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The Travelers Inn

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T h e T r a v e l e r s I n n

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Precedent StudiesClient ProfileUser ProfileSite InformationSite AnalysisBuilding Feasibility AnalysisSpace Allocation

Concept Development Lost & Found The Oceans Drift

Scheme 1 -- JourneyScheme 2 -- DestinationStudies and Analysis’s

DevelopmentFinal Renderings and prespectives

1.0

2.0

3.0

4.0

P r o g r a m m i n g

C o n c e p t

t e s t f i t s

d e s i g n f i n a l i z a t i o n

T a b l e o f C o n t e n t s

1 . 1

2 . 1

3 . 1

4 . 1

1 . 1

2 . 2

3 . 2

4 . 2

1 . 3

1 . 41 . 51 . 6

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P r o j e c t O v e r v i e w

To create a dest inat ion where ind iv iduals can escape from the chaos of everyday l i fe to reconnect wi th themse lves throughout the i r journey .

A micro-hote l p laced in mul t ip le env i ronment where t rave lers are grav i tated to . The use of d i sconnected dwel l ing create the impress ion of an independent s tay for a l l users .

T H E O B J E C T I V E :

T H E S O L U T I O N :

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P r e c e d e n t S t u d i e s1 . 0 For the precedent s tud ies I choose to look into p laces that encorperated outdoors in to the i r overa l l space. . . . . .

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T U O L U M N E M E A D O W S Y O S E M I T E V A L L E Y

Tuolumne Meadows is located on the Eastern side of Yosemite National Park/Forest. The elevation of this individual site is 8,561. A handful of architects collaborated to build the site itself such as: Herbert Maier, Frederick Law Olmstead, Gilbert S. Underwood, Daniel R, Hull, Thomas L. Vint. These architects carried a mixture of architectural styles through out the site such as: bungalow, craftsman, and nps rustic.

This site was first inhabited by Native Americans over 8,000 years ago and then was re-founded by The Joseph Walker Party in 1833. Yosemite National Park was opened for public use on June 30th, 1864 by Precedent Lincoln.

interior space private / publiccommunitypath

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For the precedent s tud ies I choose to look into p laces that encorperated outdoors in to the i r overa l l space. . . . . .

M A C H U P I C C H U“ T H E L O S T C I T Y O F I N C A S ”

Located in the Cusco Region, the site of Machu Picchu was built in 1450 for the Inca Emperor. The site layout was divided into an urban sector and an agriculture sector. There was also an upper town where the temples where located and the lower town where the warehouses were. There was 200 buildings arranged on parallel terraces connected to a large central square.

The city was abandoned for 100 years, until 1874, then re-founded and by 1976, 30% restored. Today it is a historic destination for people to walk through.

interior space private / publiccommunitypath

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For the precedent s tud ies I choose to look into p laces that encorperated outdoors in to the i r overa l l space. . . . . .

H O T E L E N D E M I C OE N S E N A D A , M E X I C O

Endemico Resguardo Silvestre was developed in 2010-2011 by the design team at Gracia Studio in San Diego, CA. The project was completed and opened in June 2012 .

The entire site sits in Baja, Mexico on 232 acres of land alongside 60 wineries. The cabins are scattered between 30-600 feet apart for privacy and views. Hotel Endemico contains a gross square footage of 7,500 s.f....... There are 16 one-bedrooms cabins with a square footage of 200 s.f., and 4 two-bedrooms with a square footage of 240 s.f.

interior space private / publiccommunitypath

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For the precedent s tud ies I choose to look into p laces that encorperated outdoors in to the i r overa l l space. . . . . .

S T O N E M O U N T A I N P A R KS T O N E M O U N T A I N , G A

Stone Mountain is known for it geology and for housing the largest ‘bas-relief’ sculpture in the world. It is also said to be the largest piece of exposed granite in the world. Commonly used for camping overnight, daily events, hiking and swimming.

