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CARL FISCHERSMUSIC LIBRARY

No. 500

HANS SITTOp. 92

TECHNICAL STUDIESFOR

VIOLIN

PART I

Exercises and Studies for the Cultivation

of the Left Hand

BOOK I

Exercises in the First Position

Prie* $110iu IT. S. A.

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CARL FISCHER'S MUSIC LIBRARYNos. 500-505

HANS SITTOp.92

Technical Studiesfor

Violin

FIRST PARTExercises and Etudes

for the Cultivation of the left Hand

BOOK I

Exercises in the First Position

BOOK II

Exercises in the Various Positions

In Shifting from One Position to

another and Chromatic Exercises

BOOK III

Double- StoppingThirds, Sixths and Octaves

SECOND PARTExercises and Etudes

for the special Developement of the right hand

BOOK IVThe long sustained stroke producing the singing tone

The broad detached stroke. The hammered (martelé) stroke

BOOK VThe detached stroke Exercises in

various styles of bowingBroken Chords with variousstyles of bowing. Staccato

BOOK VISpiccato (The thrown stroke) The

short skipping bow (sautillé)

Ricochet (Thrown Staccato) Arpeggio

with various styles of bowing.Three-and four-part chords

Carl FischerBOSTON NEW YORK CHICAGO

HAROLD B. LEE LIBRARYBRIGHAM YOUNG UNIVERSITY

PROVO, UTAH_

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OLD String -D Saite -Corde du ré

IV. G String - G Saite - Corde du sol

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On laisse rester les doigts.

Fingerübungenauf einer Saite

Exercices de doigtssur une corde

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Ausführung im langsamen Zeitmass. (Jede Gruppe ist mindestens viermal zu wiederholen.)

Exécution en mouvement lent. (Chaque groupe doit se répéter 4 fois, au moins.)

HANS SITT, Op. 92?

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4013* _ 9K

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s» mNEW VIOLIN PUBLICATIONS FOK

CONCERT STAGEBY REPESENTATIVE AMERICAN AND EUROPEAN COMPOSERS

SERIES I

THE

iJiiiniiHitiimniiiaiiiiHiiiiiBiuiii

D'AGOSTINO, A. "Villanelle (Shep-herdmaidea's Songj 75

The Flower of Italy 75

Souvenir de Venice (Barcarola) .65

The Echo 75

Three Characteristic Dances

Op. 38. Campagnola ItalianDance 75

Op. 41. Sivigliana, SpanishDance 65

Op. 42. Saltarells, Andante eScherzo $1.00

The above listed violin composi-tions provide a large amount ofmelodious und brilliant solo ma-terial. Proper execution and in-

terpretation of these soios call foradvanced technical ability andcompetent mastery of double-stops,harmonics and skill in ill varieties

of bowing.

BACHMANN, ALBERTO. SlavonicDance 75Characteristic and genuinely ef-

fective violin solo music.

First Meditation of Joh. Seb.Bach's First Prelude 50

Second Meditation of Joh. Seb.Bach's Fifth Prelude 50

Two inspired melodies written ontwo oi the best-known Preludesof this great master.

Cracowiak 65Brilliant and particularly 'well-

suited for advanced solo players

BERGH, ARTHUR. Twilight Mus-ing 65

Alia Zingara 90Two well-contrasted solos for ad-vanced concert players demandingconsiderable interpretative ability

also technical skill of a high order.

BORNSCHEIN, FRANZ. Reflection..65

Serenade-Caprice 75

Advanced modern violin music de-manding players of \jry advancedtechnical ability.

Amourette 50

A charming concert number of un-usual spirit and grace. Demandsvery ail va need players.

BURLEIGH, CECIL. Cradle Song..50

Impromptu and Scherzo 90Advanced concert material forskilled violinists.

