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National Art Education Association News of the Profession Author(s): Edward L. Mattill, Charles M. Dorn and James W. Head Source: Art Education, Vol. 16, No. 7, Student Membership Issue (Oct., 1963), pp. 24-27 Published by: National Art Education Association Stable URL: http://www.jstor.org/stable/3190493 . Accessed: 15/06/2014 14:30 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . National Art Education Association is collaborating with JSTOR to digitize, preserve and extend access to Art Education. http://www.jstor.org This content downloaded from 185.2.32.21 on Sun, 15 Jun 2014 14:30:02 PM All use subject to JSTOR Terms and Conditions

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National Art Education Association

News of the ProfessionAuthor(s): Edward L. Mattill, Charles M. Dorn and James W. HeadSource: Art Education, Vol. 16, No. 7, Student Membership Issue (Oct., 1963), pp. 24-27Published by: National Art Education AssociationStable URL: http://www.jstor.org/stable/3190493 .

Accessed: 15/06/2014 14:30

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

National Art Education Association is collaborating with JSTOR to digitize, preserve and extend access to ArtEducation.

http://www.jstor.org

This content downloaded from 185.2.32.21 on Sun, 15 Jun 2014 14:30:02 PMAll use subject to JSTOR Terms and Conditions

Page 2: Student Membership Issue || News of the Profession

flections upon them." Turner was an inspiration for Delacroix and Gericault and later for Monet and Pissarro. Certainly he was as sig- nificant an influence upon the art that followed him as Cezanne was to be at the end of the 19th and start of the 20th centuries.

Sharing the Wealth From friends who visited

France this past summer I hear that there has been much talk in Paris of the bequest to French museums by Madame Dufy, who died in 1962, of 200 works by her husband, the late Raoul Dufy. According to the terms of the will, 30 paintings were left to

flections upon them." Turner was an inspiration for Delacroix and Gericault and later for Monet and Pissarro. Certainly he was as sig- nificant an influence upon the art that followed him as Cezanne was to be at the end of the 19th and start of the 20th centuries.

Sharing the Wealth From friends who visited

France this past summer I hear that there has been much talk in Paris of the bequest to French museums by Madame Dufy, who died in 1962, of 200 works by her husband, the late Raoul Dufy. According to the terms of the will, 30 paintings were left to

John Hay Fellowships A total of eighty-five John Hay

Fellowships in the humanities will be awarded to public senior high school teachers for 1964-65.

Dr. Charles R. Keller, director of the John Hay Program, points out that teachers from thirty-six states and the District of Colum- bia are eligible to apply for these Fellowships. The Fellowships will amount to more than $750,000.

Teachers granted John Hay Fellowships will receive stipends equal to their salaries during the fellowship year. In addition, the John Hay Fellows Program pays the travel expenses for the Fellow and his primary dependents, his tuition, and a health fee. John Hay Fellows will study in the humanities at one of the following universities: California, Chicago, Columbia, Harvard, Northwest- ern, and Yale.

Fellows are selected from schools and school systems inter- ested in making the best possible use of the time and talents of

John Hay Fellowships A total of eighty-five John Hay

Fellowships in the humanities will be awarded to public senior high school teachers for 1964-65.

Dr. Charles R. Keller, director of the John Hay Program, points out that teachers from thirty-six states and the District of Colum- bia are eligible to apply for these Fellowships. The Fellowships will amount to more than $750,000.

Teachers granted John Hay Fellowships will receive stipends equal to their salaries during the fellowship year. In addition, the John Hay Fellows Program pays the travel expenses for the Fellow and his primary dependents, his tuition, and a health fee. John Hay Fellows will study in the humanities at one of the following universities: California, Chicago, Columbia, Harvard, Northwest- ern, and Yale.