Stone Mountain was founded in 1597 by European explorers and was established in 1822 as a “recreation area”. In 1838 Aaron Cloud build the first tourist attraction and after a lot of changes on April 14th, 1964 Stone Mountain Park was finally open.

interior space private / publiccommunitypath

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For the precedent s tud ies I choose to look into p laces that encorperated outdoors in to the i r overa l l space. . . . . .

T R E E H O U S E V I L L A S S A R A T O G A S P R I N G S

The Tree house Villas at Disney’s Saratoga Springs Resort is located in Orlando, FL and opened in 1775. There are 60 octagonal shaped units each with 1074 square feet each. Housing three bedrooms and the Villas contain two bathrooms, a kitchen, living room, two queen size beds, a bunk bed, and a living room with a pull out couch and sleeping chair. Each of these units are all elevated 10 feet above ground level on pedestals and beams.

The downfall to this precedent is the sameness in the layout and repetitious feel within each indoor and outdoor environment.

interior space private / publiccommunitypath

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C l i e n t P r o f i l e1 . 1 Choos ing the c l ient was due to the connect ion of the i r miss ion and the object ive of th i s pro ject .

Independent hote l company encourage spaces that promote soc ia l in teract ion wi th a “pared down, do- i t -yourse l f atmosphere” .

Insp i red by the idea of “ t rave l ing without a dest inat ion” & geared for the independent t rave ler seek ing new exper iences in new places.

Migue l Hida lgo 613 , Centro , 23400 San José de l Cabo, Mexico

W h o :

W h a t :

W h e r e :

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U s e r P r o f i l eThe pr imary users of these spaces are go ing to be anyone t rave l ing around Ice land and need a res t ing po int .

W i n t e r

3 4 y e a r sA n d y o u n g e r

3 5 - 5 4 Y e a r s

5 5 y e a r sa n d u p

S u m m e r

47.0%

33.4%

19.6%

43.5%

35.2%

21.4%

W i n t e r

M a l e

F e m a l e

S u m m e r

49.1 %

50.9 %

42.7 %

57.3 %

1 . 2

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A B O U T T H E S I T E1 . 3 Choos ing a s ight for th i s endevor was cha l leng ing yet exc i t ing. With the in i t ia l idea of a micro hote l the overa l l thought was intended to choose a locat ion that spoke to i ts surroundings and encourages exp lorat ion .

H o l i d ay / Va c at i o nC o n f e r e n c e / M e e t i n gV i s i t i n g F r i e n d s / Fa m i lyE v e n t i n I c e l a n dB u s i n e s s / E m p l oy m e n tS t u dy / R e s e a r c h

00 02 04 06 1108 1301 03 05 1007 1209 14

Iceland has recently become rerecognized as a popular vacation destination due to its exotic geography and its almost unreal landscapes. The country is small and can be driven in one days time but the divertisy of the different reigons makes it hard to do so and frequent stops are forced to made due to breathtaking views and sceneries. People are traveling to Iceland to experience Iceland.

934 A.D.v ik ings set t lement

the beginn ing

1897 populat ion 360

1939discovery of Hópið i s land he lp f i sh ing and l i fe eas ier

1950deve lopment in f i sh ing industr ies

1974 dec lared a munic ipa l i ty

2015populat ion 3 ,023

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P L a c e s o f I n t e r e s tSome common places of travel in Grindavik are the Eldvörpis Crator, several Museums, old shipwrecks that are now tourits sights and of coures, the Blue Lagoon which is the most visited sight in Iceland. Activities at this location consist of Fishing, Hiking, Sight seeing, and simply relaxation due to its proximity to the Blue Lagoon.

S i t e A n a l y s i s1 . 4 Dest inat ion one

coming to visit the foregn country from anywhere.

T e m p e r a t u r e & C L I M A T EAccording to 2000-2012 weather averages the average temperature in Iceland is a high of 46*f and a low of 25*F with a rainfall average of 4.53in. Due to the geographical location there are long summer days with midnight suns and winter nights where daylight is seen for 3.4 hours a day.

