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Royal Academy of Fine Arts, School of Architecture 3rd year/ Commuter living
: Green pauses: Transitions
Copenhagen Technical College, Rebslagervej1st semester/ Woodworking
: Storage for music papers: Bedside table
Royal Academy of Fine Arts, School of Architecture 1st year/ Room for reflection
: Understanding mass: Calm in organic form
Royal Academy of Fine Arts, School of Architecture 2nd year/ Art Center Ørestad
: Landscape and portrait: Sensing the room: Spatial scenarios
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Royal Academy of Fine Arts, School of Architecture 3rd year/ Collective farming
: Workflow and function: Room for production: Landscape relations
Work experience Selection of work/ 2007 - 2013
: Studio Ravage: Marianne Levinsen Landskab: Holscher Arkitekter: Holscher Nordberg
University of Copenhagen, Faculty of Science/ Landscape Architecture
: Biodiversity: Research based design: Therapeutic garden
ROOM FOR REFLECTION. The assignment calls for a room for reflection on campus. The primary goal is to work with shaping mass, creating a space from solid earth.
The project is formed though intuitive work with mass. Space is carved in or-ganic shapes from thought to hand.The model studies are concentrated around understanding the negative space. The negative space later acted as a mold for casting the space imagined.
The cast studies describe the light, mood and shape of the space through pic-tures.
A softly curved descend invites the guest and allows him to slowly adjust to the light, orienting himself in the space.
The organic columns are met as silhouettes against the light from East, which enables the visitor to sit and reflect, unexposed, as part of the silhouettes.
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Sketches of the cave like space in mass. The beams divide the space into small intimate rooms.
Resting his back against a column the visitor may feel a sense of protection while gazing into the space.
Study of the descend. Visitors are followed by the light from the opening and may gradually adjust to the new surroundings.
The first spaces are easily made out and accessible, whereas the far end of the room is backlit by the sun from East. This part of the room asks for silent discovery and provides privacy.
In plan the feet of the columns are visible. They create passages and divide the space into smaller rooms.
The entrance and descend is found to the Northwest. Light is emitted from Southeast.
A descend pulls the visitor under the building, consuming him, he experiences the visual weight of the volume. The descend simultaneously creates a pro-tected garden and sculpture park to the West. Administration and lecture halls are separated from the exhibition. This allows for a monumental volume, lifted from the ground.
Visitors meet strong spatial scenarios which call for their presence.
ART CENTER ØRESTAD. An art center must embrace society and provide flexible space for the exhibition of diverse art forms. Spatial experiences sharpen the visitors senses while moving though the art center.
The central spaces mirror the traditional formats of landscape and portrait while the volume reflects the vast landscape of the natural park Fælleden, but also captures the verticality of the new city Ørestad.
02 100 m
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Pictures capturing the horizontally of the landscape and the verticality of the new city. A view from West shows how the building is lifted and stands out as two distinct volumes reflecting the meeting of city and landscape.
When moving from the entrance to the exhibition, the visitor experiences the horizontal volume from below.
Moving up the stairs, light pours down the tall walls reflecting the portrait as a format. Turning the corner the landscape of Fælleden is seen at the far end of a horizontal space.
VOLUME
LANDSCAPE PORTRAIT
Plan 00. The descend from Ørestad Boulevard allows for the morning sun from East to light up the entrance. The evening sun sets in West and illuminates the sculpture park.
Practical facilities are connected to the ground floor and enables the exhibition
spaces to appear vast and open. The administration is housed along the sculp-ture park. This area may also be used for outdoor workshops and activities. The lecture hall is located to the West of the administration and takes advan-tage of the changes in terrain height.
Lecture hallAdministration
Rest roomsWardrobe
Sculpture park
Cafe and tickets
To the exhibition ^
< Entrance
Plan 01. From the entrance area the visitor moves up the stairs to the vertical exhibition space in a circular motion. Skylight is the primary light source.
The circular motion is continued around the corner, where the visitor meets
the horizontal exhibition space with views to the landscape of Fælleden.
The exhibition spaces offer very different spatial qualities for exhibiting art, yet they are connected in a continuous volume.
Horizontal exhibition space
Vertical exhibition space
Lecture hall
A
B
A
Sculpture park
B
A-A
B-B
The cross section shows the extremes of the vertical and horizontal space.
The longitudinal section shows how the landscape flows under the volume.
The entrance from East descends slowly and provides a clear view of the sculpture park. A stair at the end of the park lifts the visitor into the surrounding landscape.
Movements in the terrain are exploited in the central room, where three levels divide the room into store/dry room, transport/open space and production/wet area.
The levels also create a stage upon which visitors may watch the process of tending, harvesting, cleaning and preparing the produce for sale or consump-tion.
THE COLLECTIVE FARM. The program includes a collective with private living units and facilities for production of organic produce.
Production surplus is sold in a store and served in the restaurant and café.
The workflow has been decisive for the resulting spaces as well as solar orientation has played a major role for the architecture.
