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PINOCCHIOROSELAND MUSICAL & FRANC ALEU https://vimeo.com/192602342
PINOCCHIO_____________________________________________________________
Imagine the following atmosphere, a stage illuminated by a soft light, in front of the stage a transparent tulle allows us to see the background of the stage, the big screen shows the place where our story begins, we hear some strange and metallic sounds, suddenly someone come into the stage dragging a big bag.
Something is about to be alive inside the bag; we are going to meet our main character.
Between the tulle and the background screen, only two characters perform and interact with the virtual characters that are projected on the tulle and on the background screen.
With more than 150 performances this show took part in several Internationals festivals as:
• Haifa International Children’s Festival. Israel (2012)• The Calgary International Chidren’s Festival. Canada (2013)• Bergen International Children’s . Norway (2014)• The International Theatre Festival for Children „100, 1.000, 1.000.000 stories” (2015): The Jury’s
Special Award• Festival Internacional Cervantino (2017): Cuilacán and Mazatlán (Festival Sinaola 2017), México
D.F, León, Guanajuato, Mérida (VI Festival Internacional de la Cultura Maya).• Festival Iberoamericano de Teatro de Bogotá 2018• NAJ, NAJ, NAJ Festival Zagreb, Croatia 2018. The Goden Bird awardfor the best performance of
the festival
PINOCCHIO_________________________________________________________SUMMARY
This Pinocchio of 21st century is inspired by the
novel written by Carlo Collodi almost two centuries
ago,
A show which combines dance, music and visual art
tells the story of Pinocchio using the linguistic codes
of our times: the new technologies, the syncretism of
the arts and aesthetics, the image over the word and
the integration of people of all ages.
For an hour the mythical character comes to life
thanks to the creative love of his father, the famous
Geppetto, who in this version builds Pinocchio with
cans, newspapers and other recycled materials.
Jiminy Cricket, in its virtual appearances, as always
symbolizes the consciousness that wants to prevent
Pinocchio against his temptations.
Tangled in situations renovated from the classic tale,
Pinocchio moves through an animated mutant
scenery enveloping the viewer in a fantasy world full
of references, feelings and emotions.
ARTISTIC AND MANAGEMENT TEAM
Artistic direction : Marta Almirall
Audiovisual direction: Franc Aleu
Choreographic direction: Anna Planas
Script: Manel Veiga
Music: José Manuel Pagán
Dancers: Mariona Camelia and Marcos Elvira
Video technician: Marcel Bagó
Lighting technician: Gonzalo Colosia
_______________________________________________________________MORE IMAGES
__________________________________________________________ROSELAND MUSICAL
Since 1983, Roseland Musical produces and distributes dance performances for all
audience especially for children. Our goal was and is to produce quality shows in every aspect
of creation, which is why the company has worked from the start with professionals in each artistic
field. Dancers as Montse Colomer, Alicia Perez - Cabrero, Francisco Loberas, Mercedes Recacha,
Rafael Mendez, Luis Mendez, among others, have participated in our productions.The music
has been specially created for each of our shows by composer José Manuel Pagán (2011 Gaudí
Award for Best Original Music of the movie "Pa Negre"). Our scripts by David Cirici in a first stage
and in a second by Manuel Veiga, are born from original and daring ideas adapted to our
language, which is the dance. Artists of such stature as Franc Aleu (National Prize of Culture,
Audiovisual category 2012), Perico Pastor, Ines Batllo, Montserrat Ginesta and Rosa Ros have
provided the company with a exceptional job as a stage designers.
In 2007 the company received the National Prize of Culture in Dance category becoming the first
company of family audience to receive this award.
The career of the company is supported by 10 productions that have been performed in
many countries, "Flit, Flit" (1990), "Crazy Face " (1993), "The House by the Window" (1997),
"A Thousand and One Nights" (1999), "The country without a name" (2001), "Roseland
Canal" (2004), "Catalonia Stars" (2007), "The triplets and Leonardo da Vinci" (2008 ), "Navy
Blue" (2009) and the show on tour "Pinocchio" (2010). The company has produced a new project
in the artistic line of Pinocchio; it is a free version of the novel written in 1864 by Jules Verne,
"Journey to the Center of the Earth".
