Teduh Marketing Kit_161342.pdf · Eko Prawoto — Architect and lecturer who combines contemporary design with local knowledge. ... House no.7 by eko PrAWoto House no.9 by AhmAd dJuhArA

6. 7.

Tanah Teduh’s reactive architecture adapts dynamically to the contours of its land, one may in fact find the existence of a tree plot inside the living space as the result of keeping the natural element intact and unchanged. Its basic efforts in keeping the environment together are apparent through the preservation of the lake that is used well to manage wastewater and become a dam for rain water. In its essence, the project idealizes an environment where energy is used to its minimum, and further promotes a balance of living efficiently.

“I hope Tanah Teduh will be a source of inspiration and a project that Indonesia could be proud of” as explained by developer, Ronald Akili. Tanah Teduh honors the work of nine admirable Indonesian architects, with their distinct architectural styles that combines the enrooted principle of modern architecture to support the aesthetics of concrete, wood, water, light, space and nature, promoting a sense of place and meaning to its resident. Its stark architecture among the lush green vegetation further reflects the architects’ vision to further engage the residents with the sensibilities of Indonesian contemporary architecture.

Pro logue

Tanah Teduh is a residential project aiming to emphasize Indonesian contemporary architecture. As a pilot project,

the project exists to answer the needs of the developer, architects and end users by focusing widely on its aesthetics

and function equally. Headed by prominent Indonesian architect, Andra Matin as principle architect, Tanah Teduh was established to find a riveting solution to everyday living by gathering nine like-minded architects to visually design a building that is defined by its pre-existing environment.

It further encourages an amiable living experience on the grounds of an honest and unobtrusive living space

enveloped by a healthy distribution of sunlight, open ventilation and existing tree plots.

8. 9.

Warm Regards,

Andra MatinPrincipal Architect

Tanah t e duh and I . . .

It has been a pleasant task to work on the 2 hectares land, with lush and luxuriant trees growing in the eastern part of

the site and on the dale in the west.

The first thing I decided when I began working here was to keep as many original trees as possible, and to make an optimal use of the land contour. I also use the existing ponds on the west as the wastewater processing facility and water catchment area. The existing bodies of water also serve as aesthetic elements in the complex.

I then proposed for the government of the special capital territory of Jakarta to simplify their street plan to enable us to keep the land with the existing trees intact. Some of the houses in the complex share a communal parking lot to maximize the verdure.

The site has two main views; one of them having the lake as the focal point, and another the existing trees, forming a kind of inner garden.

I have been fortunate as the site’s owner let me choose the architects to work on the project. I thus selected competent architects who would be able to collaborate well in the project.

I hope the project can serve as a model for future developments that consider the nature and uses the surrounding nature as an integrated part in the design.

The mission behind this project is partly educational, as Tanah Teduh is an invitation to revert back to Indonesia’s architecture at its best, calling out everyone to experience a proper way of living in a space designed by outstanding architectural practice, with high hopes that Tanah Teduh can be a benchmark and an exemplar for future developments in Indonesia.

Sincerely Yours,

Ronald AkiliDeveloper

11.

Adi Purnomo — Started own practice Mamostudio in Jakarta in 2000. Received IAI (Indonesian Institute of Architects Awards) in 2002 and 2005. Author of book Relativitas (2005) that shows the attitude to put actual and rational reasons as the base of his design decision.

Zenin Adrian — Founded ZADL & recently participated in the Ordos 100 Villas Project in Mongolia instigated by Herzog and de Meuron and Chinese architect/artist Ai Wei Wei, where 100 world-class firms from all over the globe were invited to contribute their respective visions within the site.

Antony Liu — His first collaboration with Ferry Ridwan under the name TonTon Architect was in The Bale design project. This 2.8 hectare resort in Bali received an award from the IAI (Indonesian Institute of Architects) in 2002 for its remarkable architectural concept.

Ferry Ridwan — One of TonTon Architect's founders. Along with Antony Liu & Andra Matin, their signature design of The Infinity Chapel at the Conrad, Bali has become host to many unforgetable wedding events and is a landmark of new approach on minimalist architecture design.

Wendy Djuhara — A prominent young architect Wendy Djuhara founded Djuhara+Djuhara with her husband Ahmad Djuhara. Their award-winning works includes the Steel House, which incorporates drastic unusual redesign of the typical suburban Indonesian home into comfy modern house.

