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· Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

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Page 1: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 2: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 3: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 4: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 5: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 6: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 7: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 8: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 9: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 10: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 11: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 12: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 13: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 14: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 15: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 16: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 17: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 18: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 19: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 20: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 21: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 22: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 23: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 24: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 25: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 26: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 27: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 28: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 29: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 30: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 31: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 32: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 33: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Page 34: · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

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