TUESDAY, 26 FEBRUARY 2013

REVIEW: Breath of God, Documentary on T. Krishnamacharyafrom Krishnamacharya's Ashtanga Yoga at Home

http://grimmly2007.blogspot.co.uk/2013/02/krishnamacharyas-movie-breath-of-god.html

http://www.breathofthegods.com

One of my favourite things about the movie was the music, took some hunting but I found it on Youtube.

Song of India from Sadko by Rimsky-Korsakov, sung by a very young Jussi Bjoerling in 1936

http://youtu.be/8-hwvh58a20

Kaikhosru Shapurji Sorabji's magical Pastiche on the Hindu Merchant's Song from 'Sadko' by Nikolai Rimsky-Korsakov. Played by Marc-André Hamelin.

http://youtu.be/vPO4NeBSAGY

The movie begins with the director and Alex Medin, who many of you may know if you run in Ashtanga /Mysore circles, looking for the village in which Krishnamacharya was born. The land was owned it seems by Krishnamacharya's family but the village moved on account of large termite mounds.

The movie then includes a clip from the 1938 B and W documentary with some captions I haven't seen before that may have been added.

His daily regime, hmmmmmm.

Here's the full movie. In Breath of God, different clips from this were intercut throughout the film

http://youtu.be/ML9yZd7bIvY

After the clip the movie moves to Mysore where Alex tells the Director, Jan Schmidt-Garre, that its Guru Purnima, the day to honour your guru and also the late Sri k Pattabhi Jois' birthday.

This leads into a section on Pattabhi Jois as the first student in Mysore of Krishnamacharya. There are some scenes of him leading primary inside the Shala and talking about Krishnamacharya and how tough he was as a teacher. Alex brings him the old Mysore photo below and he identifies himself as the boy in kapoatasana that krishnamacharya is standing upon. He also points out Krishnamacharya's first son at the frount in Supta Trivikramasana and his best friend, Mahadeva Bhatt, one of the best practitioners at the shala, who we find out later ran away from the shala, there's a hint of sadness in that moment.

Pattabhi Jois, sitting on his big chair in the shla, then takes the director through Suryanamaskara A and B (just the three of them in big shala) and then tries to make him get into lotus, I keep expecting Jan's knee to pop out here, thankfully he gives up and says he can't do it...."practice practice practice and it is coming".

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Next we move to Pune and some wonderful scenes with Iyengar who pretty much steals the movie. We see him first in his shala practicing along with everybody else, hanging on some ropes in a backbend, a phenomenal man.

Again, more stories about how terrify Krishnamacharya was but also how important he was for changing the perception of Yoga in India.

Iyengar mentions,

"When I came to Pune in 1937, I was seventeen and a half years old at that time, though I was with my Guru for two years he must have taught me in all only about fifteen or twenty days not beyond"

Some nice Iyengar clips here from the 1938 movie above, Iyengar practicing Ashtanga

He also says that he was relieved to leave Mysore for Pune, a caged tiger escaping his cage. He says that it was worse for him because he was family ( he mentions too that his brother also ran away, I hadn't heard of Iyengar's brother before).

Back to Mysore and a scene of the Director and Alex in a busy restaurant. Alex sketches out Krishnamacharya's main students and family. This turns out to be the framework for the movie as Jan visits many of the family members and students to gain a better understanding of Krishnamacharya's teaching.

Alex " If you seek out all these people who are still alive and try to get information from them i think you will get much more of value, true source of information about the life and teaching of Krishnamacharya".

Thank you for that Alex, nice plan.

AG Mohan doesn't appear in the main movie but has a few scenes in the extras DVD. Desikachar is sick and Ramaswami probably in the US.

