SDD2000 Owners manual

SAMPLINGDIGITALDELAY

OWNER'S MANUAL

KORG

The SDD-2000 is a new kind of digital delay that is designed to work

IUsed as a conven

tional delay ma

chine, the SDD-2000

can provide very long delay

times of up to. 4368ms. Up to

64 effects such as chorus,

flanging, doubling, and echo

can be programmed for rapid

access. MIDI program change

data can be used to select

stored effects.

N In the trigger over-

I dub mode, a footL switch, drum ma

chine trigger signal, MIDI tim

ing clock, or other signal can

be used to set the delay time,

making it easy to match the

tempo of the music.

The sequencer and

sampling modes al-

low audio inputs of

up to 4368ms to be recorded

and then reproduced when

desired. Coupled with a MIDI

keyboard (or other MIDI con

trol device) the sampled

sound can be "played" (like

on a sampling keyboard in

strument).

n

Congratulations and thank you for

purchasing the Korg SDD-2000.

For optimum performance,

long term reliability and safety,

please read this manual before use.

with MIDI data, thereby offering new and exciting capabilities.

4Rec cancel, program

up, and other prac

tical functions add to

the value of this tjnit for live

performance.

Three outputs —

DIRECT, +MIX,

- MIX — offer varie

ty of stereo reproductiion pos

sibilities.

6Incremental control

of all parameters

and a 6-column dis

play add to operational conve

nience.

(■KCAll

MTV TMEX4 PWOG/HUU

: — ■■■ PROG NO. *

eHV twe wwte ' '

•^ • ;• -..

[ _ - ' PROGRAMMER

—■

OATA/TME(mt)

•ssss*

DIGITAL DELAY

POWER

To avoid malfunction do not use this unit in the following locations for long periods of time:• In direct sunlight ^^^^ « S

• Exposedtoextrernesoftemperature or humidity;• In sandy or dusty places.

POWER SUPPLY■• Useonly with ratedAC voltage. If you will be using

this unit ina country having a different voltage, besure to obtain the proper transformer to convert to

• To helpiprevent rioiseand diBgraded sound quality,avoid usingthe sam&outletas other equipment orbranching off extension cords shared by otherequipment

HANDLE GENTLYKnobs and switches are designed to provide positiveoperation with a light touch. Excessive force maycause damage:

MAINTENANCEWipethe exterior with a soft, dry cloth. Never use paintthinner, benzene or other solvents.

■ ■.■•■■•' ■ I • ■ ■" ■ .■■'*"

PREVENTING ELECTRICALINTERFERENCEErratic performance may be caused by electrical in-terference from nearby appliances (radio, TA/, etc:)rOTespecially those with motors. Avoid operating this unitnear possible sources of interference.

KEEP THIS MANUALStore this manual in a safe place of future reference.

MM

Id ipireyi^

FEATURES & FUNCTIONS1. FRONT PANEL

2. REAR PANEL/CONNECTIONS:. RACK MOUNTING PROCEDURE

DIGITAL DELAY MODE1. BASIC SETTINGS2. OPERATION

3. PROGRAM WRITE PROCEDURE

6

14

20

21

21

23

A. SETTING BY REC SWITCH OR FOOT SWITCHB. SETTING BY DRUM MACHINE TRIGGER SIGNALC. MIDI TIMING CLOCK SETTING

24

26

28

A. RECORDING/PLAYBACK WITH MIDI SWITCH OFFB. RECORDING/PLAYBACK WITH MIDI SWITCH ON (FOR PITCH CONTROL)

1. SPECIFICATIONS AND OPTIONS2. BLOCK DIAGRAM

3. FREQUENCY RESPONSE GRAPH

45

46

47

SDD-2000 PRELOAD PROGRAM UST

1 FRONT PANEL

INPUT SECTION OUTPUT SECTION

2 Input LEVEL Control—

1 HEADROOM Indicator-

o

HEAOFDOM

♦ 6dB

008

-KWB

2+ \U

0 10

INPUT

OWECT

4 j

i.*9

-3 DIRECT Volume Control-4 BYPASS Switch

-5 REC CANCEL LED

/

|RPCCLNC£L|

C)

REC TWG

10

BYPASSME

OUTPUT

•RKOVSOue SEO SAMPUNG

recSync

REC SYNC SECTION

6 REC Switch

7 TRIG OVERDUB Switch-

8 SEQ Switch

9 SAMPLING Switch-

10 TRIG LED

Mia Ef

f

PROGRAMMER SECTION

-ism -

if

PROG NO )ATA/flME(ms) \

PROGRAMMER

-12 FREQ Switch-14 EFFECT Switch

-13 INTENSITY Switch

-15 FEEDBACK Switch

-16TIMEX 4 Switch-17 TIME Switch

-18 PROG/PARA (REC CAL)

-19 WRITE Switch

-20 DISPLAY

-21 INCREMENTAL CONTROL

INCREA ENTAL

CONTROL KORC *» t00°SAMPLIMG

DIGITAL DCLAV

POWER

Switch -22POWER Switch

INPUT SECTION.I HEADROOM Indicator

This LED meter sihows input signal level. However,nothing is indicated during the 9-second mutingperiod after power is turned on or during bypassoperation.

2 Input LEVEL ControlUsed to adjust input signal level.

OUTPUT SECTION.3 DIRECT Volume Control

is controls the volume of the direct sound in the

+ MIX and - MIX outputs on the rear panel.

4 BYPASS Switch

J this switch is on, only the direct sound is sentto the outputs. During bypass operation the DIRECTvolume control setting has no effect; the input signalis sent to the output jacks without any change.Bypass operation is indicated by an LED. Press thisswitch again to return to the previous effect.This switch cannot be used during recording in thesequencer and sampling modes.

REC CANCEL5 REC CANCEL LED

This LED illuminates during REC CANCEL operation.For details, see the explanation for the rear panelREC CANCEL jack.

O*ECT |REC CANCEL |

« ? •O

BYPASS

OUTPUT■a

REC SYNC SECTION

mo saotlmq

SEERECSYNC

6 REC Switch

In the sampling and sequencer modes this is used

as the recording switch. In the trigger overdub mode

it is used to manually set the delay time.

7 TRIG OVERDUB Switch

This switch is used to select the trigger overdubmode with automatic setting of delay time.

t SEQ Switch

This selects the sequencer mode for recording and

repeated playback of phrases of up to 4368ms.

SAMPLING Switch

This selects the sampling mode which allows recording of audio signal inputs and reproduction of

the sampled signal when triggered by a foot switchor other signal source.

10 TRIG LED

This illuminates when a trigger signal is input to the

rear panel trigger jack during trigger overdub, sampl

ing mode operation.

csync

MIDI11 MIDI Switch

When this switch is on, its LED lights up and theSDD-2000 can receive MIDI data.

PROGRAMMER SECTION.12 FREQ Switch

This selects display of the modulation frequency

(speed) value and allows adjustment using the incre

mental control knob.

Displayed Value

n

u

Z* iJf t

Modulation Speed

Slow

♦

Fast

13 INTENSITY Switch

This selects display of the modulation intensity

(depth) value and allows adjustment using the incre

mental control knob.

Displayed Value

nu

I

Z* iji i

Modulation Depth

Shallow

t

Deep

BTKX4

I O I

* About Modulation

Effects such as chorus, vibrato, and flanging are

produced by using the internal LFO (low fre

quency oscillator) to vary (modulate) the delay

time.

14EFECT Switch

This selects display of the volume level of the

delayed signal (or the sampled signal to be reproduc

ed) and allows adjustment using the incremental

control knob.

Displayed Value

nu

Effect Signal Volume

No effect sound

Maximum

15 FEEDBACK SwitchSelects display of the amount of feedback and its

phase. This also allows adjustment of the feedback

value using the incremental control knob.

