5
IMI NATIONAL GUIDELINES Photography of Cleft Audit Patients The IMI National Guidelines have been prepared as baseline guides on specific aspects of medical illustra- tion practice, and provide auditable standards for the future. They can be implemented in full, or may be amended according to individual requirements. The following, which is the first in the series to be published in this journal, is an abridged version of guidelines prepared by Marie Jones. The full version of this and the other guidelines can be read or down- loaded at www.imi.org.uk. Standards for photography . Standardization is the key to good medical photogra- phy. This applies to background, lighting, magnification and patient positioning. . If photography is not taking place in a studio, use a temporary background such as a white sheet or a plain wall. Avoid cluttered backgrounds as they are distracting. . Ensure that the camera lens and the photographer are aligned and parallel to the subject; this reduces the possibility of image perspective distortion due to poor positioning. The camera should be positioned so that the lens axis is horizontal and the camera back vertical. . If the camera viewfinder has a grid, use this to check the positioning. The mid-vertical gridline should pass through the mid-sagittal plane or median plane of the face. The mid-horizontal gridline passes through the Frankfurt horizontal plane (see diagram below). . Both the patient and the photographer should have suitable seating, which must be supportive. . The patient’s hair should be pulled back off the face. The ears should be visible so that the tragus may be aligned with the camera. This is especially important in the lateral views. . Adjust the patient’s chin position and head tilt until the head is correctly aligned. This may need to be checked several times before the final shot is taken. . Make a note of the views and magnifications used, so that they can be repeated. . The National Cleft Audit Photography Group recom- mend the use of a black or white background. . Standardized lighting should be used. Studio lights should be positioned at 45to the patient and be level to the patient’s head. To obtain ‘softer’ lighting without prominent specular highlights, large reflector umbrellas may be used. Babies Magnification ratio 1:8 AP facial view (01) 1. It is easier to photograph young babies lying down, at least until the age of six months when they begin to sit up by themselves. Provide a baby changing mat or a gym mat covered with either a towel or a sheet. The colour of these should match your normal background colour as closely as possible. A plain white sheet is preferable as an alternative. It may be helpful for a parent or a colleague to hold the baby gently whilst photography is taking place. Follow the general rules for alignment as previously stated. The magnification ratio should be 1:8. Do not try to fill the frame with the image. The same magnification can then be used for the entire photographic record of the patient. If possible, ask the parent to remove the baby’s clothes, especially loose vests that may obscure part of the face. Ask the parent to lie the baby on his/her back on the mat. The parent should kneel to one side of the baby to avoid being in view or obstructing the lights. The parent should place the flat of their hands alongside the baby’s arms; this keeps them out of shot and prevents the baby from wriggling too much. In general, young babies are quite happy to be in this position as they feel secure with the support of their parents’ hands. Right and left lateral facial views (03 and 04) 2. To photograph the lateral view, ask the parent to turn the baby onto his/her side. The parent should place the flat of one hand alongside the baby’s arm, holding the arms close to the baby’s abdomen. The other hand should be The correct positioning for facial views. Journal of Audiovisual Media in Medicine, Vol. 27, No. 4, pp. 170–174 ISSN 0140-511X printed/ISSN 1465-3494 online/04/040170-05 # 2004 Institute of Medical Illustrators DOI: 10.1080/01405110500035643 J Vis Commun Med Downloaded from informahealthcare.com by University of Auckland on 11/03/14 For personal use only.

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Page 1: Photography of Cleft Audit Patients

IMI NATIONAL GUIDELINES

Photography of Cleft Audit Patients

The IMI National Guidelines have been prepared as

baseline guides on specific aspects of medical illustra-

tion practice, and provide auditable standards for the

future. They can be implemented in full, or may be

amended according to individual requirements. The

following, which is the first in the series to be

published in this journal, is an abridged version of

guidelines prepared by Marie Jones. The full version of

this and the other guidelines can be read or down-

loaded at www.imi.org.uk.

