Sound of Silence Greek

ISMN: 979-0-801151-27-8

Copyright 2008 Fagotto Books

: Fagotto

:

:

:

:

:

:

:

. - FAGOTTO

15

106 80 ,

: 210.3645147

:210.3645149

email: infoQfagottobooks.gr

,

,

, .

,

.

, ,

, /

, ,

- .

1. My Funny Clementine 2. Atonality pedal (one tone) 3. major triads 4. II-V-I, (V) 5. pedal 6. pedal 7. Miltiades and Herodotus 8. 9. pedal-(2)10. pedal11. Blues 1- minor blues 12. Blues 2a-b (a: - b: )13. Blues 3a-b (a: - b: major triads)14. Blues 4 blues 15. Blues 5a-b-c-d-e (a: - b: major triads - c: , , major triads - d: major triads - e: major triads)16. Little Blues 17. 18. 19. II-V, (V)20. The Great Guitar Player21. 22. pedal23. 24. Complaint 25a. Montuno 1 - II-V-I , whole tone 25b. Montuno 2 - II-V , 26a. Montuno 3 - 26b. Montuno 4 - (2)27a. Montuno 5 - 27b. Montuno 6 - 28. Montuno 7 - MONTUNO 729a. Montuno 8 - 429b. Montuno 9 - (2) 30. Stratos Theme31. 32a-b. 33. 34. II-V-I35. Doriana 36. Requiem to George 37. II-V??????????38. Round the Evening 39. 40) The Coming of the 8th Day 41. 42. (added note) 43. 44. (2) Supplementing an added note (2)45. My Funny Clementine My Funny Valentine

1

My Funny Clementine -

My funny Valentine (R. Rogers/L. Hart)

.

, .

2

Atonality pedal (one tone)

C pedal .

Ab A (C, C , D , E, G , A).

4 , 5 6 .

, C pedal.

( free)

.

C

,

.

3

.

- major triads

( ),

7M/5 (no third).

- maj.tr. ,

(whole tone).

- 7M/5 (no third) .

- .

7M/5 (no third) C pedal (ostinato), maj.tr.

.

- 12

.

Double Whole

Tone.

4

-V-I

.

.

-V-I :

- ( , G, B , D , F, A, C) G Locrian one step

(6 ).

- V C altered (7 D )

( ) (E, B ,

E , A , C, E , voicing 4).

- .

# # #

b

bb

b b

bb

b b b

7

C altered E Lydian aug-

mented, (

), .

C altered E Lydian augmented

-V-I,

.

F Aeolian ( voicing , . F, A , C, E , G, B )

-V-I -

.

5

pedal

pedal

. one tone.

, pedal (ostinato)

. .. -

1 A pedal C Phrygian augmented -

(bitonality). A

altered scale (A, B , C, D , E , F, G).

:

) pedal:

- 1: A pedal + C Phrygian augmented ( A Altered scale - A, B , C, D , E , F, G)

- 2: A pedal + A melodic minor

- 5: A pedal + A Ionian

- 6: A pedal + B melodic minor= A altered scale (A, B , C, D , E , F, G)

- 9: A pedal + C melodic minor= A Locrian one step (A, B, C, D, E , F, G)

- 10: A pedal + E Ionian= A Lydian (A, B, C , D , E, F , G )

) major triads: 13, 14, 17, 18, 21, 22 maj.tr. A

pedal.

) :

. 3, 4, 8, 9, 13, 14, 18, 19, 23, 24, 28, 29.

9 10 .

6

pedal

6 .

:

Am9.

- C dim.

-

, A Aeolian B Ionian.

-

, .

:

#

b b b

b b b

b b b

b b b bb

# # #

8

- A pedal G major triad,

C7M B 9 /11 .

-

D 6/9

D6/9 .

- ,

major triads.

- .

:

- A pedal G major triad,

C aux. dim.

- (A pedal G major

triad).

C Ionian Em Dorian.

- .

A pedal.

free A ped-

al ,

one tone.

7

MILTIADES and HERODOTUS

Miltiades and Herodotus ,

16 , . , ,

, G C. ,

G C ,

G C. 3-4,

7-8, 11-12, 15-16 , G major,

.

,

,

.