KM= KrishnamacharyaPJ= pattabhi Jois (first student 1927)BKS = BKS Iyengar (student from 1934)ID = Indra Devi = (1947)

Krishnamacharya's six children ( all learned Yoga from their father)p = Pundarikavalli

A = AlameluS = Srinivasa TatcharD = DesikacharS = SribhashyamS = Shubha

R= RamaswamiAG = AG Mohan

The director asks if there is one true Yoga pointing out that Pattabhi Jois had said that yoga hasn't changed for 5000 years but that Iyengar's teaching is very different from Pattabhi Jois.

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The next section of the movie is introduced by telling us that the yoga school was opened in Mysore in 1933/34 and that the Mahārāja took lessons there every morning with family, cousins etc.

He goes to the original site with Alex and some other of Pattabhi Jois older Indian students, Pattabhi Jois arrives later, looking quite frail, he was to pass away shortly afterwards.

This is an excellent scene. The school/shala ( now a Catholic elementary school) seems to have been outside. I'd always assumed that in the picture of the Mysore students (above), they had come outside just for the picture but it seems this is actually a picture of where practice took place.

The current director of the Sanskrit college explains that going by the official records the school was opened for "the Arasu boys, the caste, community, belonging to the royal family.

That's the Ashtanga vinyasa developed for young boys bit, it's there in black and white, right in the records....however we also hear elsewhere from Pattabhi Jois that he first saw Krishnamacharya giving a demonstration in 1927 where he was jumping from asana to asana, he was so impressed he secretly became Krishnamacharya's student for two years (that's not in the movie however).

Some interesting scenes in the Sanskrit college with the director looking at some of the records about the school. It seems there was the School inside the palace for the more immediate family in the mornings and then the school outside for the wider members of the caste in the evening. Pattabhi Jois, Iyengar etc practiced in the evening outside.

Now we have the first 'reconstruction scenes', little clips of demonstrations given by Krishnamachary'a students. OK, kinda nice, but irritating too as it's not made clear that these are reconstructions, M. was a little confused. The captions too are the same as in the original movie suggesting all the captions in both movies were added by the director.

The next section of the movie introduces Krishnamacharya's youngest son TK Shribhashym. Sitting together in the Mysore palace. Shribhashym tells Jan that Krishnamacharya modified the asana practice for the more vigorous, sportsman Maharaja and close members of his family, this was taught inside the palace itself in the mornings. He suggests here that the style of practice was modified for the martial concerns of the Maharaja (given the uncertain times), a vigorous Vinyasa Krama to make the family fitter and faster) which we now know as Ashtanga vinyasa.

hmmmm.

TK Shribhashym: "You have a series of asanas and then you have an asana where you have to stay, you come back to the original position. Normally in the Vinyasa Krama that my Father was teaching, you start in a standing position, I mean normally because there are many methods. So from standing you reach the asana, you stay in that asana, and then you come back to the standing position in a reverse order. That's why we call it Vinyasa Krama".

I loved the next bit, TK Shribhashym flicking through the original Yoga Makaranda, would be wonderful to get my hands on an original edition of the is of Yogasanagalu too (sigh)

Jan : "What do you think, what's the origin of the Asanas"

TK Shribhashym: It's not so obscure you know...there were very few yoga teachers in those days who could teach so many asansas but when you read Mahabharata, Ramayana, any other book you find yogis practicing and doing penance in these asana and my father, maybe, might have just indexed them in his mind and when he taught, he would teach them. because when my father taught us asanas he would always teach us the origin, from which book it came".

Nice story from Ramnayana here about shirsasana

Jan meets the oldest daughter Alamelu and the short interview is inter cut with the scene of her demonstrating in the old B and W 1938 movie with her sister. The screen shot of the movie above is of the two of them.

Brief mention of Krishnamcharya as a great scholar of the different Indian philosophies as well as going to the Himalayas to study yoga with Rama Mohan Brahmacharya where he supposedly learnt three thousand asanas. Curiously this isn't dwelled on in the movie.

We get a look at Krishnamacharya's old house where Krishnamacharya had planted seven coconuts trees t represent the seven planets. in Mysore where he taught his children.

Mention of the hearts stopping/slowing demonstrations.

