Steinberg.SolutionGuide_Int.pdf

Steinberg Solution Guide

The Story of Steinberg and Yamaha

Steinberg has created award-winning, technologically-advanced audio software and hardware since 1984. With more than 1.5 million users globally, Steinberg (a Yamaha subsidiary) is one of the worlds largest manufacturers of these products, which are used by musicians and producers to create albums and soundtracks for video and film. Steinbergs wide-ranging products are world-renown in the world of modern digital audio processing. They form the backbone of facilities specializing in music compo-sition and production, mastering, restoration, broadcast, sound design, audio post for the film industry, and many others.

Since its foundation, Steinberg has constantly pushed the boundaries of what is possible in digital audio. In January 2005, Steinberg became a wholly owned subsidiary of Yamaha Corporation, the worlds leading manufacturer of audio hardware. By joining forces with Yamaha, the company ensured that the legacy of innovation and quality would finally find a supportive and equally quality-minded partner. Our groundbreaking technologies offer flexible, cost-effective and intuitive ways of realizing your full creative and professional potential. Steinbergs technologies include VST, ASIO and AI three standards that have ignited the computer recording revolution.

VST allows the integration of virtual effect processors and instruments into the digital audio environment. These can be software recreations of hardware effect units and instruments or new creative effect components in your VST system. The Audio Stream Input/Output (ASIO) architecture forms the backbone of VST. It supports variable bit depths and sample rates, multi-channel operation and synchronization. As a result, the user gets low latency, high performance, easy setup, and stable audio recording within VST. It is now the preferred audio standard used by many other leading software manufacturers.

AI is a technology developed in close collaboration between Steinberg and Yamaha. The AI technology allows for a seamless integration of the Digital Audio Workstations developed by Steinberg into the digital audio hardware from Yamaha and Steinberg. AI provides plug-and-play to an as-yet unknown level; the software automatically carries out the required settings of the con-nected hardware, such as selecting drivers, input and output configurations, and remote settings. In addition, the technology offers various dedicated remote functions, data exchange, and much more.

Thanks to the union with Yamaha, Steinberg began to create high quality hardware products with Yamahas award-winning engineers and designers products that ensure that Steinberg is known as the pre-eminent system solution company.

Steinbergs lineup has dramatically grown to include the MR Series of Firewire audio interfaces, the CI Series of portable USB audio interfaces and the recent addition of the class-leading UR Series of USB 2.0 audio interfaces. Ever innovating, SteinbergsCMC Series is the worlds first lineup of modular controllers, consisting of six sleek designs offering the utmost in flexibility and superior ease of use.

These hardware additions join the formidable lineup of software that Steinberg is best known for, including: Cubase, the worlds leading Digital Audio Workstation; Nuendo, the post production powerhouse; Wavelab, for deep editing and mastering; and Sequel, the easy to use music production studio. These programs unite with some legendary instruments and effects that take full advantage of VST host software including the Rupert Neve Design Portico Series of Plug-ins, The Grand virtual piano instru-ment, The Yamaha Vintage Plug-in Collection and the HALion lineup of sound creation and sampling plug-ins.

Steinberg passionately continues to create innovative, flexible and inspiring system solutions that offer the worlds best experience in recording and digital audio.

Elliot Scheiner

Credits: Elliot's work includes Steely Dan, Eagles, Foo Fighters, Beck, Fleetwood Mac, Faith Hill and most recently a solo album with Glenn Frey. Hislatest Grammy was for remixing of Derek & The Domino's "Layla" in surround sound. This is a project that was done in his studio utilizing Nuendo.

This seven time Grammy winner began his career in NYC under the guidance of Phil Ramone. He hasspent his life striving to make great sounding music. He is considered to be the one of the pioneersin 5.1 surround music and the creator of the ELS Surround system in Acura Automobiles.

Danny Lux

Credits: Grey's Anatomy, Ally McBeal, Raising Hope, Boston Legal, and many more...

One of the most consistently busiest Hollywood television composers, Danny Lux is a multiple Emmynominated composer whose music can be heard on present and past television hits.

Chuck Ainlay

Credits: Recent number 1 albums include George Strait "Here For The Good Times", Lionel Richie "Tuskeegee",Miranda Lambert "Four The Record" & The Pistol Annie's "Hell On Heels"

Multiple Grammy Award & ACM winning Producer/Engineer, Chuck Ainlay is one of Nashvilles toprecording engineers. He has recorded and mixed over two hundred albums, including work withlegendary country music artists George Strait, Taylor Swift, Miranda Lambert, Lee Ann Womack,Sugarland, Lyle Lovett, Emmylou Harris and The Dixie Chicks.

David Kahne

Credits: Sublime, Fishbone, Regina Spektor, Strokes, Ingrid Michaelson, Bangles,Paul McCartney, The Rubens, Tony Bennett, Sugar Ray, Bruce Springsteen

David started playing music in his senior year of high school, and has played every day since thatday. He produces music for a wide range of artists. David also programs and engineers the albumshe produces. Another love is orchestral composition and arranging. David has written 4 full-lengthballets and has recently been scoring for film.

Steinberg Artist Testimonials

4The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix.The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source andis the culmination of years of development by the experienced engineers at the Yamaha Corporation. Theresults are stunning, and the difference is in the design.

Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal.However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where twotransistors are used for each hot and cold- a total of four per unit. With only one transistor on a preampcircuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors,very low distortion can be maintained regardless of signal level.

Why does the D-PRE preamp sound so good?

Some users might look for a microphone preamp to dramatically color the sound while others search for avery neutral response. For example, some highly sought after vintage microphone preamps excel at amplifyingcertain components of a given source, imparting a generous amount of color to the signal. Such a preampmight be great for a vocal recording, however those preamps will not suit every use. D-PRE has a very widefrequency range so that it can handle any music source and it does not overly amplify any specific componentsRIWKHVLJQDO,WVEHDXWLIXOO\WXQHGWREHDEOHWRFDSWXUHWKHWUXHH[SUHVVLRQRIDJLYHQSHUIRUPDQFHRUDXGLRsource, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfectamalgamation of understated signal enhancement combined with impeccable sonic integrity. The developmentteam took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.

5REV-X for MR816

dspMixFx for UR824

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6Our Technologies

Developed by Steinberg and first launched in 1996, Virtual Studio Technology (VST) creates a full, professional studioenvironment on your MAC or PC computer. VST allows the integration of virtual effect processors and instruments intoyour digital audio environment. These can be software recreations of hardware effect units and instruments or newcreative effect components in your VST system. All are integrated seamlessly into the host application. Because theseconnections are virtual, there is no need for messy audio or MIDI cabling. These VST modules have the sound quality ofthe best hardware units, yet are far more flexible. All functions of a VST effect processor or instrument are directlycontrollable and automatable, either with a mouse or with external hardware controllers.

This revolutionary new standard brings true connectivity and platform independence to the digital audio world. VSTSystem Link enables the transfer of synchronization, transport and audio data between two or more workstationsequipped with compatible software and hardware over standard digital audio cabling systems such as ADAT, TDIF,AES/EBU or S/PDIF. Because it uses the audio stream itself, synchronization is completely sample accurate, evenacross multiple workstation configurations. VST System Link lets you take your audio projects to new levels of com-plexity, and offers unbelievable flexibility in your working environment.

VST3 marks an important milestone in audio technology with a completely rewritten code base providing not only manynew features but also the most stable and reliable VST platform ever. VST 3.5 is a groundbreaking new version with ahost of new capabilities, including VST 3 controller and Note Expression support as well as VST Expression Maps inte-gration.

The Audio Stream Input/Output (ASIO) architecture forms the backbone of VST. It is a low-latency, high performanceaudio standard that is used by the entire MI industry. ASIO addresses any needs a professional audio recordingsolution might have. It does this by supporting variable bit depths and sample rates, multi-channel operation andsynchronization. As a result, the user gets low latency, high performance, easy set up and stable audio recording withinVST. The entire system becomes controllable and offers complete and immediate access to the audio system'scapabilities. Since its introduction, ASIO has become a supported standard by many leading audio hardwaremanufacturers - for good reason.

AI stands for Advanced Integration, being a technology developed in close collaboration between Steinberg andYamaha. The AI technology allows for a seamless integration of the DAWs developed by Steinberg into the digitalaudio hardware from Yamaha and Steinberg. AI provides plug-and-play at an as-yet unknown level: now the softwareautomatically carries out the the required settings of the connected hardware, such as selecting drivers, input andoutput configuration and the remote settings. In addition, the technology also offers various dedicated remotefunctions, data exchange and much more.

This technology integrates dspMixFx and MR/UR Editors into the Cubase and Nuendo interface in order to get fasteroperation. All aspects of I/O handling, DSP management and independent performer mixes are handled directly fromwithin Cubase itself. This offers real-time, independent and most importantly no-latency mixes with FX for severalperformers.

The eLicenser is a copy protection system which is needed to use Steinberg's software range. There are two types of eLicenser is available depending on software.

The USB-eLicenser (formerly "Steinberg Key") is a copy protection unit (sometimes called "dongle"). It is actually a tiny computer which stores licenses for Steinberg products, and is connected to a USB port on your computer. The Steinberg copy protection system allows the storage of several licenses on the same USB-eLicenser. Licenses can also be transferred between USB-eLicensers with certain limitations.