:

2 : G7M/9 =

:

- 1: C7M A7sus4 =

- 2: D 7M G7/sus4, D 7M F7/sus4 =

, (extension) G

- 3: G D maj.tr. =

- 4: A 7M/5 (no 3rd) B maj.tr. =

- 5: F7M A7/sus4 = C

- 6: D 7M E maj.tr. = , (extension) G

- 7: E 7M A7/sus4 = C dim

b # #

b

#

b b

b b bb bb

9

- 8: A 7M E maj.tr. =

- 9: F 7M, F 7M D 7/sus4 =

C dim

- 10: Bm7/5 A maj.tr., E7 C maj. tr. = II-V

- 11: A7M E maj.tr. =

C dim

- 12: F G maj.tr. = , C

- 13: E 7M/5 A7/sus4, E 7M/5 D maj.tr. =

C dim

- 14: D 7M/5 G7/sus4, D 7M/5 E maj.tr. = ,

(extension) G

- 15: F7M G maj.tr. = C

- 16: C7M D maj.tr. =

8

Impro 12tone

,

.

:

12

7/5 major triads.

maj.tr. ,

.

7/5 maj.tr. ( 12)

.

:

( 1 2):

) G 7M/5 B maj.tr. ( B Lydian augmented)

) F7M/5 G maj.tr. ( F Lydian)

) E7M/5 A maj.tr. ( E Lydian augmented)

) E 7M/5 maj.tr. A7sus4 ( E Lydian augmented)

( 3 4):

) E 7M/5 G maj.tr. ( E Lydian augmented)


) F7M/5 A maj.tr. ( F Lydian augmented)

) G 7M/5 F maj.tr. ( G diminished)

( 5 6):

) B 7M/5 A maj.tr. ( B dim added A)

) A7M/5 B maj.tr. ( A Lydian)

) C bass B maj.tr. ( C mixolydian)

) A 7M/5 C maj.tr. ( A Lydian augmented)

( 7 8):

) G7M/5 B maj.tr. ( G Lydian augmented)

) G7M/5 F maj.tr. ( G diminished)

) E 7M/5 F maj.tr. ( E Lydian augmented)

b b# # #

b #

b b b bb b b b b

b

b

b b b bbb b

b b b

b bb bb

b b

b b b bb

# #b b b

bbb bb

#

10


: 12

12 O.R.I.R.I.

9

,

.

1 2 A pedal.

, .

,

maj.tr. .

. 5, pedal

.

.. 1 2 :

- A pedal + C9 = Am7/sus4

- A pedal + Eb11 = A7/9 /11

- A pedal + E9 = A7M/9 (no third)

- A pedal + G = A7/9

3 4 ,

. 3 ,

A pedal.

, A pedal.

10

9.

A pedal , ( 1, 2, 5, 6).

A pedal ,

pedal .

, :

- 1: A pedal + G melodic minor= A Phrygian augmented (A, B , C, D, E, F , G)

- 2: A pedal + B melodic minor= A altered (A, B , C, D , E , F, G)

- 5: A pedal + E Aeolian= A Dorian (A, B, C, D, E, F , G, A)

- 6: A melodic minor A added note ( ).

9.

11

Blues, chapter 1

Blues -

minor blues ,

. ,

.

11 Blues, 4

F minor blues (F, A , B , B).

(

), .

(voicings)

b b

# #b

b #b b b b

#b

b b

11

.

-

, .

bass line 4 C Whole Tone,

5 F Whole Tone. bass

line Double Whole Tone.

- E Lydian Augmented.

- D Lyd.Aug.

- : C Lyd.Aug.

- : A Locrian One Step.

- : F Diminished.

- : : E Lyd.Aug.

- : D Lyd.Aug.

- : B Hungarian Minor Pentatonic.

- : F Hungarian Minor Hexatonic (5 ).

12

Blues, chapter 12a 12b

12 Blues 12 ,

2. F (ostinato), -

. 4 F Minor Blues

2 .

7M/5 (no 3rd)

.

,

.

(F ostinato )

7M/5 (9, 11, 13 ).

13

Blues, chapter 13a-13b

13 Blues 4

. 3 4 -

. 4

,

(modulation) . 7M/5 (no 3rd)

. ,

, 7M/5 (no 3rd)

(9, 11, 13 ).

4 -

F Blues Minor .

. 16 .

16

7M/5 (no 3rd) major triads.

.

16 2 ,

F7/9/11 /13/15.

b

#

bb

b

b

bb

b

12

14

Blues, chapter 14

A 4, F Minor

Blues .

:

7M/5 (no 3rd),

F7/9/11 /13/15 .

:

,

7M/5 (no 3rd), major triads.

F7/9/11 /13/15.

.

