Strand Ephemera 2013 Artists Catalogue

2013

30 AUGUST - 8 SEPTEMBER2013

PUBLISHERGallery Services, Townsville City CouncilPO Box 1268Townsville Queensland, 4810 [email protected]+61 7 47279011

© Gallery Services, Townsville City Council and the authors 2013

Exhibition organised byGALLERY SERVICES

Published on the occasion of the exhibition

PROJECT COORDINATORShane Fitzgerald

EXHIBITION CURATORSEric Nash / Jak Henson

REGISTRATION TEAMJak Henson / Eric Nash / Leah McManus Holly Grech-Fitzgerald / Sarah Welch

PUBLICATION DESIGN AND DEVELOPMENTRob Donaldson / Eric Nash / Carly Sheil / Shane FitzgeraldTypeset in Google Open Sans (Text) Printing: LOTSA Print and DesignPhotography: All photography by Gallery Services and the Artists unless otherwise noted.

Shane Fitzgerald Manager Gallery Services Eric Nash Curator Jo Stacey Team Leader Administration Gallery ServicesMichael Pope Education and Programs CoordinatorJak Henson Exhibitions and Collection Coordinator Sarah Welch Acting Exhibitions and Collection CoordinatorRob Donaldson Digital Media and Exhibition Design CoordinatorWendy Bainbridge Administration OfficerGillian Ribbins Administration Officer Breanna Capell Gallery AssistantMichelle Littman Gallery AssistantNic Horton Education and Programs OfficerTegan Ollett Education and Programs AssistantLeah McManus Exhibitions OfficerHolly Grech-Fitzgerald Collections Management OfficerCarly Sheil Digital Media and Exhibition Design Officer

30 AUGUST - 8 SEPTEMBER

2013

School ofCreative Arts

Print Partner

Presentation Partner Media Sponsors People’s Choice Award Sponsor In-kind Sponsors

CONTENTS

Message from the Mayor 6

Foreword 7

2011 Winners 8

Introduction: Strand Ephemera 2013 9

Exhibiting Artist Statements (1 - 24) 10 - 33

Map: Strand Ephemera Site Locations 34 - 35

Exhibiting Artist Statements (25 - 31) 36 - 42

List: Artists Strand Ephemera 2013 43

Workshops, Tours and Events 44

Public Programs Timetable 45 - 51

Photographic Competitions 52

Public Art Symposium 53 - 55

On The Fringe 56 - 62

Permanent Public Art 63

Concurrent Gallery Major Exhibitions 64 - 65

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Townsville City Council is delighted to present Strand Ephemera 2013.

The event, which transforms Townsville’s iconic Strand foreshore into an outdoor exhibition of engaging artworks supported by dynamic programs, is the highlight of the region’s arts calendar. Established in 2001, Strand Ephemera is presented biennially and has enchanted hundreds of thousands of viewers over the years - many of these viewers hailing from all corners of the nation.

This year, Strand Ephemera will be presented from 30 August – 8 September, capitalising on Townsville’s idyllic climate and the beautiful natural environment.

The exhibition features 31 artworks by local and national artists across a range of mediums including hard and soft sculpture, photography, projection, and installation works. The artworks explore diverse concepts and invite consideration, enjoyment and, in some cases, interaction.

An event of this magnitude can only be successfully delivered through the hard work and support of a large number of people.

Of course the artists contribute their time, dedication and amazing creativity, while Townsville City Council’s Gallery Services staff members and volunteers have worked extensively to build on the success of this much-loved event. My heartfelt thanks to all of the artists, staff and volunteers involved. I also thank the various sponsors - both those who have sponsored specific components of the event and those who have supported individual artists in realising their works. These financial and in-kind contributions have enabled Strand Ephemera to grow into a comprehensive festival offering something to appeal to all sections of the community.

I implore everyone to once again revel in Strand Ephemera. The exhibition is a celebration of the imagination and resourcefulness of the participating artists, an opportunity to bask in Townsville’s sublime environment and outdoor lifestyle, and a showcase of how art contributes significantly to our public and recreational spaces.

Cr Jenny Hill Mayor of Townsville

MESSAGE FROM THE MAYOR

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As a relatively newcomer to Townsville, this year’s Strand Ephemera will be the first occasion I have seen the event first-hand. Having been peripherally aware of Strand Ephemera for many years through its developed national reputation and glowing testimonials from artists, this is an opportunity I have been excited about since long before my appointment with Gallery Services.

From this ‘newcomer’ viewpoint I can also confidently say Townsville is a truly fortunate region. It is clear to me that many of the region’s attributes have enabled an event like Strand Ephemera to thrive. Firstly, Townsville is blessed with 300 days of brilliant sunshine, and a recreational beachfront parkland that is the envy of the nation. The Strand offers the perfect platform on which to stage an exhibition outside the “white box”, a strategy which facilitates increased engagement with a broad cross-section of the community.

Secondly - on the topic of community - Townsville is home to one of the most dynamic and enthusiastic groups of artists and arts patrons I have encountered. Due to this, Strand Ephemera has an inexhaustible creative resource which reinvigorates the exhibition with each showing, and an audience which actively participates and champions the event. I thank all of our kind supporters, and the artists who have participated since the exhibition’s inception in 2001, for your energy and dedication developing Strand Ephemera into what it is today.

Finally, Townsville is home to a great number of people who are truly giving of their time and effort. My team within Gallery Services have gone above and beyond to see to the success of every element of this exhibition. However, these efforts would be for nought without the passionate assistance of many others.

I would be remiss not to thank these countless collaborators, from our many volunteers and sponsors, to the various sections and staff within Townsville City Council who assist; including those at Community Services; Performing Arts, Events and Protocol; Parks and Open Spaces Engineering Services; Marketing Communication; Together Townsville; and Property Management.

For the first time Gallery Services has also partnered with James Cook University’s School of Creative Arts for the presentation of the Public Art Symposium. Many SoCA students have also been invaluable in the development of all facets of the exhibition - my thanks to all SoCA staff and students. Similarly, Gallery Services has developed mutually beneficial relationships with many arts and cultural organisations who are delivering Fringe Events during Strand Ephemera. I encourage all to attend and enjoy these diverse events, and thank the various organisations for their enthusiasm and vision for a more holistic arts festival.

Finally, I wish to express my excitement for Strand Ephemera’s new direction and future growth. In 2013 the exhibition will feature a night component for the very first time. I am sure this endeavour will allow the interaction of countless more locals and visitors to the region who may only have an opportunity to visit after dark. Further, it allows artists more scope to engage with new technologies in the presentation of their works.

This focus is indicative of the way in which the exhibition has - and will for many years - continued to grow and evolve for the benefit of all.

Shane FitzgeraldManager, Gallery Services

FOREWORD

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2011 WINNERS

The previous Strand Ephemera took place from 2-12 September 2011. The exhibition featured 36 artworks, and was widely acclaimed by the 70,000 plus visitors, culminating in the event winning the Festivals and Events Section of the 2012 Townsville Airport NQ Tourism Awards.

With a vast array of art works to marvel at, the job of selecting a winner was always going to be a difficult one for guest judge Sebastian Di Mauro, Senior Lecturer at the Queensland College of Art, Griffith Univesity.

After much deliberation, Di Mauro settled on splitting the prize between two knockout works; Erica Gray’s striking Rock Anemone, and an installation of 13 life sized figures entitled Bagu with Jiman by Girringun Artists.

Rock Anemone showcased Gray’s amazing skill with soft sculpture and colour, tapping in to her background in fashion and textile arts.

Of Bagu with Jiman, the Girringun Artists stated, “Bagu, a mystical spirit of fire, would throw the Jiman (firestick) across the sky and a trail of fire would follow. These mixed media bagu are a contemporary development from the traditional firemaker which was made of wood and painted with ochres.”

Top: Erica Gray Rock Anemone 2011, PVC fabric, polyester fibre, 120 x 350 x 75 cm. Co-recipient of the Award for Artistic Excellence Strand Ephemera 2011.Photo: Brigitte Zimmerman

Bottom: Girringun Artists Bagu with Jiman 2011, Ceramic, wood, string, cane, grass and metal, 13 figures. Co-recipient of the Award for Artistic Excellence Strand Ephemera 2011.Photo: David Lynam

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The journey to here started as long as a year ago for many of this year’s exhibited artists; brain-storming innovative concepts that would be put forward for consideration and possible inclusion in the 2013 Strand Ephemera. Assessment processes can be challenging for any artist and Gallery Services’ offers its profuse thanks to not only those selected, but to all of those who submitted applications.

