-
Xi, Wang
Above Light
a conversation with Toru Takemitsu (2006)
for orchestra
XiWang Music Publisher Dallas, TX
For P
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Xi, Wang
Above Light
a conversation with Toru Takemitsu (2006)
for orchestra
The world premier was performed by the Minnesota Orchestra,
under the direction of Osmo Vänskä,
at the Orchestra Hall, in Minneapolis, on 26 October 2007.
XiWang Music Publisher Dallas, TX
For P
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Program notes:
The elegance and colorfulness of Takemitsu’s imaginary
soundscapes drew my deep love and admiration. The style of my
compositions is quite different from Takemitsu’s. However, I
believe the beauty of music is its diversity and the coexistence of
difference. I see struggles in my life, so do my music. And I love
both of them!
There are two fundamental components in Above Light. The first
material—a delicate melodic phrase played by piano,
flute and harp, opens this piece. It reminisces and is a tribute
to Takemitsu’s music. It is soon interrupted by the second
material—heavy strokes from percussions and a dark, low, sustained
note played by bass instruments. These two contrastive materials
are juxtaposed several times, and are developed in length and
density each time. Later there comes an attempt to combine all the
materials vertically. The first material—a lyrical melodic contour
is now played by piccolo and violins at the high register,
producing a mist to shroud the rest of the orchestra. The other
materials sweep in gradually, but violently conflict with the
first. The orchestra reaches its saturation and is taken over by
the massive sound from percussions. After reaching the forceful
drum climax, the music collapses onto one long note played by
violins at the extremely high register. It leads to a short
recapitulation of the first material, with an aloof reminiscence of
Takemitsu’s music. Xi Wang
Instrumentation 1 Piccolo 2 Flutes 2 Oboes 1 English horn 2
Clarinets in Bb/A 1 Bass clarinet 2 Bassoons 1 Contrabassoon 4
Horns in F 3 Trumpets in C 3 Trombones 1 Tuba 4 Timpani 3
Percussion players:
1st percussion: 3 congas, xylophone, vibraphone (share with the
2nd percussion), marimba (share with the 2nd percussion), chimes,
suspended cymbal. 2nd percussion: bass drum, vibraphone, log drum,
crotale, marimba (share with the 1st percussion), tam-tam (share
with the 3rd percussion) 3rd percussion: 5 tom-toms, whip, 5 wood
blocks, tam-tam (share with the 2nd percussion), suspended
cymbal.
Harp Piano/Celesta Violin I Violin II Viola Cello Double bass
Score is written in C as sounding except piccolo, contra bassoon,
celesta, crotale and double bass. duration circa 9 minutes
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q=ca.56Xi, Wang (2006)
© 2006 by Xi Wang
Above Lighta conversation with Toru Takemitsu
q=88 q=ca. 63Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
English Horn
Clarinet 1 in Bb
Clarinet 2 in Bb
Bass Clarinetin Bb
Bassoon 1
Bassoon 2
Contrabassoon
Horn 1, 3 in F
Horn 2,4 in F
Trumpet 1 in C
Trumpet 2 in C
Trumpet 3 in C
Trombone 1
Trombone 2
Bass Trombone
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Harp
Piano/ Celesta
Violin I
Violin II
Viola
Violoncello
Contrabass
Score in C
p
mp
pp
p
mp
pp
p
pp
pp
p
pp
pp
p
pp
pp
p
pp
pp
p
pp
pp
pp
p
pp
p
fff
p
fff
p
fff
p
fff
p
fff
p
fff
con sord.
pp
p
pp
con sord.
pp
p
pp
con sord.
pp
p
pp
p
fff
p
fff
ff
pp
f
Vibraphone
p
p
mp
pp
pp
mp
ppp
Bass drum
p
fff
Suspended cymbal(low pitch)
pp
ff
D C Bb, E F G A
p
mf
3
3
3
Piano
mp
p
mf
l.v.
3
div.
pp
p
pp
div.
pp
p
pp
div.
pp
p
pp
p
fff
div.
p
fff
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12 q=88
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fp
p
fp
fff
fp
fff
fp
mfp
fp
fff
fp
mfp
fp
fff
fp
mfp
fp
fff
pp
fp
mfp
fp
fff
fp
mfp
fp
fff
mp
f mf
fff
mf
f mf
fff
mf
f mf
fff
f p
f
p f p
f
p f p
f
p f p
f mf
fff
I
fp
f
mfp
ff
fp
f mfp
ff
senza sord.
f
senza sord.
f
senza sord.
fp
ff
mfp
f mfp
ff
mp
mfp
f mfp
ff
mp
f mfp
ff
f p
f
p f p
f
p f p
f
p f p
f mfp
ff
p
f
p
f
p
f
p
ff
Vibraphone
p
3 Congasticks
ff
ff
Bass drum
mf
ff
5 Tom-tom
ff
ff mf
ff mf
fff f
fff ff
fff
ffp
fff
div.
ffp
div.
fp
div.
fp
div.
fp
fff
f p
f
p f p
f
p f p
f
p f p
f mfp
fff
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A21
Rit.
