Quintet for Oboe, Harp, Double Bass, Percussion, & Saxophone

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quintet score

Text of Quintet for Oboe, Harp, Double Bass, Percussion, & Saxophone

  • for Oboe, Harp, Double Bass, Percussion& Saxophone

    Quintet

    Christopher W. Sumrall

  • h = 40Christopher W. Sumrall

    Quintet for Oboe, Harp, Double Bass, Percussion

    & Saxophone

    2

    3

    Oboe

    Alto Saxophone

    Harp

    Contrabass

    Vibraphone

    C-Score

    C, Db, Eb, Fb, G, Ab, B

    Solo

    mp

    growl

    ff

    approx 6 sec.

    with medium-fast motor

    3 yarn mallets

    q. = 40

    4 5

    6

    7

    Hp.

    mp

    L.H.

    R.H.

  • 8

    9

    10

    11

    Hp.

    mf

    B# -

    3

    12

    a little slowerq. = 37

    13

    14

    15

    Hp.

    Vib.

    RH

    slight rubato

    *

    l.v. ....

    LH

    * use front end of fingernail for last LH gliss

    Solo

    p

    16

    17

    e = q18

    19 20 21

    22

    Hp.

    Vib.

    pR.H.

    L.H.

    3

  • 23 24

    25

    26

    Hp.

    Vib.

    R.C.

    B.D.

    l.v.

    C/Db w/ left mallet

    mf

    p

    mf

    l.v.

    left foot

    mf

    27

    28

    29 30

    Hp.

    Vib.

    R.C.

    B.D.

    approx. pitch

    4

  • 31 32

    33

    Hp.

    Vib.

    R.C.

    B.D.

    3 3 3 3

    34 35

    36

    37

    Hp.

    Bass

    Perc.

    mp

    3

    sounding pitch

    on D string

    arco

    p

    mm.'s 36 - 75:

    2 drumsticksuse butt end of sticks

    p

    on rim

    5

  • 38

    39

    40 41

    Hp.

    Perc.

    3

    R.H.

    mf

    on head

    p

    3

    42

    43 44

    45

    Hp.

    Bass

    Perc.

    R.H.

    L.H.

    sul pont.

    p

    f

    46 47

    48

    Hp.

    Bass

    Perc.

    3 3

    normal bowing

    3

    p

    mf

    click sticks together

    6

  • 49 50 51 52

    Hp.

    Bass

    Perc.

    mp

    3

    3

    3

    3

    3

    3

    3 3

    3 3

    3

    3 3

    3

    mf

    mp

    cross left stick over snare

    53 54 55

    Hp.

    Bass

    Perc.

    3 3

    3

    3

    0

    7

  • 56 57

    Hp.

    Bass

    Perc.

    3

    3

    3

    58

    59

    60

    Hp.

    Bass

    Tri.

    Perc.

    p 3

    pizz.

    p

    p

    lv

    S.D. on head

    8

  • q = e61

    62

    63

    64

    Ob.

    Hp.

    Bass

    Perc.

    p

    3 3 3

    B# -

    3

    arco

    p

    p

    ff

    3

    f

    mp

    p

    on bell

    on rim

    3 3 3

    e = q65

    6667

    Ob.

    Hp.

    Bass

    Perc.

    gradually decrease trill speed

    3

    on G string

    f

    3

    f

    fl. tomrim shots

    mp

    f

    mp

    3

    9

  • 68 69 70

    Ob.

    Hp.

    Bass

    Perc.

    f

    MP

    mf

    gliss

    3

    R.H.

    mf

    f

    L.H.

    front endof fingernail

    mf

    mf

    p

    mf

    p

    mf

    p

    71 72 73 74

    Ob.

    Hp.

    Bass

    Perc.

    mp

    p

    pitch bend down

    pp

    approx. pitch

    pp

    mp

    p

    mp

    p

    pp

    mp

    pp

    mp

    pp

    p

    pp

    p

    pp

    10

  • 75 76

    q. = 33

    q = e77

    78

    Ob.

    Hp.

    Bass

    Perc.

    a little slower

    p

    pizz.

    mp

    pp

    ppp

    to vibes2 yarn mallets

    79

    80

    81

    e = q82

    Ob.

    Bass

    Vib.

    p

    MP

    p

    mp

    11

  • 83 84 85 86 87 88 89

    Hp.

    Bass

    Vib.

    R.C.

    p

    mp

    1 drumstickuse front end of stick

    pp

    90

    91

    92

    93

    Ob.

    Hp.

    Bass

    Vib.

    R.C.

    B.D.

    mp

    p

    sfp

    mp

    arco

    mp

    3yarn mallets

    mf

    mf

    12

  • 94

    95

    96

    97

    Ob.

    Hp.

