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PORTFOLIO 2019 APICHAYA WANTHIANG
Burn, Rage, Rise
2019, at Heimdal Kunstforening, Heimdal, Norway
Top left: Installation view showing light filter installation Top right: A rush of anger. acrylic on canvas, 148 x 196 cm (view of painting through doorway, located on the right of the light filter installation)
Bottom left and right: Details light filters
Images: Diana Lindbjerg
Burn, Rage, Rise
2019, at Heimdal Kunstforening, Heimdal, Norway
Top left: From up above, acrylic on canvas, 297 x 105 cm (Installation view of painting stretched on frame, and a bench with nine photographic prints) Top right: It rises. acrylic on canvas, 293 x 187 cm (view of bench with photographs and painting, through doorway.)
Bottom left: Detail of one of the 9 photographs Bottom right: Detail of painting It Rises
Images: Diana Lindbjerg
Li Binyuan, Anna Daniell, Johannes Engelsen Espedal, Herman Mbamba, Apichaya Wanthiang (Groupshow) 2019, at Galleri Brandstrup Oslo, Norway
detail of ‘Initiation rites I-XII’ Measurements: each frame 24 x 32cm Materials: acrylic on wall, water color on paper framed.
Evil Spirits Only Travel in Straight Lines
2018, at UKS (Young Artists’ Society), Oslo, Norway
Installation view showing entrance corridor, heated clay sculpture, alternating ‘breathing’ led cycles, and videos of Spirit festival.
Measurements variable Materials: wood, drywall, foam, clay, textile, projection, heating cables.
Images: UKS
Evil Spirits Only Travel in Straight Lines
2018, at UKS (Young Artists’ Society), Oslo, Norway
Installation view of heated clay sculptures, alternating led cycles, and of the mayflies video.
Measurements variable materials: wood, drywall, foam, clay, textile, projection, heating cables.
Images: UKS
Driftwood and Ghost Hunters
2018, at Landsforeningen Norske Malere, Oslo, Norway
Painting: 182cm x 321cm Materials: canvas, acrylics, nails, wood, concrete
Image: Niklas Lello
Driftwood and Ghost Hunters
2018, at Landsforeningen Norske Malere, Oslo, Norway
Installation view and detail. Materials: canvas, acrylics, wood, concrete
Image: Niklas Lello
Driftwood and Ghost Hunters
2018, at Landsforeningen Norske Malere, Oslo, Norway
Installation view Materials: canvas, acrylics, wood, concrete
Image: Niklas Lello
Driftwood and Ghost Hunters
2018, at Landsforeningen Norske Malere, Oslo, Norway
Installation view and detail. Materials: canvas, acrylics, wood, concrete
Image: Niklas Lello
Driftwood and Ghost Hunters
2018, at Landsforeningen Norske Malere, Oslo, Norway
Painting: 181cm x 297cm Materials: canvas, acrylics, nails, wood, concrete
Image: Niklas Lello
Driftwood and Ghost Hunters
2018, at Landsforeningen Norske Malere, Oslo, Norway
Painting: 194cm x 297cm Materials: canvas, acrylics, nails, wood, concrete
Image: Niklas Lello
31 Buildings a collaboration with architect Cristian Stefanescu
2018, at Hordaland Kunstsenter, Bergen, Norway
Immersive installation, reconstructing an industrial Romanian building in 1:1 scale (view from inside the exhibition space) . Measurements variable materials: wood, drywall, paint.
Images: HKS
31 Buildings a collaboration with architect Cristian Stefanescu
2018, at Hordaland Kunstsenter, Bergen, Norway
Immersive installation, reconstructing an industrial Romanian building in 1:1 scale (view from outside the exhibition building, and the cellar) . Measurements variable materials: wood, drywall, paint.
Images: HKS
While The Light Eats Away at the Colors
2017 Stiftelsen 3,14 Bergen, Norway
Installation view: a painterly installation consisting of 8 large paintings
Measurements variable Materials: Canvas, acrylics, wood, nails
Concrete is Stranger than Fiction in collaboration with architect Cristian Stefanescu
2017, at Hordaland Kunstsenter, Bergen, Norway
An exhibition in progress working through source material (photograph, video, measurements) we’ve collected of abandoned industrial building along the rail track between Bucharest - Brailla, Romania.
The final instalment consisted of a scenographic, linear display of the cardboard models, placed on the elongated side of the space. Visitors entered a dark room, slowly as their eyes adjust to the room they notice a light track. As the light moves on the track it illuminates the cardboard models. The light created shadows of the models along the wall, simulating the experience of looking over a landscape while in a moving vehicle/train.
All Digressions Aside
2016, Barents Spektakel, Kirkenes, Norway and Nikel, Russia
This is a twofold outdoors installation connecting neighbouring towns Kirkenes and Nikel. The project consisted of two identical storytelling huts, one in each town. Each hut housed a live-stream of the landscape and stories of the neighbouring city. The stories were controlled by temperature sensors, measuring the heat produced by the fire inside each hut. When a visitor enters one of the huts, and lights the fireplace, a sensor sends stories from one hut to the other. The stories were about the locals day-to-day lives, and how they perceive their environment; both places affected by pollution from the mining industries.
Supporting team: architect Cristian Stefanescu, IT developer Sindre Sorensen, carpenter Erik Solheim
Without Waiting for her Reply
2014, USF-visningsrommet, Bergen Norway
I n s t a l l a t i o n c o n t a i n i n g t w o w o o d e n constructions, a video projection, weight sensors, 2 channel - synced video loop 40’’ and sound
A night exhibition, showing the sun rising in Thailand in real time. The amount of visitors in the space, determined the rotation of the webcam in Thailand, so that the framing of the image on the screen was directly related to the visitors presence.The wood structures are based on Thai rest houses, the 2 channel video showed on one side images of repetitive everyday actions, and the village band performing traditional songs and on the other side, text translating the conversations during the activities and translating the song.
Supporting team: architect Cristian Stefanescu, IT-developer Sindre Sorensen, electronic developer Roar Sletteland and carpenter Eirik Solheim.