This year’s Strand Ephemera features 31 artworks, however the realisation of these works has involved the considerable effort of over 40 artists and participants—and countless more sponsors and supporters. Congratulations must go to all those involved in achieving the stunning final works.

The artworks that have been included in Strand Ephemera represent a fine balance between conceptually challenging and visually captivating. Most pleasing, a number of common trends running throughout the exhibition have emerged.

Most obviously, and meeting the requirements of this year’s increased focus on the exhibition’s night presence, many of the artists have considered the display of their work after dark. While in many cases this involves the incorporation of a lighting element to increase the work’s visual presence, there are those that have taken the concept further.

For Gabi Sturman, it is the playful presentation of a nocturnal creature, the owl; while the collaboration between Robert Crispe, Michelle Hall and Jo Lankester has resulted in a work that is completely transformed at night through a projection element. Sarah Emily Kate’s backlit photography also includes kinetic components encouraging interaction.

Strand Ephemera also encourages artists to respond to the location in which their work will be displayed, and in doing so consider a level of conceptual engagement with prevalent environmental issues.

It is encouraging to see so many artists included in this exhibition (too many to list) highlighting current environmental and social issues of genuine concern. The consideration of these issues by a broad cross-section of the community who visit the exhibition can only result in increased awareness and, with luck, solutions moving forward.

The success of an exhibition of this magnitude also relies heavily on the interaction and participation of viewers. Gallery Services develops a vibrant array of programs to this end, but a number of works also feature built-in participatory elements. Such works include Jan Hynes’ Strabble, the sprawling cardboard metropolis Vertical Disaster organised by La Luna Youth Arts and facilitated by local artists Shane Keen and HARRY, and the mammoth Whale Thong which is constructed by artists with and without a disability.

Gallery Services is extremely proud to present this year’s Strand Ephemera, and of the achievements of its artists and participants. To fully appreciate the exhibition and the full scope of the artists’ achievements and vision I encourage you to read the detailed information about each work provided within this publication.

Eric NashCurator, Gallery Services

STRAND EPHEMERA 2013

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The Winged Collective

Adaptation is a direct attack on the rubbish dumped in the ocean by humans; the small things that get washed down storm water drains that appear to be harmless yet cause enormous damage to the ecosystem.

These items are often either eaten by or wrapped around sea animals. The hermit crab is both an inspiring and tragic example of the adaptability required of marine life to not only deter natural predators, but also to withstand pollution. In this case the hermit crab’s adaptation both utilises and highlights the detritus of mankind.

Adaptation 2013

Plastic, thread, wire, button cell batteries, LED lights, wire, polyester filling

Multiple forms varying in size Price on application

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Imagine…..Epiphany Bubbles 2013

Clear cast perspex spheres, cast vinyl images from artist’s pen & ink drawings, solar powered marine lights on foam mount, high tension wire, plastic tubing, concrete anchoring block

Installation of 5 spheres, 51 cm diameter each Price on application

Naomi Gittoes

Naomi grew up by the sea in Bundeena on the Southern edge of Sydney, surrounded by the second oldest national park in the world.

Art, as well as the sea, claimed her early in life and from her earliest memories she has always felt a need to be in the ocean, now using it to inspire her art practice.

At 25, Naomi places enormous value on the preservation of imagination, and has developed a strong creative voice and consistent creative output, creating flexibility by working from mobile studios around the world in such places as New York, the West Caribbean island of Utila, the East coast of Mexico, and Hawaii.

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Steve Campbell is a Sound Artist and Senior Lecturer in music at James Cook University, Townsville. Donna Foley is a Visual Artist whose work explores the intersection of the visual and verbal.

Of their 2013 artwork, the artists state;

“This playful installation provides a sense of the primal power and effects of the wind, both sonically through the incorporation of a wind instrument, and visually. The work includes Western Art’s iconic images of Flora, the Goddess of Spring and, on the flipside of these depictions, Zephyr the Winter Wind as an instrument of transformation.

From winter to spring and, simultaneously and metaphorically, from lust to love, the song of life is sanctioned.

One hundred windvanes arranged in prime numbers represent the wind’s primal force as the possibility of positive or negative subtexts strike chords/discords at whim.”

Steve Campbell & Donna Foley

100 things that change with the wind 2013

PVC pipe, ZINC and nylon construction with vinyl on corflute wind-vanes

280 x 310 cm Price on application

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Light my Way 2013

Plastic dome and toys, lighting, enamel paint

Installation of multiple lamps,60 x 80 x 80 cm each Price on application

India Collins

Cairns based, Canadian born artist India Collins strives to blur the lines between art and design. Much of her work has a natural bent towards functionality, creating lifestyle pieces that serve a purpose while revitalising a space through colour, texture and playful narratives.

With an extensive background in textile and surface design, she regularly pushes the boundaries of conventionality and aesthetics by combining ‘built’ pieces with bespoke surface design.

Of Light my Way Collins states;

“This is an interactive cluster of large dome shaped lights which hang together suspended from the branches of a tree. The domes are unassuming on the outside and are uniform in colour. However, upon approach of these lamps, each one reveals a surprising narrative within. This work is a play on the enjoyment we glean from some of life’s unexpected little surprises as we carry on with our busy lives.”

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Rainer H. Schlüter

A monumental artwork, Blue Dancers (Danseuses Bleues) - Quintet takes inspiration from two famous works; Matisse’s Danseuses Bleues and Giacometti’s Walking Man.

The 10 beachwood forms representing abstract dancers transform these classical references into something that is entirely new, poetic, and evidently influenced by the tropical environment.

Made from fallen beach trees, the long abstract human forms have been carved and assembled, and then painted in acrylic ultramarine blue.

The sculpture’s finesse, longitudinal tension and precarious balance represent the dancing movement of the trees, the waves of the sea when exposed to tropical winds, and the fragility of human relations.

Blue Dancers (Danseuses Bleues) - Quintet 2013

Beachwood, acrylic paint

10 forms varying in size, max size 150 x 30 x 320 cm $10,500

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With a Diploma of Ceramics from Chisholm Institute of TAFE (2003), Chandra Paul has been exhibiting in Melbourne since 2008.

The Space between the Waves is an ephemeral ceramic installation exploring the idea of void, loss of place and the existential notion that we exist as a reflection in another entity.

It is a collection of cast and carved porcelain wave forms dispersed organically on the ground in a formation designed to look like a wave, or a picture of the sea.

Consistent with the theme of void, it forms a picture of an elusive space, or a place which does not exist. The artist’s intent is to convey that it is just as hard to locate the space between the waves, as it is to construct meaning free from subjectivity.

The Space between the Waves 2013

Installation of hundreds of porcelain ceramic forms

Approximately 2 x 3 cm eachPrice on application

Chandra Paul

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Ralph Knight

In 2000 Ralph began exploring the use of timber, wood carving and model making. It was at this time he became aware of the gradual disappearance of the iconic Queenslander from his neighbourhood. In response, he began exploring possibilities of reproducing facades to capture the many variations of style, structure and ornamentation which are fast disappearing.

Of Vanishing Facades, Knight states;

“Living in the north, we have become alarmed at the disappearance of the ‘old Queenslander’ style of house; Australia’s unique contribution to world architecture.

Vanishing Facades shows five ‘old Queenslander’ facades, disappearing into the distance along a sightline to Cape Cleveland, representing some essential features of the style. The facades represent the changing face of Townsville and the north: nostalgia for a NQ that was.”

Vanishing Facades 2013

Recycled timber and glass

5 forms varying in size, max size 180 x 180 cmPrice on application

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Joy Heylen

“Simplicity is the ultimate sophistication” Leonardo Da Vinci

With a nod to Da Vinci’s concept of refined aesthetics, Joy Heylen has created a stunning and restrained organic form from raw metal.

Of Coquillage the artist states;

“The work is an interpretation of organic emotion and physical matter. It explores the relationship between the organic qualities and resistance of metal, and also the tension between the complex realisation of form and the limitations and economy of the materials used.

It is a multi-positional sculpture for display both indoor and outdoor, and has been hand-crafted in the timeless method of sculpting copper with flame, linking both art and history with contemporary design.”

Coquillage 2013

Copper rolled and distressed with puddled finish

150 x 100 x 60 cm $7,760

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Robert Crispe, Michelle Hall & Jo Lankester

Flotilla is an ambitious collaborative work by three of Townsville’s most prolific artists and artsworkers; Robert Crispe, Michelle Hall and Jo Lankester.