    Bass

    Vib.

    p

    pp

    p

    gliss for full length of quarter note

    p

    2timpani mallets

    to timpani

    98

    99

    100

    Ob.

    Hp.

    Bass

    Timp.

    p

    mp

    3

    mf

    mf

    pp

    p

    13

  • 101

    102

    103

    Ob.

    Hp.

    Bass

    Crash Cymbal

    Timp.

    mf

    f

    f

    f

    mp

    mf

    f

    104 105

    106

    Ob.

    Hp.

    Bass

    Crash Cymbal

    Timp.

    ff

    fff

    f

    R R L

    R R

    3 3

    14

  • 107 108

    Ob.

    Alto Sax.

    Hp.

    Bass

    Crash Cymbal

    Timp.

    mf

    step on stage

    ff

    3

    f

    sul pont.

    f

    slow gliss

    approx. l.v.

    approx. pitch

    gliss.

    3

    15

  • 109 110

    Ob.

    Alto Sax.

    Hp.

    Bass

    Crash Cymbal

    Timp.

    3

    3 3

    3 3

    3 3 3 3

    normal bowing

    3

    L L R

    RL R

    R R L R R L

    R RL

    RR

    3 3 3 3 3

    16

  • 111 112 Swing113

    Ob.

    Alto Sax.

    Hp.

    Bass

    R.C.

    Timp.

    3

    3 3

    p

    p

    3 3

    pp

    quickly mute

    3 3 3 3 3 3

    pizzp

    slowly move sticks up as you rollby the end of the roll, be at the top edge of the drum

    sizzle cymbal - use back endof timpani mallet

    p

    buzz roll

    sfp

    quickly mute drum

    p

    17

  • 114 115 116

    117

    Ob.

    Alto Sax.

    Hp.

    Bass

    R.C.

    Timp.

    3

    3

    3

    18

  • 118

    119

    120

    121 122

    Ob.

    Alto Sax.

    Hp.

    Bass

    R.C.

    Timp.

    pp

    pp

    pp

    pp

    123

    124

    125

    Ob.

    Alto Sax.

    Hp.

    Bass

    R.C.

    Timp.

    Without Swing

    mf

    mf

    slowly step backwards till behind stage

    mf

    l.v.

    preparewhistle

    19

  • 126 127 128 129 130 131

    Ob.

    Alto Sax.

    Hp.

    Bass

    Crash Cymbal

    Whist.

    Timp.

    ff

    quickly step back on stage

    ff

    step off

    pp

    3

    3

    change tuningC#,D,E,F,G,A,Bb

    sfmp

    arco ppp

    use front end of both mallets

    ff

    to marimba

    ff

    ff

    20

  • q = 85132 133 134

    Ob.

    Hp.

    Bass

    Mar.

    slower slower

    mp

    3

    p

    3 3 3

    p

    mp

    135 136 137

    Ob.

    Hp.

    Bass

    Mar.

    p

    mp

    21

  • 138 139 140

    Ob.

    Hp.

    Bass

    Mar.

    mp

    3

    3 3

    3

    3

    3

    3

    141 142 143

    144

    Ob.

    Alto Sax.

    Hp.

    Bass

    Mar.

    pp

    step on stage

    MP

    fff*

    pp

    steel lids

    22

  • 145 146

    Ob.

    Alto Sax.

    Hp.

    Bass

    Steel lids

    MP

    ff

    f

    MP

    f

    strike lowest string with a yarn mallet strike upper part of the string

    f

    f

    3 3 3 3

    col legno battuto

    mf

    behindbridge

    ricochet - increase speed asthe gliss progresses

    f

    l.v.

    to timpani

    23

  • 147 148

    Ob.

    Alto Sax.

    Hp.

    Bass

    R.C.

    Crash Cymbal

    Timp.

    MP

    f

    mf

    MP

    mf

    mf

    MP

    approx.

    behindbridge

    normal bowing

    gliss - change direction on the fourth 16th of each beat

    f

    24

  • 149 150

    Ob.

    Alto Sax.

    Hp.

    Bass

    R.C.

    Crash Cymbal

    Timp.

    mp

    mp

    col legno battuto

    mf

    behindbridge

    mp

    to steel lids

    25

  • 151 152

    q = 70

    153

    154 155

    Ob.

    Alto Sax.

    Hp.

    Bass

    Steel lids

    pp

    slower

    abruptly turn towards the saxophonist

    stand

    pp

    mp

    pp

    stand

    abruptly turn towards the saxophonist

    3

    pp

    abruptly turn towards the saxophonist

    p

    l.v.

    abruptly turn towards the saxophonist

    26

  • 156

    157 158 159 160

    Ob.

    Alto Sax.

    Hp.

    Bass

    Steel lids

    begin walking towards chair walk in time, one step to each quarter note

    begin walking towards chair walk in time, one step to each quarter note

    when you reach the chair,remain standing

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