Princeton Architecture Press Spring 2013

fine books since 1981

Publisher’s Note

We spend a lot of time worrying about formats: hardcover or paperback, ebook or not, and all the materials, opportunities, and constraints that accompany each (for example, hardcover with dust jacket; paperback with flaps; ePub, iBook, or PDF in electronic format?). It’s part of the process of crafting our books and trying to publish them in a way that offers the best possible combination of beauty, accessibility, and price to attract reviewers, booksellers, and, ultimately, you, our fellow readers. When I look at this latest list of new titles, I’m half-tempted to say the formats don’t really matter: the content—the ideas, the writing, the images, the designs—are all so strong, irrepressible really, that they almost burst out of whatever sausage casing we’ve stuffed them into. But, of course, it does matter: making these decisions, whether based on prior experience or personal or collective prejudices, is an essential part of what we do, and the end results, the “packages,” in industry parlance, are, more often than not, simply perfect, in my biased opinion. I hope you’ll agree that all the titles in this new catalog hit that sweet spot where beauty intersects affordability, more evidence that books are still the best value in entertainment (and education) today. What’s equally exciting for me are the formats we’ve created for our new gift line (p. 41), sets of notecards, journals, and sketchbooks that bring new perspectives and pleasures to the words, images, and designs—smart, attractive, and often a bit off the beaten track—that you’re accustomed to seeing from Princeton Architectural Press. I think of all these books as small works of art, and it delights me to see them in frames of all different shapes and sizes.

Kevin LippertPublisher

Spring 2013

Princeton Architectural Press

04 Souvenir Nation06 More Scenes from the Rural Life08 Prospect Park10 The Designer Says12 Draw Your Own Alphabets14 Nelson Byrd Woltz: Landscapes16 Casa Alta18 The Greenest Home20 Art Parks22 We Sit Together24 Houses of Maine26 Theater of Architecture28 Local Architecture30 Landprints32 Tree Gardens33 Young Architects 1434 New Public Works34 Modern American Housing35 American City X36 University of Massachusetts Amherst37 Pamphlet Architecture 3338 75 Artist Books: The Kaldewey Press, New York

Hyphen Press

39 Richard Hollis Designs for the Whitechapel

PAPress Gift Line

42 Bird Watching and Other Nature Observations: Journal43 Nests & Eggs Notecards44 Woodcut Notecards45 What Did I Buy Today?: Journal46 Vintage Typography Notecards47 Paula Scher MAPS: New York / Paris / London: Three Mini Journals

51 Backlist97 Index102 Order Information

Drawing from Lifepb / $29.95 / £16.99978-1-56898-445-2

Perennial Bestsellers

Rural Studiopb / 978-1-56898-292-2

$34.95 / £21.00

The Guerilla Art Kithc / $19.95 / £11.99978-1-56898-688-3

Visual Complexityhc / $50.00 / £35.00 978-1-56898-936-5

The Map as Artpb / $29.95 / £17.99978-1-56898-972-3

Stickworkhc / $50.00 / £32.00978-1-56898-862-7pb / $34.95 / £20.00978-1-56898-976-1

America’s Other Audubonhc / $45.00 / £30.00978-1-61689-059-9

Tom Kundig: Houses 2hc / $55.00 / £35.00 978-1-61689-040-7

The Artist’s Eyepb / $12.00 / £7.99978-1-61689-056-8

You Are Herepb / 978-1-56898-430-8

$24.95 / £13.99

The Toaster Projectpb / $19.95 / £12.99 978-1-56898-997-6

Thinking with Typepb / $24.95 / £16.99978-1-56898-969-3

2

Perennial Bestsellers

Blackstock’s Collectionspb / $21.95 / £12.95978-1-56898-579-4

Graphic DesignThe New Basics

pb / $35.00 / £20.00978-1-56898-702-6

Hand Jobpb / $35.00 / £20.00978-1-56898-626-5

The Sleepwalkers BoxArtists’ Edition / Box Set

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A Year of Morningspb / $21.95 / £12.99978-1-56898-784-2

Pinhole Camerashc / $19.95 / £10.99978-1-56898-989-1

Inside the Painter’s Studiopb / $35.00 / £22.50978-1-56898-852-8

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The Lost Christmas Gifthc / $29.95 / £18.99 978-1-61689-102-2

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3

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Forthcoming Titles | Spring 2013 | pr i nceton a rch i t ect u r a l pr es s4

Also Available . . .

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Souvenir NationRelics, Keepsakes, and Curios from the Smithsonian’s National Museum of American HistoryWilliam L. Bird, Jr.

Buried within the collection of the Smithsonian Institution’s National Museum of American History exists an astonishing group of historical relics from the pre–Revolutionary War era to the present day, many of which have never been on display. Donated to the museum by generations of souvenir collectors, these ordinary objects of extraordinary circumstance all have amazing tales to tell about their roles in American history. Souvenir Nation presents fifty of the museum’s most eccentric objects—from a chunk broken off Plymouth Rock to the magnifying glass used to examine the infamous hanging chads of the 2000 presidential election. Smithsonian curator William L. Bird, Jr., regales us with the story of each artifact’s origins and the quirks of fate that brought it to the Smithsonian. Strikingly photographed, these curious objects form a uniquely American narrative: a cabinet of curiosities representing our nation’s most fascinating individuals, both celebrated and obscure, and the keepsakes they left behind.

• Objects include a lock of Andrew Jackson’s hair,

a dish towel used as the flag of truce to end the Civil War,

the microphones used by FDR for his Fireside Chats,

and the chairs that seated Nixon and Kennedy in their

1960 television debate

• Many of the objects have never been exhibited

• An accompanying exhibition opens in Washington,

D.C.’s Smithsonian Castle in fall 2013

• Includes an introductory essay on America’s passion

for souvenir collecting, as well as a brief history and

a glimpse behind the scenes of the Smithsonian

• William L. Bird Jr., a Washington, D.C.–based curator

at the Smithsonian Institution’s National Museum of

American History, is the author of the PAPress books

Paint by Number, Holidays on Display, and America’s

Doll House

Shipping April 2013—7 x 8.5 in / 15 x 20 cm176 pp / 65 color / 10 b+wHardcover978-1-61689-135-0$24.95 / £15.99Rights: W

Holidays on Display978-1-56898-695-1$24.95 / £14.99Rights: W

w w w.pa pr es s .com | 1-800 -759 - 0190 | Forthcoming Titles | Spring 2013 5

Souvenir Nation 8

The Triumphal Souvenir 9

any years ago, while I was working on an exhibit about George

Washington, a chance encounter with a relic sparked my curiosity about

the things that people save. In my role as a curator at the Smithsonian’s

National Museum of American History, I arranged to borrow a group of

Washington-related items from the Mount Vernon Ladies’ Association. One of the objects

that came my way was a small piece of wood pasted with a handwritten paper note. The

wood and note lived in a plastic sandwich bag closed with a red seal. The inscription read:

Piece of the triumphal arch under which George Washington passed in

Trenton, on his way to New York to be inaugurated first President of the

United States. Presented by Chas. Hunt. Trenton. Oct. 1891.

Who was Charles Hunt? A Trenton employee of the Pennsylvania Railroad.And

what was happening at Trenton in October 1891? The construction of the Trenton Battle

Monument commemorating the first Battle of Trenton, a 1776 Revolutionary War victory

for the Americans. Aside from such questions of attribution, the very existence of this

inscribed wooden fragment seemed a triumph—a triumphal souvenir.1

Purchased without further thought from a postcard rack or a shelf in a gift shop,

the souvenirs that we collect today are the material descendants of earlier objects that

reveal how Americans thought about the past and how it would be saved. Like the

fragment of Trenton’s triumphal arch, these early souvenirs are ordinary objects of extraor-

dinary circumstance. They may celebrate an experience, an achievement, or nothing of

any obvious significance, for their only allegiance is to memory. They might be known as

relics, mementos, keepsakes, or curios; each term has specific connotations. A relic, for

example, may be viewed as magical or mystical, but its primary power lies in the percep-

tion that it is actual and real. A keepsake or memento usually is invested with personal,

emotional qualities. The term curio, derived from curiosity, refers to a thing of inherent

interest. Often featured as attractions in nineteenth-century museums, curios bridged the

distinctions between education and entertainment. Whether a relic, memento, keepsake,

or curio, each item acquired significance from the act of taking that made it a souvenir.2

The souvenirs in this book represent that very human act. While such criteria might

apply to anything acquired by a museum, the Smithsonian was not the first but the second

collector of record for the objects in this collection.

A case in point is the story of the traveling calling card of the Smithsonian’s

benefactor, James Smithson. This card was once part of a group of historical relics and

expedition artifacts held by the United States Patent Office in Washington, DC, in the

early portion of the nineteenth century. (These objects were later to became part of the

National Museum of American History collections). The card became a souvenir when

it was taken from the Patent Office by its curator, John Varden, who gave it to his friend

Caleb Bentley, a silversmith and the first postmaster of Brookeville, Maryland.3 Many

years later Smithson’s card came to the Smithsonian with a note of explanation written

on its reverse that attributed it to Varden and Bentley—a souvenir, twice removed. [Fig. 1]

The term historical artifact has replaced the word relic in today’s museum nomen-

clature, and souvenirs are no longer made but purchased. This long transition in curatorial

thought and practice can be traced through the story of the Smithsonian’s origins. The

creation of an emergent class of American professional scientists, the National Museum,

organized under the administrative umbrella of the Smithsonian in the nineteenth century,

was not initially known for its collection of historical relics. Even before the Smithsonian

t h e t r i u m p h a l s ou v e n i r

1

Souvenir Nation 48

The Cause of Freedom

49

Plymouth Rock fragment—— plymouTh, maSSaChuSeTTS ——

Gift of the heirs of Mrs. Virginia L. W. Fox, 1911

As a relic, this fragment of Plymouth Rock has everything going for it—a painted provenance featuring a lineal descendant of Governor William Bradford of Plymouth Colony—and even the date and time when it was chipped from the “Mother Rock.” As a geological specimen, Plymouth Rock is a terminal moraine composed of granite with quartz veins. The rock was once a boulder-sized, glacial erratic standing out on the otherwise smooth and sandy shoreline of pres-ent day Plymouth, Massachusetts. According to oral tradition, the Mayflower Pilgrims landed on or near the rock in 1620. Contemporary accounts of the landing however, make no men-tion of a rock. In 1741 Thomas Faunce, a town historian, minister and acquaintance of the first Pilgrims, recalled hearing the story as a boy. Only recently Faunce had learned of a plan to cover the rock with a wharf on Plymouth’s bustling commercial waterfront. Identifying the rock as the Pilgrim’s landing spot, Fraunce asked that the it not be removed from sight. Thereafter, Plymouth Rock became the focus of Founder’s Day orations commemorating the landing of the Pilgrims in 1620.

In 1774 well-meaning antiquarians attempted to relocate the rock from the shore to the protection of the Plymouth town square. A team of twenty oxen harnessed for the removal accidentally cleft the rock in two along a

horizontal quartz vein. The topmost portion of the rock continued on to the town square while the bottom portion remained behind on the shore. The fragment pictured here is believed to have been “Broken from the Mother Rock,” the name given to the shoreline rock to distinguish it from its breakaway in-town offspring. In 1880 the Pilgrim Society of Plymouth reunited offspring and Mother rocks, cementing them together in a monumental enclosure that had been made for the Mother Rock in 1867. In 1920 the Pilgrim Society moved the entire assem-blage a short distance to a new protective cage in a waterfront promenade where it may be seen today. Plymouth Rock is often described as a figural gateway, an entry point marking passage from the old world to the new.1 While no notice-able pieces have been taken from it since 1880, earlier pieces and fragments may be found in museums and private collections. None, how-ever, bear such an inscription. This fragment belonged to Gustavus Vasa Fox, a New England antiquarian, diplomat and Assistant Secretary of the Navy. In 1866 President Andrew Johnson dispatched Fox to Russia to convey the President’s congratulations to Tsar Alexander II who had escaped an assassination plot. Fox’s Plymouth Rock came to the museum along with his extensive collection of Russian state and diplomatic gifts. It is not known how or from

1830


100Souvenir Nation

99

Souvenir statue of Liberty Enlightening the World

—— New york, New york ——

Committee of the Statue of Liberty, 1885

This is one of the first models of Liberty cast in the United States. Often described as the American Committee Model, the statuette was produced in the tens of thousands for sale to subscribers to finance construction of a pedestal for the statue on an island in New York harbor. Based upon the design of the French sculptor Frederic-Auguste Bartholdi, and with Bartholdi’s full cooperation, miniature statuettes were produced in six and twelve-inch sizes. A national newspaper campaign led by Joseph Pulitzer’s New York World advertised statuettes for sale for one dollar for the six-inch model seen here, or five dollars for a twelve-inch version. Richard Butler, a New York-based rubber manufacturer, chaired the American Committee of the Statue of Liberty and oversaw the models’ production. Butler worked closely

with Bartholdi as his American agent to raise the subscription fund for the construction of the pedestal—and in all matters related to Bartholdi’s statue including the models. In both sizes, the figure of Liberty may be easily placed on her pedestal, allowing the subscriber to figuratively complete the construction for which the fund was applied. Butler’s campaign was wildly successful in disseminating likenesses of Liberty throughout the United States and the world. The campaign turned the figure into a household souvenir while raising more than enough money for the construction of a monumental stone pedestal through which visitors ascended to the statue’s crown and torch.4 The finished monument, “Liberty Enlightening the World,” was dedicated October 28, 1886.

1885


98Souvenir Nation

97

Lady’s glove with a portrait of Lafayette—— New york, New york ——

Gift of Mrs. E. M. Chapman, 1912

The Marquis de Lafayette travelled the country on a “Farewell Tour” from 1824 to 1825. The outpouring of public affection for the Revolutionary hero and friend and companion of Washington left a trail of commemorative silk ribbons, transfer print ceramics, household wares and gloves emblazoned with Lafayette’s likeness. The popularity of commemorative gloves proved a special conundrum for

the “Nation’s Guest” who was shocked to see his portrait on the hands of the ladies he was obliged to accept with a kiss. When offered a gloved hand at a ball in Philadelphia, Lafayette “murmur[ed] a few graceful words to the effect that he did not care to kiss himself, he [then] made a very low bow, and the lady passed on.”4 The glove pictured here has lost its provenance. It was perhaps separated from its mate as

1824

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Verlyn Klinkenborg

More Scenes f rom the

Rural Life

More Scenes from the Rural LifeVerlyn Klinkenborg

Verlyn Klinkenborg’s regular column, The Rural Life, is one of the most read and beloved in the New York Times. Since 1997, he has written eloquently on every aspect, large and small, of life on his upstate New York farm, including his animals, the weather and landscape, and the trials and rewards of physical labor, as well as broader issues about agriculture and land use behind farming today. Klinkenborg’s pieces are admired as much for their poetic writing as for their insight: peonies are “the sheepdog of flowers,” dry snow “tumbles off the angled end of the plow-blade as if each crystal were completely independent, almost charged with static electricity,” and land is most valuable “for its silence, its freedom from language.” Klinkenborg writes with a grace and understanding that makes us more aware of the world around us, whether we live on a farm or in the middle of a city. More Scenes from the Rural Life gathers together 150 of his best pieces since his last collection, The Rural Life, was published a decade ago. For anybody with an appreciation of nature, language, or both, this book is certain to delight.

• Popular The Rural Life column appears on the

New York Times Op-Ed page

• Features illustrations by Nigel Peake, best-selling

author of In the Wilds

• Author of Several Short Sentences on Writing,

recently published by Knopf

• Has taught creative writing at Harvard University,

Pomona College, Bard College, and Columbia

University

• Klinkenborg is the author of The Rural Life,

Making Hay, The Last Fine Time, and Timothy:

Or Notes of an Abject Reptile

In the Wilds978-1-56898-952-5$22.95 / £14.99Rights: W

America’s Other Audubon$45.00 / £30.00978-1-61689-059-9Rights: W

Shipping April 2013—6 x 9 in / 15 x 23 cm224 pp / 25 b+wHardcover978-1-61689-156-5$19.95 / £12.99Rights: W


Year One

04.05.02A couple of months ago, I began getting up at four in the morning. I’d been reading a lot of William Cobbett (see Appendix), who believed that an hour in the morning was worth two in the afternoon. His idea of morning began at four. I don’t usually imitate the lives of the writers I read—who would want to?—but for Cobbett, I was willing to make an exception. Once, when he was living in America, he met a wagon-driver who was surprised at how much Cobbett got done during the day. A born explainer, Cobbett said, “I rise early, go to bed early, eat sparingly, never drink any thing stronger than small beer, shave once a day, and wash my hands and face clean three times a day, at the very least.” The driver said, “that was too much to think of doing.”

The dogs are thrilled to get up at four, because it means they can run around outside for a few minutes, have their breakfast, and be back in bed by four fifteen. For a few weeks in mid-winter, I had the early morning darkness all to myself. The February sun seemed as lazy as that American driver. But week by week, the darkness has eroded, crumbling sooner and sooner every morning. And when dawn comes, the turkeys come with it.

They slip out of the woods in the middle pasture, a flock of twenty-some birds almost every morning. Some days they scratch their way slowly downhill, stopping here and there to wipe their feet the way the

2524

Year Three

03.09.04

You don’t really notice a skunk’s smell. It notices you. It loiters in the air, nearly sentient, waiting to knock you down, strong enough to make you wonder how a skunk can smell anything but itself. I walked into a fresh scent on my way to the barn one morning just past. There were no tracks or signs of digging in the snow. But in the warmth of that after-noon I heard the sound of bees, and I saw where the sound was coming from. The skunk had attacked a corner of one of the hives in the night. Its claws hadn’t done much damage, only enough to open a crack. The bees were trying to patch it with propolis. They wouldn’t have been out without the skunk’s provocation. But there was the answer to one of winter’s most pressing questions: are the bees still strong in the hive?

A farm is naturally a place of bold scents, though most of them seem to have been bottled up by the sharp cold of this past winter. A thaw releases them. Late winter smells like a very old barnyard. It sud-denly hits me how long it’s been since I cleaned the hen-house. But the real sign of a February thaw is the skunks. They begin to come out into the margins of daylight in the same week the highways start to heave with frost. To drive around here is to feel your way along a lurching roadway from one slick of skunk-scent to the next. Sometimes I pass a skunk just changing its mind at the edge of my headlights. More often

4948



Shipping June 2013—8.5 x 11 in / 22.9 x 27.9 cm208 pp / 180 color / 20 b+wHardcover978-1-61689-118-3$45.00 / £27.99Rights: W

Guastavino Vaulting978-1-56898-741-5$60.00 / £37.50Rights: W

Manhattan Skyscrapers, Third Edition 978-1-56898-967-9$50.00 / £32.00Rights: W

Prospect ParkOlmsted & Vaux’s Brooklyn MasterpieceDavid P. Colley

Photographs by Elizabeth Keegin Colley

Right in the heart of one of the nation’s most densely populated urban areas sits an idyllic realm of graceful meadows, dense woods, placid lakes, and fresh air. Brooklyn’s 585-acre Prospect Park offers a rural refuge to thousands of visitors every day. Created nearly 150 years ago by Frederick Law Olmsted and Calvert B. Vaux, designers of New York’s Central Park, the duo considered Prospect Park their true masterpiece. Prospect Park, the first monograph on this exquisite public space, makes it easy to see why. Presenting a wealth of archival and newly commissioned photography and insightful text, David P. Colley and Elizabeth Keegin Colley trace the park’s colorful history from its creation in the mid-nineteenth century to its decline in the 1970s and restoration in the 1980s, up to the park’s new Lakeside Center facility, scheduled to open in 2013.

• The first monograph on Prospect Park

• Prospect Park is New York City’s biggest and best-

kept secret

• Presents Prospect Park as part of Brooklyn’s identity

at a time when all things Brooklyn are the rage

• Provides a national example of how diverse groups

can work together to restore a historic landscape

• David P. Colley is an Easton, PA–based author of

several books. Elizabeth Keegin Colley is

a photographer whose images appear in numerous

magazines and newspapers.

• In addition to the contemporary photography by

Elizabeth Keegin Colley, features a trove of rarely

before seen archival photographs courtesy of

the Prospect Park Alliance

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Shipping April 2013—5 x 7 in / 13 x 18 cm160 pp / 2-colorHardcover978-1-61689-134-3$14.95 / £8.99Rights: W

Breakthrough!978-1-61689-039-1$17.50 / £10.99Rights: W

The Architect Says978-1-61689-093-3$14.95 / £8.99Rights: W

The Designer SaysQuotes, Quips, and Words of Wisdomcompiled and edited by Sara Bader

Whether musing about the creative process, the merits of failure and criticism, or the challenges of keeping the studio lights on, designers make good—and opinionated—copy. The Designer Says is a compendium of quotations from more than one hundred of history’s leading practitioners. Paired on page spreads like guests at a dinner party, a designer from the nineteenth century might sit next to one working today or two contemporary designers may strike up a conversation. Listen in as they compliment, provoke, and one-up each other in this lively volume of insights. This portable collection makes the perfect gift for designers, students, and anyone curious about the ideas and personalities that shape the art of visual communication.

• Featuring quotations from: Otl Aicher, Saul Bass,

Michael Bierut, Irma Boom, Robert Brownjohn,

Matthew Carter, Art Chantry, Ivan Chermayeff,

Seymour Chwast, Elaine Lustig Cohen, William

Drenttel, Charles and Ray Eames, Ed Fella, Alan

Fletcher, Adrian Frutiger, Eric Gill, Milton Glaser,

Jessica Helfand, Experimental Jetset, Ellen Lupton,

Karel Martens, Debbie Millman, László Moholy-Nagy,

Bruno Mari, Paul Rand, Michael Rock, Aleksandr

Rodchenko, Paula Scher, Kurt Schwitters, Erik

Spiekermann, Jan Tschichold, Massimo Vignelli,

and Hermann Zapf, among many others

• The second volume in the Words of Wisdom series

following The Architect Says

• The first well-designed compendium that focuses on

the words of a range of graphic designers

• Sara Bader is a New York City–based writer, researcher,

and editor at Princeton Architectural Press. In 2010,

she launched the online archive Quotenik.com,

a growing library of verified quotes.

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32 33

T h e D e S I G N e R S ay ST h e D e S I G N e R S ay S

The more uninteresting a letter, the more useful it is to the typographer.Piet Zwart (1885–1977)

I have a fantasy in which I become Type Czar of the World and eradicate all the bad ones.Seymour Chwast (1931– )

54 55


The fact that you can create a third color out of two is something that never ceases to excite me. It’s nothing less than a miracle!Karel Martens (1939 – )

There is no other color that is better than black. There are many others that are appropriate and happy, but those colors belong on flowers. Massimo Vignelli (1931 – )

14 15


A good alphabet is like a harmonious group of people in which no one misbehaves. Jan Tschichold (1902–1974)

Letters do love one another. However, due to their anatomical differences, some letters have a hard time achieving intimacy. Ellen Lupton (1963– )



Shipping April 2013—8.25 x 9.25 in / 20.8 x 23.5 cm160 pp / 140 colorPaperback978-1-61689-126-8$19.95Rights: NAM

Typography Sketchbooks978-1-61689-042-1$40.00 Rights: NAM

Hand Job978-1-56898-626-5$35.00 / £20.00Rights: W

Draw Your Own AlphabetsThirty Fonts to Scribble, Sketch, & Make Your Own

Tony Seddon

There are many ways to make your writing feel more personal, but none carries the charge of using a custom-drawn font. Draw Your Own Alphabets is a fun, hands-on workbook that teaches how to create funky hand-lettered fonts sure to jump off the page, poster, or screen. Presenting thirty complete alphabets, custom-drawn in a variety of styles by various young designers and illustrators, this do-it-yourself guide demonstrates how to adapt the letters and make them your own. Whether you dip in and out of your favorite lettering styles, or work through the book practicing various alphabets, you’ll be creating your own fonts in no time. A technical section shows how to put your hand-drawn creations to practice—from transferring letters to a computer and using them online to mixing and matching different alphabets.

• Presents thirty examples of hand-drawn alphabets by

a range of designers working in a variety of styles

• Includes a technical section on scanning, uploading,

and preparing artwork for print

• Applications for hand-drawn fonts include creating

letterheads, greeting cards, and web graphics

• Perfect next step for those who have graduated from

the Best Bubblewriter series of workbooks

• Tony Seddon is a freelance writer and designer based

in East Sussex, UK

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104

FONT FEATURES

105t h e a l p h a b e t ss e v e n o ’ c lo c k s h a d o w

ANATOMY OF THE FONT The forward-angled stress of this casually amorphous font gives away its origins as a more formal script face. The caps show a weight bias to the left, whilst the lower case letters tend towards being slightly bottom heavy, anchoring the characters solidly to the baseline.

KEY FONT DETAILS• The cap ‘W’ features a very low central apex

that almost merges with the outer stems• The stems to the left of each character are

much thicker than those on the right

NATURAL PARTNERS• This is a font with a lot of visual presence,

so complimentary fonts need to exhibit a distinct contrast. You can use the weight of a font like Unit Black or Unit Light to achieve this contrast.

Dave Pentland is fortunate to work in a sea-front studio in Brighton, UK, and early one evening he noticed shadows creeping up the walls of some nearby

Victorian buildings as the sun set. A simple script font that he was working on at the time immediately morphed into Seven O’Clock Shadow.

seVeN O’CLOCK shaDOW

• The middle apex of the ‘W’ is very short compared with the cap height

• Lower case characters exhibit a distinct increase in stem weight nearer the baseline

92

FONT FEATURES

93t h e a l p h a b e t sh a i ry b e a s t

ANATOMY OF THE FONT The character of this humorous font lies mainly in the hairy decoration and the addition of toes at the terminals, but the irregular qualities of the strokes also add a sense of warmth and friendliness to the styling.

KEY FONT DETAILS• The tail of the capital ‘Q’ crosses into

the counter• The instroke of the capital ‘G’ noticeably

overhangs the stem

NATURAL PARTNERS• Given that this is such an obvious

candidate for use with material for children, partner fonts should exhibit a high level of readability. A simple font like VAG Rounded will work, as will the extremely versatile Frutiger.

If there was ever a typeface that would look great in an illustrated children’s book about, well, hairy things then this is it. The inspiration actually came from

the illustrator’s roommate, who had particularly hairy toes. Yeuch! Too much information I think, but the font is very cute.

hairy beast

• There is a significant overhang on the instroke of the ‘G’

68

FONT FEATURES

69t h e a l p h a b e t sf i l l e d pat t e r n

ANATOMY OF THE FONT The use of Cooper Black as the main outline for this kitsch-pop font is spot on as the chunky serifs and voluptuous curves are made to accommodate the patterns and added decoration. Cooper Black was actually designed in the 1920s, but curiously looks very 1970s in style.

KEY FONT DETAILS• Decorative embellishments vary between

characters, with some carrying only patterned fill

NATURAL PARTNERS• To keep the fun retro theme going you could

try pairing with Souvenir, another font that’s regained a degree of popularity in recent years. Alternatively, take a look at the expanded weights of Folio.

This distinctly retro font by an emerging young designer is based on the once maligned, but newly cool, Cooper Black typeface. Born from a love of excessive

scribbling, the pattern has a kind of ’70s pop magazine meets the Grateful Dead look. Younger readers can resort to Google if that means nothing to them.

FILLED PATTERN

• Some glyphs, such as the ‘Q’, feature a much larger proportion of embellishments than others

58 59

DRAW YOUR OWN

And add whatever embellishments you

want to make it unique!

s l i m e

SLIME

36

FONT FEATURES

37t h e a l p h a b e t sk n i t

ANATOMY OF THE FONT Another out-and-out novelty font, Knit is surprisingly legible, given the high level of decorative detailing used in the design. This is largely due to the highly geometric character shapes which fit to a regular grid.

KEY FONT DETAILS• The cross strokes vary in width in order to

incorporate the necessary features of the more detailed glyphs

• The bowls are stepped rather than curved

NATURAL PARTNERS• Geometric fonts such as Franklin

Gothic or Futura will certainly make suitable partners for this unsual take on font design, but it’s such a one off that most any geometric sans serif could work.