The Soft-eLicenser uses exactly same technology with the USB-eLicenser but an authorization key will be stored on a harddisk drive. The authorization key can be transfered to a USB-eLicenser. This can be very useful if you wish to run a Steinberg software on different computers (not at once). Once the authorization key is transfered to a USB-eLicenser, the key can not be transfered back to harddisk drive.

Cubase 7 and Cubase Artist 7Nuendo 6WaveLab 7Absolute VST Instrument Collection

USB-eLicenser is included with the following products*:

HALion 4HALion SonicThe Grand 3RND Portico Plug-insYamaha Vintage Plug-In Collection

USB-eLicenser is not included with the following products*:

Cubase Elements 6 and Cubase AI 6Wavelab Elements 7 and Wavelab LE 7Sequel 3 and Sequel LE 3REV-X and Sweet Spot Morphing Channel StripSteinberg Sounds and Loops

Steinberg software product protected by Soft-eLicenser :

7Top Features

24-bit/96 kHz FireWire (IEEE1394) audio interface

8 analog in and 8 analog out with 8 D-PRE Class-A mic preamps support-ing +48 V

1 ADAT optical I/O (S/PDIF compati-ble) provide 8 in and 8 out (S/MUX compatible,4 in and 4 out @ 96 kHz)

Latency-free DSP-powered monitoring with one REV-X reverb and 8 Channel Strips (CSX only) with any DAW by using the MR Editor

2 separate headphone buses with individual outputs

Word clock I/O plus JetPLL ultra-low jitter support

Cubase AI music production software included

Functioning far beyond the envelope of traditional audio devices, MR816CSX fuses a full-featured FireWire inter-face and inbuilt DSP FX power with next-generation integrative technologies into one breathtakingly powerful production environment. Developed by Steinberg and Yamaha, this Advanced Integration DSP Studio is the hardware centerpiece of a latency-free recording and monitoring environment.

Advanced Integration DSP Studio


A great Firewire audio interface for professional and project studios, and musical institutions

8x Class-A D-PRE mic preamps supporting +48V phantom power

24-bit/96kHz support

- Total of 16-channel Inputs and Outputs @ 48kHz (12-channel @96kHz)

2x Individual Headphone Outputs

1x ADAT I/O (S/PDIF optical and S/MUX capable), S/PDIF coaxial I/O, Word Clock I/O, 2x Insert I/O

MR Editor provides latency-free monitoring with Reverb, and up to 8 stereo mix pairs.

1x world famous Yamaha REV-X Reverb can be routed as a send effect on all input channels (for monitoring only).

8x mono or 4x stereo Sweet Spot Morphing Channel Strip can be routed as an insert effect on selected input channels. There is an option to switch for printing (recording "wet") or only for monitoring (recording "dry").


A best-in-class Firewire audio interface for professional and project studios, and musical institutions

Zero Latency Monitoring with Real DSP Effects

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Other Features

24-bit /192 kHz USB 2.0 audio interface

HI-Z switch (CH1 and CH2), -26dB PAD switch (CH1 - CH8 independent)

2 pairs of ADAT optical I/O(doubles as S/PDIF) provide 16 in and 16 out(S/MUX2 and S/MUX4 compatible)


Word clock I/O with 2 BNC connectors plus JetPLL ultra-low jitter support

Cubase AI and Yamaha's renowned REV-X reverb and Sweet Spot Morph-ing Channel Strip Native VST3 Plug-ins included

The UR824 interface offers pristine, transparent audio quality through both analog and digital I/O, and is a great choice for both studio and remote use. The rack-mountable UR824 boasts 24 channels with 8 premium D-PRE mic preamps, alongside its dspMixFx technology for latency-free monitoring with effects (which also are bundled as native VST 3 plug-ins).

USB 2.0 Audio Interface

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UR824 supports quad-speed (192kHz/176.4kHz) sampling rates with the V1.50 firmware or later.

* Note that the Sweet Spot Morphing Channel Strip (DSP) function will be disabled in this mode.

The finest USB 2.0 audio interface for professional and project studiosZero Latency Monitoring with Real DSP Effects

dspMixFx on UR824 provides latency-free monitoring with Reverb and Channel Strip, and up to 4 different stereo mixes.

1x world famous Yamaha REV-X Reverb can be routed as a send effect on all input channels (for monitoring only).

8x mono or 4x stereo Sweet Spot Morphing Channel Strip can be routed as an insert effect on selected input channels. There is an option to switch for printing (recording "wet") or only for monitoring (recording "dry").

DSP REV-X Reverb can be routed to playback channel via the FX Bus. Monitoring the playback track with the same reverb heard on the record input is possible with-out any FX reassignment.

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Top Features 24-bit /192 kHz USB 2.0 audio

interface

2 Class-A D-PRE mic preamps supporting +48V phantom power

2 Analog XLR/TRS combo inputs (Hi-Z switch on input 2 for electric guitar), 2 TRS impedance balanced outputs

MIDI input and output

Headphones jack with independent level control

Zero-latency hardware monitoring with mix balance knob

USB-powered for mobile recordings

Rugged full-metal housing

Cross-platform compatibility with major recording software applications

Cubase AI (download) music produc-tion software included

The UR22 is a USB 2.0 audio and MIDI interface featuring two inputs and two outputs. Equipped with a Mix knob, the UR22 provides hardware-based, latency-free monitoring with any DAW software, including Cubase, for a truly professional recording experience.

The two balanced Neutrik combo inputs together with studio grade D-PRE microphone preamps, two impedance balanced line outputs and MIDI input/output connectors, offer top quality performance and utility for small recording studios and mobile recording setups.


The UR22 boasts a full set of features that most home studios require, with no compromise in audio quality and usability. Truly professional level recording, featuring sample rates up to 192kHz is supported, and with two of our famed D-PRE mic preamps onboard, vocals and instrument recording is pristine.

A perfect audio interface for your private studio.

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During a serious recording session, every player should be comfortable with their headphone mix, and therefore should also be able to adjust levels to their needs.

The UR28M allows you to create up to 3 mixes. Each mix has its own fader and pan, and each player is free to set their monitor level to a comfortable range while keeping the rest of other tracks where they need to be to capture the best possible performance.

Recording with CUE MIX 24-bit/96 kHz USB 2.0 audio interface

HI-Z switch and -26dB PAD switch (CH1 and CH2 independent)

Digitally controlled monitor level control with DIM, Mono, and Mute fed by a 3x3 monitoring matrix


Cubase AI and Yamaha's renowned REV-X reverb and Sweet Spot Morph-ing Channel Strip Native VST3 Plugins included

Other Features

Channel Strip

MIX 1

PHONES 1 PHONES 2 Powered Monitor Speaker

Select one of three mixes for listening

MIX 2

Channel StripLINE OUTPUTWIN MAC

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Boasting high-resolution audio through its analog and digital I/Oalongside the widely acclaimed D-PRE mic preamps makes the UR28Mdesktop interface the best choice for individual musicians and producersof small-scale projects. The 3x3 monitor matrix for switching betweensetups, the DSP-powered monitoring and native VST 3 plug-ins in theUR28M provide an eminently flexible recording experience.


When it comes time to mix, engineers often use two or more pairs of studio monitors to ensure that they have the best possible mix for the widest amount of listening environments. The UR28M allows you to connect up to 3 pairs of studio monitors and features DIM, MONO MIX, and MUTE options for all the benefits of a standalone monitor controller.

Monitor ControlWhen it comes time to mix, engineers often use two or more pairs of studio monitors to ensure that they have the best possible mix for the widest amount of listening environments. The UR28M allows you to connect up to 3 pairs of studio monitors and features DIM, MONO MIX, and MUTE options for all the benefits of a standalone monitor controller.

Switch between 3 pairsof Studio Monitors -20dB

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Total 6-channel Input and 8-channel Output

2x Class-A D-PRE mic preamps supporting +48V phantom power

2x Line inputs (TRS balanced, +4dBu/-10dBV)

6x Line outputs (TRS balanced)

1x S/PDIF Coaxial

2x Individual Headphones Out

1x Stereo Input for reference source

INPUT1/2 has independent HI-Z and PAD (-26dB) on/off switch

A great audio interface for home studios, musical institutions and small post use

dspMixFx on UR28M provides latency-free monitoring with Reverb and Channel Strip, and 3x different stereo mix bus.

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14

Top Features

Advanced Integration USB ControllerBuilt to an extremely high manufacturing and component standard, the CC121 Advanced Integration Controller provides totally integrated and IXOOWDFWLOHFRQWURORI6WHLQEHUJV&XEDVH1XHQGRDQG:DYH/DEsoftware solutions, with a unique design architecture that keeps you IRFXVHGRQ\RXUSURMHFW1RFRQILJXUDWLRQLVUHTXLUHGMXVWLQVWDOOWKHVRIWZDUHDQGSOXJ&&LQWR\RXU3&RU0DFWKHUHDG\/('VKRZVZKHQDFRQQHFWLRQLVHVWDEOLVKHGDQG\RXUHUHDG\WRJR

The Assignable AI knob makes controlling mixer and VST3 plug-in parameters IDVWDQGHDV\6ZLWFKWKH$,.12%WRMRJPRGHDQGWKH&XEDVHWUDQVSRUWQRZjogs your project.