Fellows are selected from schools and school systems inter- ested in making the best possible use of the time and talents of

the museum of Le Havre, the art- ist's birthplace; 25 to the museum of Nice, where Dufy often stayed; and 20 to the Musee d'Art Mod- erne. Each museum also received a number of watercolors, draw- ings, ceramics, and tapestries. The Musee d'Art Moderne made its selections with a view to illus- trating the artist's development while Le Havre gave preference to marine scenes, and Nice to Dufy's later work. Forgive me, but that is Nice work, if you can get it.

Dr. Burt Wasserman is an as- sociate professor of art at Glassboro S t a t e College, Glassboro, New Jersey.

the museum of Le Havre, the art- ist's birthplace; 25 to the museum of Nice, where Dufy often stayed; and 20 to the Musee d'Art Mod- erne. Each museum also received a number of watercolors, draw- ings, ceramics, and tapestries. The Musee d'Art Moderne made its selections with a view to illus- trating the artist's development while Le Havre gave preference to marine scenes, and Nice to Dufy's later work. Forgive me, but that is Nice work, if you can get it.

Dr. Burt Wasserman is an as- sociate professor of art at Glassboro S t a t e College, Glassboro, New Jersey.

good teachers and in developing practices designed to break educa- tional lock steps. The John Hay Fellows Program provides experi- ences which enable teachers to

grow as human beings and there-

by to bring increased wisdom and enthusiasm to their classes and their schools.

Candidates should have at least five years of high school teaching experience, and should be not more than fifty-five years of age. Languages, literature, history, music, and the fine arts are usual-

ly included in the humanities, and teachers in these subjects are in- vited to apply. In addition, appli- cations from teachers in other

disciplines who wish to study in the humanities are accepted.

Five new states will participate in the John Hay Fellows Program in 1964-65. They are: Idaho, Iowa, Maine, Montana, and Oklahoma. The other partici- pating states are: Arizona, Cali-

fornia, Colorado, Connecticut, Delaware, Florida, Georgia, Il-

good teachers and in developing practices designed to break educa- tional lock steps. The John Hay Fellows Program provides experi- ences which enable teachers to

grow as human beings and there-

by to bring increased wisdom and enthusiasm to their classes and their schools.

Candidates should have at least five years of high school teaching experience, and should be not more than fifty-five years of age. Languages, literature, history, music, and the fine arts are usual-

ly included in the humanities, and teachers in these subjects are in- vited to apply. In addition, appli- cations from teachers in other

disciplines who wish to study in the humanities are accepted.

Five new states will participate in the John Hay Fellows Program in 1964-65. They are: Idaho, Iowa, Maine, Montana, and Oklahoma. The other partici- pating states are: Arizona, Cali-

fornia, Colorado, Connecticut, Delaware, Florida, Georgia, Il-

linois, Indiana, Kansas, Kentucky, Louisiana, Maryland, Massachu- setts, Missouri, Nebraska, New

Hampshire, New Jersey, New York, Ohio, Oregon, Pennsylvan- ia, Rhode Island, South Dakota, Utah, Vermont, Virginia, Wash-

ington, Wisconsin, and the Dis- trict of Columbia.

Interested teachers should com- municate with Dr. Charles R. Keller, John Hay Fellows Pro-

gram, 9 Rockefeller Plaza, New York 20, New York.

Art Educators in Motion Mr. John Ruddley assumed a

new position as Dean and Head of the Art School, Corcoran School of Art, Washington, D. C.

Dr. Harold Dean Cater, for-

merly consultant for the Cultural Affairs Branch, USOE, appointed Director of Admissions, Professor of History and Consultant to the

President, C. W. Post College, of

Long Island University.

Miss Margaret F. S. Glace, Di- rector-Dean of the Maryland In- stitute, retires following 25 years service to the College of Art. Miss Glace was recently named Direc- tor Emeritus, Chi Chaper of Pi Lambda Theta.