The Arch i t e c t s

Andra Matin — Principal Architect for Tanah Teduh, loves travelling & photography. Established andramatin in 1998. Awarded with five IAI (Indonesian Institute of Architects) Awards 1999, 2002, 2008, 2009, 2010, 2011 and architecture exhibition at GA Gallery, Tokyo.

Ahmad Djuhara — Chairman of IAI (Indonesian Institute of Architects). His radical design for the Steel House project has become an icon for a new generation of Indonesian architects, marking a new idealistic architectural belief, one that is cheap, energy-efficient, and, most of all, comfortable.

Eko Prawoto — Architect and lecturer who combines contemporary design with local knowledge. He has been intensively involved in the world of art, joining in many exhibitions, as well as in many other activities. His recent research is about earthquake-resistant buildings made from bamboo, straw, and woods from the coconut tree.

Yori Antar — Architect, educator, photographer, book writer. Speed and timing is the best key success in design process. Recently started the Rumah Asuh project, a movement trying to preserve traditional houses.

Tan Tik Lam — Lam, who has a strong grasp of materials, is known for his quintessential qualities: simplicity, cleanness, humility, and honesty. He has received the China Best Design Hotel Award in 2009 for Kayumanis Nanjing, China and the IAI Award 2009.

Antony Liu

Yori Antar

Ahmad Djuhara

Andra Matin

Ferry Ridwan

Wendy Djuhara

Zenin Adrian

Eko Prawoto

Tan Tik Lam

Adi Purnomo

14. 15.

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Floating PoolThe Clubhouse

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Communal Garden

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L + L H O u S E

01 L+LHouse

Antony Liu & Ferry Ridwan

420 sqm 330 sqm

We call the house “Light+Light House”. It is a lightly-designed home; one that’s full of light. The design concept is rooted in the idea to make use of the lush and shaded site; the house should respond harmoniously to the surrounding nature.

The site is 475 sqm big, with existing fruit trees that are still productive. A rambutan tree stands in the middle of the site, so the building would be divided into two to give space to the tree. This results in two building masses.

A N T O N Y L I u & F E R R Y R I D W A N

28. 29.

L + L H O u S E

First Floor

A N T O N Y L I u & F E R R Y R I D W A N

Ground Floor

A r c h i t e c t :

s i t e m A P :




30. 31.

H O u S E N O . 0 2

Andra Matin

570 sqm 394 sqm

02 HouseNo . 02

The house is built in the form of the letter L, to respond to the shape of the site. The separate dining room is made to appear like a floating gazebo on water, with the view to the garden. The corridor upstairs is constructed using glass walls to weaken the sense of a long corridor, and air circulation is made possible through a long opening over the glass structure, protected with chicken wire to keep mosquitoes out.

Rooms can be accessed from the corridor of an open space, mimicking the casual and informal character of a village house in Indonesia. The same treatment is given to the main staircase that is left open without surrounding walls, letting anyone to use it.

The sitting room is located in a sheltered corner to maintain its privacy. The main bedroom is upstairs with the view to the garden, and the main bathroom is left open to accommodate the existing tree inside.

A N D R A M A T I N

32. 33.

First Floor

H O u S E N O . 0 2

Ground Floor

A N D R A M A T I N

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34. 35.

S P L I T H O u S E

Wendy Djuhara

325 sqm 269 sqm

03 Sp l i t Hous e

W E N D Y D J u H A R A

The design constraints of this unit came mostly from the site conditions. Sitting on one of the smallest lots, with setback lines on three sides of the site, a sloping contour, plus five existing trees that could not be removed, the site provided enough challenge for this little house.

The lot is located in a corner of the development that faces a common green area. An old giant randu tree stands and creates shade in the middle of the green. Some of the houses next to the green don't have their own parking garage, but shares a common parking space underneath the green.

These unique site conditions initiated the idea to continue the green slope as part of the house, burying some parts of the house. A green ramp slopes up to the entrance of the house which is located at the upper level. The living, dining, and kitchen area occupies a large space in front, facing the view towards the giant randu tree. The master bedroom and guest bedroom/study is also located on this level.

The children's bedroom are located on the lower level, along with the servant's quarters which is half

buried under the green slope, but has direct access to the front of the house. A courtyard is located in the center of the house, creating space for an existing tree, and allowing sunlight and air movement throughout the house.

The massing of the house, gabled roofs, hollow bricks, and other local materials echo the language of small kampung houses that surround the location. Local materials and traditional shapes are orchestrated with contemporary techniques and layout to better suit the future occupants of the house.

36. 37.

S P L I T H O u S E

First Floor

W E N D Y D J u H A R A

Ground Floor

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38. 39.

