Portfolio09

Tom TangYale School of Architecture 2009

f06_hybridshybrids are naturally more adpative to its environ-ment due to the sheer number of permutations possible. Genetically bottle-necked concepts are cross-bred across traditional boundaries to gener-ate productive and more fit offsprings.

Skin and VolumeFall06:01

Skin and Volume are the basic tenents of manifolds, hulls, and forms. In this project, both skin and volume sought dematerialization. The volume is both punctured by the excessive folding of the skin and reaffirmed by the continuity of each strand. In this way, dependancies between skin and volume are intact while questioning the volatility of both.

The question posed by this project was two-fold. First, how can one analyze a site using fields? And second, how does one design with this field in mind?

The former is an exercise in critical analysis: more precisely, the ability to focus on a sys-temic framework to infer the inner workings of a system. The conditions of the field were recognized as a matrix of velocity vectors. By representing the velocity as a field, space was parameterized in a consistent single vari-able condition from which interactions and site conditions can be extracted. The site analysis was used as an empirical analysis model to determine relationships between various modes of transportation: pedestrian, bicycle, car, bus, and train. Focusing on the field interference points, it became apparent that the level or fluidity of the interaction was directly related to velocity. Field interference was generally categorized as homogenous, heterogeneous, and field transfers. The first two are descriptive of interactivity conditions, the last addresses people transferring from one mode of transportation to another. The threshold levels of fluid interaction in het-erogeneous systems were catalogued and mapped back to velocity and acceleration to show dependencies. From these systems, methods were created to measure/manipu-

late velocity in order to promote or hinder flu-idity in field interference. Designing within the framework of the field al-lowed one to design another field on the ex-tant field, or relegate field to analysis only. The analysis, through its empirical rule extractions no longer had a direct spatial relationship to the site, but rather created a kit of tools to implement any design strategy dealing with velocity. Returning to the spatial attributes of the site, the site interference zones offer an opportunity to use the velocity manipulation tools in order to influence or disrupt extant field conditions.

In order to mediate velocity, adjustments to extant velocity conditions require that all ob-jects operate on the lowest common denomi-nator. This means that cars must operate at the same velocity as that of pedestrians and so would cars and buses. This would severely cripple the performance of the transportation system. So instead of velocity mediation, a a system of velocity segregation is proposed instead. By understanding the tools for ad-justing and measuring velocity, those same tools are now used to isolate velocities and provide a phenomenological or experiential perception of velocity for the objects which operate and activate the architectural mecha-nisms within the field.

VelocitometerFall06:02

Tesse-laceFall06:03

Informe is process of generating form from rules. Form by itself is nothing more than geometry. The charged space between form and informe contains vectors for complexity and emergence. From each rule imposed on a system of informe are folded forces (forces waiting to spring forth, potential). These forces unravel in the space between form and informe. In this project, tessellation is generative rule. As the form tessellates, emergent patterns within the form result from the push of increased den-sity along the edge where the tessellation occurs. These forces, as they push into the active system cause spatial compression in one dimension and spatial expansion along another as forces are resolved to maintain c1 continuity (tangential continuity).

Eukanu-spaFall06:04

A conceptual collage, disparate constraints are topologi-cally mapped and networked based on loose relationships. This exploratory device yeilded a consistent conceptual strain of categorization and performance enhancement. By looking to the city for part categorization, the dialectic be-tween facade and park drove at the issue of both reciproca-tion negation whereby a duality of facades and parks distin-guish the categorized and enhanced elements of the building

Plot

Facade

Circulation

Outdoors

Dog Suites

Human Suites

Park

Street

Market

Parking Lot

Parking Garage

Dog Run Park Trails

Cafe Seat

Wall

Pool

Small Dog Sleep Area

Big Dog Sleep Area

Wall

Cafe Seat

Hallway

Reception

Office

Cafe Table

Room

Linear

Pinched

Corrugated

Affine Transformation

Helix

Facade

Park

Virtual Park/Real Park

Primary Facade/Secondary Facade

Building programs respond to an urban condition as a cata-lyst for enhancement.

A taxonomy of extrusion enhancements were developed and operated in the conceptual park/facade interplay.

s07_inversionthe inverse of a thing is its partner as well as its ad-versary. Like particles and anti-particles, their ex-istence is bound together, yet combined they are zero-sum.

