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66 St James’s Street London SW1A 1NE ! Stern Pissarro Gallery
SUMMER DISPLAY Contemporary - Modern - Impressionist
ZHANG DALI (b. 1963)
AK-47
Acrylic on vinyl
100 x 80 cm (39 ǫ�[��� ½ inches) Signed on the reverse
2011
ZHANG DALI (b. 1963)
AK-47
Acrylic on vinyl
100 x 80 cm (39 ǫ�[��� ½ inches) Signed on the reverse
2011
DAMIEN HIRST (b. 1965)
Beautiful Cannibalistic Electofetish Fighting in the Lava Beds Who Got My Eyeball?
Paper Spin Painting (with butterflies)
Butterflies and acrylic on paper Diameter: 71.1 cm (28 inches)
Signed lower centre Executed in 2008
Provenance: Private Collection, London This work has been authenticated by the Hirst Authentication Committee, London
ARMAN (1928-2005)
Untitled
Acrylic and sliced guitar on canvas laid on board
102 x 102 cm (40 3/16 x 40 3/16 inches)
Signed on the turnover edge Executed in 2003
Provenance: Private Collection, USA This work is recorded in the Arman Studio Archives, New York under number APA# 8021.03.074.
A.R. PENCK (1923-2012)
The Right Point
Mixed media on canvas
96 x 78.2 cm (37 Ǫ x 30 ¾ inches) Signed lower left, A.R. Penck
Titled and dated 1993 The Right Point a.r. penck on the upper overlay
JEAN-MICHEL ATLAN (1913-1960)
Sans Titre
Oil on canvas
116 x 73 cm (45 ⅝ x 28 ¾ inches) Signed lower right, Atlan
Painted in 1958
Provenance: Private Collection, Lille Literature:
Jacques Pollieri, Atlan, Catalogue Raisonné de l'Œuvre Complet, Paris, 1996, no.599, p. 332
PAUL JENKINS
(1923-2012)
Phenomena A Certain Function Held
Acrylic on canvas 100 x 81 cm (39 Ǫ x 31 Ǭ�LQFKHV)
Signed lower left, Paul Jenkins Signed, titled and dated on verso, Paul Jenkins 1989 “Phenomena A Certain Function Held”
Painted in 1989
PAUL JENKINS
(1923-2012)
Phenomena Winter Harth
Oil and sand on canvas 66 x 122 cm (26 x 31 Ǭ�LQFKHV)
Signed, titled and dated on verso, Paul Jenkins “Phenomena Winter Harth” 1978
ALEXANDER CALDER (1898-1976)
La Noce
Gouache on paper
57 x 77 cm (22 ½ x 30 Ǫ inches) Signed and dated, Calder 74
Provenance: Galerie Adrien Maeght Private Collection, Paris This work is registered in the archives of the Calder Foundation, New York, under registration Number A25116.
MARC CHAGALL (1887-1985)
Étude pour la Nuit de Vence
Oil and India ink on canvas-board on plywood
28.4 x 34.8 cm (11 3/16 x 13 11/16 inches) Stamped signature lower left, Marc/Chagall
Executed circa 1952-56 Provenance: Collection of the artist. Timothy Yarger Fine Art, Beverly Hills, California. This work is accompanied by a replacement photo-certificate of authenticity from the Comité Chagall.
VICTOR VASARELY (1906-1997)
Cyclon
Acrylic on canvas
52 x 51 cm (20 ½ x 20 ǩ�inches) Signed lower right, signed, dated, titled and numbered on the reverse
Executed 1984
Provenance: Galleria Centro Steccata, Parme, Italy. Private collection, Italy. Private European collection. Certificate of authenticity is available.
VICTOR VASARELY (1906-1997)
Laika
Gouache and tempera on cardboard
40 x 32 cm (16 x 12 ½ inches) Signed and dated 1956 lower centre
Titled and inscribed P24 on the reverse
Provenance: Imre Pan Mezei, Budapest, c. 1963. Private Collection, Toronto. Private European collection. Literature: Werner Spies, Vasarely, 1969, p. 13 (a similar work entitled Laika II illustrated, p. 41). Pierre Vasarely has kindly confirmed the authenticity of this work.
