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PIANKA PAUL portfolioarchitecture
Rensselaer Polytechnic Institute
04 10 16
Urba[n]aturePurbachal, Dhaka, Bangladesh Critic: Jeremy Carvelho
Spring 2013; Fall 2012 Summer 2012 Fall 2011
Governors HookNew York City, NY Critic: Mitchell Joachim
Dynamic Horizontal BandsDundee, UK.
Critic: Mark Mistur; Demetrios Comodromos
CONTENT
24 26 30
Spring 2011 Fall 2010 Spring 2010
Operatic Operations Istanbul, Turkey
Critic: Sulan Kolatan
Radiant Air BalticRiga, Latvia
Critic: Joe McDonald
Shakers Regimen -Artifact -Pavilion -Museum Mount Lebanon
Critic: Erik Carver; Andrew Sanders
RAIN WATER COLLEC-TION CHAMBER
LANDSCAPE CONTINUES TO THE SKIN OF THE BUILDING
OPENING THROUGH THE EXTERIOR SKIN ALLOWS SUNLIGHT AND HELPS WITH THE NATURAL VENTILATION
NETWORK OF ROADS
Urbanization that protects nature
URBA[N]ATURE
| 4
|OPENING THROUGH THE EX-TERIOR ENVELOPE ALLOWS SUNLIGHT AND HELPS WITH THE NATURAL VENTILATION
MIX USE PUBLIC SPACES FOR RESIDENCE
SOME APARTMENTS WITH DOUBLE HEIGHT
INTERIOR SPACES OF THE RESIDENTIAL APARTMENT
WALKING PATHS
The design proposes a continuous woven structure along the river sides, where there is an integration of agricultural with housing and infrastructure. This continu-ous structure creates a landscape, where it works as an open public spaces, agri-cultural fields and sometimes become the roof top of a building. Through layering, it links different functions throughout the site. To control the flood and rain water, the drainage system directs the water flow from river and other areas to linked wetlands for collection and purifi-cation. As part of the program, bio-gas hills with open plazas at the top are used for energy production, different height of fields are used for agriculture growth, creating social integration by mixing resi-dential apartments for middle and upper class citizen and settlement housing for poor farmers.
|5
| 6
Flood prone areas
Rainfall totals
Flood Depth
The topography of Bangladesh is basically low-lying, flat alluvial land with an extensive network of rivers and channels. The total land area is 147, 570 sq km, where 80% is flatland, and 20% land is 1 meter or less above sea level. Its geographical lo-cation makes it prone to heavy rains, floods, and high intensity storms which cause immense loss of life and property almost every year. On top, the snow melt from Himalayas causing the sea water rise and making the extreme Floods more destructive in this deltaic country. The monsoon climate is definitely one of the reasons behind flooding; it brings lush green landscape all year round with rain-bearing winds, warm temperatures and humidity. Flooding also makes the land very fertile. Therefore, agriculture is the single largest producing sector of the economy for this poor country. Because of these natural disasters and seeking for better economic opportunities, many villagers have abandoned agricul-tural work and forced to move nearby cities, which increases the population density as well as the growth rate of slums or unplanned informal settlements of those areas. As population increases in the cities, problems of sanitation, air and water quality, energy consumption, and need of housing also increases. To reduce this load, areas near the cities are getting intro-duced with urbanization, which effecting the agricultural lands.
|7
SITE
SITE
SITE
SITE
Flood prone areas
Rainfall totals
Height above Sea Level (m)a
Flood Depth
SITE HEIGHT ABOVE SEA LEVEL ~ 8m OR 26ft.
TOTAL RAINFALL ON SITE~ 150 mm.
ON AVERAGE THE SITE IS NOT FLOOD PRONE AREA
SITE FLOOD DEPTH ~ (100-200)cm OR (3-6)ft.
