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Using the Unit Safely

WARNINGDo not open (or modify in any way) the

unit or its AC adaptor.

Do not attempt to repair the unit,or replace parts within it (exceptwhen this manual provides specicinstructions directing you to do so).Refer all servicing to your retailer, thenearest Roland Service Center, or anauthorized Roland distributor, as listedon the Information page.

To completely turn off power to the unit,pull out the plug from the outletEven with the power switch turned off,this unit is not completely separatedfrom its main source of power. Whenthe power needs to be completelyturned off, turn off the power switchon the unit, then pull out the plug fromthe outlet. For this reason, the outletinto which you choose to connectthe power cords plug should be onethat is within easy reach and readilyaccessible.

WARNINGNever install the unit in any of the

following locations.

Subject to temperature extremes(e.g., direct sunlight in an enclosedvehicle, near a heating duct, on topof heat-generating equipment);or are

Damp (e.g., baths, washrooms, onwet oors); or are

Exposed to steam or smoke; or are

Subject to salt exposure; or are Humid; or are

Exposed to rain; or are

Dusty or sandy; or are

Subject to high levels of vibrationand shakiness.

Before using this unit, carefully read the sections entitled: USING THE UNIT SAFELY and IMPORTANT NOTES (p.2; p. 6). These sections provide important information concerning the proper operation of the unit. Additionally,in order to feel assured that you have gained a good grasp of every feature provided by your new unit,Ownersmanual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Used for instructions intended to alert theuser to the risk of injury or materialdamage should the unit be used

improperly.* Material damage refers to damage or

other adverse effects caused withrespect to the home and all itsfurnishings, as well to domestic animalsor pets.

Used for instructions intended to alert theuser to the risk of death or severe injuryshould the unit be used improperly.

The symbol alerts the user to things that must becarried out. The specific thing that must be done isindicated by the design contained within the circle. In thecase of the symbol at left, it means that the power-cordplug must be unplugged from the outlet.

The symbol alerts the user to important instructions orwarnings.The specific meaning of the symbol isdetermined by the design contained within the triangle. Inthe case of the symbol at left, it is used for generalcautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never becarried out (are forbidden). The specific thing that mustnot be done is indicated by the design contained withinthe circle. In the case of the symbol at left, it means thatthe unit must never be disassembled.

About WARNING and CAUTION Notices About the Symbols

ALWAYS OBSERVE THE FOLLOWING

Copyright 2011 ROLAND CORPORATIONAll rights reserved. No part of this publication may be reproduced in any form

without the written permission of ROLAND CORPORATION.Roland is a registered trademark of Roland Corporation in the United States and/or other countries.
http://-/?-http://-/?-http://-/?-http://-/?-http://-/?-http://-/?-

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3

WARNINGMake sure you always have the unitplaced so it is level and sure to remainstable. Never place it on stands thatcould wobble, or on inclined surfaces.

Be sure to use only the AC adaptorsupplied with the unit. Also, makesure the line voltage at the installationmatches the input voltage speciedon the AC adaptors body. Other ACadaptors may use a different polarity,or be designed for a different voltage,

so their use could result in damage,malfunction, or electric shock.

Use only the attached power-supplycord. Also, the supplied power cordmust not be used with any otherdevice.

Do not excessively twist or bend thepower cord, nor place heavy objectson it. Doing so can damage the cord,producing severed elements and short

circuits. Damaged cords are re andshock hazards!

This unit, either alone or incombination with an amplier andheadphones or speakers, may becapable of producing sound levelsthat could cause permanent hearingloss. Do not operate for a long periodof time at a high volume level, or ata level that is uncomfortable. If youexperience any hearing loss or ringing

in the ears, you should immediatelystop using the unit, and consult anaudiologist.

Do not place containers containingliquid on this product. Never allowforeign objects (e.g., ammableobjects, coins, wires) or liquids (e.g.,water or juice) to enter this product.Doing so may cause short circuits,faulty operation, or other malfunctions.

WARNINGImmediately turn the power off,remove the AC adaptor from theoutlet, and request servicing byyour retailer, the nearest RolandService Center, or an authorizedRoland distributor, as listed on theInformation page when:

The AC adaptor, the power-supplycord, or the plug has been damaged;or

If smoke or unusual odor occurs

Objects have fallen into, or liquid hasbeen spilled onto the unit; or

The unit has been exposed to rain (orotherwise has become wet); or

The unit does not appear to operatenormally or exhibits a markedchange in performance.

In households with small children, anadult should provide supervision untilthe child is capable of following all therules essential for the safe operationof the unit.

Protect the unit from strong impact.

(Do not drop it!)

Do not force the units power-supplycord to share an outlet with anunreasonable number of other devices.

Be especially careful when usingextension cordsthe total power usedby all devices you have connectedto the extension cords outlet mustnever exceed the power rating(watts/amperes) for the extensioncord. Excessive loads can cause theinsulation on the cord to heat up andeventually melt through.

Before using the unit in a foreigncountry, consult with your retailer, the

nearest Roland Service Center, or anauthorized Roland distributor, as listedon the Information page.

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4

WARNINGBatteries must never be recharged,heated, taken apart, or thrown into reor water.

Never expose batteries to excessiveheat such as sunshine, re or the like.

Incorrect handling of batteries,rechargeable batteries, or abattery charger can cause leakage,overheating, re, or explosion. Beforeuse, you must read and strictly observeall of the precautions that accompanythe batteries, rechargeable batteries, orbattery charger.

When using rechargeable batteries anda charger, use only the combinationof rechargeable batteries and chargerspecied by the battery manufacturer.

CAUTION The unit and the AC adaptor shouldbe located so their location or positiondoes not interfere with their properventilation.

Always grasp only the plug on the ACadaptor cord when plugging into, orunplugging from, an outlet or this unit.

At regular intervals, you should unplugthe AC adaptor and clean it by usinga dry cloth to wipe all dust and otheraccumulations away from its prongs.Also, disconnect the power plug fromthe power outlet whenever the unitis to remain unused for an extendedperiod of time. Any accumulation ofdust between the power plug andthe power outlet can result in poorinsulation and lead to re.

Try to prevent cords and cables frombecoming entangled. Also, all cordsand cables should be placed so theyare out of the reach of children.

Never climb on top of, nor place heavyobjects on the unit.

Never handle the AC adaptor or itsplugs with wet hands when plugginginto, or unplugging from, an outlet orthis unit.

Before moving the unit, disconnect theAC adaptor and all cords coming fromexternal devices.

Before cleaning the unit, turn off thepower and unplug the AC adaptorfrom the outlet ( p. 24 ).

Whenever you suspect the possibilityof lightning in your area, disconnectthe AC adaptor from the outlet.

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6

Important NotesPower Supply

Do not connect this unit to same electricaloutlet that is being used by an electricalappliance that is controlled by an inverter (suchas a refrigerator, washing machine, microwaveoven, or air conditioner), or that contains amotor. Depending on the way in which theelectrical appliance is used, power supply noisemay cause this unit to malfunction or mayproduce audible noise. If it is not practical touse a separate electrical outlet, connect a powersupply noise lter between this unit and theelectrical outlet.

The AC adaptor will begin to generate heat afterlong hours of consecutive use. This is normal,and is not a cause for concern.

Before connecting this unit to other devices,turn off the power to all units. This will helpprevent malfunctions and/or damage tospeakers or other devices.

With the factory settings, the R-26s power willautomatically be switched off 30 minutes afteryou stop playing or operating the unit. If you

dont want the power to turn off automatically,change the Auto Off setting to OFF asdescribed on p. 94.

Power Supply: Use of Batteries

When installing or replacing batteries, alwaysturn off the power on this unit and disconnectany other devices you may have connected. This way, you can prevent malfunction and/ordamage to speakers or other devices.

If operating this product on batteries, pleaseuse alkaline batteries or rechargeable Ni-MHbatteries.

Placement

Using the unit near power ampliers (orother equipment containing large powertransformers) may induce hum. To alleviatethe problem, change the orientation of thisunit; or move it farther away from the source ofinterference.

This device may interfere with radio andtelevision reception. Do not use this device inthe vicinity of such receivers.

