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ELENA SANJUAN Architecture Portfolio Architect_Universidad Politécnica de Madrid Master candidate_IE University

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ELENA SANJUAN Architecture Portfolio

Architect_Universidad Politécnica de MadridMaster candidate_IE University

RESUME

VERAMONTE WINERY, CHILEProfessional projectAsesorías ValdésIn process

DLA PIPER’S OFFICE IN MADRIDAcademic ProjectMaster in Design for Work, Retail and Learning environmentsIE University2015

MADREAT_gastronomic complexMaster ThesisMaster in ArchitectureETSAM, Universidad Politécnica de Madrid2014

ADDITION TO LOUISIANA ART MUSEUM, DENMARKAcademic projectETSAM, Universidad Politécnica de Madrid2011

SAN BLAS REHAB, MADRIDAcademic projectETSAM, Universidad Politécnica de Madrid2012

WORK EXPERIENCE

EDUCATIONAL EXPERIENCE

Interior design consultant for hospitality and residential projects developing general interior design and custom-made furniture design. The �rm has a workshop section where furniture is assembled. My duties include design, budgeting and project supervision for residential refurbishment projects.

Architecture visualisations development for the competition: plaza pública Torres de Tajamar.

Initially carrying a survey on the �nancial costs of subcontracted civil works and the feasibility of creating a civil engineering department. This required e�ective information management and analytical skills. Afterwards, I was part of the London Subway Connect project team studying the most convenient locations for the installation of antennas.

I prepared teenagers for their state exam to gain entrance to Spanish University in technical subjects (Technical Drawing, Mathematics, Physics and Chemistry) and languages (English and French).Communication skills were very important in my job, as well as organization, patience and listening skills.

Master in Design for Work, Retail and Learning environmentsIE School of Architecture, MadridRoyal College of Arts, London

Master in ArchitectureETSAM_Universidad Politécnica de Madrid

Academic exchange year Universidad Central de Chile

Certi�cate in Building acoustics Ecole Nationale Superieure d’Arts et Métiers de Paris_ParisTech

Studies in Civil EngineeringETSI Caminos, Canales y Puertos_Universidad Politécnica de Madrid

Junior Architect with experience in interior design consultancy for hospitality and residential projects as well as furniture design and project supervision for residential refurbishment projects. Master in Architecture graduate from ETSAM, Technical University of Madrid. Currently following a Master program in Design for Work, Retail and Learning environments at IE School of Architecture, Madrid and RCA, London. Strongly interested in workplace design strategies and branding searching for a position in workplace consultancy.

November 2014 - presentArchitect- DesignerAsesorías Valdés_Santiago, Chile

December 2014-January 2015Visual artistSun Architects_Santiago, Chile

2007_3monthsGraduated traineeThales London, UK

2009-2010_1year TeacherAcademia Sylvan_Spain

2015-2016

2007 – 2014

2011-2012

2011

2004 - 2007

ELENA SANJUAN LOPEZbirth date:december 21st, [email protected]

phone:+34620418813//skype: elena-sanjuan

VOCATIONAL TRAINING

PRIZES

LANGUAGES

DESIGN SKILLS

Architectural visualizationsIllustratorAdvanced photoshop

RevitGrasshopperRhinoceros+VRAYDigital fabrication workshopUrban waste management course

Honorable mention: Madreat Master Thesis projectIE Arquitectura+ Prize. Young Architects_Spain 2010-2014

Madreat Master Thesis projectXI Architecture WeekPFC Exhibition. Lasede COAM. Madrid

Casa de América de MadridFirst prize in the photography contest “vacaciones en América”

Ecole Nationale Superieure d’Arts et Métiers de Paris_ParisTechATHENS scholarship to follow a course on building acoustics-(acoustique du BTP)”

Native language

Bilingual

Professional pro�ciency

Basic

2014

2013

2014

2013

2011

Spanish

English

French

German

COAMDAETSAM_Universidad Politécnica de Madrid

DAETSAM_Universidad Politécnica de Madrid

ETSAM_Universidad Politécnica de MadridDum dum lab_Santiago de ChileCátedra ecoembes_Universidad Politécnica de Madrid