CC121 offers dedicated control of Cubase channel settings including solo/mute, record arm, automation read/write as well as pan all high-lighted in the same color as the JUDSKLFFRQWUROLQ&XEDVH:LWKWKH&&LVWKHPRWRUL]HGPPtouch-sensitive fader, this top-qual-ity component has an absolutely first-class feel normally only found on hardware mixing consoles costing many times more.

Twelve dedicated rotary encoders offer precision control of the Cubase Channel (44IDFWRU)UHTXHQF\DQG*DLQDOOKDYHtheir own rotary encoder for each band. Additional buttons provide control of the E\SDVVVZLWFKIRUWKH(4LQWKHVHOHFWHGWUDFNDVZHOODVVHOHFWLRQRIWKH(4W\SH

:LWKWKH&&9RUKLJKHUXSSHUrotary encoders become a controller of &XEDVH4XLFN&RQWUROVHFWLRQDQGORZHUrotary encoders can adjust the send amount on each audio channel.

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Ultra-precision Advanced Integration Controller Knob with point and con-trol support controls visual parame-WHULQWHUQDO);VHWWLQJRU967LSDUDP-eter using mouse pointer selection

High quality, 100mm touch sensitive PRWRUL]HGIDGHUIXOOWDFWLOHFRQWURORI the channel or group volume fader

'HGLFDWHGFRQWUROVIRU&XEDVHFKDQQHOsettings including solo, mute, record arm, automation (read/write), pan, VSTi editor and e settings button

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User-assignable section adapt the CC121 to your needs

2XWVWDQGLQJHQJLQHHULQJDQGFRPSR-nent quality including valuable full metal case

Full Precision Control

Connect to CubaseCC121 offers dedicated control of Twelve dedicated rotary encoders offer

Connect to Cubase&XEDVH&KDQQHO6HWWLQJ:LQGRZ

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- Modular USB ControllersThe CMC series is made up of six USB-powered controllers that can be individually combined to form a custom-made &XEDVHFRQWUROGHVN:KHWKHUEHDWFUHDWLRQWUDQVSRUWFRQWUROHGLWLQJRUPXOWLWUDFNPL[LQJWKHUHLVWKHSHUIHFWPRGHOIRUHYHU\WDVN(DFKRIWKHVL[VOLPVL]HGXQLWVLVXQLTXHLQLWVRZQZD\DQGIHDWXUHVDGHGLFDWHGVHWRILOOXPLQDWHGURWDU\HQFRGHUVWRXFKIDGHUVRUSDGVHDFKRIWKHPGHVLJQHGWRWDNHKDQGVRQFRQWURORIDVSHFLILFVHFWLRQLQ&XEDVH'XHWRWKHDGRSWLRQRI&XEDVHVLFRQVDQGFRORUVFKHPHXVHUVZLOOLQVWDQWO\IHHODWKRPHZLWKWKHZRUNIORZ7DNHFRQWUROkeep focused and be flexible the CMC series will tremendously speed up your recording, editing and mixing workflow no matter if you are in the studio or on the go.

By providing an innovative, highly precise touch fader, 16 backlit buttons and a rotary encoder, the USB-powered CMC Channel Controller brings hands-on access to all channel-related Cubase functions.

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'LUHFWDFFHVVWRPDMRUFKDQQHOFRQWUROIXQFWLRQVLQFOXGLQJYROXPHSDQPXWHVRORautomation read/write, channel select

+LJKSUHFLVLRQWRXFKIDGHUZLWKYLVXDOIHHGEDFNQRUPDOVWHSVILQHVWHSV 16 buttons, one knob and one touch fader with multi-colored visual feedback

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New in V.1.1 /(''LPPHURSWLRQDOORZVXVHUVWRDFFHVVIXQFWLRQVHDVLO\LQDGDUNHQHGURRP/(''LPPHURSWLRQLVDYDLODEOHRQ&XEDVHDQG1XHQGR

)HDWXULQJDKLJKSUHFLVLRQWRXFKVOLGHUZLWKVL[ZRUNLQJPRGHVEDFNOLWUXEEHUbuttons and user-assignable functions, the CMC-TP controller provides instant, hands-on access to the Cubase transport section.

0DMRU7UDQVSRUWIXQFWLRQVLQFOXGLQJ3OD\6WRS5HFRUG5HZ)ZG&\FOH1XGJHDQGInsert Marker

1HZO\GHYHORSHGWRXFKFRQWUROOHUZLWKDFXWWLQJHGJHFDSDFLWDQFHVOLGHUGHVLJQ7RXFKVOLGHUSURYLGHVLQQRYDWLYHFRQWUROIRU-RJ6KXWWOH/RFDWH6FUROO=RRP0HWUR-

nome and Tempo

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New in V.1.1 /(''LPPHURSWLRQDOORZVXVHUVWRDFFHVVIXQFWLRQVHDVLO\LQDGDUNHQHGURRP/(''LPPHURSWLRQLVDYDLODEOHRQ&XEDVHDQG1XHQGR

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16

CMC-QC Editor

CMC-PD Editor

With 16 backlit rubber pads, a rotary encoder and two working modes, the CMC-PD is the ultimate controller to create dynamic grooves and to access your favorite DAW functions.

Each pad lights up in green, orange or red depending on tap strength

Bank function provides 15 different MIDI note allocation maps (banks 1-8: variable user banks; banks 9-15: fixed factory banks; and bank 16: dedicated Cubase functions)

4Velocity mode speeds up step recording

Compatible with Cubase, Wavelab, Nuendo plus other DAW software supporting USB-MIDI input.

CMC-PD editor software included

New in V.1.1 LED Dimmer option allows users to access functions easily

in a darkened room (LED Dimmer option is available on Cubase and Nuendo).

The USB-powered CMC Quick Controller houses 13 backlit buttons alongside eight rotary encoders to provide precise tactile control over virtually any effect, EQ and performance parameter in Cubase.

Quick Control mode for assigning 8 illuminated rotary encoders to software parameters

EQ mode lets 8 rotary encoders tweak channel EQ parameters

MIDI mode for assigning any MIDI control number to 8 rotary encoders using CMC-QC editor software

8 user-assignable function keys

Compatible with Cubase, Wavelab, Nuendo plus DAW software supporting USB-MIDI input.

New in V.1.1 LED Dimmer option allows users to access functions easily

in a darkened room (LED Dimmer option is available on Cubase and Nuendo).

(DFKXQLWFRPHVZLWKDMRLQWSODWH8VHWKHVHSODWHVto fasten the units together.

Joint plate Stand

Use the stand on the bottom to tilt the unit for easier access.

17

)HDWXULQJ6WHLQEHUJVJURXQGEUHDNLQJ$,.QREUXEEHUEXWWRQVDQGGHGLFDWHGworking modes, the portable CMC-AI Controller is a truly versatile and time-saving addition to any Cubase system.

$,.QREDGMXVWVVRIWZDUHSDUDPHWHUVVHOHFWHGE\FRPSXWHUPRXVH9ROXPHPRGHDOORZV$,.QREWRDGMXVWWKHYDOXHRIWKHPDVWHUIDGHU%URZVHPRGHDOORZV$,.QREDQGDUURZNH\VWRVHDUFKDQGVHOHFWDSUHVHWLQWKH

browse window

4 user-assignable function keys

Compatible with Cubase, Wavelab, and Nuendo.

New in V.1.1 LED Dimmer option allows users to access functions easily in a darkened room

(LED Dimmer option is available on Cubase and Nuendo).

,Q92/PRGH$,NQREFDQFRQWUROWKHYROXPHRI&XEDVHV&RQWURO5RRPVHFWLRQ

The CMC-FD is a cutting-edge USB-controller featuring four high-resolution touch faders with integrated LED-metering, solo/mute function and support for simultane-ous use of up to four units.

Newly developed touch controller features an innovative capacitance fader design

)DGHUUHVROXWLRQVWHSV#QRUPDOPRGHVWHSV#ILQHPRGH Tapping on fader while pressing the Shift key toggles between channel solo and

mute

In Meter mode the red LED strip of touch controller indicates volume level

Up to 4 CMC-FD controllers can be used simultaneously

Compatible with Cubase, Wavelab, and Nuendo.

New in V.1.1 LED Dimmer option allows users to access functions easily in a darkened room

(LED Dimmer option is available on Cubase and Nuendo).

If using multiple units, connect each unit to a self-powered USB hub (with power adapter). CMC series are compatible with both USB 1.1/SRUWV

Note :

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Top Features The Setup

The CI interface provides all necessary inputs and outputs to record two individual signals at once, for example, vocals and guitar. The true +48 V phantom power lets you use high end, large diaphragm condenser microphones for best sound quality.

Together with Sequel LE and Wavelab LE, CI1 forms a powerful yet affordable audio recording and production solution from Steinberg. It combines high quality audio hardware built by and designed together with Yamaha with two light editions of Steinberg's popular audio software applications. The CI1 audio interface provides two mic preamps with +48V phantom power, two mic/line input, one of which switches to Hi-Z. Simply put, CI1, Sequel LE and Wavelab LE boast great easy to use features at a very good price/value ratio.

Desktop Home Recording Studio

With a CI interface, any user can record band gigs or concerts of orchestras and choirs with two condenser mics for a high quality stereo live recording. It just WDNHVDODSWRSDQGWKH&,DQGWKHUHVQRQHHGIRUDpower connector since the CI interface is fully USB-powered.