B - Unit 1 Domination

C - Unit 2 Domination

A - Isolation

D - Shared

A B

C D

Configuration transitions are fluid

and react to circumstances between occupants and within households. The

goal is not to arrive at a stable configuration, but rather allow and even

encourage oscillations between different states.

Instability in Tenant-Owner Territorialization Behavior

Analysis of Territorial Configurations

Instable HouseSpr07:03

In housing projects, an emphasis is made on isolation of private spaces but an inte-gration of public spaces. However, this system has settled into an inherent equilib-rium of the party wall as the solution to co-habitation. In order to upset and destabilize conventional notions of co-habitation instability is introduced as the catalytic force. Instability is an undesirable state in most circumstances. However, in most natural systems, instability is unavoidable and even encouraged in order to promote further developement. In a house, the introduction of instability creates a theoretical frame-work by which further manipulation of the system may result in greater overall stability. Furthermore, an introduction of destabilizing factors at a micro-scale may lead to the ability or opportunity to create a system of homeostasis on a macro-scale.

Connected Roof Terraces

Ground Floor Green SpaceDensity

Controlled Entry

Flexibility

or

Density

Controlled Entry

Flexibility

public

private

Density

Controlled Entry

Flexibility

or

Density

Controlled Entry

Flexibility

public

private

Unoccupied Porous Condition

Occupied Closed Condition

INstab

leHOUSE

Muliple or Homeo-static InstabilitySpr07:04

Consistent with the concept of homeostatic instability de-veloped in protype project, the multi-unit attempts to cre-ate varying conditions within the site based on occupan-cy. As vehicles leave this housing complex, more public access is granted through the driveways. Furthermore, each unit is positioned in a precarious position with an-other such that privacy is maintained, but another layer of semi-public space is also conditioned within.

f07_trialityas opposed to duality, triality realizes within dialecti-cal relationships exists a third. The triptych equally weighs oppositions with its necessary in-between.

Absence of the other Surface Tension Torsional Tension

Tension Space KunsthalleFall07:02

A Kunsthalle is examined as an institution which has the potential to create tension on the surface of society. By creating an equivalency between the gallery and the sculpture yard, the other programs are imagined as tension spaces, pushing into the spaces of exhibition

circulation

administration and offices sculpture park

gathering spaces:theater, medialab, multipurpose

gallery

section Agallery space

lobby

balcony

section B

section C

section D

plan fl03

gallery space fl02

gallery space fl01

plan fl02

plan fl01

plan fl00 site model

f07:02 2

lobby medialounge medialounge medialounge

Tension Space KunsthalleFall07:03

FINAL

The relationship between art, society and the subject is one of tension. The work is the result of a subject and is also received by the subject in a duality of effect and affect. The subject then is contained within society, which is also defined by the subject. In a paradoxical strange loop of infinitely regressive body and organ relationships, tension as a concept of dualities applies here as well. If we begin to think of art as belonging to a smooth space, the space of the nomad then the curators are part of a striated space, belonging to the state appara-tus. Deleuze proposes that between two striated spaces, there is a smooth space. Can a striated space occupy the surface between two smooth spaces? The state apparatus, the striated space operates on absolutes. Rules and regulations permeate this space. The smooth space on the other hand, operates on difference. It has no goal, only instantaneous velocity. Defined by a point and a vector, the smooth space is a space of vertical flows, constantly territorializing through its movement.

meeting room

administration

gallery space theater

perspective from York St.

site plan level 2 lobby gallery

lobby

theater

offices

open gallery sculpture yard level 0 +0

level -1 -15

level 2+24

level 2.5+36

level 3+42

level 4+54

open office

curatorial officeadministrative office

Hyperpolitical CitySpr08_Peggy Deamer Studio

Team Jangwon Lee

We believe that the development of a city is enabled and limited by its political nature. It is conceivable that the politics of negotiation can be-come more seamless and fluid. The city that results is called the hyper political city. The development of the hyper political city begins with the selective renewal of the existing city. It consumes 3 dimensional space as it grows from the city below. Its growth does not expand infinitely but is limited by its own internal political space. Through the Hyper po-litical city we becomes aware of the political nature of the city growth (boundary), the infra structure of the city (the vertical supports) as well as the space of negotiation (voids).