The strength of nature is present when meeting the constructed volume. The greenhouses cut though landscape and building equally.
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Strength of nature is evident in the transition between building and landscape. The green filter creates a succulent light. Greenhouses act as major light sources for the central room and reflect this scene.
Sketches of the concept show how the building follows the terrain and creates a transition where the building is ruptured by nature.
Guest housing
Garage
Greenhouse
Greenhouse
Terrace
Store/ Interior space
Packaging and transport/Exterior space
Production/Wet room
Living units
Storage
Greenhouse
Vegetable bed
A - A
Plan 00. Upon arrival the visitor encounters the café, store and housing.
Both guest houses and collective living units have a beautiful view of the fields and the sea.
The production axis is framed by a central room, which follows the terrain and is divided into 3 levels. The levels create a natural border between the different steps of the production and the spatial qualities needed.
Parts of the production calls for raw unfurnished exterior rooms, others call for heated interior rooms with a different climate..
From the production rooms there is direct access to the restaurant kitchen via a sculptural ramp.
Visitors can watch the process of harvesting, rinsing and preparing the produce before enjoying the result in the restaurant.
B
A
B - B
Restaurant
Kitchen
Food preparation
Common room
B
A
A hierarchy of rooms are created in the living spaces by working with levels and materials. A concrete core is furnished with wooden elements.
The building is fragmented by the greenhouses, which create the main light sources
areas. The transition between the private space and the social sphere is clearly communicated through the green filter without creating borders.
Every living unit is oriented to an internal garden, connected to entrance and kitchen. The living room views the city and structure as a whole. The units are lifted up into the light. It is possible to walk though the structure, thus integrating it into the city. All common facilities are accessible from the city.
COMMUTER LIVING. Creating a living space for commuters, the focus has been on creating a structure filled with natural pauses.
A series of small gardens create green pathways through a structure in which one may pause and rest. The garden thus create transitions between areas of different functions, allowing one to slowly adjust to new situations.
The assignment includes both private living spaces and common recreational
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By scaling the architectural element it is adapted to the different functions.
Conceptual section of the structure where the living units are seen as denser areas.
OMKLÆDNING
CAFE
BASSIN
YOGA HAVE
CARDIO STYRKETRÆNINGFITNESS
OMKLÆDNING
RECEPTION
AEROBISK HAVE
MØDELOKALER
MØDELOKALER
STI
ADMINISTRATION RECEPTION
ARBEJDSRUM
ARBEJDSRUM
LOUNGE
PLATOU
TOILETTOILET
PLATOU
PLADS
PLADS
SLUSE
DAL
KØKKEN TOILET
BUFFER
TOILETLAGER
PLADS
P l a n 0 0 . S e l e c t e d p l a n s s h o w t h e p r i m a r y e l e m e n t s of the assignment and the role of the garden as pause and transition. The structure is open to the city and it is possible to enjoy the internal gardens and common functions.
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
BOLIG
CAFE BAR
TAGTERASSE
Plan 02. The gardens are connected to the living units and create a semiprivate green room, where neighbours may meet.
A
A
B B
The section shows the 2 levels of the living units and connected gardens. Exterior areas are part of the city and provide green gardens and terraces to share.
A-A
The section shows the pool lighted though the con-nected garden. The roof acts as a terrace, which is connected to the restaurant. Administration, workspaces and living units are all connected to the green infrastructure.
B-B
The work has given me knowledge of wood as a diverse material with vast quali-ties and individual strengths and weaknesses.
A semester at Copenhagen Technical collage as a cabinetmaker has given me experience working with a craft. The semester included drawing and crafting a bench, a storage unit, a table and a furniture of choice.
Pictures above show Nielsens Møbelsnedkeri in Holbæk the workshop in which I worked as an intern. The workshop focused on historical restoration of furniture.
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Storage unit for music papers in oak and nylon.The delicate papers are displayed in a sculptural furniture.
A small bed table is created for simple needs. The simplicity is complimented by more complex joinery.
The garden connects a neighbouring park with the nursing home and a circular path leads the elderly though different nature experiences all based on existing qualities of the site.
The terrain is worked to provide private spaces, but maintains a view to the park and the life lived therein. The garden supports biodiversity and gives the elderly the opportunity to enjoy wildlife.
At the research based course Health Design, the project of designing a garden for the Nursing home Adeleide was based on available research and research-based guidelines.
Health design describes the connection of human health to nature quality.
A garden at the nursing home should provide the best possible outdoor fa-cilities taking into account the health and abilities of the elderly.
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Increasing scope The garden should make it possible to retire from the sources of fatigue. The limits of the garden should not be dominating and vistas should make the garden feel extensive.
Fostering interest Providing opportunities for exiting activities and include objects that inspire contempla-tion. The garden should provide different environments and spaces to explore.
Meaningful activities Creating opportunities to give as well as receive care as an antidote to helplessness. Pro-vide meaningful activities for the residents to fill the hours of the day.
