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ARTS Quarter 1 – Module 4 Lesson3 Week 8 MODERN ART 10

Quarter 1 Module 4 Lesson3 Week 8 MODERN ART

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Page 1: Quarter 1 Module 4 Lesson3 Week 8 MODERN ART

ARTS

Quarter 1 – Module 4

Lesson3 Week 8

MODERN ART

10

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Page 2: Quarter 1 Module 4 Lesson3 Week 8 MODERN ART

Arts– Grade 10 Alternative Delivery Mode Quarter 1 – Module 4: Modern Art First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio

Printed in the Philippines by ________________________ Department of Education – Region VII, Division of Cebu Province Office Address: Division of Cebu Province

Sudlon. Lahug, Cebu City

Telefax: (632) 8634-1072; 8634-1054; 8631-4985

E-mail Address: [email protected] * [email protected]

Development Team of the Module

Writers: Remie Mantuhac

Editors: Nenita G. Jaralve

Evelyn G. Patiṅo

Isidore Luther A. Herrera

Language Editor: Fanny Y. Inumerables

Lay-out Editor: Charmaine L. Juyahib

QA Evaluator/s: Maurie Jo D. Cabrera, Juniel Gomez

Moderator in Arts: Archie S. Gallego

Moderator: Milanie M. Panique

Management Team: Marilyn S. Andales EdD, CESO V. – Division Superintendent

Leah B. Apao, Ed.D.CESE – Asst. Schools Division Superintendent

Ester A. Futalan, Ed.D. – Asst. Schools Division Superintendent

Cartesa M. Perico, Ed.D. – Asst. Schools Division Superintendent

Mary Ann P. Flores – CID Chief

Isaiash T. Wagas – EPS LRMS

Nenita G. Jaralve – EPS MAPEH

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ARTS Quarter 1 – Module 4

Lesson3 Week 8

MODERN ART

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Introductory Message

For the facilitator:

Welcome to the ARTS 10 Alternative Delivery Mode (ADM) Module on Modern Art.

This module was collaboratively designed, developed and reviewed by educators both

from public and private institutions to assist you, the teacher or facilitator in helping the

learners meet the standards set by the K to 12 Curriculum while overcoming their

personal, social, and economic constraints in schooling.

This learning resource hopes to engage the learners into guided and independent

learning activities at their own pace and time. Furthermore, this also aims to help

learners acquire the needed 21st century skills while taking into consideration their

needs and circumstances.

In addition to the material in the main text, you will also see this box in the body of the

module:

As a facilitator, you are expected to orient the learners on how to use this module.

You also need to keep track of the learners' progress while allowing them to manage

their own learning. Furthermore, you are expected to encourage and assist the

learners as they do the tasks included in the module.

Notes to the Teacher

This contains helpful tips or strategies that will help

you in guiding the learners.

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For the learner: Welcome to the ARTS 10 Alternative Delivery Mode (ADM) Module on Modern Art This module was designed to provide you with fun and meaningful opportunities for guided and independent learning at your own pace and time. You will be enabled to process the contents of the learning resource while being an active learner. This module has the following parts and corresponding icons:

What I Need to Know

This will give you an idea of the skills or

competencies you are expected to

learn in the module.

What I Know

This part includes an activity that aims

to check what you already know about

the lesson to take. If you get all the

answers correct (100%), you may

decide to skip this module.

What’s In

This is a brief drill or review to help you

link the current lesson with the previous

one.

What’s New

In this portion, the new lesson will be

introduced to you in various ways such

as a story, a song, a poem, a problem

opener, an activity, or a situation.

What is It

This section provides a brief discussion

of the lesson. This aims to help you

discover and understand new concepts

and skills.

What’s More

This comprises activities for

independent practice to solidify your

understanding and skills of the topic.

You may check the answers to the

exercises using the Answer Key at the

end of the module.

What I Have Learned

This includes questions or blank

sentence/paragraph to be filled into

process what you learned from the

lesson.

What I Can Do

This section provides an activity which

will help you transfer your new

knowledge or skill into real life

situations or concerns.