T R E E H O u S E

04 TreeHouse

Adi Purnomo

405 sqm 333 sqm

When Mas Aang (Andra Matin) asked me to be involved in this project, I was interested because within the project lies the intention to be more environmentally-friendly. I was not going to talk about green spaces and energy-saving approaches as I thought they had always been embodied in the design concepts that I have done in my previous works. What I thought in the early days of this particular design stage was the use of alternative wood.

Why using alternative wood? What I meant by “alternative wood” was plantation wood or used wood. By using such wood, I wish to open up the opportunity of using non-forest timber for housing needs.

At first I suggested to use the wood from coconut trees because Indonesia has the largest total area of coconut plantations in the world, and the trees will be replanted after sixty to a hundred years. Considering the entire coconut plantation areas in Indonesia, the total volume of cut coconut trees every year reaches millions of cubic meter. The idea was immediately rejected, however, owning to worries about the durability of coconut wood. I was unable to push the idea forward.

In the process, the design was continuously changed to find a consensus. There was a time when the idea of using concrete and grass roofing was put forward, but I found it a cliché. Then the opportunity arose to use ironwood from a knocked-down pier in Samarinda. I passed on the idea and it was accepted. We then developed the design to use the available ironwood. There was the idea to combine it with concrete, but we finally decided to use only the ironwood.

I suggested that the ironwood be sawed to be able to have an efficient use of it, but apparently the owner found it a pity to saw the exotic-looking wood blocks. We then tried to meet the construction need for the house without sawing off the big wood blocks. For the interior, we use rubber wood, which also has the potential to be used as timber considering the vast area of rubber plantations in Indonesia. Indonesia’s rubber plantations make up a third of the total world’s rubber plantation areas.

In the process, however, there had been negotiations to use ceramic, aluminum, and other materials or tools that we could not help using. I actually try to avoid using aluminum owing to its huge “embodied energy”, which is even greater than that of steel. It is one of the most environmentally-unfriendly materials considering the harmful waste it produces during its making.

At the end of the day, the end product will not be as I had first imagined it would be. However, we have tried our best to create an energy-saving and environmentally-friendly building. There is no need for me to be disappointed.

Bogor, April 21, 2011

A D I P u R N O M O

40. 41.

T R E E H O u S E

First Floor

Second Floor

A D I P u R N O M O

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T H E R A N D u

Yori Antar

365 sqm 324 sqm

05 The Randu

Y O R I A N T A R

Tanah Teduh project is an idealistic project designed to contribute to the development of environmentally-conscious tropical architecture in Indonesia. The project is an initiative from Andramatin architects consultant bureau, entrusted with the task of designing the master plan and coordinating a number of architects to work on a verdant area in the south of Jakarta.

After every architect involved has been allocated with a site within the area, the most captivating thing for me is the large and enchanting randu tree across our site. Ours is a site in the shape of a trapezium and lies next to Adi Purnomo’s site. One question reigns in my mind: How to make the presence of the randu tree felt inside the building...

44. 45.

T H E R A N D u

First Floor

Second Floor

Y O R I A N T A R

Ground Floor

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B A R N Y A R D H O u S E

Tan Tik Lam

459 sqm 294 sqm

06 Barny ard House

The house identifies with the modern way of simple living. With the master bedroom on the ground floor, the layout of the two-story house provides an intimate living space for the young family who resides within. Local materials such as terra cotta roof shingles to wooden frames are used to show the characteristic of this humble yet modern interpretation of a barn house.

T A N T I K L A M

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B A R N Y A R D H O u S E

First Floor

T A N T I K L A M

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50. 51.

K A M P O N G H O u S E

Eko Prawoto

445 sqm 334 sqm

07 Kampong House

E K O P R A W O T O

When I first visited the site in Jati Padang, one of the strongest impressions I had about the site was the strong charisma exuded by the trees, with their large number, variations, and ages, as well as the presence of ponds. Trees and water are vital and ideal elements to have in a residential area or living space. The initial idea to develop the site without felling any single tree has truly been a wise decision and reflects the humility to prioritize the nature. I was given the chance to submit a home design for the corner site on which several rambutan trees are standing. The trees will grow larger and bear fruits in the future, and we must thus respect their existence.

Programmatically, needs dictate the construction of a two-story building. The basic idea is to develop the design to enable the necessary spaces to respond to the surrounding nature. The inside spaces should exist as a continuation of the external space, creating a continuum between the internal and external spaces. Every corner of the rooms inside should forge a distinct relation with the site, enabling the richness and the variety of the surrounding space to be felt and experienced.

