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1 PHI 300: Introduction to Philosophy A Cinematic Approach Dr. Tanya Rodriguez Assistant Professor of Philosophy Office: FFA114 Office Hours: MW 1:302:30 and TTH 10:3011:30 Phone: (916) 5582109 Email: [email protected] Course Website: https://thinkingbeings.wordpress.com/ This course uses critical thinking techniques to analyze and evaluate the positions, arguments, and methods of different thinkers as expressed in primary texts. Typical topics include human freedom, the belief in God, the nature and limits of scientific knowledge, the basis of moral judgments. Course Goals and Objectives The goals of the course are to provide students with no previous background in philosophy with an introduction to the method of analytic inquiry and to equip them to critically read, assess, and write philosophical prose that draws upon film for demonstration and clarification. The objectives of this course are to develop ability and skills in: a) Interpreting texts by accurately and fully describing concepts and arguments b) Reasoning about ideas by (i) evaluating the content, structure, and strategies of philosophical works and (ii) applying concepts and arguments to contemporary issues and their own lives, and c) Collaborating with other students, and presenting and supporting their ideas in public through class participation. d) Applying the contributions of Epistemology, Philosophy of Mind, and Value Theory to our understanding of ourselves and the meaning of life. e) Utilizing film analysis as method and application of philosophical theory. Text All required readings are available online at https://thinkingbeings.wordpress.com/readings/ password: PHIL300

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 PHI 300: Introduction to Philosophy

A Cinematic Approach  

Dr.  Tanya  Rodriguez  Assistant  Professor  of  Philosophy  Office:  FFA-­‐114  Office  Hours:  MW  1:30-­‐2:30  and  TTH  10:30-­‐11:30  Phone:  (916)  558-­‐2109  E-­‐mail:  [email protected]  

Course  Website:  https://thinkingbeings.wordpress.com/  

 This  course  uses  critical  thinking  techniques  to  analyze  and  evaluate  the  positions,  arguments,  and  methods  of  different  thinkers  as  expressed  in  primary  texts.  Typical  topics  include  human  freedom,  the  belief  in  God,  the  nature  and  limits  of  scientific  knowledge,  the  basis  of  moral  judgments.  

 Course  Goals  and  Objectives    The  goals  of  the  course  are  to  provide  students  with  no  previous  background  in  philosophy  with  an  introduction  to  the  method  of  analytic  inquiry  and  to  equip  them  to  critically  read,  assess,  and  write  philosophical  prose  that  draws  upon  film  for  demonstration  and  clarification.  The  objectives  of  this  course  are  to  develop  ability  and  skills  in:  

a)  Interpreting  texts  by  accurately  and  fully  describing  concepts  and  arguments  

b)  Reasoning  about  ideas  by  (i)  evaluating  the  content,  structure,  and  strategies  of  philosophical  works  and  (ii)  applying  concepts  and  arguments  to  contemporary  issues  and  their  own  lives,  and  

c)  Collaborating  with  other  students,  and  presenting  and  supporting  their  ideas  in  public  through  class  participation.  

d)  Applying  the  contributions  of  Epistemology,  Philosophy  of  Mind,  and  Value  Theory  to  our  understanding  of  ourselves  and  the  meaning  of  life.  

e)  Utilizing  film  analysis  as  method  and  application  of  philosophical  theory.  

 

Text  

All  required  readings  are  available  online  at  https://thinkingbeings.wordpress.com/readings/  

password:  PHIL300  

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Learning  Outcomes:  

1. demonstrate  familiarity  with  the  basic  issues  and  elementary  concepts,  and  some  positions  and  arguments,  in  epistemology,  metaphysics,  ethics,  and  theories  of  justice;  

2. demonstrate  familiarity  with  some  example(s)  of  ancient  Greek  philosophical  writing  and  with  the  three  main  types  of  normative  ethical  theory:  deontology,  consequentialism,  and  virtue  ethics;  

3. identify  arguments  and  their  premise(s)  and  conclusion(s),  implicit  assumptions,  and  make  basic  distinctions  between  strong  and  weak  arguments;  

4. present  elementary  philosophical  positions  and  arguments  in  public  both  verbally  and  in  writing;  5. apply  basic  philosophical  concepts  and  arguments  to  contemporary  issues  and  to  their  own  lives.  