Crispe is a recent graduate of JCU’s School of Creative Arts with extensive experience in projection artwork, Hall is a contemporary artist and community arts facilitator, specialising in soft sculpture installations and Lankester, who graduated from the Victorian College of the Arts with a Bachelor of Fine Arts (1994) is a printmaker with a particular interest in the natural environment.

Flotilla combines three distinct disciplines, with the work exploring notions of loss and anonymity experienced during chaotic times. Textile forms, suggestive of ghosts, have been printed with boat forms. The appearance of the work shifts with nightfall as an atmospheric projection acts as a storm on which the ghosts and boats float.

Flotilla 2013

Textiles, paper, wooden hoops, ink, projection, jenkai and crimps, tiger wire

1000 x 1500 x 1000 cmPrice on application

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Ian Loiterton

Born in New South Wales in 1970, Ian lived on Magnetic Island until mid-August 2013. Using drawing as a starting point, Ian has utilised a range of technologies to realise his concepts in two-dimensional, sculptural and digital formats.

Of The End Game, Loiterton states;

“This Strand Ephemera entry includes a central figure, which was created from an original, free hand concept drawing, then developed into technical drawings showing the front, side and top projections. From this point, a 3D computer model was generated to allow a smaller prototype to be machine milled, prior to the fabrication of the full scale machine milled version in 2011.

The central figure has been shown in different formats in the USA and a major competition in Victoria, but is reinterpreted here as The End Game. In this work, the figure is being taken by a large hand, which suggests the figure is a piece in the game of chess, which is a metaphor for life.”

The End Game 2013

Fibreglass, steel, mixed media


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Square in your ship’s path are Sirens, crying beauty to bewitch men coasting by; woe to the innocent who hears that sound! He will not see his lady nor his childrenin joy, crowding about him, home from sea;The Sirens will sing his mind away on their sweet meadow lolling. There are bonesof dead men rotting in a pile beside themand flayed skins shrivel around the spot.Steer wide; keep well to seaward; plug your oarsmen’s ears with beeswax kneaded soft; none of the rest should hear that song. But if you wish to listen, let the men tie you in the lugger, handand foot, back to the mast, lashed to the mastso you may hear those harpies’ thrilling voices;shout as you will, begging to be untied,your crew must only twist more line around youand keep their stroke up, till the singers fade.

HomerOdyssey, Book 12, 41-58

The Winged Collective

The Sirens 2013

Printed digital dibond, mirrored alucobond, solar lighting, metal wire, sand pegs

Multiple forms varying in size $1,200 per head

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Having attained a Master of Creative Arts majoring in Painting from James Cook University, Jan Hynes has evidenced her adaptability, inventiveness, skill and humour across countless solo exhibitions in Brisbane, Cairns and Townsville, and as a selected artist in Strand Ephemera since its inception in 2001.

She states that Strabble; “evokes memories of pre-electronic times when board games were part of holiday fun. It provides the opportunity to socialise and play a game not experienced since childhood, in the beautiful outdoors of The Strand.”

Strabble is a simplified, score-free variation of outdoor Scrabble where people can participate by adding a word or playing a complete game according to their interest. Satisfaction comes not from winning, but from seeing a word completed, and participating in a team effort.

Jan Hynes

Strabble 2013

Timber, paint, varnish

Dimensions variablePrice on application

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A sculptor working predominantly in found vintage metal, Tilley is passionate about both environment and community. The materials used in each work are integral to the concept. Her aim is to engage the viewer as they identify the objects used in the sculpture, leading them to consider the issue being addressed.

Of One Fish, Two Fish, NO Red Fish, NO Blue Fish, Tilley states;

“Global overfishing since the 1960s has depleted nearly all commercial fish populations and degraded the ecosystems that support them. Several ‘big fish species’ which are vital global food sources are facing extinction.

Ultimately the greatest impact will be felt in developing countries which rely on fish as a primary source of protein.”

Sue Tilley

One Fish, Two Fish, NO Red Fish, NO Blue Fish 2013

Cutlery and saucepan over stainless steel armature


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Ghost nets are fishing nets that are lost or abandoned at sea, representing a major threat for marine fauna and an ongoing problem for indigenous saltwater communities across Australia’s top end.

GhostNets Australia (GNA) works with indigenous ranger groups to retrieve the nets and to collect data on their type and location. The Ghost Net Art Project arose from the conundrum of what to do with the mountains of ghost net and marine debris retrieved from beaches along Australia’s remote northern coastline.

GNA’s Ghost Net Art Project focuses on communities that have been identified as ‘ghost net hotspots’, sponsoring workshops with a view to engaging community members to create art, craft and functional pieces from ghost nets.

GhostNets AustraliaConcept by Karen Hethey and Cecile Williams. Collaborative work created at a public workshop at the Cairns Indigenous Art Fair 2011 with TSI artists Frank Petero, Georgia Curry, Angela Torenbeek, Jimmy Thaiday and the general public.

Ghost Net Crocodile 2011

Bamboo, rattan, ghost net, marine debris

1200 x 450 x 65 cmNot For Sale

Pictured with the work are Angela Torenbeek, Greg Adams and Georgia Curry

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Kindly Supported By

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S.A. Adair

S.A. Adair’s work explores the metaphysical potential of objects and materials, and the interplay these elements have within a particular environment.

The artist states;

“Forms and ideas are generated through experimentation with ‘process’ where chance and errors have an integral part to play in the development of the work.

Working in a site-related manner, I use the sense of space and location to influence the final construction of the piece. I like to think that my work functions as an undercurrent, a murmuring - whispering to the viewer and encouraging subtle reflections of self, space and environment.”

S.A. Adair has been a frequent exhibitor in New South Wales, Victoria and the ACT since the early 2000s, and holds a Bachelor of Visual Arts with Honours from the Australian National University, majoring in Sculpture.

Fleeting 2013

Felt, glue

Dimensions variable$1,800

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Adriaan Vanderlugt

Adriaan Vanderlugt was born in the Netherlands, grew up in Canada and from 1977 has lived in the Whitsundays in Queensland.

Adriaan has a background in graphic design and has been creating environmental sculptures in bone, stone, marble, wood and metal for over four decades. In 2003 he was honoured with a Centenary Medal for distinguished service to the arts. Unearthed is an installation of 9 bird forms constructed from recycled farm steel, each with an egg carved from various stones at their feet.

Of Unearthed, Vanderlugt states;

“The process of cultivation upends what is; what was below is now on top. Have these birds unearthed their history? Or have they unearthed their future?”

Unearthed 2013

Recycled farm steel, paint, marble, granite, limestone, soapstone, steatite and basalt

Dimensions variable based on grouping, height of forms variable up to 120 cm $9,900 complete work, or $1,100 each form

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MJ Ryan Bennett

Ryan Bennett’s work to date is a combination of sculptural jewellery compositions, small objects and public art commissions. Her designs are inspired by “the environment within which I live; the complexity of form and how it contributes to a perception and dialogue of the community.”

Of Come Play with Me, the artist states;

“Come play with Me includes four life-size steel sculptures referencing the various stages of performing a handstand. This interactive composition encourages the viewer to mimic each sculpture’s pose, and brings out the ephemeral quality of play, which is never the same and always changing.”

Come Play with Me 2013

Mild steel with concrete footingInstallation of 4 forms

200 cm x various widths each $5,000 for complete work of 4 formsPhoto: Anya Kramansky

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Julie Bruce, Elizabeth Tillack & Sue Valis

Breezeway was inspired by the artists’ shared stories about living in the environment of the tropics.

Within a wooden framework resembling the façade of a typical Queenslander, two weathered French doors are incorporated. These were sourced from the demolished family home of Murray Massi of Cardwell following Tropical Cyclone Yasi.

Hand rolled and cut, the terracotta louvres have been decorated with salt-encrusted debris from The Strand, causing the rustic flushing when fired in a gas kiln. The louvres are set within old disused railway carriage window frames.

The curtains, which create the movement in the installation, have been spray-painted with inks and printed with screened stencils. The leaves of the sea almond trees found along The Strand are featured in the design.

Breezeway 2013

Timber, paint, ceramic, fabric, printing inks, dyes

220 x 230 x 115 cm$3,900

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A group of amateur artists with disability were mentored through a series of workshops to conceptualise, design and construct a life-size sculpture of a whale’s tail.

Local visual artist Vonnie van Bemmel and sculptor and silversmith Julie Bentley led the project, which was hosted by UnitingCare Community.

Whale Thong is a humorous title for a project with a serious message about the benefits of inclusive communities and environmental conservation. It is a great example of what people with and without disabilities can produce together and is proudly showcased during Disability Action Week.