Dr. Harold R. Rice, former President, Moore College of Art, following 17 years service assumed the new post of Dean of the Col-

lege of Design, Architecture and Art at the University of Cincin- nati, September 1. Moore College recently conferred on Dr. Rice the

Honorary Doctor of Humanities

degree.

Roger H. Jones, Art Teacher, Breathitt County High School, Jackson, Kentucky was recently named president - 'elect of the

Kentucky Education Association.

Dr. Donald J. Irving, appoint- ed Dean of Moore College of Art.

Irving was formerly a member of the art staff at the State Univer-

sity College of New York at Oneonta, N. Y.

linois, Indiana, Kansas, Kentucky, Louisiana, Maryland, Massachu- setts, Missouri, Nebraska, New

Hampshire, New Jersey, New York, Ohio, Oregon, Pennsylvan- ia, Rhode Island, South Dakota, Utah, Vermont, Virginia, Wash-

ington, Wisconsin, and the Dis- trict of Columbia.

Interested teachers should com- municate with Dr. Charles R. Keller, John Hay Fellows Pro-

gram, 9 Rockefeller Plaza, New York 20, New York.

Art Educators in Motion Mr. John Ruddley assumed a

new position as Dean and Head of the Art School, Corcoran School of Art, Washington, D. C.

Dr. Harold Dean Cater, for-

merly consultant for the Cultural Affairs Branch, USOE, appointed Director of Admissions, Professor of History and Consultant to the

President, C. W. Post College, of

Long Island University.

Miss Margaret F. S. Glace, Di- rector-Dean of the Maryland In- stitute, retires following 25 years service to the College of Art. Miss Glace was recently named Direc- tor Emeritus, Chi Chaper of Pi Lambda Theta.

Dr. Harold R. Rice, former President, Moore College of Art, following 17 years service assumed the new post of Dean of the Col-

lege of Design, Architecture and Art at the University of Cincin- nati, September 1. Moore College recently conferred on Dr. Rice the

Honorary Doctor of Humanities

degree.

Roger H. Jones, Art Teacher, Breathitt County High School, Jackson, Kentucky was recently named president - 'elect of the

Kentucky Education Association.

Dr. Donald J. Irving, appoint- ed Dean of Moore College of Art.

Irving was formerly a member of the art staff at the State Univer-

sity College of New York at Oneonta, N. Y.

ART Education ART Education 24 24

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Page 3: Student Membership Issue || News of the Profession

Eastern Arts Conference

Change Announced Dr. Mildred Fairchild, program

chairman of EAA's '64 regional conference recently announced the decision of EAA's council to change its conference site for the '64 meeting. Previously scheduled for the Lord Baltimore Hotel, Baltimore, Maryland, Eastern will move its conference headquarters to the Statler Hilton Hotel, New York, New York. Dates for the conference will be March 11-14 as previously published.

Children's Art Month Three years ago, The Crayon,

Water Color and Craft Institute, Inc. inaugurated Children's Art Month to focus national attention on the art of children and the importance of art in the lives of our American boys and girls. For us, importance of art is obvious, but this specific time period pre- sents the opportunity to offer a massive communication program to those for whom it is not obvi- ous. We speak frequently about public misunderstanding, apathy, and even resistance to art pro- grams, yet without a concerted effort to exhibit good examples of child art and provide information about the purposes and values of child art, there is little opportuni- ty to change the status quo. Posi- tive changes will come about through the processes of educating and informing parents and friends about our activities in the various art programs throughout the nation.

Each of us must approach this problem in his own way, but each of us should make an energetic attempt to help the public under- stand and appreciate the art of children and its values. There are many activities to make better understanding possible and from the successful experiences of many of you, The Crayon, Water Color and Craft Institute, Inc. has pre- pared an extensive listing of sug- gestions which is available from

its office at 420 Lexington Ave- nue, New York 17, New York.