Noise may be produced if wirelesscommunications devices, such as cell phones,are operated in the vicinity of this unit. Suchnoise could occur when receiving or initiating acall, or while conversing. Should you experiencesuch problems, you should relocate suchwireless devices so they are at a greater distancefrom this unit, or switch them off.

Do not expose the unit to direct sunlight, placeit near devices that radiate heat, leave it insidean enclosed vehicle, or otherwise subject itto temperature extremes. Excessive heat candeform or discolor the unit.

When moved from one location to anotherwhere the temperature and/or humidity is verydifferent, water droplets (condensation) mayform inside the unit. Damage or malfunctionmay result if you attempt to use the unit in thiscondition. Therefore, before using the unit, youmust allow it to stand for several hours, until thecondensation has completely evaporated.

Depending on the material and temperatureof the surface on which you place the unit, itsrubber feet may discolor or mar the surface.

You can place a piece of felt or cloth under therubber feet to prevent this from happening. Ifyou do so, please make sure that the unit willnot slip or move accidentally.

Do not put anything that contains water onthis unit. Also, avoid the use of insecticides,perfumes, alcohol, nail polish, spray cans, etc.,near the unit. Swiftly wipe away any liquid thatspills on the unit using a dry, soft cloth.

Maintenance

For everyday cleaning wipe the unit with asoft, dry cloth or one that has been slightlydampened with water. To remove stubborndirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipethe unit thoroughly with a soft, dry cloth.

Never use benzine, thinners, alcohol orsolvents of any kind, to avoid the possibility ofdiscoloration and/or deformation.

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Important Notes

7

Repairs and Data

Please be aware that all data contained in theunits memory may be lost when the unit issent for repairs. Important data should alwaysbe written down on paper (when possible).During repairs, due care is taken to avoid theloss of data. However, in certain cases (such aswhen circuitry related to memory itself is out oforder), we regret that it may not be possible torestore the data, and Roland assumes no liabilityconcerning such loss of data.

Additional Precautions

Please be aware that the contents of memorycan be irretrievably lost as a result of amalfunction, or the improper operation ofthe unit. To protect yourself against the riskof loosing important data, we recommendthat you periodically save a backup copy ofimportant data you have stored in the unitsmemory on your computer, or written down onpaper (if possible).

Unfortunately, it may be impossible to restorethe contents of data that was stored SD cards

or SDHC cards once it has been lost. RolandCorporation assumes no liability concerningsuch loss of data.

Use a reasonable amount of care when usingthe units buttons, sliders, or other controls; andwhen using its jacks and connectors. Roughhandling can lead to malfunctions.

Never strike or apply strong pressure to thedisplay.

When connecting / disconnecting all cables,grasp the connector itselfnever pull on thecable. This way you will avoid causing shorts, ordamage to the cables internal elements.

To avoid disturbing your neighbors, try to keepthe units volume at reasonable levels. You mayprefer to use headphones, so you do not needto be concerned about those around you.

When you need to transport the unit, packageit in the box (including padding) that it camein, if possible. Otherwise, you will need to use

equivalent packaging materials.

Some connection cables contain resistors. Donot use cables that incorporate resistors forconnecting to this unit. The use of such cablescan cause the sound level to be extremely low,or impossible to hear. For information on cablespecications, contact the manufacturer of thecable.

Handling External Memories

Carefully insert the SD card/SDHC card all theway inuntil it is rmly in place.

Label facingupward

Never touch the terminals of the SD card/SDHCcard. Also, avoid getting the terminals dirty.

SD card/SDHC card are constructed usingprecision components; handle the cardscarefully, paying particular note to thefollowing.

To prevent damage to the cards from staticelectricity, be sure to discharge any staticelectricity from your own body beforehandling the cards.

Do not touch or allow metal to come into

contact with the contact portion of thecards.

Do not bend, drop, or subject cards tostrong shock or vibration.

Do not keep cards in direct sunlight, inclosed vehicles, or other such locations.

Do not allow cards to become wet.

Do not disassemble or modify the cards.

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Important Notes

8

Handling CDs / DVDs

Avoid touching or scratching the shinyunderside (encoded surface) of the disc.Damaged or dirty DVD discs may not beread properly. Keep your discs clean using acommercially available DVD cleaner.

Copyright

Recording, duplication, distribution, sale, lease,performance, or broadcast of copyrightedmaterial (musical works, visual works,broadcasts, live performances, etc.) belongingto a third party in part or in whole without the

permission of the copyright owner is forbiddenby law.

Do not use this product for purposes that couldinfringe on a copyright held by a third party.We assume no responsibility whatsoever withregard to any infringements of third-partycopyrights arising through your use of thisproduct.

The copyright of content in this product(the sound waveform data, style data,

accompaniment patterns, phrase data, audioloops and image data) is reserved by RolandCorporation and/or Atelier Vision Corporation.

Purchasers of this product are permitted toutilize said content for the creating, performing,recording and distributing original musicalworks.

Purchasers of this product are NOT permittedto extract said content in original or modiedform, for the purpose of distributing recordedmedium of said content or making themavailable on a computer network.

Before you open the included DVD-ROM, youmust read the license agreement. Openingthe DVD-ROM will be taken to mean youracceptance of the license agreement.

* Company names and product names appearingin this document are registered trademarks ortrademarks of their respective owners.

* Microsoft, Windows, and Windows Vista are

either registered trademarks or trademarks ofMicrosoft Corporation.

* Windows is known officially as: MicrosoftWindows operating system.

* Apple, Macintosh, Mac OS are either registeredtrademarks or trademarks of Apple Inc.

* MMP (Moore Microprocessor Portfolio) refers to apatent portfolio concerned with microprocessorarchitecture, which was developed by Technology Properties Limited (TPL). Roland haslicensed this technology from the TPL Group.

* MPEG Layer-3 audio compression technologyis licensed from Fraunhofer IIS Corporation and THOMSON Multimedia Corporation.

* The SD logo ( ) and SDHC logo ( )are trademarks of SD-3C, LLC.

* ASIO is a trademark of Steinberg Media Technologies GmbH.

* This product contains eCROS integrated softwareplatform of eSOL Co.,Ltd. eCROS is a trademark ofeSOL Co., Ltd. in Japan.

* MP3 codec is Copyright 1995-2010, SPIRIT.

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9

ContentsUsing the Unit Safely . . . . . . . . . . . . . . . . . . . . . 2

Important Notes . . . . . . . . . . . . . . . . . . . . . . . . . 6

What You Can Do with the R-26 . . . . . . . . . 11

Overview of the R-26 . . . . . . . . . . . . . . . . . . . 13

Panel Descriptions . . . . . . . . . . . . . . . . . . .13Items in the Screen . . . . . . . . . . . . . . . . . . .16

Main Screen . . . . . . . . . . . . . . . . . . . .16Menu screen . . . . . . . . . . . . . . . . . . .18

Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . 20

Preparing the Power Supply . . . . . . . . . . 20Installing Batteries. . . . . . . . . . . . . .20

Connecting the AC adaptor . . . . . 22Using External Power Sources . . . 23

Turning the Power On/Off . . . . . . 24

Setting the Date and Time . . . . . . . . . . . . 25Preparing an SD Card . . . . . . . . . . . . . . . . .26

Inserting an SD Card . . . . . . . . . . . .26Removing an SD card . . . . . . . . . . . 26Formatting an SD Card . . . . . . . . . 27

Connecting Headphones or Speakers . 29

Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Work Flow for Recording . . . . . . . . . . . . .30Recording Settings . . . . . . . . . . . . . . . . . . .31

Selecting the REC MODE . . . . . . . .31

Selecting the REC SOURCE . . . . . .31Setting the Sampling Rate . . . . . . 33Setting the Recording Format . . .34

Pre-recording Settings . . . . . . . . . . 34Choosing the Project NamingMethod . . . . . . . . . . . . . . . . . . . . . . . .35Using the AUTO START Function 35

Setting the File Type . . . . . . . . . . . . 36

Input Settings . . . . . . . . . . . . . . . . . . . . . . . .36Internal Mic Settings . . . . . . . . . . . 36

ANALOG IN Settings . . . . . . . . . . . .38Plug-in Mic Settings . . . . . . . . . . . .41

Setting the Recording Level and MicD i r e c t i o n a l i t y . . . . . . . . . . . . . . . . . . . . . . . .42

