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Grade 2.5FJH young BAND
2525 Davie Road, Suite 360 Fort Lauderdale, Florida 33317-7424
www.fjhmusic.com
Hear and download thispiece at www.fjhmusic.com
FJH is now using a high-speed sorting system for parts. As a result, all single page parts are collated before multiple page parts.
RESPLENDENT LIGHT (ON WALDEN POND)
Tyler S. Grant
1 - Conductor’s Full Score 8 - Flute 2 - Oboe 2 - Bassoon 5 - B≤ Clarinet 1 5 - B≤ Clarinet 2 2 - B≤ Bass Clarinet 4 - E≤ Alto Saxophone 2 - B≤ Tenor Saxophone 2 - E≤ Baritone Saxophone 4 - B≤ Trumpet 1 4 - B≤ Trumpet 2 4 - F Horn 2 - Trombone 1 2 - Trombone 2
2 - Baritone / Euphonium
2 - Baritone T.C. 4 - Tuba1 - String Bass (opt.)1 - Timpani1 - Mallet Percussion 1
Crotales2 - Mallet Percussion 2
Bells Vibraphone
2 - Percussion 1 Suspended Cymbal Bass Drum3 - Percussion 2 Wind Chimes Triangle Crash Cymbals
Instrumentation
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2The ComposerTyler S. Grant (b. 1995) has written numerous award-winning works for concert bands, marching bands and chamber groups; many of which have been performed across the world and by musicians of all levels. His wind band music is regularly found on Editor’s Choice Lists from various international music distributors in addition to being performed by various district and state-wide honor bands. His work Panoramic Fanfare was recently named a winner in the 2014 “Call for Fanfares” Competition hosted by the Dallas Wind Symphony; the fanfare has since been performed by collegiate/professional ensembles in the United States, Canada, and British Columbia. He regularly accepts commissions for new works and produces new publications for bands and chamber groups each year. While he has never formally studied composition, he credits his mentors William Owens, Brian Balmages, and Ryan Fitchpatrick as being pivotal to his success as a composer and a conductor. Notable performance venues of his work include: The Midwest Clinic, The Macy’s Thanksgiving Day Parade, Carnegie Hall, and numerous statewide and national music conventions.
In addition to his writing, Tyler regularly serves as guest conductor/clinician for school districts and honor bands at the elementary, junior high, and high school levels. His rehearsal style has been described as “engaging and energetic, sprinkled with humor and the occasional life lesson.” Tyler has contributed numerous interviews to articles in School Band & Orchestra Magazine and Instrumentalist Magazine.
Tyler is currently pursuing his Bachelor’s Degree in Music at the University of Alabama, where he studies conducting with Randall Coleman. He holds membership in the American Society of Composers, Authors, and Publishers (ASCAP), International Tuba Euphonium Association (ITEA), and the National Association for Music Education (NAfME).
Program NotesMore often than not, the circumstances of life seem to happen when we least expect; at least, that’s the way it felt upon the genesis of Resplendent Light. Commissioned by a school in Concord, Massachusetts, it was suggested to me to use Henry David Thoreau’s Walden as a source of inspiration for this serene and introspective work. Anyone who has read Walden knows that one of the prominent overarching tones is “reflection.” I had just sketched the first few melodic ideas for the work when I received the horrific news that my grandfather had passed away after a long battle with heart disease. While we knew that his health condition was declining, we were unaware just how fast the disease would compromise his stability. Upon the death of a loved one, one can’t help but become immersed in self-reflection - reflecting of my own life, my heritage, and the lives of those around me. Much like the way Thoreau chose to distance himself from the rest of the world in order to reflect, I spent several weeks blocking out the noise of our perpetually loud world to focus on these reflective thoughts.
Upon returning to work on the piece, I began to notice parallels between the concepts in Thoreau’s text and the way my grandfather lived most of his life. While he did not share Thoreau’s viewpoint of transcendentalism, he was a simple man who lived most of his life on a farm in West Virginia. Seldom would he allow the “noise” of the outside world to pollute his life. He was self-reliant and taught his children to be the same. In many ways, this work became a tribute to his life and how, even though he is no longer here, his legacy still shines through those he knew.