It is interesting to note that as this venture has proceeded in the past several years, the Executive Secretaries of the NAEA have been regularly consulted regard- ing the desirability and education- al soundness of the various activi- ties. I personally feel that this effort has been extremely worth- while, and that much progress has resulted from it. At least twenty state governors issued statements last year on behalf of children's art during Children's Art Month. With this fine start, I invite each of you to accept the professional challenge of keeping the programs and purposes of art education before the public eye and mind.

Edward L. Mattill, President National Art Education Association.

New Branch Head, USOE On July 22, 1963, Miss Kath-

ryn Bloom was appointed Direc- tor of the Cultural Affairs Branch. Miss Bloom is a graduate of the University of Minnesota and has taken graduate work in art at the University of Minnesota and at the Institute of Fine Arts of New York University. She taught art at the Junior-Senior High School at Owatonna, Minnesota, from September 1944 to June 1945, when she became a lecturer at the Minneapolis Institute of Arts. In July of 1947 she joined the staff of the Toledo Museum of Art where she served as an instructor and later as Supervisor of Art Education. In June 1957, Miss Bloom became Consultant on the Arts for the Association of the Junior Leagues of America. In this position, her principal activi- ties and responsibilities included advisory and consultant services to community and statewide groups throughout the United States, evaluating and recom- mending procedures t h r o u g h which existing cultural programs could be improved or extended or

October 1963

new cultural services or institu- tions such as museums, communi-

ty arts centers, and arts councils could be developed.

In addition to the Director, the original staffing of the Cultural Affairs Branch includes a Music Education Specialist, a Museum Education Specialist, a Research Assistant, and a supporting cleri- cal staff.

A Letter From A. B. Dick Co. Mr. Charles M. Dorn Executive Secretary National Art Education Association of the NEA 1201-16th Street NW

Washington 6, D. C.

Dear Mr. Dorn:

Recently we received several letters from members of your or-

ganization concerning a recent advertisement that we ran in TIME magazine. The advertise- ment shows children "coloring-in" duplicated copies in an art class.

The teachers who wrote to us

pointed out the adverse effect that this method of teaching has on the creativity and individuality of our youngsters. Also, the teachers who wrote in suggested that this matter would be brought to the attention of the executive com- mittee of your organization. Per-

haps rightly so. In order to clarify this matter

for you, we would like to offer this explanation about this adver- tisement.

The current series of advertise- ments for A. B. Dick Company, of which this was one, was designed primarily for one purpose: to communicate to the general busi- ness and professional community the broad range of copying and

duplicating services offered by A. B. Dick Company.

To illustrate this idea we are

featuring two widely varied appli- cations in each advertisement. One application shows the capa- bility of A. B. Dick fluid duplica- tors or mimeograph machines to

produce small quantities quickly

25

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Page 4: Student Membership Issue || News of the Profession

This seal is your

assurance of quality

NON-TOXIC

The "Certified Products" seal tells you that

products which bear it meet or exceed the

quality and non-toxicity requirements of

the Institute. Detailed information appears

in an authoritative article from "Art

Education." Write for a copy to

THE CRAYON, WATER COLOR AND CRAFT INSTITUTE, INC.

420 Lexington Avenue

New York 17, New York

CATALOGUE OF THE YEAR- VOLUME IV

This catalogue is now ready. It lists and illus- trates many fine new color reproductions in the larger sizes,-both our own publications and new importations. A copy will be sent to you, postpaid, on receipt of 50 cents.

ARTEXT PRINTS, INC. WESTPORT, CONN.

A Reminder To specify the Totem Trio* of colored

paper on your next requisition.

*Sheets and project rolls of Construc- tion Paper (heavy) and sheets of Poster

Paper (light)

Sold by

ANCHOR CONVERTING COMPANY

(A division of Western Tablet & Stationery Corporation)

2542 West Ogden Ave. Chicago 8, III.

30 Rockefeller Plaza Mezzanine Suite 21

New York 20, New York

through school supply distributors from coast to coast

WE'VE PUT THIS INGRE- DIENT IN THOMPSON ENAMELS SINCE 1890

No matter which of the many Thompson enamels you choose, you'll find one thing the same about each one of them . . . the exceptional quality that results in better finished pieces for amateurs and profes- sionals alike. Perhaps that's the main reason Thompson's been the world's largest supplier of art enamel colors for more than 70 years.