Selecting the Internal Mic Mode 42

Setting the Input Sensitivityand Input Level . . . . . . . . . . . . . . . .44Automatically Setting theSensitivity and Indicate theOptimal Input Level . . . . . . . . . . . .47

Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . .48Basic Operation for Recordingand Playback . . . . . . . . . . . . . . . . . . .48

Assigning a Marker During Recording . 50

Manual Marking . . . . . . . . . . . . . . . .50Specifying the Interval or Levelfor Automatic Marking . . . . . . . . . 50

Splitting the Project During Recording 51

Splitting manually . . . . . . . . . . . . . . 51Specifying the Project Size forAutomatic Splitting. . . . . . . . . . . . .51

Using the R-26 . . . . . . . . . . . . . . . . . . . . . . .52

Recording an AcousticInstrument . . . . . . . . . . . . . . . . . . . . .52Recording a Band . . . . . . . . . . . . . .58Recording Outdoors . . . . . . . . . . . . 59Recording a Concert . . . . . . . . . . . . 60

Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Basic Playback Operation . . . . . . . . . . . . . 62

Selecting the Playback Mode . . . 62Repeat Playback . . . . . . . . . . . . . . . .63Combination of PLAY MODEand REPEAT . . . . . . . . . . . . . . . . . . . .63

Monitor Settings . . . . . . . . . . . . . . .64Assigning Markers in a Project . . 65Repeatedly Playing a Portionof a Project . . . . . . . . . . . . . . . . . . . . .66Changing the Playback Speed . . 67

Types of Files that can be Played 67

Managing Projects and Folders . . . . . . . . . 68Basic Operation in the Finder . . . . . . . . . 68Opening a Project . . . . . . . . . . . . . . . . . . . .70
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Contents

10

Copying a Project . . . . . . . . . . . . . . . . . . . .70

Moving a Project . . . . . . . . . . . . . . . . . . . . .71

Deleting a Project or a Folder . . . . . . . . . 71Renaming a Project or a Folder . . . . . . . 72

Dividing, Combining, or Trimming aProject . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73

Dividing a Project . . . . . . . . . . . . . .74Combining Projects . . . . . . . . . . . . 75

Deleting Unwanted Portions ofa Project (Trim) . . . . . . . . . . . . . . . . .75

Viewing Information about the Project 76

Adding/Deleting a Voice Memo to aProject . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77

Adding a Voice Memo . . . . . . . . . . 77

Deleting a Voice Memo . . . . . . . . . 79Creating an MP3 File . . . . . . . . . . . . . . . . .80Repairing a Project . . . . . . . . . . . . . . . . . . .80

Creating a Folder . . . . . . . . . . . . . . . . . . . . .81Creating a Folder at the RootLevel . . . . . . . . . . . . . . . . . . . . . . . . . . .81

Creating a Folder Within a Folder 82

Connecting to Your Computer via USB . . 83

Selecting the USB Connection Mode . . 83

Exchanging Files With YourComputer (Storage) . . . . . . . . . . . . . . . . . . 84

Connecting the R-26 to YourComputer . . . . . . . . . . . . . . . . . . . . . .84

Project File Structure . . . . . . . . . . . 86

Disconnecting from YourComputer . . . . . . . . . . . . . . . . . . . . . .87Using the R-26 as an Audio Interface . . 89

Main Screen for AudioInterface Mode . . . . . . . . . . . . . . . . .89

Audio Interface Block Diagram . . 89Installing the USB Driver . . . . . . . .90

Specifying the Sampling Rate . . . 90

Connecting the R-26 to Your

Computer . . . . . . . . . . . . . . . . . . . . . .91Specifying the Input Device . . . . 92Simultaneous Recording onthe R-26 Itself . . . . . . . . . . . . . . . . . .93

Using Direct Monitor . . . . . . . . . . .93

Listening to the ComputersPlayback Through the R-26 . . . . . 94

Using Loop Back . . . . . . . . . . . . . . .94

Settings for the R-26 . . . . . . . . . . . . . . . . . . . 95

Restoring the R-26 to its Factory-setState (FACTORY RESET) . . . . . . . . . . . . . . .99

Error Messages . . . . . . . . . . . . . . . . . . . . . . . 100

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . 101

Problems with Recording . . . . . . . . . . . 101Problems with Playback . . . . . . . . . . . . 102Other Problems . . . . . . . . . . . . . . . . . . . . 102

Main Specications . . . . . . . . . . . . . . . . . . . 104

R-26 Block Diagram . . . . . . . . . . . . . . . . . . . 106

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
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What You Can Do with the R-26Record acoustic instruments

By using external mics in conjunction with the internal mics, you can record four channelssimultaneously, allowing you to also record the reverberation of the room or the overall resonanceof a grand piano.

Reference

Recording an Acoustic Instrument (p. 52)

Record a band

Even a high-volume band in a rehearsal studio can be recorded clearly. You can let the R-26automatically detect the optimal input level while you rehearse your performance. Its evenpossible to record a high-quality WAV le for CD production while simultaneously recording acompact MP3 le for distribution.

Reference

Recording a Band (p. 58)

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What You Can Do with the R-26

12

Record outdoors

By changing the directionality of the internal mics, you can make pinpoint recordings ofdistant sounds or capture a broad spread of sound. Since up to six channels can be recordedsimultaneously, mics with different response can be recorded on separate channels, allowing youto choose the best recording later.

Reference

Recording Outdoors (p. 59)

Record concerts

By using the internal mics and external mics in combination to record four channelssimultaneously, you can record the sounds of the audience and the reverberation of the locationat the same time.

* Please do not use the R-26 at concerts where recording is prohibited.

ReferenceRecording a Concert (p. 60)

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Panel Descriptions1

2

3

4 7

6

10

13

12

5

8

11

9

1 Omnidirectional (OMNI) mic This is an omnidirectional stereo mic builtinto the R-26 ( p. 42)

2 Directional (XY) mic This is a stereo mic built into the R-26 ( p.42).

3 Touch panel display This touch panel shows variousinformation for the R-26, and also allowsyou to make settings and performoperations ( p. 16).

4 PEAK indicator This will light when the input volume isexcessive.

5 [INPUT 1] knob This adjusts the input level ( p. 45).

6 [INPUT 2] knob This adjusts the input level ( p. 45).

7 [SENS] button This sets the input sensitivity and themode of the internal mics ( p. 44).

8 [PREV] buttonPress this button to move to the beginningof the project, or to select the previousproject. By holding down this button, youcan rewind through the project. You can dothis during playback or while stopped.

9 [NEXT] buttonPress this button to select the next project.

By holding down this button, you can fast-forward through the project. You can dothis during playback or while stopped.

10 [MENU] button This button lets you make various settingsfor the R-26, such as recording/playbacksettings and specifying the date and time(p. 18).

11 [STOP] button This button stops playback or recording.

12 [PLAY/PAUSE] buttonPress this button to start playback, or topause playback or recording.

13 [REC] button This puts the R-26 in recording-standbymode, or initiates recording. The buttonwill blink in recording-standby, and willbe steadily lit during recording.

Overview of the R-26
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14

14 15 16 191817

Left side

14 SD card slotInsert the SD card into this slot ( p. 26).

15 USB connectorUse the included USB cable to connectthis to your computer. This allows projectsrecorded on the R-26 to be transferred toyour computer, or WAV and MP3 les fromyour computer to be copied to the R-26 forplayback ( p. 84).You can also use the R-26 as a USB audiointerface ( p. 89).

16 [POWER/HOLD] switchSlide this switch toward POWER to turn thepower on/off ( p. 24). With the power turnedon, you can set this switch to HOLD toenable the HOLD function.When HOLD is turned on, all buttons on thepanel will be disabled, and it will no longerbe possible to perform operations using thetouch panel. Only the [INPUT 1] and [INPUT2] knobs will remain functional. This way, you can prevent any unintendedoperation of the unit.

Even when HOLD is turned on, the [INPUT 1]and [INPUT 2] knobs will remain functional,so if you operate these knobs duringrecording standby or during recording, theinput level will be changed. Be careful so asnot to operate these knobs by mistake.

17 DC IN jackYou can connect either the included ACadaptor or a commercially available cablefor an external power device.