The title derives from the tenth chapter of Walden. In his somewhat borrowed description of the “resplendent light” at sunset, it accurately portrays the many mornings that I spent on the West Virginia farm that holds a significant place in my childhood.
Resplendent Light was commissioned by the Concord Middle School Bands of Concord, Massachusetts and is dedicated to the memory of my grandfather, Robert Tabler Grant (1936-2015). My deepest thanks to directors Paul Halpainy and Christopher Noce for their belief in my work and for making this piece possible.
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Copyright © 2016 The FJH Music Company Inc. (ASCAP).International Copyright Secured. Made in U.S.A. All Rights Reserved.
WARNING! The music, text, design, and graphics in this publication are protected by copyright law. Any duplication is an infringement of U.S. copyright law.
TYLER S. GRANT (ASCAP)
Hear and download this piece at www.fjhmusic.com
Duration: 5:30 commissioned by the Concord Middle School Bands Concord, Massachusetts; Paul Halpainy and Christopher Noce, Directors
RESPLENDENT LIGHT(On Walden Pond)
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b
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b
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b b b
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Flute
Oboe
Bassoon
1
2
B≤ Bass Clarinet
E≤ AltoSaxophone
B≤ TenorSaxophone
E≤ BaritoneSaxophone
12
F Horn
12
Baritone /Euphonium
Tuba
String Bass (Opt.)
Timpani
Mallet Percussion 1(Crotales)
Mallet Percussion 2(Bells, Vibraphone)
Percussion 1(Suspended Cymbal,
Bass Drum)
Percussion 2(Wind Chimes,
Triangle,Crash Cymbals)
B≤ Clarinets
B≤ Trumpets
Trombones
w
∑
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∑
w
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∑
∑
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∑
∑
w
∑
∑
w
stagger breathe
stagger breathe
bowed
Wind Chimes
p
p
p
p
Andante lirico (Π= 66)
Andante lirico (Π= 66)
(A≤, B≤, E≤)
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∑
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2
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w
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∑
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∑
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3
w
P
solo
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∑
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w
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∑
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∑
∑
∑
Œ .˙
Ó Œ œ œ
∑
4
w
Bells
P
w
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∑
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w
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∑
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∑
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∑
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∑
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∑
5
w
w
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∑
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∑
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6
w
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4
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&
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÷
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b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~
w
∑
∑
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w
solo
7
7
P
P
Bar. Solo
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w
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8
w
w
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w
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∑
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∑
∑
∑
∑
9
w
w
∑
∑
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w
∑
∑
∑
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∑
∑
œ .˙
∑œ .˙
∑
∑
∑
∑
∑
∑
10
w
∑
∑
w
w
w
wb
œb œ œ œ ˙
w
∑
∑
w
∑
wb
∑
∑
∑
w
∑
∑
11
∑
tutti
tutti
tutti
11
11
P
P
P
P
P
P
P
P
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∑U
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∑U
∑U
∑U
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12
Ó Œ —U
Vibraphone
Triangle (l.v. always)
P
P
P
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5
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b b b
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Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
w
w
w
œ œ œ œ
œ œ œ œ
w
œ œ œ œ ˙
w
w
∑
w
ww
w
∑
∑
∑
˙ Ó
w
∑
13
∑
p
p
p
p
p
p
p
A tempo
A tempo
play
∑
∑
˙ ˙
œ œ œ œ
œ œ œ œ
˙ ˙
˙ ˙
˙ ˙
˙ ˙
Œ œ œ œ
˙ ˙
˙ ˙
˙ ˙
∑
∑
∑
w
∑
∑
14
∑
P
a2
Œœ œ ˙
Œ œ œ ˙
w
Œ œ œ ˙
Œ œ ˙
w
.˙ œ
w
w
w
.˙ œ
ww
w
ww
∑
Ó ˙
Œ jœœ œ ˙
∑
15
± Ó
p
p
p
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˙
˙˙
˙
˙
œ œ œ
˙
˙
˙
œ œ œ
˙
˙
˙˙
Ó
˙˙
∑
16
∑
Sus. Cym.