2011_TOEFL 113/1202004_Pro�ciency Cambridge University

2004_DELF B2

2013_german for architects duration 50h_Universidad Politécnica de Madrid2010_intensive course duration 60h_CSIM Universidad Complutense de Madrid

AutocadPhotoshopIllustratorRhinocerosGrasshopperRevitVector Works

mediumbasic advanced

Interior design consultant for hospitality and residential projects developing general interior design and custom-made furniture design. The �rm has a workshop section where furniture is assembled. My duties include design, budgeting and project supervision for residential refurbishment projects.

Architecture visualisations development for the competition: plaza pública Torres de Tajamar.

Initially carrying a survey on the �nancial costs of subcontracted civil works and the feasibility of creating a civil engineering department. This required e�ective information management and analytical skills. Afterwards, I was part of the London Subway Connect project team studying the most convenient locations for the installation of antennas.

I prepared teenagers for their state exam to gain entrance to Spanish University in technical subjects (Technical Drawing, Mathematics, Physics and Chemistry) and languages (English and French).Communication skills were very important in my job, as well as organization, patience and listening skills.

Master in Design for Work, Retail and Learning environmentsIE School of Architecture, MadridRoyal College of Arts, London

Master in ArchitectureETSAM_Universidad Politécnica de Madrid

Academic exchange year Universidad Central de Chile

Certi�cate in Building acoustics Ecole Nationale Superieure d’Arts et Métiers de Paris_ParisTech

Studies in Civil EngineeringETSI Caminos, Canales y Puertos_Universidad Politécnica de Madrid

type: Professional projectlocation: Casablanca Valley, Chileyear: in process

Veramonte winery is an organic winery located whithin a vineyard, one hour away from Santiago de Chile, between the Andes Mountains and the Paci�c Coast. The winery’s main building is an old

industrial building with very high ceilings and cold materials.

The aim of the project was to create a visitors centre that would re�ect their commitment to nature and attract visitors to their vineyards.

The approache seeks to introduce a more human scale in the main building that makes it possible for visitors to feel welcome in the huge spaces of the main building and to introduce di�erent activities

into those previously underused spaces.

The main hall has two side spaces in which big wooden slabs structures where built to create the sensation of being in a smaller height space by using a wood beam lattice ceiling. Wood was the main material in the project in order to create a warmer sensation. The design was inspired in the industrial presence of the building, taking care of every detail to make it more elegant and attractive for visitors.

One of the side spaces was designed to have a cafeteria and the sales centre. The other one has public and private tasting spaces. Two private dining rooms where also designed following the same ideas,

creating a wood lattice double ceiling that would create the sensation of a lower the height in the rooms making them more welcoming.

All the furniture was custom designed and is currently undergoing the assembly process.

VERAMONTE WINERY

VOCATIONAL TRAINING

PRIZES

LANGUAGES

DESIGN SKILLS

2014

2013

2014

2013

2011

Spanish

English

French

German

Coci

na

Com

edor

20 p

ers.

Deg

usta

ción

16

per

s.

Vinos Formatos Grandes Modulos Moviles Cafeteria

Espacio para Información

4800

720

Espacio para Mural

Floorplan

Sales centre and cafeteria

Sales centre and cafeteria

Tasting spaces

Tasting spaces Private dining room

THE CANTINE

BLAH BLAH BAHA LOOK HOW AMAZING I THIS SPACE BLA VLA -BALALRWEFWFEFFEF3EF

F2F234FEVEVERVERVERVERV -ECDXSDV

type: academic project, Master in design of work, retail and learning environments, IE Universityyear: 2015team: Edgar Treviño, Ana Fidalgo, Tiziana Meletta and Elena Sanjuán

DLA Piper is a leading global business law �rm. The Spanish team was originally a local �rm, belonging to 5 partners that were

acquired by DLA. They were occupying an o�ce in a very old and aristocratic building, with high ceilings, moldings and heavy doors. However, the �rm started growing and needed to relocate. They wanted to take this opportunity to change the image they conveyed and to demonstrate that, although they are traditional and a very reliable, discreet

and elegant brand, they also innovate and organize themselves in line with the new legal ways of working and trends.