Grindavik, Iceland

Grindavik, Iceland is located 40 minutes from Icelands capital and is the fishing town on the south coast of Reykjavik. Grindavik provides 40% of Icelands salt water fish and has a total of 5 restaurants in its 164 sqm area. Located 24 miles from Reykjavik Airport and 12 miles from Keflavik Airport the location is ideal for individuals

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B u i l d i n g A n a l y s i s1 . 5 When choos ing a bui ld ing the idea of constant outdoor v iews was crut ia l s to create a v i sua l connect ion for users to be encouraged to contunue to on the i r journey .

M A I N L E V E L

L O W E R L E V E L

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S t r u c t u r e :Steel & Glass

C l a s s i f i c a t i o n :RI - typical hotel classificationB - no living units will be in the main space and will have less than 50 occupants at a time.

Building Conditions

Construction Type

Occupancy Type

Gross Square Footage

Mullion Spacing

Stairs

Net Square Footage

Ceiling Height

Elevators

Janatoral / Storage

Floors 1

n/a

n/a

2

1

n/a

7,170

Sprinkled

7,356

1

B & R1

12’

Type II

4’

Sprinkled /Unsprinkled

Building Systems

Restroom (private)

Restroom (public)

Building Codes Compliance

Governing Juristiction

City of Reykjavik

Occupancy Load

159

Private B R1Public

toilet1 per 25 for

first 50 then 1 per 50 after

1 per sleeping unit1 per

sleeping unit

n/a

1 per sleeping unit

1 per sleeping unit

1 per 40 for first 80 then 1 per 80 after

1 per 100

1

n/a

# of

lavatory

waterfountain

service sink

shower

B R1Gross 126.32Net94.68

Gross63.16Net47.35

Accessability Req.

- Enterance -

- Restroom -

2

None

All Public

- Water Fountains -

Exits Plumbing Fixtures Analysis

ICC International Building Code 2009International Fire Code 2009International Mechanical Code 2009International Plumbing Code 2009International Existing Building Code

(2012 Amendments)Building Regulatory SystemIceland Construction Authority 2011Consortium of European Building Control

Applicable Codes

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S p a c e A l l o c a t i o n1 . 6 Dest inat ion one :

kitchenbathsleep spacestoragemulti-use spacedinette

Main K itchenStorageBreak RoomUti l i t y Room

Reception Area/LobbyAdministrat ion O ff ice (2)Breakfast BarMarketRestaurant LobbyDining RoomBar

RestroomsSitt ing SpacesLoungeLaundr y RoomCirculat ion

T R A V E L E R N E E D S :S E R V I C E :

B O H :E M P L O Y E E U S E :

T E M P L I V I N G U N I T S :

P U B L I C S E R V I C E S :G E N E R A L :

Recept ion Area/LobbyAdministrat ion O ff ice (2)Breakfast BarMarketRestroomsSitt ing SpacesLaundr y Room

Main K itchenStorageBreak RoomUti l i t y Room

Restaurant LobbyDining RoomBarLoungeRestrooms

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U p p e r Leve l :s e r v e s

t r a v e l e r sn e e d s

Lowe r Leve l :h o u s e s a l l

p u b l i cs e r v i c e

a r e a s

S i d e V i e w

B a c k V i e w

Dest inat ion One is the main locat ion to The Travelers I nn saga. The main house on the s i te ac ts as the “hotel lobby ” of the overal l user journey.

T H E M A I N H O U S E :

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Develop ing two d i fferent concepts in hopes of deve lop ing the r ight one. The concept i s what wi l l cary thr pro ject through unt i l compet ion so i t must be wel l thoughtout as wel l as cord inat ing wel l wi th the pro ject at hand .

C O N C E P T D E V E L O P M E N T2 . 0

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C o n c e p t O n e :

L o s t & F o u n d

C o n c e p t N a r r at i v e :

The emotions retained within natures peeks is a phenomenon that restores any questions held within the user. The dichotomy between everyday reality and the vast actuality of the earths grand scale is no longer a fine line and is apprehended in that moment. During that same breath the emotion of fulfillment is embraced followed by an insight of endless possibilities.