Standards for photography

. Standardization is the key to good medical photogra-

phy. This applies to background, lighting, magnification

and patient positioning.

. If photography is not taking place in a studio, use a

temporary background such as a white sheet or a

plain wall. Avoid cluttered backgrounds as they are

distracting.

. Ensure that the camera lens and the photographer

are aligned and parallel to the subject; this reduces

the possibility of image perspective distortion due to

poor positioning. The camera should be positioned so

that the lens axis is horizontal and the camera back

vertical.

. If the camera viewfinder has a grid, use this to check the

positioning. The mid-vertical gridline should pass

through the mid-sagittal plane or median plane of the

face. The mid-horizontal gridline passes through the

Frankfurt horizontal plane (see diagram below).

. Both the patient and the photographer should have

suitable seating, which must be supportive.

. The patient’s hair should be pulled back off the face.

The ears should be visible so that the tragus may be

aligned with the camera. This is especially important in

the lateral views.

. Adjust the patient’s chin position and head tilt until the

head is correctly aligned. This may need to be checked

several times before the final shot is taken.

. Make a note of the views and magnifications used, so

that they can be repeated.

. The National Cleft Audit Photography Group recom-

mend the use of a black or white background.

. Standardized lighting should be used. Studio lights

should be positioned at 45‡ to the patient and be level to

the patient’s head. To obtain ‘softer’ lighting without

prominent specular highlights, large reflector umbrellas

may be used.

Babies

Magnification ratio 1:8

AP facial view (01)

1. It is easier to photograph young babies lying down, at

least until the age of six months when they begin to sit up

by themselves. Provide a baby changing mat or a gym mat

covered with either a towel or a sheet. The colour of these

should match your normal background colour as closely

as possible. A plain white sheet is preferable as

an alternative. It may be helpful for a parent or a

colleague to hold the baby gently whilst photography is

taking place. Follow the general rules for alignment as

previously stated. The magnification ratio should be 1:8.

Do not try to fill the frame with the image. The

same magnification can then be used for the entire

photographic record of the patient. If possible, ask the

parent to remove the baby’s clothes, especially loose vests

that may obscure part of the face. Ask the parent to lie the

baby on his/her back on the mat. The parent should kneel

to one side of the baby to avoid being in view or

obstructing the lights. The parent should place the flat of

their hands alongside the baby’s arms; this keeps them out

of shot and prevents the baby from wriggling too much. In

general, young babies are quite happy to be in this

position as they feel secure with the support of their

parents’ hands.

Right and left lateral facial views (03 and 04)

2. To photograph the lateral view, ask the parent to turn

the baby onto his/her side. The parent should place the flat

of one hand alongside the baby’s arm, holding the arms

close to the baby’s abdomen. The other hand should beThe correct positioning for facial views.

Journal of Audiovisual Media in Medicine, Vol. 27, No. 4, pp. 170–174

ISSN 0140-511X printed/ISSN 1465-3494 online/04/040170-05 # 2004 Institute of Medical Illustrators

DOI: 10.1080/01405110500035643

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Page 2: Photography of Cleft Audit Patients

placed along the baby’s back for support. Check that the

background material covers the area being photographed.

Magnification ratio 1:4

AP lips close-up view (05) and AP lips worm’s eye view

(07)

3. Babies are best photographed lying down for these

views. A parent may need to hold the baby’s head, but

must avoid obscuring any part of the face if possible.

More of the baby’s head will fall within the frame than

with an older child or adult, but the magnification should

be 1:4 for continuity. Position the baby on the mat as

before. A towel or other kind of padding may be placed

beneath the background material to fit in the nape of the

baby’s neck. This will allow his/her head to be tilted back

slightly for ease of photography.

This method may also be used for very young toddlers.

