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    Julio Reyes, [email protected]

    He has golden hands Laurendo Almeida, renowned Brazilian guitarist

    Julio was gifted at an early age with a fine-tuned musical ear. At age 5, Julio sat in onone of the guitar lessons his father was giving at their home. After seeing that his son

    was able to distinguish between his students mistakes and accomplishments, hetaught him a Paraguayan piece on a small harp, which he played for his mother thatafternoon when she got home from her job as a seamstress. His father, Carlos, was aformer Musical Diplomat for his native Paraguay, South America. He studied withDionicio Basualdo, who was a protg of Agustin Barrios. Julios mother, Carmen, wasfrom Colombia, South America where she sang on the radio and acted in an improv.troupe. After her son played the harp for her, she told her husband to teach him guitarsince that was his fort. He first learned to play by watching his father play a fewmeasures on a guitar and then repeat what he played on the smaller guitar his fathergave him. This process continued while his father taught him how to read music.

    He gave his first recital at the age of 12 and the following year, was an award winner

    at the International Agustin Barrios Guitar Competition in Mexico City where theaverage age of his competitors was at least 20 years his senior! Also, by then he hadcommenced studies in piano, cello, voice, music theory and conducting at the SummerMusic Program at the University of California at Berkeley, and had won the MartinLuther King, Jr. Music Competition on cello and guitar.

    At age 14 at the invitation of the Paraguayan government, he traveled to SouthAmerica to perform guitar recitals on radio and TV and was a guest artist at the AnnualIndependence Day festivities at the Municipal Soccer Stadium performing for over80,000 attendees.

    During his senior year of high school, he performed Joaquin Rodrigos Concierto de

    Aranjuezwith the late Calvin Simmons and the Oakland Symphony Orchestra and wasalso a soloist with the Young Peoples Symphony Orchestra in Berkeley. The followingyear he received a scholarship to the San Francisco Conservatory of Music where hestudied with George Sakellariou and David Tannenbaum.

    By 1986 he continued his conducting studies with maestros Kent Nagano, RichardBuckley and Dr. Dennis DeCoteau, became principal cellist of the Oakland SymphonyYouth Orchestra and had toured with them internationally as both cellist and guitarsoloist. He was ultimately appointed Assistant Conductor to its then-Music Director,Kent Nagano. He conducted OSYO in Pops Concerts throughout the Bay Area and wasMusic Director for Oakland Summer Theatres productions ofThe Wizand Kiss Me Kate

    Entering his 20s, Julio began a second career as instructor of cello, classical guitar,bass and music theory, teaching at both Meadowood Music Camp and El Cerrito HighSchool, the latter at which he was appointed String Specialist and OrchestraConductor. Julio feels very strongly that music should be an integral part of a childseducation from elementary through high school. Music is the perfect vehicle forexpanding a childs imagination and tapping into their self-esteem. Working withothers towards a common goal, listening in a team-oriented atmosphere, buildingrelationships which can last a lifetime, and processing their emotions in a healthy andsafe environment are just some of the by-products of a childs experience in musicwhen they have a good teacher.

    Keeping busy during the new millennium, he performs around the San Francisco BayArea; is working on a master class presentation on the music of Agustn Barrios;

    mailto:[email protected]:[email protected]
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    produced a classical guitar CD, Heart Strings; and conducted the American opera, FayYen Fah, with LOrquesta DSolis, the official orchestra for Prince Albert II of Monacoand soloists from the United States in the Monte Carlo Opera House.

    Wedding bells rang for Julio and his bride, Carol DeChaine, on October 10, 2010 andthey now live in Hayward, California. He is also very proud to be a board member ofthe Young Musicians Program, formerly the Summer Music Program at U.C. Berkeley.