904

765-457-8136 www.kog.com

Northwest Art Glass, Inc.9003 151st Avenue NE, Redmond, WA 98052

800-888-9444www.nwartglass.com

Reusche & Co. of TWS, Inc. 1299 H Street, Greeley, CO 80631 970-346-8577/970-346-8575 fax

www.reuscheco.com

Bohle America 10924 Granite St, Charlotte, NC 28273

704-247-8400 www.bohle-america.com

Cascade Metals 1614 West 75th Avenue

Vancouver BC V6P 6G2 Canada 877-298-8884/604-261-8464 fax

www.cascademetals.com

Verrerie de Saint-JustZI de la Verrerie – 42176 Saint-Just

Saint-Rambert Cedex+33 477 362 101

www.saint-just.com

Imagilux LED 2877 Chad Drive Unit B, Eugene, OR 97408

541-684-0013/541-228-3691 www.lightbeaminc.com

Modern Litho-Print Company 6009 Stertzer Road, Jefferson City, MO 65101

800-456-5867/314-781-0551 www.modernlitho.com

Judson Studios 143 Pasadena Ave.

South Pasadena, CA 910301.800.445.8376

SGAA Stained Glass School 255 Pratt St., Buffalo NY 14204

816-737-2090www.stainedglassschool.org

2018 ConferenCe SponSorS

our Gratitude for Your SupportEach year, it is with the gracious financial support of our

manufacturers, suppliers, and members, that special events are made possible at the Annual Summer Conference. Please show your support for these sponsors in the year to come with your stained glass purchases.

PatronsBullseye Glass Co. - www.bullseyeglass.com

S.A. Bendheim - www.bendheimartglass.comStained Glass School - www.stainedglassschool.org

SponsorsSussman Architectural Products - www.jsussmaninc.com

Amerway / JMW Metal Consult, Inc. - www.amerway.comThe Judson Studios - www.judsonstudios.com

DonorsDHD Metals - www.dhdmetalslead.com

Paul Wissmach Glass Co. - www.wissmachglass.comModern Litho Printing - www.modernlitho.com

ContributorsImagiLux Ultra-LED Panels - www.lightbeaminc.com

Cascade Metals - www.cascademetals.comFranklin Art Glass - www.franklinartglass.com

Verrerie de Saint-Just - www.saint-just.comBohle America - www.bohle-america.com

Northwest Art Glass - www.nwartglass.comAngel Gilding - www.AngelGilding.com

SGS PatronsOur very special thanks to the following companies whose generous support of

the Stained Glass School through annual financial contributions and/or product donations has earned them the title of SGS Patron. To find out about becoming an SGS Patron, please speak to Sister Ann Therese Kelly, Director of the Stained Glass School.

Reusche & Co. of TWS, Inc. - www.reuscheco.com S. A. Bendheim - www.bendheim.com

Fuse Master Enamels - www.fusionheadquarters.com Victoria Millard in remembrance of Richard Millard

Kokomo Opalescent Glass Co. - www.kog.comImagiLux Ultra-LED Panels - www.lightbeaminc.com

Solstice Stained Glass - http://www.solsticestainedglass.com/Judson Studios facilities - Top to Bottom: Garvanza Bldg Exterior & Pasadena Bldg Exterior & Interior

preSentationS & SpeakerSSpecial Guest

Andrew Moor sponsored by the Stained Glass School

“ARCHITECTURAL GLASS ART”Where have we come from?

Where are we going?

Why are we here?

The answers to all these minor questions will be revealed - in full!

Andrew Moor has been a central figure in the Architectural Glass world for nearly thirty years and has worked with well known artists and architects on projects at an international level using a variety of techniques.

Andrew Moor Associates was founded in 1984 to assist architects in managing glass art projects. In only one year, his practise became the international agent for Derix Glass Studios, project managing artworks across the UK up to 1,000sqm. Andrew Moor Associates swiftly developed into an international company, creating autonomous and architectural artworks in locations across Europe, as well as in Asia and the US. Andrew Moor is known throughout the glass art world as an authority on what can be achieved in glass, managing Patrick Herron’s glass art project in the Tate Gallery as well as artworks by Christopher Le Brun and Henry Moore.

wwww.andrewmoor.co.uk

“Nothing Personal”with Judith Schaechtersponsored by Cascade Metals

Judith will present a discussion of her work from age four, when she drew “Winston Churchill In His Coffin” to the present. The lecture will include discussion of how she comes up with her ideas to how she designs them to how they are actualized. Judith

promises to go into depth about some of her stained glass techniques, which include sandblasting with hand cut and photo stencils, engraving, and painting.

