2
FIRST CLASS U.S. POSTAGE PAID PERMIT NO. 33 STOCKBRIDGE, MA 01262 ROCKWELL CENTER for American Visual Studies New Society of Fellows and Other Opportunities for Scholars ROCKWELL CENTER for American Visual Studies P.O. Box 308, 9 Glendale Road, Stockbridge, MA 01262 nrm.org Robert Weaver, Lincoln Park, Chicago/Democratic National Convention, 1968. Norman Rockwell Museum Collection, Gift of Magdalen and Robert Livesey, Famous Artists School. Cover: Norman Rockwell, The Law Student, Cover illustration for The Saturday Evening Post, February 19, 1927. Norman Rockwell Museum Collection, Image © SEPS: Indianapolis, IN.

ROCKWELL CENTER · June 2, 2017 A pplications Due July 14, 2017 F ellows Announced July 30, 2017 to July 30, 2018 R esearch Period The Walt Reed Distinguished Scholar Internship The

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Page 1: ROCKWELL CENTER · June 2, 2017 A pplications Due July 14, 2017 F ellows Announced July 30, 2017 to July 30, 2018 R esearch Period The Walt Reed Distinguished Scholar Internship The

FIRST CLASSU.S. POSTAGE

PAIDPERMIT NO. 33

STOCKBRIDGE, MA01262

R O C K W E L L C E N T E R

for American Visual Studies

New Society of Fellows and Other Opportunities for Scholars

R O C K W E L L C E N T E Rfor American Visual Studies

P.O. Box 308, 9 Glendale Road, Stockbridge, MA 01262 nrm.org

Robert Weaver, Lincoln Park, Chicago/Democratic National Convention, 1968. Norman Rockwell Museum Collection, Gift of Magdalen and Robert Livesey, Famous Artists School.

Cover: Norman Rockwell, The Law Student, Cover illustration for The Saturday Evening Post, February 19, 1927.Norman Rockwell Museum Collection, Image © SEPS: Indianapolis, IN.

Page 2: ROCKWELL CENTER · June 2, 2017 A pplications Due July 14, 2017 F ellows Announced July 30, 2017 to July 30, 2018 R esearch Period The Walt Reed Distinguished Scholar Internship The

Fello

wsh

ip a

nd In

tern

ship

Oppor

tuni

ties

The

Roc

kwel

l Cen

ter

for

Am

eric

an V

isua

l Stu

dies

at t

he N

orm

an R

ockw

ell M

useu

m is

the

nati

on’s

first

res

earc

h in

stit

ute

dedi

cate

d to

the

inte

grat

ive

stud

y of

illu

stra

tor

art.

The

C

ente

r’s g

oal i

s to

enh

ance

and

sup

port

sch

olar

ship

rel

atin

g to

this

sig

nific

ant p

ublic

art

fo

rm, e

xplo

ring

the

pow

er o

f pub

lishe

d im

ages

and

thei

r in

tegr

al r

ole

in s

ocie

ty, c

ultu

re,

hist

ory,

and

the

wor

ld o

f art

from

the

emer

genc

e of

pri

nted

mas

s m

edia

in th

e m

id n

ine-

teen

th c

entu

ry to

the

inno

vati

ons

of d

igit

al m

edia

toda

y.

W

e in

vite

app

licat

ions

from

aca

dem

ic s

chol

ars

and

cura

tors

for

part

icip

atio

n in

the

follo

win

g pr

ogra

ms,

whi

ch a

re d

esig

ned

to a

dvan

ce r

esea

rch

and

acce

ss r

elat

ing

to th

is

influ

enti

al b

ut u

nder

stud

ied

aspe

ct o

f Am

eric

an v

isua

l cul

ture

.

Roc

kw

ell C

ente

r So

ciet

y of

Fel

low

s: N

ew P

rogra

mSe

riou

s T

hink

ing

Abo

ut P

opul

ar P

ictu

res

Prob

lem

s in

the

His

tory

and

Cri

tici

sm o

f Pri

nted

Im

ages

Cul

tura

l eng

agem

ent w

ith

the

hist

ory

of p

opul

ar im

ages

has

acc

eler

ated

in th

e 21

st c

entu

ry.

Mus

eum

cur

ator

s an

d ac

adem

ics

have

beg

un to

wor

k w

ith

popu

lar

mat

eria

ls to

a g

reat

er

degr

ee th

an e

ver

befo

re. I

nsti

tuti

onal

dev

elop

men

ts h

ave

para

llele

d ri

sing

inte

rest

in th

ese

topi

cs. A

nd y

et, d

espi

te in

crea

sed

enga

gem

ent,

the

crit

ical

focu

s of

mos

t wor

k ha

s te

nded

to

be

loca

l, bi

ogra

phic

al a

nd a

naly

tica

lly u

nder

deve

lope

d. T

he R

ockw

ell C

ente

r, in

con

sul-

tati

on w

ith

othe

r in

stit

utio

nal a

nd c

riti

cal p

arti

cipa

nts

in th

ese

som

ewha

t inc

hoat

e fie

lds,

re

cogn

izes

a m

etho

dolo

gica

l vac

uum

at t

he h

eart

of p

opul

ar im

age

stud

ies.

