56
Reconstruction PSA Monday, July 15

Reconstruction PSA Monday, July 15

  • Upload
    moesha

  • View
    35

  • Download
    0

Embed Size (px)

DESCRIPTION

Reconstruction PSA Monday, July 15. Lesson Focus: What were the goals of Reconstruction?. Part I: Hook. Historical Thinking Skills Questions. What type of primary source is this? (sourcing) When and where did it appear? (contextualizing) Who is the artist? (sourcing) - PowerPoint PPT Presentation

Citation preview

Page 1: Reconstruction PSA Monday, July 15

Reconstruction PSAMonday, July 15

Page 2: Reconstruction PSA Monday, July 15

Lesson Focus:What were the goals of

Reconstruction?

Page 3: Reconstruction PSA Monday, July 15

Part I: Hook

Page 4: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What type of primary source is this? (sourcing)2. When and where did it appear?

(contextualizing)3. Who is the artist? (sourcing)4. What figures/images stand out to you? (close

reading)5. What is the message of the text and image?

(sourcing)6. Who was the audience? (contextualizing)7. What were the major issues in the United

States at the time this image appeared? (contextualizing)

Page 5: Reconstruction PSA Monday, July 15

Part II: Section Image Analysis

1. Flip over your handouts and find what image you will be analyzing in groups.

1. Each group will be receiving a larger image to analyze.

Group A: 4 membersGroup B: 3 membersGroup C: 3 membersGroup D: 3 membersGroup E: 3 membersGroup F: 3 membersGroup G: 3 membersGroup H: 4 membersGroup I: 4 members

Page 6: Reconstruction PSA Monday, July 15

SECTION A

Page 7: Reconstruction PSA Monday, July 15

Section A

Page 8: Reconstruction PSA Monday, July 15

Section A

Page 9: Reconstruction PSA Monday, July 15

Section A

Page 10: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 11: Reconstruction PSA Monday, July 15

SECTION B

Page 12: Reconstruction PSA Monday, July 15

Section B

Page 13: Reconstruction PSA Monday, July 15

Section B

Page 14: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 15: Reconstruction PSA Monday, July 15

SECTION C

Page 16: Reconstruction PSA Monday, July 15

Section C

Page 17: Reconstruction PSA Monday, July 15

Section C

Page 18: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 19: Reconstruction PSA Monday, July 15

SECTION D

Page 20: Reconstruction PSA Monday, July 15

Section D

Page 21: Reconstruction PSA Monday, July 15

Section D

Page 22: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 23: Reconstruction PSA Monday, July 15

SECTION E

Page 24: Reconstruction PSA Monday, July 15

Section E

Page 25: Reconstruction PSA Monday, July 15

Section E

Page 26: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 27: Reconstruction PSA Monday, July 15

SECTION F

Page 28: Reconstruction PSA Monday, July 15

Section F

Page 29: Reconstruction PSA Monday, July 15

Section F

Page 30: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 31: Reconstruction PSA Monday, July 15

SECTION G

Page 32: Reconstruction PSA Monday, July 15

Section G

Page 33: Reconstruction PSA Monday, July 15

Section G

Page 34: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 35: Reconstruction PSA Monday, July 15

SECTION H

Page 36: Reconstruction PSA Monday, July 15

Section H

Page 37: Reconstruction PSA Monday, July 15

Section H

Page 38: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 39: Reconstruction PSA Monday, July 15

SECTION I

Page 40: Reconstruction PSA Monday, July 15

Section I

Page 41: Reconstruction PSA Monday, July 15

Section I

Page 42: Reconstruction PSA Monday, July 15

Section I

Page 43: Reconstruction PSA Monday, July 15

Section I

Page 44: Reconstruction PSA Monday, July 15

Historical Thinking Skills Questions

1. What images stand out to you? (close reading)

2. What text stands out to you? (close reading)

3. What is the artist’s message? (sourcing)

4. Who is the audience? (contextualizing)

Page 45: Reconstruction PSA Monday, July 15

Part III: Complete Image Analysis

As a whole class, put together your picture pieces to create a

complete image.

Page 46: Reconstruction PSA Monday, July 15

Title: Reconstruction / eng. by J.L. Giles, N.Y. ; printed by F[rancis] Ratellier, 171 Broadway, N.Y.Creator(s): Giles, J. L. (John Lawrence), lithographerDate Created/Published: [New York : s.n.], c1867.

Page 47: Reconstruction PSA Monday, July 15

Part III: Complete Image

1. Seeing the whole image complete,a. What images stand out to you? (close reading)

a. What is the artist’s message? (sourcing)

a. Who is the audience? (contextualizing)

– What was the objective of the artist in creating this image? (sourcing)

Page 48: Reconstruction PSA Monday, July 15

Part IV: Corroborating

Page 49: Reconstruction PSA Monday, July 15

Part IV: Corroborating

1. How do the two images provide evidence of Radical Reconstruction’s goals?

2. Were these goals achieved by Reconstruction? Why or why not?

Page 50: Reconstruction PSA Monday, July 15

Follow-up: Why did Reconstruction fail?

• Political cartoons from the era of Reconstruction can also provide us insights into why Radical Reconstruction failed to achieve its goals.

• With your group, examine the image provided to you and work together to identify:*What evidence does the cartoon provide for

Reconstruction’s failure? *What historical perspective does it

represent?

Page 51: Reconstruction PSA Monday, July 15
Page 52: Reconstruction PSA Monday, July 15
Page 53: Reconstruction PSA Monday, July 15
Page 54: Reconstruction PSA Monday, July 15

Whose perspective does this cartoon represent?

Page 55: Reconstruction PSA Monday, July 15

Links:

• “Uncle Sam’s Thanksgiving Dinner,” Harper’s Weekly, November 20, 1869. http://cartoons.osu.edu/nast/uncle_sam.htm

• Bateman’s “National Picture” Zoomable Image. http://www.knowla.org/image.php?rec=1027

• “Worse Than Slavery,” Harper’s Weekly, October 24, 1874. http://blackhistory.harpweek.com/4Reconstruction/ReconLevelOne.htm

Page 56: Reconstruction PSA Monday, July 15

More Links:• “The ‘Strong’ Government & The ‘Weak’

Government,” Puck, 1880. http://primarysourcenexus.org/2011/11/featured-image-strong-weak-government/

• “For the Sunny South,” Puck, 1913. http://www.loc.gov/pictures/item/2002720354/

• “Murder of Louisiana Sacrificed on the Altar of Radicalism,” Harper’s Weekly, 1871. http://loc.harpweek.com/LCPoliticalCartoons/DisplayCartoonMedium.asp?MaxID=26&UniqueID=1&Year=1871&YearMark=1871