Roseland has participated in important festival as:
•Feria Europea de Teatro para ninos FETEN. España (2011, 2015) with Pinocchio and Journey to the center ofthe earth•Haifa International Children’s Festival. Israel (2012) with Pinocchio•Festival Cadiz en Danza. España (2012) with Pinocchio•The Calgary International Chidren’s Festival. Canadá (2013) with Pinocchio•Bergen International Children’s . Noruega (2014) with Pinocchio•Festival GREC 2015, Barcelona, coproducer of Journey to the center of the earth•2The International Theatre Festival for Children 100, 1.000, 1.000.000 stories” (2015 ) Special Jury Price for ourAudiovisual Direction of Pinocchio•Festival de Théâtre Le Grand Bornand, Haute-Savoie, France (2016) with Journey to the center of the earth•Festival Saperlipopette Montpellier (2017) with Journey to the center of the earth•57th International Children' s Festival. Sibenik, Croatia (2017) with Journey to the center of the earth•25th Kotor Festival of Theatre for Children, Montenegro (2017) with Journey to the center of the earth•Festival Internacional Cervantino, México (2017) with Pinocchio•Festival Iberoamericano de Bogotà (2018) with Pinocchio•NAJ, NAJ,NAJ Festival in Zagreb, Croatia. Best performance Award for Pinocchio
____________________________________________ FRANC ALEU: Multidisciplinary artist
Visual artist, at present candidate Goya Award for Best New Director for the film El somni del Celler
de Can Roca, winner of the 2013 edition of Premis Nacionals de cultura de la Generalitat de
Catalunya in the audiovisual section for the impact of his visual creations that make a singular and
unique, emotional stage experience. Through its scenic and visual effects videography, he has
captivated audiences for theater, dance and opera, he premiered as well in theaters and opera
houses in the world such as El Gran Teatre del Liceu in Barcelona, La Scala in Milan, La Monnaie in
Brussels , the Teatro Colon in Buenos Aires, the Florence Maggio and Taschenoper Wiener Vienna
among others. This allowed him to work with the most prestigious conductors in the world, Zubin
Mehta, Valery Georgiev, Lorin Maazel and Kirill Petrenko.
His eclecticism makes his work to cover other creative disciplines such as visual projections on
facades of landmark buildings (mappings Barcelona’s city hall, the Catalan Parliament, etc..),
Advertising, design, conceptualization and direction of all kinds of events , the architectural design of
exhibition pavilions as happened in the Expo Zaragoza 2008 where he designed the exhibition
building Extreme Water, conceptualized and he also conducted all the exhibition content of the
building. Besides his artistic side, he gives master classes and lectures about his work in major
European cultural centers such as Milan, Cologne, Madrid and Barcelona. http://www.francaleu.com
Franc Aleu and El Celler de Can Roca lead us to el somni of all senses
The image, the art, the music, the taste and smell, are united in a cross-media work piece: an opera-dinner about the cyclical journey of human existence. A dream through twelve emotions that takes us to the table where the dinner will be held, where the kitchen and video creation are transformed into a new artistic experience. A reference piece of art and cuisine that breaks the boundaries of creation themselves to offer a total perception of beauty.
To see the 12 acts
Münchhausen (2011) Turandot (2011) Mapping “El Llac dels Cignes” · Mercè’11 · La Casa Màgica – Mapping Ajuntament Barcelona Mercè’11
Sonntag aus Licht (2011) Quartett (2011) Tristan et Isolde (2011) Mapping sobre plats al Celler de Can Roca (2011)
Window of the City (2010) Pinocchio (2010) Splash (2010) Tannhäuser (2010)
Der Lichtmaler Franc Aleu (2009) Götterdämmerung (2009) Le Grand Macabre (2009) Scan Girl (2009)
Les Troyens (2009) Rauxa Visual Siegfried (2008) Pavelló Agua Extrema (2008)
___________________________________________________ MANUEL VEIGA: Playwright
Graduate from Institut del Teatre de Barcelona
Resident actor at the National Theatre of Catalonia for “16.000 pessetes”.
Writes in Catalan and Spanish. Has published and premiered several texts in Barcelona, Madrid
(España), Buenos Aires (Argentina), La Habana (Cuba), Montevideo (Uruguay), Puerto Rico, Lima
(Perú), Chile, Toronto and Saskatoon (Canadá).
His plays has been traslated into English, French and Greek. In 2011 he won The Premi LLeida for
“Allà on la ciutat del Candel canviava de nom”, in 2009 he won Gaudi Academy Catalonia Film Prize
for best short film for “Turismo” (based on a text by the author). Accesit SGAE 2006 and finalist
International Onassis Prize for “Cartones”, finalist in the Premi Fundació Romea 2005 for
“Aluminosi”, Premi M. de Pedrolo 2004 for “El Cant de la Sirena”, Premi Serra i Moret 2001 for
“Trayecto final”, Premi Nacional SGAE 97 for “Recreo”, Premi S. Espriu 95 for “La mort dins una
barilla de naips” and Premi AADPC 95 for “Tempesta de Neu”. He has been awarded a grant from the
Institució de les Lletres Catalanes in order to write a new text.
