Stefy Line - Vintage Electric 2013

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Players’ guitars designed for guitar players™

Vintage E 2013st_Layout 1 10/10/2012 11:39 Page 2

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Front Cover: John Parr with V100MRPGM Lemon DropPage 2: Colin Cartmell with V6MRTBG

Contents4-15 Icon™ Series

16-30 Electric ReIssued™ Series

31-33 Semi-Acoustic Series

34-39 Bass Series


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Players’ guitars designed for guitar players.

The 2013 Vintage Electrics brochure is chock full of all the oldfavourites, plus a host of new models.

Vintage instruments continue to evolve, with new models,finishes, features and innovation.

Trev Wilkinson, one of the world’s foremost experts in guitarand guitar hardware design, is the creative maestro behind theblueprint and specifications of each guitar in the Vintage electricrange.

Your choice of new guitar or bass is the result of Trev’soutstanding knowledge and worldwide reputation.

With a genuine love for guitars and everything that goes withthem, Trev’s enthusiasm is infectious, and his knowledge of theguitar genre is almost boundless.

With a lifetime of interest in why the best guitars are how theyare, what works and what doesn’t, and what can be done aboutit, Trev’s spent decades asking direct and forthright questions ofthe people who matter. He's worked with the industry legendsresponsible for some of the best guitars and pickups ever made,and artists who’ve played the best guitars ever made.

An innovator since 1981, solutions and cool design are thehallmarks of every Trev Wilkinson project.

The 2013 Vintage Electric brochure demonstrates exactly howmuch effort Vintage and Trev have been putting into their guitarrange, the result of which is a collection of fantastic guitars andbasses, with truly incredible levels of specification, attention todetail and, dare we say it; value.

With guitars and basses inspired by ‘classic’ silhouettes from ourshared guitar history, and unique designs, Vintage instrumentsare enjoyed and endorsed by a host of leading professionalplayers, who choose Vintage because they understand thewhole ethos of the Vintage brand.

The pros understand that Vintage performs, that it delivers –with gusto, which guarantees that if you’re a younger playerfollowing your dream you can really make your mark and you’llnever outgrow your Vintage.

Many major pro players are now using Vintage guitars as theirmain instrument, in some instances even adopting a Vintageguitar as their signature model. Surely there can be no higherpersonal recommendation of a guitar’s abilities?

Players like Graham Oliver, with his two Vintage Signaturemodels, are a perfect example. With more than 10 millionrecords sold in his role as founding member of rock gods Saxon,Graham's as well-known across the globe as much for histrademark crushing riffs as he is for his iconic double cutawayand classic 'V' double humbucker axes. Graham spent hourswith Trev in the Vintage workshops recreating totally authentic

signature guitars to pay tribute to the instruments he used towrite classics like Wheels Of Steel and Princess Of The Night.

Graham says: “These two guitars look good, play amazingly andsound fantastic! But the best thing is that, unlike othersignature guitars, they’re totally affordable for everyone.”

Other players in the Vintage roster include German virtuosoThomas Blug, Mick Abrahams, Big Country's Tony Butler,founding Saxon bassist Steve Dawson, Bernie Tormé, Dave'Bucket' Colwell, John Parr, Midge Ure, the Quireboys' PaulGuerin – and many, many more.

The Vintage ICON series of pre-distressed instruments hit thespot too. They so feel special to play and exude a totally cool,ready-aged vibe, with built-in character shining through anauthentic aged finish. With distressed Wilkinson hardware andvintage tone pickups, ICON series shouts ‘this guitar’s beenplaces, ground through the mill, done some stuff, paid its dues’!

With the patina of playing in countless rehearsal sessions,gigging in hundreds of smoky bars and clubs, working inendless recording sessions and touring at home and abroad,Vintage ICON means you don’t have to remortgage your houseor wait a lifetime to own a classic.

Of course, if new and bright 'n' shiny is your thing, we do thattoo, in spades. The Vintage ReIssued range is a terrificcollection of guitars and basses in all styles, with incrediblespecification and playability.

ReIssued and ICON demonstrate what can be achieved whenthe satisfaction of the player is put above mere commercialconcerns.

How does Vintage manage to offer such incredible instrumentsat the kind of prices that literally anyone can afford?

The magic is in using knowledge for good, and doing it right.Because that's the right thing to do, because guitarists, youngand old, new and hard-bitten, deserve the best – withoutcompromise!

At Vintage, we’ve proven that with care, and a stated intent toprove a point, we can bring all these elements together to makethe end result much more than just the sum of the parts.

What really makes the difference is NOT just to build down to aprice, but instead designing in quality, building up to andachieving an aspiration to excel.

Then, with care, consistency, attention to detail, precision andrigorous levels of quality control, it’s possible to build greatguitars to sell at a price that won’t break anyone’s bank.

Whatever your guitar or bass needs, there’s a Vintageinstrument that suits you.

Players’ guitars designed for guitar players. It’s that simple.


VintageTHOMASBLUGSignature

Over recent years, guitar enthusiasts have admired the virtuosic electricguitar style of Thomas Blug, one of Europe’s most respected players. Inaddition, Thomas’ work as a product development consultant and productdemonstrator for Hughes & Kettner guitar amplification means he is aregular must-see feature at music expos and shows worldwide, alongsidehis own sought-after CD releases and tuition DVDs, as well asperformances with the Thomas Blug Band which includes keyboardistThis Van Leer, erstwhile mainstay of Dutch rock legends, Focus.

Thomas has one of the most recognisable guitar sounds in the world,playing with a fluid, melodic and powerful style, and has over the yearsbecome synonymous with his much-loved and instantly recognisableelectric guitar, a well-used faded Olympic White ‘61.