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Assessment

This is a task which aims to evaluate

your level of mastery in achieving the

learning competency.

Additional Activities

In this portion, another activity will be

given to you to enrich your knowledge

or skill of the lesson learned.

Answer Key

This contains answers to all activities in

the module.

At the end of this module you will also find:

The following are some reminders in using this module:

1. Use the module with care. Do not put unnecessary mark/s on any part of the

module. Use a separate sheet of paper in answering the exercises.

2. Do not forget to answer What I Know before moving on to the other activities

included in the module.

3. Read the instruction carefully before doing each task.

4. Observe honesty and integrity in doing the tasks and checking your answers.

5. Finish the task at hand before proceeding to the next.

6. Return this module to your teacher/facilitator once you are through with it.

If you encounter any difficulty in answering the tasks in this module, do not

hesitate to consult your teacher or facilitator. Always bear in mind that you are not

alone.

We hope that through this material, you will experience meaningful learning and

gain deep understanding of the relevant competencies. You can do it!

References This is a list of all sources used in

developing this module.

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This module was designed and written with you in mind. It is here to help you

master the concepts of Modern Art. The scope of this module permits it to be used in

many different learning situations. The language used recognizes the diverse

vocabulary level of students. The lessons are arranged to follow the standard

sequence of the course. But the order in which you read them can be changed to

correspond with the textbook you are now using.

The module 4 is divided into three lessons, namely:

• Lesson 1 – Techniques and styles of the various movement and the influence

of iconic artist.

• Lesson 2 – Different media techniques and process to communicate ideas,

experiences and works of art in terms of artistic concepts and ideas.

• Lesson 3 – The influence of Modern Art movements on Philippine art forms.

After going through this module, you are expected to:

1. create artworks guided by techniques and styles of the various art movement

e.g., Impasto, Encaustic, etc. A10PR-lce-1

2. discuss the influence of iconic artist belonging to the various art movement.

A10PR-lce-2

3. apply different media techniques and process to communicate ideas,

experiences, and stories showing the characteristics of the various arts

movement e. g. the use of industrial materials or found objects, silkscreen

printing, etc. A10PR-lce-3

4. evaluate works of art in terms of artistic concepts using criteria from the various

art movementsA10PR-1f-1

5. shows the influence of Modern Art movements on Philippine art forms

A10PR-1f-2

What I Need to Know

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Directions: Fill in the needed information inside the box. Use a separate sheet

of paper for your answers.

Remember?

Artwork of some Filipino

artists

Give the name of

the artist

Style/movement

and the title of the

artwork

Amorsolo: Planting Rice (Mayon) | Fernando Amorsolo (1892 ...

www.flickr.com › photos

Jan 31, 2015 - Fernando

Amorsolo (1892 - 1972) Planting

Rice (Mayon) signed and dated

1949 (lower left) oil on canvas 26” x

38” (66 cm x 97 cm) P ...

VICENTE SILVA MANANSALA

(PHILIPPINES, 1910-1981)

The Musicians

signed and dated 'Manansala 73'

(upper right); inscribed 'To Abbott

Lighter with best wishes Manansala

2 Oct 73' and 'J.A.Roxas musicians'

(on the reverse)

What I Know

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Sep 17, 2020 - Edades emerged as

the “Father of Modern

Philippine Painting”. Unlike,

Amorsolo's bright, sunny, cheerful

hues, Edades' colors were dark

and ...

Fabian de la Rosa Artworks - MutualArt

www.mutualart.com › Artist › Artworks

Find artworks by Fabian de laRosa

(Filipino, 1869 - 1937) on MutualArt

and find more ... Fabian de la

Rosa ... Paisaje de la Isla de Jolo ...

Untitled (Sailing Boats)

Nov 24, 2008 - Las

damas Romanas (Roman maidens)

by the Filipino painter Juan Luna ...

1884, a triumph that made

Luna and his contemporary, Felix

Resurrection ... It is not well known

that Luna spent six years in Rome

from 1878-1884.

Missing: Romances | Must

include: Romances

Nov 24, 2008 - Las

damas Romanas (Roman maidens)

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by the Filipino painter Juan Luna ...