PUBLISHED WORK
THE THOUSAND AND ONE NIGHT Release (Catalan version) ROSELAND MUSICAL. (January 2001)
Release (Spanish version) -Published (Catalan version) Ed Casals (Barcelona) - Published (Spanish
version) Ed Casals (Barcelona)
ONE HOUR OF HAPPINESS Release (Catalan version): Sala Muntaner in Barcelona. Directed by
FREDERIC RODA I FABREGAS. Cast: PILAR MARTINEZ, IMMA BRACONS and MANUEL VEIGA
(December 1997)Release (Spanish version) Puerto Moon Theatre Montevideo (Uruguay). Directed by
LUCIA ARBONDO. Cast: GABRIELA IRIBARREN, DANIEL BERGOLO and PAULA PICCIATTORE.
(November 2002)
JAR (CARMEN AMAYA IN MEMORIAM)
Premiere: T. Adrià Gual (December 1993) and the Sala Triangulo Madrid (May 1995). Directed by:
ISABEL RODRIGUEZ. Cast: PILAR MARTINEZ and MANUEL VEIGA.
Published in Antonio Machado theatrical collection. (Ed. Viewer / Eastern) and in Entreacte the
journal of the Catalonia Association of Professional Actors and Directors
. CANAL ROSELAND .Premiered in October 29, 2004 Festival Temporada Alta Girona. ROSELAND
MUSICAL
http://www.manuelveigadramaturgia.net
___________________________________________ ANNA PLANAS: Choreographic director
Graduate in Dance. Classical Dance Specialty
Theatre Institute of Barcelona. High school of Drama and Dance.
2015 Choreographic direction of the show "Journey to the Center of the Earth" a
production by Roseland Musical and Franc Aleu
2014 Artistic director of Badalona Christmas Parade
Artistic direction of some venues of Mercè Festival.
2011 – 2013 Artistic director of Badalona Christmas Parade
Artistic direction of some venues of Mercè Festival.
2010 Barcelona Christmas Parade. Artistic team coordinator.
Choreographic direction of the show "Pinocchio" a production by Roseland Musical
and Franc Aleu
2009 Barcelona Christmas Parade. Artistic team coordinator.
10 years of THEATRE ZORRILLA. Artistic direction
2008 Assistant director and choreography of the show“Catalonia Stars”. Roseland
Barcelona Christmas Parade. Artistic team coordinator.
EXPO ZARAGOZA 2008. Opening ceremony. Choreography
Festes de la Mercè. Artisitc direction of Fabra i Coats venue.
2007 Barcelona Christmas Parade. Artistic team coordinator.
Assistant director and choreography.of the show “Crazy face” by Roseland Musical.
2006 Assistant stage direction and choreography of the show “Els músics de Bremen” a
Gran Teatre del Liceu production.
2004 Barcelona Christmas Parade. Chariot of King Melchior. Assistant director and
choreography.
Universal Forum Cultures. Assistant director and choreography.
“The thousand and one night” by Roseland Musical. Dancer and choreographer
assistant
GAMPER Ceremony . Barcelona football club
TECHNICAL REQUIREMENTS OF PINOCCHIO BY ROSELAND MUSICAL
STAGE: 10 X 10 m x 5 m
1.50 m free space next to the stage in both sides
3 entrances each side
Height of the scenography: 4.5 m
SOUND: 1 mixer
P.a. powerful enough for the space
2 monitors on just two points in the scenario
Power amplifiers and wiring needed
LIGHTING: 21 P.C. 1000 w
19 cuts 50º
2 cuts 15º/30º
4 par 64 Nº1 (very narrow)
4 par 64 Nº2 (narrow)
33 channel dimmer 2 kW.
Programmable lighting console
Structures needed to set-up 3 streets in each side of the stage
TECHNICAL REQUIREMENTS
Black linoleum floor
Venetian black camera with 3 streets
Rear Projection Screen 8m x 6m
1 Ethernet cable from the technical control cabin to the rear projector
1 Ethernet cable from the technical control cabin to the frontal projector
2 DVI cables, 2 long meters each one
1 computer screen with keyboard and mousse
An open rod for hanging the curtain of tulle between the mouth and the first electrified rod
it’s basic that theatre provides 2 projectors, one minimum 12.000 lumens projector with the appropriate optic
according to the projection distance and the other with 8.000 lumens overhead projector.
2 lighting technicians and 1 stagehand
2 dressing rooms
SETTING UP:
6 hours minimum
Technical Manager of light and sound:
Gonzalo Colosia: 650559184 - [email protected]
Video technician:
Jordi Pont: 626082178 – [email protected]
Show’s duration: 55 min.
BOCA ESCENARIO
--------------------------------------------------------------------------.5 M APROX.--------------------------------------------------------------------- --------------------------------------------------------------------------PROYECTOR RETRO----------------------------------------------------------------------- FONDO DE ESCENARIO
___________________________________________________________Contact information
Artistic production: Ester Rodriguez
Distribution and communication: Silvia Framis
Eugeni d’Ors 12
08028 Barcelona
cell: +34639667498 / +34630027286
Suported by: