58
Psychology: An Introduction Charles A. Morris & Albert A. Maisto © 2005 Prentice Hall Sensation and Perception Chapter 3

Sensation and Perception

  • Upload
    chung

  • View
    52

  • Download
    0

Embed Size (px)

DESCRIPTION

Sensation and Perception. Chapter 3. Sensation vs. Perception. Sensation The experience of sensory stimulation Perception The process of creating meaningful patterns from raw sensory information . The Nature of Sensation. The Basic Process. Receptor cells - PowerPoint PPT Presentation

Citation preview

Page 1: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sensation and Perception

Chapter 3

Page 2: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sensation vs. PerceptionSensation

The experience of sensory stimulationPerception

The process of creating meaningful patterns from raw sensory information

Page 3: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Nature of Sensation

Page 4: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Basic ProcessReceptor cells

Specialized cells that respond to a particular type of energy

Doctrine of specific nerve energiesOne-to-one relationship between stimulation

of a specific nerve and the resulting sensory experience

For example, applying pressure with your finger to your eye results in a visual experience

Page 5: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sensory Thresholds Absolute threshold

The minimum amount of energy that can be detected 50% of the time

Page 6: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Absolute Thresholds Taste: 1 gram (.0356 ounce) of table salt in 500

liters (529 quarts) of water Smell: 1 drop of perfume diffused throughout a

three-room apartment Touch: the wing of a bee falling on your cheek

from a height of 1cm (.39 inch) Hearing: the tick of a watch from 6 meters (20

feet) in very quiet conditions Vision: a candle flame seen from 50km (30

miles) on a clear, dark night

Page 7: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sensory ThresholdsSensory adaptation

An adjustment of the senses to the level of stimulation they are receiving

Difference thresholdThe smallest change in stimulation that can

be detected 50% of the timeAlso called the just noticeable difference

Page 8: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sensory ThresholdsWeber’s Law

States that the difference threshold is a constant proportion of the specific stimulus

Senses vary in their sensitivity to changes in stimulation

Page 9: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Subliminal PerceptionThe notion that we may respond to stimuli

that are below our level of awarenessResearch shows that the effect only

occurs in controlled laboratory studiesResearch outside the laboratory shows no

significant effect of subliminal information

Page 10: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Extrasensory PerceptionRefers to extraordinary perception such as

Clairvoyance – awareness of an unknown object or event

Telepathy – knowledge of someone else’s thoughts or feelings

Precognition – foreknowledge of future eventsResearch has been unable to conclusively

demonstrate the existence of ESP

Page 11: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Vision

Page 12: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Visual System Cornea

Transparent protective coating over the front of the eye

Pupil Small opening in the

iris through which light enters the eye

Iris Colored part of the eye

Page 13: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Visual System Lens

Focuses light onto the retina

Retina Lining of the eye

containing receptor cells that are sensitive to light

Fovea Center of the visual

field

Page 14: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Receptor CellsCells in the retina that are sensitive to lightVisual receptors are called rods and cones

Page 15: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Receptor CellsRods

About 120 million rodsRespond to light and darkVery sensitive to lightProvide our night vision

ConesAbout 8 million conesRespond to color as well as light and darkWork best in bright lightFound mainly in the fovea

Page 16: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Receptor Cells Bipolar cells

Receive input from receptor cells

Ganglion cells Receive input from

bipolar cells Blind spot

Area where axons of ganglion cells leave the eye

Page 17: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

AdaptationDark adaptation

Increased sensitivity of rods and cones in darkness

Light adaptationDecreased sensitivity of rods and cones in

bright lightAfterimage

Sense experience that occurs after a visual stimulus has been removed

Page 18: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

From Eye to Brain Optic nerve

Made up of axons of ganglion cells

carries neural messages from each eye to brain

Optic chiasm Point where part of

each optic nerve crosses to the other side of the brain

Page 19: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Color VisionProperties of color

Hue – refers to colors such as red and greenSaturation – refers to the vividness of a hueBrightness – the nearness of a color to white

Page 20: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Theories of Color VisionAdditive color mixing

Mixing of lights of different huesLights, T.V., computer monitors (RGB)

Subtractive color mixingMixing pigments, e.g., paints

Page 21: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Theories of Color VisionTrichromatic theory

Three different types of conesRedGreenBlue-violet

Experience of color is the result of mixing of the signals from these receptors

Can account for some types of colorblindness

Page 22: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Forms of Colorblindness Approximately 10% of

men and 1% of women have some form of colorblindness

Dichromats People who are blind to

either red-green or blue-yellow

Monochromats People who see no color at

all, only shades of light and dark

Page 23: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Theories of Color VisionTrichromatic theory cannot explain all

aspects of color visionPeople with normal vision cannot see

“reddish-green” or “yellowish-blue”Color afterimages

Page 24: Sensation and Perception
Page 25: Sensation and Perception
Page 26: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Theories of Color VisionOpponent-process theory