1884, a triumph that made

Luna and his contemporary, Felix

Resurrection ... It is not well known

that Luna spent six years in Rome

from 1878-1884.

Missing: Romances | Must

include: Romances

What’s In

The history of the Modern Philippine Art is marked by the conflict between the

rules and the views of the Academy and the innovative methods of the Modernist.

The academic style was established during the Spanish colonial period and followed

rules of the Spanish, Italian, and French Academies.

When they first arrived in the Philippines in the early 16th century the Spaniards

did so with the primary intension of spreading the Catholic faith. As a result, religious

art and the creation of icons were strongly encouraged. By late 19th century the

neoclassicism and realism became the norm. A turning point was the emergence of

the “13 Modernist” group which includes artist group who had received their education

where they had come in contact with various new and experimental styles. They

argued that the official art was too photographic and relied too much with the

exactness of representations which led and rigidness and lack of originality .The

Academy stroke back by framing the Modernist as charlatans who made shocking and

controversial artworks to mask “their lack of skills.”

Lesson

3

Influence of modern art movement

on Philippine art forms

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Directions: Draw a religious icon using the available materials you have. Use a

short bond paper. Read the rubrics below as your standard guide in earning a

point.

What’s New

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What is it

Modern Art begins the heritage of painters like Vincent Van Gogh, Paul

Cezanne , Paul Gaugin , George Seurat and Henri de Toulouse-Lauctrec all of whom

were essential for the development of the modern art Matisse’s two version of the

dance signified a key point on his career and in the development of modern painting.

Five Classics of Modern Philippine Art

1. “Las Damas Romanas” painted by Juan Luna his style is neo-classicism is one

of the most famous painting of the colonial period Skilled in the style of Academy he

was the first Filipino painter to win International recognition in Europe and USA

2. “Houseboats in a River” painted by Fabian de la Rosa is considered to reflect

from Spanish rule to American occupation. Subdued landscapes and genre paintings

with impressionistic influence became the art of choice in the era of uncertainty and

broken hopes.

3. “Planting Rice” painted by Fernando Amorsolo. The arrival of the Americans led

to a new wave of nationalism in the Philippine Society which is best reflected in the

art. His art focused on traditional folk scenes as an embodiment of the imagined sense

of nationhood. The traditional customs pastimes and occupations are among the most

recognizable motifs employed. Some historians criticized Amorsolo’s paintings and

idealized version of what life was like in those times while others have argued that his

paintings reflected the people’s desire to escape from a complicated reality to

simplicity.

4. “Interaction” by Victorio Edades the Father of Modern Art. Schooled in the US

upon his return. He introduced entirely new way of thinking about art. He argued that

art can be more than representation of reality. It can be representation of reality as

seen through the mind and emotions of the artist.

5. “The Musicians” by Vicente Manansala. One of the first Abstractionist on the

Philippine art. He is also credited with bridging the gap between the city and the

suburbs, between the rural and the cosmopolitan ways of life. His paintings depict a

nation in transition, an illusion to new culture brought by the Americans. Manansala

together with Fabian de la Rosa are among the best-selling Philippine Artist in the

West.

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What’s More

Directions: Write the needed information in the box. Use a sparate sheet of paper.

Name the Filipino artists who belong to the five classics of modern Philippine Art

Title of their painting Issues about their painting. What is the painting all about?

1

2

3

4

5

Directions: Answer each question briefly. Use a separate sheet of paper.

1. Who criticized Amorsolo’s painting?

2. Who is one of the first Abstractionist to the Philippine art?

3. What is the reason why Victorio Edades argued that art can be more than a

representation of reality?

4. What is reflected in the art or painting, “Planting Rice” by Fernando Amorsolo?

5. According to Fabian de la Rosa subdued landscapes and genre painting with

impressionistic influence became what?

What I Have Learned

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6. “Las Dramas Romanos” painted by Juan Luna garnered what kind of award?

7. Who were the heritage painters that started up the Modern Art?

8. How did the Spaniards spread their Catholic faith?

9. Why is it that during the 19th century neo-classicism and realism became the

norms?