As a player who has been the inspiration to thousands of players,Thomas chose Trev Wilkinson, and UK guitar brand Vintage, to prove thepoint that it is possible to create in a signature guitar an instrument

Thomas and Trev wire in the ‘Bu ka’ switch, a selectable hum-cancelling extra coil facility.k

Features

V6MRTBG/V6MRHDXBody: AlderNeck: Hard Maple – Bolt On (reversed headstock on HDX)Fingerboard: Rosewood, 21 frets, 7 1/4” radiusScale: 25.5”/648mmPickups: Wilkinson single coil x 3 aged ivory (Neck) WVSN, (Middle) WVSM reverse wound/reversepolarity, (Bridge) WVSB with WHCC hum-cancelling coilControls: 1 x Volume, 2 x Tone (second tone controlfeatures Thomas Blug ‘Bu ka™’ switch (push/pushaction), 5-Way SelectorTuners: Wilkinson Deluxe WJ55D EZ-Lok™

Vibrato: Wilkinson WVCDScratchplate: 3-ply with Aluminium shieldingHardware: Distressed NickelFinish: Distressed Vintage White (Customised HDX)

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Designed in association with

Trev Wilkinson Design Associate

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In addition to the already high specification of the Vintage ICON V6, the Thomas Blug SIGNATURE Series V6 guitar and Summer Of Love also feature;

Classic 21 fret neck, with 7 1/4” radius fingerboard camber, and mediumjumbo frets for a positive, authentic vintage feel.

Authentic 60s style aluminium shielding under scratchplate to reduceinducted hum and static noise.

Reverse polarity middle position pickup plus auto bypass of dummy coil in positions 2 and 4.

Thomas’ secret weapon – a ‘No treble loss’ condenser in the volume potcircuit.

Switchable dummy coil for reduced hum and less glassy tone withoverdrive sounds via the Thomas Blug ‘Bu ka’ switch, (push-push action)on the second tone control.

V6MRTBGDistressed

Vintage White

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“I wanted a guitar that looks cool – like Hendrix's, but with all the features of my signature Vintage Icon V6 guitar,”Thomas says. “And it had to play like all the guitars I usually play: pickups in the same position and not a reversed body.” True to Thomas's requests, the V6MRHDX features the same top quality specs as his treasured '61 and his original Vintage V6 signature, but comes with a reversed headstock and hand-applied graphics created by German artist Daniel Hahn especially for the Summer Of Love.

TWDA. .An Original Design Concept

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VintageTHOMASBLUGSUMMEROFLOVE

which faithfully recreates the unique attributes of his beloved ‘61.

With its battle-scarred body, custom electronics and personalisedswitching all added to the already exceptionally well-specced VintageICON Series V6 guitar, players looking for an edge with this iconicdesign, and who also perhaps aspire to emulate Thomas’ spine-tinglingsound, can now buy exactly the same instrument which he uses in hisday-to-day work.

‘Outstanding’, comments Thomas on his Vintage SIGNATURE V6 guitar. “To achieve all this, in an instrument which literally anyone canafford, even a first time buyer, is an unbelievable result.”

“Classic vintage feel,awesome authentic tone

and a cool vibe.”

V6MRHDXDistressed Custom

“You can take this axe in 100% stock trim and gig it to death... Everything feels solid and it sounds pretty bloody amazing!”

Tim Slater, Playmusic Pickup magazine

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“...this Vintage V6 Icon guitar looks gloriously f**ked.What we weren’t expecting was the sheer quality thatlurked underneath those finishes.”Total Guitar magazine

Nothing gives off that unique, so-cool vibe like a guitar that’s obviously seen some serious use. Like a battle-scarred warriorthat always gives its best, the instrument’s character shinesthrough the worn finish, saying ‘this guitar has paid its dues’. Its sound has the heart and soul of a thousand gigs in it andyou can feel it when you play it. It feels special to hold, andspecial to play.

But how many people can afford the vintage instrument of theirdreams? That special instrument which displays a unique levelof wear from decades of playing – at home, numerous rehearsalsessions, smoky pubs to working mens’ clubs, gigs and tours athome and abroad? Or how many guitarists can wait 20 yearsbefore their own guitar starts to show that kind of time-relatedcharacter?



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V6HMRBody: AlderNeck: One Piece Hard Maple – Bolt OnFingerboard: RosewoodScale: 25.5”/648mm Frets: 22 Neck Inlays: Pearloid DotTuners: Wilkinson WJ55D E-Z-Lok DistressedVibrato: Wilkinson WVCD DistressedPickups: Wilkinson Single Coil x 2 (N) WVS (M)WVS 1 x Humbucker WHHB (B)Scratchplate: Mock TortoiseshellHardware: Distressed NickelControls: 1 x Volume/ 2 x Tone/ 5-Way LeverFinish: 3 Tone Sunburst, Distressed

V6MRSSBDistressed

Sunset Sunburst

LV6MRSSBLeft Hand

V6HMRSBDistressed

3 Tone Sunburst

Mik Crone Lorenza Woods

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V6MRWWDistressedWoodstock

White

Rob ‘Lord Hailer’

MillsThe Hailers


V6MRFRDistressed

Firenza Red

BLACK ‘N’ BLUESV6MRBK

Distressed Black

LV6MRBKLeft Hand

Now you don’t have to wait! You don’t even have to remortgagethe house to make the payment. Renowned guitar specialistsVintage, in conjunction with acknowledged guitar guru, TrevWilkinson, have a specially pre-aged electric guitar range thatticks all the boxes – the Vintage ICON Series.

These fantastic guitars, fully equipped with equally aged

Wilkinson tuners, hardware and pickups look like they’ve beenplayed for decades with all the marks, wear and tear to prove it.They’ve been through the mill but they’re cool and ready for thenext gig.

Get one of the Vintage ICON Series guitars and save 20 years ofyour life! Best of all, you won’t believe the price...

Guitarists may very well recognise the heavy wear ‘n’ tear patternscarring on the glossless Boulevard Black body, with the guitar’s stripped maple neck and fingerboard also emulating the ageing process of countless hours of use in rehearsals, recordings, in and out of flightcases and onstage on numerous international tours.