15

Blues, chapter 15a-15b-15c-15d-15e

15 16

F Minor Blues (pentatonic F, A , B , B, C).

7M/5 (no 3rd)

, major triad .

.

16:

7M/5 (no 3rd) ,

F7 .

16:

4 7M/5 (no 3rd), 12

7M/5 (no 3rd), major triad.

4,

(free).

16:

4 7M/5 (no 3rd) major

triad. 7M/5 (no 3rd)

major triad. 4 ,

. 4

F7/9/11.

16

LITTLE BLUES

Little Blues.

Blues.

: F minor blues.

:

- 7M/5 (no 3rd) major triad-

.

b#

b#

b bb

b

bb

bb

b

13

,

. ..

C, B 7M/5 A major triad,

A7M/5 Ab major triad. C

9 , 9

. ,

.

7M/5 ,

.

,

.

17

17

(C Phrygian augmented),

E7M/5 (no 3rd). ,

(added note),

.

7M/5 (no 3rd).

,

E diminished. .. E7M/5 (no 3rd),

D 7M/5 (no 3rd), B 7M/5 (no 3rd), G7M/5 (no 3rd),

E, D , B , G.

D 7M/5 (no 3rd) added note, . E7M/5

added note E, B 7M/5 , G7M/5 F . ,

7 ,

added notes ,

.

o B melodic minor (

C Phrygian augmented ),

.

E 7/5 , added note B melodic minor,

8 .

Oriental C Sa-

bah, 8 (C, D, E , E, G, A , B , B).

7M/5 .

(E7M/5 ) ,

(F7M/5 ) added note C Sabah

F, 9 .

18

18 . -

,

7 ( ).

b bb

b

b

bb

b b b b bb bb b b

b b b #

b

b b

b b bb

bb

14

:

- : C Lydian C Dorian = 10 (C, D, E , E, F, F , G, A, B , B)

- : C Phrygian C Lydian = 12

- : C Phrygian augmented C Lydian augmented =12

- : C Lydian dominant C altered = 10 (C, D , D, E , E, F#,

G, A , A, B )

- : F Phrygian G Lydian = 12

, 7M/5 (no 3rd) ma-

jor triads. , ,

, ,

...

:

- :

.

- : .

- : .

- : Pedal

- : .

major triads

:

major triads .

19

Locrian one

step (L.o.s.), .

L.o.s

.

-

.

- drums solo .

- ,

L.o.s.

,

.

major triads

(voicing). maj.tr. 7, 9 11 ,

-

.

20

The Great Guitar Player.

,

7, 9, 11 13

. , ,

b # b

b bb b

b

15

, .

.

21

,

,

, , .

,

( ).

:

- 10 1-2

- 12 3-4

- 7 5-6,

- 9 7-8.

-

.

22

2 scales combination

:

, C Lydian C Phrygian,

E Aeolian D major triad.

E Aeolian C Lydian ,

C Phrygian (

D major pentatonic). ,

(C Lydian C Phrygian D major pentatonic)

.

( 7, 8, 9) E Phrygian

: C Io-

nian C Aeolian, .

E Phrygian

C Ionian.

10, 11, 12 E Phrygian

C Ionian C Locrian. E Phrygian C Ionian

, C Locrian

. , C Ionian C

Locrian .

13, 14, 15 E Lydian ugmented

: C Lydian Dominant

C altered .

E Lydian ugmented C altered.

F Phrygian

G Lydian .

7M/5 major triad, -

.

bb

b

16

23

Two scale combination 2

23 ,

C Whole Tone G Lydian.

,

7M/5 (no 3rd) major triad. major triads

, , ,

major triads .

,

.

A , :

- E7M/5 (no 3rd) A major triad

- E 7M/5 (no 3rd) G maj. tr.

- D7M/5 (no 3rd) F maj. tr.

- D 7M/5 (no 3rd) C maj. tr.

, :

- A7M/5 (no 3rd) A maj. tr.

- A 7M/5 (no 3rd) G maj. tr.

- G7M/5 (no 3rd) F maj. tr.

- A 7M/5 (no 3rd) C maj. tr.

, :

- C7M/5 (no 3rd) E maj. tr.

- F7M/5 (no 3rd) G maj. tr.

- B 7M/5 (no 3rd) A maj. tr.

- E 7M/5 (no 3rd) C maj. tr.

,

(C Whole Tone/G Lydian),

() .

24

Complaint original composition

Complaint

. ,

, .

,

, .

12.

, .