OLD DHAKA INDIGENOUS PATTERN
NEW DHAKA INFORMAL LAYOUT
COEXISTENCE OF PLANNED & NON PLANED
NEW DHAKA GRID PATTERN
NEW DHAKA PLANNED SCHEME
COEXISTENCE OF PLANNED & NON PLANED
AT THE END OF THE DRAINAGE BRANCH
WETLAND NEXT TO ONE SIDE OF THE DRAINAGE BRANCH
WETLAND BOTH SIDE OF THE DRAINAGE BRANCH
WETLAND AND AGRICULTURE
FIELD BOTH SIDE OF THE DRAINAGE
BRANCH
WETLAND AND AGRICULTURE
FIELD NEXT TO THE DRAINAGE BRANCH
WETLAND NEXT TO THE MAIN DRAIN-
AGE
CREATING CORRIDOR SPACE
CIRCULATION THROUGH THE CROSS SHAPE KNOTTED STRUCTURE
| 8
GREEN SPACE
ELEVATED AGRICULTURE FIELD
CONTINUED PATH;CONNECTED WITH THE RESIDENTIAL APARTMENT BUILDING
RESIDENTIAL APARTMENTS FOR MIDDLE CLASS AND UPPER CLASS PEOPLE
DOUBLE LAYER SKIN; THE EXTERIOR MONOLITHIC FORM HELPS TO DIRECT THE RAINWATER FOR STORAGE AND TO DRAINAGE
|9
INFORMAL SETTLEMENTS FOR POOR PEOPLE
STRAWS LAID ON TOP OF TIN ROOFBAMBOO WOVEN WALL
HOUSING COULD BE DEVELOPED LATER BASED ON THE ABILITY OF THE RESIDENCE OPEN LOCAL FARMERS MARKET
PAVED OPEN PLAZA, EXTENDED LANDSCAPE FOR PUBLIC GATHERING
BIO-GAS PLANT
FARMERS COULD SELL THEIR GOOD AT THE NEARBY MARKET PLACE
SIMPLE INITIAL STRUCTURE
tidal marsh industry future
01 GOVERNORS ISLAND NATIONAL MONUMENT02 SERPENTINE CHANNEL + SEDIMENT CATCHMENT03 CORAL COAST SOFT INFRASTRUCTURE04 PARTY TOWER05 BROADWAY INFRASTRUCTURE + HOUSING
06 BROADWAY BRIDGES07 TRANSPORTATION HUB BUILDING08 ATLANTIC STADIUM09 BROOKLYN BATTERY TUNNEL ENTRANCE + BQE10 GREENBELT FINGERS
01
04
07
03
02
06
08
10
Resilient Waterfront InfrastructureGOVERNORS HOOK
| 10
future
Commercial / Office Buildings
Transportation & Utility
Parking Facilities
Vacant Land
All Others or No Data
Industrial / Manufacturing
open Space and Outdoor Recreation
Public Facilities & Institutions
Residential Buildings
Mixed Residential & commercial Buildings
05
09
10
Resilient Waterfront Infrastructure
|11
| 12
>late 1600sBy 1684 all Native Americans were sold to European settlers
1900 - 1950sMass urbaniza-tion of the East River Shore
1776 - 1783 British occupation of NY metro area
1834 Brooklyn is officially a city
1934 - 1968 Robert Moses completes 13 expressways in New York City + Brooklyn
1936 - 1964 The Brook-lyn Queens Expressway is planned and complet-ed costing $137 million
early 1900s Fill from the excava-tion for the Lexington Subway line adds 103 acres of Governors Island to total 172 acres in 1912
> 1600s Governors Island is called Pagganck (Nut Island) by the Manha-tas Indians, who lived on the island, for the hickory, oak and chestnut trees
1966 - 1996 Governors Island is used for the National Coast Guard
1966 - 1996 Governors Island is used for the National Coast Guard
1920s - 1960s Red Hook is the busi-est freight port in the world
1960s - 1990s Hooverville is a nickname given to the Red Hook neighborhood due to large numbers of homeless
1636 - 1776 Red Hook is settled by Dutch immigrants, who created tidal mill ponds in low lying areas
1840s Entrepre-neurs built ports along the coast
development timelineHISTORY
1600 1700 1800 1900 2000
BROOKLYN
RED HOOK
GOVERNORS ISLAND
1636 Dutch Coloniza-tion of New Amsterdam (New York) settled Roode Hoek (Red Hook)
1664 English Conquest of New Amsterdam (Dutch New York)
1637 Walter Van Twiller from Holland purchases Governors Island from the Lanape for 2 ax heads, a string of beads, and a handful of nails
1776 Forts constructed on Governors Island + Red Hook
1839 City of Brook-lyn publishes a plan to create streets
1964 BQE completed
1918 Governors Island rail road constructed 2001 22 acres
of Gover-nors Island is preserved as a national monument