V6MRBody: Eastern PoplarNeck: Hard Maple – Bolt On(MRBK) One Piece Hard Maple with Rosewood Stripe Fingerboard: Rosewood, (MRBK) Maple Scale: 25.5”/648mm Frets: 22 Neck Inlays: Pearloid DotTuners: Wilkinson WJ55 E-Z-Lok Vibrato: Wilkinson WVC Pickups: Wilkinson Single Coil x 3 (N) WVS (M) WVS (B) WVSHardware: NickelControls: 1 x Volume/ 2 x Tone/ 5-Way Lever

V6MRLBDistressed

Laguna Blue

VintageICONV6Series

“A relic guitar that plays awesome and doesn't costthe price of a small car! I love the fact that the

V6MRBK feels just like the way it looks. Lived-in, comfortable and ready to play

from the first time you pick it up.”Roy Fulton - Southbound

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V62MRABDistressedAsh Blonde

V52MRBSDistressed

Butterscotch

VintageICONV52/V62Series

V52MR/V62MRBody: American AlderNeck: Hard Maple – Bolt-OnFingerboard: Maple (52), Rosewood (62)Scale: 25.5”/648mmFrets: 22 MediumNeck Inlays: Black Dot (52), Pearloid Dot (62)Tuners: Wilkinson Deluxe WJ55SDBridge: Wilkinson WTBDPickups: Wilkinson Single Coil x 2(N) WVTN Alnico (B) WVOB Alnico (52)Wilkinson Single Coil x 2 (N) WVTN Alnico (B) WVTB Alnico (62)Scratchplate: Single Ply Black (52) White (62)Controls: 1 x Volume/ 1 x Tone/ 3-Way Lever



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“My main guitar on the newQuireboys record is my V52

Icon. The quality and clarity ofthis guitar is astounding andthe aged finish makes it feel

like it’s been with me for years.I’ve just had the V52 out with

me on the road and it stood upthe the rigours of touring like a

real trooper – no baggagehandler managed to bust this

little beauty!”Paul GuerinQuireboys

“This is one of the best electric guitars

I’ve ever played... I can’t put it down.”

Neil Taylor - Robbie Williams 8


V4MRBody: Eastern PoplarNeck: Hard Maple – Bolt OnFingerboard: RosewoodScale: 34”/864mmFrets: 20Neck Inlays: Pearloid DotTuners: Wilkinson WJBL200Bridge: AdjustablePickups: Wilkinson PB x 1 (M) WPBHardware: NickelControls: 1 x Volume/ 1 x Tone

V7MRBody: Eastern PoplarNeck: Hard Maple – Bolt OnFingerboard: RosewoodScale: 34”/864mmFrets: FretlessNeck Inlays: Pearloid DotTuners: Wilkinson WJBL200Bridge: AdjustablePickups: Wilkinson JB x 2 (M) WJB00, (B) WJB800Hardware: NickelControls: 1 x Volume/ 1 x Tone

VintageICONV7/V4Series

“The V4 remains good value for money.”Stuart Clayton,

Bass Guitar magazine

“My V7 is a great sounding, well built bass that has aplayability well beyond any other fretless in it's price range.”

Dishan Abrahams Session Bassist(Kylie Minogue/Sugababes/Christophe Willem)

“The V7’s well made and I Iove the look but the tone is out of this world!”Jamie Mallender - Raven Lords

V74MRJP Fretless

DistressedSunset

Sunburst

LV74MRJPLeft Hand

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V4MRSSBDistressed

Sunset Sunburst


The reverse-fitted neck humbucker and out-of-phase centre position wiring createdone of the most recognisable guitar sounds of the genre – real ‘Black Magic’.

Differential bell type control knobs, battle scars and sealed gear replacementtuners all add to the mojo....

Still got the blues?

TWDA. .An Original Design Concept

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“A cracking guitar.. one that could have its price tag doubled

and still be good value for money.”Total Guitar magazine

Jim CreganSteve Harley, Rod Stewart, Katie Melua

Don KelleyDon Kelley Band

RozeyFalling Red

Paul RaymondUFO

Gary SanfordJoe Jackson, Aztec Camera

Bobby TenchHumble Pie, Jeff Beck

Paul GuerinQuireboys

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VintageICONV100LEMONDROP

V100MRPGMBody: MahoganyTop: Maple Cap w/Flamed Maple VeneerNeck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson WJ01Bridge: Tune-O-MaticPickups: Wilkinson Solid Nickel Covered Alnico VHumbucker x 2 (N) WVC (B) WVCHardware: Nickel. Controls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

Trev's V100 Lemon Drop is a realtribute.

"When I was young and in a band,we supported the original FleetwoodMac to play at a gig we'd organised.

Fleetwood Mac let us use their PA,and Peter Green even let me usehis amp!

He wouldn’t let me use his guitarbut he was always my favouriteguitarist.”

The guitar player’s favourite™

Haydn ConwayOliver/Dawson Saxon

Dave ‘Bucket’ ColwellBucket & Co. / Bad Company

John Parr

Midge Ure

ey, rt,

yy Band

Geoff WhitehornProcol Harum

Alex KraftDezperadoz

V100MRPGMLemon Drop

LV100MRPGMLeft Hand

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V100MRJBMBody: MahoganyNeck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson WJ303 (JBM)Bridge: Tune-O-MaticPickups: Wilkinson Solid Nickel Covered Alnico VHumbucker x 2 (N) WVC (B) WVC (JBM)Hardware: NickelControls: 2 x Volume/ 2 x Tone/ 3-Way Toggle



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V100MRJBMDistressedGold Top

“I've taken this guitar intonumerous recording sessions

and people are amazed –they think it's a really expensive

custom shop job! Never judge a book by its cover: a great guitar is a great guitar!”

Wayne Plummer – Session PlayerKelly Rowland/Gloria Gaynor/Craig David/

Jamelia/Ne-Yo

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V100’sBody: MahoganyTop: Flamed Maple VeneerNeck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson Deluxe WJ44Bridge: Tune-O-MaticPickups: Wilkinson Nickel Plated Humbucker x 2 (N)MWVC (B) MWVC Hardware: Nickel. Controls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

“The bridge pickup barks and growls and the neck unit

is blues rock heaven.”Guitar & Bass magazine

VintageICONV100Series

V100MRCSDistressed

Cherry Sunburst

V100MRHBDistressedHoneyburst

V100MRTSBDistressed

Tobacco Sunburst

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VintageMICKABRAHAMSSignature

VS6MRMABody: MahoganyNeck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/628mmFrets: 22Neck Inlays: Pearloid DotTuners: Wilkinson Deluxe WJ44Bridge: Wilkinson Wrapover, DistressedPickups: Wilkinson (N) W90SKN (B) W90SKBHardware: Nickel, DistressedControls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

“My Vintage Signature is the meanest VS6

I have ever laid hands on. It just sings, and like me,

it's the real deal! I would defy anyone

to find a better working axe.”