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Perc. 1
Perc. 2
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
fff
Legato
3
f sub.
fff
Legato
fff
3f fsub.
3
mf f
3
mp
Legato
fff
3f fsub.
3
mf f
3
mp
fff
Legato
f
3
ff
p
fff
Legato
f
3
ff
p
Legato
fff
3
fff
Legato
f
3
ff mf
fff
3
f
5
fff
Legato
f
3
ff mf
fff
3f
5
mp
ff
fff
Legato
3
f
5
mp
ff
Legato
fff
3
f
5
mp
ff
Legato
fff
3
f
5
mp
ff
f
a2
mf
mp
ff
f
a2
mf
f fp
f fp
fp
mf
f fp
fp
f fp
mf
f fp
mf
p
mf p
p
mf p
p
mf p
p
mf p
f
Tam-tam
to Crotale
fff
3
fff
3
f
sub.
unis.
mf
f
3
mf
p
unis.
fff
div.
fff
3
fsub.
unis.
3
mf f
3
3
mf
p
unis.
fff
fff
div.
3
f f
mf
div.
fff
3
f
5
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30 B q=46Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
B. Tbn.
Tba.
Perc. 1
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
p
f p
ff
p
f p
ff
mfsub.
p
ff
mfsub.
3mf
5
ff
mfsub.
3
mf
5
Legato
ff
3mf
p
5
mp
mp
p
ppp
Vibraphone
p
3
Celesta
p
3
con sord.
p
mf
3
fp
mf
3
fp
mf
3
f
3
unis.
p
mp
3
mf
p
mf
p
fp
div.
mf
33 3
3
3
ff
mf
unis.
sub.
p
mp
p
mp
mfp
fp
div.
mf3
unis.
ff
3
mf
pp
mp
p
pp
5
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Molto rit.
Molto rit.
40C q=56
DPiù mosso
q=58Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Hn. 1, 3
Hn. 2. 4
Perc. 1
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mf
3
pp
p
mf
3
p
pp
p
p
p
3 3 3 3
p
p
3 3 3 3
mp
p
p
pp
pp
p
pp p
3 3 3 3
p
pp p
3 3 3 3
p
3
pp
p
3
p
3
pp
p
3
Vibraphone
3
3
pp
p
pp
p
l.v.
3 3
Crotale
p
l.v.
p
3
3
D C Bb, Eb F Gb A
p
33
Celesta
3
3
Piano
p
mf
3 l.v.
p
3
3
p
senza sord.
p
p
p
pp
3
p
p
div.
3
3
3 3
p
p
div.
3
3
3
3
pizz.
p
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48
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
3 3 3 3 3 3
3 33 3
3 3
66
p
3 3 3 3 3 3
3 3
3
33 3 6
6
mp
mf p
3
mp
mf p
3
p
p
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
mf
pp
mf
pp
p
mf
pp
mp
pp
mf
pp
p
mp
mf
pp
p
p
3
3
3
3 3 3 3 3
33
33
33
p
3 3
mf
ppp
mf
p
mp
mf
3
3
mp
mf
3
3
3
3
3
3
3
3 p
3 3 33 3 3
3
3
3
3
3
3
p
unis.
mfp
3
33
33
3
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52Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
66 6
6
6 6
6
6 6 6
6 6
mf
3
pp
mf
3
pp
p
mf
p
mp
mf
mp
con sord.
mp
3
Db C Bb, Eb F Gb Ab
Db C B, Eb F Gb Ab
3
3 3 3 3 3
3
3 3 3 3 3
f
3 mp
mf
3
p
mp
mf
3
mp
p
f
3 mp
mf
3
p
mp
mf
3
mp
p
unis.
f
mp f
3
mf
f mp
div.
p
mf
5
arco
p
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55
Poco rit. E q=76Fl. 1
Fl. 2
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
6
6 6 6 6
pp
6 6 6 6
pp
pp
mp
p mf
3
pp
pp
mp
mf
fp
mp
pp
mf
mp
mf
fp
p
mp
a2
mp
f
div.
