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PROJECT CATALOGUE Emma Rose Silverman

Project Catalogue

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This is a portfolio of my design work from the University of Oregon as well as from my internship at BLRB Architects.

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PROJECT CATALOGUE Emma Rose Silverman

MISSION STATEMENT:

I strongly believe that in order to be a successful designer it is important to be well rounded, therefore my interests go beyond the interior space and reach out to the city in which they are derived. Every designer has their own inner personality that is trying to find its way out through artistic expression. For me, it is very important to stay true to myself, learn from others and to grow from international exposure.

6-15

URBAN DESIGN

PRODUCTS

18-25

INTERIOR ARCHITECTURE

28-53

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STUDY ABROAD: SKETCHES, SUMMER 2011

MOBILITY: URBAN PLANNING, WINTER 2010

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THE STANDARD: BICYCLE PLANNING, FALL 2011

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URBAN DESIGN

THE STANDARD: BICYCLE PLANNING, FALL 2011

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STUDY ABROAD: ROME, ITALY, SUMMER 2010Living in Rome for 3 months was truly an incredible experience. Our days were spent practicing sketching techniques, visiting

museums and part-taking in walking tours of the city. Various design professionals from around Western Europe accompanied our trip

and gave insight on their design aesthetic and point of view. It was a true exploration of our inner design personalities.

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URBA

N DE

SIGN

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9

HISTORIC CHURCH

MENSAEXHIBITION

ENTRANCE

AR

TIS

T LO

FTS

PLAN & SECTION: TRANSITION FROM OLD TO NEW Studio Della Lavanda e Dell’Arancio incorporates artist residences, a mensa and an exhibition space in Rome, Italy. The site is located on ancient church grounds and incorporates aspects of historical preservation, landscape design, and new

construction including interior construction details. Project was completed in a team of two. All hand media and watercolors.

URBA

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SIGN

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ARTIST LOFT

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ARTIST LOFT DETAILS Artist loft interior details showing live/work studios. Sliding partition/

shelf allows for a choice between collaboration or individual work. The double height space features large glass windows with views

out to the garden; Built-in shelves play with reflectivity.

CABINET STUDY

URBA

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SIGN

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MOBILITY: PEDESTRIAN ACCESSIBILITY, FALL 2010Mobility is a project using PDA’s to assess streets in Salem, OR. The project

was a part of the Sustainable Cities Initiative and was presented to the City of Salem. It deals with pedestrian accessibility and street assessments within a

mile buffer of Willamette University. All maps created with ArcGIS. Areas explored: logo design, digital map making field research, integration of

artistic skills in a research project, clear story telling.

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URBA

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SIGN

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THE STANDARD: BICYCLE TRANSPORTATION PLANNING FALL 2011This was a group project for the Sustainable Cities Initiative for the City of Springfield, Oregon.

This is a bicycle transportation project. It focuses specifically on Main Street located in downtown Springfield. The project proposes 4 design schemes: “The Standard”, “The Modified Standard”, “Boardwalk”,

and “Steppe.” All schemes aim at creating better bicycle infrastructure for the city. Poster layout and images using InDesign and Photoshop (CS5). Original poster format: 36” x 24”

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NorthSidewalk Two Lanes of Traffic

SouthSidewalk

Car Parking&

Bike Corrals

6’ 10’ 10’ 8’ 6’ 6’

Total Street Width: 43’

3’

The Standard:

NorthSidewalk Two Lanes of Traffic

SouthSidewalk

Car Parking&

Bike Corrals

The Modified Standard:

6’ 9’ 9’ 8’ 6’6’

Total Street Width: 44’

3’ 3’

NorthSidewalk

SouthSidewalk

6’ 11’8’

Total Street Width: 44’

Car Parking&

Bike Corrals

11’51/2’ 51/2’ 3’

Two Lanes of Traffic

Steppe:

NorthSidewalk

SouthSidewalk

6’

