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Plot Motifs and the Plot Motifs and the Biblical Narrative Biblical Narrative Class Session 4b © John Stevenson, 2008

Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

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Page 1: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Plot Motifs and the Biblical Plot Motifs and the Biblical NarrativeNarrative

Class Session 4b

© John Stevenson, 2008

Page 2: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

What are the basic What are the basic characteristics of the characteristics of the classical Hollywood classical Hollywood

film?film?

Page 3: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Major Plot MotifsMajor Plot Motifs

• The Romance / Love Story

• The Quest / Journey

• The Flight / Escape

• The Comedy

• The Sacrifice

• The Tragedy

• Redemption

• The Metamorphosis / Coming of Age

• The Battle between Good & Evil

Page 4: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Major Plot MotifsMajor Plot Motifs

• The Romance / Love Story

• The Quest / Journey

• The Flight / Escape

• The Comedy

• The Sacrifice

• The Tragedy

• Redemption

• The Metamorphosis / Coming of Age

• The Battle between Good & Evil

Page 5: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and the The Biblical Narrative and the Battle between Good & EvilBattle between Good & Evil

The Seed Motif

Page 6: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Seed of the WomanSeed of the Serpent

Abel & SethCain

Lamech

Enoch

Noah

ShemHam

AbrahamCanaan

Page 7: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Seed of the WomanSeed of the Serpent

Ishmael Isaac

Abraham

JacobEsau

Whose Seedare You?

Page 8: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative as a The Biblical Narrative as a Love StoryLove Story

• The Old Testament Romance (Ezekiel 16)

• The New Testament Romance Revelation 19)

The Romance of RedemptionThe Romance of Redemption

Page 9: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative as a The Biblical Narrative as a QuestQuest

• Creation– Quest for a people– Quest for a land

• Israel– Quest for a people– Quest for a land

• The Church– Quest for a people– Quest for a heavenly kingdom

Page 10: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Hebrews 11:8-10Hebrews 11:8-10 By faith Abraham, when he was

called, obeyed by going out to a place which he was to receive for an inheritance; and he went out, not knowing where he was going. 9 By faith he lived as an alien in the land of promise, as in a foreign land, dwelling in tents with Isaac and Jacob, fellow heirs of the same promise; 10 for he was looking for the city which has foundations, whose architect and builder is God.

Page 11: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Hebrews 11:13Hebrews 11:13All these died in faith, without

receiving the promises, but having seen them and having welcomed them from a distance, and having confessed that they were strangers and exiles on the earth.

Page 12: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Hebrews 11:14-16Hebrews 11:14-16For those who say such things

make it clear that they are seeking a country of their own. 15 And indeed if they had been thinking of that country from which they went out, they would have had opportunity to return. 16 But as it is, they desire a better country, that is, a heavenly one. Therefore God is not ashamed to be called their God; for He has prepared a city for them.

Page 13: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and the The Biblical Narrative and the EscapeEscape

• Escaping the Presence of God (Genesis 3)

• Escaping the Flood (Genesis 6-9)

• Escaping Egypt (Exodus 1-15)

• The King Escapes (2 Samuel 15)

• The Escape of the Greater King (Matthew 2)

• The way of our escape

Page 14: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and the The Biblical Narrative and the SacrificeSacrifice

• The Coats of Skin (Genesis 3)

• Abraham (Genesis 6-9)

• The Passover Lamb (Exodus 12)

• The Sacrificial System (Leviticus)

• The Lamb of God (John 1:29)

Page 15: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and the The Biblical Narrative and the TragedyTragedy

• The Older Brother Motif– Cain– Ishmael– Esau– The Prodigal Son

• Too Little, Too Late– Lot’s wife– The Rich Man & Lazarus

Page 16: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and the The Biblical Narrative and the ComedyComedy

• Tragedy and the Nature of Comedy

• Examples of Biblical Comedy– Adam hiding from God– Ehud and Eglon (Judges 3)– Abimelech and the millstone (Judges 9:52-55)– The Philistines and the Ark of God (1 Sam 5)– The fool (Psalm 19:1)– The Foolishness of the Cross (1 Cor 1:18)

Page 17: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and The Biblical Narrative and RedemptionRedemption

• The Exodus Event

• The Redemption Laws

• Ruth, a Romance of Redemption

• Jesus as Redeemer

Page 18: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and The Biblical Narrative and MetamorphosisMetamorphosis

• The First Adam

• The Last Adam

• The Transfiguration

• Our Transfiguration

And do not be conformed to this world, but be transformed by the renewing of

your mind… (Romans 12:2)

Page 19: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Biblical Narrative and The Biblical Narrative and MetamorphosisMetamorphosis

• The First Adam

• The Last Adam

• The Transfiguration

• Our Transfiguration

Beloved, now we are children of God, and it has not appeared as yet what we will be. We know that when He appears, we will be like Him, because we

will see Him just as He is. (1 John 3:2)

Page 20: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008
Page 21: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Are all “family” films worth Are all “family” films worth watching? If not, what watching? If not, what separates worthwhile separates worthwhile

family films from those family films from those that are not?that are not?

Page 22: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

“Showing the perspectival nature of popular art can

turn the tables on the mainstream culture by

demonstrating that all art and music reveals life perspectives that are

ultimately driven by moral and religious convictions

and can be critically

evaluated along these lines.”

Page 23: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Should evil be Should evil be graphically graphically depicted in depicted in

modern forms modern forms of art?of art?

Page 24: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

How are the themes of

forgiveness and redemption portrayed in popular art?

Page 25: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008
Page 26: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

Why do people – Christians Why do people – Christians included – want, even included – want, even

demand happy endings?demand happy endings?

Page 27: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

The Quest The Quest for Happy for Happy EndingsEndings

Page 28: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008

What should What should Christians make Christians make

of our cultural of our cultural obsession with obsession with living happily living happily ever after?ever after?

Page 29: Plot Motifs and the Biblical Narrative Class Session 4b © John Stevenson, 2008