ReferenceConnecting the AC adaptor (p. 22)Using External Power Sources (p. 23)

2119 20 22

Right side

23

18 Grounding TerminalDepending on the circumstances of aparticular setup, you may experiencea discomforting sensation, or perceivethat the surface feels gritty to the touchwhen you touch this device, microphonesconnected to it, or the metal portions ofother objects. This is due to an innitesimalelectrical charge, which is absolutelyharmless. However, if you are concernedabout this, connect the ground terminal(see gure) with an external ground. Whenthe unit is grounded, a slight hum mayoccur, depending on the particulars ofyour installation. If you are unsure of theconnection method, contact the nearestRoland Service Center, or an authorizedRoland distributor, as listed on theInformation page.

* Unsuitable places for connection

Water pipes (may result in shock orelectrocution)

Gas pipes (may result in re or explosion)

Telephone-line ground or lightningrod (may be dangerous in the event oflightning)

19 Strap attachment The strap included with the Cover/WindscreenSet (OP-R26CW; sold separately) can beattached here.

20 [VOLUME] dial This adjusts the volume of the output

from the preview monitor and thePHONES jack.

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21 PHONES jackYou can connect headphones here ( p. 29).

22 Preview Monitor This is an internal speaker used as amonitor. No sound is output from thepreview monitor when a cable is connectedto the PHONES jack.

23 PLUG IN MIC jackAn external mic with a stereo mini-plugcan be connected here ( p. 41).

24

24 ANALOG IN 1/L jack,ANALOG IN 2/R jack These analog audio input connectorsare compatible with mic preamps. Theysupport either XLR or phone plugs, whichcan be selected to match the connecteddevice. They also accept either balanced orunbalanced connections. Additionally, 48V phantom power is supported, allowingyou to connect condenser mics that requirephantom power. Refer to Supplyingphantom power (p. 39).

* This instrument is equipped withbalanced (XLR/TRS) type jacks. Wiringdiagrams for these jacks are shownbelow. Make connections after rstchecking the wiring diagrams of otherequipment you intend to connect.

2 1

3

1: GND2: HOT3: COLD

XLR

TIP: HOTRING: COLDSLEEVE: GND

TRS

* When connection cables with resistorsare used, the volume level of equipmentconnected to the inputs (ANALOG IN,PLUG IN) may be low. If this happens,use connection cables that do notcontain resistors.

25

26

25 Battery compartmentInstall batteries here ( p. 20).

26 Tripod mounting socket This socket lets you attach the R-26 to acommercially available camera tripod.(The socket is threaded for a 1/4 screw.)

* When using the tripod mounting socket,be sure to use a tripod that is capable ofproviding stable support of the R-26.

* In order to attach the R-26 to a micstand, youll need a mic stand adaptor(sold separately).

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Items in the Screen

Main Screen The screen that appears after you turn on the power is called the main screen. By touching thetabs at the bottom of the screen, you can view information about the project, or make settingssuch as those for audio monitoring and markers.

* On the R-26, the data that you record and play back are handled in units called projects. Forinformation on how the les in a project are organized, see Project File Structure (p. 86) .

Playing / StoppedPower supply status ( p. 20 )(AC adaptor /batteries )

Play/stop status

Rec Source

Tabs

Project length

Current date and timeElapsed playback time

Output level Peak

Value of[INPUT] knob

Recording

Peak

Value of[INPUT] knob

Power supply status ( p. 20 )(AC adaptor /batteries )

Record/recording-standby status

Input level

Rec Source

Tabs

Remaining recordabletime on the SD card

Current date and timeElapsed recording time

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Tabs in the main screen

By touching a tab at the bottom of thePlaying/Stopped or Recording screens, youcan view information about the project,make monitor settings, assign markerswithin a project, and specify the playbackspeed.

INFO tab This shows the project name, sampling rate,le format, and project creation date andtime.

MON tabHere you can make monitor settings for

playback and recording ( p. 64).

Touch the icon to access theOUTPUT SETUP screen.

MARK tab During playback

You can assign a marker within theproject ( p. 65). Touch to assign amarker at the current location.

Use JUMP to move to the precedingmarker, or to move to the nextmarker.

During recording

You can assign a marker within theproject ( p. 50). Touch to assign amarker at the current location.

If you touch during recording,the recording will be divided, creating anew project starting at that point.

A-B SPEED tab (only duringplayback)

Here you can repeatedly play a speciedregion within the project ( p. 66), or changethe playback speed ( p. 67).

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18

Menu screen This screen will appear when you press the[MENU] button.

Touch the desired icon to enter thecorresponding screen.

* In this manual, a sequence ofoperations such as accessing the menuscreen, choosing , andthen setting the record mode will beindicated like this: [MENU] .* The explanations in this manual include

illustrations that depict what shouldtypically be shown by the display. Note,however, that your unit may incorporatea newer, enhanced version of thesystem, so what you actually see in thedisplay may not always match whatappears in the manual.

FINDER

INPUT SETUP

SD CARD

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REC SETUP

SYSTEM SETUP

DATE & TIME

PLAY SETUP

AUDIO I/F

FACTORY RESET

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20

Getting Ready

Preparing the Power Supply The R-26 can operate using an AC adaptor, batteries, or an external power device.

Installing Batteries

Put your ngernail in theindentation at the top of thebattery case cover, and pulltoward yourself.

1

Remove the batterycompartment cover.

2

Insert batteries, taking care toobserve the correct polarity.

3

Close the cover of the batterycompartment.

4

After youve installed batteries, use the SYSTEM SETUP menu ( p. 97) to specify the type of batteriesyoure using.

* If operating this product on batteries, please use alkaline batteries or rechargeable Ni-MHbattery.

* We recommend that you keep batteries installed in the unit even though youll be powering itwith the AC adaptor. That way, youll be able to continue a performance even if the cord of theAC adaptor gets accidently disconnected from the unit.

* When turning the unit upside-down, take care to prevent damage to the buttons and controls.

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Note when using the R-26 onbatteries

If used improperly, batteries mayexplode or leak and cause damageor injury. In the interest of safety,please read and observe the followingprecautions.

Carefully follow the installationinstructions for batteries, and makesure you observe the correct polarity.

Avoid using new batteries togetherwith used ones. In addition, avoidmixing different types of batteries.

Remove the batteries wheneverthe unit is to remain unused for anextended period of time.

If a battery has leaked, use a softpiece of cloth or paper towel towipe all remnants of the dischargefrom the battery compartment. Then install new batteries. To avoid

inammation of the skin, make surethat none of the battery dischargegets onto your hands or skin. Exercisethe utmost caution so that none ofthe discharge gets near your eyes.Immediately rinse the affected areawith running water if any of thedischarge has entered the eyes.

Never keep batteries together withmetallic objects such as ballpointpens, necklaces, hairpins, etc.

Incorrect handling of batteries,rechargeable Ni-MH battery, or abattery charger can cause leakage,overheating, re, or explosion.Before use, you must read andstrictly observe all of the precautionsthat accompany the batteries,rechargeable Ni-MH battery, orbattery charger.

When using rechargeable Ni-MHbatteries and a charger, use only thecombination of rechargeable Ni-MHbattery and charger specied by thebattery manufacturer.

Types of batteries that can beused

AA alkaline batteries (LR6) AA nickel-metal hydride batteries

(HR6)In SYSTEM SETUP, specify the type ofbatteries youre using ( p. 97).

* The R-26 cannot recharge nickel-metal hydride batteries. Youll needto use a battery charger designed fornickel-metal hydride batteries.

Power conservation function The R-26 has a power conservation

function, which preventsunnecessary battery consumption.If you leave the unit for a certainperiod of time without performingany operation, the display willdim or the units power will turnoff, depending on the powerconservation setting.

ReferenceSYSTEM SETUP (p. 97)

Remaining battery indicationWhen the remaining batterypower runs low, a battery low icon

appears in the lower right ofthe display. When this appears,install fresh batteries as soon aspossible. If you continue to use the

unit in this state, the display willindicateBattery Low, and nally theR-26 will stop functioning entirely.

Expected battery life undercontinuous use:

Continuous recording approx. 10 hours

(When using alkaline batteries, 44.1 kHz,2 channel, with phantom power off)

* These gures will vary dependingon the specications of the batteriesand the actual conditions of use.