VS6MRMADistressedCherry Red

One of the founding fathers of the 60s British blues movement, pioneering guitarist and songwriter Mick Abrahams enjoyed major acclaim with legendary folk blues outfit Jethro Tull prior to forming his own band, Blodwyn Pig, and has since recorded and released several successful solo albums.



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VintageICONVS6Series

VS6MRPBody: MahoganyNeck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/628mmFrets: 22Neck Inlays: Pearloid DotTuners: Wilkinson WJ15 w/mini oval buttons Bridge: Wilkinson Wrapover, DistressedPickups: Wilkinson (B) W90SKB Hardware: Nickel, DistressedControls: 1 x Volume, 1 x Tone

VS6MRBody: MahoganyNeck: Mahogany, Set NeckFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22 medium jumboInlays: Pearloid CrownTuners: Wilkinson Deluxe WJ44D 3+3Bridge: Tune-O-Matic w/stop bar tailpiecePickups: Wilkinson Humbucker x 2(N) MWVC (B) MWVCScratchplate: Black 3-plyHardware: Nickel, DistressedControls: 2 x Volume/ 2 x Tone/ 3-way toggle

VS6MRPCRDistressedCherry Red

VS6MRCRDistressedCherry Red

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VintageGRAHAMOLIVERSignatures

VS6GOOliverWhite

“I'm so privileged to havenot one but TWO Vintage

Signature guitars! The VS6GO has all thelooks, hardware and

versatility for all sorts of styles. I made

a career out of myoriginal, so get yourhands on one now!

The world's your stage...”

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“My Signature VV60 model just blows me away!How do you improve perfection, playability,

looks and performance? This does it in spades, and as soon as you

strap it on it makes you strike a pose and feelARMED AND READY!”

The first thing Kirk Hammett said to me the last time I sawhim was: "Have you still got the white guitars I saw you playin San Francisco in '81? They were so cool!" Over the last 30-odd years they've also been admired by guys like RandyRhoads, Michael and Rudolf Schenker, K.K. Downing andDimebag Darrell, to name but a few.

They not only have to play good, but look good too, andwhen my Vintage signatures came and I played 'em I couldn'tbelieve I was not playing my originals!

My Vintage signature guitars not only look good, they playamazing and sound fantastic! But the best thing is that they'reunlike other signature guitars and in a price range that makes'em totally affordable for everyone.

VS6GOBody: MahoganyNeck: Mahogany – Set NeckFingerboard: Bound RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson Deluxe WJ44,Bridge : Tune-O-Matic Vibrato: Graham Oliver Special VibrolaPickups: Wilkinson Humbucker WHHB (N),Open Humbucker Blade (B)Hardware: ChromeScratchplate: 4-Ply b/w/b/wControls: 2 x Volume/2 x Tone/3-Way

VV60GOBody: Mahogany with lower comfort contourNeck: Mahogany – Set NeckFingerboard: Bound RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid BlocksTuners: Wilkinson Deluxe WJN01Bridge: Tune-O-Matic with Stop Bar TailpiecePickups: Wilkinson Chrome Covered Humbucker x 2 WHHBC (N) WHBBC (B)Hardware: ChromeScratchplate: 3-Ply w/b/wControls: 2 x Volume/1 x Tone/3-Way

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VV60GOOliver White


VintageV6ReIssuedSeries

The Wilkinson WVC vibrato bridge featured on theVintage V6 is a masterpiece of detail.

Positive location, 6 screw design provides return to pitchaccuracy; perpendicular bend, high grade steel saddlesenhance tonality and ‘snap’. Ground base plate cornerprovides authentic looks.

Stagger drilled cast block significantly enhances return to pitch accuracy and classic vintage tone.

American alder body provides resonance, tone and ‘correct weight’ comfort,enhanced with correctly radiused contoured body.

Balanced set of Wilkinson WVS vintage-voicedAlnico V pickups, with staggered, chamferededge pole pieces, for authentic tone and contemporary power. Reverse wound, reversepolarity centre pickup provides hum cancellingin switch position 2 and 4.

Push-in delrin-bushed arm with variable tension provides the arm feel that suits your style.

Vintage V6 tone layout also providesextra versatility with bridge and neckcontrols.



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LV6SSB Left HandSunset Sunburst

V6SSBSunset Sunburst

Medium profile frets add to comfort, accuracy and overall positive feel of the Vintage V6.

The Vintage V6 Series offers an extraordinarily high level ofspecification, with many built-in custom shop level features.These include the revered Wilkinson WVC original specificationvibrato featuring authentic bent steel saddles fro that classicsparkle and tone; precision machined pivot points for total‘return to pitch’ accuracy and a stagger-drilled sustain block toprevent string hang-up. An adjustable, ‘vintage bend’ push-inarm completes this definitive vibrato system.

Attention to authentic tone continues with the use of a matchedand calibrated set of Wilkinson Alnico V single coil pickups,using a reverse wound/reverse polarity middle pickup for clarityand dynamics and featuring true vintage-style chamfered edgepolepieces. With one volume and two tone controls, the secondneatly wired to work on both middle and bridge pickups, the 5-waylever switch and control circuitry are configured for maximumtone, evenness of response and output for supreme versatility.

“Wilkinson re-designed every component to his exhausting specs...it was a stunning success.”

Australian Guitar magazine

“It’s rare for a guitar to feel truly effortless (es

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V6MSSB3 Tone Sunburst

V6LBLaguna Blue

Classic headstock design for balance and visual appeal.

Wilkinson WJ55 patented E-Z-Lok tuners. Simple,effective locking action for increased tuningstability. Staggered string post heights providecorrect string rake angle for smooth vibratoaction and correct playing tension.

Graphite top nut,smooth and friction free.

Traditional 10" radius fingerboard provides positivefeel, definition and superiortone!

Classic Vintage ‘soft C’profile hard rock mapleneck: instant comfort,speed, accuracy andgreat feel.

Plus, if you’re looking for a different kind of guitar vibe, theV6JMH definitely has more ‘guitar mojo’ going for it than most...Check that left hand neck on a right hand body, for starters...Not only that, even though it’s a right hand body, closer inspectionreveals that the full-toned, matched and calibrated set of Wilkinsonstaggered pole, alnico-powered single coil pickups are a lefthand set, meaning that the polepiece sequence is also inverted,providing a unique tonality redolent of one of the most legendary

guitarists ever... Especially as the bridge pickup position is alsoinverted meaning that the pickup bass side sits nearest thebridge with the treble side angled forward from the bridge!Otherwise, the cool-looking, unique-sounding V6JMH offers allthe other impressive build quality and features found in V6 range,a comfortable, accurately-sculpted body; smooth, easy-to-play,mid-depth C-section neck, and a full complement of Wilkinsonhardware designed for premium guitar performance.