I
p
pp
con sord.
mf
mp
p
con sord.
mp
mf
mp
p
con sord.
mp
mf
mp
p
con sord.
mp
p
p
con sord.
mp
p
pp
Bass drum
3 3 3 3
3 3 3 3
div.
mf
unis.
mp
mf
f
3 p
pp
3
div.
mf
mp
p
div.
mf
mp
p
unis.
mp
mf
fp
div.
pp
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62Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 2
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
3
3
3
3 3 3 3 3 3 3 3 3
ff
3
3
3
3 3 3 3 3 3 3 3 3
ff
3
3
3
3 3 3 3 3 33 3 3
ff
3
3
3 3 3 3 3
3
3 3 3
3
3 3 3 3
ff
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
3
3
3 3 3 3 3 3 33 3
3 33 3 3
mp
mf
f
a2
3
3 3 3 3 3
f
a2
3
3 3 3 3 3
senza sord.
f
3 3
senza sord.
f
3 3
f
3 3
f
3 3
p
Bass drum
p
pp
l.v.
p
l.v.
marcato
ff
3
3
3
3 33 3 3 3 3
33
unis.
marcato
ff
3
3
3
3 3 3 3 33 3 3 3
unis.
marcato
ff
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
marcatounis.
ff
3
3
3
3 3 3 3 3 33 3
3 33 3 3
p
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70Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
To Cl. in A
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
To Cl. in A
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
ff
fff
f
f
fff
II
f
3
f
3
3
3
fff
33 3 3 3 3
senza sord.
f
fff
f
senza sord.
fff
senza sord.
f
fff
3
f
3
3
3
3
fff
3
3
3 3 3 3 3
3
f
3
3
3
3
fff
3
3
3 3 3 3 3
3
f
fff
3
3
f
fff
3
ff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
Chimes
Bass drum
f fp
f
f fp
ff fp
fff fp
ff
f
ff
fff
molto marcato
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
molto marcato
div.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
molto marcato
div.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
molto marcato
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
div.
f
ff
fff fp
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F q=10875Perc. 2
Perc. 3
Vln. I
Vln. II
Vla.
Cb.
Marimba
mp
3
3 3
ff
5 Wood blocks
ff
5 5
pizz.
mf
3
3 3
div.
pp
sul pont.
6
6
6
6
6
6
6
6
div.
pp
sul pont.
6
6
6
6
6
6
6
6
ff
col legno
77Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
sfz
sfz
sfz
sfz
sfz
Clarinet in A
sfz
Clarinet in A
sfz
Xyl.
ff
Marimba
mf
mp
mf
33 3 3 3 3
Whip
ff
ff
(pizz.)
f
mf
f
33 3 3 3 3
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
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Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
sfz
fsfz
sfz
sfz
sfz
sfz
sfz
sfz
6
sfz
mf
sfz
sfz
sfz
sfz
sfz
sfz
sfz
5 5
sfz
mf
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6 6
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
5
5
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6 3
mp
f
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6
6
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6
6
p
mf
3
3
p
mf
5
5
p
mf
f
3
f
3
f
3
f
3
f
3
ff
3
ff
Xyl.
ff
mp
f
3
ff
3 33
Whip
ff
ff
ff
ff
ff
mf
(pizz.)
ff
3 arco
sfp
ff
p
3 33
3 3 3 3 3 3 3 3
ord.
sfp
ff
p
6
6
6
6
3 3 3 3 3 3 3 3
ord.
sfp
ff
p
6
6
6
6
3 3 3 3 3 3 3 3
(half players use wood, another half use bowhair)
div. col legno battuto
ff
arco
ord.
3
3
3 33
(half players use wood,another half use bowhair)
div.
col legno battuto
ff
arco ord.
3
3
3
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Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fsfz
sfz
sfz
sfz sfz
f sfz
6 6
mf
sfz
sfz
sfz
sfz sfz
mf
sfz
5 5 5 5
mf
sfz
sfz
sfz
sfz sfz
mf
sfz
6 6 6 6
mp
sfz
sfz
sfz
sfz sfz
mf
sfz
5
5
5
5
mp
sfz
sfz
sfz
sfz sfz
mf
sfz
6
6
6
6
mp
f
mf f
mp
f
sfz
sfz
sfz
sfz sfz
mf f
sfz
6 3 3
mp
f
sfz
sfz
sfz
sfz sfz
mf f
sfz
6 3 3
ff
3
p
mf
3
fp
3 3
3
ff
3
p
mf
5
3 3 5
ff
3
p
mf
3 3
ff
3
ff fp
ff
ff fp
ff fp
3 3
ff
ff fp
ff
ff fp
ff fp
ff
fp
ff
ff fp
ff fp
3
Xyl.
ff
Log drum
ff
use Lightning Rods or hot Rods on the shell of log drum.