study model

site plan study

Conceived as 10 phased develop-ment blocks, each would integrate into the city via politically charged empty lots. The standard block is an inverse of the non-political and generic NYC block. Access and means of transportation are in the center of the block rather than around the outside. The public-centric space of negotiation in each development is constrained by the block, but also exists because of it.

phasing diagram

development blocks

section

view from gowanus canal

view from 9th st. and 4th Ave (west)

view from 9th st. and 2nd Ave (east) development block 6

The folding of production in the hyperpolitical city

0 20 50 100 200 400

pedestrian circulation

tropicana ave.

harmon ave.

flamingo rd.

sands ave.

desert inn rd.

exterior circulation pathsinterior circulation pathsmonorailsite

las

vega

s bl

vd.

parkingparking structuressurface parkingashphaltmonorailsite

resort entry pointsinterior pedestrian pathspoints of accessmonorailsite

excalibur

mgm grand

new york new york

monte carlo

city center

tropicana

luxor

mandalay bay

o’sheas

paris

planet hollywood

bally’s

bill’s

flamingo

imperial palace

harrah’s

bellagio

mirage

treasure island

fashion show

venetian

caesars

palazzo

wynn

excalibur

mgm grand

new york new york

monte carlo

city center

tropicana

luxor

mandalay bay

o’sheas

paris

planet hollywood

bally’s

bill’s

flamingo

imperial palace

harrah’s

bellagio

mirage

treasure island

fashion show

venetian

caesars

palazzo

wynn

0 20 50 100 200 400

pedestrian accessexterior circulation pathsinterior circulation paths

block size

vehicular accessparking structuressurface parkingashphalt

buildings and towersbuildings

towers

Vegas AnalysisFall08_David Schwarz Studio

TEAM STUDIO

Stars Development VegasFall08_David Schwarz Studio

TEAM Louise Levi, Eric Krancevic

From our analysis of retail environments, we have come to understand that People go where people are. Crowded environments are profitable environ-ments.

For most places, this means that life (and money) is in the streets, but in Las Vegas some of the most vital “public”-feeling streets are interior environments.

Harrahs rocks—we love many of vibrant streetscapes created in the interiors of the resorts-- places like the forum shops, or the street lamp lit “boulevards” in paris. Even though the modern las vegas visitor is promiscuous--- often visiting 5 resorts in one trip—the hurrahs properties can be difficult to move in be-tween.

We aim to add to the existing strength of the hur-rahs property—these interior, crowded, profitable spaces—by linking the properties with a pedestrian boulevard that has a 24 hour, mixed use environment with retail, entertainment, and dining on the street and balconies, and office space above.

This exterior space scaled entirely to the pedestrian, is a continuation of the grade of las vegas boulevard and extends and connects the successful interior en-vironments at multiple points though the campus.

This pedestrian link is one of the two new experiences we think will complement the existing hurrahs proper-ties. The second idea that we think could add to the image of the hurrahs world, is to have spectacles at the monumental scale now common along the strip, like the Bellagio fountain. We think we have two such

forum shops arenaarena plaza

hotel plaza

pivot plaza

paradise beach

the circle

outdoor

theater

harmon rd.

mon

orai

l sto

pm

onor

ail s

top

harrah’s

forum shops

bally’s

paris

mon

orai

l sto

p

bills

caesars

bellagio

flamingo

imperial palace

meetingspace

las vegas b

lvd

flamingo rd.

10’-0”

20’-0”

40’-0”A LAS VEGAS BOULEVARD SECTIONLOOKING SOUTH, BETWEEN NEW FORUM SHOP EXTENSION AND FLAMINGO CASINO

5’-0”

monumental 24 hour spectacles, as well as smaller plazas throughout

The first of the central spectacles which we think will bring people into the heart of the pedestrian experi-ence, is the public plaza in the front of the arena, which is activated by arena goers by night and con-vention visitors by day. This civic spectacle is com-plemented by a different spectacle on the South side of the property—the beach.

The Bellagio is a great attraction, and we are proud that it anchors the south west corner of our site, pro-viding great views to many more of harrahs rooms than Bellagio rooms (we estimate about 1000 rooms in Bellagio face the fountain, whereas with our new towers, we will have 2000 harrahs rooms face the fountain).

But unlike the Bellagio, where the spectacle is placed on the strip, and is not fully activated by profitable programmatic spaces of the resort, we intend to internalize the “beach”. This distinct unique space creates beachfront views for the two new resorts we have added to bring people to the extents of the southern holdings.

