Psychodrama Theory - j.l. Moreno 1889 - 1974

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    psychodrama By J.L. Moreno

    ( 1889 – 1974 )

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    j. L morenoBorn in 1889 & died in 1974 (85 years)Created a theory named Classical

    Psychodrama.Primarily an action approach created in themid 19!"s# and later de$eloped %y his

    i'e #er a *oeman +oreno.

    ,lso de$eloped %y many other 'ollo ers.

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    Classical psychodrama/s a comple0 and intense method # sho ld %econd cted %y hi2hly trainin2 practitioners#3o e$er # psychotherapists can %ene t 'rom

    tili in2 a $ariety o' psychodrama techni6 es &principles as adj ncts to a ide ran2e o'therapies & ed cational approaches (Blatner-""5%)3ad its ori2ins in the Theater of Spontaniety #and it started in 19-1 %y +oreno.

    * led him to de$elop the ro p methods &speciali es therape tic techni6 es in mid 19!"s.

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    techni6 esnco ra2ed people to e0press themsel$es more

    ' lly#0plore %oth intrapsychis con:icts &

    interpersonal pro%lems#et constr cti$e 'eed%ac on ho they come

    across to others#;ed ced 'eelin2s o' isolation#

    0perment ith no$el ays o' approachin2si2ni cant orthers in their li$es.

    *his approach helps to enli$en 2ro p interactions.

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    ;ole o' 2ro p leader director,ccordin2 to >.L. +oreno ?

    Prod cerCatalyst @acilitator A assist prota2onist inde$elopin2 a scene & 'acilitate the 'ree e0pressiono' 'eelin2s & to 2ain a ne nderstandin2 o' apro%lem.

    %ser$er ,nalyser

    3elp in selection o' prota2onist decide techni6 es%est s ited 'or e0ploration o' person s pro%lems.

    r2ani er# play a ey role to armA p the 2ro pPay care' l attention to hat emer2es in drama.

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    +ain s ill o' psychodramatist/n$ol$es appreciatin2 the prota2onist s rel ctance ass Ecient armA p rather han Fresistance.GP shin2 the prota2onist at this point ill red cespontaneity=or to %rin2 into e0plicir e0pression those concernshat mi2ht ind ce hesitation# e.2. orry that the2ro p mi2ht thin a 2i$en 'eelin2 is F eird.G

    =ea$e ideas into a s pporti$e e0ploration ith the2ro p# ena%lin2 HP to 'eel an increase in the tele

    ith other 2ro ps mem%ers & ready toenco ra2eo sly disclose his her inner tr th.

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    Basic components o' psychodrama *he Prota2onist *he , 0illiary 2os

    *he , dience *he ta2e

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    Phase o' psychodrama Process *he =armA p Phase *he ,ction Phase

    *he harin2 and Iisc ssion Phase

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    ,pplication J therape tic

    techni6 es and proced resel'APresentation

    ;ole ;e$ersalIo %le

    olilo6 y *he mpty Chair;eplay

    +irror *echni6 es@ t re Projection

    *he +a2ic hop;ole *rainin2

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    ,pplyin2 psychodrama to 2ro p

    or in school *heory & Practice o' ro pCo nselin2 (7 th d.) A erald Corey.

    (P2 -"D -"7)

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    ,pplyin2 psychodrama ith

    m ltic lt ral pop lations *heory & Practice o' ro p Co nselin2 (7 th d.) A erald Corey. (P2 -"7 -"8)

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    $al ation o' psychodramaContri !tions and Stren"hts of the #pproach

    *heory & Practice o' ro p Co nselin2 (7 th d.) Aerald Corey. (P2 -"8 -"9)

    $otentia% for &nte"ration 'ith ther #pproach *heory & Practice o' ro p Co nselin2 (7 th d.) A

    erald Corey. (P2 -"9 -1")Limitation of the #pproach

    *heory & Practice o' ro p Co nselin2 (7th

    d.) Aerald Corey. (P2 -1" -11)Trainin" as a Safe"!ard

    *heory & Practice o' ro p Co nselin2 (7 th d.) Aerald Corey. (P2 -11 -1-)

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    *he end *han yoPresented %y J+dm 3jh. @ iah 3j. ,%d l ;ahman

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