2001 The US government sells Governors Island to the NY public for $1
2007 Design competition to redevelop Governors Island
1990 LIFE maga-zine named Red Hook as worst neighborhood in the US
1860 Brooklyn is the third largest city in the USA
1848 the Great Fire of Brooklyn
1883 Brooklyn Bridge is built
1858 water infrastructure established from Ridgewood Reservoir
RED HOOK
GOVERNORS ISLAND
|13
THE SITE
Brooklyn is the most populous of New York Citys five boroughs, with approximately 2.5 million residents, and the second-largest in area. Since 1896, Brooklyn has had the same boundaries as Kings County, which is now the most populous county in New York State and the second-most densely populated county in the United States, after New York County (Manhat-tan). It is also the westernmost county on Long Island.Brooklyn was an independent city until it was annexed by New York City in 1898. It continues to maintain a distinct culture. Many Brooklyn neighborhoods are ethnic enclaves where particular ethnic groups and cultures predominate.Brooklyns official motto is Eendraght Maeckt Maght. Written in the (early mod-ern spelling of the) Dutch language, it is inspired by the motto of the United Dutch Provinces and translated Unity makes strength. The motto is displayed on the borough seal and flag, which also feature a young robed woman bearing fasces, a tra-ditional emblem of republicanism. Brook-lyns official colors are blue and gold. (wikipedia.com)
278
278
495
495
UPPER BAY
LOWER
MANHATTAN
BROOKLYN
STATEN ISLAND
REDHOOK
GOVER-NORSISLAND
BROOKLYN HEIGHTS FORT
GREEN
EAST
RIV
ERHU
DSO
N
RIVE
R
WIL-LISAMS-BURG
PARK SLOPE
ProspectPark
Manhattan Bridge
WilliamsburgBridge
Queens Mid-town tunnel
Queensboro Bridge
Brooklyn Bridge
Brooklyn Navy Yard
Brooklyn Bat-tery Tunnel
CentralPark
GOWANUS
BAY RIDGE
GREEN WOOD
The Governor's Hook encompasses the south Brooklyn neighborhood of Red Hook and Governors Island. It focuses on the issue of storm water retention in the Brooklyn waterfront and feeds into a large research area of sea level affecting coastal areas and cities. The design proposes an investigation of adaptive reuse of former military ves-sels to create a riparian buffer zone that deals with issues of surges and flood management in New York Harbor. Instead of keeping the water out, the infrastructure is designed to let the water in.
| 14
|15
Brooklyn Battery
Tunnel
red hook + governors island
UPPER BAY
278
278RED HOOK
Brooklyn CruiseTerminal
Coffey Park
Governors Island National Monument
Fort Jay
Ikea
Erie Basin
Atlan
tic B
asin
Gowa
nas C
anal
CARROLL GARDENS
COBBLE HILL
COLUMBIA STREET WATERFRONT DISTRICT
The horizontal concrete bands imply a solid wall but have unique penetra-tions to provide a porous and solid juxtaposition of material. This dynam-ic motion confronts the urban waterfront, transitions into the facade and is embedded into the Tay River. A fluid language between context and build-ing envelope literally flow into the river to capture the rise and fall of the waters tide. Thus, the stepped waterfront is a variable use system which affords users to interact with the site and the river as they change.
03
The facade consists of corbelled pre-fabricated concrete units that are post-tensioned with horizontal cables to create stabilization. The exterior facade is covered with a layer of insu-lation and steel panels. The resulting openings are sealed with glass bricks to allow an ambient interior lighted condition. The filtered light prevents damage to the museum pieces inside.