However, if a toddler or young child is not comfortable

with this method or with tilting the head back, a parent

may need to stand behind the child so that he/she can rest

their head on the parent. Some children feel safer doing

this. If this method is used, a sheet should be held in front

of the parent to ensure an even background.

Adults and children

Magnification ratio 1:8

AP facial views (01 and 02)

4. When photographing the AP views in young children, a

parent or colleague may need to support the child or sit

close to them. Any loose hair should be tied back from

the face. Collars should not obstruct the view of the neck.

Use the grid screen in the camera to position the face

correctly. Use the Frankfurt horizontal to ensure correct

alignment.

The photographer should be seated correctly and be level

to the patient. It may be necessary for the photographer to

kneel on the floor to be level with a small child.

The patient should be seated with their back and head

held as straight as possible.

Faces are frequently asymmetrical, therefore do not try

to overcorrect the natural asymmetry of the patient.

Right and left lateral facial views (03 and 04)

5. When photographing the lateral views in young

children, a parent or colleague may be able to help by

asking the child to look at them. Babies often respond to

the sound of keys jangling.

Magnification ratio 1:4

Lip views (05–07)

6. These views look at the lips in detail. They should be

taken in portrait format. Observe the general rules for

alignment as before. A magnification ratio of 1:4 is

required for each of these views.

AP lips close-up view (05) and lips blowing view (06)

7. Align the vertical grid through the midline of the face.

8. Ask the patient to purse their lips or whistle. A younger

child will probably understand ‘blowing out a candle’. Try

asking the child to blow a piece of paper first if necessary.

Lips worm’s eye view (07)

9. The patient should tip their head back a little.

The horizontal grid passes along the base of the nose

and the vertical grid through the midline of the face. To

obtain the correct ‘worm’s eye view’, the base of the nasal

alar should be aligned at 90‡ to the camera lens axis. The

lip should not obstruct the base of the nose.

Intra-oral views of teeth in occlusion

Magnification ratio 1:2

Intra-oral views (08–10a)

10. Observe the general rules for alignment. Use a magnifica-

tion ratio of 1:2. A ring-flash is the most suitable form of

lighting for intra-oral views. A Nikon Macro Speedlight ring-

flash attached to a 105-mm lens or a Nikon Medical Nikkor

lens may be used. A handheld or camera-mounted flash may

be used if a ring-flashis not available.Great caremustbe taken

to hold the camera and flash steady. At high magnification it is

easy to get camera shake.

These views illustrate the patient’s ‘bite’. It is not always

possible to show the occlusion of the back teeth effectively.

It can be difficult to obtain the correct oblique teeth

position and show the back teeth at the same time. ‘True

lateral’ mirror views (08a and 10a) may be used as an

alternative to ‘lateral’ teeth views in order to show the

occlusion of the back teeth (see note 18).

The patient will need to have lip retractors in his mouth

to draw the lips sideways and outwards away from the

teeth. Keep tissues handy as the retractors often make the

patient dribble. Most, but not all young children, will

tolerate the retractors. Parents may need to hold the

retractors in the correct position. The parent can stand

behind the child whilst holding these. The child can then

gently rest their head on their parent and they may feel

more secure doing this. It is important to try and keep the

head level once the retractors are in place. Retraction may

be difficult due to lip scarring.

AP teeth view (09)

11. The patient needs to bite on their back teeth. The hori-

zontal gridline should pass through the bite line (occlusal

line). Do not try to overcorrect an asymmetrical bite line.

Focus one third in to achieve the maximum depth of field.

Right and left lateral teeth views (08 and 10)

12. Ask the patient to turn at an oblique angle to the

photographer, until the farther incisors and part of the

canine are visible. To obtain the most efficient lip

retraction, pull upwards and backwards on the retractor

nearest to the photographer. Release the other retractor

(furthest from the photographer) a little, this will make

IMI National Guidelines 171

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Page 3: Photography of Cleft Audit Patients

it more comfortable for the patient and allow more

retraction on the nearer retractor.