25 MONTUNO 1

Montuno 25a

.

II-V whole tone ,

b

b bb b

b #b b

b bb b

b #b b

bbbb

b b

17

.

( )

.

, Montuno.

, -

-

.

- 1 Am7/9. ,

9 .

5 , ( B ) 9 ,

( ) 5, ( ) 8

.

- 2 D7/9. ,

5 . ( 9),

A ( 5 ). A ,

(G 7M/5 A major triad). A

9 .

- 3 Gmin7/9.

( 9 ). D (5), G (8), D (5),

F ( 7 ).

- 4 F

C7 F major triad

11 . E7M/5 F major triad

F 9.

.

.

25 MONTUNO 2

Montuno 25b .

15,

10 5

.

II-V, ().

whole tone.

V , ,

.

,

II-V. ,

:

:

- Am7/5 /9 = Locrian one step

- D7/9 = Auxiliary diminished blues

- G 7M/5 A major triad = Lydian augmented

- Gm7/5 /9 = L.o.s.

- E7M/5 G maj.tr. = Lyd. aug.

b

#

b

b b bb b b b

##

# ##

b

bb

b b bbb b

18

- Fm7/5 /9 = L.o.s.

- B 7/9 G maj.tr. = aux. dim. blues

- D7M/5 E maj.tr. = Lyd. aug.

- E m7/5 = L.o.s.

- C 7M/5 B maj.tr. = diminished

- C m7/5 /9 = L.o.s.

- F 7/9 /13 = aux. dim. blues

- D 7M/5 C maj.tr. = dim.

- B m7/5 = L.o.s.

E7 B maj.tr. = aux. dim. Blues. 6

E7 B .

26 - MONTUNO 3

Montuno 26a ,

.

.

Montuno, ,

- .

:

(

)

- 1

G 7M/5 (added G) = G Lyd. Aug.

F7/5 /13 = F Locrian one step

- 2

E7M/5 E major triad = E dim.

E 7M/5 G major triad = E Lyd. Aug.

- 3

D7/5 = D Locrian

D 7M/9 = D Lydian

- 4

C bass D 7M/5 = C Phrygian

G 7M A maj. tr. = G Lydian

- 5

F7/9/11 = F Lydian dominant

E7M/5 E maj.tr. = E dim.

- 6

E 7M/5 G maj.tr. = E Lyd. Aug.

D7M/5 G maj.tr. = D Aux. dim.

- 7

C7/4/9 = C Dorian

C 7M/5 E maj. tr. = C Lyd. dom.

bb b

bb bb b b##b b

bb

b bb

b

b b bb b

b bb b b

bb b

b bb b b

#b b

b b bb b

b b b b

19

- 8

B bass A maj.tr. = B Mixolydian

A7M/5 A maj. tr. = A dim.

26 MONTUNO 4

,

.

, .

, .

.

.

:

- 1

B7/9 G major triad = B altered

E7M/5 E major triad = E auxiliary diminished

- 2

Am7M/5 G major triad = A Locrian one step.

D7/9 /11 /13 B major triad = D aux. dim.

- 3

G bass A 7M/5 = G Phrygian

C7/9 E major triad = C aux. dim

- 4

F7/9 D7/sus4= F Lyd. dom.

G 7M/5 A maj. tr. = G Lydian aug.

- 5

B 7/9 G maj. tr. = B aux. dim.

E7/9/13 = E Mixolydian

- 6

A 7M/5 = A Lydian

D 7/9 E maj.tr. = D Dorian F added note.

- 7

B7M/5 /9 = B alt

E7M/5 E maj. tr. = E aux. dim.

- 8

A7M/5 A maj. tr. = A dim.

D 7M/5 C maj. Tr. = D dim.

G bass F maj.tr. = G Mixolydian

27 MONTUNO 5

27a MONTUNO.

.

.

b b bb b

b#

b b

bb #

b bb b

b b b b

b bb

b b bb b

bb b b

b bb b b

#

20

27 - MONTUNO

.

Montuno.

,

.

28 - MONTUNO 7

28 Montuno

. .

, .

.

29 MONTUNO 8

. ,

. whole tone

.

29 MONTUNO 9

Montuno 29b

Montuno.

.

, ,

, , .

Montuno

179 .

, ,

, , (Mon-

tuno) .

30

Stratos theme 16 .

,

.

(

) D major.

.

, -

.

.

-

GM7

B 7M. ,

G, A, B , B, D, F, F .

12

.