We’re not sure if it’s actually possible to knit this font for real, but it would make for an interesting challenge. Personally I’d rather draw it than knit it,

and designer Vanessa Hamilton clearly knows her box stitch from her basket weave. This is one of the more geometric fonts in the book.

KNIT

• Diagonals and bowls are necessarily stepped, with distinct variations in stroke weight

16

FONT FEATURES

17t h e a l p h a b e t sc u p i d

ANATOMY OF THE FONT A variable alignment to the baseline helps to give this font the impression that it’s hovering in the air. The wing-like embellishments vary in size and position from glyph to glyph, creating a charming sense of animated movement.

KEY FONT DETAILS• Counters are rounded for some glyphs

(D, O, P, and Q) and squared for others (A, B, and R)

• Cloud embellishments mean letter spacing must be kept very loose

NATURAL PARTNERS• This is a one-off font, but many sans serif

text fonts such as Univers could partner it well. You could also try a slab serif such as Rockwell (look at the upper case I).

Heavy block typefaces are not always synonymous with delicacy, but illustrator Tonwen Jones wanted to create a font that baulked that trend. Curiously, the

disproportionately tiny wings and passing clouds provide the font with an angelic quality that would otherwise be absent.

CUPID

• Some glyphs have much larger decorative details

• There is little or no consistency in stem weights

74 75

DRAW YOUR OWN

pat t e r n f r o n t

And add whatever embellishments you

want to make it unique!

PATTERN FRONT

52

FONT FEATURES

53t h e a l p h a b e t sf t i - 6 4

ANATOMY OF THE FONT FTI-64 has a great illustrative feel to it because of the retention of the pencil shading on the 3D characters. The font can be used comfortably for a wide range of applications.

KEY FONT DETAILS• Diagonal strokes and stems vary in width

and are slightly curved• Some glyphs curve inwards at the baseline

NATURAL PARTNERS• A sans serif or slab serif font would partner

this font well as a choice for accompanying text. Try Dax, which has similar qualities to the basic forms of FTI-64, or perhaps Glypha which is a characterful slab.

Designer Lee Suttey likes to sketch when he’s trying to form ideas for graphic design commissions. He also likes to sketch when he’s trying to avoid working.

This font is composed of characters selected from his collection of doodled glyphs and is perfect for projects where the pen must be mightier than the mouse.

FTI-64

• Strokes are often curved with an inward movement at the baseline

• Stem protrudes slightly beyond the cap height on some glyphs



Shipping March 2013—8.5 x 11 in / 22 x 28 cm240 pp / 275 colorHardcover978-1-61689-114-5$60.00 / £40.00Rights: W

Pamela Burton Landscapes978-1-56898-965-5$50.00 / £32.00Rights: W

Andrea Cochran978-1-56898-812-2$50.00 / £30.00Rights: W

Nelson Byrd Woltz: LandscapesWarren T. Byrd Jr., Thomas L. Woltz,

and Stephen Orr, editor

Award-winning landscape architecture firm Nelson Byrd Woltz is celebrated for projects that, in addition to their sheer beauty, frequently trigger a cascade of positive ecological benefits: depleted landscapes brought back to life by reintroducing native plant species; the resurgence of local animals; and the restoration of damaged ecosystems made possible through unconventional, cross-disciplinary collaborations with scientists, sociologists, artists, biologists, and others who share their dedication to the stewardship of the land. Nelson Byrd Woltz: Landscapes presents twelve examples of the firm’s innovative brand of sustainable design. Divided into four sections—Garden, Community, Park, and Farm—they range in scope from residential gardens to a large-scale sheep-and-cattle station along the coast of New Zealand. These unforgettable landscapes are both an open invitation to gather together and a much-needed contribution to the health of our cities, farms, and wildlands.

• Projects include the recently opened Flight 93

National Memorial in Shanksville, PA; the Asia

Trail at the National Zoo in Washington, D.C.; the

restoration of the Dell at the University of Virginia;

Citygarden in St. Louis, MO; private gardens in

New York and Connecticut; and the Medlock Ames

vineyards in Sonoma, CA

• Each project includes a watercolor plan and a

materials and plants list

• Includes a workbook providing an extensive resource

on the firm’s landscaping details and features,

with images grouped under the categories of Water,

Plants, and Stone

• Exceptional photography illustrates how the firm

rigorously expresses their design concepts

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Nelson Byrd Woltz: L A N d S CA P ES The dell at the University of Virginia

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Shipping January 2013—8.5 x 10.5 in / 22 x 27 cm192 pp / 175 color Hardcover978-1-61689-137-4$50.00 / £30.00Rights: W

Contemporary Classical978-1-61689-088-9$60.00 / £38.00Rights: W

Alvar Aalto Houses978-1-61689-081-0$35.00 / £21.99Rights: WXS

Casa AltaAn Andalusian ParadiseElizabeth McMillan

When San Franciscans Victor Carrasco and Elizabeth McMillan bought their dream home in 1978, an abandoned courtyard house in a small Andalusian village in Southern Spain, they had little idea of the adventure ahead of them, beyond the immediate task of restoring an old building in poor condition. In addition to lacking modern amenities like plumbing and electricity, the fifteenth-century Casa Alta featured a partly caved-in roof, a cracked facade, and a collapsed central arcade. What attracted the intrepid couple was not the structural mayhem facing them, but the spaces the three-foot-thick whitewashed walls enclosed, including two large courtyards, panoramic views of the landscape, and the ineffable history of a house that dates back to Roman times. Casa Alta presents the breathtaking results of a nearly three-decade-long labor of love. Stunning photographs capture the lived-in details of the house—part sanctuary and part labyrinth—from vibrant tiles and textiles to calming plants and pools. Bursting with color, pattern, light, and texture, Casa Alta is a fount of creative inspiration and an extraordinarily moving personal story sure to captivate anyone who has ever dreamed of renovating a historic home.

• Features gorgeous images by acclaimed

photographer Richard Barnes

• Includes written contributions by John Loomis

(author of Revolution of Forms), architect Antonio

Ortiz, poet Jacobo Cortines, and the late Victor

Carrasco

• Appeals to interiors and lifestyle audiences

• Dual-language edition (English and Spanish)

• Author and philanthropist Elizabeth McMillan

splits her time between her home in San Francisco

and Casa Alta

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Shipping May 2013—8.5 x 9 in / 22 x 23 cm192 pp / 250 color / 50 b+wHardcover978-1-61689-124-4$45.00 / £27.99Rights: W

Sustainable Design978-1-56898-941-9$24.95 / £16.99Rights: W

The Green House 978-1-56898-950-1$24.95 / £16.99Rights: W

The Greenest HomeSuperinsulated and Passive House DesignJulie Torres Moskovitz

Passive is the new green. Passive Houses—well insulated, virtually airtight buildings—can decrease home heating consumption by an astounding 90 percent, making them not only an attractive choice for prospective homeowners, but also the right choice for a sustainable future. The Greenest Home showcases eighteen of the world’s most attractive Passive Houses by forward-thinking architects such as Bernheimer Architecture, Olson Kundig Architects, and Onion Flats, among many others. Each case study consists of a detailed project description, plans, and photographs. An appendix lists helpful technical information. Including a mix of new construction and retrofit projects built in a variety of site conditions, The Greenest Home is an inspiring sourcebook for architects and prospective homeowners, as well as a useful tool for students, and builders alike.

• Follow-up to the successful PAPress book The Green

House, with style-book crossover appeal

• Passive House is the most stringent building energy

standard in the world

• Passive Houses are warmed not only by the sun,

but also by heat from appliances and even occupants’

own bodies

• Includes projects in ME, NY, PA, KS, RI, and CT,

as well as France, Japan, Canada, Belgium, and

Switzerland

• The Passive House’s basic tenets—insulation and air

sealing—can also be used by owners of existing homes

to boost energy efficiency and savings

• Author and architect Julie Torres Moskovitz has

retrofitted the first certified New York City Passive

House in Park Slope, Brooklyn

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Shipping May 2013—6 x 9 in / 15 x 23 cm224 pp / 140 color Flexibind978-1-61689-129-9$35.00 / £21.99Rights: WE

The National Park Architecture Sourcebook978-1-56898-742-2$40.00 / £25.00Rights: W

Large Scale978-1-61689-084-1$40.00 / £25.00Rights: W

Art ParksA Guide to America’s Sculpture Parks and GardensFrancesca Cigola

Whether located in the heart of a metropolis such as Chicago or on sprawling fields in the countryside, sculpture parks and gardens have become increasingly popular destinations for art and nature lovers alike. These art parks offer visitors a unique opportunity to interact with large-scale works designed for quiet contemplation in natural landscapes. Art Parks is the first comprehensive guide to North America’s most important outdoor sculpture parks. Parks are divided into chapters thematically and by region, with four maps that locate parks within each geographic area. Each of the fifty-seven locations—from large-scale parks in the countryside to small urban gardens and corporate sculpture collections—is described in detail and beautifully photographed. With its handy flexibind format, it is equally at home in the traveler’s backpack or on the sculpture lover’s side table.

• First comprehensive guide to sculpture parks in

North America

• Features works by Louise Bourgeois, Alexander

Calder, Olafur Eliasson, Alberto Giacometti,

Andy Goldsworthy, Donald Judd, Sol LeWitt,

Roy Lichtenstein, Henry Moore, Isamu Noguchi,

and Richard Serra, among others

• An appendix provides capsule summaries of forty-

six additional parks

• Locations span the United States and Canada, with

parks in MA, NY, NJ, CT, MD, D.C., OH, MI, IL, IA,

MN, CO, CA, WA, TX, MS, AL, TN, and SC

• Francesca Cigola is an Italian architect and writer

based in New York City

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Woodcut978-1-61689-048-3$29.95 / £19.99Rights: W

Oak978-1-61689-032-2$29.95 / £19.99Rights: W


Shipping April 2013—6.5 x 8.5 in /17 x 22 cm112 pp / 55 1-color / 15 colorPaperback978-1-61689-159-6$24.95 / £15.99Rights: W

We Sit TogetherUtopian Benches from the Shakers to the Separatists of ZoarFrancis Cape

Whether for protest, religious congress, companionship, eating, or comfort, sitting communally remains one of the most powerful and prevalent of human social activities. This simple act held special significance in numerous utopian communities that emerged in nineteenth-century America, and was given physical presence in the form of a variety of styles of wooden benches. Fascinated by these expressions of harmony and equality, renowned British artist Francis Cape sought out and made measured drawings of remain-ing examples. We Sit Together presents twenty-five of Cape’s beautifully reconstructed benches drawn from twenty utopian sects—active from 1732 to the present—ranging from well-known communities like the Shakers to more obscure groups like the Separatists of Zoar. Featuring crisp photographs and lovingly handmade drawings, this rarely seen slice of Americana will appeal to the collector, wood-worker, student of American history, or anyone who just likes to take a seat.

• Communal societies represented: Shakers (ME);

Church Communities International, Woodcrest (NY);

Ephrata Cloister (PA); Camphill Village, Kimberton

Hills (PA); Snow Hill Nunnery (PA); Separatists of

Zoar (OH); Society of True Inspiration, Amana (IA);

Hutterites (MT); and Twin Oaks (VA)

• Includes a written description of each bench, a

measured drawing, and an explanation of how

the social or religious organization of the utopian

community influenced its design

• The twenty-five unpainted and carved benches were

built from poplar grown near Francis Cape’s studio

in Narrowsburg, NY

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Shipping April 2013—8 x 10 in / 20 x 25 cm176 pp / 200 color / 20 b+wHardcover978-1-61689-122-0$40.00 / £25.00Rights: W

Colonial Revival Maine978-1-56898-449-0$39.95 / £28.00Rights: W

Yankee Modern978-1-56898-817-7$40.00 / £25.00Rights: W

Houses of MaineElliott + Elliott ArchitectureMatthew and Elizabeth Elliott

“There have been many influences for us over the years but the defining factor in our firm’s work is that we practice architecture in Maine, amidst extraordinary and ordinary beauty.” Although it has become something of a cliché for architects to say they pay close attention to a building’s site and surroundings, for Elliott + Elliott Architecture, residing, working, and building along Maine’s rugged coast has translated not only into refreshing architectural forms whose roots in tradition are clear, but also into collaborative processes with local builders and artisans, in the spirit of the shipbuilders and craftsmen of the state’s history. Featuring six of their most emblematic residential projects, Houses of Maine demonstrates that, in the right hands, the rough-around-the-edges individualism and often harsh natural environment for which this coast is known allow for a balanced, serene, and vernacular architecture whose links with the past create nothing less than a confidently optimistic preview of the region’s architectural future.

• Offers an in-depth look at six houses, from the

celebrated House on Casco Bay (a modern update

to a nineteenth-century Cape Cod) to Pond House

(a Mount Desert Island summer cottage inspired

by local fishing shacks)

• Will appeal to lovers of contemporary New England

architecture or those who just dream of living there;

and reach a similar audience to Tom Kundig:

Houses and Houses 2

• Husband-and-wife team of Matthew and Elizabeth

Elliott formed Elliott + Elliott Architecture in 1993

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Shipping April 2013—8 x 11 in / 20 x 28 cm224 pp / 100 color / 55 b+wHardcover978-1-61689-131-2$50.00 / £30.00Rights: W

Tom Kundig: Houses 2978-1-61689-040-7$55.00 / £35.00Rights: W

Bing Thom Works978-1-56898-959-4$65.00 / £37.50Rights: XCA

Theater of ArchitectureHugh Hardy

Architect Hugh Hardy is the quintessential New Yorker. His irrepressible love of the city animates all of his work, which can be found in many of the city’s most beloved institutions: the magnificently restored Radio City Music Hall, the Brooklyn Academy of Music’s Harvey Theater, the New York Botanical Garden, the cafe at Bryant Park, and the renovated New Victory and New Amsterdam theaters on Forty-Second Street, among others. It is no coincidence that so many of these projects have been theatrical. Hardy began his career working under celebrated scenic designer Jo Mielziner, and his career has ever since embodied his fascination with how people come together in public spaces as a form of theatrical display. Theater of Architecture gathers twenty of Hardy’s projects, both within New York City and beyond its borders, to frame a candid discussion about the collaborations, challenges, and strategies that gave rise to each design, illuminating of all the factors that combine to create memorable architecture.

• Includes three new theater projects in New York City:

the Clare Tow Theater (built atop Lincoln Center’s

Vivian Beaumont Theater); BAM’s just-completed

Richard B. Fisher Building; and the first permanent

home for Theatre for a New Audience

• Each project essay includes one or more interviews

with clients and collaborators by Mildred Friedman,

the former editor of Design Quarterly at the Walker

Art Center

• Projects outside New York City include the National

Baseball Hall of Fame and the Glimmerglass Opera

in Cooperstown, NY; the Federal courthouse

in Jackson, MS; and the Botanical Research Institute

of Texas in Fort Worth

• Hugh Hardy has won numerous national awards,

including the General Services Administration’s

Commissioner’s Award for Excellence in Public

Architecture

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Theater of Architecture Conversation

32

Rebecca RobertsonFormer president of the 42nd Street Development Project

MF: Why was Disney such an important factor in the rebirth of Forty-Second Street?

RR: We needed an entertainment tenant with real credibility to convince the world that the new plan for Forty-Second Street—which combined art, entertainment, tourism, and commerce—was viable financially and could succeed. Even though the actual frontage of the New Amsterdam theater on the eight-hundred-foot-long block of Forty-Second Street between Broadway and Eighth Avenue was just twenty feet, its impact in convincing investors, politicians, and the public that Forty-Second Street was no longer the Deuce was astounding.

MF: Why did Michael Eisner so strongly support the project?

RR: He was brought to the New Amsterdam by his board member Robert A.M. Stern, who was also one of the architects of the 42nd Street Development Project’s critically acclaimed 1992 plan for the block. Disney was just entering the Broadway producing business (which they have done with great success) and did not want to be subject to the major theater owners who controlled all of the Broadway houses. They wanted their own house. The “New Am” had been at one time the best of the houses and the home of the famed Ziegfeld

New AmsterdamNew York, New York

The New Amsterdam was conceived by Klaw & Erlanger, a powerhouse team of early-twentieth-century Broadway producers. Their 1903 theater was more resplendent than any other on Forty-Second Street, but by 1936 it stood abandoned. The main support columns were left open to the elements after an incomplete investigation of its steel structure. Sustained by leaks in the roof, mushrooms grew on the orchestra floor.

The theater had been built by Marcus Klaw and A.L. Erlanger to be their most significant architectural achievement, its main 2,100-seat hall constructed for spectacle with an uncommonly large stage. But the initial production of A Midsummer Night’s Dream was an overproduced box-office failure, and few subsequent productions were successful until Florenz Ziegfeld, Jr., made it his home for the Ziegfeld Follies in 1913. Above the main auditorium was a second theater, reached by elevator, that originally featured flexible seating and glass window walls that looked out over the surrounding city. There The Midnight Frolic was staged for the delight of those who sought risqué nightlife. While frankly commercial in intent, the New Amsterdam was also built for quality of experience, with amenities rare for the period and a dedication to artistic surroundings that represented a growing desire in the middle class for luxury.

By 1982 the New Amsterdam had become a scene of ruin. Its two stacked theaters, each with a glorious history, had both suffered abandonment. One quadrant of the ceiling in the main hall had collapsed, decorative plasterwork was missing or decomposing, seating boxes had been removed for film projection, and some murals were falling off or had disappeared. The seats were gone and three feet of water filled the basement. So much plaster had fallen that it was impossible to use the stairwells. Although the rooftop theater retained its stage, its roof leaked, its rigging was unusable, and its interior was stripped of all furnishings. The main theater’s entrance lobby had lost its lighting fixtures and a faux-stained-glass painted ceiling had been shattered. Almost every surface needed to be replaced.

Conversation Conversation LEGEND 87Theater of ArchitectureNew Amsterdam

Jane Forbes Clark IIPresident of the Clark Foundation

JC: I am president of the Clark Foundation. The entire family has an enormous interest still in Cooperstown—the preservation of Cooperstown as a wonderful place to live. Our advertising campaign is “America’s Perfect Village.” Even more, we are very interested in the well-being of the community and the people who live there. And I have major board positions in all of the organizations my family has founded over the years. I am chairman of the Clark Estates Corporation, which is a family investment office in New York. And we invest all the portfolios for all the organizations there. We manage their insurance issues and we provide advice and management oversight to all of those institutions we call Clark affiliates.

They are all involved in Cooperstown. We have a sports center, an elder-care facility, two hotels, a resort golf course, three museums, two foundations. And we also provide nine hundred—almost a thousand—scholarships a year to graduating high school students from the Cooperstown school district and the nine surrounding school districts. So we do a lot.

National Baseball Hall of Fame Cooperstown, New York

Stephen C. Clark established the National Baseball Hall of Fame in 1939; it has since grown to include seven buildings on Main Street in Cooperstown. Based around the legend that the game of baseball began with Abner Doubleday at Cooperstown’s modest stadium, the Hall of Fame now attracts more than 350,000 visitors annually. The quintessential American sport, baseball generates a blizzard of statistics and ephemera. Exhibition material is artfully displayed to preserve game scores and programs; players’ numbers, uniforms, and equipment; autographed bats and balls; life-size images of personalities like Babe Ruth and Jackie Robinson; and illustrations of various major-league ball parks. Each year, new Hall of Famers are inducted into the chapel-like hall at the center of the museum—a cause for major celebration. With more than thirty-five thousand miscellaneous artifacts, one hundred thirty thousand baseball cards, and twenty-six million library items, this is a leading cultural destination for people from all over the country.

The museum’s expansive growth had compromised the internal logic of its original structures. Built over time, its seven different buildings were stylistically similar but separately organized. Mechanical systems were patched together, inefficient, and inadequate. Circulation was unwieldy and seemingly endless; visitors were often more confused than enlightened by their visits, and reconstruction was called for.

On the exterior, a modified Georgian facade had undergone several revisions using matching materials and details. In fact, the facade’s 182-foot-long masonry expanse has nothing to do with sports or a baseball stadium’s design—it is a direct expression of Stephen Clark’s architectural taste. At the same time, a violent contemporary architectural gesture would now be no more welcome on Main Street than a titanium-and-glass baseball with its stitches made of some luminescent space-age material. Our greatest challenge was to clarify the facility’s circulation while remaining respectful of the small scale of Cooperstown’s nineteenth-century architecture. Therefore, with the exception of moving one exterior wall toward the street to gain space for a new three-story hall and the addition of a glass

Conversation PLACE 107Theater of ArchitectureNational Baseball Hall of Fame

The story of Rockefeller Center is one of triumph: staggering profit, critical acclaim, and public affection. However, the project was initially castigated by critics such as Lewis Mumford, who denounced with salvos like: “If this is the best our architects can do with freedom, they deserve to remain in chains.”

Such vituperation was equaled only by the opening night of Radio City Music Hall in 1932—an even more abject failure. Walter Lippmann, a respected columnist, proclaimed that Radio City was like “a great pedestal [built] to sustain a peanut.” The hall was magnificent, but for all the power of its sound amplification, performers appeared diminished in size, reduced to ciphers against the giant curves of the hall, which is the width of a city block. Today we have astonishing levels of amplification, projections, and video or LED images to enhance live performances. Even so, the flamboyant stagings of circuses or rock bands (or at the least, a Tony Bennett or a Bette Midler, with the help of much technological enhancement) are required to fully engage audiences at Radio City.

This story began in 1928, when John D. Rockefeller, Jr., was drawn into acquiring a large plot of land half a mile south of Central Park. Acting from concern about how to protect family properties on East Fifty-Third and Fifty-Fourth Street from development that was quickly advancing up Fifth Avenue, he became part of a syndicate proposing to build a new Metropolitan Opera House between Forty-Eight and Forty-Ninth Streets. The land was owned by Columbia University, and the project was to be called Metropolitan Square. An opera house would be the centerpiece of a composition flanked by two office buildings intended to provide subsidy for the opera.

From this modest beginning, Rockefeller Center’s creation became a complex tale involving numerous collaborators. It drew on the talents of eight architects and designers under the guiding spirit of Rockefeller, who envisioned a new urban center where business offices, retail stores, and entertainment would all come together to pursue profit in a planned environment.

Kent BarwickFormer president of the Municipal Art Society and former chair of the New York City Landmarks Preservation Commission

KB: Rockefeller Center announced in 1978 that after years of losing money, it was going to close Radio City Music Hall. The time for that kind of entertainment and that size of house had passed. There was a public outcry of dismay, and the Landmarks Commission calendared it for a hearing to consider making it an interior landmark.

As it happened, I was just coming in as the new chair of the Landmarks Commission, and my first real day on the job was going to be the hearing on Radio City Music Hall. In the week prior to this hearing, my predecessor, Beverly Moss Spatt, announced her view (which she later expressed in front of the whole commission) that the landmarks law was unconstitutional on its face as it applied to theaters. She had apparently come to this view after discussions with Alton Marshall. Al Marshall ran Rockefeller Center in those days—he was a very capable, powerful man who had worked for Nelson Rockefeller for years, including when Nelson Rockefeller was the governor. He was the governor’s secretary, which is sort of the general head of staff. He was a smart lawyer and a powerful person and obviously a representative of a very powerful family, and so he persuaded Mrs. Spatt, who chose the morning of this public hearing to make this

Radio City Music HallNew York, New York

Conversation TIME 137Theater of ArchitectureRadio City Music Hall




Shipping July 2013—8 x 10 in / 20 x 25 cm224 pp / 250 color / 20 b+wHardcover978-1-61689-128-2$50.00 / £30.00Rights: W

Proceed and Be Bold978-1-56898-500-8$30.00 / £19.99Rights: W

Ghost978-1-56898-736-1$35.00 / £23.00Rights: W

Local ArchitectureBuilding Place, Craft, and CommunityBrian MacKay-Lyons, edited by Robert McCarter

In architecture, as in food, local is an idea whose time has come. Of course, the idea of an architecture that responds to site; draws on local building traditions, materials, and crafts; and strives to create a sense of community is not recent. Yet, the way it has evolved in the past few years in the hands of some of the world’s most accomplished architects is indeed defining a new movement. From the rammed-earth houses of Rick Joy and Pacific Northwest timber houses of Tom Kundig, to the community-built structures of Rural Studio and Francis Kéré, designers everywhere are championing an architecture that exists from, in, and for a specific place. The stunning projects, presented here in the first book to examine this global shift, were featured at the thirteenth and final Ghost conference held in 2011, organized by Nova Scotia architect, educator, and local practitioner Brian MacKay-Lyons. The result is the most complete collection of contemporary regionalist architecture available, with essays by early proponents of the movement, including Kenneth Frampton, Juhani Pallasmaa, and Pritzker Prize–winning architect Glenn Murcutt.

• Features the work of eighteen well-known regional

architects, including many successful PAPress authors

such as Tom Kundig, Rick Joy, and Andrew Freear of

Rural Studio, as well as critical texts by luminaries

Kenneth Frampton and Juhani Pallasmaa, and Pritzker

Prize–winning architect Glenn Murcutt

• Most comprehensive collection of regionalist

architecture and criticism available

• An essential resource for architects and students

• Brian MacKay-Lyons is principal of MacKay-Lyons

Sweetapple Architects and a professor at Dalhousie

University in Halifax, Nova Scotia

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Shipping March 2013—10 x 8.5 in / 25 x 21.6 cm192 pp / 200 color / 20 b+wHardcover978-1-61689-130-5$50.00 / £30.00Rights: W

Pamela Burton Landscapes978-1-56898-965-5$50.00 / £32.00Rights: W

The Sea Ranch978-1-56898-386-8$65.00 / £44.00Rights: W

LandprintsThe Garden Designs of Bernard TrainorSusan Heeger

Australian-born landscape designer Bernard Trainor has made it his life’s work to capture the wild soul of his adopted home of Northern California. Neither a naturalist nor an architect, Trainor uses the tools of both to create stunning large-scale gardens that unfold over many acres. Across airy hilltops, craggy seasides, and other one-of-a-kind tracts, Trainor applies simple, understated frames to rugged natural panoramas, the better to bring them into focus. His understated yet powerful landscapes draw inspiration from local plants, regional history, and the contours of the site. Designed to engage all of the senses—the sound of water, the smell of sage—Trainor’s gardens create sensory memories that foster a deep connection to the land. Landprints showcases ten of his most ambitious and inspiring gardens through gorgeous photography and detailed project descriptions.

• First monograph on award-winning Bernard Trainor,

who lectures widely on regional, sustainable, and

site-appropriate design

• Project locations are all in California: Carmel,

Lagunitas, Salinas, Carmel Valley, Big Sur, Los Altos

Hills, Santa Lucia Preserve, Monterey, and

Oakland Hills

• A source of inspiration for landscape architects,

students, and anyone seeking inspired ideas for

shaping outdoor spaces

• Los Angeles–based author Susan Heeger has written

extensively on gardens and landscape design for

numerous publications

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Heavy coastal winds have dramatically shaped the Monterey cypress trees (Cupressus macrocarpa).

94 9 5

Centre: Local stonemasons shaped each rock to create the walls that anchor the landscape to its larger setting.

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Shipping April 2013—7 x 9.5 in / 18 x 24 cm168 pp / 160 color / 20 b+wPaperback978-1-61689-121-3$40.00 / £25.00Rights: W

Large Parks978-1-56898-624-1$34.95 / £23.50Rights: W

The Landscape Urbanism Reader978-1-56898-439-1$34.95 / £19.99Rights: W

Tree GardensArchitecture and the ForestGina Crandell

From their early use as protective shelter to the felling of thousands of trees to harvest wood and create farmland, to more recent attempts at conservation, trees remain one of mankind’s greatest resources. But aside from their purely practical uses, trees are appreciated for their beauty and have long served as important elements in designed landscapes. Tree Gardens is the first book to focus on what author Gina Crandell calls the “largest living architectural structures”—masses of trees that form expressive spaces on sites all over the world. Each case study—from the grand park at Versailles, to New York City’s 9/11 Memorial Forest—explains how the scale, context, species, and spacing of trees on a particular site establish its expressive structure. Featuring engaging text and beautiful images, this much-needed book combines useful how-to aspects of tree planting with theoretical discourse on tree garden design and will be an important resource for students, landscape architects, and horticulturists alike.