Palate views

Magnification ratio 1:2 (or 1:2.5)

Palate views (11–14)

13. Lighting as for teeth views, with a magnification ratio

of 1:2 (or 1:2.5), all landscape format.

Hard palate view (11)

14. Ask the patient to tilt their head back a little. A parent

may need to stand behind the young child, so that the

child may rest their head on the parent. Ask the patient to

open their mouth as wide as possible. Adjust camera angle

until a good view of the hard palate is obtained. Focus on

the hard palate. The vertical midline in the camera should

line up with the midline of the palate.

Babies hard palate view (11)

15. It is preferable to photograph the palate in theatre, as

it is difficult to obtain a good view of the palate without

making the baby cry; this can be distressing for the parent.

Mirror palate view to show upper dentition (12)

16. If the standard magnification of 1:2 appears too tight,

then use 1:2.5. A dental mirror is required. To prevent the

AP facial views (01–02) and right and left lateral facial views (03–04).

AP lips close-up view (05), AP lips blowing view (06), and AP lips worm’s eye view (07).

Right lateral teeth view (08), AP teeth view (09) and left lateral teeth views (10).

172 IMI National Guidelines

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Page 4: Photography of Cleft Audit Patients

Hard palate view (11), mirror palate view (12), soft palate at rest view (13) and soft palate lifting view (14).

Optional facial views (15–18).

Right and left true lateral mirror views (08a and 10a).

IMI National Guidelines 173

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Page 5: Photography of Cleft Audit Patients

mirror from misting up, it should be warmed slightly, by

using warm water. Care should be taken not to burn the

patient. Ensure that the mirror is completely dry before

photography. The mirror should be pushed back into the

mouth until the back teeth are visible. This is best done

very slowly as it may make the patient gag, or the patient

can be asked to insert the mirror themselves. The patient

will need to hold the mirror in place. A parent may need to

do this for a young child. The top lip needs to be pulled

back away from the teeth. This can be achieved by asking

the patient to grin, or by using a small lip retractor if

necessary. If there is lip scarring the top lip may be tight

and it may be difficult to pull back. Focus on the occlusal

surface, and when ready, ask the patient to hold their

breath and take the shot as quickly as possible before the

mirror starts to mist up. If a second shot is needed, the

mirror may need to be warmed again.

Soft palate at rest view (13)

17. Ask the patient to open their mouth as wide as

possible. Adjust the camera angle until a good view is

obtained. Focus on the soft palate. This view is fairly

straightforward but it is often difficult to keep the tongue

from obscuring the palate. Using a tongue depressor does

not generally help as patients tend to gag.

Soft palate lifting view (14)

18. Photography as for view 13. To obtain a view of the

palate lifting up, ask the patient to say a long ‘aargh’.

Alternatively a deep gasp in causes the palate to be lifted.

As with view 13, it is often difficult to keep the tongue out

of the way. However, it is important to see the uvula, so

several attempts should be made until a satisfactory result

is obtained.

Optional views

Magnification ratio 1:8

Facial views (15 and 16)

19. These views demonstrate an uneven bite. Align the face

as for AP views.

Facial views (17 and 18)

20. Align the face as for AP views. For correct positioning

of oblique facial views, the tip of the nose should be

aligned to the cheek, or a 45‡ angle can be measured and

marked on the floor of the studio.

Magnification ratio 1:4

Lip view (05a)

21. Align the face as for view 05.

Magnification ratio 1:2

Right and left true lateral mirror views (08a and 10a)

22. True lateral views may be required when it is difficult

to show the occlusion of the back teeth. A small mirror

will need to be placed adjacent to the back teeth and

moved outwards (approximately 80‡). The mirror is then

photographed. Ensure the mirror is warmed first, to

prevent it misting. Take care that the mirror is not too hot.

174 IMI National Guidelines

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