Two Lanes of Traffic

10’ 10’ 6’

Total Street Width: 44’

12’6’

Diagonal Parking

Boardwalk:

Total Street Width: 44’

URBA

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SIGN

PRODUCTS

SIMPLE LUX: LUMINAIRE, FALL 2011

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PATIO: FURNITURE PROTOTYPE, WINTER 2011

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PYRAMIDS: FURNITURE, WINTER 2011

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FELT: LUMINAIRE, WINTER 2011

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FELT: LUMINAIRE, WINTER 2011

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SIMPLE LUX: LUMINAIRE, SPRING 2009Simple Lux luminaire uses cardboard, comes in three shapes and adds intrigue to any space. It was chosen

for an exhibition at Modern, a modern design retail store, during the Eugene Art Walk in 2009.

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INTERIOR RENDERINGS

PROD

UCTS

20

2’ 10”

3’ 2”

5’ 6”

6’

PATIO: FURNITURE STUDIO, WINTER 2011Challenge: to build a modular, display, seated, pin-up area

for the School of Architecture and Allied Arts. Process: four teams of 4 designed and prototyped designs and students

voted for their favorite. Our design did not win but we enjoyed collaborating throughout the process.

1/4” SCALED MODEL

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PROD

UCTS

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A team of 16 students built the final product in the woodshop. Pyramids is a lasting icon of our success in the

hall of The School of Architecture and Allied Arts at the University of Oregon.

FURNITURE FABRICATION: WINTER 2011

CONSTRUCTION PROCESS

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PROD

UCTS

FINAL PRODUCT

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Felt is a luminaire inspired by user interaction. Snaps and lasercut fold lines make it customizable. This project explored pattern making, working with textiles, electric wiring and laser

etching. Laser etched fold lines, text and numbers create a snapping pattern to customize the luminaire on both sides.

FELT: LUMINAIRE, WINTER 2010

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PROD

UCTS

INTERIOR ARCHITECTURE

CANVAS: RESTAURANT, SPRING 2010

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RIVERSTONE: PEDIATRIC CLINIC, WINTER 2010

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NOSTALGIA: CAFE, SPRING 2011

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CO-HABITAT: MIXED-USE HOUSING, 2011-JUNE 2012

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SHINING MOUNTAIN: K-12 SCHOOL, INTERN SUMMER 2011

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CO-HABITAT: MIXED-USE HOUSING, 2011-JUNE 2012

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ENTRY

MAIN DINING

SERVICE

BAR

CANVAS: A PORTLAND PUB, SPRING 2010Canvas is a restaurant & bar designed for Portland’s historic

White Stag building located in Old Town. The project has a retro theme and creates a casual, unique experience. The facade of

the White Stag has a very historical nature. The classical exterior contrasts the contemporary interior by use of architectural

elements, materials and lighting.

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MAIN DININGMain dining space features custom

lighting elements and a variety of seating arrangements to give users a choice and

provide for a range of personalities.

PERSPECTIVE SKETCH

LONGITUDINAL SECTION LOOKING NORTH

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RETRO TVSILESTONE LIGHTBOX TOM DIXON DOUG FIRRETRO STOOL

CANVASBAR DETAIL

Double story bar features custom built-in elements including a TV, ice

chest and shelving. Semi- transparent 3-Form screen casts shadows as users

move from one floor to the other.

FEMALE & MALE RESTROOMS INSPIRED

BY RETRO GLASSES

MEN’S WCWOMEN’S WC

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BAR PERSPECTIVE

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RIVERSTONE: PEDIATRIC CLINIC, WINTER 2010Riverstone Pediatric Clinic uses careful detailing that sparks a child’s imagination.

It’s an adaptive re-use project located in Eugene, OR. The space is divided between administration and pediatric facilities. It uses “alleys” to divide exam rooms and takes advantage of large windows and double height space. This project mainly focused on

interior detailing and space planning.