• First book to focus on tree gardens in landscape

architecture

• Landscapes include historical and contemporary

works by such well-known designers as Frederick Law

Olmsted, André Le Nôtre, C. Th. Sørensen, Daniel

Kiley, Peter Walker, and Michael Van Valkenburgh

• Projects range from ten to thousands of trees on sites

both pristine and postindustrial, urban and remote

• Includes discussion of the management of designed

forest, including preservation strategies

• Brookline, MA–based landscape architecture

professor Gina Crandell was the Farrand Visiting

Professor in Landscape Architecture at the

University of California, Berkeley, in 2007 after

teaching for many years at the Harvard University

Graduate School of Design and the Rhode Island

School of Design

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Shipping May 2013—5 x 7 in / 13 x 18 cm176 pp / 350 color Paperback978-1-61689-105-3$24.95 / £15.99Rights: W

Young Architects 12: ReSource978-1-56898-998-3$24.95 / £16.99Rights: W

Young Architects 13: It’s Different978-1-61689-057-5$24.95 / £16.99Rights: W

Young Architects 14No Precedent

The Architectural League Prize is an annual competition,

series of lectures, and exhibition organized by the

Architectural League of New York and its Young Architects

and Designers Committee.

2012 marks the twenty-fifth anniversary of the Architectural League Prize for Young Designers and Architects. Each year up-and-coming architects are recognized for excellent and inspiring work. This year’s theme, No Precedent, reflects the perception of young architects as a self-defining generation driven by the desire to be heard and unwilling to either wait their turn or to follow in others’ footsteps. They are quick to cast aside unfit precedents, codes, and rules.Their work is suggestive, speculative, and on the brink—neither here nor there, but fodder for the future. The projects in Young Architects 14 investigate what it takes to create something without precedent and how this influences the way designers work and what they produce.

Winners include:

• Jorge Arvizu, Ignacio del Rio, Emmanuel Ramirez,

and Diego Ricalde of MMX Studio (Mexico City)

• Jimenez Lai of Bureau Spectacular (Chicago)

• Sean Lally of WEATHERS/ Sean Lally (Chicago)

• Seung Teak Lee and Mi Jung Lim of STPMJ

(Brooklyn)

• Michael Szivos of SOFTlab (New York)

• Koji Tsutsui of Koji Tsutsui & Associates

(San Francisco and Tokyo)

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New Public WorksArchitecture, Planning, and PoliticsMark Robbins, editor

Between 1999 and 2002 the National Endowment for the Arts’s New Public Works program sponsored design competitions in cities across the United States. The forward-thinking designs that emerged have influenced the physical form of major public works projects nationwide. New Public Works presents a history of the program, along with interviews with participants. Special attention is paid to the key role played by private, municipal, and other public funding sources. Case studies of three built projects by Allied Works Architecture, Koning Eizenberg, and Weiss/Manfredi Architecture describe the path of each from competition through construction.

Shipping April 2013—7 x 9 in / 18 x 23 cm160 pp / 240 colorHardcover / 978-1-61689-115-2$29.95 / £18.99Rights: W, except Canada

Modern American HousingHigh-Rise, Reuse, InfillPeggy Tully, editor

Modern American Housing brings together the most enlightened thinkers from the worlds of architecture, social practice, and real estate development to present the latest developments in the design and construction of new housing stock in re-urbanizing cities throughout the United States. New housing is grouped into three sections—housing towers, reused historical structures, and urban infill—and documented with photographs, pre-construction renderings, floor plans, and maps indicating location in urban settings. An accompanying essay and a discussion with urban planners, architects, and policymakers round out this fresh look at the past and future of the American house.

Shipping May 2013—7 x 9 in / 18 x 23 cm160 pp / 175 colorHardcover / 978-1-61689-109-1$29.95 / £18.99Rights: W, except Canada

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Also Available:

Formerly Urban978-1-61689-089-6$29.95 / £18.99Rights: W, except Canada

From the Ground Up978-1-61689-092-6$29.95 / £18.99Rights: W, except

Canada

New City Books

The New City Books series explores the intersection of architecture, landscape architecture, infrastructure, and planning in the redevelopment of the civic realm. Focusing on government sponsorship of design, the study of weak-market cities, contemporary American housing, and the role of a research university as a resource and collaborator, the series highlights the formative nature of innovative design and the necessity for strategies that trigger public and private support.

American City XSyracuse after the Master PlanMark Robbins, editor

In American City X, editor Mark Robbins, former dean of Syracuse University’s School of Architecture, argues that innovative and compelling architecture can not only enhance the way a city is perceived, but also change the way it works. Looking to Syracuse, NY, as the archetypal “American City X,” the book showcases projects that demonstrate poten-tial positive futures for post industrial cities across the country. Featuring renovations and ground-up constructions—ranging from landscapes to buildings and infrastructure—at both residential and institu-tional scales, the successful recent work in Syracuse addresses sustainability, material and formal experimentation, and inventive use of space for evolving community needs.

Shipping July 2013—7 x 9 in / 18 x 23 cm160 pp / 125 colorHardcover / 978-1-61689-106-0$29.95 / £18.99Rights: W, except Canada

9 781616 891060

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an architectural tour by

Marla R. Miller and Max Pageforeword by kumble r. subbaswamy

University ofMassachusetts

Amherst

THE CAMPUS GUIDE

Shipping March 2013—6.3 x 10 in / 16 x 25 cm192 pp / 150 color / 16 b+wPaperback978-1-61689-112-1$29.95 / £18.99Rights: W

University of Massachusetts AmherstMarla R. Miller and Max Page

The newest title in our Campus Guide series takes readers on an architectural tour of University of Massachusetts Amherst. As one of the nation’s oldest public universities, and the largest in the Northeast, the University has a rich and storied history. Initially chartered as the Massachusetts Agricultural College, the school has grown from fifty farmers to close to 24,000 students of diverse backgrounds and academic interests. The University’s campus has also expectedly experienced parallel growth. From a few barns on the Berkshire foothills, the University now sits atop nearly 1,500 acres. Five carefully considered tours put the architectural history of the campus into context.

• The first architectural history of the University of

Massachusetts Amherst

• Campus includes many midcentury modern gems,

including the Fine Arts Center (Kevin Roche John

Dinkeloo and Associates), Herter Hall (Coletti

Brothers), and the W. E. B. Du Bois Library (Edward

Durell Stone)

• Walks are illustrated with beautiful new photography

as well as historic images from the University’s

archives

• Author Marla Miller is a professor in UMass’s history

department. Max Page is a professor of history

and graduate program director of the Architecture

and Design Program

Harvard University978-1-56898-280-9$24.95 / £17.95Rights: W

Yale University, second edition978-1-61689-064-3$29.95 / £20.00Rights: W


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Shipping May 2013—7 x 8.5 in / 18 x 21.6 cm80 pp / 100 b+wPaperback978-1-61689-142-8$17.95 / £10.99Rights: W

Pamphlet Architecture 30:Coupling 978-1-56898-985-3$17.95 / £12.99Rights: W

Pamphlet Architecture 32:Resilience978-1-61689-031-5$17.95 / £11.99Rights: W

9 781616 891428

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Pamphlet Architecture 33Islands, Atolls, and Other Derivative TerritoriesLCLA Office, Luis Callejas

The competition for Pamphlet Architecture 33 asked previous authors in the series to nominate the architects and theorists whose work represents the most exciting design and research in the field today. The first of two winning entries—the other will be published in fall 2013 as PA 34—was submitted by Luis Callejas of LCLA Office in Medellín, Colombia. Pamphlet Architecture 33: Islands, Atolls, and Other Derivative Territories asks how architecture might critically repurpose its traditionally limited disciplinary tools in order to make a meaningful impact at a territorial scale. Functioning as a landscape architect in a country that has no infrastructure for such a profession, Callejas questions pedagogical, disciplinary, and political norms at macro levels using micro tactics. As a result, PA 33 provocatively expands devices such as repetition and aggregation beyond their limits in scenarios where sociopolitical constraints seemingly prohibit what would normally be understood as an architectural intervention.

• Founded in 1977 as an alternative to mainstream

architectural publishing, Pamphlet Architecture

helped launch the careers of architects from Steven

Holl and Lebbeus Woods to Zaha Hadid

• Since 2001, the competition has attracted hundreds

of participants from around the world

• Luis Callejas is an architect based in Medellín,

Colombia, who currently teaches courses in

Landscape Architecture and Urbanism at Harvard

University Graduate School of Design and the

University of Toronto



Shipping February 2013—6.7 x 9.4 in / 17 x 24 cm352 pp / 400 col / 100 b+wPaperback978-3-87439-825-1$50.00 / £32.00 Rights: XAUNZ

Art Deco Bookbinding978-1-56898-462-9$35.00 / £25.00Rights: W

The Book as Art978-1-56898-992-1$34.95 / £22.50Rights: W

75 Artist Books: The Kaldewey Press, New YorkA Catalogue RaisonnéClemens von Lucius

Since founding the Kaldewey Press in rural Poestenkill, NY, in 1985, Gunnar A. Kaldewey has produced exactly seventy-five artist books in limited editions, some of them written and designed by Kaldewey himself. While few small presses have managed to produce such a large body of work, the Kaldewey Press has earned the reputation as one of the world’s finest publishers of contemporary artist books. In this abundantly illustrated catalogue raisonné, collector and Kaldewey devotée Clemens von Lucius presents in detail all seventy-five books published to date, accompanied by individual descriptions of each title, an introductory essay describing the design process, and an interview with the publisher himself.

• Exquisite volumes have been exhibited worldwide,

including the Metropolitan Museum of Art in New

York and Galerie Yvon Lambert in Paris

• Features books published in cooperation with artists

such as Mischa Kuball, Jonathan Lasker, Heribert C.

Ottersbach, Richard Tuttle, and Hans Peter Willberg

• Limited small editions make these books very

difficult to track down individually

• Books are constructed out of a variety of unusual

materials, including sandpaper, aluminum, plastic,

vellum, clay, tree bark, American Indian beadwork,

and zinc

9 783874 398251

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Richard Hollis Designs for the WhitechapelChristopher Wilson

Richard Hollis has been called “the graphic designer’s designer.” Best known as the author of the classic Graphic Design: A Concise History (1994), it is his six decades of design work that is currently undergoing a long overdue critical reevaluation. In Richard Hollis Designs for the Whitechapel, author Christopher Wilson focuses on the visual identity Hollis developed during the 1970s and 80s for London’s then up-and-coming Whitechapel Art Gallery. Working closely with curators and artists, Hollis designed a series of conceptually rigorousposters, brochures, and catalogs for pioneering exhibitions by artists such as Georg Baselitz, Anselm Kiefer, Joseph Cornell, Philip Guston, and Frida Kahlo. This timely collection presents all of Hollis’s masterpieces of understatement, along with critical essays and interviews.

• Richard Hollis is one of Britain’s most influential

graphic designers

• A spring 2012 UK retrospective of Hollis has reignited

interest among a younger generation of designers

• Hollis is known for his groundbreaking print

adaptation of John Berger’s legendary early 1970s

BBC TV series Ways of Seeing

• Christopher Wilson is a British graphic designer

and writer whose articles have been published in

numerous magazines, including Dot Dot Dot and Eye

Hyphen Press

Shipping June 2013—9.4 x 6.7 in / 24 x 17 cm288 pp / numerous colorPaperback978-0-907259-49-7$35.00Rights: NSA

Autonomy978-0-907259-46-6$35.00Rights: NSAM

Modern typography in Britain 978-0-907259-39-8$50.00Rights: NSAM

9 780907 259497

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Princeton Architectural Press

Gift Line | Spring 2013

Gift Line | Spring 2013 | pr i nceton a rch i t ect u r a l pr es s42

Bird Watching and Other Nature Observations Journal

Based on the best-selling America’s Other Audubon, this aspirational journal is rife with tips for casual and beginner birding and nature enthusiasts. Light prompts invite writers to record impressions and sightings, inspiring quotations are scattered throughout, and an extensive back matter section includes notes about how to hone observation skills, ethics of birding, additional resources, plus room to develop birding life lists.

Shipping January 2013—5.75 x 8.25 in / 15 x 21 cm144 pp / 20 colorHardcover978-1-61689-141-1$16.95 / £12.99 Rights: W

date :

location :

weather :

date :

location :

weather :

c a rol i n a w r e nThryothorus ludovicianus

11

12

13

14

15

b i r d n o t e s dat e s b i r d n o t e s dat e s

l i f e l i s t s l i f e l i s t s

1 Wood Thrush—Hylocichla mustelina Lithograph by Genevieve Jones

Eastern Bluebird—Sialia sialis Lithograph by Eliza Shulze

4 Carolina Wren—Thryothorus ludovicianus Lithograph by Eliza Shulze

Green Heron—Butorides virescens Lithograph by Virginia Jones

6 Purple Martin—Progne subis Lithograph by Virginia Jones

8 Northern Bobwhite—Colinus virginianus Lithograph by Virginia Jones

10 Field Sparrow—Spizella pusilla Lithograph by Virginia Jones

3 Mourning Dove—Zenaida macroura Lithograph by Virginia Jones

Willow Flycatcher—Empidonax traillii Lithograph by Virginia Jones

5 Summer Tanager—Piranga aestiva Lithograph by Virginia Jones

Indigo Bunting—Passerina cyanea Lithograph by Genevieve Jones

7 Chipping Sparrow—Spizella passerina Lithograph by Virginia Jones

9 Red-winged Blackbird—Agelaius phoeniceus Lithograph by Eliza Shulze

2 Orchard Oriole—Icterus spurius Lithograph by Virginia Jones

Black-billed Cuckoo—Coccyzus erythrophthalmus Lithograph by Eliza Shulze

i. Birds of Illustrated Nests(in order of journal appearance)

s i z e a n d s h a p eBeyond merely large or small, strive to be specific when describing the size and shape of the bird. Use the bird’s anatomy as a guide to prompt further details. Is its crest swept back, triangular, or shaggy; its bill blunt or dagger-like; its body plump or compact; its tail square tipped, notched, or fanned?

c ol o r a n d pat t e r nColor and pattern make the bird (and often provide inspiration for the bird’s name: indigo bunting, red-winged blackbird, purple martin, etc.) . Pay close attention to where color is placed on the body and in what patterns. Look for stripes and bands, spots and patches, streaks and smudges, and so on. Rather than simply black or yellow, add details that help define the unique visual characteristics of the bird: shiny black mask, golden brown bib, cinnamon-colored edges, iridescent green wingbars, sparkling blue necklace.

b e h av io rEach bird has a distinct personality. In addition to attitudes related to the specific species, draw out the idiosyncrasies of the individual. Watch and listen carefully: is she social or solitary, direct or allusive, loud or contemplative? Behavior is a rich area to expand upon, consider: busy, bossy, inquisitive, secretive, shy, expressive, messy, skillful, swift.

voic eThe cuckoo and the whip-poor-will, among other birds, are named for their songs. You may describe a bird’s call as sweet, bright, mechanical, trill, piercing, and more. Complement these portrayals by sounding out the bird’s call. Going beyond chirps and tweets, gobbles and coos, the language of birds can be poetic: hoo-hoo-hoo-to-whoo-ooo; swee swee swee ti ti ti ; WHAAA-Kaaaa; oo-loo-lee.

h a b i tatDescribing bird habitat is equally important to describing the bird itself. Information about a bird’s surroundings provides context to the reasons behind its behaviors, size, and shape. Birds are everywhere: from thick woodlands and forest edges to open meadows and rugged mountains to suburban backyards and city buildings. Nests (as showcased in the pages of this journal) also ref lect their inhabitants. They may be cupped or burrowed, densely packed or finely lined, large and prominent or small and tucked away.

Notes on Writing About Birds

Use this journal to record detailed surveillance, poetic musings, or both. When documenting bird sightings and other nature observations, establish your own approach. Mixing scientific terms and colorful, descriptive words will create a rich and varied picture of your surroundings and the creatures that inhabit it. It will also allow you to revisit the experience of a particular place and encounter time and again.

There are approximately ten thousand species of birds; what distinguishes one from the next? Size and shape, color and pattern, behavior and voice, and habitat (location, nests, etc.) . The following notes will help you describe any bird from tip to tail, and from treetop to hillside.

a p p e n d i x a p p e n d i x

1. Crest 2. Crown/Head 3. Eyebrow/ Eye Ring

4. Bill 5. Nape 6. Throat 7. Breast

8. Belly 9. Back 10. Wing 11. Rump

12. Tail 13. Tarsus 14. Foot

a n at o m y of a b i r d (from head to tail)

1 2

59

11

4

3

6

13

14

7

8

12

10

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w w w.pa pr es s .com | 1-800 -759 - 0190 | Gift Line | Spring 2013 43

Nests & Eggs Notecards

Images from America’s Other Audubon make up this stunning collection of notecards featuring carefully crafted nests and the colorful and speckled eggs they protect. Features six different images with descriptive captions on the reverse, contained in a visually rich keepsake box.

Shipping January 2013—4.75 x 6 x 1.75 in / 12.1 x 15.2 x 4.5 cm 12 full-color cards 6 designs, repeating 2 times12 envelopes978-1-61689-138-1 $14.95 / £10.99 Rights: W

9 781616 891381

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1 2 A S S O R T E D N O T E C A R D S A N D E N V E L O P E S

B R Y A N N A S H G I L L

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Woodcut Notecards

If there is, indeed, nothing lovelier than a tree, artist Bryan Nash Gill shows us why. In this collection of notecards, based on the book Woodcut, the arboreal rings come to life in exquisite detail, revealing the great beauty and power within each tree. The notecards are contained in a handsome keepsake box, with removable bellyband.

Shipping January 2013—5.25 x 6.5 x 1.75 in / 13.3 x 16.51 x 4.45 cm 12 full-color cards 6 designs, repeating 2 times12 envelopes978-1-61689-147-3$15.95 / £11.99 Rights: W


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What Did I Buy Today?An Obsessive Consumption Journal Illustrations by Kate Bingaman-Burt

Record your spending dreams and dramas, from the minute to the monumental, in this week-by-week logbook of splurges and savings. This journal is charmingly illustrated by Obsessive Consumption author Kate Bingaman-Burt, beloved by DIYers for her whimsical take on everyday life.

Shipping January 2013—5 x 7.125 in / 12.7 x 18 cm160 pp / 50 color Paperback978-1-61689-136-7$12.95 / £9.99 Rights: W


Vintage Typography Notecards

Discovered in vintage typographic manuals, the specimens featured on these elegant cards range from one-of-a-kind hand-drawn samples to classic favorites used in the early decades of the twentieth century. The back of each card features a mini-history of the typeface’s origins and use. Shipping January 2013—4.75 x 6 x 1.75 in / 12.1 x 15.2 x 4.4 cm 12 2-color cards 6 designs, repeating 2 times12 envelopes978-1-61689-146-6$14.95 / £10.99 Rights: W

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Paula Scher MAPSNew York / Paris / London: Three Mini Journals

Introducing a new line of smart and stylish gift products developed in collaboration with legendary international design firm Pentagram. These three pocket-sized journals are decorated with Pentagram partner Paula Scher’s obsessively detailed, highly personal city maps. Tuck these lightweight journals in your bag for your next journey, or simply use them to jot notes on the go. Shipping January 2013—4.25 x 5.75 in / 10.8 x 14.6 cm Set of 3 journals (1 gridded / 1 lined / 1 blank)64 pp eachPaperback, with sewn spine and back pocket978-1-61689-143-5$14.95 / £10.99 Rights: W

9 781616 891435

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Visual Grammarpb / $21.95 / £12.99978-1-56898-581-7

Best-selling titles in Design & tyPograPhy

Designing for Social Changepb / $24.95 / £15.99978-1-61689-047-6

The Wayfinding Handbookpb / $24.95 / £16.99978-1-56898-769-9

Thinking with Typepb / $24.95 / £16.99978-1-56898-969-3

Form+Code in Design, Art, and Architecturepb / $24.95 / £16.99978-1-56898-937-2

Grid Systemspb / $24.95 / £16.99978-1-56898-465-0

Graphic DesignThe New Basics

pb / $35.00 / £20.00978-1-56898-702-6

Graphic Design Thinkingpb / $24.95 / £16.99978-1-56898-979-2

How to Be a Graphic Designer without Losing Your Soul, new edition

pb / $24.95 978-1-56898-983-9

Graphic Design Theorypb / $24.95 / £16.99978-1-56898-772-9

Typographic Systemspb / $24.95 / £16.99978-1-56898-687-6

Geometry of DesignSecond Edition,

Revised and Updatedpb / $24.95 / £16.99978-1-61689-036-0

48

Best-selling titles in architecture

The Landscape Urbanism Readerpb / $34.95 / £19.99978-1-56898-439-1

Digital Fabricationspb / $24.95 / £14.99978-1-56898-790-3

Details, Technology, and Formhc / $65.00 / £40.00978-1-56898-953-2

Ethics for Architectspb / $24.95 / £14.99978-1-56898-946-4

Constructing a New Agenda pb / $45.00 / £30.00978-1-56898-859-7

Sustainable Designpb / $24.95 / £16.99978-1-56898-941-9

Philosophy for Architectspb / $24.95 / £16.99978-1-56898-994-5

Citizens of No Placepb / $19.95 / £12.99978-1-61689-062-9

Generative Designhc / $100.00 / £60.00

978-1-61689-077-3

Model Makingpb / $24.95 / £16.99978-1-56898-870-2

Le Corbusier Redrawnpb / $24.95 / £15.99978-1-61689-068-1

Writing about Architecturepb / $24.95 / £15.99978-1-61689-053-7

49

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Brooklyn Makerspb / $24.95 / £15.99 978-1-61689-074-2

Pinhole Camerashc / $19.95 / £10.99978-1-56898-989-1

The Artist’s Eyepb / $12.00 / £7.99978-1-61689-056-8

Typography Sketchbookspb / $40.00

978-1-61689-042-1

The Guerilla Art Kithc / $19.95 / £11.99978-1-56898-688-3

The Architect Sayshc / $14.95 / £8.99978-1-61689-093-3

Up on the Roofhc / $50.00

978-1-61689-050-6

50

America’s Other Audubonhc / $45.00 / £30.00978-1-61689-059-9

Woodcuthc / $29.95 / £19.99978-1-61689-048-3

Menus for Chez Panissehc / $40.00 / £25.00978-1-61689-029-2

Stickworkhc / $50.00 / £32.00978-1-56898-862-7pb / $34.95 / £20.00978-1-56898-976-1

Blackstock’s Collectionspb / $21.95 / £12.00978-1-56898-579-4

Backlist 51

Backlist

52 Architects & Monographs58 Young Architects Series58 Architecture Briefs59 Buildings61 Source Books in Architecture61 Campus Guides63 Classic Reprints63 Construction & Reference65 General Architecture70 Guide Books70 Landscape Architecture72 Source Books in Landscape

Architecture72 Urbanism74 Writings & Theory77 Conversations with Students78 Pamphlet Architecture80 Arts & Photography85 Book Arts86 Graphic & Industrial Design89 Design Briefs90 Dot Dot Dot91 Fresh Dialogue91 Typography93 Visual & Popular Culture

51

Backlist52

Architects & Monographs

Adalberto LiberaFrancesco Garofalo and Luca Veresani6 x 9.5 in / 15 x 24 cm208 pp / 300 b+wPaperback / 978-1-56898-344-8$24.95 / £16.99Rights: W

The Architecture of the OzarksThe Works of Marlon BlackwellMarlon Blackwell9.8 x 8.5 in / 25 x 22 cm192 pp / 284 col / 51 b+wPaperback / 978-1-56898-488-9$40.00 / £28.00Rights: W

Also available on ebrary.com

The Big IdeaScott Johnson6 x 8 in / 15 x 20 cm120 pp / 75 b+wPaperback / 978-1-890449-38-4$35.00 / £20.00Rights: W

A Balcony Press book

ArchigramPeter Cook8.5 x 11 in / 22 x 28 cm148 pp / 144 b+wPaperback / 978-1-56898-194-9$40.00 / £21.95Rights: W

Atlas of Novel TectonicsJesse Reiser and Nanako Umemoto5 x 7.5 in / 13 x 19 cm288 pp / 25 col / 200 b+wPaperback / 978-1-56898-554-1$29.95 / £15.99Rights: W

AnchoringSteven Holl8.5 x 8.5 in / 22 x 22 cm172 pp / 205 b+wHardcover / 978-1-87827-151-8$40.00 / £28.00 Rights: W

Art Deco San FranciscoThe Architecture of Timothy PfluegerTherese Poletti and Tom Paiva9 x 12 in / 23 x 30 cm256 pp / 210 colHardcover / 978-1-56898-756-9$55.00 / £35.00Rights: W

Bing Thom WorksBing Thom Architects9 x 12 in / 23 x 30 cm208 pp / 100 colHardcover / 978-1-56898-959-4$65.00 / £37.50Rights: W excluding Canada

Animate FormGreg Lynn6.6 x 8.8 in / 17 x 22 cm204 pp / 1472 col / 135 b+wHardcover / 978-1-56898-083-6$40.00 / £28.00Rights: W

AT-INdexWinka Dubbeldam7.8 x 9 in / 20 x 23 cm224 pp / 250 colPaperback / 978-1-56898-535-0$40.00 / £28.00Rights: W

BiorebootThe Architecture of R&Sie(n)Giovanni Corbellini et al.9.5 x 6.5 in / 24 x 17 cm224 pp / 132 col / 105 b+wPaperback / 978-1-56898-869-6$40.00 / £25.00Rights: NA, Canada, Australia,

Philippines only

Backlist 53

Condemned BuildingDouglas Darden9 x 12 in / 23 x 30 cm160 pp / 208 b+wPaperback / 978-0-910413-63-3$45.00 / £30.00Rights: W

Erwin Hauer ContinuaArchitectural Screens and WallsErwin Hauer10.3 x 10.8 in / 26 x 27 cm108 pp / 155 b+wPaperback / 978-1-56898-727-9$34.95 / £16.99Rights: W

Eero SaarinenAn Architecture of MultiplicityAntonio Roman9 x 12 in / 23 x 30 cm240 pp / 180 b+wHardcover / 978-1-56898-340-0$60.00 / £45.00Rights: W

Dean/Wolf ArchitectsConstructive ContinumKathryn Dean8 x 10 in / 20 x 25 cm224 pp / 303 colPaperback / 978-1-56898-829-0$40.00 / £28.00Rights: W

Expanded PracticeHöweler + Yoon Architecture / MY StudioJ. Meejin Yoon and Eric Höweler7.5 x 9.3 in / 19 x 23 cm208 pp / 300 col / 45 b+wPaperback / 978-1-56898-866-5$40.00 / £25.00Rights: W

Devil’s Workshop25 Years of Jersey Devil ArchitectureSusan Piedmont-Palladino and Mark Alden Branch8 x 10.8 in / 20 x 27 cm144 pp / 120 col / 45 b+wPaperback / 978-1-56898-113-0$29.95 / £21.95Rights: W

ExplorationsThe Architecture of John RonanJohn Ronan7.5 x 10 in / 19 x 25 cm192 pp / 350 col / 80 b+wPaperback / 978-1-56898-876-4$40.00 / £28.00Rights: W

Contemporary ClassicalThe Architecture of Andrew SkurmanAndrew Skurman9.5 x 11.87 in / 24 x 30 cm256 pp / 300 color / 100 b+w Hardcover978-1-61689-088-9 $60.00 / £38.00Rights: W

Eladio DiesteInnovation in Structural Art Stanford Anderson 9.6 x 11.8 in / 24.4 x 30 cm264 pp / 104 color / 158 b+w Hardcover978-1-56898-371-4 $60.00 / £42.00Rights: W

Everything All at OnceThe Software, Film, and Architecture of MOSMichael Meredith and Hilary Sample6 x 8.25 in / 15 x 23 cm176 pp / 40 color / 150 b+wPaperback / 978-1-61689-078-0$24.95 / £15.99Rights: W

FOBA / BuildingsKatsu Umebayashi et al.6.8 x 9.3 in / 17 x 23 cm224 pp / 300 col / 66 b+wPaperback / 978-1-56898-527-5$40.00 / £28.00Rights: W