 

No  Excuse  Policy  

• If  you  are  absent,  I  always  assume  it  is  for  a  good  reason.  As  such,  it  is  pointless  to  provide  any  explanation  for  a  missed  class.  However,  consider  that  class  participation  is  vital  to  your  success  in  this  course  and  that  excessive  absences  cannot  help  but  negatively  affect  your  grade.  

• I  usually  begin  class  without  introductions  or  announcements.  It  is  your  responsibility  to  keep  abreast  of  our  schedule  and  other  course  information  via  BlackBoard.  

 

Statement  on  Plagiarism  

• Plagiarism  is  the  presentation  of  someone  else’s  ideas,  words,  or  artistic,  scientific,  or  technical  work  as  one’s  own  creation.  Using  the  ideas  or  work  of  another  is  permissible  only  when  the  original  author  is  identified.  Paraphrasing  and  summarizing,  as  well  as  direct  quotations,  require  citations  to  the  original  source.  

• Plagiarism  may  be  intentional  or  unintentional.  Lack  of  dishonest  intent  does  not  necessarily  absolve  a  student  of  responsibility  for  plagiarism.  

• It  is  the  student’s  responsibility  to  recognize  the  difference  between  statements  that  are  common  knowledge  (which  do  not  require  documentation)  and  restatements  of  the  ideas  of  others.  Paraphrase,  summary,  and  direct  quotation  are  acceptable  forms  of  restatement,  as  long  as  the  source  is  cited.  

• Students  who  are  unsure  how  and  when  to  provide  documentation  are  advised  to  consult  with  their  instructors.  The  Library  has  free  guides  designed  to  help  students  with  problems  of  documentation.  

 

Classroom  Etiquette  

Leaving/Entering  during  class    

Once  a  student  has  entered  the  classroom,  s/he  is  expected  to  stay  until  the  class  period  has  ended.  If  a  student  should  leave  the  classroom  for  any  reason  after  the  class  period  has  begun,  the  student  will  upon  the  first  infraction  be  issued  a  verbal  warning  at  the  time  the  infraction  occurs  or  warned  outside  of  class;  thereafter,  each  infraction  will  result  in  a  one  (1)  point  deduction  from  the  student’s  participation  grade.  Each  time  a  student  violates  this  policy  after  the  initial  

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infraction  and  subsequent  warning,  the  one  (1)  point  deduction  will  be  made  without  notification  to  the  student.    Electronic  devices  

The  use  of  electronic  devices  during  class  time  is  prohibited.  All  electronic  devices  must  be  turned  off  and  stored  out  of  the  instructor’s  sight.  Should  a  student  make  use  of  an  electronic  device  of  any  kind,  in  any  way,  during  class  time  without  permission  from  the  instructor,  the  student  will  lose  one  (1)  point  from  her/his  participation  grade  for  every  infraction  past  the  first,  which  will  constitute  the  student’s  sole  warning.  If,  at  any  time,  the  instructor  observes  a  student's  electronic  device  (whether  or  not  it  is  in  use),  one  (1)  point  will  be  deducted  from  the  student’s  participation  grade.  For  example,  if  a  student  has  headphones  in  her/his  ears  for  a  device  such  as  an  iPod,  or  a  Bluetooth  headset,  even  if  the  device  in  question  is  not  in  use,  the  student  will  lose  one  (1)  point  from  her/his  participation  grade.    

Talking    

If  a  student  engages  in  conversation  or  talking  of  any  sort  while  the  instructor  or  any  other  member  of  the  class  has  the  floor,  that  student  will  be  assessed  a  one  (1)  point  penalty  to  her/his  participation  grade.  