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22

Connecting the AC adaptor

Plug the AC adaptor into anelectrical outlet. The AC adaptors indicator will light.

2

Connect the AC adaptorsplug to the DC IN jack.

1

Indicator

* Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the sidewith textual information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

* Be sure to use the AC adaptor supplied with this product.

* When using the AC adaptor, set the nal voltage (EXT- POWER) to ADAPTOR ( p. 23).

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Using External Power

SourcesWhen using an external power supply, besure to set the nal voltage. The nal voltage refers to the voltagewhen voltage can no longer be suppliedbecause the capacity of the external powersource is reduced and voltage decreases aselectricity is consumed. If the nal voltageis not properly set for the external powersource, the remaining power display cannotbe shown. Refer to the users manual of theexternal power supply for the nal voltagevalue.

Furthermore, when the Battery Lowmessage is displayed, the recordingautomatically stops, and the powerautomatically turns off.Change the external power source.

* When using an external power source,even when power is automatically cutoff, the R-26 starts within 30 secondsafter power is turned back on. Duringthis period, the nal voltage settings canbe changed.

* Read the following to set the nalvoltage for the R-26.

MEMO

Refer to the users manual for the externalpower source when using an external

power source.

Setting the nal voltage

1. Choose [MENU]

.2. Touch .

EXT-POWER is located on page 3/3. Touchto access 3/3.

3. Touch the nal voltage value that you

want to specify.

Setting

Adaptor, 9.0 V, 9.5 V, 10.0 V, 10.5 V, 11.0 V, 11.5V, 12.0 V

4. Touch to return to the menuscreen ( p. 18 ).
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24

Turning the Power On/Off

Slide the [POWER/HOLD] switchtoward POWER for a few secondsto turn the power on/off.

When you turn on the power, the startup screen will appear in the display, and then the mainscreen will appear.

With the factory settings, the R-26s power will automatically be switched off 30 minutes afteryou stop playing or operating the unit. If you dont want the power to turn off automatically,change the Auto Off setting to OFF as described on p. 94.

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Setting the Date andTime1. Choose [MENU] .

The calendar and clock setting screen willappear.

Time

Date

2. Specify the date and time. Touch each item, and use to setthe date and time.

3. When youve nished setting allitems, touch .

* By touching you can returnto the previous screen without makingsettings.

4. Touch to return to the mainscreen ( p. 16 ).
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26

Preparing an SD Card The R-26 stores recorded data on the SDcard.

Inserting an SD Card1. Make sure that the power is off.

2. Open the SD card cover located onthe left side of the R-26.

* The cover may break if you use excessiveforce.

3. Insert the SD card.Position the SD card with its top side facingthe same way as the R-26s top side, andcarefully insert it.

Label facingupward

NOTE

Forcibly inserting the SD card in the

wrong orientation may damage theR-26 or the SD card. Please use caution. Press the SD card rmly all the way in.

4. Close the SD cover.

5. Switch on the power ( p. 24 ).MEMO

If an unformatted SD card is insertedin the R-26, the screen will indicate SDUnformatted.

Removing an SD card1. Switch off the R-26s power ( p. 24 ).

2. Open the SD cover.

3. Gently press the SD card inward, andthen release your nger.When the SD card pops out, remove it.

NOTE

Do not insert or remove an SD card whilethe power is on. The data on the SD cardmay be lost if you do so.

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Formatting an SD CardIf youre using an SD card other than theincluded one, you must rst format the SDcard before it can be used with the R-26.

NOTE

The included SD card contains demosongs and driver software. If you formatthis card, the demo songs and driversoftware it contains will be lost. If youdecide to format this card, you shouldrst back up this data to your computerif necessary. For details, refer toExchanging Files With Your Computer(Storage) (p. 84) .

When you format an SD card, all data onthe card will be erased.If the card contains important data, backit up to your computer rst.

You must format the SD card on theR-26 itself. An SD card formatted on adevice other than the R-26 might not

work correctly in the R-26.

1. Make sure that the SD card you wantto format is inserted in the SD cardslot.

Reference

Inserting an SD Card (p. 26)

2. Choose [MENU] .

3. Touch .

4. To format the card, touch .

The card will be formatted.

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28

When formatting has been completed, thefollowing screen will appear.

5. Touch twice to return to themain screen ( p. 16 ).

About SD cards Never insert or remove an SD card/SDHC card while this units power is on. Doing so may

corrupt the units data or the data on the SD card.

Some SD card types or memory cards from some manufacturers may not record or playback properly on the R-26. Carefully insert the SD card/SDHC card all the way inuntil it is rmly in place.

The R-26 supports SDHC cards.

The SD card write protect feature (LOCK) The contents of the SD card can be protected by write protectingit. To write protect a card, slide the write protect switch on the sideof the memory card to the LOCK position. Unlock write protect to

delete data on the card.

About the demo songs The included SD card contains demo songs.

If you leave the demo songs on the SD card, the space available for recording with thecard will be decreased by the size of the demo songs.

* Use of the demo songs supplied with this product for any purpose other than private,personal enjoyment without the permission of the copyright holder is prohibited by law.Additionally, this data must not be copied, nor used in a secondary copyrighted workwithout the permission of the copyright holder.

Write protect switch
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30

Work Flow for Recording This diagram describes the procedure for recording on the R-26.

Select the REC MODESelect the number of channels youll be recording ( p. 31).

Select the REC SOURCESelect either the internal mics, analog input, plug-in mics, or a combination of these ( p.

31).

Set the SAMPLE RATESelect the sampling rate ( p. 33).

Select the projects formatSelect WAV, MP3, or simultaneous recording of both ( p. 34).

Make settings for the inputPerform the settings for the limiter, low-cut lter, phantom power, etc.

Adjust the input sensitivity and input levelAdjust the loudness of the sound youll be recording ( p. 44). Press the [SENS] button, anduse the input sensitivity setting screen to adjust the sensitivity. After youve adjustedthe input sensitivity, use the [INPUT 1] knob and [INPUT 2] knob to adjust the inputlevel.

Start recordingRecording (p. 48)

Stop recordingRecording (p. 48)

Play back the project youve recorded

Recording

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Recording SettingsSpecify the recording mode, therecording source, the sampling rate, andthe recording format. Set these itemsas appropriate for the purpose of yourrecording; e.g., CD production, audio forvideo, or audio for distribution over theInternet.

Selecting the REC MODE The R-26 can record from one channel up toa maximum of six channels simultaneously.Use REC MODE to specify the number ofchannels that you want to record.

1. Choose [MENU] (p. 18 ).

2. Touch the number of channels thatyou want to record.

Setting

1 CHANNEL

2 CHANNEL

4 CHANNEL

6 CHANNEL

* In order to record in MP3 format, 2

CHANNEL needs to be selected ( p. 34).


Selecting the REC SOURCE The available combinations of recordingsources will differ depending on theselected REC MODE (number of channels).

1. Choose [MENU] .

2. Touch .

3. Touch the desired combination ofrecording sources.

4. Touch twice to return to themenu screen ( p. 18 ).
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REC SOURCE choices for each REC

MODEREC MODE: 1 CHANNEL

Monaural x 1

Setting Description

ANALOG(MONO)

Selects the ANALOG IN 1/L jack input. One monauralchannel will be recorded.

REC MODE: 2 CHANNELStereo x 1

For ANALOG (MONO), monaural x 2

Setting Description

INTERNAL

Selects the internal mics (amix of the directional internalmics and the omnidirectionalinternal mics).

ANALOG

Selects the input from theANALOG IN 1/L jack andANALOG IN 2/R jack. Record-ing will take place in stereo.

ANALOG(MONO)

Selects the input from theANALOG IN 1/L jack andANALOG IN 2/R jack. Twomonaural channels will berecorded.

PLUG INSelects the input from thePLUG IN MIC jack.


Setting Description

XY+OMNI

Selects the directionalinternal mics (stereo) and theomnidirectional internal mics(stereo).

INTERNAL+ANALOG

Selects the internal mics (amix of the directional internalmics and the omnidirectionalinternal mics) and the inputfrom the ANALOG IN 1/L jack

and ANALOG IN 2/R jack.