Concept Statement:

Providing a short-term escape for the ever changing user is a place to pause and be revived. The design elements and color pallet will mimic the foreign landscapes contrasted by a mass of white surrounds.

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PRIMARY LOGO

COLOR PALLET

INCORPERATION OF DESIGN PRINCIPLES

c75m67y67k89 r178g11418 c35m17y24k0 c0m48y100k0 c100m90y70k41

TYPE FACE

SECONDARY LOGOTAG LINE

B E B A S N E U EJosefin Sans Birds of Paradise

A B C D E F G H I J K L MN O P Q R S T U V W X Y Z

0 1 2 3 4 5 6 7 8 9

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrs tuvwxyz

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

0123456789P a n t r y D i n i n G r o o m L i v i n g r o o m

R e s t r o o m f o y e rP a n t r y D i n i n G r o o m L i v i n g r o o m

R e s t r o o m f o y e r

P a n t r y D i n i n G r o o m L i v i n g r o o m

R e s t r o o m f o y e r

ge t G o i n go r

ge t

COMPONENT LOGOS

R E S T O R A T I O N

Individual moments coming together creating a single

experience.

D I C H O T O M Y

Polar opposites in combination creating a new experiance.

E M B R A C E

A centeralized location within the space acts as the hub and connection to each space.

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C o n c e p t T w o :

T h e O c e a n s D r i f t

C o n c e p t N A R R A T I V E :

With the oceans current always in motion, there is no saying what the tide will reveal. Like a piece of driftwood, there is more that meets the eye. Through its journey at sea a transformation occurs from what it once was preparing it for its new destination. The story of the sea will forever be unknown.

C o n c e p t S tat e m e n t:

In a space where the everyday user is constantly changing, one can stay for a brief while to catch a glimpse of ease creating a sense of weightlessness. Fluidity throughout the space shape an environment that conveys constant motion.

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c0m0y0k0 c35m17y24k0 c35m18y24k0 c25m19y21k4 c100m90y70k41

B E B A S N E U E Abadi MT CondensedBirds of Paradise

A B C D E F G H I J K L MN O P Q R S T U V W X Y Z

0 1 2 3 4 5 6 7 8 9

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrs tuvwxyz

abcdefghi jk lmnopqr s tu v w x y z

0123456789

T h e

r i g h t

Direction

C u r r e n t

i n T h e

Dr if t s

TRANSFORM

The act of mixed use within space.

MOVEMENT

Emulating the motion of the sea within the space through pattern, shif ting par titions, and user movement.

REVEAL

Experiences in space are interchangeable and interactive.

PRIMARY LOGO

COLOR PALLET

INCORPERATION OF DESIGN PRINCIPLES

TYPE FACE

SECONDARY LOGOTAG LINE

COMPONENT LOGOS

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Concept : Lost & Found for further deve lopment . To hone in on one of the two prev ious concepts and deve lop ing i t fur ther in to two schemes in addi t ion to beginn ing to th ink about space p lann ing and p lacement .

T E S T F I T S3 . 0

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L o s t & F o u n d :

S c h e m e 1

user will be pulled into the space through diversity in design elements and features reflecting Icelandic geography.

road to take next, but the openness encourages the user to wander. When entering the space, a visual connections to different destinations will be made instantaneously due to the open plan. The

T h e J o u r n e y

C O N C E P T N A R R A T I V ETraveling on a given path is an adventure within the duration of a journey. The path is clear as to which

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entry

market

admin.

utilities

barsitting room/ lounge

kitchen

back of house

dinning room

restrooms

Sketches:Bubble Diagram:

Block Diagram:

Color Scheme:

c75m67y67k89 r178g11418 c35m17y24k0 c0m48y100k0 c100m90y70k41

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L o s t & F o u n d :

S c h e m e 2

the space through the use of walls and partition. Each significant destination within the space will interrupt the path as have its revealing moments.

gained throughout the course advancing as the approach draws near. Throughout the users’ journey in which each destination is significant to employ, users will be intentionally pushed through