FERNANDO BOTERO (b.1932)
Woman with Red Bow and Dog
Mixed media on paper
41 x 30.5 cm (16 ǩ�[����LQFKHV� Signed and dated lower right, Botero 08
This work is accompanied by a certificate of authenticity from the artist.
FERNAND LÉGER (1881-1955)
Étude pour Gaz de France
Mixed media and gouache on paper
Sheet size: 39.5 x 48.5 cm (15 ½ x 19 ǩ inches) Monogram stamp, F.L.
This work is accompanied by a photo certificate from Iris Hansma, Paris, October 4, 2012. On the verso of the work, certificate of authenticity from the artist's widow, Nadia Léger, with another on verso of frame from the Fondazione Pagora di Legnano, 1 October 1972.
JEAN-PAUL RIOPELLE (1923-2002)
Antibes
Oil on canvas
119.3 x 91.4 cm (47 x 36 inches) Signed and dated lower right, Riopelle 66
Signed, dated and titled on the reverse, Riopelle 66 Antibes
ANDRÉ LANSKOY (1902-1976)
Les flammes en Norvège
Oil on canvas
73 x 100 cm (28 ¾ x 39 ⅜ inches) Signed, titled and dated 1960 on reverse
This painting is accompanied by a certificate of authenticity from André Schoeller dated 15 February 1973.
AUGUSTE HERBIN (1882-1960)
Composition
Oil on canvas
130.1 x 59.7 cm (51 ¼ x 23 ½ inches) Signed lower right, ‘Herbin’.
Painted in February 1930.
Literature: Herbin Catalogue Raisonné, 1993, No.667, p.397
AUGUSTE HERBIN (1882-1960)
Composition
Oil on canvas
146 x 97 cm (57 ½ x 38 ¼ inches) Signed lower right, ‘Herbin 37’.
Painted in 1937.
Literature: Herbin Catalogue Raisonné, 1993, No. 732, p.409
MARINO MARINI (1901-1980)
Giocolieri e Cavallo
Gouache on paper mounted on canvas
63 x 43 cm (24 ¾ x 16 ⅞ inches) Signed and dated lower right 1953
Provenance: Estate of Marian Crown, New York. Private European collection. Accompanied by a certificate of authenticity issued by the Fondazione Marino Marini, dated January 13, 2012, numbered 638.
SERGE POLIAKOFF (1900-1969)
Composition in red, yellow, blue, green and gray model for fabric
Gouache on paper
65 x 50 cm (25 ½ x 20 ǫ inches) Signed and numbered lower right, 26950
Executed 1946
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MOÏSE KISLING (1891-1953)
Les Orchidées
Oil on canvas
54 x 73 cm (21 ¼ x 28 ¾ inches) Signed lower left
Painted 1938
Provenance: Galerie Marcel Bernheim, Paris Private Collection Literature: Jean Kisling, ed., Kisling 1891-1953, vol. II, Turin, 1982, p. 211, plate 83 (illustrated)
MOÏSE KISLING (1891-1953)
Portrait
Oil on canvas
73 x 54 cm (28 ¾ x 21 ¼ inches) Signed upper right
Executed 1928 Provenance: Marie-Claude Fischer, Paris, prior to 1982. Acquired by the family of the previous owner, ca. 1985. Private collection. Literature: J. Kisling and H. Troyat, Kisling 1891-1953, Turin, 1982, vol. II, p. 125, no. 96 (illustrated).
EMILIO GRAU SALA (1911-1975)
Young Woman
Oil on canvas
73 x 60 cm (28 ¾ x 23 ǫ inches) Signed lower right
Signed, dated 1952 and inscribed Paris on the reverse
ISSACHAR RYBACK (1897-1935)
Cirque
Oil on canvas
71 x 92 cm (28 x 36 ¼ inches) Signed lower right, I. Ryback
Painted circa 1920s as part of his Berlin circus series.
OSSIP ZADKINE (1890-1967)
The Three Graces
Watercolour on paper
62 x 45 cm (24 ½ x 13 ¾ inches) Signed and dated lower right, O. Zadkine 28
OSSIP ZADKINE (1890-1967)
Untitled
Gouache on paper
54.5 x 70 cm (21 ½ x 27 ½ inches) Signed lower left, O. Zadkine 28
!