 

Assignments  

Grading:  Your  grade  for  the  course  is  determined  by  your  final  portfolio  (80%)  and  your  class  participation  (20%).      Blog  Assignment  1. Ten  are  required  on  time,  posted  to  your  portfolio  before  class,  minimum  300  words  (not  including  quotes).  2. Final  length  should  be  300-­‐600  words.  3. Drafts  may  be  revised  as  long  as  the  initial  post  is  on  time.  4. Read  the  assigned  pages  carefully  and  choose  at  least  one  passage  from  the  reading  for  analysis.  Always  cite  

specific  page  and/or  paragraph  number.  5. Prompts  are  usually  provided  for  guidance,  but  if  not  you  should  outline  your  ideas  with  respect  to  the  following:  

§ State  and  evaluate  your  chosen  passage’s  thesis.  § Pose  interesting  questions  with  respect  to  the  passage.  § Give  original  examples  that  support  or  undermine  claims  made  in  the  passage.  § Suggest  how  the  passage  ties  in  with  other  course  readings.  

 WordPress  e-­‐portfolios  (80%  of  final  grade):    Sample  and  links  at  prettydeep.wordpress.com  1. Home:  Weekly  blog  entries,  300-­‐600  words    2. Glossary  of  philosophical  terms    3. My  Comments:  Comments  on  other  student  blogs    4. About  Me:  Introduce  yourself.  5. Assessment:  A  statement  concerning  your  class  participation  and  the  grade  you  feel  you  have  earned  for  the  

course  as  a  whole.  Please  justify  your  grade  expectation  with  respect  to  the  specific  expectations  for  this  class.    Classroom  Activities  These  activities  count  for  your  participation  and  are  not  on  the  schedule.  They  cannot  be  made  up  for  any  reason.  I  take  notes  on  performance  during  every  class.  No  credit  is  awarded  for  your  mere  presence  in  the  classroom.  You  

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may  consult  me  at  any  time  if  you  are  unsure  of  your  performance.  I  will  provide  examples  and  coach  you  during  these  activities.  

 Participation  (20%  of  the  final  grade):  Participation  means  more  than  simply  talking,  but  saying  intelligent  and  helpful  things  that  demonstrate  your  familiarity  with  the  assigned  reading.  You  will  be  assessed  on  quality  (not  mere  quantity)  of  discussion.  In-­‐class  writing,  group  projects  and  informal  blog  presentations  (instructions  below)  count  for  participation.  These  may  not  be  made  up  outside  of  class.  

 Think/Pair/Share  

1. Read  the  assigned  passage  quietly  to  yourself.  Underline  important  points  and  make  interpretive  notes  in  the  margin.  (10  minutes).  

2. Discuss  the  passage  with  your  partner.  Come  to  some  conclusion  about  its  meaning  and  think  of  a  simple  way  to  explain  it  to  the  rest  of  the  class.  (15  minutes).  

3. I  will  choose  which  partner  will  present  your  findings  to  the  rest  of  the  class,  but  both  partners  are  responsible  for  the  content  of  the  share.  

 Learning  Circle  Sometimes,  I  will  put  the  entire  class  in  a  circle.  Those  students  who  have  written  blogs  for  that  day,  will  give  an  informal  summary  of  their  writing.  Questions  or  comments  are  not  permitted.  during    blog  presentation.  After  the  blog  summaries  are  finished,  the  circle  opens  to  discussion.  Only  one  person  may  speak  at  a  time.  Philosophy  is  not  a  blood  sport  in  my  classroom,,  and  discussion  is  expected  to  be  a  cooperative  exploration  of  the  material  

 Deep  Reading  1. Read  the  passage.  2. Re-­‐read  the  passage  and  sketch  a  rough  outline.  3. Refine  the  basic  argument  presented  in  standard  form.  

§ Sometimes  I  will  ask  you  to  write  step  three  on  the  board  when  you  finish  it.  4. Pose  interesting  questions  or  illustrate  the  point  original  examples.  

§ Steps  3-­‐5  should  be  written  on  the  provided  index  cards  and  turned  in  after  discussion.      

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This  is  only  a  very  rough  outline  of  our  reading  schedule,  subject  to  frequent  revision.  KEEP  UP  TO  DATE  via  thinkingBeings.wordpress.com  

Week  1    Introductions  &  Syllabus  

• Sign  up  with  WordPress.com  

• Set  up  your  e-­‐portfolio  at  wordpress.com  according  to  the  guidelines  on  the  assignments  page.  