FleshArchitectural ProbesElizabeth Diller and Ricardo Scofidio8.3 x 10.8 in / 21 x 27 cm256 pp / 68 col / 300 b+wPaperback / 978-1-878271-37-2$39.95 / £28.00Rights: W

Backlist54

James CarpenterEnvironmental RefractionsSandro Marpillero8.7 x 11 in / 22 x 28 cm176 pp / 200 col / 100 b+wHardcover / 978-1-56898-608-1$55.00Rights: NAM

GhostBuilding an Architectural VisionBrian MacKay-Lyons6.3 x 9 in / 16 x 23 cm192 pp / 224 col / 50 b+wPaperback / 978-1-56898-736-1$35.00 / £23.00Rights: W

IntertwiningSteven Holl8.5 x 8.5 in / 22 x 22 cm176 pp / 16 col / 270 b+wHardcover / 978-1-56898-061-4$40.00 / £28.00Rights: W

Gyroscopic HorizonsPrototypical Buildings and Other WorksNeil M. Denari8.5 x 11 in / 22 x 28 cm224 pp / 250 col / 150 b+wPaperback / 978-1-87827-113-6$40.00Rights: NAM

Jones, Partners: ArchitectureEl SegundoJones, Partners: Architecture8.5 x 11 in / 22 x 28 cm400 pp / 270 col / 305 b+wHardcover / 978-1-56898-700-2$60.00 / £38.00Rights: W

HouseBlack Swan TheorySteven Holl8.5 x 8.5 in / 22 x 22 cm176 pp / 176 col / 10 b+wHardcover / 978-1-56898-587-9$40.00 / £25.00Rights: W

The Houses of William WursterFrames for LivingCaitlin Lempres Brostrom and Richard C. Peters9 x 11 in / 23 x 28 cm224 pp / 150 col / 150 b+wHardcover / 978-1-61689-028-5$50.00 / £32.50Rights: W

Fougeron ArchitectureOpposition/CompositionAnne Fougeron8 x 9 in / 20 x 23 cm192 pp / 240 col / 30 b+wPaperback / 978-1-56898-990-7$40.00 / £28.00Rights: W

Frank FurnessThe Complete Works, Revised EditionGeorge E. Thomas et al.8.5 x 11 in / 22 x 28 cm392 pp / 13 col / 655 b+wPaperback / 978-1-56898-094-2$45.00 / £30.00Rights: W

A Guide to Archigram 1961–74Archigram Archives5.7 x 4.92 in / 14.5 x 12.5 cm448 pp / 200 color / 350 b+w Paperback978-1-61689-086-5$40.00 / £25.00 Rights: W

Language: Dual English/German

Kesling Modern StructuresPopularizing Modern Living in Southern California 1934-1962Patrick Pascal11 x 8 in / 28 x 20 cm96 pp / 80 b+wPaperback / 978-1-890449-13-1$24.95 / £17.95Rights: W


Julie Snow ArchitectsJulie Snow and Janet Abrams6.8 x 9.3 in / 17 x 23 cm144 pp / 100 col / 40 b+wHardcover / 978-1-56898-487-2$40.00 / £28.00Rights: W


Backlist 55

Lewis.Tsurumaki.LewisOpportunistic ArchitecturePaul Lewis et al.7.5 x 10 in / 19 x 25 cm192 pp / 130 col / 50 b+wPaperback / 978-1-56898-710-1$40.00 / £25.00Rights: W

Made to MeasureThe Architecture of Leers Weinzapfel AssociatesAndrea Leers et al.9 x 11 in / 23 x 28 cm176 pp / 213 col / 18 b+wHardcover / 978-1-56898-957-0$65.00 / £45.00Rights: W

Mary ColterArchitect of the SouthwestArnold Berke10 x 8 in / 25 x 20 cm320 pp / 80 col / 120 b+wPaperback / 978-1-56898-345-5$35.00 / £21.99Rights: W

Marina CityBertrand Goldberg’s Urban VisionIgor Marjanovic and Katerina Rüedi Ray7.5 x 10 in / 19 x 25 cm176 pp / 105 b+wPaperback / 978-1-56898-863-4$35.00 / £25.00Rights: W

Marmol Radziner + AssociatesBetween Architecture and ConstructionLeo Marmol and Ron Radziner8.5 x 9.5 in / 22 x 24 cm176 pp / 235 col / 50 b+wPaperback / 978-1-56898-744-6$40.00 / £25.00Rights: W

Kuth/Ranieri ArchitectsByron Kuth et al.7.5 x 9.5 in / 19 x 24 cm192 pp / 220 col / 20 b+wPaperback / 978-1-56898-865-8$40.00 / £28.00Rights: W

Leven BettsPattern RecognitionDavid Leven and Stella Betts8 x 10 in / 20 x 25 cm192 pp / 205 col / 20 b+wPaperback / 978-1-56898-782-8$40.00 / £25.00Rights: W

Lewis.Tsurumaki.LewisIntensitiesPaul Lewis, Marc Tsurumaki, and David J. Lewis7.5 x 10 in / 19 x 25 cm192 pp / 130 color / 50 b+wPaperback978-1-61689-066-7$40.00 / £25.00Rights: W

The Miller|Hull Partnership Public WorksThe Miller|Hull Partnership8.5 x 11 in / 22 x 28 cm256 pp / 200 col / 25 b+wHardcover / 978-1-56898-754-5$50.00 / £30.00Rights: W

Miller|HullArchitects of the Pacific NorthwestSheri Olson8 x 9 in / 20 x 23 cm244 pp / 200 col / 150 b+wPaperback / 978-1-56898-231-1$40.00 / £24.00Rights: W

Mehrdad YazdaniJoseph Giovannini9.5 x 11.5 in / 24 x 29 cm144 pp / 225 colPaperback / 978-1-890449-29-2$29.95 / £19.99Rights: W


Material ImmaterialThe New Work of Kengo KumaBotond Bognar8.5 x 11 in / 22 x 28 cm224 pp / 460 col / 85 b+wPaperback / 978-1-56898-779-8$40.00 / £25.00Rights: W

Backlist56

ParallaxSteven Holl5.8 x 7.6 in / 15 x 19 cm384 pp / 110 col / 290 b+wHardcover / 978-1-56898-261-8$45.00 / £30.00Rights: W

Peter RoseHousesPeter Rose8 x 10 in / 20 x 25 cm160 pp / 200 col / 50 b+wHardcover / 978-1-56898-821-4$40.00 / £28.00Rights: W

Paul Rudolph The Florida HousesChristopher Domin and Joseph King10 x 8 in / 25 x 20 cm248 pp / 150 b+wPaperback / 978-1-56898-551-0$40.00 / £25.00Rights: W

Paul RudolphThe Late WorkRoberto de Alba10 x 8 in / 25 x 20 cm224 pp / 250 col / 150 b+wHardcover / 978-1-56898-401-8$40.00 / £30.00Rights: W

Radical ReconstructionLebbeus Woods12 x 9 in / 30 x 23 cm168 pp / 109 col / 103 b+wPaperback / 978-1-56898-286-1$39.95 / £24.95Rights: W

Proceed and Be BoldRural Studio After Samuel MockbeeAndrea Oppenheimer Dean and Timothy Hursley8 x 10 in / 20 x 25 cm176 pp / 130 col / Paperback 978-1-56898-500-8$30.00 / £19.99Rights: W / Also available on ebrary.com

ProvisionalEmerging Modes of Architectural Practice USAElite Kedan et al.8 x 10 in / 20 x 25 cm288 pp / 355 col / 65 b+wPaperback / 978-1-56898-878-8$40.00 / £25.00Rights: W

OneFiveFourLebbeus Woods7 x 10.5 in / 18 x 27 cm136 pp / 100 b+wPaperback / 978-0-910413-80-0$24.95 / £16.99Rights: W

O’Donnell + TuomeySelected WorksSheila O’Donnell and John Tuomey9.8 x 8.5 in / 25 x 22 cm192 pp / 200 col / 50 b+wPaperback / 978-1-56898-601-2$40.00 / £23.00Rights: W

Natural HousesThe Residential Architecture of Andersson-WiseArthur Andersson and Chris Wise8 x 10.3 in / 20 x 26 cm176 pp / 225 col / 25 b+wHardcover / 978-1-56898-879-5$40.00 / £25.00Rights: W

No Nails, No LumberThe Bubble Houses of Wallace NeffJeffrey Head7.2 x 7.9 in / 18.3 x 20.1 cm176 pp / 100 col / 100 b+wHardcover / 978-1-61689-024-7$24.95 / £16.99Rights: W

R. Buckminster FullerWorld ManDaniel López-Pérez, editor5.5 x 8 in /14 x 20.3 cm144 pp / 25 color / 25 b+w Paperback978-1-61689-094-0$21.95 / £13.99Rights: W

Backlist 57

Responsive ArchitectureMoody Nolan Recent WorkMorris Newman9 x 10 in / 23 x 25 cm120 pp / 140 colPaperback / 978-1-890449-46-9$29.95 / £16.99Rights: W


Rural StudioSamuel Mockbee and an Architecture of DecencyAndrea Oppenheimer Dean and Timothy Hursley8 x 10 in / 20 x 25 cm192 pp / 132 col / 12 b+wPaperback / 978-1-56898-292-2$34.95 / £21.00Rights: W

The Storm and the FallLebbeus Woods9.6 x 7.3 in / 24 x 18 cm176 pp / 8 col / 134 b+wHardcover / 978-1-56898-421-6$50.00 / £35.00Rights: W

RevealStudio Gang ArchitectsJeanne Gang8 x 10 in / 20 x 25 cm256 pp / 300 colPaperback / 978-1-56898-993-8$45.00 / £30.00Rights: W

Rogers Marvel ArchitectsRob Rogers and Jonathan Marvel8 x 10 in / 20 x 25 cm192 pp / 200 colPaperback / 978-1-56898-999-0$40.00 / £28.00Rights: W

Tom KundigHousesDung Ngo8 x 10 in / 20 x 25 cm176 pp / 150 col / 25 b+wHardcover / 978-1-56898-605-0$40.00 / £25.00Rights: W

Tom KundigHouses 2Tom Kundig9.5 x 11.8 in / 24 x 30 cm256 pp / 250 colHardcover / 978-1-61689-040-7$55.00 / £35.00Rights: W

Think/MakeDella Valle BernheimerAndrew Bernheimer and Jared Della Valle7.5 x 10 in / 19 x 25 cm192 pp / 245 colPaperback / 978-1-56898-781-1$40.00 / £25.00Rights: W

True LifeSteven Harris ArchitectsSteven Harris9.5 x 11.8 in / 24 x 30 cm256 pp / 246 colHardcover / 978-1-56898-971-6 $50.00 / £32.00Rights: W

VJAAVincent James Associates ArchitectsVincent James and Jennifer Yoos8 x 9 in / 20 x 23 cm208 pp / 175 col / 125 b+wPaperback / 978-1-56898-588-6$40.00 / £23.00Rights: W

Toyo ItoForce of NatureJessie A. Turnbull, editor5.5 x 8 in / 14 x 20 cm144 pp / 25 color / 25 b+w Paperback978-1-61689-101-5$21.95 / £13.99Rights: W

Weiss/ManfrediSurface/SubsurfaceMarion Weiss and Michael Manfredi11 x 9 in / 28 x 23 cm208 pp / 300 colHardcover / 978-1-56898-733-0$60.00 / £35.00Rights: W

Backlist58

Young Architects 9ProofThe Architectural League of New York5 x 7 in / 13 x 18 cm176 pp / 350 col / 20 b+wPaperback / 978-1-56898-743-9$24.95 / £15.00Rights: W

Architectural Photography the Digital WayGerry Kopelow7 x 8.5 in / 18 x 22 cm144 pp / 150 colPaperback / 978-1-56898-697-5$24.95 / £14.99Rights: W

Young Architects 10ResonanceThe Architectural League of New York5 x 7 in / 13 x 18 cm176 pp / 350 col / 20 b+wPaperback / 978-1-56898-809-2$24.95 / £14.99Rights: W

Young Architects 11ForesightThe Architectural League of New York5 x 7 in / 13 x 18 cm176 pp / 350 col / 20 b+wPaperback / 978-1-56898-887-0$24.95 / £16.99Rights: W

Young Architects 12ReSourceThe Architectural League of New York5 x 7 in / 13 x 18 cm176 pp / 350 col / 20 b+wPaperback / 978-1-56898-998-3$24.95 / £16.99Rights: W

Yankee ModernThe Houses of Estes/TwomblyWilliam Morgan8 x 10 in / 20 x 25 cm168 pp / 150 col / 20 b+wHardcover / 978-1-56898-817-7$40.00 / £25.00Rights: W

Young Architects 8InstabilityThe Architectural League of New York5 x 7 in / 13 x 18 cm176 pp / 350 col / 20 b+wPaperback / 978-1-56898-637-1$24.95 / £14.00Rights: W

Young ArchitectsSeries

Architecture Briefs

Architectural LightingDesigning with Light and SpaceHervé Descottes and Cecilia E. Ramos7 x 8.5 in / 18 x 22 cm144 pp / 177 colPaperback / 978-1-56898-938-9$24.95 / £16.99Rights: W

Young Architects 13It’s DifferentThe Architectural League of New York5 x 7 in /13 x 18 cm176 pp / 350 colorPaperback / 978-1-61689-057-5$24.95 / £16.99Rights: W

William L. PereiraJames Steele10 x 12 in / 25 x 30 cm256 pp / 20 col / 260 b+wHardcover / 978-1-890449-20-9$59.95 / £40.00Rights: W


Backlist 59

Building EnvelopesAn Integrated ApproachJenny Lovell7 x 8.5 in / 18 x 22 cm144 pp / 175 colPaperback / 978-1-56898-818-4$24.95 / £16.99Rights: W

Ethics for Architects50 Dilemmas of Professional PracticeThomas Fisher7 x 8.5 in / 18 x 22 cm152 ppPaperback / 978-1-56898-946-4$24.95 / £14.99Ebook / 978-1-61689-079-7Rights: W

Digital FabricationsArchitectural and Material TechniquesLisa Iwamoto7 x 8.5 in / 18 x 22 cm144 pp / 175 colPaperback / 978-1-56898-790-3$24.95 / £14.99Rights: W

Model MakingMegan Werner7 x 8.5 in / 18 x 22 cm160 pp / 200 col / 20 b+wPaperback / 978-1-56898-870-2$24.95 / £16.99Rights: W

Philosophy for ArchitectsBranko Mitrovic7 x 8.5 in / 18 x 22 cm192 pp / 15 b+wPaperback / 978-1-56898-994-5$24.95 / £16.99Ebook / 978-1-61689-072-8Rights: W

Old Buildings, New DesignsArchitectural TransformationsCharles Bloszies7 x 8.5 in / 18 x 21.6 cm144 pp / 175 colPaperback / 978-1-61689-035-3$24.95 / £16.99Rights: W

Material StrategiesInnovative Applications in ArchitectureBlaine Brownell7 x 8.5 in / 18 x 21.6 cm160 pp / 175 colPaperback / 978-1-56898-986-0$24.95 / £16.99Rights: W

Sustainable DesignDavid Bergman7 x 8.5 in / 18 x 22 cm144 pp / 175 colPaperback / 978-1-56898-941-9$24.95 / £16.99Rights: W

Urban CompositionDeveloping Community through DesignMark C. Childs7 x 8.5 in / 18 x 22 cm144 pp / 150 colorPaperback / 978-1-61689-052-0 $24.95 / £15.99Rights: W

Writing about ArchitectureMastering the Language of Buildings and CitiesAlexandra Lange7 x 8.5 in / 18 x 22 cm192 pp / 20 b+wPaperback / 978-1-61689-053-7$24.95 / £15.99Ebook / 978-1-61689-113-8Rights: W

Albert Frey Houses 1 + 2Jennifer Golub9.5 x 6.5 in / 24 x 17 cm84 pp / 53 col / 22 b+wPaperback / 978-1-56898-190-1$20.00 / £14.95Rights: W

Buildings

Backlist60

Terragni’s DanteumThomas L. Schumacher5.5 x 8.5 in / 14 x 22 cm168 pp / 12 col / 117 b+wPaperback / 978-1-87827-182-2$24.95 / £17.99Rights: W

Richard Neutra’s Miller HouseStephen Leet8 x 10 in / 20 x 25 cm192 pp / 120 b+wPaperback / 978-1-56898-274-8$40.00 / £28.00Rights: W

The Wittgenstein HouseBernhard Leitner8.5 x 11 in / 22 x 28 cm160 pp / 30 col / 90 b+wHardcover / 978-1-56898-251-9$45.00 / £30.00Rights: W

Manhattan SkyscrapersThird EditionEric P. Nash9 x 12 in / 23 x 30 cm240 pp / 150 col / 175 b+wHardcover / 978-1-56898-967-9$50.00 / £32.00Rights: W

Mies Van der Rohe’s Krefeld VillasKent Kleinman and Leslie Van Duzer7.5 x 10 in / 19 x 25 cm144 pp / 40 col / 60 b+wHardcover / 978-1-56898-503-9$35.00 / £25.00Rights: W


Loblolly HouseElements of a New ArchitectureKieranTimberlake Associates7.5 x 10 in / 19 x 25 cm176 pp / 125 col / 46 b+w /with DVD

Hardcover / 978-1-56898-747-7$40.00 / £25.00Rights: W

IronErecting the Walt Disney Concert HallGil Garcetti8.5 x 11 in / 22 x 28 cm144 pp / 80 b+wPaperback / 978-1-890449-28-5$29.95 / £19.99Rights: W


Guggenheim New York | Guggenheim BilbaoEzra Stoller and Jeff Goldberg5 x 7 in / 13 x 18 cm80 pp / 34 col / 30 b+wPaperback / 978-1-56898-193-2$14.95 / £10.95Rights: W

Frank Lloyd Wright’s Martin HouseArchitecture as PortraitureJack Quinan7.5 x 10 in / 19 x 25 cm248 pp / 130 b+wHardcover / 978-1-56898-419-3$34.95 / £25.00Rights: W

Frank Lloyd Wright’s FallingwaterEzra Stoller5 x 7 in / 13 x 18 cm96 pp / 80 b+wHardcover / 978-1-56898-203-8$19.95 / £14.95Rights: W

Austin Val VerdeA Montecito MasterpieceBerge Aran8.8 x 12 in / 22 x 30 cm144 pp / 61 col / 5 b+wHardcover / 978-1-890449-39-1$50.00 / £30.00Rights: W


The Chrysler BuildingCreating a New York Icon, Day by DayDavid Stravitz9.6 x 12 in / 24 x 30 cm192 pp / 170 b+wHardcover / 978-1-56898-354-7$45.00 / £30.00Rights: W

Backlist 61

Bernard Tschumi/ Zenith De RouenSource Books in Architecture 3Todd Gannon and Jeffrey Kipnis8 x 9 in / 20 x 23 cm176 pp / 101 col / 102 b+wPaperback / 978-1-56898-382-0$29.95 / £19.99Rights: W

Steven Holl Architects/Simmons HallSource Books in Architecture 5Todd Gannon and Michael Demson8 x 9 in / 20 x 23 cm160 pp / 110 col / 75 b+wPaperback / 978-1-56898-464-3$29.95 / £19.99Rights: W

Zaha Hadid/BMW Central BuildingSource Books in Architecture 7Todd Gannon8 x 9 in / 20 x 23 cm160 pp / 200 col / 50 b+wPaperback / 978-1-56898-536-7$29.95 / £17.00Rights: W

Source Books inArchitecture

Eisenman Architects/The University of Phoenix Stadium for the Arizona Cardinals / Source Books in Architecture 8 / Todd Gannon8 x 9 in / 20 x 23 cm160 pp / 200 col / 50 b+wPaperback / 978-1-56898-720-0$29.95 / £17.00Rights: W

Dartmouth CollegeScott Meacham6.3 x 10 in / 16 x 25 cm256 pp / 225 colPaperback / 978-1-56898-348-6$24.95 / £15.00Rights: W

CranbrookKathryn Eckert6.3 x 10 in / 16 x 25 cm208 pp / 120 colPaperback / 978-1-56898-257-1$24.95 / £17.95Rights: W

Campus Guides

Duke UniversityJohn M. Bryan6.3 x 10 in / 16 x 25 cm168 pp / 120 col / 20 b+wPaperback / 978-1-56898-228-1$24.95 / £17.95Rights: W

Smith CollegeMargaret Birney Vickery and Bilyana Dimitrova6.3 x 10 in / 16 x 25 cm160 pp / 100 col / 20 b+wPaperback / 978-1-56898-591-6$24.95 / £15.00Rights: W

Northwestern UniversityJay Pridmore6.3 x 10 in / 16 x 25 cm192 pp / 200 col / 20 b+wPaperback / 978-1-56898-755-2$24.95 / £14.99Rights: W

Rice UniversityStephen Fox6.3 x 10 in / 16 x 25 cm208 pp / 120 colPaperback / 978-1-56898-246-5$24.95 / £17.95Rights: W

Backlist62

Vassar CollegeKaren Van Lengen and Lisa Reilly6.3 x 10 in / 16 x 25 cm176 pp / 130 colPaperback / 978-1-56898-349-3$24.95 / £17.95Rights: W

University of WashingtonNorman Johnston6.3 x 10 in / 16 x 25 cm168 pp / 120 colPaperback / 978-1-56898-247-2$24.95 / £17.95Rights: W

West Point U.S. Military AcademyRod Miller6.3 x 10 in / 16 x 25 cm160 pp / 130 colPaperback / 978-1-56898-294-6$24.95 / £17.95Rights: W

University of PennsylvaniaGeorge E. Thomas6.3 x 10 in / 16 x 25 cm216 pp / 170 colPaperback / 978-1-56898-315-8$24.95 / £17.95Rights: W

University of CincinnatiPaul Bennett6.3 x 10 in / 16 x 25 cm224 pp / 130 colPaperback / 978-1-56898-232-8$24.95 / £17.95Rights: W

University of Texas at AustinLawrence W. Speck and Richard L. Cleary6.3 x 10 in / 16 x 25 cm224 pp / 125 col / 15 b+wPaperback / 978-1-56898-854-2$29.95 / £20.00Rights: W

University of TorontoLarry Wayne Richards6.3 x 10 in / 16 x 25 cm256 pp / 175 col / 18 b+wPaperback / 978-1-56898-719-4$29.95 / £17.99Rights: W

University of California, San DiegoDirk Sutro et al.6.3 x 10 in / 16 x 25 cm224 pp / 125 colPaperback / 978-1-56898-860-3$29.95 / £19.99Rights: W

Yale University, second editionPatrick L. Pinnell6.25 x 10 in / 16 x 25 cm256 pp / 200 color / 25 b+w Paperback / 978-1-61689-064-3$29.95 / £20.00Rights: W

Stanford University, revised editionDavid J. Neuman et al.6.3 x 10 in / 16 x 25 cm200 pp / 120 col / 30 b+wPaperback / 978-1-56898-538-1$29.95 / £19.99Rights: W

University of California, BerkeleyHarvey Helfand6.3 x 10 in / 16 x 25 cm368 pp / 130 colPaperback / 978-1-56898-293-9$24.95 / £17.95Rights: W

Backlist 63

L’ArchitectureClaude-Nicolas Ledoux9 x 12 in / 23 x 30 cm328 pp / 300 b+wHardcover / 978-0-910413-03-9$85.00 / £60.00Rights: W

The Antiquities of AthensMeasured and Delineated by James Stuart and Nicholas Revett, Painters and ArchitectsJames Stuart and Nicholas Revett9 x 12 in / 23 x 30 cm496 pp / 400 b+wHardcover / 978-1-56898-723-1$125.00 / £70.00Rights: W

Edifices de Rome ModernePaul Letarouilly9 x 12 in / 23 x 30 cm368 pp / 354 b+wHardcover / 978-0-910413-00-8$85.00 / £60.00Rights: W

Classic Reprints

Pencil Points ReaderA Journal for the Drafting Room, 1920-1943Jan Cigliano, George E. Hartman9 x 12 in / 23 x 30 cm680 pp / 400 b+wHardcover / 978-1-56898-352-3$85.00 / £60.00Rights: W

Park and Recreation StructuresAlbert Good9 x 12 in / 23 x 30 cm624 pp / 400 b+wHardcover / 978-1-56898-171-0$85.00 / £60.00Rights: W

Plan of ChicagoDaniel H. Burnham and Edward H. Bennett9 x 12 in / 23 x 30 cm268 pp / 48 col / 94 b+wHardcover / 978-1-878271-41-9$85.00 / £60.00Rights: W

Sammlung Architektonischer EntwürfeKarl Friedrich Schinkel11 x 8.5 in / 28 x 22 cm268 pp / 207 b+wHardcover / 978-0-910413-56-5$85.00 / £60.00Rights: W

The Vatican and Saint Peter’s Basilica of RomePaul Letarouilly9 x 12 in / 23 x 30 cm320 pp / 24 col / 243 b+wHardcover / 978-1-56898-875-7$125.00 / £80.00Rights: W

The Codewriting WorkbookCreating Computational Architecture in AutoLISPRobert J. Krawczyk7 x 8.5 in / 18 x 22 cm416 pp / 274 b+w / with CD

Paperback / 978-1-56898-792-7$50.00 / £30.00Rights: W

Construction& Reference

Contemporary Curtain Wall ArchitectureScott Murray9 x 12 in / 23 x 30 cm264 pp / 275 col / 150 b+wHardcover / 978-1-56898-797-2$75.00 / £45.00Rights: W

Backlist64

Remarkable StructuresEngineering Today’s Innovative BuildingsSutherland Lyall9.3 x 11.8 in / 23 x 30 cm240 pp / 150 col / 150 b+wHardcover / 978-1-56898-330-1$75.00Rights: NAM

TransmaterialA Catalog of Materials that Redefine our Physical EnvironmentBlaine Brownell6.8 x 9 in / 17 x 23 cm224 pp / 800 colPaperback / 978-1-56898-563-3$35.00 / £16.99Rights: W

Prefab PrototypesSite-specific Design for Offsite ConstructionMark Anderson and Peter Anderson9.6 x 11.9 in / 24 x 30 cm264 pp / 100 colHardcover / 978-1-56898-560-2$60.00 / £35.00Rights: W

Post-DuctilityMetals in Architecture and EngineeringMichael Bell and Craig Buckley8.5 x 10.75 in / 22 x 27 cm256 pp / 180 color / 100 b+w Hardcover / 978-1-61689-046-9$65.00 / £40.00Rights: W

Materials for DesignVictoria Ballard Bell and Patrick Rand8.5 x 11 in / 22 x 28 cm272 pp / 275 col / 250 b+wPaperback / 978-1-56898-558-9$50.00Rights: NAM

Integrated Design in Contemporary ArchitectureKiel Moe9 x 12 in / 23 x 30 cm208 pp / 200 col / 100 b+wHardcover / 978-1-56898-745-3$65.00 / £40.00Rights: W

Details in Contemporary ArchitectureChristine Killory and René Davids9 x 12 in / 23 x 30 cm208 pp / 200 col / 100 b+wHardcover / 978-1-56898-576-3$65.00 / £40.00Rights: W

Engineered TransparencyThe Technical, Visual, and Spatial Effects of GlassMichael Bell and Jeannie Kim8.5 x 10.8 in / 22 x 27 cm272 pp / 300 col / with DVD

Hardcover / 978-1-56898-798-9$65.00 / £40.00Rights: W

Details, Technology, and FormChristine Killory and René Davids9 x 12 in / 23 x 30 cm208 pp / 300 colorHardcover / 978-1-56898-953-2$65.00 / £40.00Rights: W

Solid StatesConcrete in TransitionMichael Bell and Craig Buckley8.5 x 10.8 in / 22 x 27 cm272 pp / 500 col / 175 b+wHardcover / 978-1-56898-895-5$65.00 / £45.00Rights: W

Thermally Active Surfaces in ArchitectureKiel Moe8.5 x 11 in / 22 x 28 cm240 pp / 250 colHardcover / 978-1-56898-880-1$55.00 / £38.00Rights: W

Detail in ProcessChristine Killory and René Davids9 x 12 in / 23 x 30 cm208 pp / 300 colHardcover / 978-1-56898-718-7$65.00 / £40.00Rights: W