8'-8"

9'-11"

EXAM ROOM PLAN

EXAM ROOM DETAILS

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NEW CONSTRUCTION: 2ND FLOOR

NEW CONSTRUCTION: 1ST FLOOR 1

2

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CHILDREN’S PLAY AREA

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LONGITUDINAL SECTIONThe section reads from left to right.

Administration to exam rooms.

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NOSTALGIA: CAFE, SPRING 2011This is an adaptive-reuse project of a small building in Eugene, OR. The cafe project mixes the design with an attention to savvy detailing and sustainable thinking. This class taught me how to format and use proper graphic language and content in the production of a set of construction drawings. The final product was an abbreviated

set of 24” x 36” construction drawings. All drawings produced using AutoCad 2011.

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CAFE FLOOR PLAN & DEMO PLANThis project emphasized careful detailing

of the cafe bar and a custom seating element located in the main seating area. All drawings represent parts of the entire

construction document set.

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SHINING MOUNTAIN: K-12 SCHOOL, SUMMER 2011During the summer of 2011 I interned for BLRB Architects, in Tacoma, WA. My

project was to select materials and colors based off of construction drawings and specifications for Shining Mountain Elementary School. One of the most memorable

tasks that I accomplished was to create a series of presentations that I presented both in-house to the principals of the firm and to the users, a group of 30 teachers.

The project is now in construction.

CORRIDOR GRAPHIC WALL

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EMMA HAS A POSITIVE ATTITUDE, WORKS HARD AND DOES HIGH QUALITY WORK. WE THRUST HER INTO MULTIPLE

DEADLINE DRIVEN, HIGH-STRESS SITUATIONS AND SHE PERFORMED AS A PROFESSIONAL. BY THE END OF THE SUMMER

EMMA PRESENTED A FULL INTERIORS PACKAGE TO A CLIENT THAT SHE DEVELOPED ALONGSIDE THE DESIGN TEAM. EMMA

SELECTED PRODUCTS, COLOR PALETTES, IMPLEMENTED DESIGN THEMES AND PRODUCED THE ENTIRE PRESENTATION. SHE

WAS CONFIDENT AND ARTICULATE, LEADING THE MEETING, KEEPING IT ON SCHEDULE AND MANAGING THE MULTIPLE OWNER

REPRESENTATIVES. OUR CLIENT RAVED ABOUT HER WORK AND WAS ASTONISHED THAT SHE WAS STILL IN SCHOOL.” - Ben Ferguson, Commercial Studio Director, BLRB Architects

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MATERIAL BOARD EXAMPLE

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PLAM COLOR 5BOTTOM HORIZONTAL& BACKSPLASH

PLAM COLOR 4TOP HORIZONTAL

PLAM COLOR 1, TYP.

VWC COLOR 2

PAINT COLOR 1, TYP.

MAPLE TRIM

RUBBER BASE COLOR 1

INTERIOR RENDERINGSAfter selecting colors and materials I created a set of material boards and a complete Color Schedule book that was passed onto the contractors to

help aid them in the material construction process. The book entailed careful labeling, notation, and specification writing.

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CO-HABITAT: MIXED-USE HOUSING DEVELOPMENT, 2011-JUNE 2012My final interior architecture studio project is called Co-Habitat. For my thesis, I wanted to respond to the needs of recent

college graduates between the ages of 21-33 and the prevalence of independently rented apartments that do not enhance social interaction. Co-Habitat promotes an affordable, semi-communal housing complex with a mixed commercial program. Since this is an adaptive re-use project, I chose a site that consists of two buildings. Most of the commercial and residential

spaces are placed within a three-story, 1927 brick and heavy timber building. I am repurposing the adjacent 1935 gas station as a diner. My intention is to create a place that encourages communal and collaborative activities while also inviting

the local public in for mart and other commercial reasons.

NE COUCH ST

G ST

NE SANDY BLVD

NE 2

0TH

NE DAVIS ST

PORTLAND, OR.