Three pairs of color receptorsYellow-blueRed-greenBlack-white

Members of each pair work in oppositionCan explain color afterimages

Both theories of color vision are valid

Page 27: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Color Vision in Other SpeciesOther species see colors differently than

humansMost other mammals are dichromatsRodents tend to be monochromats, as are

owls who have only rodsBees can see ultraviolet light

Page 28: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Hearing

Page 29: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sound Sound waves

Changes in pressure caused by molecules of air moving

Frequency Number of cycles per

second in a wave, measured in Hertz (Hz)

Frequency determines pitch

Page 30: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Sound Amplitude

Magnitude (height) of sound wave

Determines loudness, measured in decibels (dB)

Overtones Multiples of the basic tone

Timbre Quality of texture of sound

Page 31: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Ear Eardrum Middle ear

Contains three small bones; the hammer, anvil, and stirrup

These bones relay and amplify the incoming sound waves

Page 32: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Ear Oval window

Membrane between middle ear and inner ear

Cochlea Part of inner ear

containing fluid that vibrates

This causes the basilar membrane to vibrate

Page 33: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Ear Basilar membrane

Membrane in the cochlea which contains receptor cells, called hair cells

Auditory nerve Connection from ear to

brain Provides information

to both sides of brain

Page 34: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Theories of HearingPlace theory

Pitch is determined by location of vibration along the basilar membrane

Frequency theoryPitch is determined by frequency hair cells

produce action potentialsVolley Principle

Pattern of sequential firing determines pitch

Page 35: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Hearing DisordersAbout 28 million people have some form of

hearing damage in the U.S.Can be caused by

InjuryInfectionsExplosionsLong-term exposure to loud noises

Page 36: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Other Senses

Page 37: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Smell Detecting common odors

Odorant binding protein is released and attached to incoming molecules

These molecules then activate receptors in the olfactory epithelium

Axons from those receptors project directly to the olfactory bulb

Page 38: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

SmellWomen have a better sense of smell than

menAnosmia

Complete loss of the ability to smell

Page 39: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Smell Pheromones

Used by animals as a form of communication Provides information about identity Also provides information about sexual receptivity

Pheromones stimulate the vomeronasal organ (VNO)

Information from the VNO is sent to a special part of the olfactory bulb used for pheromonal communication

Page 40: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

TasteFour basic tastes

SweetSaltySourBitter

Recent discovery of fifth tasteUmami

Page 41: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Taste Receptor cells are

located in taste buds Taste buds are

located in papillae on the tongue

Chemicals dissolve in saliva and activate receptors

Page 42: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Other Senses

Page 43: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Kinesthetic SensesKinesthetic senses provide information

about speed and direction of movementStretch receptors sense muscle stretch and

contractionGolgi tendon organs sense movement of

tendons

Page 44: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Vestibular SensesVestibular senses provide information

about equilibrium and body positionFluid moves in two vestibular sacsVestibular organs are also responsible for

motion sicknessMotion sickness may be caused by

discrepancies between visual information and vestibular sensation

Page 45: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

The Skin SensesSkin is the largest sense organThere are receptors for pressure,

temperature, and painTouch appears to be important not just as

a source of information, but as a way to bond with others

Page 46: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

PainServes as a warning about injury or other

problemLarge individual differences in pain

perceptionGate control theory

Neurological “gate” in spinal cord which controls transmission of pain to brain

Page 47: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Pain Biopsychosocial theory

Holds that pain involves not just physical stimulus, but psychological and social factors as well

Placebo effect Shows that when a person believes a medication

reduces pain, their pain is often reduced even though no medication was given

Pain relief is likely the result of endorphin release

Page 48: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

PainAlternative approaches

HypnosisSelf-hypnosisAccupuncture

Page 49: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perception

Page 50: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perceptual Organization Figure-ground

We perceive a foreground object (figure) against a background (ground)

Animals may look like the background they inhabit as a way of destroying figure-ground distinction

Page 51: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perceptual Organization Other principles of

organization Proximity Similarity Closure Continuity

Page 52: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perceptual Organization Perceptual Constancy

Our tendency to perceive objects as stable and unchanging despite changing sensory information

Size constancy Shape constancy Brightness constancy Color constancy

Page 53: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perception of Distance and Depth

Monocular cues – those that require only one eye Aerial perspective Texture gradient Linear perspective Motion parallax Superposition

Page 54: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perception of Distance and Depth

Binocular cues – those that require both eyesRetinal disparityConvergence

Page 55: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Localizing Sounds We use both monaural

and binaural cues Loudness

Louder sounds are perceived as being closer

Time of arrival Sounds will arrive at one

ear sooner than the other This helps determine

direction of the sound

Page 56: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Perception of MovementApparent movement

Illusion that still objects are movingAutokinetic illusion

Perceived motion of a single objectStroboscopic motion

Created by a rapid series of still picturesPhi phenomenon

Apparent motion created by lights flashing in sequence

Page 57: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Visual Illusions Occur because of

misleading cues in the stimulus

Gives rise to false perceptions

Page 58: Sensation and Perception

Psychology: An IntroductionCharles A. Morris & Albert A. Maisto

© 2005 Prentice Hall

Individual Differences and Culture in Perception

MotivationOur desires or needs shape our current

perceptionsValuesExpectationsCognitive StyleExperience and CulturePersonality