10. Why did the Academy stroke back by framing the Modernist as “Charlatans”?

Directions: Using the availability of your art resources (coloring materials),

create an artwork inspired by Fernando Amorsolo’s “Planting Rice”.

Be reminded of the characteristics below in creating your artwork. See the rubrics on

the next page for your guide and use a separate short size bond paper.

What I Can Do

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Rubrics:

Criteria

5 Very much

visible

3 Visible

2 Not visible

Visible brushstrokes

Light colors

Emphasis on lightand the changing qualities on it

Ordinary subject matter

Unsual visual angles

Open composition

Creativity craftmanship

Assessment

Directions: Create your own artwork by choosing any of those art movements

and styles that influenced and inspired you so much. You can use canvas,

illustration board, cartolina or a short size bond paper.

See the Rubrics on the next page.

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Additional Activities

Directions:

1. Create an artwork in REALISM style/movement.

2. Use “PANDEMIC Way of Life” as your title/subject.

3.Use the same rubrics with your assessment activity.

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Answer Key

References

1. Historians 2.Vicente Manansala 3.as seen through the mind and emotions of the artist 4.The arrival of the Americans lead to a new wave of nationalism in the Philippine society 5. became the art of choice in the era of uncertainty and broken hopes 6.International recognition in Europe and USA 7.religious art and the creation of icons were strongly enjoyable 8. note: the answer can be an opinion, ideas, based on their understanding with #9 also 9. 10.Vincen Van Gogh, Paul Cezanne, Paul Gaugin, , Georges Seurat , Henri de Tuolouse-Lautrec

What I Know 1. Amorsolo- Impressionism 2.Manansala –Abstractionist 3.Edades – Edades 4. De la Rosa – Impressionism 5. Luna – Las Damas Romanas

What’s More 1. Las Damas Romanos-the most famous painting of the colonial period 2. Houseboats in a River – the art of choice in the uncertainty and broken hopes 3. Planting Rice- people’s desire to escapefrom a complicated reality to simplicity 4.Interaction-introduced entirely new thinking about arts 5. The Musician- bridging the gaps between the city and the Suburbs

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1. Horizon 10 Music and Arts Appreciation for Young Filipinos (Teachers Guide)

2. Horizon 10 Music and Arts Appreciation for Young Filipinos (Learners Material)

3. Online: google https://www.pinterest.ph/ (pictures) 4. JUAN LUNA (The Philippines 1857-1899) | Las Damas ...

www.christies.com › lotfinder › Lot › juan-luna-the-phi... Nov 30, 2008 - Las Damas Romanas (Roman Maidens). Price realised. HKD

4,700,000. Estimate. HKD 8,000,000 - HKD 10,000,000. Follow lot. JUAN

LUNA ...

5. File:Barcazas en el Rio by Fabian dela Rosa.jpg - Wikimedia

...commons.wikimedia.org › wiki › File:Barcazas_en_el_...

Feb 22, 2018 - Barcazas en el Rio (Houseboats in a River). Artist. Fabián de

laRosa (1869-1937). Title. Barcazas en el Rio (Houseboats in a River}

6. Victorio Edades, The Original Bad Boy of Philippine Art ... www.manilaartblogger.com › 2012/05/31 › victorio-ed... May 31, 2012 - Victorio Edades, Carlos Francisco, Galo B. Ocampo, "The Interaction",1935 oil on canvas, 256.5x270.5cm, Eleuterio Pascual Collection.

7.Vicente Manansala - Wikipedia en.wikipedia.org › wiki › Vicente_Manansala Vicente Silva Manansala (January 22, 1910 – August 22, 1981) was a Filipino

cubist painter ... University; Slum Dwellers; Bayanihan; Balut Vendors; Jansen

Rodriguez; Pamilya; Reclining Mother and Child; Dambana; The Musicians ...

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For inquiries or feedback, please write or call:

Department of Education, Region VII, Division of Cebu Province

IPHO Bldg., Sudlon, Lahug, Cebu City, Cebu, Philippines, 6000

Telefax: (032) 255-6405

Email Address: [email protected]

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