V6 Body: American AlderNeck: Hard Maple – Bolt OnFingerboard: Rosewood. One Piece Maple (MFR/MSSB)Scale: 25.5”/648mm Frets: 22 Neck Inlays: Pearloid Dot. Black dot (MFR/MSSB)Tuners: Wilkinson WJ55 E-Z-LOK Vibrato: Wilkinson WVC Pickups: Wilkinson Single Coil x 3 (N) WVS (M) WVS (B) WVSHardware: ChromeControls: 1 x Volume/ 2 x Tone/ 5-Way Lever

V6BBBoulevard Black

V6MFRFirenza Red

As if the cool ‘left hand neck ona right hand body’ wasn’t enoughof a vibe, the unique invertedWilkinson single coil staggeredpickup polepiece layout andreversed bridge pickup on theVintage FILLMORE V6JMH is alsodesigned to give you a trulyauthentic taste of that special‘right hand guitar flipped over’tone of Jimi’s masterly left-handed genius.

ess (especially when you pick it up for the first time) but the V6 is a joy to play.” Total Guitar magazine

V6JMHOlympia White

‘FILLMORE’ Lachlan Horne

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VintageV52/V62Series

V52BSButterscotch

V62ABAsh Blonde

V52Body: American AlderNeck: One Piece Hard Maple, Bolt-OnFingerboard: MapleScale: 25.5”/ 648mmFrets: 22 MediumNeck Inlays: Black Dot Tuners: Wilkinson Deluxe WJ55SBridge: Wilkinson WTBPickups: Wilkinson Single Coil x 2 (N) WVTN Alnico (B) WVOB AlnicoScratchplate: Black Single PlyControls: 1 x Volume/ 1 x Tone/ 3-Way Lever

V62Body: American AlderNeck: Hard Maple, Bolt-OnFingerboard: RosewoodScale: 25.5”/ 648mmFrets: 22 MediumNeck Inlays: Pearloid DotTuners: Wilkinson Deluxe WJ55SBridge: Wilkinson WTBPickups: Wilkinson Single Coil x 2 (N) WVTN Alnico (B) WVTB Alnico Scratchplate: White Single PlyControls: 1 x Volume/ 1 x Tone/ 3-Way Lever



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VintageV2Series

V2BKBlack

Wilkinson WTB BridgeThis classic 3-saddle design has been around for over 50 yearsand is still regarded as the ultimate tone machine. Staggeredbrass saddles offer individual string intonation never beforeavailable in a design of this type, still widely regarded as the tonemachine. The baseplate itself is a faithful reproduction of the original, made from steel, very important in a bridge of this styledue to the tonal effect it has on the magnetic field of the pickupmounted in it.

V2Body: Eastern PoplarNeck: Hard Maple – Bolt OnFingerboard: Rosewood (BLD) Maple (BK)Scale: 25.5”/ 648mmFrets: 22Neck Inlays: Pearloid Dot (BLD) Black Dot (BK)Tuners: Wilkinson Deluxe WJ55SBridge: Wilkinson WTBPickups: Wilkinson Single Coil x 2 (N) MWTN (B) MWTBHardware: ChromeControls: 1 x Volume/ 1 x Tone/ 3-Way Lever

“My V2 has all the twangand bite you would expect

from a much more expensiveinstrument and performs

brilliantly night after night.”Luke Thomas - Country Legends

V2BLDBlonde

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V100Body: MahoganyTop: Solid Carved Mahogany (GT/ TSB/ WR/ BB/ AW) Flamed Maple Veneer (HB/ CS/ IT)Carved Flame Maple Cap (AFD)Neck: Mahogany – Set NeckFingerboard: Rosewood Scale: 24.75”/ 628mm Frets: 22 Neck Inlays: Pearloid CrownTuners: Wilkinson Deluxe WJ44 Bridge: Tune-O-MaticPickups:V100TSB/BB/CS/IT/HB/AW Wilkinson Humbucker x 2V100GT Wilkinson Stacked Ceramic x 2V100WR Wilkinson Mini Humbucker x 2V100AFD Wilkinson WVHZ Humbuckers x 2Hardware: Chrome (GT/CS/IT/HB/AFD)Gold (TSB/BB/WR/AW)Controls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

V100BBGloss Black

In terms of looks and attitude, few guitars can match the outand out appeal of the Vintage V100.

From the rocking zebra humbuckers and pure swagger of theV100AFD Paradise through to the ICON Lemon Drop's battle-scarred body and wonderfully out of phase tones, there'ssomething here for every taste and style of musician.

Offering an extraordinarily high level of specification, the buildquality and constructional detail of the Vintage V100 includes a

solid mahogany body and neck mated in true ‘set neck’ fashionfor maximum tone-enhancing rigidity. An accurately-carved,gently arched body top adds to the V100’s distinctive look. Themahogany and maple tonewoods are the ideal recipe for thekind of sounds that this style of guitar is renowned for – smoky,sultry, sweet-toned bluesy licks with a warm jazzy feel from theneck pickup help soothe the soul with an emotional calm. Charging to the other extreme with a flick of the 3-way selectorswitch allows the back pickup to rage and rampage throughhigh gain amplification like no other.



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“I have been blown awayby the quality of theseinstruments (and I amone fussy guitar guy!)”Pat McManus - V100AFD

“This is the best value for money instrumentiGuitar has yet seen. It's simply stunning!”

Jamie Humphries, iGuitar (V100AFD Paradise)

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R/ BB/ AW)

8mm

ucker x 2

ggle

V100GTGold Top

V100AWArtic White

VintageV100Series

The Vintage V100 is a perfect example of Trev Wilkinson’sfascination with tone. While working in California, Trev’sdevelopment work in the guitar industry led him to a meetingwith the father of the humbucking pickup, Seth Lover.

Recognising a kindred enquiring and inventive guitar spirit, SethLover imparted to Trev the exact specification of the legendarypickup units he designed, and that same authentic vintagevoiced recipe is what Trev uses in the V100’s humbuckers toensure you can get that elusive, iconic tone.