œ œ œ œ
œ œ œ œ
˙ ˙
œ œ œ œ
œ œ œ œ
œ œ œ œ
œœ œœ œœ œœ
˙ ˙
œ œ œ œ
Ó œ œ
œ œ œ œ
˙ ˙
˙ ˙
œ œ œ œœ œ œ œ
w»
∑
œœ œœ œœ œœ
·»
17
∑
div.
p
p
p
p
p
p
p
P
p
p
p
rit.
rit.
œ œ œ œ
œ œ œ œ
˙ œ œ
œ œ œ œ
œ œ ˙
œ œ œ œ
œœ œœ ˙
œ œ ˙
œ œ œ œ
œ œ ˙œ .˙
œ œ ˙
œ œ ˙˙ œ œ
˙ œ œ
œ œ œ œœ œ œ œ
w»
∑
œœ œœ œœ œœ
·»
18
ÓF
B1683
6
&
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&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
˙Ó
˙ Ó
˙ ˙
˙ Ó
˙ Ó
˙ ˙œ œ œ œ œœ œ œ œ œ
˙ ˙
˙ Ó
œ œ œ œ œw ˙
˙ ˙
˙ ˙
˙ ˙
˙ Ó
∑
˙ Ó
· Ó
19
Ó
19
19
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
A tempo (Π= 66)
A tempo (Π= 66)
∑
∑
w
∑
∑
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
∑
.˙ œ œ
ww
w
.˙ œ œ
.˙ œ œ
∑
∑
Œ œœ ˙
∑
20
Œ — ±
∑
∑
˙ ˙
∑
∑
˙ ˙œ œ œ œ œœ œ œ œ œ
˙ ˙
∑
œ œ œ œ œ˙ ˙
˙ ˙
˙ ˙˙ ˙
∑
Ó ˙
ww
∑
21
∑
F
∑
∑
˙ ˙
Ó Œ œ œ
Ó Œ œ œ
˙ ˙
.œ œ œ œ œ œ
.œ œ œ œ œ œ
˙ ˙
∑
.œ œ œ œ œ œ
˙ ˙
˙ ˙
˙ ˙
˙ ˙
∑
˙ Ó
∑
·»
22
∑
F
F
p
∑
∑
˙ ˙
œ œ œ œ œ
œ œ œ œ œ
˙ ˙
œ œ œ œ œ
œ œ œ œ œ
˙ ˙
∑
œ œ œ œ œ
˙ ˙
˙ ˙
˙ ˙˙ ˙
∑
∑
∑
· Ó
23
∑F
Ó Œœ
Ó Œ œ
œ œ ˙
œ œ œ œ ˙
œ œ ˙
œ œ ˙œ œ œ œ ˙
œ œ ˙
œ œ ˙
Ó Œ œ
œ œ ˙
œœ œœ ˙
œ œ ˙
œ œ ˙œ œ ˙
Ó »
Ó ˙
∑
Ó ·»Ó»
24
∑
harmon mute (2 players)
1.
f
f
p
p
f
B.D.
p
B1683
7
&
&
?