The different atmospheres inside the house can be enriched through the use of such natural materials as stones, bricks, wood, or even bamboo. With such a variety, the building will not become solid and monolithic, but instead exists as planes of different materials that stand side by side, forming a space. The atmosphere would perhaps resemble that of an organic village house; a home that is growing and changing, instead of one that is finished and frozen.

The use of old wooden window frames should be considered to establish an even richer sense of time. Such interlacing of various characters would establish the atmosphere of the house, which is formed by a weaving of different characters, forming a structured but flexible space, one that is open yet private. It is a space full of sensations, but remaining from being trendy. Consisting of two building masses facing each other, forming a corner that fits the geometry of the site, the house as a whole exudes a sense of dynamics. The two masses form an ambiguous in-between space, wherein stands a tree and a half-open space with a flexible function. Strengthened by the varied materials, the interior atmosphere might remind us of a sequence in a village.

The name of “Kampong House” might be suitable for the house. Considering the atmospheric character of the house that is shaped by a weaving of different spaces and materials with openness toward the nature, thus establishing a visual symphony, perhaps the moniker of “tropical jazz” house might also be suitable.

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K A M P O N G H O u S E

First Floor

E K O P R A W O T O

Ground Floor

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H O u S E N O . 0 8

Andra Matin

361 sqm 337 sqm

08 House No . 08

The house shows a strong characteristic of a filigree box, presented in an interlock with the main box that also serves as the roof. The bedroom on the ground floor is surrounded by a sloping landscape, making the room seem to be partially buried.

A N D R A M A T I N

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First Floor Second Floor

H O u S E N O . 0 8A N D R A M A T I N

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58. 59.

L I G H T H O u S E


Ahmad Djuhara

350 sqm 280 sqm

09 L i g h t House

The building on the triangular site responds well to the tropical climate. Designed using steel structure, the building is expected to look light and therefore lightweight materials are used for the façade: insulated wall panels. To anticipate rain splatter, windows are sunken into the wall, while the children’s room has a terrace covered by used wood panels. The opening of the building is maximized toward the back area, which functions as a garden. Heat reduction is achieved by using insulation materials on the walls. The landscape at the front area of the site is sloped in order to create extra privacy on the ground floor, while also responding to the surrounding areas.

A H M A D D J u H A R A

60. 61.

L I G H T H O u S E

First Floor

A H M A D D J u H A R A

Ground Floor

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62. 63.

T E R R A C E H O u S E

Zenin Adrian

271 sqm 345 sqm

10 TerraceHouse

The design of Terrace House has more of a political motive than the design one. It was inspired by current single house predicament where the automobile has taken over the front of the house.

Terrace House basically was designed to reclaim the front yard and extend the living room face forward. A simple reorganization of the programming is required to raise the living room to the 2nd floor and extend it out to the front deck above the carport. The magnificent view of the pond in front is the best reward for all that effort.

Z E N I N A D R I A N

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T E R R A C E H O u S E


Z E N I N A D R I A N

Ground Floor

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66. 67.

H O u S E N O . 1 1

Andra Matin

372 sqm 374 sqm

11 HouseNo . 11

The building is designed to respond to unit 03 next to it. The floor plan is arranged in such a way as to form a common inner court that simultaneously forms as boundary that establishes the privacy for each of the units.

The living and dining areas are placed together in one space with a two-story high ceiling and an opening at the upper wall, enabling an open view to the outside space and establishing a sense of openness. To create an extra sense of volume, the staircase is used as the focal point, with wooden stairs and railing.

The children bedroom and main bedroom are located upstairs. The main bedroom has a wide opening with a view toward the old hibiscus trees that have been growing for scores of years on the site.

A N D R A M A T I N

68. 69.


H O u S E N O . 1 1A N D R A M A T I N

Ground Floor

70. 71.

Designed by Andra Matin, each of the buildings in unit 12 and 13 has an inner court that breaks the building mass while still connecting the separated areas with a bridge and an open corridor, creating a distinct spatial experience to

the residents as they walk from one room to another.

A sitting area with glass walls is located at the front of the house. The bedroom is right above it, giving the two areas

the same vista to the hibiscus trees across the house.

The guest room is oriented toward the back garden, next to the dining area. They are located below the children bedroom and have the visual access to the central and back gardens.

Garden House s

t i t l e :h o u s e n o .