• Email  Dr.  T  with  your  blog  address  (say  which  class/time/day/section  you  are  in)  …  DUE  BY  MONDAY,  8/31  

• Follow  me  on  the  course  website:  thinkingbeings.wordpress.com.  

• Read  the  syllabus  carefully  and  explore  the  website.  

• See  blog  examples  athttps://thinkingbeings.wordpress.com/blogroll/  

 Philosophical  Argumentation  

Week  2  

• In  class:  review  student  blogs,  WordPress  Q  &  A  

"Informal  Logic"  

Blog  Prompt:  o  Give  your  own,  original  example  of  a  valid  argument  with  a  false  conclusion.  o  Give  your  own,  original  example  of  a  valid  argument  with  a  true  conclusion.  o  Give  your  own,  original  example  of  a  sound  argument.  o  Give  your  own,  original  example  of  a  persuasive  argument  based  on  induction.  

 Week  3      "Fallacy  Database"      

Blog  Prompt:  o  Give  your  own,  original  examples  for  the  following  ten  fallacies,  plus  two  of  your  own  choice.    

1)  Begging  the  Question  2)  Ad  Hominem  3)  Equivocation  4)  Slippery  Slope  5)  Straw  Man  6)  Tu  Quoque  7)  Non-­‐sequitur  

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8)  False  Dichotomy    9)  Argument  from  ignorance  10)  Red  Herring  

 *Hint:  These  would  also  be  good  definitions  to  add  to  your  portfolio  glossary.  

Knowledge  and  Faith  Week  4  Clifford,  "THE  ETHICS  OF  BELIEF"          Blog  Prompt:  

• Do  you  see  any  fallacies  in  Clifford's  reasoning?  Reconstruct  one  of  his  arguments  in  standard  form.  Then  evaluate  that  argument  for  soundness  and  validity.  What  practical  significance  does  Clifford's  thesis  have?    

William  James,  “The  Will  to  Believe”    

   Week  5      Film  Screening  and  Discussion  

   Week  6    Mill,  “Utilitarianism”      

Blog  Prompt:  o  What  is  Mill’s  principle  of  utility?  What  does  he  mean  by  “utility?”  o  How  does  Mill  explain  the  fact  that  some  people  choose  lower  pleasures  over  higher  pleasures?  

Do  you  agree  with  his  assessment?      Kant,  “The  Categorical  Imperative”  (sections  5  &  6)  

 Blog  Prompt:  • o  The  Golden  Rule  says  that  you  should  do  unto  others  as  you  would  have  them  do  unto  you.  What  is  

the  difference  between  the  Golden  Rule  and  the  categorical  imperative?  Explain.    

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 Week  7  

• Portfolio  Review  Week!!!      

Art  and  Reality  Week  8  Plato,  The  Republic:  Book  X        

Blog  Prompt:  o  Plato's  concept  of  "forms"  or  "ideas"  is  introduced  beginning  at  paragraph  16.  What  is  the  

difference  between  "beds  in  the  world"  and  "the  idea  of  a  bed."  Where  does  "art"  fit  into  his  hierarchical  scheme  of  reality?  

o  Plato  criticizes  art  for  being  "deceptive."  How  does  art  deceive  us,  according  to  Plato?  Do  you  agree  with  this  criticism?  

 Plato,  “The  Allegory  of  the  Cave”        

Blog  Prompt:  o  Is  there  a  parallel  between  the  status  of  the  prisoners  in  Plato’s  cave  and  the  spectators  in  a  

cinema?    

   Week  9      Film  Screening  

   Week  10      Aristotle's  Poetics      

Blog  Prompt:  • What  kinds  of  imitation  does  Aristotle  identify  in  poetry  and  tragedy?  Does  Aristotle  convey  a  

positive  sense  of  the  role  of  imitation  in  art?  Do  you  think  that  his  understanding  of  art  in  terms  of  imitation  provide  a  useful  way  to  understand  what  art  is?  