Backlist 65

Alvar Aalto HousesJari Jetsonen and Sirkkaliisa Jetsonen8.5 x 11 in / 22 x 28 cm224 pp / 279 col / 37 b+wPaperback / 978-1-61689-081-0$35.00 / £21.99Rights: WXS

After the CrashArchitecture in Post-Bubble JapanThomas Daniell6 x 8.5 in / 15 x 22 cm192 pp / 100 b+wPaperback / 978-1-56898-776-7$24.95 / £14.99Rights: W

A-frameChad Randl7.2 x 7.9 in / 18 x 20 cm208 pp / 150 col / 75 b+wHardcover / 978-1-56898-410-0$24.95 / £15.99Rights: W

GeneralArchitecture

Transmaterial 3A Catalog of Materials that Redefine our Physical EnvironmentBlaine Brownell6.8 x 9 in / 17 x 23 cm252 pp / 400 colPaperback / 978-1-56898-893-1$40.00 / £25.00Rights: W

Transmaterial 2A Catalog of Materials that Redefine our Physical EnvironmentBlaine Brownell6.8 x 9 in / 17 x 23 cm240 pp / 400 colPaperback / 978-1-56898-722-4$35.00 / £16.99Rights: W

The Architectural DetailEdward R. Ford6 x 9 in / 15 x 23 cm336 pp / 285 b+wPaperback / 978-1-56898-978-5$40.00 / £28.00Rights: W

The Architecture of Modern ItalyThe Challenge of Tradition, 1750-1900, Vol. 1Terry Kirk6.4 x 9 in / 16 x 23 cm280 pp / 119 b+w / Hardcover / 978-1-56898-420-9$35.00 / £25.00Rights: W / Also available on ebrary.com

The Architecture of DiplomacyBuilding America’s Embassies, Revised Second EditionJane C. Loeffler6 x 9 in / 15 x 23 cm424 pp / 190 b+wPaperback / 978-1-56898-984-6$24.95 / £16.99Rights: W

The Baltimore RowhouseMary Ellen Hayward and Charles Belfoure6 x 9 in / 15 x 23 cm304 pp / 135 b+wPaperback / 978-1-56898-283-0$24.95 / £12.95Ebook / 978-1-56898-956-3Rights: W


Bamboo FencesIsao Yoshikawa and Osamu Suzuki8 x 9 in / 20 x 23 cm160 pp / 250 colHardcover / 978-1-56898-834-4$40.00 / £23.50Rights: W

Building (in) the FutureRecasting Labor in ArchitecturePhillip Bernstein and Peggy Deamer6 x 8.5 in / 15 x 22 cm216 pp / 85 b+wPaperback / 978-1-56898-806-1$29.95 / £19.99Ebook / 978-1-61689-003-2Rights: W

Backlist66

Figure/GroundA Design ConversationScott Johnson and Bill Fain8.5 x 9.5 in / 22 x 24 cm240 pp / 220 colHardcover / 978-1-890449-23-0$65.00 / £42.00Rights: W


Fragments of UtopiaCollage Reflections of Heroic ModernismDavid Wild8.3 x 11 in / 21 x 28 cm112 pp / 120 b+wPaperback / 978-0-907259-10-7$40.00Rights: NSAM

A Hyphen Press book

Frank Lloyd WrightThe Romantic SpiritCarol Bishop6 x 8 in / 15 x 20 cm144 pp / 64 colHardcover / 978-1-890449-30-8$35.00 / £24.00Rights: W


From Autos to ArchitectureFordism and Architectural Aesthetics in the Twentieth Century / David Gartman6 x 9 in / 15 x 23 cm400 pp / 80 b+w Hardcover / 978-1-56898-813-9$60.00 / £38.00Ebook / 978-156898-960-0Rights: W


Full IrishNew Architecture in IrelandSarah A. Lappin7.8 x 8.5 in / 20 x 22 cm240 pp / 250 col / 50 b+wHardcover / 978-1-56898-868-9$45.00 / £30.00Rights: W

Earth ArchitectureRonald Rael8.5 x 9 in / 22 x 23 cm208 pp / 222 col / 96 b+wPaperback / 978-1-56898-945-7$24.95 / £16.99Rights: W

Designing ParadiseThe Allure of the Hawaiian ResortDon Hibbard10 x 8 in / 25 x 20 cm216 pp / 170 col / 84 b+wHardcover / 978-1-56898-574-9$50.00 / £30.00Rights: W

Crafting a Modern WorldThe Designs of Antonin and Noémi RaymondKurt G. F. Helfrich and William Whitaker8.5 x 11 in / 22 x 28 cm352 pp / 100 col / 340 b+wHardcover / 978-1-56898-583-1$75.00 / £42.00Rights: W

Colonial Revival MaineKevin Murphy8.3 x 10 in / 21 x 25 cm192 pp / 60 col / 90 b+wHardcover / 978-1-56898-449-0$39.95 / £28.00Rights: W

Citizens of No PlaceAn Architectural Graphic NovelJimenez Lai7.5 x 10 in / 19 x 25 cm144 pp / 105 b+wPaperback / 978-1-61689-062-9$19.95 / £12.99Rights: W

Bunker ArcheologyPaul Virilio6.5 x 10.5 in / 17 x 27 cm216 pp / 124 b+wPaperback / 978-1-56898-015-7$40.00 / £28.00Rights: W

The Cape Cod CottageWilliam Morgan8.5 x 8.5 in / 22 x 22 cm108 pp / 75 b+wPaperback / 978-1-56898-575-6$24.95 / £14.00Rights: W

Backlist 67

The Green HouseNew Directions in Sustainable ArchitectureAlanna Stang and Christopher Hawthorne8.5 x 9 in / 22 x 23 cm196 pp / 200 col / 100 b+wPaperback / 978-1-56898-950-1$24.95 / £16.99Rights: W

Guastavino VaultingThe Art of Structural TileJohn Ochsendorf and Michael Freeman8.3 x 11 in / 21 x 28 cm256 pp / 174 col / 161 b+wHardcover / 978-1-56898-741-5$60.00 / £37.50Rights: W

Hill-SteadThe Country Place of Theodate Pope RiddleJames F. O’Gorman et al.8.3 x 10 in / 21 x 25 cm192 pp / 63 col / 98 b+wHardcover / 978-1-56898-759-0$45.00 / £30.00Rights: W

Hotel as HomeThe Art of Living on the RoadGary Chang8.5 x 7 in / 22 x 18 cm248 pp / 300 col / 40 b+wPaperback / 978-1-56898-603-6$29.95 / £17.00Rights: WXS

House in the LandscapeSiting Your Home NaturallyJeremiah Eck8.5 x 9 in / 22 x 23 cm208 pp / 248 col / 59 b+wPaperback / 978-1-56898-823-8$40.00 / £28.00Rights: W

A House for My MotherArchitects Build for their FamiliesBeth Dunlop8.5 x 9.5 in / 22 x 24 cm192 pp / 150 colPaperback / 978-1-56898-173-4$34.95 / £24.95Rights: W

How to Photograph Buildings and InteriorsThird Updated and Expanded EditionGerry Kopelow8.4 x 11 in / 21 x 28 cm284 pp / 104 col / 230 b+wPaperback / 978-1-56898-323-3$35.00 / £24.95Rights: W

Installations by ArchitectsExperiments in Building and DesignSarah Bonnemaison and Ronit Eisenbach7.5 x 10 in / 19 x 25 cm192 pp / 170 col / 45 b+wPaperback / 978-1-56898-850-4$40.00 / £25.00Rights: W

Inside PrefabThe Ready-Made InteriorDeborah Schneiderman6.75 x 9 in / 17 x 23 cm144 pp / 125 colorPaperback / 978-1-56898-987-7$24.95 / £15.99Rights: W

Italian Architecture of the 16th CenturyColin Rowe and Leon Satkowski6.4 x 9 in / 16 x 23 cm352 pp / 186 b+wHardcover / 978-1-56898-331-8$35.00 / £24.95Rights: W

Le Corbusier and the Maisons JaoulCaroline Maniaque Benton7.5 x 10 in / 19 x 25 cm176 pp / 122 col / 100 b+wHardcover / 978-1-56898-800-9$40.00 / £25.00Rights: W

Le Corbusier RedrawnThe HousesSteven Park7.5 x 10 in / 19 x 25 cm192 pp / 320 b+w Paperback978-1-61689-068-1$24.95 / £15.99Rights: W

Backlist68

Photographing Architecture and InteriorsUpdated and ExpandedJulius Shulman9 x 12 in / 23 x 30 cm180 pp / 4 col / 200 b+wHardcover / 978-1-890449-07-0$39.95 / £28.00Rights: W


MinkaMy Farmhouse in JapanJohn Roderick6 x 9 in / 15 x 23 cm256 pp / 45 b+wHardcover / 978-1-56898-731-6$24.95 / £14.99Ebook / 978-1-56898-962-4Rights: W


Modern NorthArchitecture on the Frozen EdgeJulie Decker et al.8.5 x 9 in / 22 x 23 cm240 pp / 315 col / 135 b+wHardcover / 978-1-56898-899-3$45.00 / £30.00Rights: W

More MobilePortable Architecture for TodayJennifer Siegal9 x 6 in / 23 x 15 cm144 pp / 220 colPaperback / 978-1-56898-758-3$24.95 / £14.99Rights: W

Next WaveNew Australian ArchitectureDavina Jackson7.8 x 8.5 in / 20 x 22 cm256 pp / 185 col / 80 b+wHardcover / 978-1-56898-735-4$50.00Rights: NAM

Miami Modern MetropolisParadise and Paradox in Midcentury Architecture and Planning / Allan T. Shulman and Diane W. Camber9.5 x 12 in / 24 x 30 cm414 pp / Hardcover 978-1-890449-51-3$85.00 / £55.00Rights: W


Narrow HousesNew Directions in Efficient DesignAvi Friedman7.5 x 11.3 in / 19 x 29 cm240 pp / 280 col / 50 b+wHardcover / 978-1-56898-873-3$45.00 / £25.00Rights: W

Matter in the Floating WorldConversations with Leading Japanese Architects and DesignersBlaine Brownell7 x 9.5 in / 18 x 24 cm256 pp / 425 colPaperback / 978-1-56898-996-9$40.00 / £25.00Rights: W

Leisurama NowThe Beach House for EveryonePaul Sahre7.3 x 9.8 in / 18 x 25 cm208 pp / 270 col / 20 b+wHardcover / 978-1-56898-709-5$40.00 / £25.00Rights: W

The L!brary BookDesign Collaborations in the Public SchoolsAnooradha Iyer Siddiqi6.6 x 9.3 in / 17 x 23 cm176 pp / 175 colPaperback / 978-1-56898-832-0$30.00 / £18.99Rights: W

LEED MaterialsA Resource Guide to Green BuildingAri Meisel and Steven Winter6.8 x 9 in / 17 x 23 cm224 pp / 500 colPaperback / 978-1-56898-885-6$40.00 / £28.00Rights: W

ModerneFashioning the French InteriorSarah Schleuning9 x 12 in / 23 x 30 cm304 pp / 272 colHardcover / 978-1-56898-724-8$65.00 / £40.00Rights: W

Backlist 69

Quonset HutMetal Living for a Modern AgeChris Chiei and Julie Decker7.2 x 8.3 in / 18 x 21 cm192 pp / 80 col / 110 b+wHardcover / 978-1-56898-519-0$24.95 / £15.99Rights: W

Revolution of Forms, updated editionCuba’s Forgotten Art SchoolsJohn Loomis7.5 x 11 in / 19 x 28 cm232 pp / 44 col / 134 b+wPaperback / 978-1-56898-988-4$29.95 / £20.00Rights: W

The Sea RanchDonlyn Lyndon and Jim Alinder11 x 11 in / 28 x 28 cm304 pp / 200 col / 170 b+wHardcover / 978-1-56898-386-8$65.00 / £44.00Rights: W

Sacred SpacesHistoric Houses of Worship in the City of AngelsRobert Berger8 x 10 in / 20 x 25 cm176 pp / 100 colHardcover / 978-1-890449-21-6$59.95 / £40.00Rights: W


Revolving ArchitectureA History of Buildings that Rotate, Swivel, and PivotChad Randl7.2 x 8.3 in / 18 x 21 cm208 pp / 100 col / 70 b+wHardcover / 978-1-56898-681-4$35.00 / £25.00Rights: W

Small ScaleCreative Solutions for Better City LivingKeith Moskow and Robert Linn7 x 9 in / 18 x 23 cm224 pp / 400 colPaperback / 978-1-56898-975-4$34.95 / £20.00Rights: W

Southern ComfortThe Garden District of New Orleans, Revised and Updated EditionS. Frederick Starr9.8 x 9.8 in / 25 x 25 cm276 pp / 90 col / 75 b+wPaperback / 978-1-56898-546-6$24.95 / £15.99Rights: W

Source Book of American Architecture500 Notable Buildings from the 10th Century to the PresentG. E. Kidder Smith6.5 x 9.5 in / 17 x 24 cm688 pp / 557 b+wPaperback / 978-1-56898-254-0$29.95 / £21.95Rights: W

Swiss MadeNew Architecture from SwitzerlandSteven Spier and Martin Tschanz7.8 x 8.5 in / 20 x 22 cm256 pp / 250 col / 100 b+wHardcover / 978-1-56898-425-4$45.00Rights: NAM

Steps to WaterThe Ancient Stepwells of IndiaMorna Livingston9.6 x 12 in / 24 x 30 cm240 pp / 140 col / 92 b+wHardcover / 978-1-56898-324-0$50.00 / £35.00Rights: W

Tall BuildingImagining the SkyscraperScott Johnson8 x 14 in / 20 x 36 cm280 ppHardcover / 978-1-890449-47-6$34.95 / £22.00Rights: W


TiltingHouse Launching, Slide Hauling, Potato Trenching, and other Tales from a Newfoundland Fishing VillageRobert Mellin7 x 9 in / 18 x 23 cm256 pp / 150 col / 90 b+wPaperback / 978-1-56898-807-8$24.95 / £14.99 / Rights: W

Backlist70

The Havana GuideModern Architecture 1925-1965Eduardo Rodriguez5.5 x 9 in / 14 x 23 cm288 pp / 16 col / 270 b+wPaperback / 978-1-56898-210-6$29.95 / £17.95Rights: W

The National Park Architecture SourcebookHarvey H. Kaiser6 x 9.5 in / 15 x 24 cm608 pp / 500 b+wPaperback / 978-1-56898-742-2$40.00 / £25.00Rights: W

Louisville GuideGregory A. Luhan et al.4.5 x 8.5 in / 11 x 22 cm480 pp / 325 b+wPaperback / 978-1-56898-451-3$19.95 / £13.99Rights: W


Cruising LAArchitectural Styles in 5 Easy DrivesTroy Fuss6 x 11 in / 15 x 28 cm96 pp / 80 colPaperback / 978-1-890449-42-1$14.95 / £9.95Rights: W


Guide Books

Weekend UtopiaModern Living in the HamptonsAlastair Gordon9.6 x 12 in / 24 x 30 cm172 pp / 75 col / 100 b+wHardcover / 978-1-56898-272-4$45.00 / £30.00Rights: W

Wandering the Garden of Technology and PassionJohn Marx ArchitectPierluigi Serraino and Chris I. Yessios10 x 10.5 in / 25 x 27 cm176 pp / 250 col Hardcover / 978-1-890449-56-8$45.00 / £30.00Rights: W / A Balcony Press book

WorkbookThe Official Catalog for Workshopping: An American Model for Architectural PracticeEmily Abruzzo6.5 x 8.8 in / 17 x 22 cm128 pp / 80 col / 15 b+wPaperback / 978-1-61689-017-9$20.00 / £12.99Rights: W

To Each His HomeInspired Interiors as Unique as their OwnersBilyana Dimitrova9 x 9.3 in / 23 x 23 cm176 pp / 112 colHardcover / 978-1-56898-796-5$45.00 / £28.00Rights: W

Usonia, New YorkBuilding a Community with Frank Lloyd WrightRoland Reisley and John Timpane9 x 9 in / 23 x 23 cm192 pp / 67 col / 130 b+wHardcover / 978-1-56898-245-8$40.00 / £28.00Rights: W

Landscape Architecture

Andrea CochranLandscapesMary Myers10 x 8.5 in / 25 x 22 cm192 pp / 175 colHardcover / 978-1-56898-812-2$50.00 / £30.00Rights: W

Backlist 71

Courtyard Housing in Los AngelesStefanos Polyzoides et al.8.5 x 9.5 in / 22 x 24 cm232 pp / 403 b+wPaperback / 978-0-910413-53-4$35.00 / £22.50Rights: W

DescansoAn Urban Oasis RevealedWarren Marr et al.14 x 9 in / 36 x 23 cm96 pp / 80 colHardcover / 978-1-890449-37-7$42.95 / £25.00Rights: W


Green Roof — A Case StudyMichael Van Valkenburgh Associates’ Design For the Headquarters of the American Society of Landscape ArchitectsChristian Werthmann8.5 x 9 in / 22 x 23 cm160 pp / 130 col Hardcover / 978-1-56898-685-2$45.00 / £26.00Rights: W

Large ParksJulia Czerniak and George Hargreaves6 x 9 in / 15 x 23 cm256 pp / 50 col / 100 b+wPaperback / 978-1-56898-624-1$34.95 / £18.00Rights: W

Lawrence Halprin’s Skyline ParkAnn Komara6 x 9 in / 15 x 23 cm144 pp / 2-color / 100 b+w Paperback978-1-61689-091-9$24.95 / £15.99Rights: W

Reclaiming the American WestAlan Berger11 x 9.5 in / 28 x 24 cm224 pp / 179 col / 29 b+wHardcover / 978-1-56898-362-2$45.00 / £35.00Rights: W

Natural ArchitectureAlessandro Rocca9.4 x 6.4 in / 24 x 16 cm216 pp / 250 colPaperback / 978-1-56898-721-7$39.95 / £25.00Rights: WEI

Recovering LandscapeEssays in Contemporary Landscape TheoryJames Corner6 x 9 in / 15 x 23 cm288 pp / 120 b+wPaperback / 978-1-56898-179-6$24.95 / £17.95Rights: W


GatewayVisions for an Urban National ParkAlexander Brash et al.28 x 24 cm / 11 x 9.5 in224 pp / 349 colHardcover / 978-1-56898-955-6$60.00 / £40.00Rights: W

Pamela Burton LandscapesPamela Burton10 x 8.5 in / 25 x 22 cm192 pp / 275 colHardcover / 978-1-56898-965-5$50.00 / £32.00Rights: W

DrosscapeWasting Land in Urban AmericaAlan Berger and Lars Lerup7 x 11 in / 18 x 28 cm256 pp / 165 colPaperback / 978-1-56898-713-2$27.50 / £16.00Rights: W

The Landscape Urbanism ReaderCharles Waldheim6 x 9 in / 15 x 23 cm288 pp / 200 b+wPaperback / 978-1-56898-439-1$34.95 / £19.99Ebook / 978-1-56898-949-5Rights: W


Backlist72

Above the Pavement— the Farm!Architecture & Agriculture at PF1Amale Andraos and Dan Wood4.25 x 7 in / 11 x 18 cm192 pp / 20 col / 150 b+wPaperback / 978-1-56898-935-8$19.95 / £12.99Rights: W

Beyond the EdgeNew York’s New WaterfrontRaymond W. Gastil8.3 x 10.8 in / 21 x 27 cm208 pp / 70 col / 70 b+wPaperback / 978-1-56898-327-1$30.00 / £21.95Rights: W


Above ParisThe Aerial Survey of Roger HenrardJean-Louis Cohen11.4 x 6.3 in / 29 x 16 cm320 pp / 320 b+wHardcover / 978-1-56898-613-5$50.00 / £30.00Rights: W

Urbanism

Grant Jones / Jones & JonesILARIS: The Puget Sound Plan Source Books in Landscape Architecture 4Jane Amidon8 x 9 in / 20 x 23 cm144 pp / 120 col / 50 b+wPaperback / 978-1-56898-604-3$29.95 / £18.00Rights: W

Paolo Bürgi Landscape ArchitectDiscovering the (Swiss) Horizon: Mountain, Lake, and ForestRaffaella Fabiani Giannetto et al.8 x 9 in / 20 x 23 cm144 pp / 100 col / 20 b+wPaperback / 978-1-56898-851-1$29.95 / £18.99Rights: W

Tom Leader StudioThree ProjectsJason Kentner8 x 9 in / 20 x 23 cm144 pp / 120 col / 20 b+wPaperback / 978-1-56898-891-7$29.95 / £19.99Rights: W

Source Books inLandscape Architecture

Block by BlockJane Jacobs and the Future of New YorkTimothy Mennel et al.8 x 10 in / 20 x 25 cm64 pp / 12 col / 10 b+wPaperback / 978-1-56898-771-2$17.95 / £10.99Rights: W

Bird’s Eye ViewsHistoric Lithographs of North American CitiesJohn W. Reps14.5 x 12.5 in / 37 x 32 cm116 pp / 120 colHardcover / 978-1-56898-146-8$70.00 / £50.00Rights: W

Richard HaagBloedel Reserve and Gas Works Park, Landscape Views 1William S. Saunders6.5 x 8.5 in / 17 x 22 cm80 pp / 52 b+wPaperback / 978-1-56898-117-8$14.95 / £9.95Rights: W

Shallow Water DictionaryA Grounding in Estuary English, 2nd editionJohn R. Stilgoe4.6 x 6.5 in / 12 x 17 cm72 pp / 5 b+wHardcover / 978-1-56898-408-7$14.95 / £10.99Rights: W


Backlist 73

Coney IslandThe Parachute Pavilion CompetitionZoë Ryan and Jonathan Cohen-Litant8 x 9.5 in / 20 x 24 cm176 pp / 132 col / 14 b+wPaperback / 978-1-56898-623-4$29.95 / £18.00Rights: W

Fast-Forward UrbanismRethinking Architecture’s Engagement with the CityDana Cuff and Roger Sherman6 x 9 in / 15 x 23 cm256 pp / 204 col / 27 b+wPaperback / 978-1-56898-977-8$34.95 / £22.50Rights: W

Formerly UrbanProjecting Rust Belt FuturesJulia Czerniak, editor7 x 9 in / 18 x 23 cm192 pp / 80 b+w Hardcover978-1-61689-089-6 $29.95 / £18.99Rights: W, except Canada

From the Ground UpInnovative Green HomesPeggy Tully, editor7 x 9 in / 18 x 23 cm160 pp / 160 color Hardcover978-1-61689-092-6$29.95 / £18.99Rights: W, except Canada

City BuildingNine Planning Principles for the Twenty-First CenturyJohn Lund Kriken et al.7.5 x 10 in / 19 x 25 cm304 pp / 200 col / 100 b+wPaperback / 978-1-56898-881-8$40.00 / £25.00Rights: W

The Concrete DragonChina’s Urban Revolution and What it Means for the WorldThomas J. Campanella6 x 9 in / 15 x 23 cm336 pp / 85 b+wPaperback / 978-1-56898-968-6$24.95 / £16.99Ebook / 978-1-56898-948-8Rights: W

The Next American MetropolisEcology, Community, and the American DreamPeter Calthorpe8.5 x 10 in / 22 x 25 cm176 pp / 60 col / 120 b+wPaperback / 978-1-87827-168-6$35.00 / £19.95Rights: W

The Liberal MonumentUrban Design and the Late Modern ProjectAlexander D’Hooghe6 x 9 in / 15 x 23 cm112 pp / 30 b+wHardcover / 978-1-56898-824-5$29.95 / £19.99Rights: W

The Suburbanization of New York / Is the World’s Greatest City Becoming Just Another Town? / Jerilou Hammett and Kingsley Hammett7 x 9 in / 18 x 23 cm192 pp / 20 b+wPaperback / 978-1-56898-678-4$24.95 / £15.00Ebook / 978-1-61689-069-8Rights: W

Street ValueShopping, Planning, and Politics at Fulton MallRosten Woo et al.4.25 x 7 in / 11 x 18 cm208 pp / 35 col / 165 b+wPaperback / 978-1-56898-897-9 $19.95 / £12.99Rights: W

UrbanismsWorking with DoubtSteven Holl8.5 x 8.5 in / 22 x 22 cm288 pp / 200 2-color and 50 colHardcover / 978-1-56898-679-1$55.00 / £35.00Rights: W


SprawltownLooking for the City on Its EdgesRichard Ingersoll6 x 9 in / 15 x 23 cm176 pp / 50 b+wPaperback / 978-1-56898-566-4$19.95 / £10.99Ebook / 978-1-61689-020-9Rights: WE

Backlist74

Architecture of the Off-ModernSvetlana Boym5.5 x 8.5 in / 14 x 22 cm80 pp / 20 col / 22 b+wHardcover / 978-1-56898-778-1$24.95 / £14.99Paperback/ 978-1-61689-103-9$21.95 / £13.99Rights: W

Architecture From the Outside InSelected Essays by Robert Gutman / Robert Gutman et al.6 x 9 in / 15 x 23 cm344 ppPaperback / 978-1-56898-896-2$40.00 / £28.00Ebook / 978-1-61689-007-0Rights: W

Architecture and the SciencesExchanging MetaphorsAntoine Picon and Alessandra Ponte6 x 9 in / 15 x 23 cm360 pp / 120 b+wPaperback / 978-1-56898-365-3$27.50 / £15.95Rights: W

Writings & Theory

After TasteExpanded Practice in Interior DesignKent Kleinman, Joanna Merwood-Salisbury, and Lois Weinthal6 x 9 in / 15 x 23 cm256 pp / 75 col / 25 b+wPaperback / 978-1-61689-026-1$35.00 / £22.50 / Rights: W

Architecture and FilmMark Lamster6 x 9 in / 15 x 23 cm256 pp / 80 b+wPaperback / 978-1-56898-207-6$24.95 / £18.95Rights: W


Architectural RegionalismCollected Writings on Place, Identity, Modernity, and Tradition / Vincent B. Canizaro6 x 9 in / 15 x 23 cm496 pp / 80 b+wPaperback / 978-1-56898-616-6$39.95 / £22.99Ebook / 978-1-61689-080-3Rights: W

X-UrbanismArchitecture and the American CityMario Gandelsonas9.8 x 9.8 in / 25 x 25 cm200 pp / 40 col / 140 b+wPaperback / 978-1-56898-151-2$37.50 / £26.00Rights: W

Capital DilemmaGermany’s Search for a New Architecture of DemocracyMichael Z. Wise6 x 9 in / 15 x 23 cm244 pp / 65 b+wHardcover / 978-1-56898-134-5$25.00 / £18.95Rights: W


Biopolitics and the Emergence of Modern ArchitectureSven-Olov Wallenstein5.5 x 8.5 in / 14 x 22 cm96 pp / 20 col / 60 b+wHardcover / 978-1-56898-785-9$24.95 / £14.99Paperback / 978-1-61689-111-4$21.95 / £13.99Rights: W

Artificial LightA Narrative Inquiry into the Nature of Abstraction, Immediacy, and other Architectural FictionsKeith Mitnick6 x 8.3 in / 15 x 21 cm144 pp / 33 colPaperback / 978-1-56898-749-1$24.95 / £15.00Rights: W

Architecture Oriented OtherwiseDavid Leatherbarrow6 x 9 in / 15 x 23 cm304 pp / 80 b+wHardcover / 978-1-56898-811-5$39.95 / £22.00Ebook / 978-1-56898-811-5Rights: W


Backlist 75

50 Years of Recuperation of the Situationist InternationalMcKenzie Wark5.5 x 8.5 in / 14 x 22 cm80 pp / 26 col / 18 b+wHardcover / 978-1-56898-789-7$24.95 / £14.99Paperback / 978-1-61689-108-4$21.95 / £13.99Rights: W

Eco-TecThe Architecture of the In-BetweenAmerigo Marras5.8 x 8.4 in / 15 x 21 cm142 pp / 40 b+wPaperback / 978-1-56898-159-8$15.95 / £11.95Rights: W