Mobile Stereo Live Recording

To make a professional sounding demo of your band you simply have to connect your CI interface to the mixer desk available in the rehearsal room and record in 24-bit/48kHz stereo quality.

Mobile Band Live Recording

Two great sounding mic/line inputs with XLR-combo sockets

Up to 24-bit /48kHz, latency-free hardware monitoring

Hi-Z switch on input 1 for direct connection of electric guitar and bass +48V phantom power

Two impedance balanced outputs with TRS Connectors

Phones output with independent volume knob

USB-powered for mobile recordings

Dedicated Steinberg software included

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Production Kit

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The CI2+ Production Kit USB-powered studio comes with Cubase AI and WaveLab LE software- light versions of Steinberg's famous titles.The holistic approach that Steinberg provides in form of its Advanced Integration technology allows this smart system to easily assist entry-level to professional musicians and producers with recording and producing music in first-class quality. The CI2+ Production Kit includes :

Instant plug and play with AI Ready LED Browse function The Project Assistant AI Knob Interactive Recording Transport Control

Up to six transport sequences, such as Start, Record, Stop, Return to Start Position etc., can be triggered with the Action Pad on the CI2+ or via a connected Yamaha FC5 footswitch (not included). The transport sequences can be chosen from a list of templates or freely customized.

Interactive Recording

The AI Knob is a "point and control" precision control-ler. When you move the mouse over a parameter, it is then automatically placed under full control by the AI Knob. The parameter can be locked to the AI Knob to retain control when the mouse is moved elsewhere onscreen. The AI Knob of the CI2+ controls all Cubase mixing parameters plus VST plug-ins includ-ed in Cubase.

AI KNOB

The buttons Play/Stop, Rec, Next(Fast Forward),and Previous(Fast Rewind) are transport control of Cubase. The Play/Stop button alternately executes Play or Stop. Double-clicking this button returns the project cursor to the start position. The Rec button starts the recording. Pressing the Previous button and the Next button simultaneously enables or disables the Cycle function.

Transport Control

24

Since the foundation of the company, Steinberg has constantly pushed back the boundaries ofwhat is possible in digital audio. The advanced technologies included in Cubase 6 offer flexible,cost-effective and intuitive ways of realizing the artist's full creative and professional potential.6WHLQEHUJVH[SHULHQFHLQGHYHORSLQJKLJKO\SHUIRUPLQJFURVVSODWIRUPDSSOLFDWLRQVJLYHV0DFand Windows PC users the option to enjoy Cubase on the hardware of choice.

CUBASE 7

7KHFRPSOHWHO\QHZ0L[&RQVROHH[FHOVQRWRQO\LQWHUPVRIXVDELOLW\look and feel, but also sounds better than anything before it!

Featuring full-screen mode, total scalability and quick in-place access WRWKHSDUDPHWHUVPRVWUHOHYDQWWRWKHWDVN0L[&RQVROHDGMXVWVVHDP-lessly to notebook screens and large-scale displays.

Cubase 7 brings extraordinary workflow improvements to the table, delivering a genuine benefit to professionals working regularly with the mixer. Highlights include A/B comparison and global bypass for all audio effects, a plug-in search function as well as drag-and-drop sup-port throughout.

In past years the loudness level has increased dramatically, especially in TV advertising. To align loudness levels easily and maintain dynam-ics without further increasing the peak level and compression rate, Cubase 7 comes with an integrated loudness meter that is fully com-patible with the EBU R128 loudness standard.

MixConsole

Cubase condenses over 25 years of Steinberg development into the most cutting-edge digital audio workstation anywhere. 'HVLJQHGIRUSURIHVVLRQDOSURGXFHUVDQGDUWLVWV&XEDVHFRP-bines the best sound quality, intuitive handling and a vast range RIKLJKO\DGYDQFHGDXGLRDQG0,',WRROVIRUFRPSRVLWLRQrecording, editing and mixing. Whether you record an orchestra in, a huge live rock show, or a newcomer band in the studio, Cubase is sublime in every sense of the word.

Clay Otswald*ORULD(VWHIDQ0LDPL6RXQG0DFKLQH-RQ6HFDGD0DGRQQD

Ideal for Professional Producers, Film Composers, and Recording Engineers

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The new global Chord Track allows for easy working with chords within your Project window and provides transform and harmonize functions throughout the application. Cubase detects the harmony structure of your song and feeds back DOOFKRUGDQGVFDOHLQIRUPDWLRQWRERWK0,',DQGDXGLRWUDFNVprocessed with VariAudio.

Chord Track

The powerful new Chord Assistant helps you to generate everything from simple pop to complex jazz chord sequences that just sound fabulous. Want to specify both the first and final chords but have no clue how to get there? This, also, is possible in Cubase 7. The Chord Assistant lists chord suggestions from which you can choose it's all just a click away.

Chord Assistant

VariAudio offers completely integrated vocal editing and pitch alteration of individual notes in monophonic vocal recordings and can solve intonation and timing problems with only a few mouse clicks. With 2.0 up-date, the seamless integration with the newly intro-duced Chord Track ensures correct pitch to your har-monies at all times. Talking about multiple tracks, now you can smartly edit multiple VariAudio parts across multiple tracks within one editor only!

Vari Audio 2.0

In Cubase 7 rhythmic audio material can be quantized just like any 0,',PDWHULDORIIHULQJQXPHURXVSRVVLELOLWLHVWRIL[WLPLQJLVVXHVDQGto change the groove of live-recorded drums. To preserve phase rela-tionships between tracks, the individual slices on all tracks are still grouped and moved at once. Cubase automatically creates cross-fades between slices to ensure seamless transitions between them and fill gaps that might be introduced during quantization.

Multi-Track Phase Accurate Audio Quantization

Note Expression is the new smart way to assign, create and edit multiple controller values directly on single note-level all in a single handy graphi-cal interface. The perfect choice for demanding orchestral arrangements and creating unique sound effects, Note Expression allows controller values to be drawn directly onto single note events in the Key Editor. Because each individual note event contains its own set of controller data, even poly-phonic sounding notes can now be dynamically controlledfully indepen-dent from each other.

Note Expression

Thanks to the Hermode tuning technology, the intonation of your synthe-sized notes are changed dynamically on the fly for utmost compatibility with well-tempered scales, while retaining a high degree of purity for third and fifth intervals. Especially when combining non-fixed-intonation instruments, like brass and woodwind, and fixed-intonation instruments, such as guitars and piano, entire orchestral arrangements sound immediately clearer and more brilliant than before.

Hermode tuning

26

Retrologue,GHDOIRUFUHDWLQJIDWDQGIXQN\OHDGDQGEDVVVRXQGV5HWURORJXHRIIHUVWKRVHROGVFKRRODQDORJV\QWKVRXQGVDQGELWLQJVRQLFEORFNVWKDWZLOOHQULFKHYHU\PRGHUQPXVLFSURGXFWLRQVXEVWDQWLDOO\$WWKHKHDUWRIWKLVFXWWLQJLQVWUXPHQWDUHWZRFDUHIXOO\PRGHOHGRVFLOODWRUVHDFKZLWKXSWRHLJKWGHWXQDEOHYRLFHVDORQJVLGHDQHDUWKVKDWWHULQJVXEDQGQRLVHRVFLOODWRU3DFNHGLQWRDVWUDLJKWIRUZDUGLQWHUIDFH5HWURORJXHEULQJVEDFNWKHVRXQGRIDQDORJFLUFXLWULHVDQGYLQWDJHZDUPWK

Padshop6WUDLJKWIURPWKH6WHLQEHUJVRXQGODE3DGVKRSERDVWVJUDQXODUV\QWKHVLVDWLWVILQHVWWRFUHDWHIDQWDVWLFVRXQGLQJVSKHUHVDQGGUDPDWLFDOO\PRYLQJWH[WXUHVZKLFKHYROYHRYHUWLPH)DVWHQ\RXUVDIHW\VWUDSWZHDNWKHNQREVDQGJHWUHDG\WRH[SDQG\RXUXQLYHUVH

Groove Agent ONE*URRYH $JHQW21(SDLUVSRZHUIXOGUXPVDPSOLQJZLWKGHWDLOHGVRXQGVKDSLQJVHDPOHVVO\LQWHJUDWHGLQWR&XEDVH1RWRQO\GRHVLWERDVWVOLFHGORRSDQG03&LPSRUWEXWURFNVULJKWRXWRIWKHER[ZLWKLWVRZQFXVWRPOLEUDU\RIRQO\WKHILQHVWDFRXVWLFXUEDQKLSKRSDQGGDQFHGUXPNLWVWRWDO(DFKRILWVYLUWXDOSDGVIHDWXUHVDFRPSOHWHVRXQGSURFHVVLQJVHFWLRQWKDWJLYHVIXOOFRQWURORIWH[WXUHVWLPEUHVDQGH[SUHVVLYHTXDOLWLHVRIHDFKGUXPVRXQG

