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8/9/2019 Surveying the Faultline Handout
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Surveying the Fault Line: Looking Back, Moving Forward8:30 AM 10:00 AM
Friday, August 6thAATE 2010 Annual Conference San Francisco CA
What we discussed:
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ROUND 1
Discussion question: What brought you to this field?
ROUND 2
Discussion Question: As you survey the landscape of your field, what is an effective strategy or technique that you
ROUND 3
Discussion Question: Please share a struggle that you experience in your field. Others at the table may offer possiblesolutions and/or advice.
ROUND 4
Discussion Question: What questions do you have for your discussion group about the future of the field?
Theblogisawonderfulresourcewhereyouwillfindthepanelistsanswerstothefollowing
questions:
Introduction:Howdoyoudescribeyourprofession?
1.Howdoyouenvisionthefutureofyourfield?Whatareyourhopesandfieldsasthefield?
movesforward?
2.Whatisonepieceofadviceyouwouldgive,oronepieceofadviceyouvereceived,thatyou
wouldsharewithothersinthefield?
3.Whatareaspectsoftodaysworldthatwemustconsiderwhenworkingwithyoungpeople?
thatmaynothavebeenmajorconcerns10yearsago?20yearsago?30yearsago?...
4.Asyoulooktowardsthefuture,whatisthenumberonepriorityforyourfield?
5.Whattrends,strategies,ormethodscanweborrowfromotherfieldstohelpusaswemove
forward?
Toreadanswerstothesequestionsandmore,pleasevisit:
Surveying the Fautline has a blog!
http://fromthefaultline.blogspot.com/
Purpose of this panel: To create a space where a new generation of theatre artists and educators can interact withseasoned professionals. It was our aim to identify successful practices that must be preserved and to note emergingtrends deserving of attention. In this time of shifting leadership within the field, how do the seasoned professionalsenvision the future? How does the new generation of artists and educators hope to reinvigorate the field? With oursession, we aim to: discuss how the field is shifting ground to make room for tomorrow's generation of theatreartists and educators. ...create dialogue between veteran professionals and the next generation of leaders. provideguidance and insight to novice professionals in theatre education and theatre for young audiences.
8/9/2019 Surveying the Faultline Handout
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Meet the Panelists
PatriciaSnoyerBlackistheDirectorofEducationOutreachforChildsplay,aprofessionaltheatrecompanythatpresentsplays toyoung audiences and families across Arizonaand theUnited States. Sheoversees student interns, all school
residenciesandalsoservesasProjectDirectorforanU.S.DepartmentofEducationArtsinEducationModelDevelopment
andDisseminationgrantawardedtoChildsplay.AtUniversityofNorthCarolinaatAshevilleshewasaprofessorandthe
TheatreforYoungAudiencesspecialist.
EmilyFreemangraduated fromNorthwesternUniversitywithaB.A. inTheatrein2008. Sincethenshe'straveledthe
countryworkingasaprofessionalteachingartist,director,andasaninternatTheJohnF.KennedyCenterforPerforming
Arts,andTheAsoloRepertoryTheatre.Herpassionsincludedevisingwithyoungpeople,andexploringwaysforyouthto
becomeacknowledgedandutilizedcitizensinthecommunity.EmilywillbeattendingTheUniversityofTexasatAustin
thisfalltobeginworkingonherM.F.A.inDramaandTheatreforYouth.
Molly Gittelman graduated from Arizona State University in 2008 with her MFA in Theatre for Youth. Since hergraduationsheworksforvariousartsorganizationsandschoolsasafreelanceteachingartistofdramaforages3-14.
RussellGranetstartedArtsEducationResourceafterseventeenyearsofworkingwithNewYorkCitynon-profits.HismostrecentpositionwasattheCenterforArtsEducation(CAE):TheNYCAnnenbergChallengeforArtsEducationasthe
DirectorofProfessionalDevelopmentandPeerExchangeuntilstartingArtsEducationResourcein2007.Russellscareer
hasbeengreatlyinfluencedbyworkingcloselywithNYCspecialeducationteacherswhileworkingasateachingartist
withNewYorkUniversitysCreativeArtsTeam.
XanS. Johnson,Ph.D.,isafullprofessorin theDepartmentofTheatreattheUniversityofUtah.Joiningthefacultyin1982, Dr. Johnsonhasserved asDepartmentChair, asHead ofTheatre Education, asArtistic Director of thePioneer
MemorialTheatre'sYoungPeople'sTheatre,andasHeadoftheChildDrama/YoungPeople'sTheatregraduateprogram.
Dr.Johnsonisalsoapublishedplaywright,andfreelancesasascriptwriter,director,anddramaspecialist.Dr.Johnson,
who also has a background in Drama Therapy and Child Psychology, headed the University of Utah Child Abuse
PreventionProgram(U-CAPP)"Trust"TouringCompanyfor12years.
Christina Marn, Ph.D., has her B.S. in Theatre from NorthwesternUniversity and her doctorate in Theatrewith aconcentrationinTheatreforYouthfromArizonaStateUniversity.ForthelastfiveyearsshehasworkedasanAssistant
Professor in the Programin Educational Theatre atNYUwhere shewas the Faculty Supervisorfor theEDTCMasters
ProgramforEducationalTheatreinCollegesandCommunities.ThisfallsheisthrilledtobejoiningthefacultyatEmerson
College andbeginningawhole newchapter ofherlife andcareer inBoston. Christinaswork lies at theintersection
betweenappliedtheatrepracticeandscholarship.
JohnnySaldaaisaProfessorofTheatreintheKatherineK.HerbergerCollegeoftheArts'SchoolofTheatreandFilmat
ArizonaStateUniversity(ASU)wherehehastaughtsince1981.Hehasbeeninvolvedinthefieldoftheatreeducationasa
teachereducator,dramaspecialist,director,andresearcher.Mr.SaldaaistheauthorofDramaofColor:Improvisation
with Multiethnic Folklore (Heinemann, 1995), Longitudinal Qualitative Research: Analyzing Change Through Time
(AltaMiraPress,2003Ethnodrama:AnAnthologyofRealityTheatre(AltaMiraPress,2005),andTheCodingManualfor
QualitativeResearchers(SagePublications,2009).
XanthiaAngelWalkerbeganherCornerstonejourneyasanInstitutestudentinthefifthInstituteSummerResidencyin
2008.AsofMay13th2010,sheholdsaMasterofFineArtsinTheatreforYouthfromArizonaStateUniversity.Sheearned
aBAinTheatreArtsandaBAinGender,WomenandSexualityStudiesfromtheUniversityofMinnesota.Sheispassionate
abouttheintersectionoftheatreandsocialjustice,andlovescreatingcommunity-basedtheatrewith youth. Xanthia willco-found Rising Youth Theatre in 2011: a community-based youth theatre company in Phoenix, Arizona.
To read the full biography of our panelists, please visit: http://fromthefaultline.blogspot.com/