The Regional Arts Fund is an Australian Government initiative that supports sustainable cultural development in regional, remote and very remote Australia. The program is delivered in partnership with Artslink Queensland.

The thongs used in this artwork have been kindly donated by the Lifeline Distribution Centre.

UnitingCare CommunityWith visual artist Vonnie van Bemmel and silversmith/sculptor Julie Bentley: A collaborative recycled art project by artists with and without disability

Whale Thong 2013

Plyboard, steel rods, reinforced wire, chicken wire, thongs, battery operated audio, LED lights


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Geoff Overheu

Having completed his BA Hons Fine Arts Degree from the Victorian College of the Arts in 2004, Overheu has held 8 solo and many group exhibitions in Melbourne, Sydney, Perth, Brisbane, and even as far as Basel, Switzerland.

Of Gates of Reason, Overheu states;

“Barriers take away any necessity for us to make decisions. Their function is to guide, direct, prevent or divide the flow of humanity. No decision is required by us once we are confronted by a barrier. We simply follow the silent instruction that it gives without any recourse to thinking. It is simply doing its job for our own wellbeing.

By placing bronze bas relief sculpture within the barrier, the viewer is compelled to stop, and by the very action they subvert the function of the barrier. The barrier has changed from its utilitarian function to something of a dilemma.”

Gates of Reason 2013

Polyethylene, bronze, solar components Installation of 6 barrier forms, 90 x 120 x 240 cm each$24,000

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Annee Miron

Miron’s work is chiefly concerned with notions of transience, and avoids the use of permanent fixtures in favour of more ephemeral, delicate or vulnerable works.

Of You are still part of the Commonwealth, Miron states;

“Australia’s colonisation brought straight lines, roads, rails and fences breaking the many indigenous countries into Anglo-European manageable and marketable pieces. Great fires, droughts, floods and storms demonstrate that the country itself does not know these lines.

Many of us live on, rather than with, our country as Australian identity remains tied to Britain and the Union Jack occupies a quarter of our flag. In You are still part of the Commonwealth, hand plaitted ropes tighten a noose around the Australian shoreline whilst the Union Jack drags them back out to sea.”

You are still part of the Commonwealth 2013

Sisal rope, glow rope, and found vintage Union Jack flag

10 x 400 cmPrice on applicationPhoto: Deirdre Carmichael, 2011

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A business owner for 25 years, John Stanley is the Designer and Creator of modular forms for ‘living sculpture’.In recent times he has furthered his investigation of these sculptures, and this work is indicative of the boundless possibilities for functional artwork. Of his practice, Stanley states;

“This is the start of a new journey for me as a creative practitioner. It began in 2012 and I am discovering there are infinite possibilities to the functional sculptural forms that can be created, be it in response to a client’s needs or wishes, or responding directly to a site or theme. I am passionate about both sculpture and nature, and wish to find a way to meld them into a functional feature that is interesting to live with and sit within. To achieve this, I utilise colour, light, volume, mass, space and formal coherence. Elements of Ambience has been created to respond to the theme of North Queensland.”

John Stanley

Elements ofAmbience 2013

Steel, aluminium, timber, plants, soft stone installation of modular pots

80 x 120 x 100 cm eachPrice on application

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Hugh Martin

Popular Townsville sculptor Hugh Martin has developed an installation of multiple dragonfly forms as a means to explore colour, and the way in which we perceive it based on various influences.

Of Dragonfly Spirits, Martin states;

“People might think ‘why insects?’…Why not? To me, insects such as dragonflies are mesmerising with their amazing colours, which can be iridescent or metallic in appearance. These colours are also fluid, shifting depending on different light conditions or even the mood of the viewer.

The installation is also about having fun; society and all its challenges can often leave us feeling there is no time for fun as we get caught up in all of the serious stuff. This is where I think the celebration of colour comes in, for both the viewer, and my own enjoyment in the process of creation.”

Dragonfly Spirits 2013

Aluminium, steel, nylon, automotive paint Installation of 21 forms,40 x 67 x 40 cm each form$50 each form

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An award winning artist with a background in fashion, Erica utilises a variety of techniques and materials to stitch her soft sculptures. Erica’s artworks have been exhibited in both indoor and outdoor shows, including the World of WearableArt Awards show, winning the Gen-i Creative Excellence Section.

Of Complicated Tap Sets, the artist states;

“With a father that worked as a plumber and three brothers that would eventually follow him into the trade it isn’t surprising that plumbing fixtures are a continuing theme within my art practice.

As a soft sculpture artist I enjoy using unconventional materials to challenge the nature of sculpture and these nonsensical plush tap sets allow us to relax our predetermined ideas of what the size, scale and materiality of an object should be.”

Erica Gray

Complicated Tap Sets 2013

Wooden base, plush fabric, polyester stuffing


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The Winged Collective (Page 10)

1The Winged Collective (Page 20)

Naomi Gittoes (Page 11)

2Steve Campbell& Donna Foley (Page 12)

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India Collins (Page 13)

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F

Rainer H. Schlüter(Page 14)

5Joy Heylen(Page 17)

8

Ian Loiterton(Page 19)

11

Sue Tilley(Page 22)

13GhostNetsAustraliaConcept by Karen Hethey and Cecile Williams. Collaborative work created at a public workshop at the Cairns Indigenous Art Fair 2011 with TSI artists Frank Petero, Georgia Curry, Angela Torenbeek, Jimmy Thaiday and members of the general public

(Page 23)

14S.A.Adair(Page 24)

15

MJ Ryan Bennett(Page 26)

17

Julie Bruce, Elizabeth Tillack & Sue Valis(Page 27)

1820

UnitingCare Communitywith visual artist Vonnie van Bemmel and silversmith/sculptor Julie Bentley: A collaborative recycled art project by artists with and without disability

(Page 28)

Geoff Overheu(Page 29)

22 John Stanley(Page 31)

Strand Ephemera artwork locations

Strand Ephemera Information Desk locations

Permanent Public Artworkunveiled during Strand Ephemera

23 Hugh Martin(Page 32)

27 Stephen de Jersey & Alison McDonald(Page 38)

28 Marion Gaemers(Page 39)

30 Lynnette Griffiths(Page 41)

29 Jo Anglesey(Page 40)

31 Sarah Emily Kate(Page 42)

26 Gabi Sturman(Page 37)

24

#

Erica Gray(Page 33)

21 Annee Miron(Page 30)19

Adriaan Vanderlugt(Page 25)

16 La Luna Youth ArtsFacilitated by HARRY and Shane Keen

(Page 36)

25

Jan Hynes (Page 21)

12

10

Robert Crispe, Michelle Hall & Jo Lankester(Page 18)

9Ralph Knight (Page 16)

7

Chandra Paul (Page 15)Amanda Feher

Flex Permanent Public Artwork

(Page 63)

6Legend

34

How

itt S

t.

McK

inle

y St

.

Land

sboo

ugh

St.

Kenn

edy

St.

Gre

gory

St. O

xley

St. Frye

r St

.

The Winged Collective (Page 10)

1The Winged Collective (Page 20)

Naomi Gittoes (Page 11)

2Steve Campbell& Donna Foley (Page 12)

3

India Collins (Page 13)

4

i2

i1

i3

i#

F

F

Rainer H. Schlüter(Page 14)

5Joy Heylen(Page 17)

8

Ian Loiterton(Page 19)

11

Sue Tilley(Page 22)

13GhostNetsAustraliaConcept by Karen Hethey and Cecile Williams. Collaborative work created at a public workshop at the Cairns Indigenous Art Fair 2011 with TSI artists Frank Petero, Georgia Curry, Angela Torenbeek, Jimmy Thaiday and members of the general public

(Page 23)

14S.A.Adair(Page 24)

15

MJ Ryan Bennett(Page 26)

17

Julie Bruce, Elizabeth Tillack & Sue Valis(Page 27)

1820

UnitingCare Communitywith visual artist Vonnie van Bemmel and silversmith/sculptor Julie Bentley: A collaborative recycled art project by artists with and without disability

(Page 28)

Geoff Overheu(Page 29)

22 John Stanley(Page 31)

Strand Ephemera artwork locations

Strand Ephemera Information Desk locations

Permanent Public Artworkunveiled during Strand Ephemera

23 Hugh Martin(Page 32)

27 Stephen de Jersey & Alison McDonald(Page 38)

28 Marion Gaemers(Page 39)

30 Lynnette Griffiths(Page 41)

29 Jo Anglesey(Page 40)

31 Sarah Emily Kate(Page 42)

26 Gabi Sturman(Page 37)

24

#

Erica Gray(Page 33)

21 Annee Miron(Page 30)19

Adriaan Vanderlugt(Page 25)

16 La Luna Youth ArtsFacilitated by HARRY and Shane Keen

(Page 36)

25

Jan Hynes (Page 21)

12

10

Robert Crispe, Michelle Hall & Jo Lankester(Page 18)

9Ralph Knight (Page 16)

7

Chandra Paul (Page 15)Amanda Feher

Flex Permanent Public Artwork

(Page 63)

6Legend

SITE LOCATIONS

35

36

Exploring the sensitivity of cities to extreme weather, artists and young people will construct a city scape.