CurveEQLoopMash 2 HALion Sonic SE+$/LRQ6RQLF6(LVDVWUHDPOLQHGYHUVLRQRI+$/LRQ6RQLF6WHLQEHUJVSUHPLHU967ZRUNVWDWLRQ,QFRUSRUDWLQJWKHVDPHSULVWLQHDXGLRDQGV\QWKHQJLQHDVLWVDZDUGZLQQLQJEURWKHU +$/LRQ6RQLF 6( RIIHUVWLJKWLQWHJUDWLRQZLWK&XEDVHDQGPRUHWKDQSURGXFWLRQUHDG\VRXQGVDQGLQVWUXPHQWVWKDWZLOOWUXO\LQVSLUH\RXUFUHDWLYHZRUN

VST Amp Rack6WHLQEHUJVUHIHUHQFHYLUWXDOJXLWDUWRQHsuite, IHDWXULQJ VHYHQ OHJHQGDU\ DPSPRGHOVHLJKWHHQYLQWDJHVWRPSER[HVVL[FODVVLFVSHDNHUFDELQHWVDQGWZRVWXGLRJUDGHPLFURSKRQHW\SHV%HLWMD]]URFNRUPHWDOWKLVFRPSUHKHQVLYHFROOHFWLRQLVUHDG\WRLQIXVHJXLWDUUHFRUGLQJVZLWKGULYHSXQFKDQGFODULWy

Pitch Correct'HVLJQHGIRUYRFDODQGVRORLQVWUXPHQWUHFRUGLQJVWKHQHZ3LWFK&RUUHFW967SOXJLQEULQJVHDV\DQGDXWRPDWLFLQWRQDWLRQFRQWURODQGVFDOHFRUUHFWLRQRIYRFDODQGPRQRSKRQLFLQVWUXPHQWUHFRUGLQJVWR&XEDVH

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Cubase Effects and Instruments

9R[HQJRV&XUYH(4DQH[WUHPHO\YHUVDWLOHEDQGVSOLQH(4ZLWKOLQHDUDQGPLQLPXPSKDVHPRGHV,WVEXLOWLQSURIHVVLRQDOJUDGHVSHFWUXPDQDO\]HUDOORZVGLVSOD\LQJVDYLQJDQGORDGLQJVWDWLFVSHFWUXPSORWVIRUFRPSDULVRQDQGPDWFKLQJSXUSRVHV:LWKLWVVSHFWUXPPDWFKLQJWHFKQRORJ\\RXFDQH[DFWO\WUDQVIHUWKHVRXQGRIDQ\DXGLRWUDFNWRDQRWKHUZKHWKHULWV\RXUGLHIRUJXLWDULQWURRU\RXUIDYRULWHNLFNGUXPVRXQG

/RRS0DVKRIIHUVDXQLTXHDQGLQQRYDWLYHZD\RIZRUNLQJZLWKORRSVDQGEHDWVWRFUHDWHVWXQQLQJQHZUK\WKPVDQGJURRYHV6HDPOHVVO\EOHQGDEOHYDULDWLRQVRIERWKWKHLQFOXGHGORRSVDQGDQ\ORRSIURP\RXUOLEUDU\RSHQXSP\ULDGQHZFUHDWLYHSRVVLELOLWLHV,WVUHYROXWLRQDU\DXGLRDQDO\VLVV\QWKHVLVHQJLQHGHYHORSHGLQFROODERUDWLRQZLWh YDPDKDPDWFKHVVLPLODUHOHPHQWVDFURVVORRSVDQGEHDWVJHQHUDWLQJIUHVKDQGLQVSLULQJPDVKXSVIURPDQ\UK\WKPLFDXGLRPDWHULDOHQWLUHO\V\QFHGWRWKH&XEDVH 7HPSR

27

Hans Zimmer on his DAW of Choice+DQV=LPPHUQHHGVQRLQWURGXFWLRQDQG\HWWKHUHVVRPXFKKDSSHQLQJDURXQGKLPWKDWZHVLPSO\IHHOWKHXUJHWRVSUHDGWKHQHZVIURPWLPHWRWLPHZLWKJUHDWIHUYRU6FRULQJZHOORYHUILOPV+DQV=LPPHUKDVEHHQDZDUGHGZLWKWZR*ROGHQ*OREHVRQH2VFDUDQGWKUHH*UDPP\VDVZHOODVFRXQWLQJDQDUUD\RIQRPLQDWLRQV

You are a veteran in film score composing. Do you still encounter situations that take you aback?$OOILOPVFRPHZLWKGLIILFXOWVLWXDWLRQV,WVQRWOLNHDMREWKDW\RXOHDUQWRJHWJRRGDWEHFDXVHUHSHWLWLYHPRWLRQLVLQYROYHG+RQHVWOyWKHZKROHSRLQWLVHYHU\RQHIRUHYHUDVNLQJPHWRGRVRPHWKLQJQHZDQGXQH[SHFWHG7KHERWWRPOLQHLVWKDW,DOZD\VVWDUWZLWKDEODQNSDJHDQGWKDWVWKHMREORRNLQJWRUHLQYHQW\RXUVHOIWLPHDQGDJDLQSOXV\RXUHVXSSRVHGWREHVOLJKWO\DKHDGRIWKH]HLWJHLVW7KHSUREOHPVRIEHLQJDILOPFRPSRVHUDUHYDVW>ODXJKV@HYHU\GD\LVDGLOHPPDVRPHKRZ

And thats why you have to be able to rely 100% on your DAW. How does Cubase support you during the composing process?%\QRWFUDVKLQJEXWVHULRXVOy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e'A:KDVWREHDVWUDQVSDUHQWDVSRVVLEOHVRWKDWLWEHFRPHVWLPHOHVV

Are there any features you enjoy particularly in Cubase?)RUGRLQJRUFKHVWUDOVWXII967([SUHVVLRQLVDEVROXWHO\EULOOLDQW,WPDNHVSHUIHFWVHQVH,WVHHPVFUD]\WKDWZHYHEHHQZULWLQJGRZQLQVWUXFWLRQVRQSDSHULQDVLPSOHZD\IRUKXQGUHGVRI\HDUVEXWWKLVZRQGHUIXOVHTXHQFHUMXVWFRXOGQWGRLW6RPHWLPHVLWVJRRGWRHPEUDFHVRPHRIWKHROGWKLQJVWKDWVLPSO\ZRUN%XW,WKLQN,JHWWKHPRVWIXQRXWRIWKHWKLQJV\RXFDQQRZGRZLWKVRIWV\QWKVDQGWKHLQFUHGLEOHWKLQJV\RXFDQGRZLWKSOXJLQV

Are there any virtual instruments you use?,XVHYHU\IHZQRZ7KHPDLQWKLQJ,XVHLV=HEUDE\8UV+HFNPDQIRUV\QWKHVL]HUVEXWDOVRVRPHKDUGZDUHVXFKDVDIHZROG0RRJPRGXODUVYLD0,',LQWHUIDFHV7KHUHVDOVRP\VDPSOHUZKLFKZHKDGWREXLOGIURPVFUDWFK0DUN:KHUU\KDVEHHQEXLOGLQJLWDQGLWVVOLJKWO\RYHUWKHWRSDVIDUDVWKHWHFKQRORJ\LVFRQFHUQHG $QGZHYHEHHQFUHDWLQJRXURZQOLEUDU\DQGWKDWSURMHFWMXVWJRHVRQIRUHYHUEHFDXVHZHNHHSRQDGGLQJWRLW7KHSUREOHPZLWKVDPSOHVLVWKDW\RXJHWERUHG8QIRUWXQDWHOyHYHU\WLPH\RXSUHVVWKHVDPHQRWHWKHVDPHVRXQGFRPHVEDFNDW\RX,YHQHYHUXQGHUVWRRGZK\SHRSOHGRQWPDNHWKHLURZQVDPSOHOLEUDU\EHFDXVHLWVUHDOO\QRWWKDWKDUGLWMXVWWDNHVDELWRIWLPHDQGKDYLQJDIHZIULHQGVZKRFDQSOD\LQVWUXPHQWVH[WUDRUGLQDULO\ZHOOSOXVDKDOOIRUUHFRUGLQJ$QGLWVVRPXFKEHWWHUEHFDXVHLWVFXVWRPPDGH

Do you have any final words before we close up this interview?,I\RXFRPHWRWKLQNRILWWKHVHPRYLHVZKLFKFRVW]LOOLRQVRIGROODUVDWWKHHQGRIWKHGDyWKH\SXWWKHLUWUXVWLQDSLHFHRIVRIWZDUHOLNH&XEDVH,WZRUNVIODZOHVVOyZHPHHWWKHGHDGOLQHDQGZHJHWWRGRHYHU\WKLQJZHLPDJLQHGWRGR7KDWVTXLWHDWHVWDPHQWRQKRZUHOLDEOH&XEDVHLVWKHVHGD\V,WVDQLQFUHGLEO\DGYDQFHGSURJUDPDQGDOWKRXJKLWVGLIILFXOWIRUPHWRVD\VLQFH,YHEHHQZRUNLQJZLWKLWIRUVRORQJLWGRHVVHHPOLNHDQ\ERG\FDQMXVWSLFNLWXSDQGPDNHPXVLFZLWKLWYHUyYHU\TXLFNOy$QGLVQWWKDWWKHSRLQWWKDWZKDWHYHUVLQ\RXUKHDG\RXUHVXSSRVHGWREHDEOHWRJHWLWRXWDQGLQWR\RXUVHTXHQFHUDVTXLFNO\DV\RXFDQ