JULES PASCIN (1885-1930)
Nu, le Bras Levé
Oil and pencil on canvas
72.4 x 59.1 cm (28 ½ x 23 ¼ inches) Signed
Literature: Jules Pascin: Catalogue Raisonné by Krohg, Hemin, Perls and Rambert, Editions Abel Rambert, volume I, illustration No. 236, page 133
KEES VAN DONGEN
(1877-1968)
Portrait de Madame Van Der Velde
Oil on canvas 126.2 x 96.3 cm (49 ⅝ x 37 ⅞ inches)
Signed center left, van Dongen Painted circa 1920-23
Provenance: Private Collection Private Collection (acquired from the above in 2001) Literature: Edmond des Courières, Van Dongen, Paris, 1925, illustrated p. 24 Kees van Dongen (exhibition catalogue), Fondation Pierre Gianadda, Martigny, 2002, no. 72, illustrated in color p. 122 This work will be included in the forthcoming catalogue raisonné being prepared by Jacques Chalom des Cordes under the sponsorship of the Wildenstein Institute.
HENRI HAYDEN (1883-1970)
Vue d’un Village
Oil on canvas
65 x 92 cm (25 x 36 inches) Signed and dated lower left: Hayden 1921
Inscribed verso: Hayden V-1921
Provenance: E.J. van Wisseling and Co., Amsterdam, #S9329 Lucienne Rosenberg, Paris Private Collection, Paris Sotheby’s, London, Impressionist and Modern Art, March 27th, 1985, lot 151 Private Collection, California.
HENRI HAYDEN (1883-1970)
Nature Morte avec Mandoline
Oil on canvas
65 x 81 cm (25 ½ x 32 inches) Signed and dated
Provenance: The Piccadilly Gallery, London. Comte and Comtesse Charles de Limur, San Francisco, acquired from the above in March 1967. Private collection, USA. Accompanied by certificate of authenticity signed by Pierre Célice, dated September 17, 2012.
LOUIS VALTAT (1869-1952)
Bouquet d’Anémones au Fond Rouge
Oil on canvas
41 x 33 cm (16 x 13 inches) Signed lower right
Painted c. 1918
Provenance: Private collection, France. Private European collection. Accompanied by a certificate of authenticity, signed by Julien Valtat.
PIERRE-AUGUSTE RENOIR (1841-1919)
Femme à la Rose, Andrée
Oil on canvas
36.5 x 29.8 cm (14 Ǫ��[ 11 ¼ inches) Stamped signature upper right, Renoir
Painted in 1919
Provenance Private Collection Private Collection (acquired from the above by the present owner in 1993) Literature Bernheim-Jeune (ed.), L'Atelier de Pierre-Auguste Renoir, Paris, 1931, vol. II, no. 656, illustrated pl. 205 (with incorrect dimensions) This work is to be included in the Renoir Catalogue critique being prepared by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives.
GUSTAVE LOISEAU (1865-1935)
Le Pont Henri IV - Paris
Oil on canvas
54.2 x 65 cm (21 ⅝ x 25 ⅝ inches) Signed
Executed 1918
Provenance: Galerie Art-Mel, Paris
GUSTAVE LOISEAU (1865-1935)
Paysage
Oil on canvas
73 x 60 cm (28 ½ x 23 ⅝ inches) Signed lower left
Provenance: Private European Collection.
MAURICE UTRILLO (1883-1955)
Château de Nangis (Seine-et-Marne)
Gouache on paper
34 x 50 cm (13 Ǫ�[����ǫ�LQFKHV� Signed lower right: Maurice, Utrillo, V,
Inscribed lower left: Château de Nangis (Seine-et-Marne)
Provenance: Galerie Moos, Switzerland Private Collection, Basel
MAURICE UTRILLO (1883-1955)
Rue de Banlieue
Oil on card, laid on panel
44.8 x 58.5 cm (17 Ǫ�[����LQFKHV� Signed lower right, Maurice Utrillo
Painted circa 1914 Provenance: Private Collection, France Literature: Jean Fabris & Cédric Paillier, L'œuvre Complet de Maurice Utrillo, Association Maurice Utrillo éditeur, Paris, 2009, p. 379, no.315 under the title Rue de Banlieue
MAURICE DE VLAMINCK (1876-1958)
Marine
Oil on canvas
73 x 92 cm (28 ¾ x 36 ¼ inches) Signed lower left, Vlaminck.