5 mCONCRETE WALL UNITGLASS BLOCK UNIT
.25 m
FACADE DIAGRAMS
V&A MUSEUM DUNDEE
ITZLI CEJA + PIANKA PAUL
DUNDEE, SCOTLAND, UK
LOCATION PLAN
DESIGN DEVELOPMENT
DYNAMIC HORIZONTAL BANDS
FALL 2011
DRAWING TITLE
ELEVATOR CORE
FIRE EXITSERVICE ENTRANCEPUBLIC CIRCULATION
| 16
V&A MUSEUM DUNDEE
ITZLI CEJA + PIANKA PAUL
DUNDEE, SCOTLAND, UK
LOCATION PLAN
DESIGN DEVELOPMENT
DYNAMIC HORIZONTAL BANDS
FALL 2011
SCALE :
DRAWING TITLE
DRAWING NUMBER
REVISIONSDATE DESCRIPTIONN0.
PRELIMINARY 210/13/11
9/19/11
5
4
3
2
PRELIMINARY 11
10/26/11 MIDTERM
AFTER MIDTERM
SITE PLAN
A-100
1 : 500
11/16/11
FINAL REVIEW12/09/11
|A museum that becomes a artDYNAMIC HORIZONTAL BANDS
|17
| 18
TIDE
HIGH
LOW
TIDE
FL1
FL
FL2
FL3
FLROOF
GROUND
10/26/11 MIDTERM
AFTER MIDTERM
2ND FLOOR PLAN
A-102
1 : 200
11/16/11
V&A MUSEUM DUNDEE
ITZLI CEJA + PIANKA PAUL
DUNDEE, SCOTLAND, UK
LOCATION PLAN
DESIGN DEVELOPMENT
DYNAMIC HORIZONTAL BANDS
FALL 2011
SCALE :
DRAWING TITLE
DRAWING NUMBER
REVISIONSDATE DESCRIPTIONN0.
PRELIMINARY 210/13/11
9/19/11
5
4
3
2
PRELIMINARY 11
GALLERIES
OBJECT PREPARATION
OBJECT STORAGE
STORAGE
MACHINE ROOM15
15
11
11
12
12
14
14
13
13
A1
A2A3
B1
B2B3B4
D1
E1
F1
C1
A-301
A-301
A-300
A-300
FINAL REVIEW12/09/11
|19
LOW
HIGH
TIDE
TIDE
FL1
FL
FL2
FL3
FLROOF
GROUND
HIGH
FL1
TIDE
TIDE
FL
FL2
FL3
FLROOF
GROUND
LOW
GLASS BLOCKS
PLASTER ON TOP OF SHEETROCK
WEAR COURSE
GRAVEL
ROOF DECK
RIGID INSULA
STEEL ANGLE
METAL GRAVEL STOP
ROOFING MEMBRANE
TREATED WOOD NAILER
ANSION STRIP
PRECAST CONCRETE UNITS
TIO
EXP
N
PRECAST CONCRETE WHITE PANEL
STEEL JOIST
PRECAST CONCRETE STEPS
TENSILE REINFORCEMENT
CONCRETE PILES
MORTER JOINTS
LIGHT WEIGHT CONCRETE
STEEL DECK
STEEL CAP
RAFTER
PURLIN
PRECAST CONCRETE STAIRS
SUPPORT WIRE
LIGHT GAUGE FRAME
CASTELATED BEAMS
GLASS ROOF
FASTENING PLATES
10/2
6/11
MID
TERM
AFT
ER M
IDTE
RM
WA
LL S
ECTI
ON1
: 40
11/1
6/11
FIN
AL
REVI
EW12
/09/
11
A-5
00
V&A
MUS
EUM D
UNDE
E
ITZLI
CEJA
+
PIAN
KA
PAUL
DUND
EE, SC
OTLAN
D, U
K
LOCA
TION
PLAN
DESIGN
DEVE
LOPM
ENT
DYNA
MIC
HORIZO
NTAL
BAND
SFALL 201
SCALE
:
DRAW
ING TITLE
DRAW
ING N
UMBE
R
REVISIONS
DATE
DESC
RIPTION
N0.
PRELIMINAR
Y 2
10/13/11
9/19/11
5432
PRELIMINAR
Y 1
1
| 20
|21
V&A MUSEUM DUNDEE
ITZLI CEJA + PIANKA PAUL
DUNDEE, SCOTLAND, UK
LOCATION PLAN
DESIGN DEVELOPMENT
DYNAMIC HORIZONTAL BANDS
FALL 2011
SCALE :
DRAWING TITLE
DRAWING NUMBER
REVISIONSDATE DESCRIPTIONN0.
