Calvin Tichenor (leader)Xavi VicenteXavi VelaBerta Romeu

It was painted in Italian Baroque era

Cardinal Pietro Aldobrandini requested this painting for the family chapel for the palace in Rome (Palazzo Doria Pamphilj)

It formes part of six paintings in six lunettes

It was considered a veduta which is a highly detailed, huge painting of a landscape. In this case from Italy.

We can see the effect of a balanced, fantastic beauty, with a perfect sentimental fusion between the holy characters and their stories and the landscape.

Title: The Flight into EgyptAuthor: Annibale CarracciYear: 1604Material: Oil colors and canvasSize: 122 × 230 cmLocation: Galleria Doria Pamphilj

Painted in theItalian Baroque era

It‘s a religious and mithological theme

It shows Saint Peter in the moment he meets Christ, while he was fleeing Rome.

The painting got his name cause of the myth it represents, cause Saint Peter asks Christ Domine, quo vadis? ("Lord, where are you going?“)

Title: Domine, quo vadis? Author: Annibale CarracciYear: 1603 Material: Oil and a panel Size:77 × 56 cm Location: National Gallery, London

Title: Assumption of the Virgin Author: Annibale CarracciYear: 1590 Size: 245 × 155 cm Material: Oil on canvas Location:Museo del Prado, Madrid

Title: Assumption of the Virgin Author: Annibale CarracciYear: 1600-1601Size: 245 × 155 cm Material: Oil on canvas Location: Santa Maria del Popolo, Rome• Situated in the Cerasi Chapel of

the church of Santa Maria del Popolo of Rome• It was a less satisfactory arrangement• The Virgin awkwardly rises through a cramped crowd of apostles, levitated by half-a dozen cherubim• The Virgin glows with light• St. Paul is surrounded by menacing shadows

• Carracci competed with the major artists of the day for the decoration of Santa Maria del Popolo.• That’s why he did Two Painting from the same theme, to win.• In the end his picture was situated over the main altar.

THE SECOND PAINTING

Painted in the Italian Baroque era

It’s connected to the contemporary Butcher's Shop

Popularesque style It shows the everyday life

subjects Capability to adapt his style,

making it lower and grotesque

In the academic works he usually used a more classicist composure with the same easiness

Title: The BeaneaterAuthor: Annibale CarracciYear: 1580-1590Size: 57 × 68 cmMaterial: Oil paintings and canvasLocation: Galleria Colonna, Rome