T h e D E S T I N A T I O N

C O N C E P T N A R R A T I V EEvery journey has a destination. Weather it be a long-haul or just a few steps ahead, there is anticipation

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c0m0y0k0 c35m17y24k0 c35m18y24k0 c25m19y21k4 c100m90y70k41

entry

market

admin.

utilities

bar

sitting room/ lounge

kitchen back of house

dinning roomrestrooms

Sketches:Bubble Diagram:

Block Diagram:

Color Scheme:

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Concept : Lost & Found for further deve lopment . To hone in on one of the two prev ious concepts and deve lop ing i t fur ther in to two schemes in addi t ion to beginn ing to th ink about space p lann ing and p lacement .

s t u d i e s & a n a lys i s3 . 1

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Vo l u m e t r i c

S t u d i e s

S E C T I O N 1

S E C T I O N 2

L i v i n g U n i t s a t D e s t i n a t i o n O n e : B l u e L a g o o n

Closed pr ivate s leeping area and bathroom area

Indoor space sur rounded by g lass creat ing open v iews to landscape

Covered outdoor area

----

----

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T h e o r e t i c a l D e v e l o p m e n t

C u r v i l i n e a r a n d s h a r p w a l l s h a v e t h e o p p o r t u n i t y t o b r i n g b i b l i o p h i l e i n t o t h e s p a c e w i t h d i f f e r e n t e l e m e n t s . A l s o w a l l s o f w i n d o w s o f f e r d i r e c t v i e w s t o o u t s i d e b r i n g i n g t h e e x t e r i o r v i e w s i n t o t h e s p a c e .

T h e u s e o f g l a s s c r e a t e s v i s u a l m o v e m e n t f r o m p l a c e t o p l a c e .

S u r r o u n d i n g e n c l o s u r e s b r i n g e m p h a s i s t o c e r t a i n a r e a s

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P r i m a r y P a t h W i n d D i r e c t i o n F o o t P a t h

S e c o n d a r y P a t h S u n P a t h P a r k i n g

T e r t i a r y P a t h V i e w t o L a g o o n S i t e L o c a t i o n

G R I N DAV I K , I C E L A N D

S i t e A n a l y s i s :

e a c h s i t e

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V I K

H O F N

G R U N DA R FJ O R U R

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S t r u c t u r a l C o m p o n e n t

E n t r a n c e

C i r c u l a t i o n

Retractable Glass wal lA l low f reshAir c i rculat ion

Local ly sourced Ice landic mater ia l i t y

Windows al low for natural l ight and heat

Building Components

Focal Point OpportunitiesSpacial Diagram

Parti Diagram Sustainability Opportunities

Circulation Diagram

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C O N C E P T S T A T E M E N T :

Providing a short-term escape for the ever changing user is a place to pause and be revived. When entering the space, a visual connections to different destinations will be made instantaneously due to the open plan. The user will be pulled into the space through diversity in color, design elements, and features reflecting Icelandic geography.

G O A L S

- Create a place were users feel as if interior is an extension of exterior.- The space should read as separate moments within the user journey.-User are welcomed in and pushed out through way-finding and directional partitions

D R I V E R S

- Incorporate Icelandic Landscape- Use locally sources materiality

Movement

Emphasis

Repetition

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PA L E T T E O F P R E S E N C E

PA L E T T E O F P L AC E

PA L E T T E O F P O S T U R E

S i t t i n g

H o s t H o s t

N o I n t e r a c t i o n - S o l o N o I n t e r a c t i o n - S o l o

L o u n g i n g

S e l f S e r v i c e S e l f S e r v i c e

S e m i - I n t e r a c t i o n S e m i - I n t e r a c t i o n

S t a n d i n g

O u t d o o r/ M u l t i .

M o v i n g Z o n e s M o v i n g Z o n e s

S o c i a l i z e - G r o u p S o c i a l i z e - G r o u p

T h e 3 P a l e t t e s

PA L E T T E O F P R E S E N C E

PA L E T T E O F P L AC E

PA L E T T E O F P O S T U R E

S l e e p

S t a n d

L o u n g e / M u l t i .