28

Cubase Comparison

Audio resolutionNumber of audio tracks Number of MIDI tracks Number of instrument tracks Physical inputs and outputs Group channelsFX send/return channels VST audio effect insert slots MIDI effect insert slots VST instrument slotsNumber of included audio effect plug-insNumber of included VST instrumentsAdvanced CompingHermode tuningVST Expression 2.0 supportChord TrackChord AssistantVariAudio (inc. Extended MIDI conversion) Bus RecordingAudio Tempo DetectionMultitrack Audio QuantizeMultichannel ExportFull Fraunhofer MP3 encoding Professional score layout and printing Control Room5.1 surroundAutomation panelBatch export Nuendo/Nuendo Live project import

192kHzunlimited unlimited unlimited

256256

8/64 8464

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192kHz64128323232

8/64 8432

40+8xxxx

(add-on) (basic only)

96kHz48642424168/88016

30+3

(add-on) (basic only)

96kHz324816168

4/44 (pre)

08

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(add-on)(basic only)

Cubase 7 Cubase Artist 7 Cubase Elements 6 Cubase AI6

The Cubase family comprises 3 main members: Cubase, Cubase Artist and Cubase Elements. Each one features our acclaimed crystal-clear 32-bit Steinberg Audio Engine, VST3 and ASIO tech-nologies that will make your Cubase experience the best it can be LQHLWKHUELWDQGELWPRGHV,QDGGLWLRQ&XEDVH$,LVDOLJKWversion that is bundled with Steinberg hardware and is added to the chart here for comparison.

29

RND Portico Plug-ins

Yamaha Vintage Plug-in Collectionn

6ZLVV6ZLVVV&RPSUHVVRU

&RPSUHVVRU Vintage Wah Vintage Flanger

Dual Phaser 0D[

Vintage Channel Strip Vintage Open Deck Vintage Stomp Pack

Yamaha VCM Technology - Leading-Edge Virtual Circuitry Modeling

Vintage Phaser

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Portico 5033 plug-in

Portico 5043 plug-in

7KH51'3RUWLFR(4DQGFRPSUHVVRUSOXJLQVEULQJWKHOHJHQGDU\1HYHsound to your DAW. The VCM modeling technology provides an exact digital repro-GXFWLRQRIWKHDQDORJFLUFXLWU\RIWKH5XSHUW1HYH'HVLJQV3RUWLFR(4DQG&RPSUHVVRU/LPLWHU'XRKDUGZDUHEULQJLQJWKHZDUPWKDQGVRQLFILQHVVHRIthe legendary Neve sound to the digital recording environment.

The NeveEQ sounds that engineers so love are now reborn in Rupert Neves official plug-ins.

The graphical interface makes it very easy to work the parametric equalization.$EDQGHTXDOL]HU/)DQG+)VKHOYLQJDQG/0)0)DQG+0)SDUDPHWULF

3RUWLFR&RPSUHVVRU/LPLWHU'XRLVLPSOHPHQWHGZLWKDQRIILFLDO5XSHUW1HYHSOXJLQ Includes meters showing input signal level and gain reduction level. Offers a choice of feed-forward and feed-back modes. The two modes have entirely different

characteristics

Creating an exact digital image of world-class analog audio processors has always been a soughtafter goal until Yamaha, world's largest and most successful manufacturer of quality musical instruments, introduced a revolu-tionary technology that enables to create highly accurate digital copies of analog hardware: Virtual Circuitry Modeling (VCM) technology.

VCM was developed by an engineering group led by Toshifumi Kunimoto, a senior engineer who was also responsible for the first SK\VLFDOPRGHOLQJV\QWKHVL]HUV9/DQG939&0HQDEOHVDQXOWUDUHDOLVWLFGLJLWDOUHSURGXFWLRQRILQGLYLGXDOFRPSRQHQWVLQDQDORJcircuits, such as resistors and capacitors. Besides modeling the functionality of a circuit and the interaction between single compo-nents, VCM focuses on an unprecedented musical simulation of analog sound qualities, including typical characteristics like saturation and non-linearity subtleties that simple digital simulations cannot capture.

(DFKHIIHFWLVFDUHIXOO\DQDO\]HGE\VRPHRIWKHEHVWHDUVLQWKHEXVLQHVVDQGWZHDNHGWRSURYLGHWKHEHVWVRXQGLQJUHVXOWVLQWRGD\Vpro sound environment. Breathtakingly accurate, yet highly musical the VCM technology is the most straightforward approach to analog sound modeling and is now available in the RND Portico plug-ins

Recreates the EQ and compressor sounds VRSRSXODULQWKHVVWXGLRVDQGVRXQGrecording venues. Faithfully models vintage machines, with fine tuning by top engineers. Includes a simple but sophisticated inter-face, and delivers outstanding sound quality.

Includes analog circuits once used in vintage open-reel tape recorders, and VCM technol-ogy that recreates the characteristics of analog master tapes. Emulates the characteristics of four representative but still fresh-sounding WDSHGHFNVPDQXIDFWXUHGLQWKHVDQGVby Studer, Ampex and others.

A group of plug-ins that reproduces the guitar HIIHFWRUVVRSRSOXDULQWKHV9&0WHFKQRORJ\models these vintage effects broadly and faith-fully, capturing just about everythingincluding the characteristics of their hardware parts and circuits. The result: a warm, rich and nostalgic sound, and an easy-to-use interface that reproduces the feel of the original effect pedals.

WINMAC

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30

Top Features

Creating your own individual sounds and innovative instruments has never been easier. With the help of the newly developed engine found in HALion 4, you are able to realize your sonic visions faster and more efficiently than ever before. Its flexible approach to re-arranging elements in the user interface only emphasizes the advanced usability that makes HALion 4 the most user-friendly software sampler in the worldallowing you to stay on top of things, no matter how large the project. Including a stunning VHOHFWLRQRIKLJKTXDOLW\VRXQGVDQGSUHVHWVDVZHOODVVXSSRUWLQJ6WHLQEHUJVJURXQGEUHDNLQJ967([SUHVVLRQWHFKQRORJ\+$/LRQLVWUXO\DSRZHUKRXVHRID967LQVWUXPHQWRXWWROHW\RXGHVLJQindividual soundsyour way.

HALION 4 - VST Sampler and Sound Creation System

Complete Sampler based sound creation features

1,600 factory presets (Compre-hensive HALion Sonic 1.5 Library are included)

967([SUHVVLRQVXSSRUW

192kHz support

Four sound engine modesDisk-Streaming Sample, Drum, 6OLFHG/RRS9LUWXDO$QDORJSynthesis

Multiple monitor support

Flexphraser module based on

31

Top Features

+$/LRQ6RQLFLV6WHLQEHUJVSUHPLHU967ZRUNVWDWLRQWKDWEUHDNVQHZJURXQGLQWHUPVRI3HUIRUPDQFHYHUVDWLOLW\DQGHDVHRIXVH2YHUDWKRXVDQGLQVWUXPHQWVRXQGVFUHDWHGE\WRSVRXQGH[SHUWVDWYamaha and Steinberg offer a staggering array of first class synths, hybrid and acoustic instruments, covering almost any conceivable style. HALion Sonic is the long-anticipated successor to the highly acclaimed Hypersonic 2 workstation, and allows you to work more productively than ever before.

HALION SONIC - Premier VST Workstation

1,400 factory presets

967([SUHVVLRQVXSSRUW

192kHz support

Multiple monitor support

Flexphraser module based on

34

WaveLab features sample-accurate stereo or multi-track audio editing combined with impressive effects for sound design. Many kinds of professional meters like VU/RMS, phase, spectrum meter are also available.

Audio Edit

In the wave window, the upper and the lower displays can indepen-dently be set to one of three display modes.

Display Modes

With 150+ new features, the latest version of WaveLab introduces more tools and workflow enhancements than any other WaveLab version before. The speaker management system offers an intuitive way to quickly switch between different monitor setups, whereas the integrated EBU-compliant loudness measurement and processing is an essential addition IRUWKRVHZRUNLQJLQWKHEURDGFDVWDUHD2WKHUKLJKOLJKWVLQFOXGHL=RWRSHV0%,7+ KLJKHQGGLWKHULQJSOXJLQ9R[HQJRVDFFODLPHG&XUYH(4DQGWZRPDVWHULQJJUDGHVLJQDOprocessors by Steinberg, Tube Compressor and Brickwall Limiter. This and workflow improvements such as the new SuperClip concept, the master transport panel and the single-window plug-in management will take your audio to perfection.

Wavelab 8 Introduction

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The Waveform tab displays the waveform of the audio file.

The Spectrum tab displays the audio as a spectrogram.

The Loudness tab displays the loudness graphs of the audio file.

3735

WaveLab 8 makes the creation of complex transitions and cross fades between titles very easy. WaveLab 8 provides intuitive track assembly, audio editing and applying effects or cross fades down to accurate CD marker and PQ editing is very fast and intuitive.

CD Mastering and DDP import/export option

Bernie Grundman MasteringMichael Jackson, Frank Zappa, Stevie Wonder

Extended Audio Montage workspaceWith the newly introduced SuperClips, working in complex audio projects with a large number of clips is now a breeze. Combine several clips into one SuperClip but still be able to edit these clips in internal sub-montages. Also new to WaveLab 8 is the Master Plug-In Section for saving a plug-in chain locally with each single montage and therefore allowing total recall.