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CO-LAB: COMMUNAL OFFICE WORK SPACE

COMMUNAL KITCHEN

NEW: LOFTED UNITS

EXISTING UNITS FILM LOUNGE

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FLOOR PLANS

THE RESIDENTSDAVID LOITZFROM: OREGONSTUDY: EDUCATIONAGE: 31JOB: TEACHER

BRYN SILVERMAN BREA OBENDORFUROOJ MUGHALFROM: OREGONSTUDY: INTERNATIONAL STUDIESAGE: 22JOB: STUDENT

KIRSTEN HARRISFROM: ILLINOISSTUDY: ARCHITECTUREAGE: 23JOB: UNEMPLOYED

WILL FENG-MING DAI FROM: CHINASTUDY: FINE ARTSAGE: 23JOB: GRAPHIC DESIGNER

NATHAN REEDFROM: KENTUCKYSTUDY: ARCHITECTUREAGE: 31JOB: ARCHITECT

NAVEEN CHAUBALFROM: INDIANASTUDY: FILMAGE: 22JOB: FILM MAKER

FROM: OREGONSTUDY: FILMAGE: 22JOB: FILM MAKER

FROM: VIRGINIASTUDY: POLITICAL SCIENCEAGE: 25JOB: MASTERS STUDENT

EXISTING WALLS

NEW WALLS

Gb

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“AS WE MOVE TOWARD MORE LOCAL, COMMUNITY BASED LIFE, MORE HUMAN SCALE LIVING ARRANGEMENTS WILL BECOME THE NORM. PEOPLE WILL LOOK TO SHARE MORE THAN OWN, THEY WILL LOOK TO LIFE STYLE THAT MAKE CONSUMING LESS MORE ATTRACTIVE AND EASY. BRING COMMUNITY AND COMMUNAL LIVING TO URBAN CENTERS AND PROVIDING A NEW ALTERNATIVE TO ISOLATION OF THE CITY AND THE SPRAWL OF THE SUBURB.”

CUSTOM WARDROBE: COLOR OPTIONS

2 3# of existing units: 17

# of new units: 16NEW VS. EXISTING CONSTRUCTION

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BIKE STORAGE/ENTRANCE/MAILROOM

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COMMUNAL KITCHEN

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new bedroom unit380 SQ. FT.

existing bedroom unit311 SQ. FT.

NEW BEDROOM UNIT380 SQ FT

EXISTING BEDROOM UNIT311 SQ FT

The design of the wardrobe uses a 36 degree angle that fosters a dynamic interior space and

eliminates long hallways in the existing floor plan. The wardrobe has a dual functionality, acting as both a storage piece as well as a sound barrier between the apartments and the film lounge.

STUDIO APARTMENT EXPANSIONWARDROBE PLAN VIEW

LOFTED APARTMENTS WITH SHARED TERRACE

NEW CONSTRUCTION

EXISTING

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STUDIO APARTMENT

In this project I am experimenting with two types of living units: studios and lofts. In some, I respect and then add to the 1927 existing units, in others, I have designed a new kind of loft living space to fit into the existing building boundary. These would be newly constructed to allow for shared terraces. All of the minimal units have similar

elements making use of sustainable materials, custom modular furniture, and color palettes that speak to the trends this age group is concerned with.

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MODULARITY AS A THEME

The angle of the wardrobe in the apart-ments inspired the design of the modular bench in the film lounge and the tables in the Co-Lab. Both furniture pieces provide for a range of lounge/work scenarios.

FILM LOUNGE WITH MODULAR BENCH

BENCH CONFIGURATIONS

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CO-LAB: COMMUNAL WORK PLACE

THANK YOU FOR YOUR CONSIDERATION.

EMMA-ROSE.POSTEROUS.COMISSUU.COM/EMMA-ROSE

EMMA [email protected]. 503.559.9599WWW.