More from the interviews with Krishnamacharya's daughters, such strong, smart wonderful woman in the Krishnamacharya household.---------------------

Now we come to perhaps my favourite scenes from the movie, at about an hour in. These take place in the Sanskrit college in Mysore that Krishnamacharya taught at.

'To understand where yoga comes from you have to see where my father taught' TK Shribhashym

There's a scene where TK Shribhashym is doing acroyoga with, I'm guessing, one of his own sons just as Krishnamacharya had done with his sons in the 1938 movie. That's followed by a group of boys practicing Ardha baddha paschimottanasana while chanting a mantra.

Krishnamacharya would supposedly have the boys stay in a posture while chanting a mantra, perhaps 108 names of God.....Long stays!

This is followed by a quite powerful scene where three men are practising in the Sanskrit college, led by TK Shribhashym. They are

practicing adhomukhapadmasana, laying on their frount in padmasana, plus some other postures, paschimottanasana for example, their breathing long and slow and on the retention I assume they are mentally chanting a mantra. The scene ends with them practicing pratyahara.

M. was quite struck by this scene, mentioned there was a certain, almost ...ordinary...everydayness about it. This is a daily ritual, no big fuss and bother the way we make about our practice, an extension of their puja almost and just regular clothes too, no Lululemon or Nike here. And yet it's powerful, the breathing, the concentration, the focus, the way all tis is incorporated into their daily lives.

I think she was wrong about the clothes ( although correct with regards to the boys) but right in regards to the puja aspect. These men are freshly bathed and robed, there is a devotional aspect to their practice.

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The next section of the movie talks about how inclusive Krishnamacharya was in his teaching and particularly towards women.

"What men learn, woman have tried to learn also". TK Shribhashym

We have another highlight here, Krishnamacharya's youngest daughter, the really quite wonderful Shubha, sharing the practice her father had taught her and that she still practices every morning. The full practice is included on the DVD extras again shot in the Sanskrit college.

"Unless you have a coordination of breathing and movement your not doing any yoga...coordination of breathing and movement...an maximum level of coordination" Shuba

Another of those curious reconstructions, but this one with a quite remarkable Buddhasana where the young man almost puts his leg behind his head without hands.

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Then it's back to Pune and more wonderful scenes with Iyengar. A little uncomfortable viewing here though as Iyengar relates how his Guru never gave him any guidance but just said do this asana, now this. He relates the story, that he's written about before, where he is forced to do Hanumanasana for the first time in a demonstration and tears a hamstring (which took two years to heal). He says that the reason he was told to do it rather than the other senior students present (he mentions Pattabhi Jois) was that he was family and Krishnamacharya could speak more firmly towards him.

This is part of the reason that Iyengar was so dedicated to uncovering the secrets of asana practice and discovering how best to practice

them and more importantly how to teach them.

Jan: "So you taught yourself"?Iyengar: " I was the student myself, I was the guru myself......the dialogue was between me only".

Jan (director) asks if he had a mirror, Iyengar laughs and says he didn't have enough to eat everyday let along enough to buy for a mirror.

"My friend, when I could not get even one meal for even tow days or three days where is the mirror...tell me".

Instead he would experiment on himself, why this leg felt better than this one, what if I try it like this or like this...

'Instinctive intelligence.... let me think, let me work..."

I think I mentioned here once before that I thought Iyengar was the ultimate home yogi.

A wonderful scene.

Followed by more of Iyengar teaching, the subject and object of rotation....of backbends..

As I said, Inyengar steals the show somewhat.

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The movie switches back to Mysore. Pattabhi Jois has passed away and there a few moments with Sharath sitting on the stage next to guruji's chair, saying that his Grandfather's last wish was to die at home in his room and not in a hospital and that his wish came true, there's a pause at the end that's really quite moving.

A scene of Alex doing some of 3rd series inter cut with Patabhi Jois talking about citta vritti nirodaha, about controlling the mind as the goal of Yoga.