The latest incarnation of WaveLab also features a completely new burning engine and support for the industry standard DDP format. No other audio editing software offers such a complete set of CD mastering features.

Making audio editing faster and more convenient has been the main premise for the creation of WaveLab's new editing tools. One example is the time-saving Raise Selection function that allows you to adjust the level of individual clip regions in an instant. Plus, several new trim and split options have been added to the framework of the new Auto-Split function. What's more, you can now process selected regions of your audio file using say, a plug-in chain with just a single command, making comparisons between different editings a straightforward matter. And the new auto-replay option automatically re-triggers the playback right after your edit.

Professional Editing +

36

The Spectrum Editor displays the audio material as a sonogram that shows the changing intensities of the frequencies over time in different colors and shades. Using the High Pass, Low Pass or Band Pass filters, a certain frequency area in the sonogram can be dampened, faded in or out or even wiped over with the Dispersion function. The dampening and aggressiveness of the filters is also user-definable.

Audio Restoration

Developed by the Sonnox specialists, DeNoiser, DeBuzzer and DeClicker are capable of removing even the harshest noises without affecting the ambience of the original material. Advanced algorithms, a straightforward user interface and detailed visual feedback make this suite the first choice for the most demanding audio restoration works.

Sonnox Restoration Suite

WaveLab 8 features a full-fledged EBU R128-compliant loudness metering and processing solution. Besides displaying momen-tary, short term and integrated measurements on dedicated scales, WaveLab comes with a zoomable loudness view that visualizes all values as a clear graph and Loudness, Pan and Batch Normalizers adhering to EBU standards.

EBU - compliant loudness metering and processing

During the mastering process it is essential to monitor the premaster on different speaker setups in order to ensure a constant level of TXDOLW\7KDWVZK\:DYH/DEIHDWXUHVDQLQWHJUDWHGVSHDNHUmanagement system, allowing you to switch between up to eight speaker setups for monitoring playback and recording levels, including individual gain control on each output.

Speaker Management System

373737373737

Thanks to its spectrum matching technology, Voxengo's CurveEQ is perfectly suited to fit the needs of mastering engineers. This versatile 64-band spline EQ with linear and minimum-phase modes also features a built-in professional-grade spectrum analyzer that allows for displaying, saving and loading static spectrum plots for comparison and matching purposes.

Voxengo CurveEQ

Keep track of your plug-ins WaveLab 8 introduces a plug-in chain window that hosts all inserted clip, track or master plug-ins in one single area. Now you can switch between different plug-ins with a single click.

Single Window Plug-in Management

WaveLab 8 contains the newly developed Steinberg Brickwall Limiter that keeps the audio signal from passing the threshold a must-have for professional mastering applications. Parameters such as Drive, Attack and Mix let you individually adjust the character of the processing while the large VU meter provides excellent visual feedback.

Brickwall Limiter

"Warm and rich" is among the most important characteristics when engineers describe their preferred style of compression. Tube Compressor was made to exactly reflect these demands. Known from the worlds most acclaimed music production system, Cubase 7, Tube Compressor not only shapes the dynamics of your signals very precisely but also colors them nicely.

Tube CompressorThe new MBIT+ dither plug-in made by the specialists of iZotope provides the finest wordlength reduction algorithms available, allowing you to effectively convert and dither to 24, 20, 16, 12 or 8 bits. The advanced dithering process also reduces quantization distortion with minimal perceived noise. What you get is a smooth conversion and a major audible improvement.

iZotope MBIT+ master dither

Stay in control record, play, stop, loop, jog, shuttle, selections, markers and many other functions to speed up project navigation are now easily accessible via the new Master Transport Panel. Additionally, the Master Transport Panel features a status window that shows the time position, timecode, samples bars and beats.

Master Transport Panel

38

Comparison

384 kHz< 1000

101035

RIFF, ID3, BWAF, CART, iXML, AXML

25

96 kHz34217

LimitedLimited

--

Limited----

--

RIFF, ID3, BWAF, CARTLimitedLimited

-

16LimitedLimited

--

Limited---

:DYH/DELVDYDLODEOHLQWZRGLIIHUHQWHGLWLRQV:DYH/DEDQG:DYH/DE(OHPHQWV(DFKRQHIHDWXUHVVWXQQLQJSHUIRUPDQFHDQGFU\VWDOFOHDUVRXQGTXDOLW\GXHWRSteinberg's highly acclaimed audio engine.

GENERALMaximum sample rateMaximum number of audio tracksMaster section slotsClip effects per clipReal-time VST 3 effect plug-insAudio Montage Workspace for combining compilations of multiple audio filesAudio File Workspace for sample-accurate audio editing and analysisBatch Processing Workspace for applying processing and plug-in chains to multiple audio files at onceUnlimited file size due to RF64 support

AUDIO ANALYSIS3D Spectrum AnalysisSpectroscope, Oscilloscope, Level MeterGlobal Audio AnalysisEBU-compliant loudness meteringSpectrometer, Bit-Meter, Phasescope, WavescopeAudio analysis toolsWaveLab Control: Group your favorite analysis tools in one central spot

RESTORATIONSonnox Restoration SuiteSpectrum editingError correction tools for automatic detection and correction of errors within the audio file

FORMATS & EXPORTMetadata supportSupport for various file formats, including WAV, BWF, SDII, MP3, RIFF, WMA & moreBurning engine and CD/DVD-audio supportFull support for the industry-standard DDP format

PROCESSINGOffline processorsTime Stretch & Pitch CorrectEffect Section with clip, track and master effectsiZotope MBIT+ Master DitherEBU-compliant loudness processing

WORKFLOWSingle-window plug-in managementAudio file browser for simple audio file managementTransport panel for intuitive project navigation16-bit float high-resolution waveform zoomingAuto Replay optionPodcast toolsMarker tools providing a clear structure in even the most complex arrangementsSpeaker management system: Support for up to eight speaker setupsSuperClip concept makes it easy to deal with a large number of clipsProfessional editing toolset, featuring Auto Split, custom clip export, select while playback and more

WaveLab 8 WaveLab Elements 8

39

What Do Madonna, Moby and Ministry of Sound Have in Common?Andy Bolleshon, founder of Time Tools Mastering & Publishing, has devoted his life to music, working as a producer,musician, mastering engineer, label owner and music publisher for over 15 years in the music industry. In 1988,Bolleshon joined the Canadian electro-pop band Psyche as their live keyboardist only soon after to go on world tourwith Anne Clarke. After completing his training as studio assistant, he worked at several renowned London-basedmusic studios, later returning to Germany with a vision to establish mastering on an international level straight out ofthe heart of Hanover. Since then, many internationally acclaimed musicians, including Fat Boy Slim, Moby, TimoMaas and Mousse T., and superstars like Madonna and Tom Jones have turned to him.

Which aspects of your job do you enjoy the most? And how is it to work together with international stars the likes of Madonna?It pleases me when an artist comes to us after months and months of hard work in order for us to give the music anassertive sound and our special touch so that our customer can happily pass on the finalized album to the press plant.Working with artists is very matter of fact when it comes to mastering. Since all stars have a tight schedule and manySHRSOHZRUNLQJIRUWKHP,PRVWO\FRUUHVSRQGZLWKWKHUHFRUGFRPSDQLHVRUWKHSURGXFHUV,Q0DGRQQDVFDVHDFWXDOO\everything went through the record company and management. On the other hand, there are many artists who want toEHSHUVRQDOO\LQYROYHG3HWHU)R[ZKRGRHVQWZDQWWROHDYHDQ\WKLQJWRFKDQFHLVDUHDOO\JRRGH[DPSOH)LUVWKHrequested test masters from various mastering studios before my studio and another studio finally got the job for masteringKLVDOEXP$QGLWGLGQWHQGKHUHWKHILUVWVLQJOHUHOHDVH$OOHV1HXIURPWKHDOEXPZDVPDVWHUHGE\ERWKVWXGLRV7KHQWKHWZRPDVWHUVZHUHHGLWHGWRJHWKHUDQGSUHPLHUHGRQD0RQGD\VUDGLRVKRw, each being played for about 30 seconds.The song was recorded from the home radio at home and analyzed. Finally, the song was mixed and mastered all overagain and broadcasted a second time on the Friday.

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What Steinberg tools do you work with at Time Tools? And why do you use our software?:HZRUNZLWK1XHQGRDQG:DYH/DE1XHQGRLVXVHGIRUSOD\LQJEDFNDQGUHFRUGLQJZLWKLQWKHDQDORJVLJQDOFKDLQ:Hemploy WaveLab to finalize projects and create the final CD or DDP master. Both programs allow for a workflow that isvery time-saving and efficient. This is a decisive factor since we are continuously required to meet deadlines.

The possibilities of home recording have continuously improved over the past years. Do you have a useful recording tipfor the Steinberg home recording users?The most important thing is to ensure a good monitoring system before spending lots of money on other equipment. Agood acoustic space and the right loudspeakers are the foundation of a good mix. This knowledge is based on our dailyEXVLQHVVFXVWRPHUVZLWKDVXSHULRUPRQLWRULQJV\VWHPXVXDOO\SURYLGHWKHEHVWPL[HVHYHQZKHQZRUNLQJZLWKRQO\Dcouple audio tools. I am sorry to say many people think that using 20 plug-ins per channel only achieves a great mix.Actually, our experience shows time and again that less is more. When mastering, we have the means to affect the soundand punch to a significant degree, which our customers are unable to achieve. Hence, it is usually easier to work onuntouched mixes in order for us to work to the full extent of our abilities.