Diverse everyday life Creating an environment in which unexpected and unpredictable interactions can take place as an antidote to boredom. Provide different nature experiences by using raised beds, viewing gar-dens, trails and wildlife areas. Use water features and kinetic sculpture. Use different leaf tex-tures, forms, smells and tastes.
Opportunities forexercise
The garden should be easy to navigate in and the layout should be understandable. Different walking length of paths will provide residents of different needs with choice. Handrails will encourage less able residents to use the garden.
Support social life Create outdoor spaces to support social and educational activities to encourage involvement of fam-ily, friends and the community. Allow residents to watch human activity and to sit in various sized groups to socialize.
Preserve residentialqualities
Avoid creating an institutionalized image by designing features that convey a residential image. Use traditional vegetation and mature plants. Ensure privacy by limiting visual access into certain spaces where residents may sit and reflect.
Inviting Residents and guests should feel welcome in the garden and their needs should be identified and met as far as possible, so that the garden can foster activities and provide spaces that give restful and enjoyable experiences.
ill. 1
ill. 2
Aesthetic-Attention Theory Horticultural therapyBiodiversity
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Raised beds
Berry bushed
Rose bed
Birdhouse
Terrace
Beech trees
Fireplace
Fishing
Fruit trees
Lawn
Lawn
Fountain
Sculpture
Firewood
Pond
Playground
Forest garden
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ill. 1
Illustration 01 A protected space near the entrance to the garden gives residents the possibility to rest in a quiet space. Here a fountain creates a soundscape and gives birds access to water.
The roses give a calming scent and feed wildlife in fall.Elderly of less physical abilities are supported by a rail when experiencing the garden. The path system allows for wheelchairs to pass one another.
Illustration 02. Mature beech trees on site create a private space. where the dense foliage protects the elderly from the sun.Old stones and the forest floor bring about a sense of undisturbed nature.
Nuts from the beech feed wildlife. The stone wall and stack of firewood provide shelter for small mammals and birds.
05 min figure drawing session at the studio Ravage. 01 min figure drawing session at the studio Ravage.
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Produced at Marianne Levinsen Landskab Aps. Illustrations for storm water management landscape proposal in Copenhagen.
Grill
Græs
Azobé stokke
Høje græsser/ uplights
Høje græsser/ uplights
Forsænket træterasse
Grillareal
Caféhave
Vente- og ankomstareal
Bænk
Bænk
Bænk
Vente areal
Eksisterende bøgepur
Eksisterende hæk
Eksisterende hæk
15 Cykel-P
Eks. træ
Eks. træ
Gul teglbelægning
10 Cykel-P
20 Cykel-P
Chausséstens-belægning
Grus
ToiletUdstyrsskur
Trappe
Grus
Lavt hegn
Grill
Grill
KUNSTBYGNINGEN FILOSOFFENFYENS UDSTILLINGSBYGNINGFOR KUNST OG DESIGN
Eksisterende parkeringsplads
Skulpturplads
Containerplads
Mulighed for midlertidig busholdeplads
17 C
ykel
-p
Forsænket træterasse
Terræntrappe medgranitbelægning
Mid
lerti
dig
park
erin
g
Skulpturplads
Fortøjningspladser
m. fortøjningspladser
Mulighed for udvidelse
af fortøjningspladser
Gul teglbelægning
Gul teglbelægning
Fortov
Cykelsti
Produced at Marianne Levinsen.Illustrated plan of the competition entry for the extension of the museum Filosoffen.
Produced at Marianne Levinsen.Illustration of the competition entry for the exten-sion of the museum Filosoffen.
Rist
til a
fvan
ding
Ram
pe la
vpun
kt
Lede
linie
Beto
n
Beton
Fleksibelt værn
Kulb
rænd
t teg
l
Trampe
Opmærksomhedsfelt
Opmærksomhedsfelt
Ledelinie
Lyskugler
Lyslinie
Siddeplint med lys
Siddeplint med lys
Belysning af træerTrapper
Spotlight
Spotlight
Bævreasp
Cykelpsrkering
Lysl
inie
r
Lygtepæle
Lygtepæle
Siddeplint med lys
Spot
Lys avis
Produced at Marianne Levinsen Landskab Aps.Illustrated plan of the competition entry for a new culture house in Køge, Denmark.
Produced at Holscher Architects.Illustrated plan of the competition entry for the development of Henriksholm, Denmark.
Produced at Holscher Architects.Illustrations, pictograms and layout for the competition entry to Get a Bike. Break Free. Bram-men, Norway.
Produced at Holscher Nordberg Architecture and Planning.Illustrated plan of the competition entry for OPP Kalvebod Brygge
3.723.70
3.74
3.84
Produced at Holscher Nordberg Architecture and Planning.Plan_00 of Taarbæk Strandvej 69.
3.723.70 3.74
3.84
Produced at Holscher Nordberg Architecture and Planning.Plan_00 of Taarbæk Strandvej 69.