ANALOG+PLUG-IN

Selects the input from theANALOG IN 1/L jack andANALOG IN 2/R jack, and theinput from the PLUG IN MIC jack.

XY+PLUG-INSelects the input from theinternal directional mics andthe PLUG IN MIC jack.

XY+OMNI (S)

Selects the directional internalmic (stereo) and omnidirec-

tional internal mic (stereo). The input levels can beadjusted independently foreach mic.

ANALOG(S)+INTERNAL

Selects the input fromthe ANALOG IN 1/L jack,ANALOG IN 2/R jack, andinternal mics (a mix of thedirectional internal mics andthe omnidirectional internalmics).

The input levels can beadjusted independently forthe ANALOG IN 1/L jack andANALOG IN 2/R jack.

ANALOG(S)+PLUG-IN

Selects the input from theANALOG IN 1/L jack, ANALOGIN 2/R jack, and PLUG IN MIC jack.


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Setting Description

XY+OMNI+INT

Selects the internal mics(a mix of the direc-tional internal mics andthe omnidirectionalinternal mics), only thedirectional mics, and onlythe omnidirectional mics.

XY+OMNI+ANALOG

Selects the input fromthe directional internal

mics, the omnidirectionalinternal mics, the ANALOGIN 1/L jack, and ANALOG IN2/R jack.

XY+ANALOG+P-IN

Selects the input from theinternal directional mics,the ANALOG IN 1/L jack, theANALOG IN 2/R jack, andthe PLUG IN MIC jack.

ANALOG(S)+XY+OMNI

Selects the input fromthe ANALOG IN 1/L jack,ANALOG IN 2/R jack,directional internal mic,and omnidirectionalinternal mic.


ANALOG(S)+XY+P-IN

Selects the input fromthe ANALOG IN 1/L jack,ANALOG IN 2/R jack,directional internal mic,

and PLUG IN MIC jack. The input levels can beadjusted independently forthe ANALOG IN 1/L jack andANALOG IN 2/R jack.

Setting the Sampling RateChoose the sampling rate thats appropriatefor the intended purpose of the recordeddata.

1. Choose [MENU] .

2. Touch the desired sampling rate.

SAMPLE RATE

44.1 kHz

48.0 kHz

88.2 kHz

96.0 kHz

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Setting the Recording

FormatChoose the le format thats appropriate forthe intended purpose of the recorded data.

1. Choose [MENU] .

2. Touch the desired le format.

REC FORMAT

WAV+MP3

(WAV 16-bit+MP3 128-kbps)

MP3 128-kbps

MP3 160-kbps

MP3 320-kbps

WAV 16-bitWAV 24-bit

* MP3 can be selected only when RECMODE is 2 channel and the samplingrate is 44.1 kHz or 48.0 kHz.


Pre-recording Settings The R-26 provides a PRE-REC function thatlets you capture the two seconds of soundthat preceded the moment you press therecord button. Even for situations in whichyoure not sure when the desired sound willbegin, such as when recording outdoors,this function ensures that you can recordwithout missing the rst moments of thesound.

1. Choose [MENU] .PRE-REC is located on page 2/3. Touchto access 2/3.

2. Touch .


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Choosing the Project

Naming MethodYou can choose whether project names willbe assigned in the form of a consecutivenumber or a date.

1. [MENU] .PROJECT NAME is located on page 2/3. Touch to access 2/3.

2. Touch the desired name format.

Setting Description

DATE Each le name will be the date andtime.

NAME Each le name will be a consecutive

number.


Using the AUTO START

FunctionBy using the AUTO START function, you canhave recording start automatically whena specied time has elapsed, or when therecording level exceeds a specied value.

1. Choose [MENU] .AUTO START is located on page 2/3. Touch

to access 2/3.

2. Touch the time after which you wantrecording to start, or the input levelat which you want recording to startautomatically.

Setting DescriptionOFF AUTO START is not used

2 sec Time until recordingstarts5 sec

10 sec

Level 1 (-60 dB)Level at which recordingstartsLevel 2 (-30 dB)

Level 3 (-20 dB)


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Setting the File TypeIf the recording format is set to WAV 16-BITor WAV 24-BIT, you can choose whether touse BWF format, which embeds informationabout the recording time and the recordingdevice (Roland R-26) into the WAV le. BWFformat les can be used by audio editingsoftware that supports BWF.

* BWF setting is effective only if therecording format is set to WAV 16-BIT orWAV 24-BIT. On your computer, the lewill have a le name extension of .WAV, just like a conventional WAV le.

1. Choose [MENU] .FILE TYPE is located on page 3/3. Touch

to access 3/3.

2. Touch the desired le type.

Setting

WAV

BWF


Input SettingsHere you can make settings for the type ofeach recording source, and how the powerwill be supplied.

Internal Mic SettingsHere you can make limiter and low-cut ltersettings for the internal mic.

Using the limiter The limiter prevents distortion bycompressing the input level appropriatelywhen the audio input is too loud.

1. Choose [MENU] .

2. Touch .
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3. Touch .

SettingOFF

ON

4. Touch twice to return to themain screen ( p. 16 )

Cutting the low-frequencyrange

If you have problems with low-frequencynoise, such as the wind noise that is oftenpresent in outdoor recordings, the rumblefrom automobiles or machines, or vibration,you may be able to reduce this noise bycutting the low-frequency range with low-

cut lter (LCF).If you have problems with the breathnoise or muffled tone that can occurwhen recording a vocal, cutting the low-frequency range will give you a more crisprecording.

1. Choose [MENU] .

2. Touch .

3. Touch .

4. Touch .
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5. Choose the upper boundary of thefrequency range to be cut.

Setting

100 Hz

200 Hz

400 Hz

6. Touch twice to return to themenu screen ( p. 18 ).TIPS

The limiter and low-cut lter can beturned on/off while in the recording-standby mode or during recording.

1. During recording or in the recording-standby mode, choose the INFO taband press .

2. Touch the or icon to turn it on/off.

ANALOG IN SettingsHere you can make settings for the ANALOGIN 1/L jack and ANALOG IN 2/R jack inputtype, phantom power supply, and MS mic.Set the limiter and low-cut lter settings inthe same way as for the internal mic ( p. 36).

Setting the input type The two inputs can be used as monaural x2 or as stereo x 1. In addition, you can alsouse an MS type stereo mic.

1. Choose [MENU] .

2. Touch .
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3. Select the type.

Setting Description

SEPARATESettings can be made separatelyfor the ANALOG IN 1/L jack andANALOG IN 2/R jack.

LINK Settings for the ANALOG IN 1/L jack and ANALOG IN 2/R jack willbe linked as a stereo pair.

MS-MIC The ANALOG IN 1/L jack andANALOG IN 2/R jack will providefor MS type stereo input.

* If MS is selected, you must use a MS micthat directly outputs the mid signal andthe side signal. Connect the mid signalto the ANALOG IN 1/L jack, and the sidesignal to the ANALOG IN 2/R jack.

* When SEPARATE is selected, you canmake settings for phantom power,limiter, and low-cut lter separately forboth the ANALOG IN 1/L jack and theANALOG IN 2/R jack.


Supplying phantom power

Heres how to supply phantom power to themics connected to the ANALOG IN 1/L jackand ANALOG IN 2/R jack.

1. Choose [MENU] .

2. Touch or.

* If youve set LINK or MS mic as the inputtype, all you need to do for phantompower to be supplied is to make thesetting [INPUT1 PHANTOM].

3. Touch .
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* Always turn the phantom power offwhen connecting any device other thancondenser microphones that requirephantom power to the XLR connector.You risk causing damage if youmistakenly supply phantom power todynamic microphones, audio playbackdevices, or other devices that dontrequire such power. Be sure to check thespecications of any microphone youintend to use by referring to the manualthat came with it.(This instruments phantom power: 48 VDC, 10 mA Max)


MS mic settingsHeres how to adjust the MS mics stereowidth.

1. Choose [MENU] .

2. Touch .MS-MIC WIDTH is located on page 2/2. Touch to access 2/2.

* The setting is shownonly if the input type is set to MS mic.

3. Use to adjust the stereo width.When youve specied the value,

touch .