The V100’s rock solid chassis allows for positive string anchoringand location with the precision-manufactured Tune-O-Maticbridge and stop bar tailpiece. On the elegantly-shapedheadstock, a set of three-a-side Wilkinson WJ44 tuners offersboth the precise tuning feel and accuracy you’d expect fromthis type of guitar and – of course – the correct look.

Check out the range of classic finishes available on the V100and we’re sure you’ll agree that this is an irresistible package of attitude, power and tone!

V100BLKGloss Black

V100AFDFlamed Amber Paradise

V100WRWine Red

“The most amazing tone, theamount of push and pull I can

get from these guitars, isunbelievable. They honestlyplay and feel like the best

guitars in the world.”Al the Yeti Bones

V100HBFlamed

Honey Burst

V100TSBTobacco Sunburst

LV100TSB Left Hand

V100ITFlamed Ice Tea

V100CSFlame Maple Cherry Sunburst

LV100CS Left Hand

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V99Body: Eastern PoplarNeck: Maple – Bolt OnFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson WJ44Bridge: Tune-O-MaticPickups: Wilkinson Humbucker x 2 (N) MWVC (B)MWVCHardware: ChromeControls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

VintageV99Series

“Surprisingly convincing, helpedby a really high quality finish.

Wilkinson pickups are the icingon these tasty instruments;

plenty of poke on tap.”Gear magazine



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V99CSCherry Sunburst

LV99CSCherry Sunburst

Left Hand

V99BBlack

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VR100Body: Mahogany Neck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid DotTuners: Wilkinson Deluxe WJ44Bridge: Wrap Over Bridge TailpiecePickups: Wilkinson Stacked Ceramic x 1 (B) W90SKBHardware: ChromeControls: 1 x Volume/ 1 x Tone

VintageVR100Series

VR100CRCherry Red

VR100WGloss White

“Mahogany body, wrap-overbridge and alnico soapbar

pickup will get you close to the‘tude of New York Dolls legend

Johnny Thunders!”Total Guitar magazine

“With 'Vintage' you aren'tpaying for an inflated brand

name, you're paying for aquality instrument.”

Jamie Wilcox - Merciless Precision

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“...winding the wick down a tadand flicking to the neck pickupgets you a classy throaty blues

sound that’s creamier thanUnigate.”

Total Guitar magazine

LVS6VWVintage White

Left Hand

James Bell, Guitarist magazine’s,

‘Young Guitarist Of The Year 2011’plays Vintage guitars.

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VintageVS6Series

VS6Body: MahoganyNeck: Mahogany – Set NeckFingerboard: RosewoodScale: 24.75”/628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson Deluxe WJ44Bridge: Tune-O-Matic with Stop Bar TailpiecePickups: Wilkinson Humbucker x 2 (N) MWVC (B) MWVCHardware: Chrome (VS6/ VS6B/ LVS6),Gold (VS6VW/ VS6CG)Controls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

VS6BGloss Black

VS6CGCherry Red

VS6Cherry Red

LVS6Cherry RedLeft Hand

VS6VWVintage White

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VintageRockSeries

An Original Design Concept


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VV60BKGloss Black

VXP6BKGloss Black

VV60TATrans Amber

“...this thing just oozes tone.”Play Music magazine

VV60Body: Eastern PoplarNeck: Maple – Set NeckFingerboard: Bound RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Pearloid CrownTuners: Wilkinson Deluxe WJ44,Bridge: Tune-O-MaticTailpiece: V-style, through-body stringingPickups: Wilkinson Gold Plated CoveredHumbucker x 2 (N) WHHBN (B) WHHBBHardware: Gold PlatedScratchplate: 3-Ply w/b/wControls: 2 x Volume/1 x Tone/3-Way Toggle

VXP6Body: Eastern PoplarNeck: Maple – Set inFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22 MediumNeck Inlays: PearloidTuners: Wilkinson Deluxe WJ44Bridge: Tune-O-MaticPickups: Wilkinson Humbucker x 2(N) WHHB (B) WHHBScratchplate: 3-ply White/Black/WhiteHardware: GoldControls: 2 x Volume/ 1 x Tone/ 3-Way Switch

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?VR4001CMOCamouflage

VR4001BKBlack

VWR1001 WRAITHBody: Eastern PoplarTop: Quilted Maple (BRQ) Flame Maple (HBF)Neck: Maple – Set NeckFingerboard: RosewoodScale: 25.5”/648mmFrets: 24Neck Inlays: Pearloid Dot/ XX 12th Fret InlayTuners: Wilkinson WJ07Vibrato: Floyd Rose® Double Locking Pickups: Wilkinson Humbucker x 2 (N) WMSH (B) WMSH Hardware: Satin Black (BRQ), Satin Chrome (HBF)Controls: 1 x Volume/ 1 x Tone/ Super 5-Way LeverAccessories: Hex Key Headstock Holder

“The Wilkinson pickups aredark and moody, producingbrooding power chords and

thick single notes.”

“...the Wraith stays in tuneadmirably, even when you’re

totally abusing the bar...”Guitar & Bass magazine

VWR1001HBFHelms Black Flame

“When it comes to inexpensivebut fine guitars, Vintage is really trying to push the boundaries... behind its hardcore looks, theRazer's coil tap option on thetwin humbuckers makes it a

more versatile instrument thanyou'd think.”

What Guitar magazine

VR4001 RAZERBody: Eastern PoplarNeck: Maple – Set NeckFingerboard: RosewoodScale: 25.5”/648mmFrets: 24Neck Inlays: Pearloid Dot/ XX 12thTuners: Wilkinson WJ07Bridge: Tune-O-Matic with Stop Bar Tailpiece Pickups: Wilkinson Humbucker x 2 (N) WHHB-N (B) WHHB-BHardware: Matt BlackControls: 1 x Volume/ 1 x Tone/ Coil Tap/ 3-Way Toggle

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“The exclusive ‘wave’ knife-edgedesign works like a dream and looks

just as good....you’ll be mightily impressed with this cool guitar. Get out

there and give it a blast.”Total Guitar magazine

“Wilkinson has put a lot of time and skill intohardware that looks

conventional but works that little bit better.