To a

ddre

ss t

his

crit

ical

lacu

na, t

he R

ockw

ell C

ente

r en

visi

ons

a tw

o-ye

ar p

roje

ct

desi

gned

to

brin

g le

adin

g th

inke

rs a

nd f

resh

per

spec

tive

s to

the

stu

dy o

f pu

blis

hed

imag

es, w

ith

the

goal

of p

rodu

cing

a s

erie

s of

foun

dati

onal

sta

tem

ents

of t

he e

mer

ging

fie

ld, d

eliv

ered

via

sym

posi

a an

d pu

blis

hed

and

digi

tal m

edia

. The

gro

up w

ill b

e co

nven

ed

twic

e a

year

, eng

age

in d

iscus

sion

and

deba

te, a

nd p

ose

and

answ

er k

ey q

uest

ions

.

Fello

ws

will

con

side

r th

e fo

llow

ing

topi

cs a

nd p

robl

ems:

Illu

stra

tion

as

Soci

al T

ext

Des

pite

thei

r se

emin

g in

visi

bilit

y to

ser

ious

com

men

tato

rs, p

opul

ar im

ages

and

the

soci

al

text

s in

whi

ch th

ey w

ere

embe

dded

con

trib

uted

to th

eir

audi

ence

s’ se

nse

of th

e cu

lture

in

whi

ch th

ey li

ved.

How

can

suc

h so

urce

s ad

d to

our

und

erst

andi

ng o

f the

mod

ern

peri

od?

H

iera

rchi

es a

nd E

xclu

sion

sA

esth

etic

judg

men

ts h

ave

had

an e

norm

ous

impa

ct o

n de

finit

ions

of c

ultu

re. I

n w

hich

w

ays

do h

iera

rchi

es o

ffer

val

uabl

e di

stin

ctio

ns o

f per

sist

ing

valu

e? H

ow m

ay th

e de

moc

rati

c va

lues

of p

opul

ar c

ultu

re b

e re

habi

litat

ed fo

r an

othe

r er

a?

Use

ful T

axon

omie

sD

ue to

the

high

ly lo

cal,

disp

arat

e an

d at

omiz

ed c

hara

cter

of m

uch

wri

ting

on

popu

lar

im-

ages

, we

lack

sha

red

taxo

nom

y an

d vo

cabu

lary

for

desc

ript

ion

and

anal

ysis

. How

mig

ht th

is

prob

lem

be

solv

ed?

Shou

ld it

be,

dur

ing

an e

ra o

f int

elle

ctua

l his

tory

that

tend

s to

pri

ze th

e flu

id a

nd s

uspe

ct th

e fix

ed?

Ano

nym

ity

and

Aut

hors

hip

The

lion

izat

ion

of a

utho

rshi

p an

d cu

lt of

sin

gula

r ar

tist

ry h

as c

ause

d w

ork

of o

bvio

us

cultu

ral r

elev

ance

to b

e sh

unte

d as

ide,

or

to b

e di

scus

sed

as if

no

part

icul

ar p

erso

n or

co

mm

unit

y of

pro

duct

ion

crea

ted

it. H

ow c

an w

e ov

erco

me

the

cult

of th

e cr

eato

r w

hile

si

mul

tane

ousl

y re

spec

ting

and

inte

rrog

atin

g co

mm

unit

ies

of p

rodu

ctio

n in

the

abse

nce

of

clea

r cr

edit

s?

Can

onic

al a

nd H

isto

riog

raph

ical

Que

stio

nsW

e ar

e in

nee

d of

refl

ecti

on o

n w

heth

er a

nd h

ow to

set

tle o

n se

ts o

f ind

ispe

nsab

ly im

port

-an

t pra

ctit

ione

rs. H

ow d

o w

e sp

eak

of s

igni

fican

ce?

Is th

ere

such

a th

ing

as th

e hi

stor

y of

A

mer

ican

illu

stra

tion

, or

put a

noth

er w

ay, c

an th

ere

be a

hist

orio

grap

hy o

f Am

eric

an il

lust

ra-

tion

? H

ow d

o th

e re

late

d fie

lds

of c

omic

s, c

arto

onin

g an

d an

imat

ed fi

lm p

arti

cipa

te in

su

ch n

arra

tive

s?