Setting 1510


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Plug-in Mic SettingsHere you can specify the input type andplug-in power settings of a stereo mini-typeexternal mic. Set the limiter and low-cutlter settings in the same way as for theinternal mic ( p. 36).

Setting the input type

1. Choose [MENU] .

2. Touch .

3. Select the type.

SettingSTEREO

MONO

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Supplying power to the mic

Heres how to supply power to a plug-inmic.

1. Choose [MENU] .

2. Touch .

3. Touch .

SettingOFF

ON


Setting the Recording Leveland Mic Directionality

Here you can make settings for the inputlevel and input device as appropriate forwhat youre recording. Setting the levelappropriately will allow you to make ahigher quality recording.

Selecting the Internal MicModeIf the REC SOURCE (p. 31) is set to internalmic, INT mic, or INT (internal directionalmic mixed with the internal omnidirectionalmic), you can change the mic response byadjusting the mix balance between thedirectional mic (XY) and omnidirectionalmic (OMNI). The R-26 lets you choose oneof three pre-adjusted modes optimizedfor different types of recording. Inaddition to these, you can choose modesthat use only the directional mics, onlythe omnidirectional mics, or manualbalance adjustment, giving you a total ofsix recording modes to choose from asappropriate for your needs.

1. From the main screen, press thepanels [SENS] button.

The INPUT SENS SETUP screen will appear.
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2. In the display, touch .

3. Select the desired mode.

Setting Description

SOLOAppropriate whenrecording an individualinstrument or vocal.

CONCERT Appropriate whenrecording a concert.

FIELD Appropriate for outdooreld recordings.

OMNI MICOnly the built-inomnidirectional mics willbe used.

XY MICOnly the built-indirectional mics will beused.

MANUALManually adjust the mixbalance of the directionaland omnidirectional mics.

4. Touch .

5. Touch to return to the mainscreen ( p. 16 ).

Adjusting the mix balance inmanual mode

Heres how to manually adjust thebalance between the directional mics andomnidirectional mics. The balance can beadjusted over ve steps.

1. Select manual in step 3 ( p. 42 ).2. Touch .

3. Use to adjust the balance.

4. Touch to conrm the setting.
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5. Touch to exit from the MICMODE SETUP.

6. Touch return to the mainscreen ( p. 16 ).

Setting the InputSensitivity and Input Level

Heres how to adjust the sensitivity andinput level of the recording source.

Adjusting the input sensitivity1. From the main screen, press the

panels [SENS] button.

2. In the display, touch the slider.

If youre adjusting multiple recordingsources when using 4 channels or 6channels, touch the tab for the recordingsource that you want to adjust, and thentouch the slider.

3. Touch to adjust thesensitivity.

REC SOURCE Setting

INTERNAL/XY MIC/OMNIMIC/PLUG IN

HIGH

MID

LOW

ANALOG

-62 dBu

-56 dBu

-50 dBu

-44 dBu

-38 dBu

-32 dBu

-26 dBu

-20 dBu

-14 dBu

-8 dBu

-2 dBu

+4 dBu


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Setting the input level

1. From the main screen, press the panels [SENS] button. The INPUT SENS SETUP screen will appear.

2. Produce sound on the source youre recording. The level meter will move according to the loudness of the sound being input to the R-26.

3. Turn the [INPUT 1] knob, [INPUT 2] knob, and the touch panel to adjust the inputlevel.Adjust the level until it is as high as you can get it without causing the PEAK indicator, or PEAK inthe level meter, to light.

The recording sources adjusted by each knob and the touch panel ( p. 47) will depend on thecombination of REC MODE and REC SOURCE youve selected.

REC MODE REC SOURCE [INPUT 1] knob [INPUT 2] knob Touch Pael

1 CHANNEL ANALOG (MONO) ANALOG IN 1/L

2 CHANNEL

INTERNAL INTERNAL MIC

ANALOG ANALOG IN 1/L, 2/R

ANALOG (MONO) ANALOG IN 1/L ANALOG IN 2/R

PLUG-IN PLUG IN MIC

4 CHANNEL

XY + OMNIINTERNAL MIC(shared by XY andOMNI)

INTERNAL + ANALOG INTERNAL MIC ANALOG IN 1/L, 2/R

ANALOG + PLUG-IN ANALOG IN 1/L, 2/R PLUG IN MIC

XY + PLUG-IN INTERNAL MIC (XY) PLUG IN MIC

XY+OMNI (S) INTERNAL MIC (XY) INTERNAL MIC(OMNI)

ANALOG(S)

+INTERNALANALOG IN 1/L ANALOG IN 2/R

INTERNAL MIC(shared by XY andOMNI)

ANALOG(S)+PLUG-IN ANALOG IN 1/L ANALOG IN 2/R PLUG IN MIC

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REC MODE REC SOURCE [INPUT 1] knob [INPUT 2] knob Touch Pael

6 CHANNEL

XY + OMNI + INT

INTERNAL MIC

(shared by XY andOMNI)

XY + OMNI +ANALOG


ANALOG IN 1/L, 2/R

XY + ANALOG + P-IN INTERNAL MIC (XY) ANALOG IN 1/L, 2/R

ANALOG(S)+XY+OMNI ANALOG IN 1/L ANALOG IN 2/R


ANALOG(S)+XY+P-IN ANALOG IN 1/L ANALOG IN 2/R

INTERNAL MIC (XY)PLUG IN MIC

How input sensitivity and input level are relatedInput sensitivity adjusts the loudness of the input signal being received as therecording source. Input level is an additional ne adjustment applied to the signalafter its been adjusted by input sensitivity, in order to optimize it for recording.

* Adjust the input sensitivity in the following situations.

The level meters dont move sufficiently even when the knob is in the maximum

position. The PEAK indicator lights even when the knob is in the minimum position.

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Setting an Input Level Using theTouch Panel

With the 4 CHANNEL and 6 CHANNELrecording modes, some of the input levelsare adjusted using the touch panel.

1. From the main screen, press the[SENS] button on the panel.

2. In the touch panel, touch the tabfor the input level that you want toadjust.

3. In the display, touch the slider.

4. Touch to adjust the inputlevel.

Automatically Setting the Sen

and Indicate the Optimal Inpu The R-26 is capable of automaticallysetting the input sensitivity. The unit willautomatically set the sensitivity so it isoptimized for the audio currently beinginput, and will provide a rough indication ofthe input level thats most appropriate.

1. From the main screen, press the[SENS] button on the panel.

2. Point the mic toward the source youwant to record, and touch in the display.Input sensitivity will be determined.

3. Touch .If you decide to cancel, touch .

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4. Use the [INPUT 1] knob and [INPUT 2]knob to adjust the input level so thatit matches the optimal value shownin the center of the screen. The current input level shown in the lowerleft of the screen will be adjusted so that itmatches the value shown in the middle ofthe screen.

Current input level Optimal value for the

current input level

* If the REC MODE is 6-channel, the levelof the plug-in mic will be adjustedautomatically ( p. 47).

5. Touch to return to the inputsensitivity setting screen ( p. 42 ).

6. Touch return to the mainscreen ( p. 16 ).

RecordingWhen youve nished making recordingsettings and input settings, youre ready tostart recording.

Basic Operation forRecording and Playback

Rewind / Moveto previous song

(beginning of song)

Fast-forward /Move to next

song

Stop Play /Pause

Record /Recording-standby

1. Press the [REC] button.

The R-26 will enter recording-standbymode; the indication in the upper leftof the screen will blink.Blinking
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2. Press the [REC] button once again. The blinking will change to a steadilylit indication.

MEMOAfter recording has begun, you can turnon the [HOLD] switch so that recordingwill not stop even if a button is pressedinadvertently.

* Even with the [HOLD] switch turned on,the input level adjustment knobs willremain functional. The input level will be changed if youoperate the input level adjustmentknobs while in recording-standby modeor during recording. Take care not toinadvertently operate the input levelknobs.

* Its not possible to turn off the powerduring recording. You must rst stoprecording before you can turn off thepower.

3. Press the [STOP] button to stoprecording. The REC indicator will go out.

The display will indicate the project that

was recorded. Press the [PLAY] button toplay back the recorded sound.