The proposal aims to combine their powerful and professional image of the �rm with their cutting edge, global law �rm character. DLA is di�erent to any other law �rm and that should be re�ected in their workplace design. DLA Piper’s

main focus is a good, open and long lasting relationship with the client. The proposal puts the client at the centre of the design strategy, and making the client feel welcome and secure is the main priority. The central area of the

�oorplan is where the client area is located. The entrance and reception are specially important in this project since they create the �rst impression the clients have of the �rm. The ceiling is a mirrored topographical surface that re�ects the movements of the o�ce and creates an unexpected environment. From the reception, visual connection is created throughout the o�ce, making clients perceivethe whole team is there to work for them. Transparent materials are used

when possible, combined with translucent ones for rooms with con�dentiality requirements such as directors o�ces or conference rooms. Iroko wood is used in furniture (which is custom made) and pavements making the o�ce look

more exclusive and elegant.

Enhancing teamwork is an objective of the project. Unlike more traditional law �rms, di�erent types of work settings for di�erent work positions, are placed together to enable interaction and knowledge sharing between team

members. Phone booths are introduced into open space to minimize acoustic distractions. Shared spaces such as the library, canteen and terrace are designed to make employees feel comfortable at the o�ce as well as creating the

image of a modern, professional �rm.

DLA Piper’s Office in Madrid

PRIVATE OFFICEnº of users_1average sqm_14main use_focuspartition _frosted glass

Floorplan

ASSISTANT WORKSTATIONnº of users_2average sqm_13main use_focus-collaborationpartition_none

SHARED ENCLOSED WORKSPACEnº of users_4average sqm_28main use_focuspartition_glass

WORKSTATION IN OPEN PLAN WORKSPACEnº of users_4average sqm_10main use_focuspartition_none

CONFERENCE ROOMnº of users_10-12average sqm_30main use_external meetingpartition_frosted glass

SMALL MEETING ROOMnº of users_6-8average sqm_14main use_collaborationpartition_glass

FLOOR PLAN

THE LIBRARY

BLAH BLAH BAHA LOOK HOW AMAZING I THIS SPACE BLA VLA -BALALRWEFWFEFFEF3EF

F2F234FEVEVERVERVERVERV -ECDXSDV

FLOOR PLAN

Canteen Library

type: Master Thesis, Universidad Politécnica de Madridlocation: Cuatro caminos, Madridyear: 2014

Madreat is a gastronomic complex that brigs together the di�erent strands of the cuinary world. It integrates a hospitality school, student residence hall, gourmet market, greenhouse and an o�ce

building.

The project involved recicling a large plot which contained degraded industrial buildings. The plot provided a unique opportunity in central Madrid to make a unitary and radical intervention. The aim

was to draw upon the industrial character of the site to create a unique urban landscape within the city. The proposal was conceived as an urban scale hybrid building that could work full time and become

succesfully integrated in the surrounding urban fabric.

The north and south façades are the parts that have a more intense contact with the city. Therefore, on the north side the programs that interact with the existing urban activity are concentrated. A gourmet

market with ready to eat products and an o�ce tower are located there. The o�ces are built for companies in the food sector and contain large kitchens and seating areas interspersed in each �oor. The program is complemented by two big plazas that integrate seating areas and decongest Cuatro Caminos. The �rst is on Reina Victoria Avenue and sets an access to the tower, while the second one includes a large public greenhouse and a cooking material shop. The south façade faces Santander

park, however pedestrian transit is signi�cantly lower than in the north. A hospitality school is introdu-ced as an activator. The student residence hall is also built in the south façade and has great views

towards the park. A big access plaza forms a transition between the school and the park.