Judith Schaechter has worked in stained glass for 35 years since graduating from Rhode Island School of Design. Her work is collected internationally and is represented in such museums as The Philadelphia Museum of Art, the Victoria and Albert Museum and the Renwick Gallery of the Smithsonian. Judith’s work was included in the 2002 Whitney Biennial, a collateral exhibition of the Venice Biennale in 2012 and she is a 2008 USA Artists Rockefeller Fellow. In 2013 Judith was inducted to the American Craft Council College of Fellows.

www.judithschaechter.com judithschaechterglass.blogspot.com/

“Stained Glass and Beyond”with Gordon Huether

Public Artist Gordon Huether will discuss the evolution of art glass through the lens of his 30-year career. Through case studies, discussion of glass techniques and applications,

as well as other materials the artist now works with, Huether will provide a thorough overview of what it means to be an artist working in the public arena. Huether will also draw upon a career of experiences and insights, as well as personal anecdotes in his lively and wide ranging talk.

Gordon Huether has created public art installations for universities, hospitals, recreation centers, civic buildings, libraries, museums, airports, transportation centers, parking garages, and private corporations throughout the world. He has completed more than 250 art commissions over the course of his 30-year career. In addition, his fine artwork has been exhibited at museums and galleries, and is represented in private collections throughout the United States and Europe. Inspired by his father, Huether made his first stained glass piece at the family’s kitchen table and as his career progressed, he began working with a wide variety of glass applications, and other materials, including steel, aluminum, fabric and composite materials.

gordonhuether.com

“From “New Glass” to Now - a 50 year Journey in Glass”

with Elizabeth Devereaux sponsored by Verrerie de Saint-Just

Times have significantly changed for the art glass world in the last 50 years. Influenced by the German and other European masters, many took different roads. My journey took the road of contemporary liturgical glass and public art. Always site-specific, and

intentionally collaborative, nature is my symbolic language as I explore both the lushness of watercolor and the intriguing optical qualities of reflection, and light projection within architectural space.

“The power of imagination and art is at the level of soul, where we do not consciously know what is happening. Therefore, we cannot engineer it, do not need to understand it, nor can we fully stop its effects! “(Richard Rohr)

“The imagination works through suggestion, not description. Description is always direct and frequently closes off what it names. Suggestion respects the mystery and richness of a thing. All it offers are clues to its nature.” (John O Donahue)

http://devglas.com/

109th annual Summer ConferenCeKeynote Speaker

“The Artistry and Innovation of Tiffany’s Glass Mosaics”

with Lindsy Parrottsponsored by Franklin Art Glass

Lindsy R. Parrott is the executive director and curator of The Neustadt Collection of Tiffany Glass in Queens, New York. She has organized popular traveling exhibitions drawn from The Neustadt’s permanent collection. Among her recent projects, Lindsy served as co-curator of the special exhibition Tiffany’s Glass Mosaics and co-editor and co-author of the award-winning

companion publication, a project organized jointly by The Neustadt and The Corning Museum of Glass.

Lindsy previously held positions at The Charles Hosmer Morse Museum of American Art in Winter Park and the Norton Museum of Art in Palm Beach, both in Florida. She is an adjunct faculty member in the Smithsonian–George Washington University Master’s Program in the History of Decorative Arts + Design in Washington, D.C. She has written and lectured extensively on various aspects of Tiffany’s career.

“Taking the Lead in Lead Exposure”with Ariana Makau sponsored by DHD Metals

Learning to navigate the realities of day-to-day stained-glass treatment with regulatory expectations is an ongoing process. Ariana Makau will give an overview of select examples of Health & Safety improvements as utilized at Nzilani Glass Conservation, to be implemented in your own studio. When we are safe, we are freer to enjoy what we do, and the quality of our work improves. All stained

glass workers should adhere to OSHA as well as Federal and local construction regulations. While these may seem overwhelming at first, Ariana will breakdown best practices resulting in a safer environment for everyone.

Ariana Makau has been involved in the field of conservation for over 20 years, having worked at the J. Paul Getty Museum, the Victoria & Albert Museum and the Metropolitan Museum of Art. She is a Professional Associate of the American Institute for Conservation of Historic and Artistic Works (AIC), a member of the Women Presidents Organization (WPO) and acts as an Independent Stained Glass Conservator/Consultant with various art institutions that do not have stained glass conservators on staff.

www.nzilani.com

“At and Through: Considering Transparency and Reflection”

with Matthew Day Perez sponsored by Angel Gilding

Glass is a ubiquitous and often over looked material. We clad buildings with it, adorn interiors, look through it, and engage with it even in our mobile devices. This talk will be a short survey of glass and mirror production as it relates to my personal rapport with the material and how I exploit its many properties in my studio practice.