PRELIMINARY 210/13/11
9/19/11
5
4
3
2
PRELIMINARY 11
10/26/11 MIDTERM
AFTER MIDTERM
SITE PLAN
A-100
1 : 500
11/16/11
FINAL REVIEW12/09/11
CORE
FACADESTEPPED ROOF
EMBEDDED FACADE STAIRMAIN CIRCULATION
ADA SITE CIRCULATION
GLASS ROOF ENCLOSURE
10/26/11 MIDTERM
AFTER MIDTERM
STRUCTURE DIAGRAMS
11/16/11
V&A MUSEUM DUNDEE
ITZLI CEJA + PIANKA PAUL
DUNDEE, SCOTLAND, UK
LOCATION PLAN
DESIGN DEVELOPMENT
DYNAMIC HORIZONTAL BANDS
FALL 2011
DRAWING TITLE
REVISIONSDATE DESCRIPTIONN0.
PRELIMINARY 210/13/11
9/19/11
5
4
3
2
PRELIMINARY 11
N
CORE
FLOOR PLATE
WALL ELEMENTSand BEAMS
PILES
In order to create a dynamic space, the concept of dynamic horizontal bands was incorporated into every aspect of the museum; the site, the facade, the roof. These general af-fects are inherent to the museums enclosure. Additionally, museum cu-rating and circulation are unique to this building because they follow the logic of the dynamic horizontal bands. In order to differentiate, the cores and floor plates juxtapose the facade; the floors act as varied viewing plates that allow the user to literally move from main circulation embedded into the facade onto the plates. This motion repeats itself and in order to move through the building, one must always return to the facade in order to walk to the next plate. Certain wall elements are further extruded into shelves to house curated museum pieces.
| 22
|23
Physical Models
12
SEATING
STAGE
Inside of the main opera
The Opera house driven from minimal surfacesOPERATIC OPERATIONS
| 24
|1
4
4
6
751
1
2
2
4
5
6
7
SEATINGSEATING
STAGESTAGE
DRESSING ROOMSDRESSING ROOMS
REHEARSAL ROOM
TICKET OFFICE
LOBBY
The main opera
Inside of the main opera
The Opera house driven from minimal surfacesOPERATIC OPERATIONS
By studding cell iteration, the initial design goal was to produce a variety of spac-es through attractor points across the grated mat mor-phologies. The tessellation of the cells helped to create an urban park consists of opera houses, theater, shopping plac-es, administrative buildings and parking garage. Because the site encompasses a large urban exterior span that meets the subway station underground. The main opera house acts as a monument connecting the ex-isting the Republic Monument of Taskim Square and other parts of the connected form abut-ting edge mimics the residential row housing to create distinct neighborhood parks/ lawns.
25 |
Since Riga, Latvia has a distinctive quality of light, the concept of the terminal is to create a dynamic skin by parametric modeling that will respond to the light. Para-metrically the skin could be open both horizontally and vertically and three attrac-tor points control the openings. The vertical openings are highest around the middle of the terminal and it decreases as it moves towards the piers and the horizontal openings are the opposite. The extruded skin will help to prevent direct light into the building. Both the Schengen and Non-Schengen sides of the terminal are identi-cal that the entire passenger could enjoy the same experience. The arrivals people are greeted by the grand scale arrival zone and it gives them a friendly welcome.