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Back again to Pune where Iyengar teaches Jan how to do shirsasana, headstand, something he's never been able to do before.

Iyengar's secret is to keep the forearm just behind the wrist in contact with the floor/mat, not to raise it at all.

Iyengar high-five's Jan - Another great Iyengar scene, lol.

Followed by a little criticism of Vinyasa Krama which here he's using I think to refer to Ashtanga.

His yoga he says reaches all the skin, every pore, every muscle and bone

"It's wholeistic I said wholistic W-H-O-L-E istc...because it is WHOLEistic it is Holistic"

"Where as other things, for example Vinyasa krama (here he means Ashtanga), there is no holisticity in it...., it's a part, you move certain parts in certain...positions...so it is not holistic. So by staying in the asana you develop that...that wholeness....of attending from the consciousness to the skin and from the skin to the consciousness, receiving and acting and that's why it's a holistic practice that makes one to be holy at that time"

he was quite amused by this explanation Whole-Holistic-Holy : )------------------

A beautiful sunset scene, set to the Pastiche by Hamelin (above), in Mysore, Krishnamacharya supposedly said that you should try and observe the sun set every night.

Stunning shot of the Mysore palace at night.

The director relates how the Yoga Shala was closed after india's independence and the struggles of Krishnamacharya's family and how Krishnamacharya reluctantly left to move to Chennai.

A nice walk around one of Krishnamacharya's first houses in Chennai, tiny place with a small room where only perhaps two students could practice at a time.

I felt watching this that I didn't have an excuse not to teach in my own home shala.

Jan talks about how Krishnamacharya still sought to promote yoga when in Chennai, lecturing while his sons stayed in posture. He mentioned how Krishnamacharya oldest son now lives in seclusion in a temple.

Another nice scene with a former student of Krishnamacharya who had photo's taken during one of his lessons. Here we see Krishnamacharya employing adjustments something I hadn't thought he tended to engaged in.

Jan and Shribhashyam visit a temple that Krishnamacharya used to visit. Pointing at a small picture Shribhashyam explains that the origin of asana.

Shibrhashyam: "I would say it's the first Yoga asana in our mythology...in the vedic tinmes or even in mythological times, when we said asana, which is the position of God, this is the first one that we refer to. that's why he's called yoga narashima. That is, Narashima who is in meditation"

Jan " The sitting God, the Breathing God, it was breathing we participate in when we do yoga, is that the source"?-----------------------

A beautiful scene from a home movie of Krishnamacharya in his 80's sitting on a swing reading at their final house

It was at this time in Chennai that Krishnamacharya was practicing what he referred to as 'The life saving session' and that he supposedly practiced up until his death.

The movie ends with Shribhsyam leading Jan through the Life saving sessions, again while in the Sanskrit college. The full sequence is on the DVD extras.

See this post for the life saving practice http://grimmly2007.blogspot.co.uk/2012/10/pimping-up-krishnamacharyas-life-saving.html

The last word from TK Shribhsyam

"Yoga is coming from a country in which God is very important, ever present in our life. So in one way it's easy for us to think of god, to keep him in our mind in whatever we do. But in the west it's not so. And as my father did not want to impose his personal religious beliefs to you he had to find a way in which he, let us say, develop in you the thirst for God or creator...

The more you practice this session, the more you come to shirsasana and sarvangasana, bhujangasana, you reduce your mental activities and since you've already reduced your sense perceptions from the external world your emotional activities also come down and you end up with maha mudra and paschimottanasana, which look like yoga postures but where the concentration is so deep that you are...already, knowing what the peace of mind is. And it finishes, naturally, with concentration on the spiritual heart. That is where, whatever our religion is we consider our soul resides. So, with a peaceful mind and the mind directed at the heart naturally you have a glimpse of what your own spiritual life is, even if it is for a few seconds. By practice you learn to live (experience this?) for a long time" TK Sribhashyam

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And here's the movies own trailer

http://youtu.be/79XZmXfbqk8