Day-Perez has received many awards including the Fulbright, the John Rena National Endowments for the Arts Scholarship, a U.S. State Department Grant for new works, a Lois Roth Grant as well as residencies at The Corning Museum of Glass, The Creative Glass Center of America, and Pilchuck glass School. He has lectured at several academic/creative institutions both domestically and abroad in addition to numerous exhibitions in the United States, Australia, Asia, and New Zealand.

MatthewDayPerez.com

“How did They do That?”with Ted Sawyersponsored by Bullseye Glass Co.

Bullseye Studio, the fabrication arm of Bullseye Glass Company, has a long history of taking on large-scale projects for art and architecture that involve challenges and risks that many studios would otherwise avoid. This presentation will be a series of case-studies

detailing those challenges and how they were met through a range of solutions and technical innovations.

Ted Sawyer received his BA in art with a focus in ceramics from Lewis and Clark College. From 1992-1993, he was the artist-in-residence at the Museum of Contemporary Craft in Portland, Oregon. In 1997, he joined Bullseye Glass Company, where he leads the Research and Education Department, directing process, material, product and equipment research through a variety of programs including large-scale fabrication and an artist in residence program. He teaches and lectures internationally and directs the production of Bullseye’s online educational videos. His glass work has been featured multiple times in Corning’s New Glass Review and is exhibited at galleries and museums Glass Review and is exhibited at galleries and museums around the world.

www.tedsawyer.com

“Internal Light, melting glass as a tool of artistic expression”

with David RuthDavid Ruth will review his journey from

casting glass in Los Angeles in the 70’s through his current architectural project of cast glass geology. He has been a pioneer in making arhitectural cast and fused glass panels using kilns and furnaces to find ways of extending the language of glass into sculpture and architecture.

David Ruth is an independent artist in Oakland casting glass sculpture and architectural panels. Searching historical techniques for lost opportunities and ways of thinking that were left behind he looks for early processes made obsolete by industry. Originally learning to melt glass from Los Angeles artist, Roger Darricarrere, David has perfected architectural scale fused and polished panels and mold cast sculpture. His work can bee seen in public and private commissions and museums around the world.

www.davidruth.com

“Contemporary Glass in Public Art”with Lesley A. Elwood, Elwood & Associates

Public Art Programs throughout the United States are looking at ways in which artists can integrate glass into their collections. This presentation will show samples of completed projects and discuss issues and solutions for consideration when working with a public agency.

Elwood & Associates (EA) was formed in 1993 to assist governmental agencies in cultural planning to satisfy their public art requirement. All projects are overseen by Lesley A. Elwood, personally.

facebook.com/ElwoodandAssociates

preSentationS & SpeakerS continued

The Westin Long Beach Map of 3rd Floor Meeting Space

painting with indre mccraw | JudSon StudioS 143Indre McCraw shares her process and tooling in this take on the traditional glass painting class. The class will focus on making “creature pieces”, creating playful and confident pieces using different glass painting techniques and tricks with the goal of taking away 2 to 3 fired samples. Indre has been a glass painter and designer for over twenty years; she graduated with a BFA in Illustration and Art Education in 1994 from Parsons School of Design. In 1996, after working as a textile designer in NYC’s fashion district, she became the third apprentice and Kress Foundation fellow of the St Ann’s stained glass conservation program where she had first been introduced to the field as an intern in 1993. While training in conservation techniques, it became clear that her interest and aptitude were specifically geared towards stained glass replication painting. Indre has replicated work for the Stanford White Cottage in Montauk; The Thomas Edison House in New Jersey; and the Metropolitan Museum of Art, most notably for the Langon Chapel at the Cloisters. She took on a painter position at Judson Studios in 2016.Her original painting and design work can be seen at Princeton University’s Ivy Club, Yale University, and at Temple Beth Or in Maple Glen, PA. (http://www.indremccraw.com)

$400.00 | Limit 8 students

image making with narciSSuS & tim | JudSon StudioS 143Narcissus Quagliata & Tim Carey join forces again, this time to teach in their own studio space! Immerse yourself in The Judson Studios new, state-of-the art stained glass and kilnforming facility. This class will examine the relationship between painting on glass with vitreous enamels and fusing. Participants will learn about combining methods to make images that can be at once both very crisp and concrete while also having passages that seem to float or even dissolve.

$725.00 | Limit 16 students

Because of the generous support of our Sponsors and the Stained Glass School silent auction at conference every year, we are able to offer intense, in-depth conference classes and demonstrations before each conference as well as at approved studio spaces around the country throughout the year. We are always looking to expand our offerings and work with new techniques and instructors. Please reach out and let us know what you would like to see at future conferences. The Stained Glass School offers annual scholarships which can be used any of our class offerings including pre-conference workshops and demos.