&
&
&
&
&
&
&
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&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
.˙ œ œ
.˙ œ œ
Jœ ‰ Œ Ó
.˙ œ œ
.˙ œ œ
jœ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
.˙ Œ
jœ ‰ Œ Ó
Jœœ ‰ Œ Ó
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
Jœ ‰ Œ Ó
œ Œ Ó
œ Œ Ó
∑
¿ Œ Óœ ŒÓ
25
— — — —f
f
f
f
f
f
f
f
f
Pf
f
f
f
f P
f
P
P
f
˙ œ œ œ œ
˙ œ œ œ œ
˙ œ œ
˙ œ œ œ œ
˙ œ œ œ œ
œ œ ˙
œ œ ˙
∑
œ œ ˙
∑
œ œ ˙˙ ˙˙ œ œ
˙ œ œ
œ œ ˙∑
∑
∑
∑
∑
26
∑
P
P
P
P
P
P
P
P
œ ˙ œ œ
œ .˙
œ .˙
œ ˙ œ
œb .˙
œb .˙
œ .˙
∑
œb .˙
∑
œ .˙œœ ..˙
œ .˙
œb .˙
∑
Ó ˙œœ
∑
Ó ˙˙
·» ¿ ŒÓ ˙
27
∑
solo
p P
P
P
P
.˙ œ œ
∑
.˙ œ
Jœœ œœ Jœœ ˙˙
.˙ œ
.˙ œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
w
jœœ œœ jœœ ˙˙
∑
28
± Ó
div.
28
28
p
p
p
p
p
p
.˙ œ œ
Ó Œ œ œ.˙ œ
jœœ œœ jœœ œœ œ œ
.˙ œ
.˙ œ
Œ œ œ œ
Ó Œ œ
Ó Œ œ
∑
Ó Œ œ
Ó Œ œœ
Ó Œ œ
Ó Œ œ
Ó Œ œ
∑
∑
jœœ œœ jœœ ˙
∑
29
± Ó
tutti
p
p
p
p
p
p
p
p
p
p
œ œb œ œ
œ œb œ œ
˙ ˙
œ œb œ œ
œb œ œ œ
˙b ˙
œb œ œ œ
˙ ˙
˙b ˙
∑
œb œ œ œ
˙ ˙
˙b ˙
˙b ˙
˙b ˙
∑
wb
∑
∑
30
∑
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&
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&
&
&
&
&
&
&
&
?
?
?
?
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&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
œ ˙ œ
œ ˙ œ
w
œ ˙ œ
˙ ˙N
w˙ ˙N
w
w
∑
˙ ˙Nww
w
w
w
∑
∑
∑
∑
31
∑
P
P
P
P
P
P
P
P
P
P
P
P
P
P
.˙ œ œ œ
.˙ œ œ œ
.˙ œ
Jœœ œœ Jœœ ˙˙
.˙ œ
∑
.˙ œ
.˙ œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
jœœ œœ jœœ ˙˙
∑
32
± Ó
p
p
p
p
p
p
p
p
œ .˙
œ .˙˙ ˙b
˙ ˙
˙ ˙b
˙ ˙˙ ˙
˙ ˙b
˙ ˙
Ó Œ œ œ
∑
∑
∑
∑
∑
∑
∑
jœœ œœ jœœ ˙
∑
33
± Ó
open
p
p
p
tutti
w
ww
w
w
ww
w
w
œb œ .œ jœ
∑
∑
∑
∑
∑
∑
∑
ww
∑
34
∑
∑
∑
œ œ œ œ ˙
w
Œ ‰jœ œ œ œ œ
œ ˙ œŒ ‰ jœ œ œ œ œ
œ œ œ œ ˙
œ ˙ œ
wwŒ ‰ jœ œ œ œ œ
œ œ œ œ˙
œ œ œ œ ˙
œ ˙ œ
œ ˙ œ
w»
w
∑
·»
35
∑
a2
p
p
p
p
p
p
p
p
p
p
p
Œ œ œ œ
Œ œ œ œ
˙ ˙
˙ ˙
œ œ œ œ œ
˙ ˙œ œ œ œ œ
œ œ ˙
˙ ˙
œœ œ œ œ
œ œ œ œ œ˙ ˙
˙ ˙
˙ ˙
˙ ˙
w»
w
Œ œ œ œ
·»