This is another 24 hour environment (with a sliding scale of offerings, selling different levels of exclusiv-ity) —during the day, boat rentals, private cabanas, floating pools and lounge chairs enliven the shores. At night, nightclubs and movie projections create a entertainment filled, star lit experience.

30’-0”

B ARCADE SECTIONLOOKING NORTH, ARCADE EXPANDS THE PUBLIC SPACE OF THE STREET

LOFT APARTMENT LOFT APART

R.D.E R

5’-0”

10’-0”

20’-0”

40’-0”

D ARENA BOULEVARD SECTIONLOOKING EAST, BALCONIES PROVIDE A LAYERED ENTERTAINMENT EXPERIENCE

5’-0”

10’-0”

20’-0”

EnclaveFall08_David Schwarz Studio

TEAM Patrick McGowan

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SECTION A SECTION A

SECTION B

SECTION CSECTION C

SECTION D

SECTION D

5ELEVATION BRIDGE TO HOTEL

V AT +20

BRIDGE TO CAESARSPALACE AT +20

BRIDGE TO BALLY'S AT+20

BRIDGE TOMONORAIL AT +20

MONORAIL ABOVEAT +30

ENTRY TO FLAMINGO HOTEL

ramp up

ramp down

ramp down for truck access

Las V

egas

Blv

d.

Flamingo Blvd.

+0

+10

+15

+0

+0

+0

+0

+0

+0

+0

-17

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+0

-2 -7-12 -15-10

-17

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Flamingo Port Cochere

Taxi Queue Ground Floor and Basement

Existing Garage

+0

HOTEL LOBBYA: 16,891 sq ft

BOHA: 1,398 sq ft

A: 87 sq ft

LUXURY CAR SHOWROOMA: 17,495 sq ft

BOHA: 662 sq ft

MULTILEVEL RDEA: 20,869 sq ft

RDEA: 2,009 sq ft

RDEA: 2,048 sq ft

RDEA: 2,385 sq ft

RDEA: 13,899 sq ft


RDEA: 9,772 sq ftRDE

A: 10,313 sq ft

BOHA: 3,056 sq ft

A: 330 sq ft

ULTRA SPORTS BARA: 7,812 sq ft

BOHA: 10,497 sq ft

BOHA: 5,999 sq ft

Rock ClimbingA: 18,033 sq ft

PRO SHOPA: 604 sq ft

A: 450 sq ft

ENTRANCE TO FLAMINGO CASINO

Flamingo Casino & Hotel

GROUND +0 LV BLVD

+0

+10

+20

SECTION B

% 93.41% 91.7

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BRIDGE TO HOTELV AT +20





ramp up

ramp down

Las V

egas

Blv

d.

Flamingo Blvd.

+0

+10

+15

+0

+0

+0

+0

+0

+0

+0

-17

+0

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-8

+0

+0

-2

-2 -7-7

-7-7.5

-7.5

-12

-12

-15

-15

-10

-10

-17

-17

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-17

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Flamingo Port Cochere Existing Garage

+0


BOHA: 1,398 sq ft

A: 87 sq ft

LUXURY CAR SHOWROOMA: 17,495 sq ft

BOHA: 662 sq ft


RDEA: 2,009 sq ft

RDEA: 2,048 sq ft

RDEA: 2,385 sq ft

RDEA: 13,899 sq ft


A: 9,772 sq ftRDEA: 10,313 sq ft

BOHA: 3,056 sq ft

A: 330 sq ft

ULTRA SPORTS BARA: 7,812 sq ft

BOHA: 10,497 sq ft

BOHA: 5,999 sq ft

Rock ClimbingA: 18,033 sq ft

PRO SHOPA: 604 sq ft

A: 450 sq ft


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56

78

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5678

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SECTION A SECTION A

SECTION B

SECTION CSECTION C

SECTION D

SECTION D

5ELEVATION

Hall of Fame

CAFE

OPEN TO BELOW

OPEN TO BELOW

+10

+10

+10

+10

+10

+10

+10 +10

01+01+

+10 +10

+10

+10

+10+10

+10

+10

+10

+10

+10

+10+10

+0

+0

BOHA: 3,167 sq ft

RESTAURANTA: 2,819 sq ft

KITCHENA: 1,990 sq ft



KITCHENA: 2,966 sq ft

ULTRA SPORT BARA: 10,483 sq ft

A: 1,881 sq ft

1 2 3 4 5

1 2 3 4 5

HOTEL COORIDORA: 6,771 sq ft

GYMA: 12,292 sq ft

SCALE: 1/32" = 1'-0"MEZZANINE +10

0 16' 32' 64'N

SECTION B

1 2

BRIDGE TO HOTELV AT +20

BRIDGE TO PALACE AT +20




ENTRY TO FLAMINGO HOTEL

Las V

egas

Blv

d.

