Stenhouse 1968 Humanities Curriculum Project Journal

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  • JOURNAL OF CURRICULUM STUDIES

    Volume /Number 1/Novemberp 1968

    THE HUMANITIES CURRICULUM PROJECTLawrence Stenhouse

    Offprint

  • Lawrence StenhcntseHumanities CurriCulum Project

    The Project has been funded for three years jointly by theFoundation and the Schools Council, and has been given theremit:

    To offer to schools and to teachers such stivnulus, support arals as may be appropriate to the mounting, as an element education of enquiry-based courses, which cross the subject bbetween English, history, ylz studies asit-Ma-7TE project is expected to concentrate on such- stiiTiin icular meet the needs of adolescent pupils of average 2average academic ability.

    This is essentially a curriculum project, that is to say, it isconcerned with the content of education. Any observations abroom strategies and methods must be seen in the_settingsLthg

    om we understand by the humanities the study of both human 1

    and human experience. The study of human behaviour is broacTIScern of the social sciences: history, human geography, psych(sociology. In some sense, these studies aspire to examine human 1objectively, viewing it as caused or as dictated by purposes whirunderstood from observation rather than detailed subjectiveThe study of human experience is reflected in the arts and ingraphical aspect of history. It is concerned with the subjectivtential aspects of human life, and one important criterion byrents of the arts are made is fidelity to human experience.

    The claim of the humanities in education rests upon the arse:their study enhances understanding and judgment in those areascal living which involve complex considerations of values anctraditions. This claim has commonly been made for a classical eand R. S. Peters has recently stated it in a form which sharpenvance to a project such as ours:

    But surely the strongest case for Classics is that it is a field o

    I

  • pelling, seem to offer rich possibilities. Topics such as transport, water orlocal government seem difficult to justify in a humanities curriculum;they are derived from a different logic, perhaps that associated with theteaching of the conventional school subjects across disciplines on a projector enquiry base. Moreover, they raise too few issues of value, and dealrather in facts and techniques.

    Such distinctions as those made above are important. There are manydifferent curricular experiments afoot, and if they are to make their maxi-mum contribution, each must be clear about its own frame of reference.

    Areas of study should have an internal logical coherence, and should notbe based on casual associations. Thus, the juxtaposition of political powerand power as energy in the physical sense is unsatisfactory, as is the associ-ation of irrigation, boiling kettles, swimming and water on the knee in aunit on "water." Themes should probably seem inevitable, rather thanclever. All areas of study selected for a humanities course should leadstudents not only to a consideration of human beha 'o - y 'yerame o re - - .. ; r agmative sympathy with subjective

    There is a tendency to come]boundaries in terms of the needs aseem a helpful approach. Of couiand relevant to the students, butselection of material. In a humanitithose topics which are of endurirportance in the human situation.these areas precisely because of tltradition. No concession is beingshare these interests with their stu

    In a curriculum development co.of a central team?Its main tasks would appear to be

    (r) to help to found a traditionthis curriculum by helping themconfidence in appropriate classrooijudgments of the quality of studen

    (2) to provide, as elmnples,express this tradition and embody

    (3) to evaluate the impact of itssituation, and the strengths anddeveloping round them.

    It is important that the limitati

    islize curricula which cross subject[ interests of students. This does not, the curriculum must be interestingese are not sufficient reasons for thecurriculum one selects for adolescentshuman interest because of their im-ae school can make a contribution init central importance in our culturalde: the teachers may be expected to

    in these terms, what is the place

    Mich will support teachers working inselect materials, by increasing their

    strategies and by making secure their' work;trials for use in the classroom which

    standards;Lirriculum materials on the classroom7eaknesses of the teaching tradition

    is of a central team should be recog-

  • Second, the teaching strategy will be enquiry-based. We take this toimply groups of pupils discussing issues in the light of evidence and underthe guidance of the teacher. Distinctions may be drawn between instruc-tion-based, discovery-based and enquiry-based teaching. Instruction-based teaching implies that the task in hand is the teacher's passing on tohis pupils knowledge or skills of which he is master. In discovery-basedteaching the teacher introduces his pupils into situations so selected ordevised that they embody in implicit or hidden form principles or know-ledge which he wishes them to learn. Thus, Cuisensire rods embodynumerical principles, and certain scientific "experiments" used in educa-tional settings reveal scientific principles. Instruction and discovery areappropriate in the classroom whenever the desirable outcome of teachingcan be specified in some detail and is broadly the same for every pupil.