36
Ó ˙
a2
F
W. Ch.
B1683
9
&
&
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
.˙ œ œ
.˙ œ œ
‰ Jœ œ ˙
.˙ œ œ
œ œ œ ˙
jœ. œ jœ. ˙
œ œ œ ˙
‰ jœ œ ˙
jœ. œ jœ. ˙
..˙˙ œœ œœ
œ œ œ ˙
‰ Jœ œœ ˙˙
jœ. œ jœ. ˙
jœ. œ jœ. ˙Jœ. œ Jœ. ˙
jœ œ jœ ˙
∑
.˙ œ œ
· Ó
37
w
a2
37
37
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
F
Con moto (Π= 72)
Con moto (Π= 72)
.˙ œ œ
.˙ œ œ
‰ Jœ œ ˙
.˙ œ œ
‰ jœ œ œ œ œ œ
jœ. œ jœ. ˙‰ Jœ œ œ œ œ œ
‰ jœ œ ˙
jœ. œ jœ. ˙
..˙ œ œ
‰ Jœ œ œ œ œ œ
‰ Jœ œœ ˙
Jœ. œ Jœ. ˙
jœ. œ jœ. ˙Jœ. œ Jœ. ˙
jœ œ jœ ˙
∑
.˙ œ œ
∑
38
∑
a2
a2
œ œ œ œ
œ œ œ œ
œ œ ˙
œ œ œ œ
œ œ ˙
jœ. œ jœ. ˙
œ œ ˙
œ œ ˙
jœ. œ jœ. ˙
œ œœ œœ œ
œ œ ˙
œœ œœ ˙
jœ. œ jœ. ˙
jœ. œ jœ. ˙Jœ. œ Jœ. ˙
jœ œ jœ ˙
∑
œ œ œ œ
∑
39
∑
a2
˙ œ œ
˙ œ œ
˙ œ œ
˙ œ œ
‰ jœ œ œ ˙
˙ œ œ
‰ Jœ œ œ ˙
˙ œ œ
˙ œ œ
˙ œ œ
‰ Jœ œ œ ˙
˙ œœ œœ
˙ œ œ
˙ œ œ˙ œ œ
w»
∑
˙ œ œ
·»
40
∑
.˙ œ œ œ
.˙ œ œ œ
‰ Jœ œ ˙
.˙ œ œ œ
œ œ œ œ ˙
jœ. œ jœ. ˙œ œ œ œ ˙
‰ jœ œ ˙
jœ. œ jœ. ˙
..˙˙ œœ œœ
œœ
œ œ œ œ ˙
‰ Jœ œœ ˙˙
jœ. œ jœ. ˙
jœ. œ jœ. ˙Jœ. œ Jœ. ˙
jœ œ jœ ˙
∑
.˙ œ œ œ
· Ó
41
∑
a2
F
w
w
˙ ˙b
w
œ .˙
˙ ˙
œ .˙
˙ ˙b
w
˙ Œ œ œ
œ .˙
˙ ˙b
w
ww
∑
∑
w
∑
42
∑
a2
a2
rit.
rit.
B1683
10
&
&
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
˙Ó
˙ Ó
˙ ˙
˙ Ó
˙ Ó
˙ ˙
˙ Ó
˙ ˙
˙ ˙
œb œ .œ jœ
˙ Ó
˙ ˙b
˙ ˙
˙ ˙
˙ ˙
Ó »
∑
˙ Ó
Ó ·»Ó»
43
Ó
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
F
∑
∑
w
∑
∑
w
∑
w
w
w
∑
w
w
w
w
w
∑
ww
¿ Œ Óœ ŒÓ
44
w
a2
44
44
F
p
F
F
F
F
F
F
F
F
F
Tranquillo (Π= 66)
Tranquillo (Π= 66)
∑
∑
w
∑
∑
w
∑
w
w
w
∑
w
w
w
w
∑
∑
ww
∑
45
∑
·»
·»
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Ó ˙
ww
∑
46
∑
RAIN EFFECT: snap fingers softly, yet rapidly
rain effect:
p
·»
·»
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ Ó
ww
Ó»
47
∑p
·»
·»w
w
w
w
˙ œ œ
w
w
·»˙ œ œ
∑
·»
·»
·»
·»
∑
ww
» œ Œ
48
∑
48
48
p
p
p
p
p
p
p
p
F p
rain effect:
rain effect:
rain effect:
rain effect:
rain effect:
·»
·»w
w
wn
w
w
w
w
·»w
∑
·»
·»
·»
·»
Ó ˙
ww
∑
49
Óp
B1683
11
&
&
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
·»
·»
∑
∑
∑
∑
∑
∑
∑
·»
∑
∑
·»
·»
·»
·»
˙
˙˙
∑
50
·»
·»
w
w
w
w
œ œ œ œ
w
w
·»
œ œ ˙
∑
·»
·»
·»
·»
∑
ww
∑
51
∑
∑
∑
w
w
wn
w
œ# .˙
w
w
·»
w
∑
·»
·»
·»
·»
∑
ww
∑
52
∑
Œ œ œ œ œ
Œ œ œ œ œ
w
w
w
w
˙ œ œ
w
w
·»
˙ œ œ
ww
·»
·»
·»
·»
∑
ww
∑
53
Œ .±
play; enter at random and repeat(do not coordinate rhythm with others)53
53
p
p
p
p
Tri.