But the sustain - wow!Even at low volume levels,

and with a moderate amountof gain, these beauties sing,

and sing... and sing.”Play Music Pickup magazine

VRS100 / VRS110Body: Eastern PoplarTop: Flame Maple Veneer (TGN)Binding: Body, Neck & Headstock (C)Neck: Maple – Set Neck Fingerboard: Rosewood Scale: 24.75”/628mm Frets: 24 Neck Inlays: Abalone Dot/ Vintage 12thTuners: Wilkinson WJ807 E-Z-LOKVibrato: Wilkinson WVP (VRS100s)Bridge: Wilkinson WTB Wrapover (VRS110)Pickups: Wilkinson Humbucker x 2 (N) MWVC (B) MWVCHardware: Gold Controls: 1 x Volume/ 1 x Tone/ 3-Way Toggle

VRS100TGNFlame

Maple Green

VRS110CGloss Black

VRS100AWArctic White



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VintageV100Series

VRS100CGloss Black

“A truly awesome guitar!”Mark Thirkhill – Road To Horizon

“It looks the part, it plays the part and it sounds the

part! This guitar is of the highest quality.

HELL YEAH!” Dave Kerr – Silverjet

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VSA850WHWhite

“For my money anyone out there looking for an original ‘vintage sound’

would be very hard pressed to get moresound, playability, looks and finish from

a guitar that has poved to be a realworkhorse in the real workplace!”

Peter Lyth

VintageVSA850Series

VSA850Body: MapleTop: MapleNeck: Maple Set-NeckFingerboard: RosewoodScale: 25.5”/648mmFrets: 20

Neck Inlays: Pearloid Block Tuners: Wilkinson Individual Kidney ButtonBridge: Tune-O-Matic/Floating Rosewood BaseVibrato: Bigsby® Lever Arm SystemPickups: Wilkinson Humbucker x 2 WHHBHardware: Chrome (OR) Gold (WH)Controls: 3 x Volume/ 1 x Tone/ 3-Way ToggleScratchplate: Clear Acrylic

VSA850OROrange

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VintageVSA555/535Series

VSA555/535Body: MapleTop: Maple Laminate (555), Maple (535)Neck: Maple (555) Mahogany (535) – Set-NeckFingerboard: RosewoodScale: 24.75”/ 628mmFrets: 22Neck Inlays: Abalone/ Pearloid Block (555)Pearloid Block (535) Tuners: Wilkinson Deluxe WJ44, WJ55 (12-string)Bridge: Tune-O-Matic with Stop Bar TailpiecePickups: Wilkinson MWVC (N) MWVC (B)Hardware: Gold (555), Chrome (535)Controls: 2 Volume/ 2 x Tone/ 3-Way Toggle



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Paul Weller

VSA555Ebony

VSA535-1212 StringTobacco Sunburst

VSA535Tobacco Sunburst

VSA535CRCherry Red

“Plugged in, the VSA555 has

a full, woody soundwith a natural snap...The neck is fat andplummy, the bridgehas plenty of bark

and the middleposition opens up

sweetly to combinethe best of both.”

Guitar & Bass magazine

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VintageVSA575/590Series

VSA590 includes caseBody: MapleNeck: Mahogany – Set NeckFingerboard: RosewoodNeck Inlays: Abalone BlockScale: 24.75”/ 628mmFrets: 22Bridge: Tune-O-Matic w/Trapeze TailpiecePickups: Wilkinson x 2 WC90 (B) WC90 (N) w/Nickel Plated Covers Machines: Grover Kidney Button Hardware: Nickel Controls: 2 x Volume/ 2 x Tone/ 3-Way ToggleCase: Included

“The VSA575 is simply brilliant!Its playability and toneinspire me every day.”

Ronan McCullagh

VSA575Body: Maple Top: MapleNeck: Maple – Set NeckFingerboard: RosewoodScale: 24.75”/ 628mm Frets: 20Neck Inlays: Abalone/ Pearloid BlockTuners: Wilkinson Individual Gold Tulip ButtonBridge: Tune-O-Matic/Floating Rosewood BaseTailpiece: TrapezePickups: Wilkinson Humbucker x 2 MWVCHardware: GoldControls: 2 x Volume/ 2 x Tone/ 3-Way Toggle



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VintageTONYBUTLERSignature

V4MTBBody: Eastern PoplarNeck: One-piece Maple – Bolt onFingerboard: MapleScale: 34”/ 864mmFrets: 20 Neck Inlays: Black DotTuners: Wilkinson WJBL200Bridge: Wilkinson WBBCCRPickups: Wilkinson WPB PickupScratchplate: 3-ply White/Black/WhiteHardware: ChromeControls: 1 x Volume/ 1 x Tone

Former Big Country bassist Tony Butler is known forrock solid grooves and a penchant for awesome andmemorable basslines, and now his streamlined bassspecs can be yours, thanks to the new Tony ButlerVintage Signature V4 Bass.

Joining the hugely successful Vintage V4 stable, theV4MTB features a gloss black body and matchingscratchplate, with an eye-catching one-piece mapleneck and fingerboard. Chrome Wilkinson hardwarecompletes the look, and the awesome split-coilWilkinson pickup adds the thunderous, powerfulsounds that give more low-end rumble than amountain lion in a pickup truck.

Tony says: “When I was first invited to try a VintageV4, I was taken by its expensive look and feel. Todiscover its extremely reasonable price was a bonus.For a new bass player to own a quality instrumentfrom the word go is inspiring. After trying it out duringa rehearsal for the last Big Country tour, I quicklydecided it would tour with me. To have a signaturemodel to my live bass spec is an honour!”

V4MTBGloss Black



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“100% authentic tones...at this price you'd be

hard pressed to find ajustifiable reason not togive this fine bass a go!”

Tim Slater, Playmusic Pickup

“I love this bass... It works brilliantly, andsounds exactly like a rock bass should.”

Kevin Sanders, Bass magazine

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V4 Body: Eastern PoplarNeck: Hard Maple – Bolt OnFingerboard: Rosewood. Maple (MVW)Scale: 34”/864mmFrets: 20Neck Inlays: Pearloid Dot. Black (MVW)Tuners: Wilkinson WJBL200Bridge: AdjustablePickups: Wilkinson WBP Alnico VHardware: ChromeControls: 1 x Volume/ 1 x Tone

LV4BBBoulevard Black

Left Hand

V4 BridgeThe heart of a good bass soundlies with the string anchoring,and the V4s bridge makes surethat’s the way it stays. Face mounted and fullyadjustable, the rear loadedstrings pass over the V4s chunky brass bridge saddles formaximum bottom end tone.