Donogoo-Tonka or the Miracles of ScienceA Cinematographic TaleJules Romains5.5 x 8.5 in / 14 x 22 cm136 pp / 20 col / 20 b+wHardcover / 978-1-56898-780-4$24.95 / £14.99Paperback / 978-1-61689-107-7$21.95 / £13.99 / Rights: W

Dimension306090 12Emily Abruzzo and Jonathan D. Solomon7.5 x 10 in / 19 x 25 cm192 pp / 100 col / 75 b+wPaperback / 978-0-615-18202-5$24.95 / £14.99Rights: W

Design EcologiesEssays on the Nature of DesignLisa Tilder and Beth Blostein6 x 9 in / 15 x 23 cm256 pp / 72 col / 64 b+wPaperback / 978-1-56898-783-5$35.00 / £22.50Ebook / 978-1-56898-954-9Rights: W


Constructing a New Agenda for ArchitectureArchitectural Theory 1993‒2009A. Krista Sykes and K. Michael Hays6.1 x 9.3 in / 16 x 23 cm / 516 ppPaperback / 978-1-56898-859-7$45.00 / £30.00Ebook / 978-1-61689-082-7Rights: W

The Ethical ArchitectThe Dilemma of Contemporary Practice / Tom Spector6 x 9 in / 15 x 23 cm256 ppPaperback / 978-1-56898-285-4$25.00 / £17.95Ebook / 978-1-56898-844-3Rights: W


Fabricating ArchitectureSelected Readings in Digital Design and ManufacturingRobert Corser6 x 9 in / 15 x 23 cm224 pp / 50 b+wPaperback / 978-1-56898-889-4$29.95 / £19.99Ebook / 978-1-61689-000-1Rights: W

Five Houses, Ten DetailsEdward R. Ford6 x 9 in / 15 x 23 cm256 pp / 20 col / 100 b+wHardcover / 978-1-56898-826-9$40.00 / £25.00Ebook / 978-1-56898-963-1Rights: W


A History of Architectural TheoryFrom Vitruvius to the PresentHanno-Walter Kruft6.1 x 9.3 in / 16 x 23 cm800 pp / 207 b+wPaperback / 978-1-56898-010-2$45.00 / £30.00Rights: W

Geography of HomeWritings on Where We LiveAkiko Busch5 x 7 in / 13 x 18 cm164 ppPaperback / 978-1-56898-429-2$19.95 / £9.99Rights: W


Form Follows FinanceSkyscrapers and Skylines in New York and ChicagoCarol Willis5.8 x 9 in / 15 x 23 cm224 pp / 170 b+wPaperback / 978-1-56898-044-7$29.95 / £18.00Rights: W

Backlist76

Postmodern UrbanismRevised EditionNan Ellin6 x 9 in / 15 x 23 cm368 pp / 50 b+wPaperback / 978-1-56898-135-2$29.95 / £16.99Rights: W


On Vision and Colors by Arthur Schopenhauer and Color Sphere by Philipp Otto RungeGeorg Stahl6 x 9 in / 15 x 23 cm168 pp / 12 col / 10 b+wPaperback / 978-1-56898-791-0$24.95 / £16.99Ebook / 978-1-61689-005-6Rights: W

Network PracticesNew Strategies in Architecture and DesignAnthony Burke and Therese Tierney6 x 9 in / 15 x 23 cm224 pp / 24 col / 100 b+wPaperback / 978-1-56898-701-9$29.95 / £18.00Ebook / 978-1-61689-075-9Rights: W

The Nature of PlaceA Search for AuthenticityAvi Friedman5 x 7 in / 13 x 18 cm192 pp / 20 b+wPaperback / 978-1-61689-038-4$19.95 / £12.99Rights: WE, excluding Canada

Le Corbusier, Homme de LettresM. Christine Boyer6 x 9 in / 15 x 23 cm720 pp / 46 col / 170 b+wPaperback / 978-1-56898-980-8$45.00 / £30.00Rights: W

Making a Case306090, Volume 14Emily Abruzzo, Gerald Bodziak, and Jonathan D. Solomon7.5 x 10 in / 19 x 25 cm180 pp / 200 color / 40 b+wPaperback / 978-0-615-34909-1$24.95 / £15.99Rights: W

A 306090 book

Human SpaceOtto Friedrich Bollnow4.9 x 8.3 in / 12.5 x 21 cm320 ppPaperback / 978-0-907259-35-0$35.00Rights: NSAM

The Project of AutonomyPolitics and Architecture Within and Against CapitalismPier Vittorio Aureli5.5 x 8.5 in / 14 x 22 cm120 pp / 24 col / 19 b+wPaperback / 978-1-61689-100-8 $21.95Rights: W

Survival CityAdventures Among the Ruins of Atomic AmericaTom Vanderbilt6.1 x 9.3 in / 16 x 23 cm224 pp / 80 b+wHardcover / 978-1-56898-305-9$25.00 / £17.95Rights: W

SubnatureArchitecture’s Other Environments / David Gissen7 x 9 in / 18 x 23 cm224 pp / 80 col / 65 b+wPaperback / 978-1-56898-777-4$35.00 / £22.50Ebook / 978-1-56898-951-8Rights: W


Studio and CubeOn the Relationship between Where Art is Made and Where Art is DisplayedBrian O’Doherty5.5 x 8.5 in / 14 x 22 cm80 pp / 43 colHardcover / 978-1-883584-44-3$24.95 / £15.00Paperback / 978-1-61689-099-5$21.95 / Rights: W

Shanghai ReflectionsArchitecture, Urbanism, and the Search for an Alternative Modernity / Mario Gandelsonas6.8 x 9 in / 17 x 23 cm208 pp / 130 col / 40 b+wVinyl binding978-1-56898-326-4$24.95 / £14.95Rights: W

Backlist 77

ZoomScapeArchitecture in Motion and MediaMitchell Schwarzer6.1 x 9.3 in / 16 x 23 cm312 pp / 30 b+wPaperback / 978-1-56898-441-4$29.95 / £19.99Rights: W

Toward a New InteriorAn Anthology of Interior Design TheoryLois Weinthal6 x 9 in / 15 x 23 cm624 pp / 250 b+wPaperback / 978-1-61689-030-8$45.00 / £30.00Rights: NAM

Sustain and Develop306090 13Joshua Bolchover and Jonathan D. Solomon7.5 x 10 in / 19 x 25 cm308 pp / 100 col / 75 b+wPaperback / 978-0-692-00088-5$30.00 / £18.99Rights: W

Theorizing a New Agenda for ArchitectureAn Anthology of Architectural Theory 1965‒1995Kate Nesbitt6.1 x 9.3 in / 16 x 23 cm608 pp / 28 b+wPaperback / 978-1-56898-054-6$45.00 / £26.00Rights: W

A Conversation with Frei OttoJuan María Songel5.5 x 8 in / 14 x 20 cm96 pp / 22 2-color colPaperback / 978-1-56898-884-9$19.95 / £12.99Rights: WE

Conversations with Mies van der RoheMoisés Puente5.5 x 8 in / 14 x 20 cm96 pp / 31 b+wPaperback / 978-1-56898-753-8$19.95 / £11.99Rights: W

Conversations with Students

Conversations with Paolo SoleriLissa McCullough5.5 x 8 in / 14 x 20 cm96 pp / 30 b+w Paperback / 978-1-61689-055-1$19.95 / £12.99Rights: W

Le Corbusier Talks with StudentsLe Corbusier5.5 x 8 in / 14 x 20 cm96 ppPaperback / 978-1-56898-196-3$14.95 / £10.95Rights: W

Louis I. KahnConversations with StudentsLouis Kahn5.5 x 8 in / 14 x 20 cm112 pp / 12 b+wPaperback / 978-1-56898-149-9$19.95 / £12.95Rights: W

Ian McHargDwelling in NatureLynn Margulis et al.5.5 x 8 in / 14 x 20 cm112 ppPaperback / 978-1-56898-620-3$19.95 / £12.00Rights: W

Paul RandConversations with StudentsMichael Kroeger5.5 x 8 in / 14 x 20 cm96 pp / 30 b+wPaperback / 978-1-56898-725-5$19.95 / £12.99Rights: W

Backlist78

Pamphlet Architecture 1-10Steven Holl et al.7 x 8.5 in / 18 x 22 cm480 pp / 700 b+wHardcover / 978-1-56898-126-0$45.00 / £28.00Rights: W

Pamphlet Architecture 5Alphabetical CitySteven Holl7 x 8.5 in / 18 x 22 cm72 pp / 176 b+wPaperback / 978-0-910413-16-9$16.95 / £9.99Rights: W

Pamphlet Architecture 9Rural and Urban House TypesSteven Holl7 x 8.5 in / 18 x 22 cm60 pp / 107 b+wPaperback / 978-0-910413-15-2$12.95 / £9.95Rights: W

Pamphlet Architecture

Rem KoolhaasConversations with StudentsRem Koolhaas5.5 x 8 in / 14 x 20 cm80 pp / 33 b+wPaperback / 978-1-885232-02-1$19.95 / £13.99Rights: W

Peter SmithsonConversations with StudentsCatherine Spellman and Karl Unglaub5.5 x 8 in / 14 x 20 cm96 pp / 37 b+wPaperback / 978-1-56898-461-2$17.95 / £12.99Rights: W

Santiago CalatravaThe MIT LecturesSantiago Calatrava et al.5.5 x 8 in / 14 x 20 cm112 pp / 35 b+wPaperback / 978-1-56898-325-7$17.95 / £12.99Rights: W

Tadao AndoConversations with StudentsTadao Ando, Matthew Hunter5.5 x 8 in / 14 x 20 cm96 pp / 50 b+wPaperback / 978-1-61689-070-4 $19.95 / £12.99Rights: W

Pamphlet Architecture 11-20Steven Holl7 x 8.5 in / 18 x 22 cm604 pp / 466 b+wHardcover / 978-1-61689-016-2$45.00 / £30.00Rights: W

Pamphlet Architecture 11Hybrid BuildingsJoseph Fenton7 x 8.5 in / 18 x 22 cm48 pp / 97 b+wPaperback / 978-0-910413-14-5$12.95 / £9.95Rights: W

Pamphlet Architecture 12Building MachinesRobert McCarter7 x 8.5 in / 18 x 22 cm64 pp / 106 b+wPaperback / 978-0-910413-40-4$16.95 / £9.99Rights: W

Pamphlet Architecture 13Edge of a CitySteven Holl7 x 8.5 in / 18 x 22 cm64 pp / 70 b+wPaperback / 978-1-87827-156-3$14.95 / £9.95Rights: W

Backlist 79

Pamphlet Architecture 16Architecture as a Translation of MusicElizabeth Martin7 x 8.5 in / 18 x 22 cm80 pp / 50 b+wPaperback / 978-1-56898-012-6$16.95 / £12.95Rights: W

Pamphlet Architecture 15War and ArchitectureLebbeus Woods7 x 8.5 in / 18 x 22 cm40 pp / 35 b+wPaperback / 978-1-56898-011-9$16.95 / £9.99Rights: W

Pamphlet Architecture 17Small BuildingsMike Cadwell7 x 8.5 in / 18 x 22 cm64 pp / 110 b+wPaperback / 978-1-56898-055-3$12.95 / £9.95Rights: W

Pamphlet Architecture 20Seven Partly Underground Rooms.. .Mary-Ann Ray7 x 8.5 in / 18 x 22 cm80 pp / 110 b+wPaperback / 978-1-56898-103-1$16.95 / £9.99Rights: W

Pamphlet Architecture 22Other PlansUniversity of Chicago StudiesMichael Sorkin Studio7 x 8.5 in / 18 x 22 cm96 pp / 44 col / 36 b+wPaperback / 978-1-56898-309-7$14.95 / £10.95Rights: W

Pamphlet Architecture 21Situation NormalPaul Lewis et al.7 x 8.5 in / 18 x 22 cm80 pp / 150 b+wPaperback / 978-1-56898-154-3$16.95 / £9.99Rights: W

Pamphlet Architecture 23Move: Sites of TraumaJohanna Saleh Dickson7 x 8.5 in / 18 x 22 cm80 pp / 90 b+wPaperback / 978-1-56898-400-1$14.95 / £10.95Rights: W

Pamphlet Architecture 24Some Among Them Are Killers: Unmanaged Landscapes for Non-U.S. Military and Government UsersDavid Ross7 x 8.5 in / 18 x 22 cm80 pp / 95 b+wPaperback / 978-1-56898-389-9$14.95 / £10.95 / Rights: W

Pamphlet Architecture 26Thirteen Projects for the Sheridan ExpresswayJonathan D. Solomon7 x 8.5 in / 18 x 22 cm80 pp / 75 b+wPaperback / 978-1-56898-454-4$14.95 / £10.95Rights: W

Pamphlet Architecture 25GravityJames Cathcart et al.7 x 8.5 in / 18 x 22 cm108 pp / 95 b+wPaperback / 978-1-56898-434-6$16.95 / £10.95Rights: W

Pamphlet Architecture 27ToolingBenjamin Aranda et al.7 x 8.5 in / 18 x 22 cm80 pp / 70 b+wPaperback / 978-1-56898-547-3$19.95 / £11.99Rights: W

Pamphlet Architecture 28Augmented LandscapesSmout Allen7 x 8.5 in / 18 x 22 cm80 pp / 100 b+wPaperback / 978-1-56898-625-8$19.95 / £11.99Rights: W

Backlist80

America’s Other AudubonJoy M. Kiser11 x 13 in / 28 x 33 cm192 pp / 69 color / 6 b+w Hardcover / 978-1-61689-059-9 $45.00 / £30.00Rights: W

Animal LogicRichard Barnes et al.12 x 11 in / 30 x 28 cm144 pp / 100 col / 20 b+wHardcover / 978-1-56898-861-0$65.00 / £40.00Rights: W

Around the WorldThe Grand Tour in Photo AlbumsBarbara Levine and Kirsten Jensen12 x 9 in / 30 x 23 cm208 pp / 200 col / 100 b+wHardcover / 978-1-56898-708-8$55.00 / £32.00Rights: W

Arts & Photography

Pamphlet Architecture 30CouplingStrategies for Infrastructural OpportunismInfraNet Lab / Lateral Office7 x 8.5 in / 18 x 22 cm / 80 ppPaperback / 978-1-56898-985-3 $17.95 / £12.99Rights: W

Pamphlet Architecture 29Ambiguous SpacesNannette Jackowski and Ricardo de Ostos7 x 8.5 in / 18 x 22 cm80 pp / 100 b+wPaperback / 978-1-56898-795-8$16.95 / £9.99Rights: W

Pamphlet Architecture 31New Haiti VillagesSteven Holl et al.7 x 8.5 in / 18 x 22 cm48 pp / 16 col / 31 b+wPaperback / 978-1-56898-981-5$19.95 / £12.99Rights: W

Pamphlet Architecture 32ResilienceJames A. Craig and Matt Ozga-Lawn7 x 8.5 in / 18 x 21.6 cm80 pp / 100 b+wPaperback / 978-1-61689-031-5$17.95 / £11.99Rights: W

At...Writing, mainly about art, from the London Review of BooksPeter Campbell4.9 x 8.3 in / 12 x 21 cm400 pp / 12 colPaperback / 978-0-907259-43-5$35.00 / £25.00Rights: NSAM

A Hyphen Press book

Artpark1974‒1984Sandra Q. Firmin11.5 x 9.3 in / 29 x 23 cm256 pp / 304 col / 38 b+wHardcover / 978-1-61689-019-3$45.00 / £30.00Rights: W

Balthazar KorabArchitect of PhotographyJohn Comazzi8 x 10 in / 20 x 25 cm192 pp / 20 color / 200 b+w Hardcover978-1-61689-041-4 $40.00 / £25.00Rights: W

BeeRose-Lynn Fisher8 x 10 in / 20 x 25 cm192 pp / 20 color / 200 b+w Paperback / 978-1-61689-076-6$19.95 / £12.99Rights: W

Backlist 81

Blackstock’s CollectionsThe Drawings of an Artistic SavantGregory L. Blackstock5.5 x 9.5 in / 14 x 24 cm144 pp / 140 colPaperback / 978-1-56898-579-4$21.95 / £12.00Rights: W

Bird WatchingPaula McCartney et al.8 x 10 in / 20 x 25 cm120 pp / 40 col / 5 b+wHardcover / 978-1-56898-855-9$50.00 / £30.00Rights: W

Brothels of NevadaCandid Views of America’s Legal Sex IndustryTimothy Hursley8 x 10 in / 20 x 25 cm192 pp / 166 colPaperback / 978-1-56898-418-6$24.95 / £16.99Rights: W

Big UpBen Watts7 x 8.3 in / 18 x 21 cm192 pp / 300 colPaperback / 978-1-56898-452-0$35.00 / £25.00Rights: W

Creative Time: The BookAnne Pasternak and Ruth Peltason7.9 x 11 in / 20 x 28 cm288 pp / 275 col / 25 b+wPaperback / 978-1-56898-804-7$35.00 / £30.00Rights: W

By HandThe Use of Craft in Contemporary ArtShu Hung and Joseph Magliaro7.5 x 9.5 in / 19 x 24 cm176 pp / 240 colPaperback / 978-1-56898-942-6$24.95 / £16.99Rights: W

Dance in CubaGil Garcetti12 x 13 in / 30 x 33 cm144 pp / 80 b+wHardcover / 978-1-890449-34-6$65.00 / £38.00Rights: W


The Disappearance of DarknessPhotography at the End of the Analog Era / Robert Burley10.6 x 8.5 in / 26.9 x 21.6 cm160 pp / 71 color Hardcover978-1-61689-095-7 $50.00 / £30.00Rights: W

Forest of PipesThe Walt Disney Concert Hall OrganJennifer Zobelein and Grant Mudford8 x 8 in / 20 x 20 cm80 pp / 100 colPaperback / 978-1-890449-43-8$24.95 / £15.00Rights: W


The Eiffel TowerLucien Hervé5.5 x 9 in / 14 x 23 cm96 pp / 45 b+wHardcover / 978-1-56898-372-1$19.95 / £14.95Rights: W

From Hieroglyphics to IsotypeA Visual AutobiographyOtto Neurath9.4 x 6.7 in / 24 x 17 cmmany colHardcover / 978-0-907259-44-2$50.00Rights: NSAM

A Hyphen Press book

Drawing from LifeThe Journal As ArtJennifer New8 x 10 in / 20 x 25 cm192 pp / 200 col / 5 b+wPaperback / 978-1-56898-445-2$29.95 / £16.99Rights: W


Backlist82

Frozen MusicGil Garcetti16 x 14 in / 41 x 36 cm96 pp / 45 b+wHardcover / 978-1-890449-27-8$125.00 / £88.00Rights: W


Holidays on DisplayWilliam L. Bird, Jr.8 x 8.8 in / 20 x 22 cm160 pp / 150 col / 75 b+wPaperback / 978-1-56898-695-1$24.95 / £14.99Rights: W

Ghostly RuinsAmerica’s Forgotten ArchitectureHarry Skrdla7.5 x 10 in / 19 x 25 cm208 pp / 250 b+wPaperback / 978-1-56898-615-9$29.95 / £17.00Rights: W

I Am My FamilyPhotographic Memories and FictionsRafael Goldchain8 x 10 in / 20 x 25 cm168 pp / 138 b+wHardcover / 978-1-56898-738-5$40.00 / £25.00Rights: W

Impressions of New YorkPrints from the New-York Historical SocietyMarilyn Symmes11 x 9 in / 28 x 23 cm304 pp / 32 col / 107 b+wHardcover / 978-1-56898-492-6$50.00 / £35.00Rights: W

Italian Cities and LandscapesAn Architect’s SketchbookWilliam H. Fain, Jr.5 x 7 in / 13 x 18 cm264 pp / 246 colPaperback / 978-1-890449-32-2$27.00 / £18.00Rights: W


InstantThe Story of PolaroidChristopher Bonanos6 x 9 in / 15 x 23 cm192 pp / 100 color Hardcover978-1-61689-085-8$24.95 / £15.99 Rights: W

Inside the Painter’s StudioJoe Fig7 x 9.5 in / 18 x 24 cm240 pp / 200 colPaperback / 978-1-56898-852-8$35.00 / £22.50Ebook / 978-1-61689-117-6Rights: W

LaPorte, IndianaJason Bitner6.8 x 8.5 in / 17 x 22 cm192 pp / 200 b+wPaperback / 978-1-56898-530-5$19.95 / £10.99Rights: W

Large ScaleFabricating Sculpture in the 1960s and 1970sJonathan D. Lippincott8.5 x 11 in / 22 x 28 cm256 pp / 160 color / 220 b+wHardcover / 978-1-56898-934-1$45.00 / $30.00Paperback / 978-1-61689-084-1$40.00 / £25.00Rights: W

The Learning to See seriesThe Artist’s EyePeter Jenny4.12 x 5.8 in / 10.46 x 14.7 cm216 pp / 22 color / 120 b+wPaperback / 978-1-61689-056-8$12.00 / £7.99Rights: W excluding Germany, Austria,

Switzerland

JazzpathsAn American PhotomementoDavid Wild6.7 x 9.4 in / 17 x 24 cm112 pp / 65 color / 66 b+w Hardcover / 978-0-907259-45-9$35.00 Rights: NSAM

A Hyphen Press book

Backlist 83

The Learning to See seriesDrawing TechniquesPeter Jenny4.12 x 5.8 in / 10.46 x 14.7 cm168 pp / 90 b+wPaperback / 978-1-61689-054-4$12.00 / £7.99Rights: W excluding Germany, Austria,

Switzerland

The Learning to See seriesFigure DrawingPeter Jenny4.12 x 5.8 in / 10.46 x 14.7 cm188 pp / 90 b+wPaperback / 978-1-61689-049-0$12.00 / £7.99Rights: W excluding Germany, Austria,

Switzerland

LickshotA Photo ScrapbookBen Watts9 x 11 in / 23 x 28 cm208 pp / 180 col / 20 b+wHardcover / 978-1-56898-838-2$50.00 / £32.00Rights: W

Life on the Lower East SidePhotographs by Rebecca Lepkoff, 1937–1950Rebecca Lepkoff et al.8.5 x 11 in / 22 x 28 cm192 pp / 170 b+wPaperback / 978-1-56898-939-6$29.95 / £19.99Rights: W

Lists / To-dos, Illustrated Inventories, Collected Thoughts, and Other Artists’ Enumerations from the Smithsonian’s Archives of American ArtLiza Kirwin7 x 10 in / 18 x 25 cm208 pp / 115 col / 25 b+wPaperback / 978-1-56898-888-7$24.95 / £16.99 / Rights: W

Lost BorderThe Landscape of the Iron CurtainBrian Rose10 x 10 in / 25 x 25 cm144 pp / 87 colHardcover / 978-1-56898-493-3$40.00 / £28.00Rights: W

Mingering MikeThe Amazing Career of An Imaginary Soul SuperstarDori Hadar9 x 9.5 in / 23 x 24 cm192 pp / 136 col / 20 b+wPaperback / 978-1-56898-569-5$24.95 / £14.99Rights: W

Lucy + Jorge OrtaFood, Water, LifeLucy + Jorge Orta8 x 10 in / 20 x 25 cm192 pp / 300 colHardcover / 978-1-56898-991-4$40.00 / £28.00Rights: W

Mysteries of the RectangleEssays on PaintingSiri Hustvedt6 x 9 in / 15 x 23 cm204 pp / 50 colPaperback / 978-1-56898-618-0$24.95 / £11.00Rights: WE

The Mythic CityPhotographs of New York by Samuel H. Gottscho, 1925-1940Donald Albrecht8.5 x 11 in / 22 x 28 cm224 pp / 175 b+wPaperback / 978-1-61689-015-5$29.95 / £20.00Rights: W

Nell Brooker MayhewPaintings on PaperAlissa Anderson8.3 x 8.3 in / 21 x 21 cm80 pp / 50 colPaperback / 978-1-890449-35-3$24.95 / £14.99Rights: W


New York ChangingRevisiting Berenice Abbott’s New YorkDouglas Levere and Bonnie Yochelson8.5 x 11 in / 22 x 28 cm192 pp / 170 b+wHardcover / 978-1-56898-473-5$40.00 / £28.00Rights: W

Backlist84

Newtown CreekA Photographic Survey of New York’s Industrial WaterwayAnthony Hamboussi9.6 x 6.5 in / 24 x 17 cm432 pp / 237 col / 4 b+wHardcover / 978-1-56898-858-0$55.00 / £35.00Rights: W

Now Is ThenSnapshots from the Maresca CollectionMarvin Heiferman7.8 x 9.3 in / 20 x 23 cm192 pp / 200 col / 50 b+wHardcover / 978-1-56898-748-4$29.95 / £16.99Rights: W

Pedro E. GuerreroA Photographer’s JourneyPedro E. Guerrero8 x 10 in / 20 x 25 cm224 pp / 60 col / 137 b+wHardcover / 978-1-56898-590-9$55.00 / £35.00Rights: W

Paris ChangingRevisiting Eugene Atget’s ParisChristopher Rauschenberg8.5 x 11 in / 22 x 28 cm192 pp / 172 b+wHardcover / 978-1-56898-680-7$40.00 / £25.00Rights: W

Once Upon a TimeIllustrations from Fairytales, Fables, Primer, Pop-Ups, and other Children’s Books.Amy Weinstein9 x 12 in / 23 x 30 cm256 pp / 192 col / 325 b+wPaperback / 978-1-56898-564-0$35.00 / £19.99Rights: W

Obsessive ConsumptionWhat Did You Buy Today?Kate Bingaman-Burt6 x 8 in / 15 x 20 cm208 pp / 550 colPaperback / 978-1-56898-890-0$19.95 / £12.99Rights: W

ParisWomen & BicyclesGil Garcetti9 x 11 in / 23 x 28 cm128 pp / 100 colPaperback / 978-1-890449-52-0$45.00 / £30.00Rights: W


OakOne Tree, Three Years, Fifty PaintingsStephen Taylor7.75 x 9.25 in / 19.7 x 23.5 cm112 pp / 125 colHardcover / 978-1-61689-032-2$29.95 / £19.99Rights: W

Publish Your Photography BookDarius D. Himes and Mary Virginia Swanson7 x 9 in / 18 x 23 cm224 pp / 25 col / 50 b+wPaperback / 978-1-56898-883-2$29.95 / £18.99Rights: W

Real Photo PostcardsUnbelievable Images from the Collection of Harvey TulcenskyLaetitia Wolff7.1 x 9.3 in / 18 x 23 cm192 pp / 180 b+wPaperback / 978-1-56898-556-5$19.95 / £10.99Rights: W

Sites of ImpactMeteorite Craters Around the WorldStan Gaz10.3 x 13 in / 26 x 33 cm144 pp / 85 b+wHardcover / 978-1-56898-815-3$60.00 / £35.00Rights: W

Sign PaintersFaythe Levine and Sam Macon 7.5 x 9.5 in / 19 x 24 cm176 pp / 200 colorPaperback978-1-61689-083-4$24.95 / £15.99Rights: W

Backlist 85

StickworkPatrick Dougherty7 x 9.5 in / 18 x 24 cm208 pp / 230 col / 20 b+wHardcover / 978-1-56898-862-7$50.00 / £32.00Paperback / 978-1-56898-976-1$34.95 / £20.00Rights: W

Snapshot ChroniclesInventing The American Photo AlbumBarbara Levine et al.10 x 10 in / 25 x 25 cm192 pp / 576 colHardcover / 978-1-56898-557-2$40.00 / £25.00Rights: W

Thrown RopePeter Hutchinson7.5 x 9.8 in / 19 x 25 cm144 pp / 100 colPaperback / 978-1-56898-561-9$29.95 / £19.99Rights: W

Up on the RoofNew York’s Hidden Skyline SpacesAlex MacLean9 x 12 in / 23 x 30 cm240 pp / 400 colorHardcover / 978-1-61689-050-6$50.00Rights: XEU

Visions of HeavenThe Dome in European ArchitectureDavid Stephenson and Victoria Hammond11 x 11.5 in / 28 x 29 cm192 pp / 125 colHardcover / 978-1-56898-549-7$60.00 / £35.00Rights: W

A Year of Mornings3191 Miles ApartMaria Alexandra Vettese and Stephanie Congdon Barnes6 x 8 in / 15 x 20 cm208 pp / 450 colPaperback / 978-1-56898-784-2$21.95 / £12.99Rights: W