    Where a curriculum area is in a divergent, rather than in a convergent,field, i.e. where there is no simple correct or incorrect outcome, but ratheran emphasis on the individual responses and judgments of the students,the case for an enquiry-based approach is at its strongest. This is thesituation in the humanities.

    This basic strategy of classroom procedure can be argued, we maintain,from the nature of the content area. Considerations of professional ethicsare also involved.

    Each of the areas of study we have chosen involves highly controversialvalue judgments of a kind which divide opinion in our society, and this isbound to be so. It is just this controversial aspect of the work which offersthe prospect of live significance; and conscientious teachers will quiteproperly feel diffidence in entering these areas unless their classroomstrategy gives some assurance that the pupils will not have their horizonslimited by their teacher's biases. Moreover, teachers are bound to findthemselves working in areas of knowledge outside their own specialistqualifications and they ought to feel some reserve about playing an in-structional role in this situation. A further consideration is that many ofthe subjects proposed for study may well be just those most likely toexacerbate the inter-generational and the inter-social class conflicts be-tween teacher and pupil to which recent studies have drawn attention.

    On all these grounds, it seems reasonable to assert that an enquiry-based strategy is demanded in the classroom when the school adopts ahumanities curriculum as we have defined it. In short, enquiry is notsimply a dispensible means to an end which could be reached by otherroutes.

    The classroom strategy of enquiry is by no means new. Many of theideas behind it can be seen in project work, for example. It is our view,

  • teachers can draW as they embark upon this style of teaching; btbanks which ask for further deposits of materials found by th,themselves. They will provide the teacher with resources for exption, opening up a range of possibilities rather than confining.

    The structuring of these collections of material is of great ircThe collections Must be logically coherent, adapted to the proporoom strategy and yet flexible. We hope to break down each ofof enquiry into 4 number of points for discussion which evokin the classroom and are also Si! I ificant and a - .i5feanli ' materia w i raise each point, and these will be sun .=

    - Cinema filmessential for averskeyed into the sti

    One of the mathe materials, bepupils with whomstanding, which :there is that of 11as the problem o:too much, of ourour pupils. Onlysome of our offer

    In the case ofwide divergence (problem of finditdisposal. In thestrategy. First, vmediately below-teachers in ordermaintaining acceiof levels of diffici

    In 1968-9 devetions on war; &As soon as work Iing and evaluatin

    This problemmaterials and thecan adapt their vsented to teacherdecide whether it

    i of reievanteven t.important in this kind of teaching, and is

    ;e pupils. A film hire service is being built up,icture of the collections to be offered to schoot acute problems is that of controlling the suiiring in mind the age and wide range of abiliwe are concerned. First, there is the problemcrudely expressed as that of reading levels.

    ndling sensitive material, which expresses itselcensorship. At the experimental stage, some

    material ought really to be too difficult for thethis way can we establish a ceiling. By the sat

    ngs must be censored by the majority of teacheading difficulty the problem is made more aif view among experienced teachers and by the

    enough simple and direct evidence in the titace of these problems, we have adopted a cole hope to aim initially at the averageat CSEand subsequently to enlist the help of a large nto adapt down the ability range as far as we (table quality. Second, we hope to include a wfty in our trial materials.opment schools will begin to work with the firacation; the family; and relations between tegins in the schools we shall face the problem; it.las three main aspects. Feed-back evaluaticeaching strategy must reach the project team soirk in the light of experience. Evidence musso that they can evaluate what is offered to t

    has a potential in their own school setting. In p

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