Lan

guag

es o

f Fo

rmat

ion

& V

isua

l Ana

lysi

sC

lose

look

ing

is e

ssen

tial

for

succ

essf

ul e

ncou

nter

s w

ith

imag

es a

nd o

bjec

ts, e

spec

ially

po

pula

r so

urce

s “h

idde

n in

pla

in s

ight

.” H

ow m

ight

fam

iliar

ity

wit

h pr

oduc

tion

met

hods

m

atte

r? W

hat a

ppro

ache

s to

trai

ning

sch

olar

s in

clo

se lo

okin

g m

ight

be

impo

rted

from

art

an

d de

sign

trai

ning

and

/or

art h

isto

rica

l stu

dy?

Soci

ety

of F

ello

ws

Cal

l For

Par

tici

pati

onT

he R

ockw

ell C

ente

r fo

r A

mer

ican

Vis

ual S

tudi

es s

eeks

to e

ngag

e a

grou

p of

sch

olar

s an

d cr

itic

s to

exp

lore

, deb

ate

and

wri

te o

n ke

y pr

oble

ms

in th

e hi

stor

y an

d cr

itic

ism

of t

he p

op-

ular

pri

nted

imag

e in

the

Uni

ted

Stat

es b

etw

een

1850

and

the

pres

ent.

The

Cen

ter

laun

ches

th

is e

ffor

t to

cata

lyze

the

crea

tion

of f

ound

ing

docu

men

ts in

the

stud

y of

illu

stra

tion

and

ill

ustr

ated

mat

eria

ls, a

n un

derd

evel

oped

fiel

d.

Fello

ws

will

be

expe

cted

to:

mee

t tw

ice

annu

ally

; wri

te o

ne ta

rget

ed p

aper

per

yea

r; e

n-ga

ge in

dia

logu

e w

ith

othe

r Fe

llow

s; p

arti

cipa

te in

a s

ympo

sia

or p

rogr

am; c

ontr

ibut

e to

a

priv

atel

y m

aint

aine

d bl

og; a

nd p

erm

it th

e R

ockw

ell C

ente

r to

pub

lish

desi

gnat

ed w

orks

in

orde

r to

dis

sem

inat

e th

e re

sults

of t

he s

emin

ar.

App

licat

ion/

Stat

emen

t of

Int

eres

tT

he C

ente

r se

eks

to a

ttra

ct c

andi

date

s fo

r th

e se

min

ar p

rogr

am w

ith

subs

tant

ial e

xper

ienc

e an

d de

mon

stra

ted

inte

rest

in th

e st

udy

of a

nd/o

r en

gage

men

t wit

h m

oder

n cu

ltura

l pro

-du

ctio

n. S

chol

ars,

cri

tics

, cur

ator

s an

d pr

acti

tion

ers

wit

h at

leas

t five

yea

rs o

f exp

erie

nce

in

thei

r fie

ld a

re in

vite

d to

app

ly.

Fello

ws

will

rec

eive

a s

tipe

nd o

f $5

,000

per

cal

enda

r ye

ar a

s w

ell a

s tr

avel

exp

ense

s.

Inte

rest

ed p

arti

es s

houl

d su

bmit

a s

tate

men

t of i

nter

est w

hich

res

pond

s to

the

Topi

cs a

nd

Prob

lem

s ou

tline

d ab

ove.

Whi

ch a

reas

are

of i

nter

est t

o th

e ca

ndid

ate,

and

why

? The

Sta

te-

men

t of I

nter

est s

houl

d no

t exc

eed

1000

wor

ds. I

n ad

diti

on to

the

Stat

emen

t of I

nter

est,

the

appl

icat

ion

shou

ld in

clud

e a

cove

r le

tter

, a c

urre

nt C

V, a

wri

ting

sam

ple,

and

a li

st o

f th

ree

refe

rees

. Se

nior

Fel

low

/Pro

ject

Lea

der

Dou

glas

B. D

owd,

Pro

fess

or o

f Art

and

Am

eric

an C

ultu

re S

tudi

esSa

m F

ox S

choo

l of D

esig

n an

d D

. B. D

owd

Mod

ern

Gra

phic

His

tory

Lib

rary

, W

ashi

ngto

n U

nive

rsit

y in

St.

Loui

s.

App

licat

ion

Tim

elin

e:

June

2, 2

017

A

pplic

atio

ns D

ueJu

ly 1

4, 2

017

Fe

llow

s A

nnou

nced

Oct

ober

201

7

S oci

ety

of F

ello

ws

Firs

t Con

veni

ng

Roc

kw

ell S

chol

ars

Fel

low

ship

Pro

gra

m

Roc

kwel

l Cen

ter

Fello

wsh

ips

are

open

to s

enio

r sc

hola

rs, a

dvan

ced

grad

uate

stu

dent

s, a

nd

mus

eum

pro

fess

iona

ls c

hoos

ing

to p

ursu

e re

sear

ch o

r pr

ojec

ts in

or

rela

ting

to th

e su

bjec

t fie

ld o

f illu

stra

tion

art

from

div

erse

aca

dem

ic p

ersp

ecti

ves.

