1:15 p.m. Son Jarocho—Traditional Folk Music of Coastal Veracruz Son Cosita Seria Alexandro D. Hernandez, guitarra de son, and vocals Daniel Herrera, leona, violin, and vocals Anna Duncan, jarana, zapateado, and vocals Salvador Sarmiento, jarana, and vocals 2:15 P.M. Rethinking Revolution in Mexico and Veracruz Chair: Sarah Bowskill, Lecturer in Latin Am. Studies, Queen’s U., Belfast “Revolutionary Conﬂicts, Contradictory Outcomes, 1910-1920” Rodolfo Fernandez, Ph.D., History, Georgetown, 2014. “Can a Regime Be a Revolution? Mexico, 1920-1940,” John Tutino, Professor, History and SFS, Georgetown “Rethinking Post-Revolutionary Veracruz: Society and Politics, 1920-1940.” Heather Fowler-Salamini, Professor of History, Emerita, Bradley U. 3:45 p.m. Film and Filmmaking in Post-Revolutionary Mexico Chair: Bernard Cook, Associate Dean, Director of Film and Media Studies, Georgetown “Dolores del Río and the Golden Age of Mexican Film,” Bárbara Mujica, Professor, Spanish and Portuguese, Georgetown “Paul Strand, Redes, and Mexico in the 1930s,” James Krippner, Professor, History, Haverford College 5:15 p.m. Redes and Revueltas: Selections Georgetown University Orchestra, conducted by Angel Gil-Ordóñez A selected ensemble of the GU Orchestra will play selections from Silvestre Revueltas’ score while showing excerpts from the recently re-mastered 1934 ﬁlm. Sponsored by the Americas Initiative, the Department of Performing Arts, the Institute for Global History, the Department of Spanish and Portuguese, and the Film and Media Studies Program— all part of the Georgetown University College of Arts and Sciences. This event is part of the Mexico Festival produced cooperatively by the PostClassical Ensemble, Georgetown University, the Mexican Cultural Institute, and the Clarice Smith Performing Arts Center at the University of Maryland McNeir Hall, New North Building | FREE performingarts.georgetown.edu

REDES EVOLUTION · REDES EVOLUTION: Music, ilm, V eracruz, Friday, April 11, 214 1:15-5:3 p.m. 1:15 p.m. Son Jarocho—Traditional Folk Music of Coastal Veracruz

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Page 1: REDES EVOLUTION · REDES EVOLUTION: Music, ilm, V eracruz, Friday, April 11, 214 1:15-5:3 p.m. 1:15 p.m. Son Jarocho—Traditional Folk Music of Coastal Veracruz

Redes and Revolution: Music, Film, and History in Mexico and veracruz, 1910-1940

Friday, April 11, 2014 | 1:15-5:30 p.m.1:15 p.m.Son Jarocho—Traditional Folk Music of Coastal Veracruz

Son Cosita SeriaAlexandro D. Hernandez, guitarra de son, and vocals Daniel Herrera, leona, violin, and vocalsAnna Duncan, jarana, zapateado, and vocalsSalvador Sarmiento, jarana, and vocals

2:15 p.M.Rethinking Revolution in Mexico and Veracruz

Chair: Sarah Bowskill, Lecturer in Latin Am. Studies, Queen’s U., Belfast “Revolutionary Conflicts, Contradictory Outcomes, 1910- 1920” Rodolfo Fernandez, Ph.D., History, Georgetown, 2014. “Can a Regime Be a Revolution? Mexico, 1920- 1940,” John Tutino, Professor, History and SFS, Georgetown“Rethinking Post- Revolutionary Veracruz: Society and Politics, 1920- 1940.” Heather Fowler- Salamini, Professor of History, Emerita, Bradley U.

3:45 p.m.Film and Filmmaking in post- Revolutionary Mexico

Chair: Bernard Cook, Associate Dean, Director of Film and Media Studies, Georgetown “Dolores del Río and the Golden Age of Mexican Film,” Bárbara Mujica, Professor, Spanish and Portuguese, Georgetown “Paul Strand, Redes, and Mexico in the 1930s,” James Krippner, Professor, History, Haverford College

5:15 p.m.Redes and Revueltas: Selections

Georgetown University Orchestra, conducted by Angel Gil- OrdóñezA selected ensemble of the GU Orchestra will play selections from Silvestre Revueltas’ score while showing excerpts from the recently re- mastered 1934 film.

Sponsored by the Americas Initiative, the Department of performing Arts, the Institute for Global History, the Department of Spanish and portuguese, and the Film and Media Studies program— all part of the Georgetown University College of Arts and Sciences.

This event is part of the Mexico Festival produced cooperatively by the PostClassical Ensemble, Georgetown University, the Mexican Cultural Institute, and the Clarice Smith Performing Arts Center at the University of Maryland

McNeir Hall, New North Building | FREEperformingarts.georgetown.edu