Would you say there are more private customers nowadays that like to have their recordings professionally mastered?Yes, this is certainly the case. Today we have more private customers who require our service. We even assist a number of customers during the mixing process, making suggestions in order for them to achieve a better result. Keep in mind, ZKHQLWJHWVGRZQWRLWWKHPDVWHUFDQRQO\EHDVJRRGDVWKHFXVWRPHUVPL[0HDQZKLOHPDQ\EDQGVUHFRUGDQGPL[WKHLUDOEXPVLQWKHLUUHKHDUVDOURRPV,WVYHU\VLPLODUZLWKKLSKRSDQGGDQFHPXVLFZKHUHPRVWSURGXFWLRQVDUHKRPH-PDGH'XHWREDGPRQLWRULQJFRQGLWLRQVDQGWKHODFNRIH[SHULHQFH,FDQWHPSKDVL]HWKHLPSRUWDQFHRISURIHVVLRQDOmastering enough. Just imagine a band producing that dream-come-true album which will be played to their grandchildren \HDUVGRZQWKHOLQH1RZWKLVDOEXPLVJRLQJWREHPDVWHUHGE\VRPHRQHZKRGRHVQWFRVWPXFKEXWDOVRKDVQRH[SHULHQFH6DGO\WKHUHVXOWZRQWPHHWH[SHFWDWLRQVRQO\WRKDYHVDYHGDFRXSOHKXQGUHG$QGWKDWVZK\PDQ\private customers are truly happy to entrust us with their projects.

Nuendo empowers audio professionals working for the film, television and media industry to higher levels of productivity, with a dedicated feature set that focuses on day-to-day production requirements like workflow, speed, versatility and reliability. Post-production editors, film mixers as well as recording engineers around the world rely on the flexibility and industry openness that Nuendo provides.

Nuendo 6 is perfectly tailored to film and TV post-production companies doing re-recording and H[WHQVLYHVXUURXQGPL[LQJ+DYLQJWKHZRUOGVPRVWIOH[LEOHPL[LQJFRQVROHDQGWKHKLJKTXDOLW\&KDQQHO6WULSRQERDUG1XHQGRJUDQWVPL[LQJUHVXOWVLQLQGXVWU\OHDGLQJTXDOLW\:LWK,26212V$Q\PL[3URSOXJLQWKHZRUOGVPRVWDGYDQFHGVXUURXQGSDQQLQJDQGXSPL[LQJVRIWZDUHLVSDUWRINuendo. Next to the most comprehensive automation system for film-mixing available today, advanced editing tools round out the most dedicated feature set for film post-production.

NUENDO 6 - Advanced Post and Audio Production System

Steve TusharGhost Rider 2, Coraline, The Legend of Korra,Harry Potter and Deathly Hallows (Game)

Top Features 7KHZRUOGVPRVWHIILFLHQWDXGLR

post-production environment

Groundbreaking new mixing console and high-end channel strip

Anymix Pro from IOSONO for state-of-the-art surround productions

Nuendo 6 ADR taker solution for voice recording and language dubbing

Fully integrated loudness measure-ment

Voxengo CurveEQ with sound-match-ing technology

Redesigned user interface with MemZap quick-jump function

Pro Sound Effects post-production library

WIN MAC

42

The Nuendo 6 Expansion Kit (NEK) is a part of the Nuendo product range and brings the music tools of Cubase to the Nuendo media production platform. NEK means complete compatibility with all Cubase music creation features and import functionality for Cubase projects. With world-class instruments, innovative sound design tools and advanced technologies for composers, the NEK transforms Nuendo into a professional, all-in-one solution for music and post-production.

NUENDO 6 Expansion Kit

Nuendo SyncStation provides you with the perfect setting to interconnect external audio and video systems and devices with the Nuendo audio and post-production system. Rock-solid performance and true sample accuracy make the Nuendo SyncStation a one-of-its-kind synchronizer solution.

NUENDO SyncStationTop Features

All important synchronization tasks are fulfilled within one unit

7KHZRUOGVILUVWVDPSOHDFFXUDWHsynchronizer in conjunction with VST System Link

Dedicated to Nuendo with a deep integration that ends up in an outstanding operation from within Nuendo

Designed and built by Colin Broad

Works with all DAWs (with some limitation), not just with Nuendo, even standalone operation is possible

Cross-platform support for Nuendo SyncStation together with Nuendo on Mac OS X

Windows 7, Windows Vista and Win-dows XP

VariAudio 2.0 Pitch detection and collection tool for monophonic audio material

Chord Track that helps you detecting the harmony structure of your song

Chord Assistant : Intelligent composing assistant helps you with the creation of simple pop to complex jazz chord sequences

Beat Based Design Tools Loop Mash2, Groove Agent ONE and Beat Designer

Expressive Creative Visions VST Expression

Professional Music Notation

Midi Editors Drum, List, Score

Premium Virtual Instruments HALion Sonic SE, Padshop, Retrologue, Mystic, Spector, and Monologue

add-on

WIN MAC

43

Top Features All-in-one music production studio

Easy to learn one-window design

More than 5,000 high-quality loops and sounds

HALion Sonic SE, Groove Agent ONEand VST Amp Rack SE

Full range of pro-audio effects

One-click tempo detection

Performance Mode

VST 3 support

WIN MAC

Sequel 3 is a software package that makes it both easy and fun to compose songs and give performances. The package comes with over 5000 loops recorded by professional drummers, bassists, pianists, guitar players, and other great performers. You can arrange these any way you like to produce great songs in many musical genres.

Sequel 3 makes it easy to run authentic music creation processes: use the included virtual sound module to create and play original phrases; record audio such as vocals, and guitars; adjust the sound quality by judiciously choosing from a wide range of effects; and use the mixer to balance your instrument levels.

SEQUEL 3 - Music Creation & Performance

Rocking out of your computer has never been more fun. Grab your six-string, plug into your box running Sequel 3 and jam until your fingers fall off. Boasting an arsenal of virtual amps, speaker cabinets and effects pedals, the VST Amp Rack SE is one powerful guitar DPSVLPXODWRUWKDWOOGLVKRXWDQ\JQDUO\VRXQG\RXZDQW

One of the many Sequel features that make you go absolutely wild with your music is Tempo Detection: remix your track in real time or put together another mixtape of some of the long forgotten gems buried deep down within your music library.

But now for giving your tunes a serious groove: the Beat Page shows off a battery of opportunities thanks to its easy-to-use Groove Agent ONE and Beat Designer, great tools IRUFUHDWLQJFXVWRPEHDWVWKDWOOVWDQGRXWDQGVHW\RXDERYHWKHUHVW6RSRZHUIXO\HWsimple and straightforward to use and understand, Sequel 3 comes without any restric-WLRQVWR\RXUFUHDWLYLW\DQGOHWV\RXGRZKDWPDNHV\RXKDSS\DQGWKDWVPDNLQJPXVLF

Turn your bedroom into a full-fledged studioT b d i t f ll fledged studiod

44

Cubase iC transforms your iOS device into a powerful remote control for Cubase. Whether you are using Cubase in the studio or on VWDJH&XEDVHL&JLYHV\RXIDVWDQGSUHFLVHFRQWURORIHVVHQWLDOIXQFWLRQVIURPDQ\ZKHUHZLWKLQ\RXU:L)LQHWZRUNVUDQJH

Cubase iC PRO is your personal recording assistant. Up to four dedicated cue mixes can be set up, giving musicians the freedom to adjust WKHLURZQPL[ZLWKDSKRQHRUWDEOHW&XEDVHL&3URLV&XEDVHVSHUIHFWFRPSDQLRQ

Cubase iC gives you access to basic transport functions, allows you to monitor playback position and control the unique Arranger Track.

LoopMash is an innovative virtual instrument that presents you with a new way to blend loops together by juggling similar elements across looped beats and tunes. Now ported to the iOS platform, this sizzling hot instrument lets you choose included loops ranging all the way from ethno to disco.

Based on a technology introduced by Yamaha, LoopMash is a stripped-down version of the popular LoopMash virtual instrument featured in Cubase - Advanced Music Production System.

CUBASE iC

CUBASE iC PRO

LOOP MASH HDLOOP MASH and LOOP MASH FREE

Supported platforms

Loops per sceneLoop length in barsScenes availableNumber of included loopsNumber of included presetsEffects (hi-pass, low-pass, flanger, phaser)"Performance effects (tape-stops, stutters, tape scratches, etc.)"

Pitch transposeScenes naming optionSave presetsShare presets (via iTunes)

iPad

84

2425831(19)

iPhone iPod touch

iPad428

27251

iPhone iPod touch

iPad4284210

(available as add-on)(available as add-on)

Functional Comparison LoopMashLoopMash HD LoopMash Free

Cubase iC transformVWDJH&XEDVHL&JLYHV\RXIDVWDQGSUHFLVHFRQWUR

CUBASE iC PRO

emote control for Cubaserful re

C

ms your iOS device into a powe

45

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Documents

Steinberg.SolutionGuide_Int.pdf