The new Thompson catalog puts the widest selection of these top quality enamel colors available anywhere right at your fingertips . . . plus everything you need in the way of materials, tools and supplies. Send the

coupon today for your free personal copy.

THOMAS C. THOMPSON COMPANY DEPT. AE ? 1539 DEERFIELD ROAD

HIGHLAND PARK, ILL.

and easily. The contrasting appli- cation will typically feature A. B. Dick offset equipment or Video-

graph electronic systems pro- ducing large quantities of high- quality copies at high speeds.

It was not our intention to sug- gest an improper teaching method in this advertisement, but merely to show the capability of the

equipment. In the final analysis, the teachers themselves make the decisions as to how our equipment is used.

In retrospect, we must agree with the art teachers who wrote us. The implication that creativity and imaginativeness should be stifled is an erroneous one, for

creativity and individuality are the foundations of American busi- ness, art, and education.

A. B. Dick Company is proud of its relationship with the Na- tional Education Association. We have appeared at your conven- tions and have worked closely with your organizations for many years.

We hope that this advertise- ment has not blemished this rela-

tionship. In the future you may be sure

that we will check our advertise- ments for their technical accuracy and that full consideration for

approved teaching methods will be given.

We further hope that this letter will clarify the Company's posi- tion with respect to this matter.

Signed,

James W. Head Sales Promotion Manager Azograph-Spirit

SHIP Scholarship Winner The NAEA SHIP Scholarship

Committee announces the selec- tion of Miss Ruby Claire Ball as the recipient of the 1963-1964 SHIP Scholarship Award. The award of $500.00 is presented biennially by the "SHI P", organization of art educational exhibitors.

Miss Ball received the grant as

ART Education 26

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Page 5: Student Membership Issue || News of the Profession

a partial support of her doctorial

study at Pennsylvania State Uni-

versity on the nature of creativity. Participants in the study will be students in college classes taught by Miss Ball.

Miss Ball most recently served as Chairman of Art Education, East Carolina College School of Art. The first phase of her current research project was carried on

there, involving student teachers in art education and elementary education. Miss Ball will continue her study while teaching History of Art and Creative Art to stu- dents of the University of the Seven Seas.

SPECIFY /

The best is always

the better buy!

THE AMERICAN CRAYON COMPANY SANDUSKY,OHIO NEW YORK

A DIVISION OF THE JOSEPH DIXON CRUCIBLE COMPANY

FREE CATALOG FINEST ART MATERIALS

Technical Literature Art Literature

Art Appreciation Literature

BUY DIRECT FROM:

UTRECHT LINENS Manufacturers and

Distrbutors 33 Thirty-Fifth St.

Brklyn 32, N.Y. DEPT. 8

HISTORY OF PAINTING IN COLOR A scholarly survey of Western painting in color, including vases, mosaics, manu- scripts and stained glass, from prehis- toric to contemporary times. All prints 51/2 x 8 inches, 5 cents each. Eight-page listing free.

200 prints, Custom bound . .$10.25 200 prints, Loose-leaf ......$10.00

One series of a collection covering all periods of art history. Complete catalog, 214 pages with supplements, 50 cents. Free sample prints and brochures.

THE UNIVERSITY PRINTS CAMBRIDGE 38, MASSACHUSETTS

TYLER SCHOOL OF FINE ARTS OF TEMPLE UNIVERSITY, PHILADELPHIA

THIRTEENTH ANNUAL EUROPEAN

ART HISTORY TOUR directed by Miss Carolyn PITTS, Lecturer

in Art History PHILADELPHIA MUSEUM OF ART

and carrying six sem. hrs. of graduate or undergraduate credit.