Changes to the installation caused by the weather will be incorporated into the sprawl of the city, with new buildings and walkways being constructed on a daily basis.

Battling the elements, the construction will see taller and larger buildings built on top of damaged structures; walkways will become narrower with increasing twists and turns. Ultimately, a large, densely constructed metropolis will emerge.

Which will be victorious, the builders and their city, or the natural elements? The final days of the installation will provide an answer to this interactive community installation project.

La Luna Youth ArtsFacilitated By HARRY & Shane Keen

Vertical Disaster 2013

Cardboard boxes, paint, audio visual equipment, fishing line, tent pegs, tarpaulin

Dimensions variable

25

37

A vulnerable parliament is an installation featuring life size ceramic sculptures of the Lesser Sooty Owl, Tyto multipunctata.

Of the installation, Sturman states;

“The Lesser Sooty Owl is found only in the wet tropical rainforests and is classified as vulnerable. A parliament is the name given to a group of owls.

As the Lesser Sooty Owl is unable to build a true nest and depends on nest hollows, it is especially vulnerable to habitat loss. The most significant conservation problem is the destruction, degradation and alteration of habitat.”

Gabi Sturman

A vulnerable parliament 2013

Slip cast porcelain, LED lighting

Installation of multiple owl formsDimensions variable$4,500 parliament of 12 owls or$380 each form

26

38

Stephen de Jersey & Alison McDonald

Alison McDonald’s artwork sits at the junction of sculpture, consumer culture and environmental concern. Architect Stephen de Jersey anchors projects by responding to the unique conditions associated with the individual site.

The artists state;

“The site has many unique qualities including its topography and spatial composition, available views and vistas, and its solar and wind orientations. This built form utilises these site qualities, thereby finding a ‘Lost-Space’.

The work utilises commonplace waste product (used car tyres) as its principal building block. The method of arrangement of these tyres enables an engagement with the bedding beach sand and the creation of an entirely interactive space synonymous with the particularities of the site; a found ‘Lost-Space’.”

Lost & Found 2013

Installation of 500 recycled tyres and industrial ties

Dimensions variablePrice on Application

27

39

Marion Gaemers

Marion Gaemers holds a Bachelor of Visual Arts (1994) from James Cook University, and has staged a host of solo exhibitions of her fibre-based artworks in central and northern Queensland since the early 1990s.

Of Germination, Gaemers states;

“This work continues my exploration of the interaction between humans and the environment, and the questioning of who will win.

Germination is an installation of 3 large seed pods that are just sprouting. It shows them adapting to their environment, using the beach and urban flotsam (rubbish) to develop the growing shoot from the seed. This work illustrates that plants can adapt, modify and alter to survive.”

Germination 2013

Cane, paper, net, beach and urban flotsam Installation of 3 large seed pod forms,Dimensions variable$400 each form

28

40

Jo Anglesey

Rainbows symbolises the protection of trees, forests, and environmental eco-cultures.

Anglesey states;

“Rainbows are a testament of natural elements, upon which life depends, and a natural phenomenon used as a symbol of hope since ancient times. This work draws attention to trees that make the air we breathe, upon which life depends.”

Anglesey is currently completing a PhD at the University of Tasmania which is focussed on ephemeral installation with environmental critique, under the overarching umbrella of Festival.

Recently she was Artist in Residence for Riverside Primary School in Tasmania, and devised and supervised an art program, Our Living Garden = Our Living Earth, with Grade 4/5 students.

Rainbows 2013

Fabric

Dimensions variable

29

41

Lynnette Griffiths works between Cairns and the Torres Strait, predominantly with Indigenous artists, and finds inspiration in the social networks of family and community life.

Of Salt Water Immigrants, Griffiths states;

“Convicts, migrants, refugees - all have crossed the high tide mark by some means to be part of this country. This sculpture depicts a ‘New Australian Family’.

As the global problem of oceanic plastic waste increases it is difficult to find a pristine shoreline. Much of this rubbish travels many sea miles to end up on Australian soil.

I want to highlight the huge environmental problem to our eco system this rubbish creates. However, once this flotsam enters our environment it becomes our collective responsibility; something must be done with it. New beginnings can be creatively constructed, generating new meaning and life.”

Lynnette Griffiths

Salt Water Immigrants 2013

Steel frame and stand, thongs, ghost nets, recycled materials


30

42

Originating from Hervey Bay, Sarah Emily Kate is a photographic artist whose practice is inspired by both travel, and an ingrained curiosity and admiration for the landscape and natural wonders.

Of Beautiful One Day, she states;

“Life is a journey and wherever it takes us, we see new environments through the memory of old places. We forge a connection to places that have brought us happiness, and this instils a sense of responsibility within us to preserve that happiness.

Connecting memory to place is an important aspect of this work that asks the viewer to physically interact with the kinetic components of the piece. The viewer experiences the landscape within the work, whilst interacting within the landscape surrounding the work. Perhaps this will start a whole new journey into long forgotten places.”

Sarah Emily Kate

Beautiful One Day 2013PVC pipe, acrylic sheet, inkjet photographs on backlit film, marine and exterior paint, marine plywood, waterproof lights, solar panel, water


31

43

ARTISTS STRAND EPHEMERA 2013

S.A.Adair (page 24)

Jo Anglesey (page 40)

Julie Bruce, Elizabeth Tillack and Sue Valis (page 27)

Steve Campbell and Donna Foley (page 12)

India Collins (page 13)

Robert Crispe, Michelle Hall and Jo Lankester (page 18)

Stephen de Jersey and Alison McDonald (page 38)

Marion Gaemers (page 39)

GhostNets Australia: Concept by Karen Hethey and Cecile Williams. Collaborative work created at a public workshop at the Cairns Indigenous Art Fair 2011 with TSI artists Frank Petero, Georgia Curry, Angela Torenbeek, Jimmy Thaiday and the general public. (page 23)

Naomi Gittoes (page 11)

Erica Gray (page 33)

Lynnette Griffiths (page 41)

Joy Heylen (page 17)

Jan Hynes (page 21)

Sarah Emily Kate (page 42)

Ralph Knight (page 16)

La Luna Youth Arts: Facilitated by HARRY and Shane Keen (page 36)

Ian Loiterton (page 19)

Hugh Martin (page 32)

Annee Miron (page 30)

Geoff Overheu (page 29)

Chandra Paul (page 15)

MJ Ryan Bennett (page 26)

Rainer H. Schlüter (page 14)

John Stanley (page 31)

Gabi Sturman (page 37)

Sue Tilley (page 22)

UnitingCare Community: with visual artist Vonnie van Bemmel and silversmith/sculptor Julie Bentley. A collaborative recycled art project by artists with and without disability (page 28)

Adriaan Vanderlugt (page 25)

The Winged Collective (pages 10, 20)

44

The public program for this year’s Strand Ephemera features a variety of activities designed to complement and enhance the visitors’ experience of this wonderful ten-day event. The program features daily guided tours of Strand Ephemera, drop-in workshops by some of the artists from Strand Ephemera, performances and Fringe Events.

Drop-in workshops are programmed all along The Strand and are suitable for both adults and children. These workshops

are free and are led by participating artists, with a variety of different activities ranging from sculpting animals from clay through to making balls from recycled plastic bottles! A highlight of this program will be the chance to work with GhostNets Australia over three days to make a turtle from ghost nets and flotsam.

Guided tours take in the artworks along The Strand each day. There are morning, late afternoon and evening tours on

selected days that depart from the Information Desk 1 near the Picnic Bay Surf Life Saving Club. Selected guided tours include an artist talk by Strand Ephemera artists, while all the 7pm tours are followed by video bombing by ABC Open at 8pm.