S i t

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1.When doing the site analysis for all of my sites I realized that the wind direction and sun path are

going to affect the orientation I place each of my modular units in regards to shadows, glares,

views and wind drifts during the winter months. Adding weather properties to the windows and

retractable light shelves on the units could help.

2.When analyzing my parti over my floor plan I noticed that the two coincided with solid partitions

but spatial and organizational properties are not considered. Applying an overlay over the already

existing party and incorporate organizational spaces within the plan will help create clarity.

3.When doing my pallets of presents analysis I noticed that the solo/no-interaction spaces were few

and separated throughout the plan but could have more of those moments.

4.When doing my pallet of posture analysis I noticed that there was a long strip of standing with no

opportunities to sit or lounge in between. Adding intimate conversation all seating areas will help

with that.

5.During the pallet of place analysis I realized that my hosting areas were clumped together in a

corner and needed to be disbursed more throughout the plan.

6.When looking for opportunity for focal point I realize that there are ample opportunities to create

focal points. Determining how to create a new moment at each focal point within the plan will help

create different experiences throughout the users journey.

7.Address more opportunities for sustainability incorporation throughout each site.

Nina Araujo INDS-480/A01 Winter 2016 Professor Robinson

L i s t o f F i n d i n g s

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Development of space p lann ing , incorperat ing concept , part i d iagramming, and understanding the space.

d e s i g n d e v e l o p m e n t4 . 0

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DN

DN

DN

Upper Level Floor Plan:

ReceptionEntry

R.RR.R Market/ Cafe

Sitting Area

Outdoor Patio Outdoor Patio

Entry Patio

OPEN TO BELLOW

Travel Offices

Building Front Elevation

DN

DN

DN

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UP

UP

UP

Lower Level Floor Plan:

Section View:

BOHBreak Room

R.R

Laundry

R.R

R.R

Rest. Entry

Lounge

BarDining Room

Lagoon Entry

DN

DN

DN

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1’ 5’ 10’ 20’

GYPSUM CEILING - 12’

GYPSUM CEILING - 10’

K E Y N OT E S L I G H T I N G L E G E N D

WOOD SLAT CEILING - 10’

OPEN TO BELOW

Crawford CEILING - 10’4”

EXTERIOR AWNING - 10’

DECORATIVE SUSPENDED PENDANT

6” RECESSED DOWN LIGHTING

OVER-COUNTER PENDANT SPRINKLERS

CUSTOM CHANDELIER FEATURE

DIRECTIONAL WALL WASHER

EXPOSED DECORATIVE OUTDOOR LIGHTING CEILING MOUNTED EXIT SIGN

CUSTOM CHANDELIER FEATURE CUSTOM CHANDELIER FEATURE

WALL-MOUNTED SCONCE

1

1

4

2

2

2

3

3

4

5

5

5

6

6

DN

DN

DN

3/32" = 1'-0"1 WORKING- Upper Level

Upper Level Reflected Ceiling Plan:

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DN

DN

DN

3/32" = 1'-0"1 WORKING- Upper Level

1’ 5’ 10’ 20’

SPRINKLERS

CEILING MOUNTED EXIT SIGN

CUSTOM CHANDELIER FEATURE

4

6

GYPSUM CEILING - 12’

ACT - 10’

K E Y N OT E S L I G H T I N G L E G E N D

WOOD SLAT CEILING- 10’

OPEN TO BELOW

DOWN-LIGHT MOTIF PANEL - 9’

EXTERIOR AWNING - 10’

DECORATIVE SUSPENDED PENDANT

6” RECESSED DOWN LIGHTING

OVER-COUNTER PENDANT

CUSTOM CHANDELIER FEATURE

DIRECTIONAL WALL WASHER

EXPOSED DECORATIVE OUTDOOR LIGHTING

FLUSH CEILING MOUNTED FIXTURE

WALL-MOUNTED SCONCE

1

1

2

2

2

3

3

3

4

5

5

6

Lower Level Reflected Ceiling Plan:

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Graphics & Wayfinding

ColorArt & Accessories

Black is the primary use of color in the space reflecting the volcanic rock that Iceland is made of. With the concept lost and found the space is to emulate a dream-like experience in an opposite effect. This is the same effect that Iceland holds with its geography, weather, and natural color scheme.

