26
Photo I Motion

Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

  • Upload
    others

  • View
    1

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Photo I

Motion

Page 2: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Stop

Action

Pan

Deliberate

Blur

Page 3: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Stop

Action

PanDeliberate

Blur

Page 4: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Stop Action• Use fast shutter speed – 1/250 or faster

• Pre – focus lens while subject is stationary.

• Works best in bright, sunny conditions

• Keep camera in one spot, wait for subject to enter the frame then press shutter release

Page 5: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 6: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 7: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 8: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 9: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 10: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 11: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 12: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 13: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 14: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Deliberate Blur• Use slow shutter: 1/60 or under

• Pre-focus on while subject is

still

• Rest camera on a flat sturdy

surface or use tripod

• Look for natural movement

Page 15: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 16: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 17: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 18: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 19: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 20: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 21: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 22: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Pan• Use shutter speed 1/60 - 1/125

• Pre-focus on subject while still

• Move camera smoothly in the direction of the moving subject

• Subjects moving side-to-side work best (not toward/away from you)

Page 23: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 24: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 25: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds
Page 26: Photo I · •Move camera smoothly in the direction of the moving subject •Subjects moving side-to-side work best (not toward/away from you) Plan Ahead •To increase your odds

Plan Ahead• To increase your odds for success shoot 4-5

different subjects and shoot multiple exposures of each type of motion.

• Don’t forget to focus the lens while your subject is stationary FIRST!

– You cannot focus WHILE the subject is moving.

• Decide on your composition first and practice setting up shots BEFORE pressing the shutter release