Literature: This work will be included in the forthcoming ‘Vlaminck Catalogue critique’ being prepared by Maithé Vallès-Bled and Godeliève de Vlaminck under the sponsorship of the Wildenstein Institute.
GUSTAVE LOISEAU (1865-1935)
Rue de Village Animée, 1909
Oil on canvas
46 x 55 cm (18 x 21 ⅝ inches) Signed lower left, G. Loiseau
HENRI MANGUIN (1874-1949)
Toulon, Les Avisos
Oil on canvas
46 x 61 cm (18 ⅛ x 24 inches) Signed lower left, Manguin
Painted c. 1926
Provenance: Acquired from the artist by Marcel Bernheim, Paris in February 1927. Literature: Lucile and Claude Manguin, Marie-Caroline Sainsaulieu, Henri Manguin, Catalogue Raisonné de l'Œuvre Peint, éd. Ides et Calendes, Neuchâtel 1980, no. 851, illustrated. p. 282.
HENRI MANGUIN (1874-1949)
Le Barrage de Suresnes
Oil on canvas
60 x 73 cm (23 ⅝ x 28 ¾ inches) Signed lower left, Manguin
Provenance: Acquired from the Artist in 1939 by Léon Madlyn and has remained in the family since then. Literature: Lucile and Claude Manguin, Marie-Caroline Sainsaulieu, Henri Manguin, Catalogue Raisonné de l'Œuvre Peint, éd. Ides et Calendes, Neuchâtel 1980, no. 1102, illustrated. p. 346.
MAXIMILIEN LUCE (1858-1941)
Rotterdam, Scène de Port
Oil on canvas
54 x 65 cm (21 ¼ x 25 ½ inches) Signed and dated 1907, lower right
Inscribed La meuse (Matin) on the stretcher
Provenance: Private European collection. Literature: Jean Bouin-Luce and Denise Bazetoux, Maximilien Luce, Catalogue Raisonné de l’Œuvre Peint, vol. II, Paris, 1986, p. 366, no. 1486 (illustrated).
JEAN DUFY (1888-1964)
Paris, La Tour Saint-Jacques
Watercolour on paper
44 x 55 cm (17 ¼ x 21 ǫ inches) Signed and dated lower right, Jean Dufy 1922
This work is accompanied by a copy of a certificate from Jacques Bailly dated 10 mars 2010 and will be included in Vol. III of the catalogue raisonné currently in preparation.
ALBERT LEBOURG (1849-1928)
Village et Promeneurs en Bord de Seine
Oil on canvas 39.5 x 72.5 cm (15 ½ x 28 ½ inches)
Signed lower left, a. Lebourg
ALBERT LEBOURG (1849-1928)
Bord de Seine à la Bouille
Oil on canvas 46 x 85 cm (18 ǩ�[����ò inches)
Signed and inscribed lower left, a. Lebourg la Bouille
MAXIMILIEN LUCE (1858-1941)
Printemps Saint-Ay de la Loire
Oil on canvas 64.8 x 50.5 cm (25 ½ x 19 ⅞ inches)
Signed lower right, Luce Inscribed as titled on the stretcher
Executed circa 1910 Provenance: Hammer Galleries, New York Private collection, New York Exhibited: Paris, Galerie Dru, M. Luce, Apr. 11-30, 1921, no. 36 (as La Loire a Saint-Ay), possibly Literature: Jean Bouin-Luce, Denise Bazetoux, Maximilien Luce: Catalogue Raisonne de L' Œuvre Peint, Paris, 1995, vol. 3, p. 177, no. 745, illus.
MAXIME MAUFRA (1861-1918)
Les Bords de la Loire à Poncé
Oil on canvas
54 x 73 cm (21 ¼ x 28 ¾ inches) Signed on the reverse
CAMILLE PISSARRO (1830-1903)
Lisière du Bois
Oil on canvas
25.5 x 37 cm (10 x 14 9/16 inches) Signed and dated lower left, C. Pissarro 67
Provenance : Galerie Romanet, Paris. Private Collection, Switzerland. Exhibited: Pavia, Italy, Visconti Castle’s Stables, Pissarro, February - June, 2014, Cat. No.7.
