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If you take a stroll through St. Petersburg’s Saturday
Morning Market, and happen to hear a couple of
guys playing some old Eagles or James Taylor tunes,
there’s no need to rub your eyes and do a double
take. Your eyes do not deceive you: One of the guys
who’s strumming his guitar and crooning is, none-
other-than, Mayor Rick Baker.
Baker, St. Petersburg’s mayor for the last seven
years, regularly straps on his guitar and plays
some “easy rock” tunes at the Saturday Morning
Market—tunes that he claims no one under 30
knows. Although his guitar rhapsodies may not
blare from the iPods of every teen in town, it’s apro-
pos that the man who could easily be dubbed
Photography on this page; Gabriel Burgos, Oppostie page; by Sue Geier Studio 212, bottom right; Jorge Vidal, courtesy of the Arts Center of St. Petersburg.
By Geodie Baxter Padgett
ROCK ’N ROLL AND A BULLY PULPIT
ROCK ’N ROLL AND A BULLY PULPIT
BAKeR’s excitement & passion for the arts can be heard in his voice when he talks about the subject.
“Tampa Bay’s mayor of the
arts” is himself an artist.
Baker’s excitement and
passion for the arts can
be heard in his voice
when he talks about the
subject. “We have lots of
great museums, galler-
ies, performing arts and
performing arts centers. And we’re always trying to bring
new things in to add to what we do,” he said.
His list of accomplishments in the arts arena is nothing
short of stellar. He’s nabbed the nation’s one and only
Chihuly glass museum that is slated to break ground this
fall, and was honored with the new Vatican Splendors
exhibit at the Florida International Museum (only seven
cities in United States history have displayed this exhibit).
Other community arts successes include heavy recruit-
ment to be a regular Cirque du Soleil stop, establishing
grants for the new Salvador Dali Museum, completing
the 39,000 square foot expansion of the Museum of
Fine Arts, locating a free home for the Florida Orchestra
offices, boosting funding for First Night—St. Petersburg’s
New Year’s celebration of the arts— successfully creat-
ing the Progress Energy Center for the Arts, including a
remodeling of the Mahaffey Theater which has helped
attract the Broadway Across America series and a new
concert series (premiering with Chicago) to join the
Florida Orchestra and community theater schedule
—and the list goes on and on.
With all that under his belt, it’s no wonder Baker is so
successful as a mayor and champion of the arts. But
it’s not always easy, and it’s no secret that budget cuts
have seriously impacted St. Petersburg’s finances. Yet,
Baker still manages to pull all the stops and find funding
for art venues. Although part of his success may stem
from his warm, unpretentious demeanor, the real key to
his money raising achievements lies in the fact that he
genuinely cares about life in St. Petersburg, something
that may have to do with his own family.
“My children have
grown up with me as
mayor,” said Baker. So,
he continually asks,
“What’s the next thing
we can do to add to
the quality of life in
St. Petersburg?”
As such, Baker is by
no means fraid to go to bat for the arts, especially since
he’s also keenly aware that a strong arts movement has a
significant, positive economic impact on a city.
“I don’t have a lot of tax money, but I do have a bully
pulpit—so I can go out and raise money and find money
in different ways,” he says.
Baker’s out-of-the box thinking and solid negotiation skills
are instrumental in securing the support of key compa-
nies and community organizations to ensure that the arts
flourish. Both Progress Energy and St. Petersburg College
have answered his call and contributed significantly to the
arts. Their generosity has resulted in numerous arts pro-
grams at the Progress Energy Center for the Arts, which
houses the Mahaffey Theater and includes the new Albert
Whitted Park, featuring an airplane-themed playground,
as well as the future home of the new Dali Museum. St.
Petersburg College’s downtown arts commitment is
reflected by its bringing the Palladium Theater, the Florida
Orchestra offices, the Florida International Museum and
the new Raymond James Theater for American Stage
under the college’s umbrella.
St. Pete’s public arts program also secures support for
the arts. One percent of each eligible city construction
project budget, up to $50,000 per project, goes into the
city’s Public Art Fund. Through that fund, newer city
recreational centers, fire stations, libraries and other
facilities have monies for public art displays.
Despite being a staunch supporter of the arts, Baker jok-
ingly admits that he doesn’t “have any taste.” That said,
Baker jams with the Marshall Tucker Band at Ribfest ’06.
he relies on the services of
a public art committee to
offer recommendations. “I’ve
never not approved one
(recommendation),” he says
in spite of not personally lik-
ing a couple of the choices.
However, regardless of his
personal tastes, there’s one
stipulation he holds for all
public art in St. Petersburg,
that is, it doesn’t offend the character of the city.
A father of an 11- and 12-year-old, Baker has woven
his Midwestern values into the fabric of St. Peters-
burg’s governance by working to create a family-
friendly city. At the heart of his efforts is the belief
that parents want to create a lifetime of memories for
their children—a philosophy that frequently imbues
his decisions around the arts.
“It’s important to find ways to expose children to the
arts,” he said. “I’m still trying to figure out Dali myself, but
it’s kind of interesting to sit with your 12-year-old and
try to explain the dual imagery and watch their eyes as
that light bulb goes on. How much fun is that—to be
able to experience that with your kids.”
He also supports other art exhibits and venues that try
to connect with kids such as Class Acts at the Progress
Energy Center for the Arts—a program dedicated to
sharing arts with school children in Pinellas County—
and the Great Explorations Hands-On Children’s
Museum, for which the City provided the venue at 4th
Street’s Sunken Gardens. Additionally, Baker looks for
ways that kids can interact with art in different envi-
ronments, like the gallery at the Museum of Fine
Arts where kids (and adults) could lie on the floor
and look at a traveling exhibit of Chihuly’s glass as
it hung from the ceiling.
“You were supposed to go lie down and look up at it.
Well, I can’t tell you how much my kids got a kick out
of that. If you can lie
down on the floor at
a museum, that’s just
cool!” he said.
Another example of
creative, kid-friend-
ly art is the Florida
Orchestra’s annual
outdoor concert
held in the fall.
The program is designed for families: It’s free, held
in Vinoy Park, and includes picnicking, patriotic
songs and fireworks. “It’s an event,” says Baker who
equates it with another outdoor family arts affair--
American Stage in the Park.
Baker’s connection with the arts and St. Petersburg
really came to prominence during his tenure as
Chairman of the Board at the Florida International
Museum where he negotiated one of the most
successful and lucrative exhibits in the city’s and
America’s history—the Titantic. While Baker admits
the exhibit was good for the city of St. Petersburg,
he notes that it didn’t hurt that a blockbuster
movie by the same title had just been released.
Still, what he remembers most fondly about the
exhibit centers around his kids.
“I brought my kids to it…and they had their pic-
ture taken with the last survivor of the Titanic…
what great memories,” he recalled.
The success of that exhibit put Baker on the map,
and in 2001, he was elected mayor where he began
to put St. Petersburg on the nation’s map for the
arts. Today, St. Petersburg is recognized as one of
the top art communities in the nation—an amazing
accomplishment. But that’s not what impresses Baker
the most. To him, his greatest contribution to the
arts—although some may disagree— is playing at
the Saturday Morning Market. “It’s a good symbol for
the city to have a mayor play rock-n-roll,” he said.
Playing guitar is just one of the many facets of Rick Baker.