Displayed Value

.I' i

A

— -9

nu

I

Z* t

Feed Back Level

Maximum inverted

(cause oscillation)

I

No feedback

Maximum positive

(causes oscillation)

About Feedback

Feedback or "regeneration" is a matter of taking

part of the signal coming out of the delay line and

feeding it back into the input to be processed

again. The amount of feedback and its phase help

establish the effect produced. With long delay

times, feedback level simply determines the

number of repeats or echoes. In flanging and

other short delay effects, the feedback level and

phase affect the tone color of the sound.

Runaway oscillation will occur if the feedback

level is set too high.

16 TIME x 4 Switch

This selects the "x4" mode which allows delay (or

recording/sampling) times of up to 4368ms. When

this is off, the maximum delay time is 1092ms.

An LED lights up to indicate 4 mode.

The x1 mode (the normal mode when x4 is not

selected) has superior high frequency response.

17TIME Switch

This is used to enable setting of the delay (or record

ing/sampling) time. In the x1 mode, the display

shows times of from 0. 0 to 1092ms; in the x 4 mode

it shows from 0 to 4368ms.

At settings of up to 10ms in the x 1 mode the display

gives fractional indications to the first decimal place.

18 PROG/PARA (RECCAL)

In the delay mode, this switches between allowing

"program change" and allowing editing of individual

parameters. In the sequencer and sampling modes it

allows "recording calibration." (For details, see the

section on the REC CAL function.)

19 WRITE Switch

This is used to store programs in memory. For

details see the section on "Writing a Program."OTY-nMEx4 mum*

0 0 0I PWQGNQ.

3; oiIs*

MER

20 DISPLAY

Shows the program number and the values of par-ticular parameters.

RAMMER

21 INCREMENTAL CONTROL -

This is used to adjust, set or select parameters, pro-gram numbers, MIDI channels, and so on.

When used to set the delay time, this controller issensitive to how fast you turn the knob. It is designedto change one step at a time when turned slowly,

and change in larger amounts when turned rapidly.

POWER{MENTAL

•rraoc KOMi ■M000SAMPLINGMOfTAL DCLAy

POWER

22 POWER SwitchThis unit takes about nine seconds to initialize itself

after the power is turned on. All functions are in

operative during this muting time.

I REAR PANEL/CONNECTIONS

CONTROL SECTION

6 BYPASS jack

7 REC CANCEL jack-

8 PROGRAM UP jack-

9 REC jack

10 TRIGGER jack—

11 TUNE Control—12 MIDI IN jack

13 MIDI THRU jack-

wmmmm

To other MIDI

equipment

From MIDI keyboard,

sequencer,

drum machine,

or computer.

From Drum Mi in<

(DDM-1107220,KPR-77, etc.) or footswitch (PS-1 etc.)

INPUT/OUTPUT SECTION

<£>TRIG R«C PRXjUP CANCEL BYf>ASS

"-GNO 1-bNO "UGNO UGNO

-3 DIRECT Output

-4 + MIX Output

-5 - MIX Output

-2 ATTENUATOR1 INPUT jack

hum foot switch

To amplifier(s)

or mixing console

(MM-25, KMX-8, etc)

From electric guitar,

bass, microphone,

keyboard, mixing. .-

, etc..-..:,-:

15

INPUT/OUTPUT SECTION .This section has jacks for the audio input signal and output signals.

1 INPUT Jack

For signal from electric guitar, bass, microphone,

keyboard, etc.I I

(GAM:1MTY)

2 ATTENUATOR

Set this switch to the position suitable for the type of

input signal used.

-WPl/T-

(GMNjJMTV)

• Input Level Adjustment

• If the input level is too high it will cause distor

tion. If it is too low, it will reduce the signal-to-

noise ratio. Adjust input level so that the HEAD

ROOM indicator + 6dB LED lights occasionally

on maximum signal peaks.

• Remember to check and readjust input level

after changing feedback level. This is necessary

because the amount of feedback will change the

signal level within the circuitry.

• Set the ATTENUATOR to the correct position for

the signal source before adjusting input level.

Switch

-10dB

-35dB

Input Signal Source

From synthesizer, drum machine, other

electronic instrument, mixing console,

or audio system

From electric guitar, bass, electric

piano, microphone, or other low level

signal source.

3 DIRECT Output ir_^_This provides the direct sound (the input sound) only. -OUTPUT

BYPASS DIRECT

+ MIX Output

This provides a mixed output.of the direct and effect

(or recorded/sampled) sounds. Balance is determin

ed by the front panel DIRECT volume control setting

and the PROGRAMMER section EFFECT setting.

OUTPUT

* MIX - Mix

13 MIDI THRU Jack

This provides the MIDI signal received at the MIDI IN

jack unchanged.

This chart shows which kinds of MIDI data can bereceived by the SDD-2000 when the front panel MIDI

switch is on. MIDI equipped keyboards, sequencers,

drum machines, and computers can be connected tothe SDD-2000.

pwgra^chamS:^

TiitNGaocK : •; -'t

NOTE ON/OFF .

(WITH VELOCITY) \

M0OUI>Tm^.^:i(CONTROL CHANGE NO.f)

omniowoff .. ;';-

Aa'fWTESOFF"^^

svsTDr£xcuiav6^H

ACTIVE SOSWG?^

■:i ooa^v

o

X

X

X

X

O

X

O

X

. ■'• TnraGEn

"OVERDUB

x

O

X

X

X

O

X

X

X

SEQUENCER

X

X

O

O

o

o

o

X

o

•5AwHTJN6 ;

X

X

o

o

O

O

O

X

o

NOTE

Modulation data is used to modulate sound record

ed using the SEQUENCER or SAMPLING mode. Ifthe sent data value is higher than the intensity

parameter value for a mode, then modulation can

be applied at higher than the set value. In this case,modulation depth is smaller when compared with

those of the delay sound generated with theDELAY or TRIGGER OVERDUB mode.

rcai unco oc rununuiio

RACK MOUNTING PROCEDURE

PROCACKEDUR

VIOUNTING

A

o

o

o

Attach using supplied screws.

If there is a gap of around 3mm or more here, fill the

rear area with something to keep the unit from sagging.

—OUTPUT

♦ mix -mix -a** -«

(GAM:UNmO

5 -MIX Output

This provides an out of phase mix of the direct and

effect sounds. Balance is determined in the same

way as for the + MIX output.

About Input/Output Level

Input and output level are at unity (one to one) in

the SDD-2000. Output level is the same as input

level.

Using the Outputs

The three output jacks can be connected

several ways to create stereo-like effects.

in

Example: 1.

Connect the DIRECT and + MIX outputs to sepa

rate amplifiers or separate mixing console chan

nels and pan them to opposite sides. Set the front

panel DIRECT volume control to "0" (so that only

the effect sound appears in the + MIX output). With

short delay times this gives a rich stereolike sound.

With long delay times the sound appears to shift

from one side to the other.

Example: 2

Use + MIX and - MIX connected to separate ampli

fiers or separate mixing console channels and pan

them to opposite sides. The out-of-phase effect

component of the - MIX output creates a very

spacious sound. Especially good for chorus, flang

ing, and similar effects.

CONTROL SECTIONThe jacks in this section are used with foot switches, drum nnachines,

MIDI signals, and so on for control of various SDD-2000 functions.

6 BYPASS Jack

For foot switch control of the BYPASS function. Us

ed the same way as the front panel BYPASS switch.

FEATURES & FUNCTIONS

7 REC CANCEL Jack

When a foot switch that is connected to this jack is

depressed, the SDD-2000 switches to the RECCANCEL mode. This leaves the effect sound that is

present at the instant the foot switch is depressed

and switches the input signal to bypass the delay cir

cuitry. While REC CANCEL is on, the front panel

REC CANCEL LED illuminates.

8 PROGRAM UP Jack

The selected program number is advanced each

time a foot switch connected to this jack is depress

ed (in the delay mode).

PWOGUP CANCEL

~t-OMD ~

RECf»«OGUP CANCEL

"Lgmd

9 REC Jack

For foot switch operation with the same function as

the front panel REC switch, (Used for modes other

than the delay mode.)

10 TRIGGER Jack .

—For a trigger signal input from a drum machine or

foot switch.This triggers playback of sampled sounds (in thesampling mode) or sets the delay time (in the trigger

overdub mode).The front panel TRIG LED illuminates every time a

trigger signal is received.

Foot Switches to be Used with Control JacksFoot switches to be used with these controljacks should be the type that is on during the

period the foot switch is depressed. Such footswitches include the Korg PS-1 and S-2.

. cormot

two

©

11 TUNE Control .

This lets you adjust the pitch of the reproduced

sound by up to ±50 cents in the sampling and se

quencer modes.

12 MIDI IN Jack

This jack is for reception of MIDI data from a MIDI

keyboard, sequencer, drum machine, or computer.

Up to 64 effects such as various short delays,

long delays, chorus, flanging, and other groups of settings

can be stored in memory and recalled as desired.

These "programs" can also be edited

and assigned different program numbers.

1. BASIC SETTINGS

ffCCCAO

n

nUJ

P«OG NO 0ATA/T1ME<m»| ]

t

9OCMEKTAL

CONTROL

,.. LjSelected program

number shown here.

Turn to change number.

T Turn off the power on the SDO2000 and all ampli

fiers, keyboards, and other equipment to be con

nected. Then make connections referring to the

chart in the Rear Panel/Connections section of this

manual.

\2\ After completing connections turn on power on the

SDD-2000 and other equipment.

After an initial muting period of about 9 seconds the

SDD-2000 will be ready to use.

Adjust input level so that the +6dB LED on the

HEADROOM display lights up only occassionally on

input signal peaks.

Use the DIRECT volume control to adjust the amount

of direct signal in the MIX outputs.

I OPERATIONQ Program Change

Effect programs can be selected in several ways, as

described below.

A. Incremental Controller Method

Press the PROG/PARA switch (in the PROGRAM

MER section*- 30 that the LED illuminates. Then use

the INCREMENTAL CONTROL knob to change the

program number.

Press so LED lights.

DIGITAL DELAY MODE

B. Foot Switch Method

Before turning on the power, connect a foot switch

to the rear panel PROG UP Jack.

The program number will advance by one each time

the foot switch is depressed. (This is effective

regardless of the position of the PROG/PARA

switch.)

NEC PHOGUP CANCEL

Korg PS-1

foot switch, etc.

C. MIDI Data Method

Before turning on the power, connect a MIDI

keyboard or other MIDI control device. Connect the

extemal MIDI unit's MIDI OUT jack to the SDD-2000's

MIDI IN jack.

3] Turn on MIDI switch on SDD-2000 (so the LED il

luminates).

g] Select the MIDI receive channel by the method de

scribed below. The selected channel must match the

channel(s) to which the connected keyboard (or other

unit) can send. Then a change in the program

number on the keyboard will cause a change in the

program number on the SDD-2000.

From MIOI OUT jack

MO THRU MO IN TUNE

■6» %

This LED on.-

• SETTING THE MIDI RECEIVE CHANNEL

T While pressing on the MIDI switch, slowly turn the

INCREMENTAL CONTROL knob one step. The dis

play will then show the previously selected MIDI

receive channel number.

• When the power is turned on the SDD-2000 is initially

in the OMNI mode. But it switches to OMNI OFF as

soon as this procedure is performed.

[2] If the displayed channel number is not what you

want, turn the INCREMENTAL CONTROL knob to

select your desired MIDI channel.

S Release the MIDI switch.

pPWOGNO. DAWTlM£(m«)

O O O O Q LU U U.Ll C LI,

Shows MIDI receive channel numoer.

(Example here indicates channel 1.)

• The selected program number is maintained when

the power is turned off. The displayed program

number is the most recently selected program

PffOGNO 1| 0ATA/T1M€(m«)

PROGRAMMER-This cct lights up

B Editing

Program contents can be edited by the followingmethod.

QD Press the PROG/PARA switch so that the LED goes

out »r

(2 Press the switch for the parameter that you want to

change.

• When you press one of the parameter switches (such

as FREQ, INTENSITY, EFFECT, FEEDBACK, TIME)

its LED will illuminate and the value of that

parameter will be shown on the display.

Use the INCREMENTAL CONTROL knob to adjust

the value of the selected parameter.

• The time mode switches back and forth between x 4

and x 1 each time the TIME x 4 switch Is pressed.

• A dot at the left side of the data display lights up

when a value has been changed. The dot goes out if

you return to the previously stored value.

NOTE:

•The edit will be cancelled if you change to a different

program number and then return to the edited pro

gram number. j

• Programs remain as edited if the power is turned off

and then turned on again.

}. PROGRAM WRITE PROCEDUREOTCCAU

*OG/MM

PILJ ;...

^ROGR

**K)GNO 11 OATA/TlMEtms) ! -

Flashing

Press WRITE switch.

Jj Select a program that is similar to the effect that you

want to create.

2 Edit to obtain the desired effect.

3 Press the WRITE switch. The displayed programnumber will flash on and off.

A Select the program number under which you wish to

save your effect. The program number can be

selected by the INCREMENTAL CONTROL knob, by

a PROG UP foot switch, or by MIDI program changedata.

Si Press the WRITE switch again to complete the program write procedure.

TRIGGER OVERDUB MODE

This mode uses a foot switch or drum machine trigger signal (or front panelREC switch) or a MIDI timing clock signal to set the delay time.This makes it easy to match delay time and song tempo.

A SETTING BY REC SWITCHOR FOOT SWITCH

1. BASIC SETTINGQ] Turn off SDD-2000 and all equipment to be con

nected. Make connections referring to the RearPanel/Connections section of this manual.

NOTE:In this case, do not plug anything into the TRIGjack. If anything is plugged into the TRIG jack then

the front panel REC switch can not be used to setthe delay time. (The TRIG jack is used when a drummachine is used to determine the delay time, as

described later.)

gj Turn on power after completing connections. TheSDD-2000 is now in the delay mode. Adjust input

level.

1. DELAY TIME SETTINGi Press the TRIG OVERDUB switch so that its LED is

on. This changes the SDD-2000 from the delay mode

tothe trigger overdub mode.

At this point, parameter values set m the delay modeare carried over unchanged into the trigger overdub

mode.

Flashing -

This LED on

me

O

TWGCWBPUi SEO

REC SYNC

]2 The Display appears as shown here.

The time mode switches back and forth between x 1

and x 4 each time the TIME x 4 switch is pressed.

The x4 mode enables delay time of up to 4368ms.

Maximum delay time in the x 1 mode is 1092ms.

FWEQ tfTEHSmr -nMEx4

[o] [TlJTl ITEFFECT FEEDBACk THE WfTTE

r pwogwo. QATAyTIM£|m»)

□-H,

PROGRAMMER

Indicates thai aeiay time

Indicates time mode can now be set

(x4 mode shown here)

wee

mmcofctdt U6 iAUa

REC SYNC

-Press REC switch

(or foot switch)

[1 Press the REC switch (or foot switch) to begin

measurement of the delay time.

PROG NO.

_ UI

DATA/T1ME(ms)

This counts up as

the delay time is measured.

.4. Now press the REC switch (or foot switch) a second

time. Your delay time is now the time measured be

tween the two times that you pressed the switch.

However, if the elapsed time reaches the maximum,

then the display stops there. The maximum is

1092ms \r the x1 mode and 4368ms in the x4

mode.

This method of setting the delay time makes it easy

to match the tempo of the music.

You can now continue performing using the delay

time just set.

3. OPERATION AFTER.SETTING DELAY TIME

SHEEFFECT FEEDBACK TKg WWTE

f PWOGNO. If 0ATA/TTM£(m») 1

EFFECT FEEDBACK Tit W

b b m □I IJJ I:

PROGRAMMER

Shows delay time setting.

Parameter values can be

chance while pressing these

Sw .