Implementing the colors of the exterior surroundings create a scene of place. The Heavy use of black creates an enclosed and intimate interior within a building lined with exterior views and natural light.

BLA

CK

G R E E NB R O W NG R E YW H I T E

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Materiality

Knoll Textiles - Faux Leather:

78% Rayon22% PolyesterGREENGUARD certified - contributed to LEED certification100,000+ double rubs

Hand-woven/ Onyx:

100% Solution dyed Nylon100,000 Double Rubs65% natural fibersGREENGUARD certified - contributed to LEED certification100% Biodegradable

Drift - Wood Flooring:

Reclaimed shipwreck woodRecycledDurable due to salt absorptionWaterborne finish

Mohair Supreme:

100% Mohair100% Cotton Back72,000+ durable rubs

Mohair Properties:Long LastingRetains warmthLustrous & silky

Basalt Stone

Basalt Properties:Igneous RockRetains heatLocally sourcedAbundant in Region

Lulu & GeorgiaBirdie Rug, ONYX

100% WoolHighly Durable Easy to cleanProvides warmth and insulationNaturally flame resistantDirt and odor resistant

Wool:90% wool10% HelancaAbrasion: 100,000 cyclesReduced environmental impact

Wool Properties:Rapidly RenewableHighly DurableProvides warmth & insulationNaturally flame resistantStain & odor resistantBiodegradable

Marble Mosaic Tile:

Marble TileCommercial UseFire ResistantMildew ResistantNon-ToxicSlip, Fade & scratch resistant

Marble:

Properties of Marble:Highly Durable - Strongest natural stoneStain, Scratch & Heat ResistantNaturally flame resistantDirt and odor resistant

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Ceiling & Lighting Feature

Lighting

Open to Below Feature Wall

Fire Place Detai

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F I N A L P R O D U C T4 . 1 W The f in ished render ings complete wi th deta i l s and scenery , welcome a l l users to The Trave lers Inn .

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R E C E P T I O NC H E C K - I N

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T H E B A R

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A C C E S S I B L E L I V I N G U N I T

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T H E D I N I N G R O O MF I N A FA R R A R E S TA U R A N T

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T H E L O U N G ET H E L I V I N G R O O M

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IMAGES

SITE & BUILDING ANALYSISVisit Grindavik. (n.d.). Retrieved October 7, 2015. DSC_2721. (n.d.). Retrieved October 4, 2015. Blue Lagoon Iceland. (n.d.). Retrieved October 4, 2015.Eldhraun. (n.d.). Retrieved October 5, 2015. Iceland Day 5 - Blue Lagoon. (2011, March 23). Retrieved October 5, 2015. Midnight Sun in Iceland | Guide to Iceland. (2014, February 27). Retrieved October 5, 2015. Massing and Orientation: Wind Frequency and Sun Path. (2011, June 8). Retrieved October 7, 2015. Blue Lagoon Spa Break. (n.d.). Retrieved October 7, 2015. Bing Images - http://www.bing.com:80/images/search?q=Iceland Blue Lagoon Resort. (n.d.). Retrieved October 7, 2015. Blue Lagoon Accommodation, Clinic Hotel | Blue Lagoon Iceland. (n.d.). Retrieved October 7, 2015.