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s i t e m A P :

b u i l d i n g A r e A :l A n d A r e A :

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Ground Floor First Floor Second Floor

H O u S E N O . 1 2

12 HouseNo . 12

346 sqm 359 sqm

A N D R A M A T I N


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H O u S E N O . 1 3

288 sqm 383 sqm

13 HouseNo . 13

A N D R A M A T I N

76. 77.

Located in a series by the lake, units 14 to 18 are designed by Andra Matin Studio. Each house has a different orientation so that every unit will have different atmosphere and view.

The dining room is located next to the pantry on the ground floor, with an inner court that connects the reading room and the children bedrooms. To prevent a towering appearance due to the vertically-intense room arrangements, parts of the ground floor are surrounded by the landscape, half-burying the rooms to almost one-story deep. The living room is located on the first floor and enjoys the largest view compared to other rooms, with a terrace that might also be treated as an extension to the living room, thus creating an even larger space. The master bedroom and bathroom are also located on the first floor, designed to be half-open with a view to the lake.

The air conditioning system is mainly used in the common areas, while the corridor has natural lighting and air circulation for energy efficiency.

Dominating materials are the brick walls for the massive boundary lines, glass to enable visual access, and the filigree structure to optimize natural lighting and cross ventilation for almost all the rooms. The units are designed in response to the front area of the site that serves as the main access for the cars and to the lake. To their left and right are other units, and the back of the buildings is separated from unit 10 only by a 1.5 m wide pedestrian corridor. Each of the building masses adapts to its surrounding through the allocation of private spaces at the front and an open garden at the back, enabling a sense of openness, wider pedestrian paths, and a larger garden at the back.

The inner courts are placed facing one another, forming a boundary between the units that takes the form of an open garden instead of a high separating wall. The inner court also enables the building volume to be thinner and optimizes natural lighting and air circulation.

unit 18 has a living room that serves as the focal area, with higher ceiling compared to other rooms and a closed appearance at its upper part and an open look below, to establish a greater sense of privacy. Such an arrangement creates a monolithic look while also filters the intensity of the sunlight. The dining room has a lower ceiling and an intimate atmosphere.

La k e House s


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H O u S E N O . 1 4

Ground Floor

270 sqm 374 sqm

14 HouseNo . 14

A N D R A M A T I N


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Ground Floor


H O u S E N O . 1 5

270 sqm 374 sqm

15 House No . 15

A N D R A M A T I N


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H O u S E N O . 1 6

Ground Floor


270 sqm 374 sqm

16 House No . 16

A N D R A M A T I N


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H O u S E N O . 1 7


298 sqm 333 sqm

17 House No . 17

A N D R A M A T I N


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H O u S E S N O . 1 8


411 sqm 328 sqm

18 HouseNo . 18

A N D R A M A T I N

91.

Unit 19 and 20 are connected with a grass-covered roof, with holes that enable air circulation and light and

a continuum with the spaces below.

When designing the Terrain Houses for the first time, Andra Matin decided to place the main entrance to the side of the building. The circulation of movements inside is facilitated through a kind of corridor between the sitting area and the work area, followed by an inner court with left and right boundary walls and a two-story-high ceiling, creating a visual surprise for the guests as they walk deeper into the house.

The sitting room that functions as the main area has a small courtyard inside, creating a strong sense of privacy. The bedrooms are located upstairs. The master bedroom looks directly to the courtyard, with an open bathroom that makes the room feel larger. unit 20 is located on a site with a lot of existing trees, making it a special unit. To leave the trees intact, parts of the roofing are left open, forming sources of natural light and air circulation for the spaces below. The rooms are spread out, giving rise to a playful spatial arrangement.

The sitting and the dining areas are the main areas and located upstairs, next to each other. The children bedrooms and the master bedroom are connected with an open corridor that crosses the garden area. The garden itself serves as a shelter for the space below.

In unit 19 and 20, the garage and laundry spaces are designed in an interlock to optimize the use of land.

Terra i n Hous e s


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93.

H O u S E S N O . 1 9

Ground Floor First Floor

A N D R A M A T I N

375 sqm 372 sqm

19 House No . 19


94.

s i t e m A P :


95.

H O u S E S N O . 2 0

Ground Floor First Floor

A N D R A M A T I N

536 sqm 406 sqm

20 House No . 20

106. 107.

Documents

Teduh Marketing Kit_161342.pdf · Eko Prawoto — Architect and lecturer who combines contemporary design with local knowledge. ... House no.7 by eko PrAWoto House no.9 by AhmAd dJuhArA