w
w
wn
w
w
w
w
·»
w
wwn
·»
·»
·»
·»
∑
ww
∑
54
Œ .±
w
w
w
w
œ œ œ œ
w
w
∑
œ œ ˙
ww
∑
∑
∑
∑
∑
ww
∑
55
Œ .±
w
w
wn
w
œ# œ œ œ
w
w
Œ œœ œœœœ
w
wwn
∑
∑
∑
∑
∑
ww
Ó ·»
56
Œ .±
play
P
p
B1683
12
&
&
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
Œ œb œ œ
Œ œb œ œ
œb .˙b
Œ œb œ œ
Œ œb ˙
jœb œ jœ ˙Œ œb ˙
œb œ ˙b
jœb œ jœ ˙
wwbb
Œ œb ˙
œb œ ˙bœb .˙b
œb .˙b
jœb œ jœ ˙
Jœb œ Jœ ˙
w
∑
∑
¿ Œ Ó
57
∑
play
play
play
play
57
57
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
poco accel.
poco accel.
œ ˙˙ œ
œ ˙ œ
w
œ ˙ œ
w
ww
w
w
ww
w
wwA
w
w
w
∑
∑
∑
∑
58
∑
div. œ œb œ œ
œ œb œ œ
œb .˙b
œ œb œ œ
Œ œb ˙
jœ œ jœ ˙Œ œb ˙
œb œ ˙b
jœ œ jœ ˙
wwb
Œ œb ˙
œb œ ˙bœb .˙b
œb .˙b
jœb œ jœ ˙
Jœb œ Jœ ˙
w»
∑
∑
·»
59
∑
p
p
œ ..˙˙
œ .˙
w
œ .˙
w
ww
w
w
www
ww
w
w
w
w»
∑
∑
·»
60
∑
rall.
rall.
Cr. Cym.
brass mallets (struck)
˙˙U
U
∑U
U
∑U
∑U
∑U
∑U
∑U
∑U
∑U
∑U
∑U
∑U
∑U
œ ŒU
˙˙U
˙U
¿ ŒU
61
·Uf
f
f
f
f
f
f
f
ww
w
˙ ˙
w
œ œ œ ˙
˙ ˙œ œ œ ˙
˙ ˙
˙ ˙
œœ œœ œœ œ œ
œ œ œ ˙
˙ ˙
˙ ˙
˙ ˙
˙ ˙
˙ ˙
∑w
w
∑
62
∑
a2
62
62
f
f
f
f
f
f
f
f
f
f
A tempo (Π= 66)
A tempo (Π= 66)
Œ œ œ œ œ
Œ œ œ œ œ
w
œ œ œ œŒ œ œ œ œ
Œ œ œ œ œ
wŒ œ œ œ œ
w
w
ww
Œ œ œ œ œ
ww
w
w
w
w>œœ
www
w
∑
63
∑
soar!
soar!
soar!
soar!
soar!
soar!