The approach seeks to balance density, and sustainable development of the city complementing the existing city and improving it. It is a city within the city. It minimizes ground �oor occupancy to return space to the city as recreation areas to relieve its overcrowded environment. Its façades re�ect the sky and the surrounding buildings making its presence lighter and less agresive. It is a reinterpretation of

the industrial character of the site that gives back to the city an obsolete area transforming it into a multiple skill intervention.

MADREAT_gastronomic intervention

Urban context. Access and plazas floorplan

general structure

Urban context. Access and plazas floorplan

general structure

+12m floorplan

San Blas rehablocation: San Blas, Madridyear: 2012team: María Iglesias, Théo Canu, Marco Tesmann, Filippo Lafleur, Jorge Enríquez and Elena Sanjuán

The neighborhood of Hellin in the San Blas district, was built as a part of a social housing development plan in 1957. This neighborhood is an example of excess and deserti�cation of

public spaces with oversized walkways and large squares without vegetation, urban furniture or purpose.

Additionally, the land is uneven across the area resulting in height di�erences that are countered by the use of ramps and stairs. The homogeneity of the residential typology is only altered by the

commercial heart of the neighborhood in disuse. The typology of the �shbone style housing brings its own empty corners sometimes full of garbage and sometimes generating a phenome-

non of ppropriation of spaces on the ground �oor on behalf of the neighbors.

The creation of themed activity squares was the initiative chosen to renew the residential fabric and to solve the issues of deserti�cation, residual spaces and the general inactivity of the

neighborhood. A square for skaters and one for entrepreneurs were some of the spaces concei-ved for this purpose. Furthermore, the rehabilitation of the central market, the o�ce buildings

and the housing was deemed necessary for this same purpose. These spaces will be interlinked by a green ring and bicycle lane whilst all other vehicles will remain at the parking lot in the perimeter of the

neighborhood.

There will be work done on the housing too. Each four house module will be expanded from 675 to 951 square feet a new light structure façade will be built. This will allow houses to have

balconies and will in this way liven up part of the deserti�ed public spaces. This façade will contribute to a feeling of continuity in the streets making the most of residual spaces. The uneven

parts of land will be smoothed with additional vegetation that will also guarantee privacy between terraces in the ground-�oor.

Finally, the commercial heart of the neighborhood will be refurbished. The use of installations like those by Andrés Jaque in El Matadero (Escaravox, 2012) will create open-air market spaces where a provisional market could be placed. A special treatment will be given to the land to counter the

height di�erences measured above.

type: acedemic project, Universidad Politécnica de Madridyear: 2011

Louisiana Art Museum was willing to intensify its relationship with the community by o�ering alternative ways of experiencing art. The aim was to enable people to experience the work of art since its creation

collaborating in it.

The Museum is located in a meadow with sea views, next to a forest. The old building has a program focused on observation as experience of art. Glazed corridors and galleries reinforce the relationship with

the open landscape that surrounds it and introduce the perception of landscape and views as works of art. The new intervention requires a more intimate atmosphere appropriate for creation. The new

building will be located inside the forest protected by thirty metre high trees that create an intimate environment. The idea is to transform the conceptual di�erence between the two buildings in di�erent

ways of relating with the surrounding landscape.

The program combines administration areas, indoors and outdoors workshops, auditorium, public cafeteria, library and a semiprivate area with artist dwellings and common areas. The main space is a

patio which articulates the program remaining as the main core and a controlled outdoor area.

Dwelling area is divided in fragments that house small private units with open views to the forest. Individual sleeping and working spaces are included in each unit. The entrance to units takes place

through transition spaces that can be either included to private areas or added to the expansible corridor conceived as a common living space. Common cooking, eating, working and relaxing areas complete the

dwelling units promoting relationship between artists.

The circulation pattern is continuous and melts into programmatic spaces establishing relationships between them. Flexibility was the main premise for spaces, in order to make it possible to adapt to

di�erent situations depending on the conditions required. Therefore mobile surfaces are used to either divide or combine working spaces, and to modify permeability towards the forest.

Addition to Louisiana Art Museum

First floorGround floor