Performances and Fringe Events will occur on each day of the festival. These events are your chance to

work with artists to construct artwork, enjoy wonderful music from the Pink Piano or take in some more art, performance and artist talks at external venues that coincide with Strand Ephemera. The arts in Townsville truly comes alive during the festival so take the opportunity to immerse yourself in what the region has to offer.

Please refer to the program for day-by-day listings to plan your visit, and we hope you enjoy everything this wonderful event has to offer.

WORKSHOPS, TOURS AND EVENTS

event

tour

workshop

fringe

45

Vertical Disaster will explore environmental impacts

and extreme weather on buildings and cities. Suitable

for adults and school-aged children.

at artwork location

PUBLIC PROGRAMS TIMETABLE

30 Vertical Disaster construction

11am - 2pm Friday, August 30 Pink Ladies Plus performance

5.30pm Friday, August

fringe

31 Main Exhibition Tour

9.30am - 12pm

This special tour commencing from The Winged

Collective’s Adaptation will explore all artworks in

Strand Ephemera, and includes brief artist talks by the

participating artists.

at artwork location

Saturday, August

tour

31 ABC Open Video Bomb

8pm

ABC Open is bombing the city with videos made

by north Queensland residents. Bring a chair, snacks,

drinks and warm clothes and watch quality short

movies.

Tobruk Pool Coffee Shop

Saturday, August

31 Guided Tour and Artist Talk

7pm

Guided tour of half of Strand Ephemera, starting

centrally and moving towards Tobruk Pool. This tour will

be accompanied by an artist talk at Lynnette Griffiths’

work Salt Water Immigrants.

departs from Information Desk 1

Saturday, August

tour

31 Drop-in Workshops

1.30 - 4pm Drop-in workshop with

GhostNets Australia

Learn simple fibre techniques and contribute to

making a turtle using ghost nets and other marine

debris. All ages.

near Information Desk 1

3 - 5pm Wearable Art with MJ Ryan Bennett

Learn simple jewellery making techniques to

produce a piece of wearable art using cable ties, beads

and French knitting. Ages 12+.


3 - 5pm Weaving with Marion Gaemers

Using rope and hay bailing twine, make sunflowers

with stitching and weaving techniques. Ages 12+.


Saturday, August

workshop

31 Bohemian Masquerade Ball 7 - 11.45pm

- Artspaced, Federation Place, Sturt Street

- Tickets $30 prepaid or $40 at the door

Artspaced

Federation Place, Sturt Street

Saturday,August

fringe

25 1

Music from North Queensland composed in

the early 20th century.

at the Pink Piano

workshop

workshop

event

fringe


11am - 2pm




at artwork location

Sunday, September

event 25

46



11am - 2pm




at artwork location

Monday, September

event


10am - 12pm Sculptures from Ghost Nets and

Flotsam with Lynnette Griffiths

Using supplied net and marine debris participants

will learn suitable construction techniques to build a

three-dimensional form. Suitable for adults.


10am - 12pm Rope with Annee Miron

Annee Miron will teach participants how

to weave and tie various knots during this

practical drop-in workshop. All ages.


Drop-in workshop with GhostNets Australia

10am - 12.30pm

1.30 - 4pm



debris. All ages.


3 - 5pm Wave Form with Chandra Paul

Ephemeral clay workshop with basic hand

modelling techniques and practices that focus

on making leaf and wave forms. All ages.


Sunday,September

02 Guided Tour

9.30am


centrally and moving towards Kissing Point.


Monday,September

02 Guided Tour and Artist Talk 7pm


centrally and moving towards Kissing Point. This tour

will be accompanied by an artist talk at Donna Foley

and Steve Campbell’s work.


Monday,September

tour

tour

01 Pink Ladies performance

4pm

Catch a performance of modern classics and jazz

music performed by the Pink Ladies at the Pink Piano.

at the Pink Piano

Sunday,September

workshop

02 Pink Piano

performances

4 - 6pm Music students from the Townsville area

6pm Pink Ladies at the Pink Piano

Catch a performance of modern classics and jazz.

at the Pink Piano

Monday,September

fringe

fringe

25

workshop

workshop

workshop

01 Guided Tour

5pm




Sunday, September

tour

47



10am - 12pm Wearable Art with MJ Ryan Bennett

Learn simple jewellery making techniques to

produce a piece of wearable art. Ages 12+.


3 - 5pm Clay Animals with Gabi Sturman

Learn how to sculpt realistic animals. All ages.


Drop-in workshop with GhostNets Australia

10am - 12.30pm

1.30 - 4pm



debris. All ages.


Monday, September

03 Vertical Disaster construction 11am - 2pm




at artwork location

Tuesday, September

event


10am - 12pm Wrapping with Rainbows

with Jo Anglesey

Over three days, artist Jo Anglesey’s artwork will grow!

Please join us to wrap some of the other trees in the

surrounding area. You’ll start at the roots winding up to

the foliage as you wrap the trees in rainbows. All ages.

at artwork location

3 - 5pm Wave Form with Chandra Paul

Ephemeral clay workshop with basic hand modelling

techniques and practices that focus on making leaf and

wave forms. All ages.


Tuesday, September

03 Music students at the Pink Piano 4 - 6pm

Catch a performance by some of Townsville’s most

talented Music students at the Pink Piano.

at the Pink Piano

Tuesday, September 03

Guided Tour

5pm


centrally and moving towards Tobruk Pool.


Tuesday,September 04

Guided Tour

9.30am




Wednesday, September

workshop

workshop

tour tour

02 ABC Open Video Bomb 8pm




movies.

Surf Life Saver Shed

at the Rock Pool

Monday,September

fringe

fringe

25

workshop

workshop 29

workshop

48



11am - 2pm




at artwork location

Wednesday, September

event


10am - 12pm Lucky Letter with Jan Hynes

Join artist Jan Hynes and make yourself a “Lucky

Letter” pendant. By using a stencil and transferring your

favourite letter onto a wooden tile, you’ll have a fun and

funky pendant to wear. All ages.


10am - 12pm Wrapping with Rainbows

with Jo Anglesey





at artwork location

3 - 5pm Glorious Bugs with Erica Gray

You’ll be the envy of your friends in your new bug

mask and fly broach! Using the inspirational shapes

of insects, bug bodies and wings are cut out of black

paper and then layered together to create three-

dimensional bug masks and broaches. All ages.


Wednesday,September

04 Lettuce Dance Band performance

6pm

Catch a performance of Balkan and Klezmer inspired

performances at the Pink Piano by the Lettuce Dance

Band.

at the Pink Piano

Wednesday,September 04

Guided Tour and Artist Talk

7pm


centrally and moving towards Tobruk Pool. This tour

will be accompanied by an artist talk at Geoff Overheu’s

artwork Gates of Reason.


Wednesday,September

workshop




at the Pink Piano

Wednesday,September

fringe

fringe

25

04 Light on the Fringe: Launch

6pm

Join Umbrella Studio for the launch of Light on the

Fringe: a collaborative new media project featuring

multiple digital projections, sound and moving images

illuminating the building’s outside east wall.

Umbrella Studio

482 Flinders Street

Wednesday,September

fringe

tour

workshop

workshop

29

49


11am - 2pm




at artwork location

Thursday, September

event





movies.

Fig Tree near Strand Park

(Mitchell Street)

Wednesday,September




at the Pink Piano

Thursday,September

fringe

fringe

25


05 Light on the Fringe: Artist Talk

7pm

Listen to a selection of artists featured in Umbrella

Studio’s Light on the Fringe speak about their works,

which include digital experiments incorporating

photography, video, animation, drawing and painting.

Umbrella Studio

482 Flinders Street

Thursday,September

fringe


5pm



be accompanied by an artist talk at La Luna Youth Arts’

work Vertical Disaster by Shane Keen and HARRY.


Thursday,September

tour


10am - 12pm Sublime Wind Chimes with

Erica Gray

Learn about basic macramé techniques to transform

everyday objects into decorative pieces of art. Bring

along shells, sticks, beads and other objects that you

would like to turn into a wind chime. All ages.


3 - 5pm Wrapping with Rainbows with

Jo Anglesey





at artwork location

3 - 5pm Spherical Spheres with

Alison McDonald

In this drop-in workshop you’ll make playful balls

from recycled plastic bottles and cable ties! Save up

your plastic bottles, bring them along and use them to

make a three-dimensional sculpture out of recycled

materials. Ages 12+.


Thursday, September

workshop

workshop

workshop 29

50



11am - 2pm




at artwork location

Friday, September

event


10am - 12pm Abstraction from the Everyday

with S.A. Adair

Participants will create a series of drawings of an

object of their choice, overlay the drawings, and add

and subtract line work to build up the image. This

image will become a template to create a final abstract

artwork! Ages 12+.