V4BKBoulevard Black

VintageV4ReIssuedSeries

V4SBSunset Sunburst

“Good work Vintage! This bass both looks and sounds great,and for the nominal price tag this is a

highly recommended instrument...”Jack Stevens, Bass magazine (V4MVW bass)

V4MVWVintage White

Dave Daniel – Session PlayerPixie Lott/Tinie Tempah/DanielBedingfield/Beverley Knight/

Sugababes V4VWVintage White

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VJ7Body: Eastern PoplarNeck: Hard Maple – Bolt OnFingerboard: RosewoodScale: 34”/864mmFrets: 20Neck Inlays: Pearloid DotTuners: Wilkinson WJBL200Bridge: AdjustablePickups: Wilkinson PB x 2 (M) WJB00, (B) WJB800Hardware: ChromeControls: 1 x Volume/ 1 x Tone

VintageVJ7Series

VJ74SSBSunset Sunburst

VJ74BLKGloss Black

VJ7Wilkinson bass tuners are impressively engineered for maximum performance,smooth action and complete accuracy.Chunky, open geared elephant ear styletuners allow a lifetime of quick and easy no-fuss bass tuning.

“Solid as a rock, grunts like a trucker.The neck is something quite special, being so slender

it just seems to dissolve under the hand....be prepared for some serious grunt.”

What Guitar magazine



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“My style is very dynamic, sometimes verysoft and melodic, occasionally I get into

some very aggressive funky slapping stuff.The VJ7 really responds to everything and

handles the extremes effortlessly.”Jennifer Maidman – Session player

Boy George, Murray Head Band


VVB4Body: HollowTop: SpruceBack & Sides: Flame MapleNeck: Hard Maple – Set neckFingerboard: RosewoodScale: 30”/762mmFrets: 22Neck Inlays: Pearloid DotTuners: Open Geared w/Pearloid ButtonBridge: Adjustable Rosewood w/Trapeze TailpiecePickups: Wilkinson WDB x 2Hardware: ChromeControls: 1 x Volume/ 1 x Tone, Rhythm/Solo, Bass Pickup and Treble Pickup Selector SwitchesAccessories: Hard Shell Case

VintageVIOLINBass

VVB4SBSunburst

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V96Body: Eastern PoplarTop: Flame Maple (AF)Neck: Maple – Bolt OnFingerboard: MapleScale: 34”/864mmFrets: 21Neck Inlays: Black DotTuners: Wilkinson WJBL200Bridge: AdjustablePickups: Wilkinson Humbucker x 1 (B) WSM4 – 4 string(B) WSM5 – 5 stringHardware: ChromeControls: 3-Band Active EQBass 12dB ± 100HzMiddle 12dB ± 2kHzTreble 12dB ± 5kHz1 x Volume

V964NATNatural

V964BLKGloss Black

V964SSBSunset Sunburst

LV96SSBLeft Hand

Sunset Sunburst

V965TSB5-StringFlamed

Tobacco Sunburst

VintageV96ActiveSeries

“The V96 is certainly one of themost comfortable bass guitars

I’ve ever played....a very capable performer.”

Gear magazine

“This baby plays like a dream and sounds like a monster.

Fast neck with a full bodied sound.

Phat with a capital V!”Trevor Nichols – Lorenza Woods



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V96 ActiveThe combination of a chunky Wilkinson humbuckerbass pickup and powerful 3-band onboard EQ, controlled by active bass, mid and treble rotaries,takes the sound of the Vintage EST96 active basses from smooth and mellow traditional bassguitar tones all the way to super-funky contemporary grooves.

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V10004/V10005 – ActiveBody: MahoganyTop: Bubinga, Maple VeneerNeck: 5-Piece Thru LaminateNato/Maple/Nato/Maple/NatoFingerboard: RosewoodScale: 864mmFrets: 24Neck Inlays: Pearloid 'V'Tuners: Wilkinson WJB650Bridge: Wilkinson BB404Pickups: 2 x Wilkinson WJH4(V10004B)WJH5 (V10005B)Hardware: GoldControls: 1x Volume, 1x Balance Vol, 3-Band EQFinish: Natural Satin

V9004 – ActiveBody: Eastern PoplarTop: Bubinga Back: BubingaNeck: 5-Piece Laminate Maple/Nato/Maple/Nato/MapleFingerboard: RosewoodScale: 864mmFrets: 24Neck Inlays: Dot Tuners: Wilkinson WJB650Bridge: Wilkinson WBBCPickups: Wilkinson WPB (M), Wilkinson WBJ-B (B)Hardware: Gold Controls: 1x Volume, 1xBalance Vol, 3-Band EQFinish: Natural Satin

V10005BActive – Natural


VintageBUBINGASeries

V8004BPassive – Natural


V8004 – PassiveBody: Eastern PoplarTop: Bubinga (6mm)Back: Eastern PoplarNeck: Hard MapleFingerboard: RosewoodScale: 864mmFrets: 24

Neck Inlays: Dot MarkersTuners: Wilkinson WJB650Bridge: Wilkinson WBBCPickups: Wilkinson WPB (M), Wilkinson WBJ-B (B)Hardware: BlackControls: 2x Vol, 2x ToneFinish: Natural Satin

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A John Hornby Skewes Product

“Our snobbery led us to assume that we’d be forced to lay into these guitars.

We were wrong,and you should ensure you don’t make

the same mistake.”Simon Bradley

THE GUITAR PLAYER’S BIBLE

WORLDWIDE TRADE DISTRIBUTORS: JOHN HORNBY SKEWES & CO. LTD., SALEM HOUSE, PARKINSON APPROACH, GARFORTH, LEEDS LS25 2HR, UK.

www.jhs.co.uk

©2012 JHS & Co. Ltd. Specifications and colours are subject to change without prior notice. Vintage is a registered trademark of John Hornby Skewes & Co. Ltd.Wilkinson is a registered trademark. Icon, ReIssued, Bukka and E-Z-Lok are trademarks.

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Stefy Line - Vintage Electric 2013