! OATA/TIME(m«

ISB 1•

MdCMCNTAL

CONTROL

-* ji-t-4 Turn to adjust parameter value

(while keeping parameter

switch depressed)

• Editing Parameters

After setting the delay time, you can edit the various

parameters whose switch LEDs are flashing (REC,

INTENSITY. EFFECT, FEEDBACK). To edit a para

meter, depress its switch and at the same time turn

the INCREMENTAL CONTROL knob.

• To return to the time mode

Press the TIME x4 switch to return to the time

mode. This takes you back to step 2.

• To reset the delay time

Press the REC switch. This begins measurement of

time, as in step 3.

• To return to delay mode from trigger overdub mode.

Press the TRIG OVERDUB switch so that is LED

goes out.

This returns you to the delay mode. The delay time

and time mode (x 1 or x4) values set in the trigger

overdub mode are retained.

Other parameter values are those of the delay mode.

TRIGGER OVERDUB MODE

B SETTING BY DRUM MACHINETRIGGER SIGNAL

1. BASIC SETTINGCD Turn off power on SDD-2000 and equipment to be =

connected.

g] Connect drum machine's trigger out jack to SDD-

2000fs TRIG input jack. Refer to Rear Panel/Connec

tions section of this manual for details about other

connections.

ID Tum on power after completing all connections. The

SDD-2000 is now in the delay mode. Adjust input

level.

2. SETTING THE DELAY TIME.

P«OGUP

OD Change to the trigger overdub mode by pressing the

TRIG OVERDUB switch so that its LED lights up.

At this point, parameter values set in the delay mode

are carried over unchanged into the trigger overdub

mode.

Flashing

This LED on.

The Display appears as shown here.

The time mode switches back and forth between x 1

and x4 each time the TIME x 4 switch is pressed.

The x 4 mode enables delay times of up to 4368ms.

Maximum delay time in the x 1 mode is 1092ms.

3 Press the REC switch or foot switch. The display will

appear as shown here.

Now start the drum machine. The TRIG LED will light

up each time a trigger signal is received and the

display will show the length of time from each trigger

input to the next.

When the display does not change, press the REC or

foot switch again to return to status®,above. Then,

confirm the connections with the drum machine.

FREQ MICMII1

ED 0

CCMi •.-»'-• .-"- * " ■ ■--

DATA/TIMElfnt)

EFFECT FEEDBACK THE

I O J 1 O I I O I

WWTE

□-Hr- - -

PROGRAMMER

' FlashingIndicates time mode

(x4 mode shown here). Indicates mat delay timecan now t>e set.

flCCCAU

FWEQ JfTPCfTY TIME X 4 PROO/MAA

- Ll i rLl u

PROGRAMMER

This means it is waiting for trigger signals

! PROG NO.

- U' 1

I DATA/T1ME(ms

1

sJ

Delay time (measured time)

31 Press the REC switch or foot switch again. The delay

time will then be set as the time between the last two

trigger inputs.

The delay time setting will be shown on the display.

You can now continue performing using the new

delay time.

NOTE:

If the time between triggers exceeds the maximum

(1092ms in x 1 mode or 4368ms in x4 mode) then

the display stops and the delay time is set as that

maximum figure.

}. OPERATION AFTERSETTING DELAY TIME

CMCCCAU

FREO MTENSTTY TMEX4 PROG/WM

000PftOGNO. j| OATA/TlMEtms)

EFFECT FEEDBACK TME WWTt

BE □-S' IS3 I

PROGRAMMER

Parameter values can be

cnanged while pressing these _

switches.




INTENSITY, EFFECT, FEEDBACK). To edit a para



Parameter values can be changed while pressing

these switches.

Shows delay time setting.

Turn to adjust parameter value (while keeping para

meter switch depressed)

• To return to the time mode

Press the TIME x4 switch to return to the time

mode. This takes you back to step [2].

• To reset the delay time

Return to stepd).

• To return to delay mode from trigger overdub mode.

Press the TRIG OVERDUB switch so that is LED

goes out.

This returns you to the delay mode. The delay time

and time mode (x 1 or x4) values set in the trigger

overdub mode are retained.


TRIGGER OVEROUB MODE

C MIDI TIMING CLOCK SETTING1. BASIC SETTING

This LED on.

Q] Turn off power on SDD-2000 and equipment to be

connected.

S- Use MIDI cable to connect sequencer (or other

source of MIDI clock signal) MIDI OUT to SDD-2000

MIDI IN jack. Refer to section on Rear Panel/Connec

tions for connections to other equipment.

[1 Press SDD-2000 MIDI switch so that its LED is on.

2. SETTING DELAY TIME.

FflEO MTEM9TY T1M£x4 *

When power is turned on the SDD-2000 is initially in

the delay mode. Press the TRIG OVERDUB switch to

change to the trigger overdub mode.

At this point, parameter values set in the delay mode

are carried over unchanged into the trigger overdub

mode.

Flashing

This LED on.

.2 The time mode switches back and forth between x1

and x4 each time the TIME x 4 switch is pressed.

The x4 mode enables delay times of up to 4368ms.

Maximum delay time in the x1 mode is 1092ms.

The INCREMENTAL CONTROL knob is used to

select sync timing of 16, 8, 6. 4, or 2-beat.

Example:

The display here is for x4 mode and 16-beat.

Press REC switch or foot switch.

The display will appear as shown here.

Start sequencer or other MIDI control unit. The SDD-

2000 starts measuring the delay time when it

receives the first MIDI timing clock signal.

FWEQ MTEMSTTY TIMEx4PROG NO. 1' QATA/TlMEtmsi

EFFECT FEEDBACK TME WWTE

□_ u r i i r

LLlCl

PROGRAMMER

Flashing

Indicates time mode

(x4 mode shown here).

Shows sync beats

(here it is 16-beat)

A value of 2-16 selected

by the INCREMENTAL

CONTROL knob

FfCQ

EFFECT

LJ

•fTENSTTY

FEEDBACK

TMEX4

THE

LU

•CCCAUMTTJPUkA

WWTE

1 ~ l\

PROGRAM* IER

| DATA/T1ME(m*)

r i

Waiting

signal

oc

for MIDI ciock

"CLoc")

Indicates time mode


II IIMMIbII WB*.««**WW (tlWWaa

r PROG NO~11 DATA/T»ME(ms)

- U

After the selected number of MIDI clock signals are

received, the SDD-2000 sets the delay time and per

formance can continue, the delay time setting isshown on the display.

If the clock signal display does not change when the

MIDI device is started, press the REC or foot switchto return to status!2j, above. Then, confirm the con

nections with the MIDI device.

Counts up.

NOTE:

If the time it takes to receive the selected number of

MIDI clock s :pais exceeds the maximum time of

the time mocs selected in step[2], then measure

ment will end, the display will show that (maximum)

value, and it will be set as the delay time.

I OPERATION AFTER.SETTING DELAY TIME

EFFECT FEEDBACK TIME

I PPOGNO DATA/T1ME(mt)

WWTE - H 1583PROGRAMMER

Parameter values can be_

changed while pressing these'switches.




INTENSITY, EFFECT, FEEDBACK). To edit a para



• To change the sync beat

Turn the INCREMENTAL CONTROL knob a little

(one step) so that the present beat value is shown on

the display. If this is not what you want, turn the knob

until your desired beat setting is displayed. The delay

time will change to match the beat setting.

Example: 16-beat: 200ms- -► frbeat: 400ms

To return to the time mode

Press the TIME x4 switch to return to the time mode.

This takes you back to step 2.

To reset the delay time

Return to step 3.

Returning to Delay Mode from Trigger Overdub

Mode.

Press the TRIG OVERDUB switch so that its LED

goes out. This returns you to the delay -*ode. The

delay time and time mode (xi or *4) values set in the

trigger overdub mode are retained.


Each ,s suitable for particular purpcS1 !?i!\thlseC|uencer and sampling modes

1. SEQUENCER MODE

Plays me whole phrase ow~and over again.