B1683
13
&
&
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
œ œ œ œ
œ œ œ œ
˙ œ œ
œ œ œ œœ
œ œ œ œ
˙ œ œœ œ œ œ
˙ œ œ
˙ œ œ
œœ œœ œœ œœ
œ œ œ œ˙ œœ œœ
˙ œ œ
˙ œ œ
˙ œ œ
w»
∑w
w
·»
64
∑
p
p
œ œ œ œ œ
œ œ œ œ œ˙ ˙
œ œ œ œ œ
˙ ˙
˙ ˙˙ ˙
˙ ˙
˙ ˙
œœ œœ œœ œ œ
˙ ˙
˙ ˙
˙ ˙
˙ ˙˙ ˙
˙ ˙
www
w
· Ó
65
∑
a2
f
f
.˙ œ œ
.˙ œ œ
Œ œ> >
.˙ œ œ
.˙ œ
w.˙ œ
Œ œ> >
w
.˙ œ œ.˙ œ
.˙ œ
Œ œ> >
Œ œ> >
ww
wœœ >www
w
∑
66
∑
a2
w
w
w
˙ œ œ
˙ œ œ
ww
w
w
ww
˙ œ œ
w
w
ww
w
∑
∑
·»
67
w
p
p
rit.
rit.
W. Ch.
∑
∑
˙ ˙
œ œ œ œ œ
˙ ˙
jœ œ jœ ˙
œ œ œ œ œ
˙ ˙
jœ œ jœ ˙
∑
˙ ˙
∑
˙ ˙
jœ œ jœ ˙
Jœ œ Jœ ˙
∑
∑
∑
· Ó
68
Ó
P
P
P
P
P
P
P
P
P
P
P
∑
∑
œ œ ˙
œ œ œ œ ˙
œ œ ˙
œ œ ˙œ œ œ œ ˙
œ œ ˙
œ œ ˙
∑
œ œ ˙
∑
œ œ ˙
œ œ ˙œ œ ˙
∑
∑
∑
·»
69
∑p
B1683
14
&
&
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
&
÷
÷
b b b
b b b
b b b
b
b
b
b
b
b b
b b b
b b b
b b b
b b b
b b b
b b b
b b b
Fl.
Ob.
Bsn.
1
2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
12
Bar. /Euph.
Tuba
St. Bass
Timp.
Mlt. Perc. 1
Mlt. Perc. 2
Perc. 1
Perc. 2
Cls.
Tpts.
Tbns.
ÓU Œœ œ
ÓUŒ œ œÓÓ
U Ó
˙U Œ œ œ
˙U Ó
˙U Ó
U Ó
˙U Ó
˙U Ó
ÓU Ó
˙U
Ó
ÓU Ó
U Ó
˙U Ó
UÓ
ÓU Ó
ÓU Ó
ÓU Ó
·U
Ó
70
ÓU Ó
Fl.
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"P
P
P
A tempo
A tempo
.˙ œ œ
.˙ œ œ
∑Œ œ ˙
.˙ œ œ
Œ œ ˙
Œœ ˙
Œ œ ˙
Œ œ ˙
Œ œ ˙
∑
∑
∑
∑Œ œ ˙
∑Œ œ ˙
Œ œ ˙
∑
∑
∑
∑
71
∑
T. Sax.
B. Sax.
71
71
.˙ œ
.˙ œ∑
w
.˙ œ
˙ ˙
w
˙ ˙
w
w
∑
∑
∑
∑w
∑w
w
∑
∑
∑
∑
72
wP
w
w∑∑
w
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
w
Œ œœn œœ œœ
∑
73
Ó
bowed
solop
p
rit.
rit.
p
p
p
w
w
∑
w
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ Ó
ww
∑
74
∑
wU
wU
wU
wU
∑U
wU
∑U
wU
wU
∑U
wU
wwU
wU
wU
wU
wU
∑U
wwU
∑U
75
∑U
play
p
p
p
p
p
p
p
p
p
p
p
play
play
B16
83
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