MEMO

To delete the recorded project, please

refer to Deleting a Project or a Folder(p. 71). To pause, press [ ]. To resume

recording from the paused state, press[ ] once again.

If youve set number for the projectname in REC SETUP, the project willautomatically be assigned a name suchas R26_0001. The 0001 portion willbe the number following the highest-numbered project name that exists.

If youve set date for the project namein REC SETUP, the date of recording willbe the project name.Settings for the R-26 (p. 95)

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Assigning a MarkerDuring Recording

Heres how to assign a marker to the projectduring recording.Once youve assigned markers, youll beable to jump to the marked locations bytouching in the MARK tab duringplayback. Assigning Markers in a Project(p. 65)

* Markers cannot be assigned to an MP3format project.

Manual Marking1. Start recording.2. Touch the MARK tab ( p. 17 ).

3. At the moment you want to assign amarker, touch .

Touching will delete the mostrecently assigned marker.

Specifying the Interval or

Level for Automatic MarkingYou can make the R-26 automatically assignmarkers to the project being recorded,either at specied intervals of time, orwhenever the input level falls below aspecied value.

1. Choose [MENU] .

AUTO MARK is located on page 2/3. Touchto access 2/3.

2. Touch the desired time interval orlevel.

Setting Description

OFF

Time interval forautomatic marking

5 min

10 min

30 min

LEVEL1 (-60 dB)Input level forautomatic markingLEVEL2 (-30 dB)

LEVEL3 (-20 dB)
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Splitting the ProjectDuring Recording

You can split the project during recording.If youve split the project, it will be easy tostart playback from a division point.When youre making a continuousrecording for an extended period oftime, you may nd it desirable to split theproject at points that will be convenient forsearching.

Splitting manually1. Start recording.

2. Touch the MARK tab ( p. 17 ).

3. At the moment you want to assign amarker, touch .

Specifying the Project Size

for Automatic Splitting The R-26 will automatically split theproject being recorded when it reaches aspecied size. By default, the project willbe automatically split when the le sizereaches 2 GB.

1. Choose [MENU] .

MAX FILE SIZE is located on page 3/3. Touch to access 3/3.

2. Select the le size for automaticallysplitting.

Setting Description

64 MB

Size at which project willbe automatically split

128 MB

256 MB

512 MB

1 GB

2 GB

* The maximum size of le that the R-26can handle is 2 GB.
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Using the R-26 This section introduces how you can use the R-26 in various situations, and describes variousexamples of appropriate recording settings.

Recording an Acoustic Instrument

Recording vocals, acoustic guitar, or wind instruments

Using the internal micsWhen using the internal mics, point the mics directly at the instrument to be recorded, takingcare that the recording is not skewed toward the left or right channel. Placing the mics near theinstrument (close miking) will create a clear and bright-sounding recording. Placing the micsfarther away (distant miking) will create a more mellow-sounding recording. You can use theseparately sold mic stand adaptor to attach the R-26 to a commercially available mic stand.

R-26

MENU Item Setting

REC SETUPREC MODE 2 CHANNEL

REC SOURCE INTERNAL

SENS INT MIC MIC MODE SOLO

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Using external micsYou can connect a commercially available dynamic mic or condenser mic to the ANALOG IN 1/L

jack or ANALOG IN 2/R jack. If youre recording an individual instrument, use one mic and record inmonaural.

* If the REC MODE is set to one channel, only the ANALOG IN 1/L jack can be used.

External Mic

MENU Item Setting

REC SETUP REC MODE 1 CHANNEL

MENU INPUT SETTUP MENU Item Setting

INPUT SETTUP ANALOG IN INPUT TYPE SEPARATEINPUT 1 PHANTOM POWER ON if using a condenser mic,OFF if using a dynamic mic

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Combining internal mics and external micsYou can use a combination of external input mics and the internal mics to simultaneously record

the sound captured near the instrument (close miking) and the ambient sound of the roomcaptured farther away (distant miking).

R-26

External Mics

MENU Item Setting


REC SOURCE INTERNAL+ANALOG



INPUT SETTUP ANALOG ININPUT TYPE LINK

PHANTOM POWER ON if using a condenser mic,OFF if using a dynamic mic

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Recording a grand piano

An acoustic piano emits sound from every part of itself, and the tone quality of the recordingwill differ depending on where the mics are placed. This is because different locations will have adifferent balance between the vibration of the strings, the resonance of the body, the reectionsof the sounding board, and the sound of the hammers striking the strings. In order to record agood-sounding balance of these elements, its important to try recording from various distancesand directions in order to nd the position thats best for your needs.

Using the internal mics To capture a good balance of the overall instruments resonance, place the R-26 at a slightdistance from the S-shaped bend in the grand pianos body. By changing the angle at which the

mic is pointed, you can adjust the balance between the sound of the strings and the sound fromthe soundboard. By changing the distance, you can adjust the balance between the attack andthe resonant decay.

R-26Adjusting thebalance betweenthe attack and theresonant decay

Adjusting the balancethe strings and thesound board

R-26

MENU Item Setting


REC SOURCE INTERNAL


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Using external micsAdjust the angle and distance of the two dynamic mics or condenser mics connected to theANALOG IN 1/L jack and the ANALOG IN 2/R jack in the same way as when using the internal mics(p. 55).

External Mics

External Mics

MENU Item Setting


REC SOURCE ANALOG




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Combining internal mics and external micsIf youre recording with four channels, you can record an even better balance of the sound of theentire piano. By mixing down the sound recorded from each mic position, you can obtain a piano

sound thats ideal for the style of music being performed.

R-26

R-26

External Mics

External Mics

Use the internal mics to capture the sound of the strings, and use two condenser mics connectedto the ANALOG IN 1/L jack and ANALOG IN 2/R jack to capture the sound from the soundboard.

MENU Item Setting






PHANTOM POWER ON

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Recording a BandWhen setting the input level, have the band play the loudest section of the song while you adjustthe level. If you use the AUTO SENS function ( p. 47), the input sensitivity will be automatically set tothe optimal point, and a recommended setting for the input level will also be displayed.

Using the internal micsIn a practice room, the instruments are typically placed around the edge of the room facing intothe center. In order to record all instruments at a good balance, place the mic in the center of theroom, at approximately table-top height to get the best sound. Placing the mic on the oor willproduce a muffled sound with excessive low frequencies; placing the mic at a high location willfail to capture the lows, producing a thin sound.

Bass Amp

PA Speakers for Vocalsand Keyboard

Guitar Amp

Drums Place in themiddle

R-26

MENU Item Setting


REC SOURCE INTERNAL

SENS INT MIC SENS LOW

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Recording a ConcertDuring a rehearsal before the actual performance, adjust the levels suitably for the loudestpassages that will occur. If you use the AUTO SENS function ( p. 47), the input sensitivity will beautomatically set to the optimal point, and a recommended setting for the input level will also bedisplayed.

As far as possible, record from exactly in front of center stage.

Using the internal micsYou can use headphones for monitoring during rehearsals, and while making numerous trialrecordings, you can adjust the distance from the stage and the mode for the internal mics.

Full Sound

Soft Sound

MENU Item Setting


REC SOURCE INTERNAL

SENS INT MIC MIC MODE CONCERT

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Combining internal mics and external micsYou can also use external input mics to simultaneously record the applause and other sound from

the audience, in order to capture the excitement of the event.

AudienceMicrophones

AudienceMicrophones

MENU Item Setting



SENS INT MIC MIC MODE CONCERT


INPUTSETTUP ANALOG IN

INPUT TYPE LINK


* Do not use the R-26 during concerts for which recording is prohibited.

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Playback

Basic PlaybackOperation

Rewind / Moveto previous song(beginning of song)

Fast-forward /Move to nextsong

Stop Play / Pause

1. Access the main screen ( p. 16 ).

2. Use [ ]/[ ] buttons to select theproject that you want to play.You can also choose a project from thender menu. Opening a Project (p. 70)

3. Press [ ] button to play theproject.During playback, you can hold down [] button to rewind, or [ ] button to fast-forward. Normal playback will resume whenyou release the button.

* For some types of SD card, the datareading speed may not keep up whenrewinding or fast-forwarding duringplayback, causing the rewind or fast-forward operation to stop. If this occurs,press [ ] button to stop playback. Thenp

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