THE WONDERS OF THE ANCIENT WORLD

Athens: Acropolis with the Parthenon, National Museum with its unique treasures, temples, Agora, Odeion, and the great Byzantine church of Daphni, the marvels of the Aegean Archipelago explored in a 4-day cruise to Crete and the Minoan palace of Knossos, to Rhodes, Mykonos, Delos and Algina, Delphi on the slopes of Mt. Parnassos, Corinth, Epi- daurus, the cyclopic ruins of Tyrins, Argos and Mycenae.

THE MAGIC OF THE EAST Istanbul: St. Sophia adorned with superb mosaics, Old Seraglio with the golden throne of Shah Ismail, the Treasury with the 6000-piece collection of Sung and Yuan porcelain, St. Irena, Sultan Ahmet, the Blue Mosque, the ancient Hypodrome and the mosaic museum, mosques of Bayazid and Svleiman the Magnificent, old Byzantine walls, Adrianople Gate, Castle of the Seven Towers, Topkapu palace with its now accessible harem, Dolma Bogche palace, Yildiz Kiosque, Golden Horn, the Bosphorus.

EUROPE'S ART TREASURES London, Oxford and Blenheim Palace; Paris, Chartres and the castles of the Loire; Vienna with its fabulous museums and Baroque masterpieces; Rome, Cerveteri, Orvieto, Assisi, Perugia, Arezzo, Siena, Pisa, Florence, Ravenna, Ferrara Padua, Venice, Milan; optional: Barcelona, Madrid, Es- corial, Toledo, Granada, Cordoba, Seville, Evora, Lisbon.

New York/London, July 1-2 overnight by nonstop jet, returning Milan/New York Aug. 12 in the afternoon: 33 days, $1,694; returning Lisbon/New York Aug. 23 in the afternoon: 44 days, $1,892; excellent hotels, superb meals, evening entertain- ment, most comprehensive program of visits to galleries, museums, palaces, cathedrals, excava- tions; a carefully-planned series of lectures includ- ing (during the one-week stay in Rome) on-site talks by foremost art historians.

Information and enrollment blanks from Director of Summer Sessions

TEMPLE UNIVERSITY Philadelphia 22, Pa. OR

STUDY ABROAD, Inc. 250 West 57th St. I P. 0. Box 1505

NEW YORK 19, N.Y. ESCONDIDO, Calif.

COLLEGE ART STUDY ABROAD PARIS

PAINTING LIFE DRAWING MUSEUM LECTURES

Academic program, September-June, in association with American colleges. Participation by additional college foreign study programs is invited. Studios located on spacious grounds in Montparnasse. Library, lounge, restaurant, gymnasium, heated pool.

1964 SUMMER SESSION, July 1-August 5. $200 may be saved by summer application before

January 1.

Write: ROGER BARR, Director, CASA AMERICAN STUDENTS' &

ARTISTS' CENTER 261 Boulevard Raspail Paris 14e, France

Children

Are Artists

AN INTRODUCTION

TO CHILDREN'S AR'

FOR TEACHERS

AND PARENTS

Second Edition. DANIEL M. MEN-

DELOWITZ. Completely revised and

greatly expanded, this new edition

of a standard work first published

in 1953 now includes nine pages

of illustrations in full color, along

with sixty black-and-white photo-

graphs of children's drawings and

paintings. The author examines

the role of the visual arts in edu-

cation and suggests to parents and

teachers methods of stimulating

the continuous development of a

child's artistic expression. In a

review of the first edition, Art

Education said "A valuable asset

to the field of art education. Art

teachers, parents, and all persons

interested in children's art will

find a clear, well-substantiated

guide to the understanding of chil-

dren's work." $4.95

Order from your bookstore, please

STANFORD UNIVERSITY PRESS

October 1963 27

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