3
ff
Bass drum
Log drum
use Lightning Rods or hot Rods on the shell of log drum.
ff
Bass drum
ff
3 3
ff
5 Wood blocks
5 5 5
ff
ff
ff
ff
f
psub.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
psub.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
psub.
div.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
div.
ff
3
col legno battuto(half players use wood, another half use
bowhair)
sfz
div.
sfz
3 3 3
(half players use woodanother half use bowhair)
div. col legno battuto
3
ff
arco ord.div.
fp
ff
(half players use wood,another half use bowhair)
div.
col legno battuto
sfz
sfz
ff
arco ord.div.
fp
ff fp
3
3
XiAbove Light
13
For P
erus
al On
ly
-
87Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fsfz
fsfz
f sfz
fsfz
7 7 7
f sfz
f sfz
f sfz
f sfz
5 5 3 5
f sfz
f sfz
f sfz
f sfz
6 6 6
f sfz
f sfz
f sfz
f sfz
5 5 3 5
fsfz
fsfz
f sfz
fsfz
6 6 6
ff fp
ff fp
ff fp
f sfz
f sfz
f sfz
f sfz
6 6 6 6
f sfz
f sfz
f sfz
f sfz
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff
fp
fffp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
Xyl.
Bass drum
fp
f fp
f fp
f fp
5 Wood blocks
3 3 3 3 3 3 3 3 3 3 3 3
div.
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
f
unis.arco ord.
3
(half players use wood, another half use bowhair)
div. col legno battuto
sfz
sfz
sfz
3
33
3 3
ff fp
ff fp
ff fp
ff fp
XiAbove Light
14
For P
erus
al On
ly
-
90G
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
3 3 3 3
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
3 3 3 3
f sfz
f sfz
f sfz
f sfz
ff fp
sfz�
f sfz
f sfz
f sfz
f sfz
To Cl. in Bb
3 3 3 3
f sfz
f sfz
f sfz
f sfz
To Cl. in Bb
ff fp
sfz�
ff fp
sfz�
ff fp
sfz
ff fp
sfz
ff fp
sfz
ff
3
3
ff fp
sfz
ff
ff fp
ff
3
6 6 3
33
ff fp
sfz
ff
6
6
ff fp
ff
ff
3 3
3 66
ff fp
sfz
ff
ff fp
sfz
ff fp
sfz
ff
ff fp
sfz
ff fp
sfz
Xyl.
sfz
sfz
sfz
sfz
ff
3
3
3
3
3
Bass drum
f fp
ff
5 Wood blocks
sfz
div.
sfz
3 3 3 3
sfz
3 3 3 3
sfz
3 3 3 3
sfz
sfz
sfz
3
sfz
sfz sfz
3 3 3
ff fp
sfz
XiAbove Light
15
For P
erus
al On
ly
-
93 HPicc.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 2. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 2
Vln. I
Cb.
p
mf
f
mp
pp
3
f
mp
pp
3
f
mp
pp
f
f
3
3
ff
6
6
f
mp
pp
3
5
f
f
mp
pp
3
mf
mp
p
3
Bass drum
p
f
p
f
p
pp
f
pp
unis.
p
mf
f
div.
mp
pp
XiAbove Light
16
For P
erus
al On
ly
-
106Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Timp.
Perc. 1
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
mp
mf
pp
p
mf
3
p
mf
3
f
ff
3
3
f
ff
3
3
f fp
f
3
f
fp
3
f
3
f mp
sub. f
ff
3
f
Clarinet in Bb
fp
f
ff
3
f
Clarinet in Bb
mp
sub.
3
f
ff
3
fp
f
ff
f� mp
f
ff
3
f mp
sub.
3
f
ff
f
mp sub.
3
f
3
3
f
mp
sub.
3
f
3
f mp
3
f
3
f mp fp
f
3
f mp
f
3
fp
f
p
f
p
p
f
p
f
p
Marimba
f
3
3
Bass drum
f
p
f
p
f
p
f
33
Db C Bb, Eb F Gb Ab
f
33
3
mf
mp
mf
pp
p
mf
3
p
mf
3
p
f
unis.
ff
marcato
div.
p
f
unis.
ff
marcato
arco ord.
div.
p
f
div.
ff
marcato
XiAbove Light
17
For P
erus
al On
ly
-
117Picc.
Fl. 1
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
C Tpt. 1
C Tpt. 2
C Tpt. 3
B. Tbn.
Tba.
Timp.
T.-t.
Perc. 2
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
mp
f
mp
f
ff fp
ff fp
ff fp
con sord.
f
35
con sord.
f
35
con sord.
f
3
ff fp
ff fp
ff sfp
ff
ff
ff
Tam-tam
Bass drum
ff
pp
sfz
pp
ff
sfz
pp
mf
ff