Flamingo Blvd.

+0

+0

3-2-0+0+0+ 71-21-9-5-

+0

-2

-6

A: 3,571 sq ft

RIDGE TOONORAIL AT +20+++

+0

+0

-6


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SECTION A

SECT

5ELEVATION

Hall of Fame

CAFE

OPEN TO BELOW

+10

+10

+10

+10

+10

+10

+10

+10 +10+10

+0

+0+0 +0

U A: 10,483 sq ft

A: 1,881 sq ft

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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18SECTION A SECTION A

SECTION B

SECTION CSECTION C

SECTION D

SECTION D

5ELEVATION BRIDGE TO HOTEL

V AT +20




+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20

+20+20

02+02+

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+20

+20

+20

+20

+20

+20

+20

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+20

+20+20

+20+20

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02+02+ +20

THEATER LOBBYA: 4,176 sq ft

RDEA: 3,925 sq ft

RDEA: 5,327 sq ft

RDEA: 3,276 sq ft

RDEA: 5,760 sq ft

RDEA: 3,443 sq ft

RDEA: 3,124 sq ft

RDEA: 4,243 sq ft

RDEA: 12,247 sq ft

RDEA: 10,432 sq ft

RDEA: 2,805 sq ft

RDEA: 2,161 sq ft

RDEA: 2,104 sq ft

BOX OFFICE BOHA: 1,485 sq ft

SPORT BAR BOHA: 1,829 sq ft


RDEA: 7,699 sq ft

RDEA: 11,968 sq ft

RDEA: 25,725 sq ft

RDEA: 2,481 sq ft

RDEA: 5,688 sq ft

OFFICE LOBBYA: 2,511 sq ft

OFFICE LOBBYA: 2,454 sq ft

BOHA: 1,839 sq ft

A: 87 sq ft

ULTRA SPORT BARA: 6,608 sq ft

GRILLEA: 2,887 sq ft

A: 328 sq ft


RDEA: 4,583 sq ft

RDEA: 5,167 sq ft

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1 2 3 4 5

A: 980 sq ft GYMA: 10,490 sq ft

RDEA: 5,004 sq ft

R0 +200 16' 32' 64'

+20

0

+10

+20

0

+20

+10

Flamingo Tower

ESCALATOR DOWN TO HOTEL COORIDORESCALATOR UP TO THEATER

SECTION B

On the corner of Flamingo Boulevard and Las Vegas Boulevard, our site is centrally located along the vegas strip. With its prox-imity to Caesars Palace, The Flagmingo, Paris, Bally’s, and the Belagio, this site is arguably the most valuable property along the Las Vegas Strip. Our approach to the site stems from recog-nizing its pivotal role in joining together the 3 adjacent Harrah’s properties. To negotiate the complex requirements of the site to connect its neighbors but retain its own identity, we developed the project with the concept of an enclave.

An enclave is a territory entirely enclosed within another terri-tory. The enclave retains identity, but draws its resources en-tirely from the territory around it. Likewise, our 50 story hotel must negotiate pedestrian flow from its adjacent resorts, but also retain its own brand. Furthermore, to capture the charged corner between Las Vegas Blvd. and Flamingo Blvd, our tower contains in its base an ultra-sports bar with stadium seating and a performance theater, both capturing the activity of the strip in its view and contributing to its intensity.

