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Mazaronkiari Multifunctional Classroom / Marta Maccaglia + Paulo Afonso
Satipo, Peru
The space offers a multifunctional hall with a kitchen
built with local fabricated bricks on the north side, on a
concrete floor. The structure of the building is made of
wood. The side walls are formed by an alternation of
louvered panels and movable colorful panels. These last
ones, with a 90 movement, can be turned into tables,
allowing the creation of different work environments
within the same space.
The north and south faades are made by louvered
sliding panels for access. This system allows natural and
indirect illumination of the space, as well as the
circulation and continuous renovation of air.
The ceiling, with its wide eaves, protects the wood
structure from the rain. Another characteristic is the
visibility of the inside of the building, creating an inverted
effect. Usually, buildings consist of an inner space from
which, through windows and doors, one can gaze at the
outside surroundings. In this case, when the panels are
transformed into tables, a big opening is created.
The combination of local materials with modern
construction systems, the active participation and the
input of the community allow the construction of a wide
and functional space in harmony with its surrounding.
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Conolove / Ocina Informal
Bogot, Bogota, Colom!ia
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We seek to use materials that promote dialogue between the various styles present in the project through two strategies:
continuity and contrast. The parquet wood herringbone, hexagonal stoneware tablets, wood countertops and hammered
glass are an interpretation of traditionalBogotastyle and address an intention of neutrality. On the other hand, in the
contained spaces and divisions we have acted in contrast, implementing the use graphic patterns, metallic materials and
colors that represent the spirit of the new program.
A Simple Brick Interior / Pencil O"ce
Singapore
http://www.archdaily.com/tag/bogotahttp://www.archdaily.com/tag/bogota7/25/2019 Preseden Ruang & Fungsi
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#rom t$e arc$itect% A simple !ut &ramatic
interior 'rapper of painte& '$ite !rick
surroun&s t$e vertical surfaces of t$e main
&ining room of Commune% ($e &esign
purposefull) interferes 'it$ an& o!scures
vie's to t$e e*terior lan&scape% ($e
continuous perforate& screen compose& of
stan&ar& soli& !rick alternates eac$ coursing,
rotate& perpen&icular to t$e ro' !elo' an&
a!ove, recalling t$e ventilation screens of
mi¢ur) tropical ventilation arc$itecture%
At nig$t t$e optical relations$ip is inverte&,
t$e restaurant appears as a glo'ing lantern,
'rappe& 'it$in t$e $istoric an& preserve&
colonial !uil&ing% ($e perpen&icular !rick
pattern su!tl) ungulates in plan, moving in
an& out to accommo&ate e*isting columns,
openings, an& air con&itioners% ($e eect is
a su!tle gra&ation, pro&ucing an optical
eect of movement similar to t$ose foun& in
artists e*ploring optical eects -Optical Art.%
The graphic identity of the restaurant is embossed into
the concrete floor as well as table tops; small details that
produce a cohesive and thoughtful design experience.
The other surfaces, floor, ceiling, kitchen walls are
purposefully minimized in their visual impact, a reductive
design strategy to focus and maximize the impact of the
brick perforated screen.
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(urkis$ Association of otaries / MuuM Arc$itects
Ankara/Ankara Province, (urke)
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($e relation !et'een interior an& e*terior spaces &enes 'a)s of communication !et'een t$e
users an& t$e communit), as 'ell as strengt$ening t$e relation among its users !) creating a
social 'orking space% ($e plan sc$eme of t$e !uil&ing $elpe& to isolate t$e unfavora!le eects
of t$e surroun&ing environment, an& also, provi&e& openings to t$e important a*is of approac$
an& e*isting greener) on t$e sout$ fa0a&e% The building with a courtyard, reminiscent of a caravanserai, is an
interpretation of the cultural heritage of Anatolia is to a contemporary working environment. The courtyard, as one of the
main elements of the design, is configured to make users feel the changing effects of light and sky with dynamic
geometries and material choices.
1esign (ec$nolog) Block / S2uire an& Partners
Surre), 34
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