SCALE = 1:1000SECTION : B- B
SCALE = 1:1000SECTION : A - A
SECTION: A-A
SECTION: B-B
| 26
A terminal where the performative skin respond to the light
|SCALE = 1:1000SECTION : B- B
SCALE = 1:1000SECTION : A - A
AIR BALTIC TERMINAL, RIGA
EXTERIOR SKIN
MULLION
FLOOR SLAB
COLUMNS
STRUCTURAL GRID
RADIANT AIR BALTIC
|27
A terminal where the performative skin respond to the light
| 28
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B737-500B737-500
4.5720
B737-500
B737-500
B737
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B737-500
4.5720
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B737-500
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B737-500B737-500
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B737-500B737-500
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B
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M
M
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2 nd FLOOR PLAN
M
M
M
M
DUTY FREE
RETAIL
FOOD AND BEVERAGE
BAR
RESTROOMS
OFFICES
AIR SIDE
LANDSIDE
TICKET AND BOARDING PASS CHACK IN
SECURITY CHECK
B737-500
F-70
AB737-500
B737-500
F-70
PassportControlPoint PassportControlPointPassportControlPointPassportControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
PassportControlPointPassportControlPoint PassportControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
PassportControlPointPassportControlPointPassportControlPointPassportControlPoint PassportControlPoint
InmigrationControlPoint
PassportControlPointPassportControlPoint PassportControlPointPassportControlPoint PassportControlPoint PassportControlPointPassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPointPassportControlPointPassportControlPoint PassportControlPoint PassportControlPoint
InmigrationControlPoint
PassportControlPointPassportControlPointPassportControlPointPassportControlPoint
AIR SIDE
LAND SIDE
BUS STAND
TAXI STAND
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SHAKER ARTI-
HEAT STACK
MULTIPLE FUNCTIONS
OBSCURATION
PIANKA PAULAD3 2010ERIK CARVER
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SHAKER COMMODESHAKER TOWN COLLECTIONLOCATION: HANCOCK SHAKER VILLAGEDATE : 1830
The three performances and affects in-herent in the Shaker commode are: heat stack, obscuration, and multiple flow.
Similar to heat stack, the odors travel from the commode through holes, metal tubes and the chim-ney and released in the air. This type of commode was mainly used in the infirmary because of the hy-gienic quality of this. The odors also had a chance to travel from different part of the commode. The shakers used tri-folded screen for privacy.
Dance pavilion: performance driven from Shaker commode
SHAKERS REGIMEN
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The Horizontal two-way frame structure of the pavilion will ar-rive from the performance of the artifact (Commode). It also helps to bring the natural light inside as well as the ventilation in to the space. The overall structure of the pavilion will represent the heat stack where the hot air from the dance floor will rise up and the cool air will come from the bottom. The panels from the overhangs and the walls will be obscure that those obscured the sun and the view from others. The program is separated into three-separated area to create different airflows. They are, a big en-closed open roof dance hall, a open small dance hall shaded by a overhang, and the enclosed area including the rest rooms, storage and the kitchen.
Dance pavilion: performance driven from Shaker commode
The concept of the museum arrive from the three perfor-mance of the shaker Commode, heat stack, obscurity and multiple flow. The design of the museum assisted the exhibi-tion of shaker culture at varying scales: artifacts, family, village, and the society. The tower act as core and it is a unusual space in the museum, where there is a indoor garden at the ground level. Being inside the tower, a person will feel holy because of the darkness and the little light comes from the top and from the opening in the facade. The tower also creates a heat stack effect. The faade of the mu-seum is perforated metal and it creates obscurity. The size of the holes depends on the side of the museum. Southern side has smaller holes then northern side. The openings al-low day light but prevents direct sunlight into the museum. The inverted pyramid shape also help shading the building.
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Shaker museum: performance driven from Shaker commodeSHAKERS REGIMEN
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|7.
7
8.
8
14.
1415.
15
COLLECTION STORAGE
LOADING DOCK
LOBBY/ TICKETS
LEVEL : 1
LOUNGE/ CAFE
A
B
A
B
18.
17. FIRE STAIRS
9. FREIGHT LIFT
ELEVATOR
18
17
9
Shaker museum: performance driven from Shaker commode
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GALLERY SEQUENCE
INTERIOR CIRCULATION
ADMINISTRATION
STORAGEPUBLIC AMENITY
EXHIBITION
NORTH ELEVATION
SECTION : B - B
NATURAL VENTILATION THROUGH NEGATIVE SPACE
STRUCTUREGIRDER = W-SHAPE
JOIST = OPEN WEB STEEL JOISTCOLUMN = SQUARE TUBINGFOUNDATION = CONCRETE
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NORTH ELEVATION
SECTION : B - B
PIANKA [email protected]: 515-612-0917