FLAMINGO TOWER

30 FLOORS OF HOTEL ROOMS 30 FLOORS OF HOTEL ROOMS

SCALE: 1/16" = 1'-0"SECTION A

0 8' 16' 32'

+35'

+35'

+35'STAGEHYDRAULICS

ESCALATOR TO STAGEA: 450 sq ft

THEATER BOHA: 10,307 sq ft

HOTEL BOHA: 898 sq ft

A: 1,136 sq ft

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dressing rooms

+45

+45

+45

+35

+35

+35

greenroom

technical rm

TO STAGEA: 500 sq ft

A: 14,750 sq ft

SCALE: 1/16" = 1'-0"R2 +45

0 8' 16' 32'

A

D

D

A

N

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elevator fromtheater lobby

panelite glass

concession

concession

escalators fromtheater lobby

stage level lobby

+55

+55

+6055+55+

STAGEA: 14,222 sq ft KITCHEN

A: 434 sq ft

SCALE: 1/16" = 1'-0"R3-STAGE +55

+55

0 8' 16' 32'

A

D

D

A

N

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concession

concession

escalators fromtheater lobby

stage level lobby

+55

+55

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STAGEA: 14,222 sq ft KITCHEN

A: 434 sq ft

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+85

+85

CAFE

LOUNGEA: 5,225 sq ftTECHNICAL

A: 264 sq ft

SCALE: 1/16" = 1'-0"R6-LOUNGE +85

0 8' 16' 32'

THEATER SEATSA: 3,328 sq ft

A

D

D

A

N

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THEATERFLYSPACE

TEPEDARIUM

CALDERIUM

FRIGIDARIUM

OFFICEA: 286 sq ft

SPA LOBBYA: 1,486 sq ft

A: 51 sq ft

SCALE: 1/16" = 1'-0"SPA-MEN +105

0 8' 16' 32'

A

D

D

A

N

pool above

waiting area

reception

terrace cafe

terrace cafeterrace cafe

terrace cafe

KITCHENA: 642 sq ft

SKY DECK RESTAURANTA: 8,647 sq ft

SCALE: 1/16" = 1'-0"ROOF 01 +505

A

D

D

A

N

pool above

waiting area

reception

terrace cafe

terrace cafeterrace cafe

terrace cafe

KITCHENA: 642 sq ft

SKY DECK RESTAURANTA: 8,647 sq ft

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open tobelow

open tobelow

SCALE: 1/16" = 1'-0"ROOF 02 +520

0 8' 16' 32'

A

D

D

A

N

SCALE: 1/8" = 1'-0"HOTEL 01 +145

0 4' 8' 16'

SECTION A SECTION A

SECTION D

SECTION D

N

ECOSTYL

STYL STYLSTYL

STYL

ECOECO

ECO

ECO

LUX3

LUX3

LUX3

LUX3LUX2

LUX1LUX2

LUX1

SCALE: 1/8" = 1'-0"HOTEL 03 +165

0 4' 8' 16'

SECTION A SECTION A

SECTION D

SECTION D

N

LUX2

LUX1

LUX3

LUX3LUX3

LUX3

HR

STYLSTYLECOECO ECO

ECOECO

STYL

STYL STYL

SCALE: 1/8" = 1'-0"HOTEL 02 +155

0 4' 8' 16'

SECTION A SECTION A

SECTION D

SECTION D

N

LUX1

LUX2LUX2

LUX2 LUX3

LUX3 LUX3

LUX3STYLECO

ECO ECO

ECO

ECOSTYL

STYL

STYLSTYL

Harrah’s success stems from their ability to adjust their product at a variety of price points. They cater to each customer to extract the maximum profit from every gaming experience. Likewise, the design of Enclave hotel provides a variety of 5 room types in com-bination with different views, resulting in a matrix of price points adjusted by the hour to maximize on affordability and luxury.

suppliment_multiplicitiesMultiplicities are defined by the outside: by the abstract line, the line of flight or deterritorialization according to which they change in nature and connect with other multiplicities.

-Deleuze and Guattari

lushFall08_Professor Brennan Buck

TEAM Cheon-kang Park

From Manuel Delanda’s Interpretation of Deleuze’s In-tensive and Extensive properties, an extensive property change such as a change in volume is always due to an intensive property change such as pressure or tempera-ture. For example, the phase change of water from liquid to ice requires a change in temperature and a seed: the first molecule of H2O to bond with another H2O molecule. We propose to seed the development of a surface by us-ing paper folding as a basis of understanding how primary folding techniques can develop into secondary and tertiary folds.

Our Affective Genre derives from our interest in the devel-opment of field vs figure. To that effect, lushness became our affect to represent our aspiration of field and figure with self-similar parametric shapes.

guide lines offset along z Delaunay triangulation perforation locations offset from triangular boundary

perforation radius deter-mined from z offset

aperture edges used as assemblage control pointsbolted connections as tabs

Documents

Portfolio09