I SAMPLING MODE

Plays whole recorded sectiononce; does not repeat.

iviuuc

A RECORDING/PLAYBACKWITH MIDI SWITCH OFF

1. BASIC SETTING

Foot switch or drum machine

_L Turn off SDD-2000 and all equipment to be con-nected. Make connections referring to the RearPanel/Connections section of this manual.

• If you will be using the sampling mode, make connections from a drum machine trigger output or footswitch to the SDD-2000 rear panel TRIG input jack

2. After completing connections, turn on the power onthe SDD-2000 and other equipment (amp, keyboard,drum machine, etc.)

! Adjust input level so that the HEADROOM indicator+ 6dB LED illuminates occasionally on the highestsignal peaks.

2. RECORDING/PLAYBACKPROCEDURE

J_ Press the SEQ (sequencer) or SAMPLING switch toselect the mode to be used.

• At this point, parameter values (frequency, intensity,effect) set in the delay mode are carried over unchanged into the selected sequencer or samplinamode.

Press SEQ or SAMPLING switch.LED lights on switch that is pressed.

OATA/TlMeimTT

WHITE

□PROGRAMMER

Indicates that

recording is now possible

Flashing indicates time mode


2 The display appears as shown here.

• The time mode switches back and forth between xiand x4 each time the TIME x 4 switch is pressed.Select the time mode according to your requirements for high frequency response and length ofrecording time. The *4 mode enables delay times ofup to 4368ms. Maximum delay time in the *1 modeis 1092ms, but high range response is better.

Begin signal input. Recording will begin when inputlevel reaches +3dB, as shown on the HEADROOMindicator. The display will appear as shown here

EFFECT FEEDBACK TIME

□ --V, rECPROGRAMMER

UHHOBEHMB

Display (" rEC") flashes during recording

[S Press the REC switch (or foot switch connected loREC jack) when you want to end recording.

• If you don't press the REC switch or foot switch thenrecording will end at the maximum time selected bythe TIME x 4 switch.

Press REC switch.-

REC SYNC

■a

CD

Si The recorded sound can now be played back.The dispfay appears as shown here.

• In the sequencer mode, the recorded sound isautomatically reproduced as soon as recording hasbeen completed.

• In the sampling mode, the recorded sound isrepeated once each time a trigger signal is receivedat the rear panel TRIG jack.

• To record, again, press the REC switch. This willreturn you to step [2].

"PLAY1" indication means

that recorded sound can De

reproduced.

32

.3. OPERATION AFTER RECORDING(DURING PLAYBACK)

FWEO TMCX4 FflOG/ftUIA

IggQG_"Q 1 I DATA/TIMElmt) "1

EfFCCT FICDBACK 7WK WfVTE

,0 0 0, Dr u o i o u

PROGRAMMER

Frequency, intensity, effect,and time LEDs are flashing.

> Editing Parameters

After setting the delay time, you can edit the variousparameters whose switch LEDs are flashing.

Press the switch for the parameter that you wish toedit. While the switch is depressed, the display willshow the present value for that parameter, and thevalue can be adjusted by turning the INCREMENTALCONTROL knob.

! ^

Time value after editing.

... 'i

■ -i

■■■MB

i

Time value before editing.

■ After editing, this Domon

is no longer reproduced.

> Editing the Time Parameter

After a recording has been made, you can shortenthe length of the recording by editing the TIMEparameter. This shaves off the recording from theend. To reduce the length of a recording, hold downthe TIME switch and turn the INCREMENTAL CONTROL knob.

,' * Note that recordings can only be made shorter; II they can not be made longer than the original jI recording time.

NOTE

In the sampling mode, sound will no longer bereproduced if you edit the time parameter so thatthe time value is reduced to around 120ms in thex 4 mode or 30ms in the x 1 mode.

• To return to the delay mode:

Press the presently selected mode switch (SEQ orSAMPLING) so that its LED goes out. This returnsyou to the delay mode.

Frequency, intensity, and effect parameter valuesare carried over into the delay mode.

B RECORDING/PLAYBACK WITH MIL/iSWITCH ON (FOR PITCH CONTROL)

ABOUT MIDI OPERATIONA MIDI keyboard (or other MIDI device) can be usedwith the SDD-2000 to control the pitch of the reproduced soundin the sampling and sequencer modes.

This kind of recording and playback requires attentionto the following operations:

1. Supported note range setting.2. Sampling note setting.

3. MIDI data processing setting.4. REC CALIBRATION

Each of these is described below.

Actual recording and playback procedures are described afterward.

1. SUPPORTEDNOTE RANGE SETTING

About supported note range.

This depends on the time mode. A sound recorded inthe *4 mode can be reproduced over a range of nearly three octaves. A sound recorded in the x1 mode

can be reproduced over a range of nearly one octave.This is feferred to as the supported note range.

Example with C as the lowest note:

in the x 4 mode

In the x 1 mode

04-

34

MIDI Keyboard

111 in ii in fi in f I in 11 in 11 in if in- ■ iiMillllliliillh II:

c, c, c,

C0-B2 supported

In x1

mode

Range of possible sup

ported note range settings.

CO-BO supported

IN x4

mode

Range of possible sup

ported note range settings.

B Pitch of supported note range.

The pitch of the supported note range can be set in

semitone steps within the range shown in the chart

below.

• Refer to the instruction manual for the MIDI

keyboard to determine its pitch range (MIDI note

data range).

Example: Using the DW-6000 as the control keyboard with the

SDD-2000 in the x4 mode and the supported note

range set at C2 through B4

71 rrmoia GDQjQXDD ;

No sound from Sound reproduced by SDD- No soundthis section. 2000 when keys in this from this

range are played. section

© Hold down MIDI switch

Press sequencer switch while

depressing MIDI switch.

B How to set the supported note range.

1" Hold down the MIDI switch and at the same timepress the SEQ (sequencer) switch.

The display will flash, indicating the current sup

ported note range. A dot after the note name in

dicates a sharp (#). liC.V means C#, for example.

This indicates the lowest note of the current supported note range. C# 1 is indicated in this example.

PROG NO.

r u

j DATA/TlME(ms)

r iL>. II

c

The actual supported note

range will determine which

part of the keyboard can be

used to "play" the SDD-

2000.

2, Press the MIDI switch and the SEQ switch; at the

same time turn the INCREMENTAL CONTROL knob

to set the lowest note of your desired supported note

range. In thex4 mode the supported note range will

extend three octaves above the selected note. In the

xi mode it will extend one octave above the selectednote.

When a MIDI keyboard is-connected and the sendand receive channels match, then you can play anote on the keyboard to set the supported noterange. Play the lowest note of the supported noterange that you desire.

SEQUENCER MODE/SAMPLING MODE

• The supported note range setting is retained whenthe power is turned off.

NOTE

Set the supported note range after selecting thetime mode.

2. SAMPLING NOTE SETTING.The sampling note is a note that you choose within thesupported note range. It is set according to the pitchrange within which you want the recorded sound to bereproduced. (That is, how much lower or higher youwant the reproduced sounds to be in relation to thepitch of the recorded sound. The sampling note can beset in semitone steps within the supported note rang?

O About the sampling note.

Example:

x4 mode with supported note setting as shown here.

.Tl Now if we set B4 as the sampling note and thenrecord a sound, the relationship between the keys

hSS^S.1?6 PiCh °f the reproduced sound ^nave the relationship shown here.

If we set C1 as the sampling note and record ath° t' 'he ,r(r'ationship ^vteen th« keys played and

l C1 is P'ayed. the reproduced sound will have thethe sound m was recof-ed " keys h.gher than Ci ar»

Lun^ i f !f- plin9 note and 'ecord asound the relationship between the keys played and

© Hold down MIDI switch.

■® Press SAMPLING switch while

depressing MIDI switch.

PROG NO. DATA/TIME(ms)

~ u r t c

Shows sampling note being set previously.

(F # 1. in this example)

H How to set the sampling note.

T Hold down the MIDI switch and press the SAMPL

ING switch at the same time.