   Week  11  

Tolstoy  “What  Is  Art?”      Blog  Prompt:    • Tolstoy  uses  the  test  of  infectiousness,  not  only  as  a  descriptive  measure  for  what  should  count  as  

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art,  but  also  as  a  standard  for  good  art  (#28-­‐32).  What  does  he  mean  by  this  standard?  How  does  he  suggest  we  apply  this  test  to  evaluate  art?  Is  this  a  useful  proposal  for  evaluating  the  quality  of  art?  If  you  disagree  with  this  proposal,  how  would  you  challenge  it?  

 Mind,  Body,  Identity  

Week  12      Descartes,  Meditations  on  First  Philosophy  (read  I-­‐III)  

   Blog  Prompt:  

o  Descartes  finally  arrives  at  something  he  takes  to  be  known  with  absolute  certainty.  What  is  it?  How  does  he  claim  to  know  it?  Do  you  think  he  has  proven  anything?    

o  What  does  Descartes  demonstrate  with  the  wax  example?  How  does  it  fit  into  his  main  argument?  

     

 Week  13  

Hume,  Of  Personal  Identity        Blog  Prompt:    

o Hume  believes  that  the  self  is  an  illusion  or  a  fiction.  What  is  his  argument?  Do  you  find  it  convincing?  Why  or  why  not?      

 MacIntyre,  The  Storytelling  Animal  (read  pages  8-­‐11)      Here  is  the  Unity  of  a  Human  Life.PDF  if  you  use  MacIntyre  for  your  paper.  

   Blog  Prompt:  

o Choose  a  passage  from  the  McIntyre  reading  that  describes  a  particular  aspect  of  persons  as  the  subject  of  a  narrative.  Quote  the  passage,  explain  it,  and  tell  a  specific,  personal,  life  experience  that  illustrates  its  significance  with  respect  to  identity  (your  identity).  

o    

   Week  14      Film  Screening:  Memento        

Blog  Prompt  

o Leonard  relies  upon  scribbled  notes  to  connect  him  to  his  past.  He  says  that  eyewitness  testimony  is  worthless:  "Memory  can  change  the  shape  of  a  room..."  Is  he  right?  Do  you  think  our  memories  are  more  reliable  than  his  notes?  Hume  says  identity  is  just  a  habit  we  have.  Do  

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you  think  Hume  would  see  Leonard's  condition  as  any  different  from  our  own?        Film  Screening:  Memento        

Blog  Prompt  o  Do  you  agree  with  Leonard’s  statement  that  we  all  need  mirrors  to  remind  us  who  we  are?  In  the  

movie  the  mirrors  were  his  notes,  the  photographs,  and  tattoos.  What  has  he  become  by  relying  upon  them?  What  would  you  become  without  your  own  mirrors?  

 Freedom  and  Justice  Week  15  

David  Hume,  "The  Obviousness  of  the  Truth  of  Determinism"      

Blog  Prompt:  o Some  philosophers  assert  that  one  of  the  consequences  of  the  argument  against  free  will  is  that  

we  are  not  responsible  for  our  actions.  Would  Hume  agree?  o Would  you  feel  any  differently  about  your  life  in  general—and  your  actions,  thoughts,  and  

feelings,  in  particular—if  determinism  were  true?  Why  or  why  not?      Frankfurt,  "Freedom  of  the  Will  and  the  Concept  of  a  Person"          

Blog  Prompt:  o What  does  it  mean  to  be  a  person,  according  to  Frankfurt?  o Explain  the  order  of  desires,  and  how  they  are  related  to  freedom  of  will.  

 The  Meaning  of  Life  

Week  16  

Sartre,  "Existentialism  is  a  Humanism"        

Blog  Prompt:  o  Explain  Sartre’s  belief  that  we  are  we  are  responsible  for  the  creation  of  morality  and  for  

prescribing  morality  to  everyone  else.  Give  your  own  example  that  demonstrates  this  view  in  addition  to  Sartre’s  own    example  of  marriage.      

     Portfolio  Review!      

     

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