WoodcutBryan Nash Gill8 x 9 in / 20 x 23 cm128 pp / 100 colorHardcover / 978-1-61689-048-3$29.95 / £19.99Rights: W

Water is KeyA Better Future for AfricaGil Garcetti12 x 13 in / 30 x 33 cm112 pp / 80 b+wHardcover / 978-1-890449-45-2$65.00 / £40.00Rights: W


Art Deco BookbindingsThe Work of Pierre Legrain and Rose AdlerYves Peyré and H. George Fletcher7 x 9 in / 18 x 23 cm120 pp / 60 colHardcover / 978-1-56898-462-9$35.00 / £25.00Rights: W

Book Arts

By Its CoverModern American Book Cover DesignNed Drew and Paul Sternberger8.5 x 11 in / 22 x 28 cm192 pp / 200 colPaperback / 978-1-56898-497-1$29.95 / £19.99Rights: W


The Book as ArtArtists' Books from the National Museum of Women in the ArtsKrystyna Wasserman8.5 x 11 in / 21.6 x 28 cm208 pp / 186 col / 12 b+wPaperback / 978-1-56898-992-1$34.95 / £22.50Rights: W

Backlist86

Designing BooksPractice and TheoryJost Hochuli and Robin Kinross6.7 x 8.9 in / 17 x 23 cm168 ppPaperback / 978-0-907259-23-7$30.00Rights: NSAM

A Hyphen Press book

Classic Book JacketsThe Design Legacy of George SalterThomas Hansen8.3 x 9.8 in / 21 x 25 cm200 pp / 224 colPaperback / 978-1-56898-491-9$35.00 / £25.00Rights: W

The ABC’s of Triangle Square CircleThe Bauhaus and Design Theory Ellen Lupton and J. Abbott Miller8.3 x 10.8 in / 21 x 27 cm64 pp / 105 b+w / Paperback / 978-1-87827-142-6$24.95Rights: NAM

Graphic &Industrial Design

Cuba StyleGraphics from the Golden Age of DesignSteven Heller and Vicki Gold Levi8 x 8.8 in / 20 x 22 cm168 pp / 250 colPaperback / 978-1-56898-360-8$24.95 / £14.99Rights: W

The Business of DesignBalancing Creativity and ProfitabilityKeith Granet8 x 10 in / 20.3 x 25.4 cm208 pp / 75 colHardcover / 978-1-61689-018-6$40.00 / £25.00Ebook / 978-1-61689-127-5Rights: W

The Complete EngraverMonograms, Crests, Ciphers, Seals, and the Etiquette of Social StationeryNancy Sharon Collins6 x 8.5 in / 15 x 22 cm224 pp / 170 color / 10 b+w Hardcover978-1-61689-067-4$29.95 / £18.99Rights: W

Curious BoymDesign WorksConstantin Boym6.4 x 8.5 in / 16 x 22 cm224 pp / 290 col / 15 b+wHardcover / 978-1-56898-353-0$40.00 / £28.00Rights: W

Daniel Eatock ImprintDaniel Eatock8.3 x 11.7 in / 21 x 30 cm224 pp / 700 colHardcover / 978-1-56898-788-0$60.00 / £30.00Rights: W

Design for VictoryWorld War II Posters on the American Home FrontWilliam L. Bird, Jr. and Harry R. Rubenstein8.8 x 8 in / 22 x 20 cm120 pp / 170 col / 20 b+wPaperback / 978-1-56898-140-6$24.95 / £14.99Rights: W

Design StudiesTheory and Research in Graphic DesignAudrey Bennett6 x 9 in / 15 x 23 cm464 pp / 50 b+wHardcover / 978-1-56898-597-8$65.00 / £35.00Paperback / 978-1-56898-586-2$40.00 / £25.00Rights: W

DishInternational Design for the HomeJulie Muller Stahl7.3 x 9.8 in / 18 x 25 cm200 pp / 316 colHardcover / 978-1-56898-476-6$34.95 / £25.00Rights: W

Backlist 87

The Handy Book of Artistic PrintingDoug Clouse and Angela Voulangas8 x 10 in / 20 x 25 cm224 pp / 185 col / 12 b+wPaperback / 978-1-56898-705-7$40.00 / £23.50 / Rights: W

Exploring MaterialsCreative Design for Everyday ObjectsInna Alesina and Ellen Lupton8 x 9 in / 20 x 23 cm208 pp / 425 colPaperback / 978-1-56898-768-2$35.00 / £20.00Rights: W

Extreme TextilesDesigning for High PerformanceMatilda McQuaid8.5 x 11 in / 22 x 28 cm224 pp / 200 colHardcover / 978-1-56898-507-7$45.00Rights: NAM

Function, Restraint, and Subversion in TypographyJ. Namdev Hardisty8 x 10 in / 20 x 25 cm256 pp / 390 col / 20 b+wPaperback / 978-1-56898-966-2$45.00 / £30.00Rights: W

Graphic Design: The New Basics / Ellen Lupton and Jennifer Cole Phillips8 x 9 in / 20 x 23 cm248 pp / 400 colHardcover / 978-1-56898-770-5$55.00 / £35.00Paperback / 978-1-56898-702-6$35.00 / £20.00Rights: W


Generative DesignHartmut Bohnacker, Benedikt Gross, Julia Laub, and Claudius Lazzeroni, editor8 x 11.2 in / 20.3 x 28.4 cm472 pp / 1500 colorHardcover / 978-1-61689-077-3$100.00 / £60.00Rights: World English except Germany,

Austria, Switzerland

ElegantissimaThe Design and Typography of Louise FiliLouise Fili 8.75 x 8 in / 22.2 x 20 cm256 pp / 350 color Hardcover978-1-61689-097-1$40.00 / £25.00Rights: W

How to Be a Graphic Designer without Losing Your Soul, new editionAdrian Shaughnessy7.5 x 9 in / 19 x 23 cm176 pp / 20 b+wPaperback / 978-1-56898-983-9$24.95Ebook / 978-1-61689-116-9Rights: NAM

It Is Beautiful…then GoneMartin Venezky7 x 9.5 in / 18 x 24 cm192 pp / 1392 col / 35 b+wPaperback / 978-1-56898-729-3$29.95 / £16.99Rights: W

Make It BiggerPaula Scher9.3 x 6.5 in / 23 x 17 cm272 pp / 300 colHardcover / 978-1-56898-332-5$45.00 / £32.00Paperback / 978-1-56898-548-0$35.00 / £17.99Rights: W

Mixing MessagesGraphic Design in Contemporary CultureEllen Lupton8.3 x 10.8 in / 21 x 27 cm176 pp / 300 col / 64 b+wPaperback / 978-1-56898-099-7$35.00 / £23.00Rights: W

Models and ConstructsMargin Notes to a Design CultureNorman Potter6.7 x 9 in / 17 x 23 cm312 pp / 190 b+wHardcover / 978-0-907259-04-6$40.00Rights: NSAM

A Hyphen Press book

Backlist88

VolumeWritings on Graphic Design, Music, Art, and CultureKenneth FitzGerald and Rudy VanderLans6 x 9 in / 15 x 23 cm256 pp / 9 b+wPaperback / 978-1-56898-964-8$24.95 / £14.99 /Ebook / 978-1-61689-090-2 Rights: W

Visual FunctionAn Introduction to Information DesignPaul Mijksenaar6.8 x 8.3 in / 17 x 21 cm56 pp / 22 col / 88 b+wPaperback / 978-1-56898-118-5$14.95Rights: NSAM

Over and OverA Catalog of Hand-Drawn PatternsMike Perry8 x 10 in / 20 x 25 cm256 pp / 250 colPaperback / 978-1-56898-757-6$35.00 / £20.00Rights: W

PulledA Catalog of Screen PrintingMike Perry8 x 10 in / 20 x 25 cm256 pp / 256 colPaperback / 978-1-56898-943-3$35.00 / £22.50Rights: W

Robert BrownjohnSex and TypographyEmily King7.5 x 9 in / 19 x 23 cm240 pp / 200 col / 55 b+wHardcover / 978-1-56898-550-3$45.00Rights: NAM

Seventy-nine Short Essays on Design Michael Bierut6 x 9 in / 15 x 23 cm / 272 ppHardcover / 978-1-56898-699-9$35.00 / £20.00Paperback / 978-1-61689-061-2$27.50 / £15.00Ebook / 978-1-61689-071-1Rights: W

SkinSurface, Substance, and DesignEllen Lupton et al.7 x 9 in / 18 x 23 cm240 pp / 250 colPaperback / 978-1-56898-711-8$27.50 / £16.00Rights: W

Soak Wash Rinse SpinTolleson Design7 x 9.5 in / 18 x 24 cm320 pp / 800 colPaperback / 978-1-56898-198-7$45.00 / £30.00Rights: NAM, UK

There’s Nothing Funny About DesignDavid Barringer6 x 9 in / 15 x 23 cm256 pp / 160 b+wPaperback / 978-1-56898-828-3$24.95 / £14.99Rights: W

Tools of the ImaginationDrawing Tools and Technologies from the Eighteenth Century to the PresentSusan Piedmont-Palladino7.8 x 9.3 in / 20 x 23 cm128 pp / 115 col / 15 b+wHardcover / 978-1-56898-599-2$29.95 / £17.00Rights: W

The TransformerPrinciples of Making Isotype ChartsMarie Neurath and Robin Kinross8.3 x 10.8 in / 21 x 27 cm80 ppPaperback / 978-0-907259-40-4$25.00Rights: NSAM / A Hyphen Press book

Visual ComplexityMapping Patterns of InformationManuel Lima8.5 x 10.5 in / 22 x 27 cm272 pp / 250 col / 65 b+wHardcover / 978-1-56898-936-5$50.00 / £35.00Rights: W

Backlist 89

What is a DesignerThings, Places, MessagesNorman Potter5 x 8.3 in / 13 x 21 cm184 ppPaperback / 978-0-907259-16-9$20.00Rights: NSAM

A Hyphen Press book

Elements of DesignRowena Reed Kostellow and the Structure of Visual RelationshipsGail Greet Hannah and Designed by Tucker Viemeister and Seth Kornfeld7 x 8.5 in / 18 x 22 cm160 pp / 150 col / Paperback / 978-1-56898-329-5$24.95 / £16.99 / Rights: W

D.I.Y. Design It YourselfEllen Lupton7 x 8.5 in / 18 x 22 cm196 pp / 250 colPaperback / 978-1-56898-552-7$24.95 / £16.99Rights: W

Design Briefs

Designing for Social ChangeStrategies for Community-Based Graphic DesignAndrew Shea7 x 8.5 in / 18 x 22 cm168 pp / 150 color Paperback / 978-1-61689-047-6 $24.95 / £15.99Rights: W

Form+Code in Design, Art, and ArchitectureCasey Reas et al.7 x 8.5 in / 18 x 22 cm176 pp / 120 col / 80 b+wPaperback / 978-1-56898-937-2$24.95 / £16.99Rights: W

Graphic Design TheoryReadings from the FieldHelen Armstrong7 x 8.5 in / 18 x 22 cm152 pp / 41 col / 32 b+wPaperback / 978-1-56898-772-9$24.95 / £16.99Rights: W

Geometry of DesignSecond Edition, Revised and UpdatedStudies in Proportion and CompositionKimberly Elam7 x 8.5 in / 18 x 21.6 cm144 pp / 150 col / 50 b+wPaperback / 978-1-61689-036-0$24.95 / £16.99 / Rights: W

Graphic Design ThinkingBeyond BrainstormingEllen Lupton7 x 8.5 in / 18 x 21.6 cm184 pp / 240 col / 125 b+wPaperback / 978-1-56898-979-2$24.95 / £16.99Rights: W

Grid SystemsPrinciples of Organizing TypeKimberly Elam7 x 8.5 in / 18 x 22 cm120 pp / 45 col / 200 b+wPaperback / 978-1-56898-465-0$24.95 / £16.99Rights: W

Indie PublishingHow to Design and Produce Your Own BookEllen Lupton7 x 8.5 in / 18 x 22 cm176 pp / 270 colPaperback / 978-1-56898-760-6$24.95 / £16.99Rights: W

Lettering and TypeCreating Letters and Designing TypefacesBruce Willen et al.7 x 8.5 in / 18 x 22 cm144 pp / 515 colPaperback / 978-1-56898-765-1$24.95 / £16.99Rights: W

Backlist90

Dot Dot Dot 19Stuart Bailey6.5 x 9.3 in / 17 x 23 cm144 pp / 25 col / 245 b+wPaperback / 978-0-9794654-4-4$16.95Rights: NSAM, SA, Asia


ParticipateDesigning with User-Generated ContentHelen Armstrong and Zvezdana Stojmirovic7 x 8.5 in / 18 x 21.6 cm160 pp / 100 colPaperback / 978-1-61689-025-4$24.95 / £16.99Rights: W

Thinking with Type, second, revised and expanded edition A Critical Guide for Designers, Writers, Editors, & StudentsEllen Lupton7 x 8.5 in / 18 x 22 cm224 pp / 100 colPaperback / 978-1-56898-969-3$24.95 / £16.99Rights: W

Typographic SystemsKimberly Elam7 x 8.5 in / 18 x 22 cm160 pp / 55 col / 400 b+wPaperback / 978-1-56898-687-6$24.95 / £16.99Rights: W

Visual GrammarChristian Leborg7 x 8.5 in / 18 x 22 cm96 pp / 200 2-color colPaperback / 978-1-56898-581-7$21.95 / £12.99Rights: WE


The Wayfinding HandbookInformation Design for Public PlacesDavid Gibson7 x 8.5 in / 18 x 22 cm152 pp / 265 col / 5 b+wPaperback / 978-1-56898-769-9$24.95 / £16.99Rights: W


Dot Dot Dot 13Stuart Bailey and Peter Bilak6.5 x 9.3 in / 17 x 23 cm104 pp / 14 col / 90 b+wPaperback / 978-90-77620-07-6$16.95Rights: NSAM, SA, Asia

Dot Dot Dot

Dot Dot Dot 17Stuart Bailey6.5 x 9.3 in / 17 x 23 cm104 ppPaperback / 978-0-9794654-2-0$16.95Rights: NSAM, SA, Asia

Backlist 91

Fresh Dialogue 6Friendly FireAIGA New York Chapter and James Victore6.5 x 9 in / 17 x 23 cm112 pp / 200 colPaperback / 978-1-56898-582-4$16.95 / £12.95Rights: W

Fresh Dialogue

Fresh Dialogue 7Making MagazinesAIGA New York Chapter and James Truman6.5 x 9 in / 17 x 23 cm128 pp / 100 colPaperback / 978-1-56898-698-2$16.95 / £9.99Rights: W

Fresh Dialogue 8Designing AudiencesAIGA New York Chapter and Ze Frank6.5 x 9 in / 17 x 23 cm128 pp / 130 colPaperback / 978-1-56898-751-4$16.95 / £9.99Rights: W

Fresh Dialogue 9In/Visible: Graphic Data RevealedAIGA New York Chapter6.5 x 9 in / 17 x 23 cm128 pp / 130 colPaperback / 978-1-56898-816-0$16.95 / £9.99Rights: W

Active LiteratureJan Tschichold and New TypographyChristopher Burke8.3 x 10.9 in / 21 x 28 cm336 pp / 700 colHardcover / 978-0-907259-32-9$75.00Rights: NSAM

A Hyphen Press book

Anthony FroshaugTypography & TextsDocuments of a Life: Vol 1 and Vol 2Robin Kinross6.7 x 9.5 in / 17 x 24 cm528 pp / 360 b+w / Paperback / 978-0-907259-09-1$75.00Rights: NSAM / A Hyphen Press book

Typography

AutonomyThe cover designs of Anarchy 1961–1970Daniel Poyner, editor6.8 x 9.5 in / 17 x 24 cm336 pp / numerous colorPaperback / 978-0-907259-46-6$35.00 / £25.00 Rights: NSA / A Hyphen Press book

Detail in TypographyJost Hochuli4.9 x 8.3 in / 13 x 21 cm72 pp / 75 b+wPaperback / 978-0-907259-34-3$25.00Rights: NSAM

A Hyphen Press book

Dimensional TypographyJ. Abbott Miller5.5 x 8.5 in / 14 x 22 cm64 pp / 30 col / 50 b+wPaperback / 978-1-56898-089-8Rights: W

$19.95 / £13.95

CounterpunchMaking Type in the Sixteenth Century, Designing Typefaces NowFred Smeijers5.5 x 8.7 in / 14 x 22 cm200 pp / numerous colorPaperback / 978-0-9207259-42-8$45.00Rights: NSAM

Backlist92

Type SpacesIn-house Norms in the Typography of Aldus ManutiusPeter Burnhill6.7 x 9.4 in / 17 x 24 cm144 pp / 150 b+wPaperback / 978-0-907259-19-0$35.00Rights: NSAM

A Hyphen Press book

TypefaceClassic Typography for Contemporary DesignTamye Riggs10.3 x 9 in / 26 x 23 cm256 pp / 400 colPaperback / 978-1-56898-810-8$45.00Rights: NAM

Typography Papers 6The Classical Traditon in LettersNicolete Gray et al.8.5 x 11.7 in / 22 x 30 cm128 ppPaperback / 978-0-907259-29-9$40.00Rights: NSAM

A Hyphen Press book

Fraktur Mon AmourJudith Schalansky4.9 x 7.9 in / 12 x 20 cm648 pp / 300 colHardcover / 978-1-56898-801-6$45.00 / £30.00Rights: WE

Hand JobA Catalog of TypeMike Perry8 x 10 in / 20 x 25 cm256 pp / 500 colPaperback / 978-1-56898-626-5$35.00 / £20.00Rights: W

Letter by LetterAn Alphabetical MiscellanyLaurent Pflughaupt7 x 8.5 in / 18 x 22 cm160 pp / 139 1-color / 230 b+wPaperback / 978-1-56898-737-8$24.95 / £15.00Rights: W

Modern TypographyAn Essay in Critical History, 2nd EditionRobin Kinross5 x 8.3 in / 13 x 21 cm224 pp / 64 b+wPaperback / 978-0-907259-18-3$27.50Rights: NSAM

A Hyphen Press book

Modern typography in BritainGraphic Design, Politics, and Society, Typography papers 8Stuart Hall and Paul Stiff8.5 x 11.7 in / 22 x 30 cm160 ppPaperback / 978-0-907259-39-8$50.00Rights: NSAM / A Hyphen Press book

The StrokeTheory of WritingGerrit Noordzij5 x 8.3 in / 13 x 21 cm96 pp Paperback / 978-0-907259-30-5$25.00Rights: NSAM

A Hyphen Press book

Type NowA ManifestoFred Smeijers5.7 x 8.7 in / 14 x 22 cm144 pp / 16 colPaperback / 978-0-907259-24-4$27.50Rights: NSAM

A Hyphen Press book

Unjustified TextsPerspectives on TypographyRobin Kinross5 x 8.25 in / 13 x 21 cm392 pp / 109 b+w Paperback / 978-0-907259-17-6$30.00Rights: NSAM

A Hyphen Press book

Typography SketchbooksSteven Heller and Lita Talarico7.3 x 9.6 in / 18.5 x 24.4 cm368 pp / 600 col & b+wPaperback / 978-1-61689-042-1 $40.00Rights: NAM

Backlist 93

A View of Early TypographyUp to about 1600Harry Carter5.5 x 8.8 in / 14 x 22 cm208 pp / 84 b+wPaperback / 978-0-907259-21-3$35.00Rights: NSAM

A Hyphen Press book

America’s Doll HouseThe Miniature World of Faith BradfordWilliam L. Bird, Jr.7.5 x 9 in / 19 x 23 cm128 pp / 51 col / 20 b+wPaperback / 978-1-56898-974-7$24.95 / £14.99Rights: W

Visual & Popular Culture

20th-Century Pattern DesignLesley Jackson9 x 11 in / 23 x 28 cm224 pp / 360 colorPaperback / 978-1-61689-065-0$40.00Rights: NAM

The Architect SaysQuotes, Quips, and Words of Wisdom / compiled and edited by Laura S. Dushkes5 x 7 in / 13 x 18 cm160 pp / 2-colorHardcover / 978-1-61689-093-3$14.95 / £8.99Rights: W

The Best of LCDThe Art and Writing of WFMUDave the Spazz7.6 x 10 in / 19 x 25 cm256 pp / 150 col / 300 b+wPaperback / 978-1-56898-715-6$29.95 / £16.99Rights: W

At a CrossroadsBetween a Rock and My Parents’ PlaceKate T. Williamson7 x 9 in / 18 x 23 cm144 pp / 144 colPaperback / 978-1-56898-714-9$19.95 / £11.99Rights: W

Asleep in the AfternoonE. C. Large5 x 7.5 in / 13 x 19 cm416 ppHardcover / 978-0-907259-37-4$35.00Rights: NSAM

A Hyphen Press book

Breakthrough!90 Proven Strategies to Overcome Creative Block and Spark Your ImaginationAlex Cornell 5.5 x 7 in / 14 x 18 cm176 pp / 2-colorPaperback / 978-1-61689-039-1 $17.50 / £10.99Rights: W

Cartographies of TimeA History of the TimelineDaniel Rosenberg and Anthony Grafton8.5 x 10.5 in / 22 x 27 cm272 pp / 268 col / 40 b+wHardcover / 978-1-56898-763-7$50.00 / £30.00Paperback / 978-1-61689-058-2$35.00 / £22.50Rights: W

CatalogThe Illustrated History of Mail Order ShoppingRobin Cherry7 x 9 in / 18 x 23 cm272 pp / 375 col / 125 b+wHardcover / 978-1-56898-739-2$35.00 / £22.00Rights: W

Brooklyn MakersFood, Design, Craft, and Other Scenes from the Tactile LifeJennifer Causey7.5 x 9.5 in / 19 x 22 cm176 pp / 300 color Paperback / 978-1-61689-074-2$24.95 / £15.99Rights: W

Backlist94

D.I.Y. KidsEllen Lupton and Julia Lupton7 x 8.5 in / 18 x 22 cm144 pp / 400 colPaperback / 978-1-56898-707-1$14.95 / £8.99Rights: W

The Electric Information Age BookMcLuhan/Agel/Fiore and the Experimental PaperbackJeffrey T. Schnapp and Adam Michaels4.25 x 7 in / 10.8 x 18 cm216 pp / 50 col / 150 b+wPaperback / 978-1-61689-034-6$22.95 / £12.99 / Rights: W

Cocinando!Fifty Years of Latin Album Cover ArtPablo Yglesias7.5 x 7.5 in / 19 x 19 cm240 pp / 177 col / 7 b+wPaperback / 978-1-56898-460-5$19.95 / £13.99Rights: W


EmpireNozone IXNicholas Blechman7 x 10 in / 18 x 25 cm168 pp / 235 colPaperback / 978-1-56898-457-5$19.95 / £14.99Rights: W

The Englishman Who Posted Himself and Other Curious ObjectsJohn Tingey6 x 9 in / 15 x 23 cm176 pp / 130 col / 16 b+wHardcover / 978-1-56898-872-6$24.95 / £14.99Rights: W

Five Flights Up and Other New York Apartment StoriesToni Schlesinger6.1 x 9 in / 16 x 23 cm320 pp / 130 b+wPaperback / 978-1-56898-585-5$24.95 / £14.00Ebook / 978-1-56898-670-8Rights: W

ForecastNozone XNicholas Blechman7 x 10 in / 18 x 25 cm168 pp / 170 2-color colPaperback / 978-1-56898-793-4$24.95 / £14.99Rights: W

Handmade NationThe Rise of DIY, Art, Craft, and DesignFaythe Levine and Cortney Heimerl7.5 x 9.5 in / 19 x 24 cm176 pp / 225 colPaperback / 978-1-56898-787-3$24.95 / £14.99Rights: W

The Guerilla Art KitKeri Smith5 x 7 in / 13 x 18 cm144 pp / 70 col / 10 b+wHardcover / 978-1-56898-688-3$19.95 / £11.99Rights: W

God’s AmateurThe Writing of E. C. LargeStuart Bailey and Robin Kinross6.7 x 9.5 in / 17 x 24 cm128 pp / 50 b+wPaperback / 978-0-907259-38-1$20.00Rights: NSAM

A Hyphen Press book

The Games We PlayedThe Golden Age of Board and Table GamesMargaret Hofer10.3 x 10.5 in / 26 x 27 cm160 pp / 160 colHardcover / 978-1-56898-397-4$24.95 / £17.95Rights: W

From Here to ThereA Curious Collection from the Hand Drawn Map AssociationKris Harzinski5 x 7.5 in / 13 x 19 cm224 pp / 80 col / 62 b+wPaperback / 978-1-56898-882-5$17.50 / £9.99Rights: W

Backlist 95

In the WildsDrawings by Nigel PeakeNigel Peake6 x 8 in / 15 x 20 cm136 pp / 80 col / 18 b+wHardcover / 978-1-56898-952-5$22.95 / £14.99Rights: W

Hello WorldA Life in Ham RadioDanny Gregory and Paul Sahre6.8 x 9.3 in / 17 x 23 cm256 pp / 500 colPaperback / 978-1-56898-281-6$24.95 / £16.99Rights: W

Hong Kong ComicsA History of ManhuaWendy Siuyi Wong9 x 9.8 in / 23 x 25 cm204 pp / 1000 colPaperback / 978-1-56898-269-4$25.00 / £17.99Rights: W

Iowa State FairCountry Comes to TownThomas Leslie7 x 9.5 in / 18 x 24 cm144 pp / 125 col / 60 b+wPaperback / 978-1-56898-568-8$19.95 / £12.00Rights: W

The Lost Christmas GiftAndrew Beckham 12 x 10 in / 30.5 x 25.4 cm40 pp / 60 color Hardcover 978-1-61689-102-2$29.95 / £19.99Rights: W

The Map as ArtContemporary Artists Explore Cartography / Katharine Harmon and Gayle Clemans10 x 9 in / 25 x 23 cm256 pp / 360 colHardcover / 978-1-56898-762-0$45.00 / £28.00Paperback / 978-1-56898-972-3$29.95 / £17.99 / Rights: W

Paint by NumberThe How-to Craze that Swept the NationWilliam L. Bird, Jr.8 x 8.8 in / 20 x 22 cm144 pp / 185 col / 15 b+wPaperback / 978-1-56898-282-3$18.95 / £12.95Rights: W

Menus for Chez PanisseThe Art and Letterpress of Patricia CurtanPatricia Curtan11 x 9.5 in / 28 x 24 cm184 pp / 250 colHardcover / 978-1-61689-029-2$40.00 / £25.00Rights: W

Paula Scher MAPSPaula Scher11 x 12 in / 28 x 30.5 cm144 pp / 100 colHardcover / 978-1-61689-033-9$50.00 / £35.00Rights: W

The ProjectionistKendall Messick and Brooke Anderson8 x 10 in / 20 x 25 cm160 pp / 175 col / 25 b+wHardcover / 978-1-56898-933-4$40.00 / £25.00Rights: W

Reinventing the WheelJessica Helfand7.5 x 9.5 in / 19 x 24 cm160 pp / 100 col / 20 b+wPaperback / 978-1-56898-596-1$18.95 / £9.00Rights: W

Pinhole CamerasA DIY GuideKeeney Chris5.5 x 8.5 in / 14 x 22 cm144 pp / 35 col / 175 b+wHardcover / 978-1-56898-989-1$19.95 / £10.99Rights: W

Backlist96

Taking Things Seriously75 Objects with Unexpected SignificanceJoshua Glenn and Carol Hayes5.5 x 7 in / 14 x 18 cm176 pp / 85 colPaperback / 978-1-56898-690-6$17.50 / £9.99Rights: W

Strips, Toons, and BluesiesEssays in Comics and CultureD. B. Dowd and Todd Hignite7.5 x 11 in / 19 x 28 cm112 pp / 85 colPaperback / 978-1-56898-621-0$21.95 / £12.99Rights: W

The Toaster ProjectOr a heroic attempt to build a simple electric appliance from scratchThomas Thwaites5 x 7.5 in / 13 x 19 cm192 pp / 83 col / 60 b+wPaperback / 978-1-56898-997-6$19.95 / £12.99Ebook / 978-1-61689-119-0Rights: W