The display will flash, indicating the current sampl

ing note setting.

^ Press the MIDI switch and the SAMPLING switch; at

the same time turn the INCREMENTAL CONTROL

knob to set the sampling note.

When a MIDI keyboard is connected and the send

and receive channels match, then you can play a

note on the keyboard to set the sampling note. The

sampling note can be set at any semitone step

within the supported note range.

• The sampling note setting is retained when the

power is turned off.

NOTE

Be sure to set the time mode (x4orx1) and sup

ported note range before setting the sampling note.

The sampling note must be set before recording.

Changing it after recording will not cause any

change in the reproduced sound.

MIDI DATAPROCESSING SETTING

E xample: Using sampllnQ mode.

Sei not to resoond to

NOTE OFF aata.

Set to respond to

NOTE OFF data.

Reoroduction con

tinues to ena of

recorded sound even

after key is released

Sound is reproduced

until key is released

Key depressed

(NOTE ON)

Key released

(NOTE OFF)

D Reception of NOTE OFF data.

If the SDD-2000 is set to respond to NOTE OFF*

data, then the release of a key on the MIDI keyboard

will stop reproduction of recorded sounds in the se

quencer and sampling modes. That is, sound will on

ly be reproduced while a key is depressed. See step 3

below for instructions on the setting procedure.

I 1

i * NOTE OFF data is the MIDI data that indicates i

1 that a key has been released. ]

Reception of VELOCITY data.

When set to respond to VELOCITY* data, the volume

of the reproduced sound will depend on how hardkeys are played on the MIDI keyboard, if the key

board (or other MIDI device) itself can produce

VELOCITY data.In this case, the EFFECT parameter value (which

controls reproduced volume) will be ignored and

volume will depend on received VELOCITY data. See

step 0 for instructions on the setting procedure.

"~" ~~ — — — — — — __ _ ,

'VELOCITY (NOTE ON) data: MIDI NOTE ON data "Itells when a key is played, which key is played, andhow hard it is played. VELOCITY data is the part ofthe NOTE ON data that indicates how hard the keyis played.

■=L

I How to set MIDI data processing parameters.Follow the steps below to set the SDD-2000 to respond to MIDI NOTE OFF and/or VELOCITY data orto ignore it.

I Press the MIDI switch and at the same time pressthe SEQ (sequencer) or SAMPLING switch.

S) Display shows current settings.

Pressing the REC switch toggles the setting between "response" and "no response" to NOTE OFF

data. The upper LED bar lights up when set to respond to NOTE OFF data.

• Pressing the TRIG OVERDUB switch toggles the setting between "response" and ttno response" toVELOCITY data. The lower LED bar lights up whenset to respond to VELOCITY data.

Then, the time mode can be changed by pressing theTIME x4 switch.

• These settings are retained when the power is turnedoff.

4. REC CALIBRATION.When using the sequencer or sampling modes with aMIDI keyboard, reproduced pitch may not be quite rightIn this case, you can have the SDD-2000 calibrate itselfto achieve pitch accuracy. This procedure is called RECCALIBRATION. It is useful to perform REC CALIBRATION before recording and after adjusting the rearpanel TUNE control.

REC CALIBRATION can be performed in the recordingstandby condition and during playback. The SDD-2000also performs REC CALIBRATION automatically immediately after recording.

© Press MIDI switch

® Press either or these switcnes

I PROG NO. 11 DATA/TIME??

This bar (LED) illuminateswhen set to respond to VELOCITY data.

This bar (LED) illuminateswhen set to respond to NOTEOFF data.

38

ocuucnocn muut

This LED on Flashes slowly Recording standby displayFlashes rapidly

REC CALIBRATION during recording standby.The display appears as shown below right before asignal is input for recording (that is, during recordingstandby). y

REC CALIBRATION display

•CCCAO

MTMmr TMEX4 F*OG/MUU

El; Tag

PR( tGRAMft IER

• P r o iQji l. nL

Indicates that calibration is inprogress.

Shows note being calibrated(A* in this example).

This LED on.

B El E □PRC GRAMMFR

r^'S LED on I Rashes slowly iFlashes rapidly , M. '

Indicates that

Tw .. , playback is possible.

The display changes In the pattern shown below.

Recording standbyindicationr u

— ..i

r u

- D

r u

■■-

u

n

O

P

C

ru

i

cQ

R

o

ru

i

uji

Recording in pro

gress

Calibration in pro

gress

Indicates that

playback is possible

Press the REC CAL (PROG PARA) switch (the onewith the slowly flashing LED).

The SDD-2000 then performs calibration for thenotes C through B. The display appears as shownhere.

When REC CALIBRATION ends, the display returnsto the recording standby condition.

• REC CALIBRATION in playback condition.In the playback condition, the display appears asshown here.

Press the REC CAL (PROG PARA) switch (the onewith the slowly flashing LED). The REC CALIBRATION display will appear.

The SDD-2000 then performs calibration for thenotes C through B. Upon completion the "PLAY" indication appears again on the display.

â?,o« automatically performs RECOALIBRATION immediately after recording even ifyou do not press the REC CAL switch.

RECORDING/PLAYBACK PROCEDURE

1. BASIC SETTING:h Turn off power on the SDD-2000 and equipment to

SK?,^ I M'DI Cable t0 connect the2000 MIDI IN jack to the MIDI OUT jack of theboard or other MIDI device.

™™J? lH ^S" On rear Panel/connections andconnect the amplifier and other equipment.

r^* turn °nand other equipment.

peaks

-,? S°that the HEAD«OOM indicatort6S OCCasional|y on the highest

2. RECORDING AND PLAYBACK• NexSS ^ M'Di SW'tCh S° that 'tS LED illuminates-

REC

C I

^COWCU SEO

TWG

o

0REC SYNC

?: NOTE OFF data processing setting(See section on MIDI data processing.)

— This LED on

■©While keeping me MIDI sw.tcn

depressed, press the SEQ orSAMPLING switch.

<D Press the REC switch to shift Dae*and forth between "response

and "no response" to NOTE OFFdata

40

ocuucnucn muuc/oMifiruivu iviuuc

0 While keeping me MIDI switch

depressed, press the SAMPLING

® Press the TRIG OVERDUE switchto shift back and forth between

"response" and "no response'*

to VELOCITY data.

3] VELOCITY data processing setting.

(See section on MIDI data processing.)

Press the SEQ (sequencer) or SAMPLING switch toselect the mode.

Delay mode parameter settings (frequency, intensity,effect) will be carried over into the sequencer andsampling modes.

Press SEQ or SAMPLING switch.

MTENSTTY T1MEX4

f*~PWQGNO 1 j DATA/TIMEImsf"

f V, - - -PROGRAMMER

- asning Indicates time mode

(x 4 mode shown here)

.5. The display will appear as shown here.

• Press the TIME x 4 switch to select the time modeaccording to your requirements for recording time

and supported note range.

wee mo

REC SYNC

i -0 While keeping the MIDI switchdepressed. Dress the SEO switch.

& Turn me INCREMENTAL CONTROL knoo or play me W0\

keyboard to seiecte me lowest

note of the supported note range

[6j Set the supported note range.

(See section on supported note setting.)

«ec tug

TWGOVBPm SCO lAMJUMQ

REC SYNCliiiunwr

-0 While keeping me MIDI switcn

depressed, press me SAM?l;nG

switch

Turn the INCREMENTAL CON

TROL knob or play me MiOi

keyboard to select the sampling

note.

2. Set the sampling note.

(See section on sampling note setting.)

8 Press the REC CAL (PROG/PARA) switch to performREC CALIBRATION.

(See section on REC CALIBRATION.)

Press PROG/PARA switchI

Recording stancby

9. Begin playing the sound that you want recorded.Recording will begin automatically when input signallevel reaches +3dB, as shown on the HEADROOMindicator.