SaturdaY & SundaY, June 16 & 17 | 9am-4pm

SundaY June 17 | 1pm-4pm

SaturdaY, June 16 | 9am-5pm

SaturdaY, June 16 9am-5pm & SundaY, June 17 9am-12pm

angeL giLding & mirroring demonStrationMirroring, in particular Angel Gilding, has long been part of the techniques employed by stained glass artists. Attend this session where we will discuss the history of the craft and demonstrate a variety of mirroring techniques. We will silver sheet glass, gild a globe and demonstrate antiquing techniques that are in growing demand in the glass art world. Many stained glass artists are finding that mirroring is a great way to expand out the options they can offer their customers and carry on a time honored craft.Sarah King was a stained glass artist in Chicago searching for a way to replicate the gold mirror in historic bungalow windows in the area. She connected with Rick Glawson, who had become skilled at angel gilding-the 19th century technique for chemical deposition of gold onto glass. After Rick’s sudden passing, Sarah founded the company Angel Gilding with her chemist husband Mike in 2003. Their daughter, Alix joined the team in 2015. Angel Gilding now provides mirroring supplies and techniques around the world.

Free - Registration is Required | Limit 20 students

Lamination with rich Lamothe | weStin Long BeachThis introductory workshop presents a new method of combining the functionality of modern architectural glazing substrates, such as insulated glass and safety glass, with the tradition of stained glass artistry. Lamination techniques offer a practical solution for stained glass designs that can be efficiently combined with acid etching, painting, and abrasive etching processes to provide an economical architectural-design solution.

Rich Lamothe established Glass Strategies in 2004 (glassstrategies.com). They quickly surged to the top of their industry thanks to their experienced team and cutting edge facilities. They serve a remarkable list of clients both national and international. “From the miniature to the monumental, we bond art and science as deftly and creatively as we bond glass. Now, there’s nothing glass can’t do.” Rich currently also works for Bohle America as technical support for UV Bonding and 2K Silicone.

$225.00 | Limit 8 students

reStoration with raLph miLLS | weStin Long BeachSo, you’ve been doing this thing called stained glass for some time now and you’re pretty darn good at it. Then along comes “So-in-so” and asks you to re-lead their 100-year-old window. “Ahhhhhhhhh…… sure I can do it” you say. After all, how hard can it be? Truth be told, it’s not that hard if you know how to do it. It is however, a whole different animal compared to new work. No doubt about it, restoration work is more involved and more complicated. Not to worry. Join stained glass veteran Ralph Mills and learn the ABC’s of restoration. Topics include documentation, rubbings, disassembly, cleaning, glass conservation, glazing, cementing, finishing and many more “secrets” of restoration. No need to shy away from those lucrative restoration projects any longer!

$200.00 | Limit 10 students

San antonio 2019110th annual Summer ConferenCe

“Celebrate Glass!”May 30 - June 6, 2019

Wyndam Riverwalk, San Antonio, TXJoint Conference hosted by both SGAA & AGG

The Stained Glass Association of America (SGAA) and The American Glass Guild (AGG) take great pride in announcing a joint 2019

conference. The conference will take place at the Wyndham in beautiful San Antonio, Texas May 30 - June 5, 2019.

Both organizations will be working together to bring their memberships an incredible conference. This conference will prove to be one of high energy, great speakers and much camaraderie. The conference hotel is located directly on the famous San Antonio River Walk; a cypress covered walkway through the center of town with arched bridges and beautiful landscape and lined with cafés, hotels and shops.

Learn Both organizations are firmly grounded in providing high quality education to their membership. A committee, made up of representatives from both organizations, is already lining up incredible speakers, workshops and demonstrations

Network Attendees should also expect to expand their network by meeting new peers from all over the United States and the world. They will also discover how many people are actually members of both organizations!

Share It’s great to attend a conference, but if you really want to increase the benefits, get involved. If you feel you have something to share or just want to help - this is your year. Contact your organization representative today to get involved.

Enjoy But most of all it is a time to relax and share the love of this truly historic and magnificent art of stained glass that we all share. Whether your focus at the conference is workshops or sightseeing, many activities are being planned around San Antonio to provide opportunities to get to know one another and allow participants to go home inspired.

Watch for updates and registration on both the SGAA and AGG’s websites. With excitement,

David Judson, SGAA President & Tony Glander, AGG PresidentHave more questions or comments? Would you like to get involved? Do you have an idea for a demo or

presentation? Contact the SGAA Office at 816-737-2090 or headquarters@sgaaonline.com or reach out to the AGG Committee at 301-460-6404 or conference@americanglassguild.org - See you in Texas!

2019

San Antonio • Texas

S u m m e r C o n f e r e n c e