Fe

llow

s w

ill r

ecei

ve a

sti

pend

of

$1,5

00 in

sup

port

of

thei

r w

ork.

R

ockw

ell C

ente

r Se

nior

Fel

low

ship

s ar

e in

tend

ed fo

r sc

hola

rs w

ith

a di

stin

guis

hed

pub-

licat

ion

reco

rd w

ho h

old

a do

ctor

al d

egre

e, o

r w

ho p

osse

ss a

n eq

uiva

lent

rec

ord

of p

rofe

s-si

onal

acc

ompl

ishm

ent a

t the

tim

e of

app

licat

ion.

R

ockw

ell C

ente

r D

isse

rtat

ion

Fello

wsh

ips

are

open

to d

octo

ral c

andi

date

s w

ho a

re

curr

ently

wor

king

on

diss

erta

tion

res

earc

h or

wri

ting

in o

r re

lati

ng to

the

field

of A

mer

ican

ill

ustr

atio

n ar

t and

vis

ual s

tudi

es.

P r

ojec

ts m

ust b

e ob

ject

and

/or

cultu

rally

ori

ente

d, e

mpl

oyin

g ar

t his

tori

cal o

r vi

sual

st

udie

s ap

proa

ches

. A

pplic

atio

ns s

houl

d in

clud

e:C

ompl

eted

app

licat

ion

form

(av

aila

ble

at w

ww

.rca

vs.o

rg);

Res

earc

h pr

opos

al (

up to

five

pa

ges,

dou

ble

spac

ed);

Sel

ecte

d im

ages

; Cur

ricu

lum

vit

ae; T

wo

lett

ers

of r

efer

ence

. A

pplic

atio

n T

imel

ine:

Ju

ne 2

, 201

7

App

licat

ions

Due

July

14,

201

7

Fello

ws

Ann

ounc

edJu

ly 3

0, 2

017

to Ju

ly 3

0, 2

018

R

esea

rch

Peri

od

The

Walt

Ree

d D

istin

gui

shed

Sch

olar

Inte

rnsh

ipT

he R

ockw

ell C

ente

r fo

r A

mer

ican

Vis

ual S

tudi

es o

ffer

s a

nam

ed, p

aid

inte

rnsh

ip in

hon

or

of il

lust

rati

on h

isto

rian

, Wal

t Ree

d, in

rec

ogni

tion

of h

is li

felo

ng c

omm

itm

ent t

o sc

hola

r-sh

ip r

elat

ing

to th

e ar

t of i

llust

rati

on. T

his

inte

rnsh

ip p

rovi

des

a un

ique

opp

ortu

nity

for

thir

d an

d fo

urth

yea

r co

llege

and

gra

duat

e le

vel s

tude

nts

inte

rest

ed in

pur

suin

g ar

ts a

nd

mus

eum

car

eers

to g

ain

prac

tica

l exp

erie

nce

wit

hin

a na

tion

ally

acc

redi

ted

orga

niza

tion

.

The

inte

rn w

ill s

pend

eig

ht to

ten

wee

ks fo

cusi

ng o

n pr

ojec

ts e

stab

lishe

d w

ithi

n th

e C

urat

oria

l/E

xhib

itio

ns D

epar

tmen

t. T

he in

tern

will

rec

eive

a s

tipe

nd o

f $2

,500

in s

uppo

rt o

f th

eir

wor

k.

App

licat

ion

Tim

elin

e:

Apr

il 24

, 201

7

App

licat

ions

Due

May

5, 2

017

W

alt R

eed

Inte

rnsh

ip A

nnou

nced

Sum

mer

201

7

Inte

rnsh

ip P

erio

dSe

nd A

pplic

atio

ns f

or A

ll P

rogr

ams

Att

enti

on T

o:St

epha

nie

Hab

oush

Plu

nket

tD

eput

y D

irec

tor/

Chi

ef C

urat

or, N

orm

an R

ockw

ell M

useu

msp

lunk

ett@

nrm

.org

; 413

-298

-410

0, e

xt. 2

08

RO

CK

WE

LL

CE

NT

ER

for A

mer

ican

Visu

al S

tudi

es

Nor

man

Roc

kwel

l, N

ew K

ids i

n th

e N

eigh

borh

ood,

Illu

stra

tion

for

Look

, May

16,

196

7.

Nor

man

Roc

kwel

l Mus

eum

Col

lect

ion,

Im

age

© N

orm

an R

ockw

ell F

amily

Age

ncy.