.

b#b

21

31

(tetrachord)

.

. 4 C Phrygian (C, F, D , E -

), 4 E Ionian (E, F , A, G - ).

2

, . 2

C Phrygian (F, B , G, A ) E Ionian (A, B, D , C ).

3 C Phry-

gian 4 , IN OUT.

2 .

D C,

D (D added note). D

12

( 12 O.R.I.R.I.)

32/

Modal Melodic Minor . II-V

.

E (ostinato). ,

major triads E

1, 5, 3.

:

- A 7M E maj.tr. (E =1).

- D 7M A maj.tr. (E =5).

- E7M B maj.tr. (E =3),

.

To middle line A 7M E maj.tr E

. To middle line D 7M A maj.tr.

A .

major triad .

middle lines

.

. CD

track.

33

24 one note melody (

) 8.

3 ,

4 .

, 2 3 (voicing by seconds and thirds).

one note melody

b#

b#

b b # #

b

bb

b bb b b

b

b b bb b

b

22

.

,

.

34

4.

C, E , G, B , D, F, A ( C Dorian ).

V

. 2 5

, .

V 4,

( C Dorian)

4.

:

- : D (II), G

(V), C (I), Dm7/7M/5 /9 (II), G7M/5 /11/13 (V),

C7M/9/11 /13 (I).

- (Gm7M/9/11 C )

4.

C7M/9/11 /13 (I).

- T F (II), B (V), E (I).

- A (II), D (V), G (I).

- C (II), F (V), B (I).

- E (II), A (V), D (I).

- G (II), C (V), F (I).

- B (II), E (V), A (I), D (IV, ).

- D (II ), G (V ), C (I) combi

nation II V , , ,

.

32

.

,

.

(bass line)

.

35

.

- Doriana 24 .

- C ,

C Dorian (C, E , G, B , D, F, A, : C7, 9,

11, 13). .

b b

b b b#

# #

#b b

b

b b bb b

b b

23

II -V I

D - G C

II -V

D - G D

II -V

D - G D

II -V

D - G E

II -V

D - G E

,

, major triads.

7,

9, 11, 13 .

36

, -

,

.

(voicing by 2nds).

.

37

II-V

37

-V II-Vb ,

.

( ), .

,

(voicings).

.

-

II-V-I ( ),

, ,

.

38

ROUND MIDNIGHT

T. Monk Round Midnight

. middle lines -

.

II -V

D - G F

II -V

D - G G

II -V

D - G G

II -V

D - G A

II -V

D - G A

II -V

D - G B

II -V

D - G C

II -V

A - D A

II -V

D - G C

bbbb

b

b

b

b

b

b

b b

b b

24

39

-

.

, , .

, (voic-

ings),

.

.

8 .

- :

1. Phrygian

2. E whole tone (added note)

3. E harmonic minor added

4. A Lyd. Aug. added

5. G Dim added

6. G Phrygian

7. C Harmonic Minor

8. A Lydian added

9. G L.O.S. added

10. E Ionian added

11. F Harmonic Minor

12. G Harmonic Major

13. E Dim added

14. E Harmonic Minor

15. D Hungarian Minor

16. A Harmonic Minor added

17. E Dorian

18. A Dorian added

19. A Dorian

40

8 (The coming of the 8th day)

4/4.

, ,

.

.

- :

1. C Harmonic minor

2. F Dorian (added note)

3. C dim added

4. C dim

bb

bb#

bbbbb

25

5. A Harmonic minor

6. G Harmonic major

7. C dim 3 added notes ( D Dim)

8. C Hungarian minor

41

-

( )

, ,

.

.

( , .., Hi-

djaz),

. -

,

,

.

,

. C Hidjaz

C, D , E, F, G, A , B .

42

, (.. F C Aeolian),

. ,

,

.

,

-

.

, 3

diminished.

43

(added note).

, -

,

.

.

12 , -

A Sabah (A , B , B, C, D , E, F , G).

42 (

E B Lydian).

bb

#

b b b

b b b # #

b b

26

44

,

-

. 10, C Sabah

(C, D, E , E, G, A , B , B) . , ,

6 Sabah,

.

(voicing) .

,

.

:

- 5 120

- 6 720

- 7 5.040

- 8 40.320

- 9 362.880

- 10 3.628.800

- 11 39.916.800

- 12 479.001.600

.

.

45

My Funny Clementine,

My funny Valentine R. Rogers/L. Hart.

,

. .

b b b

27

Documents

Sound of Silence Greek