Literature: Joachim Pissarro and Claire Durand-Ruel Snollaerts (Wildenstein Institute), Pissarro Critical Catalogue of Paintings, 2005, No. 113, Vol. II, p.105.
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CAMILLE PISSARRO (1830-1903)
Le Ru de Montbuisson, Louveciennes
Oil on canvas
46 x 55.5 cm (18 ⅛ x 21 ⅞ inches) Signed lower right, C. Pissarro
Painted circa 1869
Provenance: Alfred Daber, Paris The Lefevre Gallery (Alex Reid & Lefevre), London (acquired from the above in 1950) Robert Morley, London (acquired from the above in 1951) Annabel Morley, London Dr. W. Eisenbeiss, Zurich Private Collection, USA Exhibited: London, The Lefevre Gallery (Alex Reid & Lefevre), Géricault to Renoir, 1951, no. 23 London, The Lefevre Gallery (Alex Reid & Lefevre), XIXth and XXth Century French Paintings and Drawings, 1960, no. 29 Literature: Christopher Lloyd, Pissarro, London, 1992, no. 8 Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Paris, 2005, no. 136, illustrated p. 12
ALFRED SISLEY
(1839-1899)
Cabanes au Bord du Loing
Oil on canvas 46 x 55 cm (18⅛ x 21⅝ inches)
Signed and dated lower left, Sisley 96
Provenance: Collection Georges Petit, Paris Sale: Modern Paintings, Hotel Drouot Paris, March 1935, No.56 Private Collection, Paris Literature: François Daulte, Alfred Sisley, Catalogue Raisonné de l’Oeuvre Peint, Lausanne 1959, No. 855 Exhibited: Paris, Galerie Georges Petit, A.Sisley, February 1897, No. 126 Paris, Temps Forts de Drouot Montaigne, 18th - 20th May, 2009 The Comité Sisley de la Galerie Brame et Lorenceau have confirmed the authenticity of this work.
CAMILLE PISSARRO (1830-1903)
Vachère dans une Clairière
Gouache sur papier cartonné (gouache on card)
25 x 21 cm (9 Ǭ�[���ó�LQFKHV� Signed and dated lower left, C. Pissarro 1890
Provenance: Private Collection, France This work will be included in the forthcoming “catalogue critique des pastels et gouaches de Camille Pissarro” being prepared by Joachim Pissarro and Claire Durand-Ruel-Snollaerts under the sponsorship of the Institute Wildenstein (confirmation dated 29th June, 2007).
CAMILLE PISSARRO (1830-1903)
Marché au Bétail (Live Stock Market)
Pencil and wash on paper 20.3 x 16 cm (8 x 6 ¼ inches)
Signed with monogram lower left Executed circa 1880-1882
Provenance: Sale, A. Bonin, Paris, 26 June 1931, lot 51. The authenticity of this work has kindly been confirmed by Mr Christopher Lloyd and Dr Joachim Pissarro.
CAMILLE PISSARRO (1830-1903)
Paysage avec Deux Personnages
Ink on paper
16.2 x 21.6 cm (6 ⅜ x 8 ½ inches) Stamped with the artist’s initials
Provenance: Estate of the artist Schoneman Galleries, Inc., New York Estate of Margo Schoneman This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro
EDGAR DEGAS (1834-1917)
Femme Nue Assise
Charcoal on paper
61 x 42 cm (24 x 16 ½ inches) Stamped lower left, Degas
Provenance: The artist’s studio sale, part III. Galerie Georges Petit, Paris, 7-9 April 1919, lot 274. Edmond Céria (acquired at the above sale). Literature: P.A. Lemoisne, Degas et son œuvre, Paris, 1946, vol. III, p. 698, no. 1200. A. Wofsy, Degas’s Atelier at Auction, Paintings, Pastels and Drawings Sales III and IV – 1919, San Francisco, 1989, no. 274 (illustrated p. 206).