Sugar in the AirE. C. Large5 x 7.5 in / 13 x 19 cm448 ppHardcover / 978-0-907259-36-7$35.00Rights: NSAM

A Hyphen Press book

A Year in JapanKate T. Williamson6 x 8 in / 15 x 20 cm192 pp / 350 colPaperback / 978-1-56898-540-4$19.95 / £10.99Rights: W

You Are HerePersonal Geographies and Other Maps of the ImaginationKatharine Harmon7 x 10 in / 18 x 25 cm192 pp / 122 col / 50 b+wPaperback / 978-1-56898-430-8$24.95 / £13.99Rights: W

Index 97

Index

AABC’s of Triangle Square Circle,

The 86Above Paris 72Above the Pavement—

the Farm! 72Abrams, Janet 54Abruzzo, Emily 70, 75Active Literature 91Adalberto Libera 52A-frame 65After Taste 74After the Crash 65AIGA, New York Chapter 91Albert Frey Houses 1 + 2 59Albrecht, Donald 83Alesina, Inna 87Alinder, Jim 69Allen, Smout 79Alvar Aalto Houses 65American City X 35America’s Doll House 93America’s Other Audubon 6, 80Amidon, Jane 72Anchoring 52Anderson, Alissa 83Anderson, Brooke 95Anderson, Mark 64Anderson, Peter 64Anderson, Stanford 53Andersso, Arthur 56Andraos, Amale 72Andrea Cochran 70Animal Logic 80Animate Form 52Anthony Froshaug 91Antiquities of Athens, The 63Aran, Berge 60Aranda, Benjamin 79Archigram 52Architect Says, The 93Architectural Detail, The 65Architectural League of New

York, The 58Architectural Lighting 58Architectural Photography the

Digital Way 58Architectural Regionalism 74Architecture and Film 74Architecture and the Sciences 74Architecture From the

Outside In 74Architecture of Diplomacy, The 65Architecture of Modern Italy,

The 65Architecture of the Off-Modern 74Architecture of the Ozarks, The 52Architecture Oriented

Otherwise 74Armstrong, Helen 89, 90Around the World 80Art Deco Bookbindings 85

Art Deco San Francisco 52Artificial Light 74Artist’s Eye, The 82Artpark 80Art Parks 20Asleep in the Afternoon 93At... 80At a Crossroads 93AT-INdex 52Atlas of Novel Tectonics 52Austin Val Verde 60

BBader, Sara 10Bailey, Stuart 90, 94Baltimore Rowhouse, The 65Bamboo Fences 65Barnes, Richard 80Barnes, Stephanie Congdon 85Barringer, David 88Belfoure, Charles 65Bell, Michael 64Bell, Victoria Ballard 64Bennett, Audrey 86Bennett, Edward H. 63Bennett, Paul 62Benton, Caroline Maniaque 67Berger, Alan 71Berger, Robert 69Bergman, David 59Berke, Arnold 55Bernard Tschumi/

Zénith De Rouen 61Bernheimer, Andrew 57Bernstein, Phillip 65Best of LCD, The 93Betts, Stella 55Beyond the Edge 72Big Idea, The 52Big Up 81Bilak, Peter 90Bingaman-Burt, Kate 45, 84Bing Thom Architects 52Bing Thom Works 52Biopolitics and the Emergence of

Modern Architecture 74Bioreboot 52Bird’s Eye Views 72Bird Watching 81Bird Watching and Other

Nature Observations 42Bird, William L., Jr. 4, 82, 86,

93, 95Bishop, Carol 66Bitner, Jason 82Blackstock, Gregory L. 81Blackstock’s Collections 81Blackwell, Marlon 52Blechman, Nicholas 94Block by Block 72Blostein, Beth 75Bloszies, Charles 59Bodziak, Gerald 76Bognar, Botond 55

Bolchover, Joshua 77Bollnow, Otto Friedrich 76Bonnemaison, Sarah 67Book as Art, The 85Boyer, M. Christine 76Boym, Constantin 86Boym, Svetlana 74Branch, Mark Alden 53Brash, Alexander 71Breakthrough! 93Brooklyn Makers 93Brostrom, Caitlin Lempres 54Brothels of Nevada 81Brownell, Blaine 59, 64, 68Bryan, John M. 61Buckley, Craig 64Building Envelopes 59Building (in) the Future 65Bunker Archeology 66Burke, Anthony 76Burke, Christopher 91Burnham, Daniel H. 63Burnhill, Peter 92Burton, Pamela 71Busch, Akiko 75Business of Design, The 86By Hand 81By Its Cover 85Byrd, Warren T. Jr. 14

CCadwell, Mike 79Calatrava, Santiago 78Callejas, Luis 37Calthorpe, Peter 73Camber, Diane W. 68Campanella, Thomas J. 73Campbell, Peter 80Cape Cod Cottage, The 66Cape, Francis 22Capital Dilemma 74Carter, Harry 93Cartographies of Time 93Casa Alta 16Catalog 93Cathcart, James 79Causey, Jennifer 93Chang, Gary 67Cherry, Robin 93Chiei, Chris 69Childs, Mark C. 59Chris, Keeney 95Chrysler Building, The 60Cigliano, Jan 63Cigola, Francesca 20Citizens of No Place 66City Building 73Classic Book Jackets 86Cleary, Richard L. 62Clemans, Gayle 95¡Cocinando! 94Codewriting Workbook, The 63Cohen, Jean-Louis 72Cohen-Litan, Jonathan 73

Colley, David P. 8Colley, Elizabeth Keegin 8Colonial Revival Maine 66Complete Engraver, The 86Concrete Dragon, The 73Condemned Building 53Coney Island 73Constructing a New Agenda

for Architecture 75Contemporary Classical

53, 54, 56, 57Contemporary Curtain Wall

Architecture 63Conversations with

Mies van der Rohe 77Conversations with

Paolo Soleri 77Conversation with

Frei Otto, A 77Cook, Peter 52Corbellini, Giovanni 52Corner, James 71Corser, Robert 75Counterpunch 91Courtyard Housing in

Los Angeles 71Crafting a Modern World 66Craig, James A. 80Cranbrook 61Crandell, Gina 32Creative Time: The Book 81Cruising LA 70Cuba Style 86Cuff, Dana 73Curious Boym 86Curtan, Patricia 95Czerniak, Julia 71

DDance in Cuba 81Daniel Eatock Imprint 86Daniell, Thomas 65Darden, Douglas 53Dartmouth College 61Dave the Spazz 93Davids, René 64de Alba, Roberto 56Deamer, Peggy 65Dean, Andrea Oppenheimer

56, 57Dean, Kathryn 53Dean/Wolf Architects 53Decker, Julie 68, 69Demson, Michael 61Denari, Neil M. 54de Ostos, Ricardo 80Descanso 71Descottes, Hervé 58Design Ecologies 75Designer Says, The 10Design for Victory 86Designing Books 86Designing for Social Change 89Designing Paradise 66

Index98

Design Studies 86Detail in Process 64Detail in Typography 91Details in Contemporary

Architecture 64Details, Technology, and Form 64Devil’s Workshop 53D’Hooghe, Alexander 73Dickson, Johanna Saleh 79Digital Fabrications 59Diller, Elizabeth 53Dimension 75Dimensional Typography 91Dimitrova, Bilyana 61, 70Disappearance of

Darkness, The 81Dish 86D.I.Y. Design It Yourself 89D.I.Y. Kids 94Domin, Christopher 56Donogoo-Tonka or the

Miracles of Science 75Dot Dot Dot 90Dougherty, Patrick 85Dowd, D. B. 96Drawing from Life 81Drawing Techniques 83Draw Your Own Alphabets 12Drew, Ned 85Drosscape 71Dubbeldam, Winka 52Duke University 61Dunlop, Beth 67

EEarth Architecture 66Eatock, Daniel 86Eckert, Kathryn 61Eck, Jeremiah 67Eco-Tec 75Edifices de Rome Moderne 63Eero Saarinen 53Eiffel Tower, The 81Eisenbach, Ronit 67Eisenman Architects/

The University of Phoenix Stadium for the Arizona Cardinals 61

Eladio Dieste 53Elam, Kimberly 89, 90Electric Information Age

Book, The 94Elegantissima 87Elements of Design 89Ellin, Nan 76Elliott + Elliott Architecture 24Elliott, Elizabeth 24Elliott, Matthew 24Empire 94Engineered Transparency 64Englishman Who Posted

Himself and Other Curious Objects, The 94

Erwin Hauer Continua 53

Ethical Architect, The 75Ethics for Architects 59Everything All at Once 53Expanded Practice 53Explorations 53Exploring Materials 87Extreme Textiles 87

FFabricating Architecture 75Fain, Bill 66Fain, William H. Jr. 82Fast-Forward Urbanism 73Fenton, Joseph 7850 Years of Recuperation of the

Situationist International 75Fig, Joe 82Figure Drawing 83Figure/Ground 66Firmin, Sandra Q. 80Fisher, Thomas 59FitzGerald, Kenneth 88Five Flights Up and

Other New York Apartment Stories 94

Five Houses, Ten Details 75Flesh 53Fletcher, H. George 85FOBA/Buildings 53Ford, Edward R. 65, 75Forecast 94Forest of Pipes 81Form+Code in Design, Art,

and Architecture 89Form Follows Finance 75Fougeron, Anne 54Fougeron Architecture 54Fox, Stephen 61Fragments of Utopia 66Fraktur Mon Amour 92Frank Furness 54Frank Lloyd Wright’s

Fallingwater 60Frank Lloyd Wright’s

Martin House 60Frank, Ze 91Freeman, Michael 67Fresh Dialogue 91Friedman, Avi 68, 76From Autos to Architecture 66From Here to There 94From Hieroglyphics to

Isotype 81From the Ground Up 73Frozen Music 82Full Irish 66Function, Restraint, and

Subversion in Typography 87Fuss, Troy 70

GGames We Played, The 94Gandelsonas, Mario 74Gang, Jeanne 57

Gannon, Todd 61Garcetti, Gil 60, 81, 82, 84, 85Garofalo, Francesco 52Gastil, Raymond W. 72Gateway 71Gaz, Stan 84Geography of Home 75Geometry of Design 89Ghost 54Ghostly Ruins 82Giannetto, Raffaella Fabiani 72Gibson, David 90Gill, Bryan Nash 85Giovannini, Joseph 55Glenn, Joshua 96God’s Amateur 94Goldberg, Jeff 60Goldchain, Rafael 82Golub, Jennifer 59Good, Albert 63Gordon, Alastair 70Grafton, Anthony 93Granet, Keith 86Grant Jones / Jones & Jones 72Graphic Design, The New

Basics 87Graphic Design Theory 89Graphic Design Thinking 89Gray, Nicolete 92Greenest Home, The 18Green House, The 67Green Roof — A Case Study 71Gregor, Danny 95Grid Systems 89Gross, Benedikt 87Guastavino Vaulting 67Guerilla Art Kit, The 94Guerrero, Pedro E. 84Guggenheim New York |

Guggenheim Bilbao 60Guide to Archigram 1961–74, A 54Gutman, Robert 74Gyroscopic Horizons 54

HHadar, Dori 83Hall, Stuart 92Hamboussi, Anthony 84Hammett, Jerilou 73Hammett, Kingsley 73Hammond, Victoria 85Hand Job 92Handmade Nation 94Handy Book of Artistic

Printing, The 87Hannah, Gail Greet 89Hansen, Thomas 86Hardisty, J. Namdev 87Hardy, Hugh 26Hargreaves, George 71Harmon, Katharine 96Harris, Steven 57Hartman, George E. 63Harzinski, Kris 94

Hauer, Erwin 53Havana Guide, The 70Hawthorne, Christopher 67Hayes, Carol 96Hays, K. Michael 75Hayward, Mary Ellen 65Head, Jeffrey 56Heeger, Susan 30 Heiferman, Marvin 84Heimerl, Cortney 94Helfand, Harvey 62Helfand, Jessica 95Helfrich, Kurt G. F. 66Heller, Steven 86, 92Hello World 95Hervé, Lucien 81Hibbard, Don 66Hignite, Todd 96Hill-Stead 67Himes, Darius D. 84History of Architectural

Theory, A 75Hochuli, Jost 86, 91Hofer, Margaret 94Holidays on Display 82Holl, Steven 52, 54, 56, 73,

78, 80Hong Kong Comics 95Hotel as Home 67House 54House for My Mother, A 67House in the Landscape 67Houses of Maine 24Houses of William Wurster, The 54Höweler, Eric 53How to Be a Graphic Designer

without Losing Your Soul 87How to Photograph

Buildings and Interiors 67Human Space 76Hung, Shu 81Hursley, Timothy 56, 57, 81Hustvedt, Siri 83Hutchinson, Peter 85

II Am My Family 82Ian McHarg 77Impressions of New York 82Indie Publishing 89InfraNet Lab / Lateral Office 80Ingersoll, Richard 73Inside Prefab 67Inside the Painter’s Studio 82Installations by Architects 67Instant 82Integrated Design in

Contemporary Architecture 64Intertwining 54In the Wilds 95Iowa State Fair 95Iron 60Italian Architecture of

the 16th Century 67

Index 99

Italian Cities and Landscapes 82

It Is Beautiful…then Gone 87Iwamoto, Lisa 59

JJackowski, Nannette 80Jackson, Davina 68Jackson, Lesley 93James Carpenter 54James, Vincent 57Jazzpaths 82Jenny, Peter 82Jensen, Kirsten 80Jetsonen, Jari 65Jetsonen, Sirkkaliisa 65Johnson, Scott 52, 66, 69Johnston, Norman 62Jones, Partners: Architecture 54Julie Snow Architects 54

KKahn, Louis 77Kaiser, Harvey H. 70Kedan, Elite 56Kentner, Jason 72Kesling Modern Structures 54Kieran Timberlake

Associates 60Killory, Christine 64Kim, Jeannie 64King, Emily 88King, Joseph 56Kinross, Robin 86, 88, 91,

92, 94Kipnis, Jeffrey 61Kirk, Terry 65Kirwin, Liza 83Kiser, Joy M. 80Kleinman, Kent 60, 74Klinkenborg, Verlyn 6Koolhaas, Rem 78Kopelow, Gerry 58, 67Kornfeld, Seth 89Krawczyk, Robert J. 63Kriken, John Lund 73Kroeger, Michael 77Kruft, Hanno-Walter 75Kundig, Tom 57Kuth, Byron 55Kuth/Ranieri Architects 55

LLai, Jimenez 66Lamster, Mark 74Landprints 30Landscape Urbanism

Reader, The 71Lange, Alexandra 59LaPorte, Indiana 82Lappin, Sarah A. 66L’Architecture 63Large, E. C. 93, 96Large Parks 32, 71

Laub, Julia 87Lazzeroni, Claudius 87LCLA Office 37Learning to See series, The 82Leatherbarrow, David 74Leborg, Christian 90Le Corbusier 77Le Corbusier and the

Maisons Jaoul 67Le Corbusier, Homme de

Lettres 76Le Corbusier Talks with

Students 77Ledoux, Claude-Nicolas 63LEED Materials 68Leers, Andrea 55Leet, Stephen 60Leisurama Now 68Leitner, Bernhard 60Lepkoff, Rebecca 83Lerup, Lars 71Leslie, Thomas 95Letarouilly, Paul 63Letter by Letter 92Lettering and Type 89Leven Betts 55Leven, David 55Levere, Douglas 83Levine, Barbara 80, 85Levine, Faythe 94Levi, Vicki Gold 86Lewis, David J. 55Lewis, Paul 55, 79Lewis.Tsurumaki.Lewis 55Liberal Monument, The 73L!brary Book, The 68Lickshot 83Life on the Lower East Side 83Lima, Manuel 88Linn, Robert 69Lists 83Livingston, Morna 69Loblolly House 60Local Architecture 28Loeffler, Jane C. 65Loomis, John 69Lost Border 83Lost Christmas Gift, The 95Louis I. Kahn 77Louisville Guide 70Lovell, Jenny 59Lucius, Clemens von 38Lucy + Jorge Orta 83Luhan, Gregory A. 70Lupton, Ellen 86, 87, 88, 89,

90, 94Lupton, Julia 94Lyall, Sutherland 64Lyndon, Donlyn 69Lynn, Greg 52

MMacKay-Lyons, Brian 28, 54MacLean, Alex 85

Macon, Sam 84Made to Measure 55Magliaro, Joseph 81Make It Bigger 87Making a Case 76Manfredi, Michael 57Manhattan Skyscrapers 60Map as Art, The 95Margulis, Lynn 77Marina City 55Marjanovic, Igor 55Marmol, Leo 55Marmol Radziner + Associates 55Marpillero, Sandro 54Marras, Amerigo 75Marr, Warren 71Martin, Elizabeth 79Mary Colter 55Material Immaterial 55Materials for Design 64Material Strategies 59Matter in the Floating World 68McCarter, Robert 78McCartney, Paula 81McCullough, Lissa 77McMillan, Elizabeth 16McQuaid, Matilda 87Meacham, Scott 61Mehrdad Yazdani 55Meisel, Ari 68Mellin, Robert 69Mennel, Timothy 72Menus for Chez Panisse 95Merwood-Salisbury, Joanna 74Messick, Kendall 95Miami Modern Metropolis 68Michaels, Adam 94Michael Sorkin Studio 79Mies Van der Rohe’s Krefeld

Villas 60Mijksenaar, Paul 88Miller|Hull 55Miller|Hull Partnership, The 55Miller, J. Abbott 86, 91Miller, Marla R. 36Miller, Rod 62Mingering Mike 83Minka 68Mitnick, Keith 74Mitrovic, Branko 59Mixing Messages 87Model Making 59Models and Constructs 87Modern American Housing 34Moderne 68Modern North 68Modern Typography 92Modern typography in Britain 92Moe, Kiel 64More Mobile 68More Scenes from the Rural Life 6Morgan, William 58, 66Moskovitz, Julie Torres 18Moskow, Keith 69

Mudford, Grant 81Murphy, Kevin 66Murray, Scott 63Myers, Mary 70Mysteries of the Rectangle 83Mythic City, The 83

NNarrow Houses 68Nash, Eric P. 60National Park Architecture

Sourcebook, The 70Natural Architecture 71Natural Houses 56Nature of Place, The 76Nell Brooker Mayhew 83Nelson Byrd Woltz:

Landscapes 14Nesbitt, Kate 77Nests & Eggs Notecards 43Network Practices 76Neuman, David J. 62Neurath, Marie 88Neurath, Otto 81New City Books 35New, Jennifer 81Newman, Morris 57New Public Works 34Newtown Creek 84New York Changing 83Next American

Metropolis, The 73Next Wave 68Ngo, Dung 57No Nails, No Lumber 56Noordzij, Gerrit 92Northwestern University 61Now Is Then 84

OOak 84Obsessive Consumption 84Ochsendorf, John 67O’Doherty, Brian 76O’Donnell, Sheila 56O’Donnell + Tuomey 56O’Gorman, James F. 67Old Buildings, New Designs 59Olson, Sheri 55Once Upon a Time 84OneFiveFour 56On Vision and Colors by

Arthur Schopenhauer and Color Sphere by Philipp Otto Runge 76

Orr, Stephen 14Over and Over 88Ozga-Lawn, Matt 80

PPage, Max 36Paint by Number 95Paiva, Tom 52Pamela Burton Landscapes 71

Index100

Pamphlet Architecture 37, 78, 79, 80

Paolo Bürgi Landscape Architect 72

Parallax 56Paris 84Paris Changing 84Park and Recreation

Structures 63Participate 90Pascal, Patrick 54Pasternak, Anne 81Paula Scher MAPS 47, 95Paul Rand 77Paul Rudolph 56Paul Rudolph: The Florida

Houses 56Peake, Nigel 95Pedro E. Guerrero 84Peltason, Ruth 81Pencil Points Reader 63Perry, Mike 88, 92Peter Rose 56Peter Smithson 78Peters, Richard C. 54Peyré, Yves 85Pflughaupt, Laurent 92Phillips, Jennifer Cole 87Philosophy for Architects 59Photographing Architecture

and Interiors 68Picon, Antoine 74Piedmont-Palladino, Susan

53, 88Pinhole Cameras 95Pinnell, Patrick L. 62Plan of Chicago 63Poletti, Therese 52Polyzoides, Stefanos 71Ponte, Alessandra 74Post-Ductility 64Postmodern Urbanism 76Potter, Norman 87, 89Poyner, Daniel 91Prefab Prototypes 64Pridmore, Jay 61Proceed and Be Bold 56Projectionist, The 95Prospect Park 8Provisional 56Publish Your Photography

Book 84Puente, Moisés 77Pulled 88

QQuinan, Jack 60Quonset Hut 69

RRadical Reconstruction 56Radziner, Ron 55Rael, Ronald 66

Ramos, Cecilia E. 58Randl, Chad 65, 69Rand, Patrick 64Rauschenberg, Christopher 84Ray, Katerina Rüedi 55Ray, Mary-Ann 79R. Buckminster Fuller 56Real Photo Postcards 84Reas, Casey 89Reclaiming the American West 71Recovering Landscape 71Reilly, Lisa 62Reinventing the Wheel 95Reiser, Jesse 52Reisley, Roland 70Remarkable Structures 64Rem Koolhaas 78Reps, John W. 72Responsive Architecture 57Reveal 57Revett, Nicholas 63Revolution of Forms 69Revolving Architecture 69Rice University 61Richard Haag 72Richard Hollis Designs for

the Whitechapel 39Richard Neutra’s

Miller House 60Richards, Larry Wayne 62Riggs, Tamye 92Robbins, Mark 34, 35Robert Brownjohn 88Rocca, Alessandro 71Roderick, John 68Rodriguez, Eduardo 70Rogers Marvel Architects 57Romains, Jules 75Roman, Antonio 53Ronan, John 53Rose, Brian 83Rosenberg, Daniel 93Rose, Peter 56Ross, David 79Rowe, Colin 67Rubenstein, Harry R. 86Rural Studio 57Ryan, Zoë 73

SSacred Spaces 69Sahre, Paul 68, 95Sammlung Architektonischer

Entwürfe 63Sample, Hilary 53Santiago Calatrava 78Satkowski, Leon 67Saunders, William S. 72Schalansky, Judith 92Scher, Paula 47, 87, 95Schinkel, Karl Friedrich 63Schlesinger, Toni 94Schleuning, Sarah 68

Schnapp, Jeffrey T. 94Schneiderman, Deborah 67Schumacher, Thomas L. 60Schwarzer, Mitchell 77Scofidio, Ricardo 53Sea Ranch, The 69Seddon, Tony 12Serraino, Pierluigi 7075 Artist Books: The Kaldewey

Press, New York 38Seventy-nine Short Essays on

Design 88Shallow Water Dictionary 72Shanghai Reflections 76Shaughnessy, Adrian 87Shea, Andrew 89Sherman, Roger 73Shulman, Allan T. 68Shulman, Julius 68Siddiqi, Anooradha Iyer 68Siegal, Jennifer 68Sign Painters 84Sites of Impact 84Skin 88Skrdla, Harry 82Small Scale 69Smeijers, Fred 91, 92Smith College 61Smith, G. E. Kidder 69Smith, Keri 94Snapshot Chronicles 85Snow, Julie 54Soak Wash Rinse Spin 88Solid States 64Solomon, Jonathan D.

75, 76, 77, 79Songel, Juan María 77Source Book of American

Architecture 69Southern Comfort 69Souvenir Nation 4Spec, Lawrence W. 62Spellman, Catherine 78Spier, Steven 69Sprawltown 73Stahl, Georg 76Stahl, Julie Muller 86Stanford University 62Stang, Alanna 67Starr, S. Frederick 69Steele, James 58Stephenson, David 85Steps to Water 69Sternberger, Paul 85Steven Holl Architects/

Simmons Hall 61Stickwork 85Stiff, Paul 92Stilgoe, John R. 72Stojmirovic, Zvezdana 90Stoller, Ezra 60Storm and the Fall, The 57Stravitz, David 60

Street Value 73Strips, Toons, and Bluesie 96Stroke, The 92Stuart, James 63Studio and Cube 76Subnature 76Suburbanization of

New York, The 73Sugar in the Air 96Survival City 76Sustainable Design 59Sustain and Develop 77Sutro, Dirk 62Suzuki, Osamu 65Swanson, Mary Virginia 84Swiss Made 69Sykes, A. Krista 75Symmes, Marilyn 82

TTaking Things Seriously 96Talarico, Lita 92Tall Building 69Taylor, Stephen 84Terragni’s Danteum 60Theater of Architecture 26Theorizing a New Agenda

for Architecture 77There’s Nothing Funny About

Design 88Thermally Active Surfaces in

Architecture 64Thinking with Type 90Think/Make 57Thomas, George E. 54, 62Thrown Rope 85Thwaites, Thomas 96Tierney, Therese 76Tilder, Lisa 75Tilting 69Timpane, John 70Tingey, John 94Toaster Project, The 96To Each His Home 70Tolleson Design 88Tom Kundig 57Tom Leader Studio 72Tools of the Imagination 88Toward a New Interior 77Transformer, The 88Transmaterial 64, 65Tree Gardens 32True Life 57Truman, James 91Tschanz, Martin 69Tsurumaki, Marc 55, 79Tully, Peggy 34Tuomey, John 5620th-Century Pattern Design 93Typeface 92Type Now 92Type Spaces 92Typographic Systems 90

Index 101

Typography Papers 6 92Typography Sketchbooks 92

UUmebayashi, Katsu 53Umemoto, Nanako 52Unglaub, Karl 78University of California,

Berkeley 62University of California,

San Diego 62University of Cincinnati 62University of Massachusetts

Amherst 36University of Pennsylvania 62University of Texas at

Austin 62University of Toronto 62University of Washington 62Unjustified Texts 92Up on the Roof 85Urban Composition 59Urbanisms 73Usonia, New York 70

VValle, Jared Della 57Vanderbilt, Tom 76VanderLans, Rudy 88Van Duzer, Leslie 60Van Lengen, Karen 62Van Valkenburgh, Michael 71Vassar College 62Vatican and Saint Peter’s

Basilica of Rome, The 63Venezky, Martin 87Veresani, Luca 52Vettese, Maria Alexandra 85Vickery, Margaret Birney 61Victore, James 91Viemeister, Tucker 89View of Early Typography, A 93Vintage Typography

Notecards 46Virilio, Paul 66Visions of Heaven 85Visual Complexity 88Visual Function 88Visual Grammar 90VJAA 57Volume 88Voulangas, Angela 87

WWaldheim, Charles 71Wallenstein, Sven-Olov 74Wandering the Garden of

Technology and Passion 70Wark, McKenzie 75Wasserman, Krystyna 85Water is Key 85Watts, Ben 81, 83Wayfinding Handbook, The 90

Weekend Utopia 70Weinstein, Amy 84Weinthal, Lois 74, 77Weiss/Manfredi 57Weiss, Marion 57Werner, Megan 59We Sit Together 22West Point U.S. Military

Academy 62What Did I Buy Today? 45What is a Designer 89Whitaker, William 66Wild, David 66, 82Willen, Bruce 89William L. Pereira 58Williamson, Kate T. 93, 96Willis, Carol 75Wilson, Christopher 39Winter, Steven 68Wise, Chris 56Wise, Michael Z. 74Wittgenstein House, The 60Wolff, Laetitia 84Woltz, Thomas L. 14Wong, Wendy Siuyi 95Woodcut 85Woodcut Notecards 44Wood, Dan 72Woods, Lebbeus 56, 57, 79Woo, Rosten 73Workbook 70Wright, Frank Lloyd 66Writing about Architecture 59

XX-Urbanism 74

YYale University 62Yankee Modern 58Year in Japan, A 96Year of Mornings, A 85Yessios, Chris I. 70Yglesias, Pablo 94Yochelson, Bonnie 83Yoon, J. Meejin 53Yoos, Jennifer 57Yoshikawa, Isao 65You Are Here 96Young Architects 33, 58

ZZaha Hadid/BMW Central

Building 61Zobelein, Jennifer 81ZoomScape 77

102

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