3 - 5pm Lucky Letter with Jan Hynes

Join artist Jan Hynes and make yourself a “Lucky

Letter” pendant. By using a stencil and transferring your

favourite letter onto a wooden tile, you’ll have a fun and

funky pendant to wear. All ages.


Friday,September

06 Celtic Strings performance

5.30 - 6pm

Catch a performance of Celtic Strings’ music at the

Pink Piano by Megan Donnelly.

at the Pink Piano

Friday,September


7pm


centrally and moving towards Kissing Point. This tour

will be accompanied by an artist talk at Robert Crispe,

Michelle Hall and Jo Lankester’s work Flotilla.


Friday,September

workshop





movies.

The Strand

Jetty Sails Roof

Friday,September

06 Music students at the Pink Piano 4 - 5.30pm



at the Pink Piano

Friday,september

fringe

fringe fringe

25

tour

06 Light on the Fringe 6 - 9pm

View works in Light on the Fringe: a collaborative

new media project featuring digital projections, sound

and moving images illuminating the building’s outside

east wall.

Umbrella Studio

482 Flinders Street

Friday,September

fringe


9.30am


centrally and moving towards Tobruk Pool. This tour

will be accompanied by an artist talk at UnitingCare

Community’s work Whale Thong.


Friday,September

tour

workshop

51


11am - 2pm




at artwork location

Saturday, September


11am - 2pm




at artwork location

Sunday, September

event

25

25


08 Public Art Symposium

10am - 12.30pm

Presented by the School of Creative Arts in

collaboration with Gallery Services, the Symposium will

be an informative discussion on Public Art featuring

leading industry figures.

James Cook University

1 James Cook Drive

Sunday,September

event

07 PechaKucha Night Townsville V.4

6.30pm

A fast-paced and fun presentation of images and

the stories behind them by local creative practitioners,

including a selection of Strand Ephemera artists.

School of the Arts

188-210 Stanley Street

Saturday,September


10am - 12pm Beginners Banquet with Erica Gray

Do you suffer button anxiety, are you hem-o-phobic

or have other sewing related emergencies? Take back

control and learn some basic sewing techniques in this

drop-in workshop! Learn some basic mending, such

as how to sew on buttons, create invisible hems, and

other hand sewing techniques. Ages 12+.

Picnic Bay Surf Life Saving Club

3 - 5pm Clay Animals with Gabi Sturman

Participants will sculpt their own realistic animals

from clay and be taught how to position and

construct their sculpture to create a dynamic and

life-like animal. After constructing the body, participants

will learn how to model details such as eyes, toes,

feathers, scales and texture. All ages.


Saturday,September

workshop

fringe


7pm



be accompanied by an artist talk by Sarah Emily Kate at

her work Beautiful One Day.


Sunday,September

tour

07 Guided Tour

5pm


centrally and moving towards Tobruk Pool.


Saturday,September

tour

event

workshop

52

PHOTOGRAPHIC COMPETITIONS

We’re calling for visitors to The Strand to capture their favourite moment during Strand Ephemera 2013 for a chance to win some great prizes.

Category Prize18 Years and Over $500Under 18 Years $250

To enter simply download an entry form from the Strand Ephemera page of Townsville City Council’s website: www.townsville.qld.gov.au Once you’ve completed the entry form, email it along with your photographs (maximum of five) to [email protected] by 5pm Sunday 8 September 2013.

This year’s Strand Ephemera Photo Competition will be judged by local photographer Honey Atkinson of Insight Creative. A keen photographer from age 13, Atkinson completed a Bachelor of Photography from JCU before hitting the world of fashion in Sydney.

Photo Competition

08 Mobile Phone Photography with Andrew Rankin

3 - 5pm

Join local photographer Andrew Rankin to explore the world of Mobile Phone Photography.

The workshop will include demonstrations of techniques and apps, and a ‘photo walk’ on

location at Strand Ephemera, The Strand. The workshop is demonstrated for iPhones but

participants can also use android phones.

Picnic Bay Surf Life Saving Club

Sunday, September

workshop

INSTAGRAM COMPETITION

Capture your Instagram moments! Join us at Strand Ephemera and share your favourite moments using the hashtag #StrandEphemera

The best photo uploaded as judged

by way of popular vote

will win $100!

Voting closes at midnight on the final day of the exhibition, Sunday 8 September.

53

PUBLIC ART SYMPOSIUM

When: 10am Sunday 8 SeptemberWhere: Room DA134-010, Education Centre James Cook University, Townsville Campus 1 James Cook DriveRSVP: (07) 4727 9011

The curtain will come down on the 2013 Strand Ephemera exhibition with a discussion on Public Art by leading industry figures. The Symposium, which is presented by Gallery Services in partnership with James Cook University’s School of Creative Arts, will feature key speakers Professor Steffen Lehmann, Richard Brecknock, and Professor Michael Parekowhai.

Access to speakers of this quality and level of experience presents a unique opportunity for local artists, architects and arts enthusiasts to tap into their wealth of knowledge in the field of public art and urban design. Admission is free, all are welcome to attend.

Gallery Services is providing a free shuttle bus service to the Symposium. Please contact the Gallery at the number listed above to reserve your seat.

Schedule8.50am Bus will depart Perc Tucker Regional Gallery for The Strand*

9.10am Bus will depart The Strand for James Cook University*

9.45am Bus arrives at James Cook University

10am Welcome by Professor Peter Murphy, Head of School, School of Creative Arts

10.15am Professor Steffen Lehmann: Interventions in Public Space as Informal Urban Design

10.40am Richard Brecknock: Development of Public Art

11.10am Morning Tea

11.35am Michael Parekowhai: Public Art in Practice

12pm Questions for Panel

12.45pm Bus departs James Cook University for Perc Tucker Regional Gallery and The Strand*

*Bus seats are limited. To confirm your space, please RSVP with

Perc Tucker Regional Gallery: (07) 4727 9011event

54

SYMPOSIUM SPEAKERS

Professor Steffen LehmannResearch Professor and Director, China-Australia Centre for Sustainable Urban Development, University of South Australia Presentation: Interventions in Public Space as Informal Urban Design

Professor Steffen Lehmann is a German-Australian architect, curator, urbanist, author and educator, registered as a chartered architect in Berlin. He is an internationally renowned leader in the field of sustainable buildings and urban development. Many of his research projects are collaborations with artists, concerned with the integration of low-carbon technologies in urban design and the social context.

Steffen has worked with some of the world’s most respected international architecture and urban design practices. From 1990 to 1993 he worked as an architect in the offices of world-recognised architects, James Stirling in London and Arata Isozaki in Tokyo, before establishing his own research-based and ideas-driven practice, s_Lab, Space Laboratory for Architectural Research and Design, in Berlin, to pursue a more ethically correct practice.

Richard Brecknock,Director of Brecknock Consulting

Presentation:Development of Public Art

Richard is an urban strategist, a Director of Brecknock Consulting P/L and an Associate of COMEDIA UK. He has a Master of Arts in Cultural and Media Policy from Griffith University and is a member of the Planning Institute of Australia’s Social Planning and Urban Design chapters.

Richard established the consultancy in 1988 following successful careers as a film director and professional visual artist. Richard is committed to developing culturally rich urban environments. He believes that culture underpins every aspect of our lives and decision making, and needs to be better recognised as the foundation element in building creative and sustainable communities.

55

SYMPOSIUM SPEAKERS

Professor Michael ParekowhaiPracticing Artist and Lecturer at the University of Auckland, National Institute of Creative Arts and Industries

Presentation:Public Art in Practice

Michael Parekowhai works across the disciplines of sculpture, installation and photography. Conceptual drivers for his research include: the ambiguities of identity; the shifting sensitivities of historical memory; the value of aesthetics; an appropriation and assimilation of an artistic cannon; the significance of biculturalism; and the fluid relationship between art and craft.

His work is held in significant public and private collections throughout New Zealand and Australia, as well as in permanent collections across the Asia-Pacific region and Europe. He has an extensive exhibition history, including: the Venice Biennale, Italy (2011); the Asia-Pacific Triennial, Australia (1999, 2006-2007); the Gwangju Biennale, Korea (2004); and the Sydney Biennale, Australia (2002).

Michael Parekowhai The Horn of Africa 2006, Automotive paint, wood, fibreglass, steel, brass, 395 x 200 x 260 cm

School ofCreative Arts

Presentation Partner

5656

The art of telling good stories: Tips on how to tell a good storyFilms and photos made by north QLD residents through the ABC Open project.