PROGRAMMINGhttp://totaliceland.com/boston-consulting-group-just-consulted-total-iceland/http://www.icelandictourism.is/servlet/file/store36/item699451/version1/Part%20I%20-%20Context%20tour-ism%20in%20Iceland.pdfhttp://www.hotelnewsnow.com/article/16143/Post-crash-Iceland-hotels-see-growthhttp://scholarship.sha.cornell.edu/cgi/viewcontent.cgi?article=1293&context=articleshttps://facilityplanning.wordpress.com/2011/04/16/hotel-design-and-space-allocation/https://www.airstreamorangecounty.com/trailers/internationalsignature/airstream-international-signature-floor-plan.pnghttp://www.boutique-hospitality.com/boutique-hotel-investors/

CONCEPTSSCHEMATICShttp:/ /exper tvagabond.com/r ing-road-tr ip- iceland/

http://www.worldatlasbook.com/Iceland/iceland-outline-map.html

http://www.east.is/en/where-to-stay/camping

ice imagehttps://www.pinterest.com/search/pins/?q=J%C3%B6kuls%C3%A1rl%C3%B3n%20Iceberg%20Lagoon&term_meta[]=J%C3%B6kuls%C3%A1rl%C3%B3n|typed&term_meta[]=Iceberg|typed&term_meta[]=Lagoon|typed

http://www.aa13.fr/photographie/iceland-andrew-gallo-41882

https://www.pinterest.com/pin/51439620715414818/

https://www.pinterest.com/pin/108367934756046227/

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PRECEDENT ANALYSISDavey, Peter (October 2001). “Outrage: Rebuilding Machu Picchu, Peru”. The Architectural Review.

Nava, Pedro Sueldo (1976). A walking tour of Machupicchu. pp. 9–10

Bordewich, Fergus (March 2003). “Winter Palace”. Smithsonian: 110. Retrieved 25 September 2015.

Longhena, Maria (1999). The Incas and Other Ancient Andean Civilizations. Barnes & Noble, Inc. p. 252. ISBN 0-7607-1918-7.

Hotel Endémico. (2012). Retrieved September 28, 2015.

Tecate-Ensenada, C. (n.d.). ENDEMICO. Retrieved September 28, 2015.

SITE & BUILDING ANALYSISGrindavik Monthly Climate Average, Iceland. (n.d.). Retrieved October 7, 2015.

Grindavik - english. (n.d.). Retrieved October 7, 2015.

Airports in Iceland. (n.d.). Retrieved October 7, 2015.

Massing and Orientation: Wind Frequency and Sun Path. (2011, June 8). Retrieved October 7, 2015.

LEED | U.S. Green Building Council. (n.d.). Retrieved October 7, 2015.

BUS SCHEDULES IN ICELAND, TRANSPORTATION IN ICELAND. (n.d.). Retrieved October 7, 2015.

ICELAND TOURS EXCURSIONS REYKJAVIK GRAND CITY SIGHTSEEING. (n.d.). Retrieved October 7, 2015.

PROGRAMMINGBeun, H. (2015, September 13). Boston Consulting Group could have just consulted Total Iceland. Retrieved October 26, 2015Boutique Hotel Investors. (2013, December 30). Retrieved October 25, 2015. DeRoos, J. (2011). Planning and Programming a Hotel. The Scholary Commons. Retrieved October 22, 2015.History of Airstream | Airstream. (2015). Retrieved October 25, 2015, from http://www.airstream.com/history/ Hotel Design and Space Allocation. (2011, April 16). Retrieved October 25, 2015. Thiessen, T. (2015, June 24). Post-crash, Iceland hotels see growth. Retrieved October 25, 2015.The Boston Consulting Group. (2013, September 1). The future of tourism in Iceland. Retrieved October 26, 2015.

CONCEPThttps : / / img1.etsystat ic .com/064/1/9878519/i l_340x270.758238935_nygm.jpg

https://s-media-cache-ak0.pinimg.com/236x/3f/92/2b/3f922ba36f9ce6b2ceb55420c649b983.jpg

http://3.bp.blogspot.com/-y7SbeKu3blE/UN47nkv9NuI/AAAAAAAAAjo/Z6NiUgmM30k/s1600/00000004.png

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| N I N A A R A U J O | I N D S 4 8 0 | S T U D I O V I | W I N T E R 2 0 1 6 |

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w e w i l l s e e y o u s o o n .

| N I N A A R A U J O | I N D S 4 8 0 | S T U D I O V I | W I N T E R 2 0 1 6 |