SIX PICTURESOp. 30. Xo. 1. Distance 40

Op. JO, No. 2. Rocks 40

:iw:mi::H!r«;i!!HoniHiiHin

CARL FISCHEPvBOSTON

HUMUIIHI

I1E:I;i:E:1:1j1/I I :El:xl ll'i:

raWKIfci»»!*««^»::»^«««.-*.*'» » • *«'*<

Op. 30, No. 3. Ripples 50

Op. 30, No. 4. Hüls 50

Op. 30, No. 5. A Mirage 50

Op. 30, No. 6. Murmurings 65

Extremely interesting modern solos,the principal appeal of whichis to be sought in the virility anddescriptive iorce of the composer'sthemes. The numbers are conciseand entirely unconventional intreatment and development. Theypresent manifold and unusualtechnical difficulties and demandplayers of very advanced abilities.

DELLERS, WALTER. Serenade-Espagnole 60

A characteristic solo excellentlysuited for the demands of advancedplayers.

DONNER, MAX. Op. 41. PoCme.$1.00

Op. 42. Humoreske 75

Op. 43. Reverie 60

Op. 53. Danse Fantastique 60

Op. 56. Chanson au Rouet 65

Op. 57. La Chasse 75

Op. 58. Gavotte Scintillante 75

Artistic violin solo music especiallydesigned for the concert stage andproviding material of attractiveand original design.

ELSENHEIMER, N. J. Menuet a la

Mozart 50Dainty and very melodious.

FIBICH, ZDENKO. Poem 40

(Transcribed by Roland de Berton)A fine, emotional composition in

an admirable new solo arrange-ment.

GRASSE, E. Song Without Words.(G Major) 50

A short solo of intense feeling andunusual harmonics ; conception notdifficult in a technical sense butdemanding advanced interpretativeability.

In a Row Boat. (Im Ruder-boot) $1.00

A distinctive and brilliant modernviolin solo calling for exceptionaltechnical surety in double-stops,intricate passage-work in harmon-ics, ns well as for more than origi-nal interpretative abilities.

KRIENS, CHRISTIAAN. Sons duSoir i Evening Sounds from Suite.

"In Holland") .. .50

A dainty solo of unusual origi-

nn'ity rnd artistic merit. Veryme)odious and effective

Villanelle. (Shepherd Song).. .65

A catchy solo number demandingconsiderable technical ability andartistic taste.

COOPER SQUARE

Op. 77, No. 1. Reverie Dans LesMontagues 75

For very advanced players withgood command oi the linger-boardand advanced bowing ability.

Romance 90A modern concert solo demandingthe adv.- inical and inter-

pretative abilities of finished play-ers.

Souvenir de San Sebastian (a L'Es-pagnole; 75

A brilliant and effective concertsolo in Spanish B

Mazourka Hollandaise $1.00

For very advanced players withbrilliant technical ability.

Op. 82, No. 3. Serenade Basque .75

A sparkling, vivacious concertnumber especially designed for ad-vanced soloists.

Op. 82, No. 4. La Mouche. (TheFly) $1.00

A brilliant concert solo veryshowy and particularly suitable for

the concert stage.

Op. 87, No. 1. Chanson MarieAntoinette 50

Charming melody demanding ex-pressive and artistic interpreta-

tion of a high order.

Op. 87, No. 2. Second Mazurkade Concert 90

Brilliant and particularly suitable

for advanced concert players.

KUNITZ, LUIGI VON. Scotch Lul-laby 40

A delightful lullaby in which all

the originality and characteristics

of the Scotch nusical idiom seemto have been incorporated.

Romance 40

.iv fine concert solo demanding con-siderable expressive ability.

F1LZER, MAXIMILIAN. LoveSong. (Liebeslied) 65

Caprice Valse $1.00

Two modern concert solos of ex-ceptionally musicianly and artistic

worth ; demand very accomplishedplayers.

PIRANI, MAX. Andantino. (After

Leonardo Leo) 50

A dignified solo of sustained char-

acter and cxpressjve nobility. De-mands poptic interpretation andemotional warmth.

PRUTTING, R. H. Legende 60

Pastel 75

Two effective modern solos particu-

larly suitable for advanced concert

players in search of new and un-conventional material.

NEW YORKCHICAGO

Printed in U. S. A.

DATE DUE

OCT 9 7012

FEB221990

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