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Paul Jacob Bartsch

portfolio + drawing journal

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Developing a professional resume in graphic form. Showing examples of the type and quality of work which I have completed in first year. Its presentation should demonstrate design and visual excellence. The Drawing journal will be reflective of semester one’s daily and weekly engagement with the practice of drawing through observation and analysis.

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Page 1: portfolio + drawing journal

Paul Jacob Bartsch

Page 2: portfolio + drawing journal

CONTENTSPage One / 1DESIGN STUDIO 1

Built ground comparison of Dubrovnik, Croatia Sydney, Australia

Page Two / 2DESIGN STUDIO 1

Detail of landscape 1x1 meter quadrant of hard-scape, soft-scape & combination

Page Three/ 3 HISTORY THEORY 1

Analysis of Seagram Building & Fransworth House by Ludwig Mies van der Rohe TWA Flight Centre & Dulles Terminal by Eero Saarinen

Page Four / 4 REPRESENTATION 1

Drawing Journal Hands

Page Five / 5 REPRESENTATION 1

Drawing Journal Text

Page Six / 6 REPRESENTATION 1

Drawing Journal Cubes

Page Seven / 7 REPRESENTATION 1

Assignment 1: Barr Smith Sketch

Page Eight / 8 REPRESENTATION 1

Assignment 2: Collage of Barr Smith Sketch

Page Nine / 9 REPRESENTATION 1

Assignment 3: Praline + Perspective Projection

CONTACT INFORMATIONEmail

[email protected]

Mobile0435012648

Paul Jacob Bartsch

Page 3: portfolio + drawing journal

Dubrovnik, Croatia Cityscape SketchesUnderstanding built form and the relationship between a cities buildings through high contrasting layout. Allowing fluent reading of the cities sectors (residential vs. commercial etc.) and in turn it’s character.

PAGE ONE

Sydn

ey, A

ustr

alia

“Cities were always like people, showing their varying per-sonalities to the traveller. Depending on the city and on the traveller, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain in-dividual to glory, it will destroy another who is not suited to its personality.”- Roman Payne

Page 4: portfolio + drawing journal

Detail understanding and representing different landscape forms and their materiality, environment and context.PAGE TWO

Hard

-sca

pe

Soft-

scap

e

Hybr

id

Page 5: portfolio + drawing journal

Analysis of historically significant buildings which are the first commercial examples of new materiality in, steel, aluminium and glass for Ludwig Mies van der Rohe’s rationalist Sea-gram Building & Fransworth House and the use of structural concrete in the expressionist TWA Flight Centre & Dulles Terminal by Eero Saarinen.

PAGE THREE

Page 6: portfolio + drawing journal

HANDS Essential technique.

PAGE FOUR

“Think of the line as a living thing, and the drawing as his legacy” -Paul Klee

Page 7: portfolio + drawing journal

HAND PRINTED TEXT Essential technique.

PAGE FIVE

Page 8: portfolio + drawing journal

CUBES Essential technique.

PAGE SIX

Mental unpacking of unknown forms, understanding 3-dimentinal objects and representing them in 2-dimentinal space.

Page 9: portfolio + drawing journal

Assignment 1: Barr Smith SketchPAGE SEVEN

Page 10: portfolio + drawing journal

Barr Smith

Paul BartSch

Assignment 2: Collage of Barr Smith SketchPAGE EIGHT

Page 11: portfolio + drawing journal

PAGE NINE

Assignment 3: Praline + Perspective Projection

Accurate & Compelling Drawings High Quality, precise drawing in graphite, with strong sheet composition line-weight and line-type consideration, crafting and understanding of each individual line on the heavy weight hot-pressed paper; and how each line if successfully drawn/placed can produce a aesthetically and theoretically engaging end product which can not only inform but please.

Page 12: portfolio + drawing journal

Assignment 3: Praline + Perspective ProjectionPAGE TEN

“Drawing makes you see things clearer, and clearer, and clearer still. The image is passing through you in a physiological way, into your brain, into your memory - where it stays - it’s transmitted by your hands.”- Martin Gayford