~gQ *TEMsrnr time x 4

| 3 J 1 z J |TT~|

EFFECT FEEDBACK TME

MBCCAU

nL_JWWTE

DPROGR

PROG NO

z u

AMMER

| DATA/

r

nMEln

c r

Flashes "rEC" to indicate recording m progress

JO. Press the REC switch at the point that you wantrecording to end.

• If you do not press the REC switch then recordingwill end at the maximum time as determined by theTIME x4switch setting and the sampling note setting. (See NOTE.)

NOTE

If the sampling note is set higher than the lowestnote in the supported note range then the maximum recording time will be shorter than the usualmaximum of 4368ms in the *4 mode or 1092ms inthe x 1 mode.

Press REC switcn o .

TWGCKBCUB 8EQ SAMPUNQ

o E BRECSYHC

• REC CALIBRATION is performed automatically afterrecording has been completed. (See section on RECCALIBRATION for details.)

11. Playback can begin after recording. The display appears as shown here.

• In the sequencer mode, the sounc s reproduced atits original pitch immediately after recording. Playthe keyboard within the supported note range tochange the pitch of the reproducec sound.

• In the sampling mode, piay the keyboard within thesupported note range to reproduce the sound at thepitch you desire. The sound is reproduced from thebeginning each time a key is played.

FREO

J 0 J

EFFECT

•fTEMSTTY

L_JFEEDBACK

□

TIME X 4

TIME

B

MECCMJ

w«rrE

DPROGR

P«OGNO

r u

AMMER

II

O[#_

OATA. riMElm

O

Indicates mat DiayDacK is ocssoie

("PLAY maication )

cnange) Qa!a. Pitch can be bent up or down to a maximum of 3 degrees.

44

1. Input

| .„...

2. Output (unity)

j

3. Frequency response

i 4. Dynamic range

j 5. S/N ratio

1 t. Distortion!

! 7. Delay time

8. Feedback

9. Modulation

10 Dimensions

11. Weight

12. Power supply voltage

13. Power consumption

14. Supplied accessories

; 15. Options

(INPUT LEVEL) (IMPEDANCE) (MAX CLIP LEVEL)

-35dBm 47kfi +6dBm

-10dBm 500kfl + 19dBm

(OUTPUT LEVEL) (IMPEDANCE) (MAX CLIP LEVEL)

- 35dBm 6000 - 20dBm (DIRECT)

600Q -20dBm (EFFECT)

-10dBm 600Q + 6dBm (DIRECT)

600fi + 3dBm (EFFECT)

20Hz-20KHz ±1dB (DIRECT)

30Hz- 18KHz +.idB, -3dB (EFFECT) (x 1 mode)

30Hz-4.5KHz + 1dB, -3dB (EFFECT) (x4 mode)

90dB (IHF) (EFFECT) or more

95dB (IHF) (DIRECT) or more

80dB (IHF) (EFFECT)

0.05% (DIRECT)

0.1% (EFFECT)

0-4368ms (in 1ms steps)

0-1092ms (x 1 mode: can be set in 0.1ms steps from 1 to 10ms)

0-4368ms (x 4 mode)

63 steps 0-31 (positive phase) 0:0% 31:110%

0— 31 (inverted Dnase)0:0% -31: 110%

Modulation waveform: Triangle wave

Modulation frequency: 0.1 Hz-10Hz (FREQ parameter values: 0 = 0.1 Hz; 31 = 10Hz)

Delay time modulation range: 2:1 (at INTENSITY 31)

482(W) x 44(H) x 344(D)mm

4.5kg

Local voltage

17W

Rack molunting screws x 4

Connection cord MIDI cable

Foot switch (PS-1. S-2) Hard case

i IV/I1U

I BLOCK DIAGRAM

-50

HEAD

ROOM

50 100 500 15K 10K 20K FREQUENCY (Hz)

•*#•■ «%#*%■ I IVJI1O

FEEDBACK PHASE

i BYPASS/ 'OE- IJ-* DELAY OFF EMPHASIS FEEDBACK LEVEL

7

(GAIN UNITY) /

ATTENUATOR '

DIRECT

OUTPUT

+ MIX

UOUTPUT

i-MIX

JOUTPUT

! PROGRAM—t^*4 MEMORY

CD

PROG NO DATA/TIME (ms) DISPLAY

88.8.88.8

3. FREQUENCY RESPONSE GRAPH

oLEVEL -5 10 an 40 50DIRECTOUTPUT 05U1UUbOO1K5K10<20 KFREOUFNHY

1. CHANNEL MESSAGES

Status

10 0 0 n n n n

10 0 1 n n n n

10 11 n n n n

10 11 n n n n

110 0 n n n n

1110 n n n n

Okkk kkkk

Okkk kkkk

Okkk kkkk

0 0 0 0 0 0 0 1

0 111 10 11

0 111 110 0

0 111 110 1

Oxpp pppp

Oxxx xxxx

Oxxx xxxx

Ovvv vvxx

0000 0000

Ovvv vvxx

0000 0000

0000 0000

0000 0000

Obbb bbbb

Note 1: Data is ignored if it is out of the range set in the supported note.

Note 2: Note on velocity has 5-bit resolution.

Note 3: Modulation has 5-bit resolution.Bit-0 and bit-1 are ignored.

Note 4: Program number are 0-63. Bit-6 is ignored.

Note 5: Pitch bends have 7-bit resolution. The 2nd byte is ignoredObbb bbb = 0111 1111 causes +3 degree change.Obbb bbbb = 0000 0000 causes -3 degree change.

2. REAL-TIME MESSAGES

1111 10 0 0

1111 1110

Note off

Velocity ignored

Note on (see note 1)

(Owv ww> 0) (see note 2)

Note off

Modulation (see note 3)

All notes off

Omni off

(All notes off)

Omni on

(All notes off)

Program change (See note 4)

Pitch bend (See note 5)

2nd byte ignored

Timing clock

Active sensing

3. COMMON MESSAGESStatus

1111 0 111

Byte-2Byte*3

End of exclusive

4. bXULUblVE MESSAGES Refer to the SDD-2000 MIDI EXCLUSIVE for details on 3 and 4.Status

SDD-2000 MIDI EXCLUSIVE

1. PROGRAM DATA FORMATA MIDI equipped personal computer can be used to load up to 64 programs into the SDD-2000. (But pro

grams can not be saved from the SDD-2000 to the computer.)

1. Programs are made up of 8-byte words as shown in the chart below.

Byte 0

Byte I

Byte 2

Byte 3

Byte 4

Byte 5

v Byte 6

Byte 7

bit 7

0

0

0

0

0

0

0

bit 6

TM 6

TM 14

TM 15

(MSB)

0

0

0

0

bit 5

TM 5

TM I 3

TM 7

0

0

0

0

bit 4

TM 4

TM 12

FB 4

(MSB)

FO 4

(MSB)

INT 4

(MSB)

EFF 4

(MSB)

0

bit 3

TM 3

TM I I

FB 3

FO 3

INT 3

EFF 3

0

bit 2

TM 2

TM 10

FB 2

FO 2

INT 2

EFF 2

0

bit I

TM I

TM 9

FB I

FO I

INT I

EFF I

x4

bit 0

TM 0

(LSB)

TM 8

FB 0(LSB)

FO 0

(LSB)

INT 0

(LSB)

EFF 0

(LSB)

INV.

Byte 7: Not used yet.

I Time data (Maximum value: FFFOH)x 1 mode (oyte-6 bit-1 must be 0)

• 0 -10ms (0.1ms steps)

06H steps

• 10- 1092ms (1ms steps)

3CH steps

Parameters (Maximum value: 1FH)

Steps 0-31 correspond to hex values of 00H-

• Feedback phase is inverted by setting byte6

x4 mode (Byte€ biM must be 1)

• 0 - 4368ms (1ms steps)

0FH steps

Example: x 1 mode with 500ms delay time.

Greater than 10ms so 3CH steps.

500(D) = 1F4<H)

1F4H x 3CH = 9530H

-1FH.

bit-0 to 1.