ABC Open will bomb the city with videos made by north Queensland residents.

Get super close to a six-foot croc!

Find out where Glenda’s happiest place is!

Watch a ninety-year-old swim further than you thought possible!

See locals become stars on the big screen!

And much more!

Video bombing happens every second night of Strand Ephemera with a half-hour show starting at 8pm. Look for the big ABC Open logo in the trees, on buildings and in other wacky places.

Bring a chair, pillow, snack, drinks and warm clothes and watch quality short movies made by your friends and neighbours.

Local ABC Open producer Michael Bromage will be on hand for ideas on how to make and get your stories seen on the ABC.

Video bombs away!

ABC OPEN VIDEO BOMBING

ON THE FRINGE fringe

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6.30pm Saturday 7 SeptemberSchool of Arts Theatre, 188 - 210 Stanley StContact: www.pechakucha.org/cities/townsville or [email protected]

PechaKucha is a simple presentation format where you show 20 images, each for 20 seconds. The images advance automatically and you talk along to the images.

PechaKucha Night, Townsville V.4 will feature presentations by local artists and creative practitioners, including a selection of artists featured in Strand Ephemera.

Proudly sponsored by the Regional Arts Development Fund (RADF) a Queensland Government and Townsville City Council partnership to support local arts and culture. PechaKucha night – devised and shared by Klein Dytham Architecture.

A STRAND EPHEMERA FRINGE EVENT

PECHAKUCHA NIGHTTOWNSVILLE V.4


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7pm Saturday 31 AugustFederation Place, Sturt Street

Tickets: $30 prepaid, or $40 at the doorContact: [email protected]

Featuring thirteen musicians, contemporary dance, circus performance, Movimiento dancers and projection art by Berko Entertainment, plus heaps more, Artspaced Inc.’s Bohemian Masquerade Ball is a calebration not to be missed!

ARTSPACED INC. BOHEMIAN MASQUERADE BALL


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For more information or to book a time, Contact: [email protected] Originally included in Strand Ephemera 2009 as an artwork by Jan Hynes, the Pink Piano will be at Strand Ephemera from Friday 30 August to Sunday 8 September for public use. Refer to the Public Programs calendar earlier within the catalogue for scheduled performance times.

This year the piano is reserved for student musicians each weekday between 4 - 6pm, but you can play at any time of the day or evening.

The piano is in honky-tonk mode - it’s fun and it’s also the meeting point for individual players or ensembles of other instruments; string, wind or brass can meet at the Pink Piano to play for the public.

PINK PIANO


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48 The StrandPh: O7 47244898 Contact: [email protected]

Gallery 48 presents Ephemera as Possible, an exhibition of ephemeral artworks. A number of pieces presented in Gallery 48 may not even last the whole duration of the official Strand Ephemera event; they take on a very short life as a butterfly does.

GALLERY 48EPHEMERA AS POSSIBLE


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482 Flinders Street Hours: Mon - Fri 9am-5pm & Sun 9am-1pm Ph: 07 4772 7109 Light on the Fringe is a collaborative new media project featuring multiple digital projections, sound and moving images illuminating the outside east wall of the Umbrella Studio building. A variety of new media artists from local schools, James Cook University and Umbrella Studio members have come together to develop these works coordinated by Robert Crispe, SoCA Graduate, filmmaker and photographer.

ArtistsAinslie Langdon, Alan Junior, Clayton Tonkin, Danielle Berry, Ebony Wilson, George Hirst, Gerald Soworka, Jesse Midgley, Melinda Gould, Michelle Hall, Penelope Sheridan, Rhonda Stevens, Roshan Karunanayaka, Sarah Welch, Shane Gallagher & Tony Lamont.

Image: Alan Junior Production still 2013

UMBRELLA STUDIO CONTEMPORARY ARTS

LIGHT ON THE FRINGE


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AN INSIGHT INTO THE CREATIVE PROCESS

ON THE FRINGE

A digital presentation throughout Strand EphemeraThis project is initiative of exhibited artist Ian Loiterton This year, Strand Ephemera will feature a large format LCD screen presentation of imagery depicting many of the exhibited artists’ process of creation. The screen will be sited near the Picnic Bay Surf Life Saving Club, and feature images of works at various stages of completion, culminating in an image of the final work installed. This initiative of artist Ian Loiterton is intended to provide the visiting public with further insight into the creation of the works, leading to an increased understanding of and interaction with the physical works.

fringe

This project has been made possible by a Regional Quick Response Grant - an Australian Government initiative through the Regional Arts Fund, supporting the arts in regional and remote/isolated Australia.

The Regional Arts Development Fund is a Queensland Government through Arts Queensland and Townsville City Council partnership to support local arts and culture.

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AMANDA FEHER

Flex 2013Bronze and Stainless Steel217 x 165 x 22 cm

Amanda Feher’s permanent public artwork Flex, timed to be unveiled on The Strand during the 2013 Strand Ephemera, has been commissioned “In recognition of the resilience shown by the Townsville community during and after Cyclone Yasi (February 2, 2011).”

Feher has lived in the Far Northern Region her whole life, and has completed numerous public art commissions, while also participating in a number of Strand Ephemera exhibitions since its inception in 2001. Of Flex, Feher states;

“I’m pleased to present a work which relates to an important part of life in the North; the Weather. The sculpture is comprised of three main elements which, both together and independently, symbolise the natural regeneration and re-building after a disaster occurs.

The Olive Backed Sunbird is native to the north and Townsville area. If the Olive Backed Sunbird’s nest is damaged by weather, they will often return to repair and inhabit the same nest again, or rebuild close by. Originally a mangrove dwelling species, the highly adaptable Sunbird has successfully inhabited and bred in cultivated and urban landscapes. The Sunbird, with all its traits, lends itself as the perfect symbol of resilience.

The Grass Blade form represents the tumultuous local environment, with its flexibility when long, and its ability to regrow after being cut down. This is also true of many of the people who rebuild after their homes are damaged in Natural Disaster Events, which are typical of this region.

Below the sculpture, the landscaping forms an Isobaric Ring configuration and references Storm Radar Map colour schemes with which we are familiar from weather maps televised during extreme weather events.”

For more info on Amanda Feher’s art practice, visit: www.amandafeher.com.au

PUBLIC

ART

Flex has been made possible through funding provided under the Community Development and Recovery Package, which is a joint initiative of the Australian and Queensland Governments under the Natural Disaster Relief and Recovery Arrangements.

PERMANENT

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CONCURRENT GALLERY MAJOR EXHIBITIONS

Arena: A Post Boom Beijing

Pinnacles Gallery until 1 September 2013

Arena: A Post Boom Beijing is a survey of contemporary documentaries and video from China’s cultural capital Beijing, offering views of a society undergoing a frenzy of change since the 2008 Olympics and the Global Financial Crisis. The exhibition reflects Beijing’s cultural production following the boom in Chinese Contemporary Art. Gao Shiqqiang still from Total Eclipse [detail] 2010, Courtesy the artist and Magee Gallery, Beijing

The Personal and The Political: Selected Works 1990 – 2012

Perc Tucker Regional Gallery until 6 October 2013

Born in Melbourne in 1945, Bonney Bombach grew up as a second generation Australian of European Jewish refugee parentage. Her work is intrinsically linked to her personal experiences and family history, and is a meditation on love and loss, on memory and forgetting, and on brutality and the human dilemma.

Bonney Bombach In Memoriam [detail] 1995, 28 panel installation, oil stick on photogram, 175 x 270cm

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Life in Your Hands: art from solastalgia

Perc Tucker Regional Gallery until 13 October 2013

Life in Your Hands: art from solastalgia champions visual art, craft and design as an enabling force to combat solastalgia. Environmental stresses can adversely affect the mental health of communities, to the extent where there is a loss of connection between the community and the environment that has historically sustained it. The phenomenon ‘solastalgia’ was recognised and identified by Professor Glenn Albrecht as ‘the homesickness you have when you haven’t left home’.

Jeff Mincham Full Moon – Dry Lake (No end in sight – ruin January 2009) [detail] 2012multi-fired and multi-glazed ceramic, 40 x 59 x 11cmphotography Michal Kluvanek© the artist

A Lake Macquarie City Art Gallery project curated by Robyn Daw, touring to six venues across Australia with Museums & Galleries NSW, supported by the Contemporary Touring Initiative.

CONCURRENT GALLERY MAJOR EXHIBITIONS

Documents

Strand Ephemera 2013 Artists Catalogue