2. SEND FORMATFOH) (EXCLUSIVE)

42H ". (KORG ID 42H)

I

2IH , (FORMAT ID 2IH)

|

(SDD-2000 ID 05H)

I

xxH (DATA 5I2 Byte : 8Byte x 64PROGRAM)

xxH j

F7H! (EOX)

DELAY

TIME(msec)(x1 mode)

21-28

31-38

61-68

71-78

81-88

Doubling I

.I

Doubling II

Chorus

Flanging

Flanging II

Vibrato

30

30

10

2

2

10

0

28

-27

1

1

20

INT

0

0

0

29

25

31

26

EFFECT

20

25

25

15

26

31

25

31

50

uistributors List

ANDORRAMarrugat

Avmguoa Mer.t.e- 25 ANDO»RA lA VELLA(Prmcioat 0 AnQO'raiPnone 20132-22H5

AUSTRALIABilly Hyde Music Pty.. Ltd

PO Box 472. 7 Unon Sireei Soutn MelbourneVictoria 3205

Pnone (03)690 6022

AUSTRIAWeiss & Kadlec

Tnesier Sirasse 261 1232 w.e*Pnone 0222/674539

BAHRAINMarshall Boutique

P O Box No 925. Government RoaaPnone 251664

BARBADOSA A B Music SuDDl.es LtdHandley House Prince Aiirec Si B

BELGIUMConmx Mustc imoori

Grote Man.: * 350c Oe".Pnone (C '»25'736

BERMUDA

Riinuuoma's The Mus.c MarkersOueen St Black Sione i6'7 Mam,ltOnP*one (809-29)50890

BRASILF. Purwin

Cana Postal PO 8o« 14 47c224 12 R.ooe Jane.'o

Pnone (02ti267 '939

CANADA

Enkson (A D.v.s.on o» Jam lnausu.es Ltd )

iWt'Sat>*Y S"Wf Sf LaufenI Oueoec H4TPhone 514 738 3000

CANARY ISLANDSMusicananas S L

Pnone 2*06 09

CHILE

inoustr.as Musicaies AmagadaMOneoa720Of 110 EP Sa.it.agoPnone 331819 W

COSTA RICAAlmacen j.m. Acuna V

Aoartaoo926. San joSe

CYPRUSLeon s Music Stores

PO 80* 1440 L.massoPnone 051 73'«i 05'-66079

DENMARKHagstrom MUSlK EN GROS

0'esonosve, Me Ok 2300 Keoennavn sPône 01/554812

ECUADOR

Car a Musical Victor Freire

Pnone 522572

EGYPT

At>oaiiari George Yousse'

*C 8o^9C; E .c— -

EL SALVADORA

OR

Aimacenes S.man S A ae C V

pO 8o»(06)800 San Sa.vaoo-Pnone 220555

ENGLANDRose Moms & Co . Ltd

32 34 Gordon Mouse «oac lcwp-<one Ci 267 5151

FIJI ISLANDS

CiNEPHOTO ELECTPON/CSOevof South Sea Suven.r$"D 0 60. 268 Suva Ci!>Pnone 315355

FINLANOKaukomarkkmat Oy

KutO!an..e4 SP-02630 ESPOC 63P«one 358 0 523711

FRANCEGaftarei Mus.gue SA

Sa.ntOuen . Aumone 9531CCe':Pnone (3) 037 28 65

FRENCH POLYNESIACONSCIENCE MUSIC SHOP

? 85 63

PEDRON MUSIC HOUSEBP 2725 Paoee.e Tan,.,Pnone 3 7i 89

GREECEBon Studio

8Zaim. Sir . Atnens 10683

Pnone 3633 572

HONG KONG

Tom Lee Piano Co.. Ltd9 Cameron Lane. KowioonPnone 3-7221098

HUNGARYKONSUMEX

Hungar.an Foreign Trade Company'44i Buoaoes! PC Bo> 58Pnone 530 5"

ICELANDTonkvisi

Laufasvegi 17 101 ReykjavikPône 25336

ITALY

CGD Messaggene Musicati spa-•Mf Ou.nm.ano 40 20138 Mnanc

"~" r 02/50841

ISRAEL

Sommerteid Music Centre8 Ben Yenuoa Roao Te. AwPnone 296775

JORDAN

O Box 315Phone: 44591

Q9 * Art P^«c«.on. Jaoai Amman. Amman

Twang Music CenterpO Bom 35034 AmmanPnone 44201

KOREA

White Tiger Enteronse Co.

^SS8

KUWAIT

Tecnmco Trading Co LtdP O Box 5032 KUWAIT A/ao.an Gm»Pnone 423917

LEBANONAntouns

Sadai Sr Ras BeîPnone 803244

MALTA

Audio & Auto Sound

61 V.namorosa Street Hamrur,Pnone 606457

MEXICO

Casa de Musica. S A de C V

Casa Veerkamo S A

Granoes Aimacenes de Mus.caMesones2'co. Cen-,0 de u-CoaoDe.ec Cuauniemoc 06080 Me».co D *Pnone (91 5» 585 33 ' 1

Casa Wagner de Guadaiaiara S ACorona 202 Guadaia ara jaiPnone 13 14 14

NEW CALEDONIASOUNDS PACIFIC-:>9 Rê oe ; A"â No-êao-cê 27 2'i 92

NEW ZEALANDCustom Music Limited

pC Bo* 433' "68 S* MARKS RDNEWMARKET. Aucanc 'Pône 500272 500 535

NORWAYHagstrom Mus.kk A/S

Naoderudvn63P 248O9C

PANAMA

Compania Aifaro. S.A.Aoa'iaoc 20: =anama 1p"oa« 23 0292

PARAGUAYMusic Nan SaiC

Pa.ma 567 Asuncion

PHIUPPINESTrebei lndusir.es Inc

G.A Yuoangco & Co.. Inc

339 Bueno,a av Extenson Manat. MetroManna

85-97-26

POLANO

Centraia Handiowa Paemysiu Muzycrn"• D'oga 5. 00-263 WarszawaPnone 31-15-73 31 32-31

R.O.C

Mai Kuo Musica> instrument Cc Ltd

°nOne 32-314 3M3

REP. OF SOUTH AFRICAHonner (Soutn Africa) (PTY) LTD

2nd Floor Maween House. 160 Pres.den,

SINGAPORECity Music Co . Ptd . Ltd

' Sccn.a Roao #0? 12/13 Peace Ceni,eS-ngaoore 092?

°none 337 7058 337 7545 33? 3^9

Yamaha Music (Asia) Pte., Ltd80 Tannery Lane. Singapore 1334Pnone 74 7 4374

SPAINtetusa S.A

Las Fraguas s/n Aoanado de Correos 125AlCOrcon (Madrid)P 612 33*6

SWEDENMUSITECH AB

Maimoorgsgatan 4 S-2n 38 Maimcpône 040 706 25

SWITZERLANDMusik-Meyer AG

So.taistr 74 8952 Scni,erenPê 0i 730 55 05

SYRIA

Meka Music House

MGROITCM KA2ANJIAN

aydpa

2 Maiem.te Si iMeydan; Aieoooone 43357

THAILAND&•" Ngiep Seng Lid . PartNo 110 Nanorn Kasem So. 1 Bannno.P^)ne 222 5281

THE NETHERLANDSMilestone B v

C-KJe^weg '6 Z*.j«O'ecnt P O Bo. '••Pnone .0/8» 'C0044

UAE.

ADduiia Sultan Ai-SnarnanpO 8o« 1675 OPnoê 221509

Umcord

89ôstSt WesiDury New York 1159cP*o«e 516 3339100

URUGUAY

Cas-i-a oe Correo 6243 MonievKJeo

WEST GERMANYMusm-Meyer QrnoH

Postfacn 1729. 3550 Marourg/LannP*or* 06421/81051

desc. OWNERS MRNURLS SDDS0QTY. 000 J SN<

OOMSDD2000 0001

KEIO ELECTRONIC LABORATORY CORPORATION

Documents

SDD2000 Owners manual